Yesterday
Short Description
Descripción: Arrangement of a Lennon/McCartney classic. Jazzy. SATB div. with solo. Solo COULD be any voice, but prefera...
Description
YESTERDAY Music by: LENNON/MCCARTNEY Arranged by: CARLOS CAMEJO
Lyrics by: LENNON/MCCARTNEY D
Soprano
Alto
Tenor
@@ @ Ç
@ @ @
Yes - ter - day. 2.Sud - den - ly,
Ç
Yes - ter day. 2.Sud - den - ly,
@ 4 @ @ Ç
S
@ Ç @@
A
T
B
@@ @ @ @ @ @ 4@@ @ @@
@ K @
looks as though they're sha - dow hang - ing
looks as though they're sha - dow hang - ing
K @
Ç far used
a - way. to be.
ÇÇ
All I'm
my trou - bles seemed so not half the man I
far used
a - way. to be,
All I'm
my trou - bles seemed so not half the man I
far used
a - way. to be,
All I'm
Now it There's a
@
Now it There's a
my trou - bles seemed so not half the man I
K @ K K
Yes - ter - day. 2.Sud - den - ly,
4
K
All I'm
Yes - ter day. 2.Sud - den - ly,
Bass
K
my trou - bles seemed so not half the man I
here to stay, o - ver me
oh oh
@ K
here to stay, o - ver me
oh oh
@ K K
@ Ç Ç
far used
a - way. to be,
I be - lieve. yes - ter - day
I be - lieve yes - ter day
looks as though they're sha - dow hang - ing
here to stay, o - ver me
oh oh
I be - lieve yes - ter - day
Now it There's a
looks as though they're sha - dow hang - ing
here to stay, o - ver me
oh oh
I be - lieve yes - ter - day
@
C. 2013
in came
G K
Now it There's a
G
in came
(
in came
(
in came
YESTERDAY
2 7
S
@@ @
1.
yes
A
@@@
-
yes
@ 4@@
yes
@ @@
yes
@@ @
10
S
had
A
@@ @
had
T
@ @ @ 4 @
had
B
@ K Ç
@ K Ç
Ç
ter
day.
sud
@ @@
had
-
-
-
ter - day.
sud
sud
to
go,
I
go,
to
go,
to
go,
I
don't
don't
K I
don't
- den - ly.
- den - ly.
(
know,
she would
K
G
know,
know,
I
know,
don't
@ K
2.
K
she would
(
she would
@ @ (
she would
ÇÇ
ÇÇ
she
Ç
Why
Ç
KÇ
@Ç
Why
she
KÇ
Ç
Why
she
Why
- den - ly.
2.
ter - day.
to
@ K
sud
ter - day.
- den - ly.
2.
1.
B
1.
1.
T
Ç
2.
-
-
-
-
n't
she
T
say.
T
T
n't
say.
n't
n't
say.
T T
say.
YESTERDAY
@@ @ ÇÇ
13
S
I
A
T
@@ @
I
Ç
@ 4 @ @ KÇ
@Ç
@ KÇ @@ I
16
S
A
B
@@@
@
some - thing
Ç
Yes
wrong,
now
I
wrong,
now
K
wrong,
now
wrong,
ÇÇ
Yes
@@ » @
G (
»
G G ( (
some - thing
said
4
some - thing
said
day.
@@ @
some - thing
said
@@@
day.
T
said
Ç
I
B
ÇÇ
-
Ç G
ter
Yes - ter
-
ter
-
day.
K @ ÇÇ
day.
Ç
-
3
day.
now
long
(
for yes - ter
K
long
G
for yes
K
K
I
long
(
@ @ (
I
w
I
ÇÇ
w KÇ
w ÇÇ w @Ç
K
long
ter
for yes - ter
for yes - ter
ÇÇ
»
,Ç
»
ÇÇ
» »
Ç
»
-
4 19
S
A
T
@@@
A
T
Ç
K
@
ÇÇ
K K
Ç Ç
need
a place to
hide
Ç
@
do
do
@ Ç @ 4 @ Ç
@ do
do
doo
doo
@ Ç @@
do
do
doo
doo
Doo
Doo
to play,
ÇÇ
@@ @ @@ @
game
K K
Ç
I
ea - sy
Ç
@ T @@
Now
K
love was such an
Ooh
Doo
B
Ç
22
S
(*opt. solo)
- ter day, M Yes @@ @ sop. II top line ÇÇ Ç K M Ooh @ 4@@ T
M
B
M
YESTERDAY
doo
doo
@ ÇÇ
doo
doo
K
ÇÇ
doo
Ç
K
Ç
a - way,
ÇÇ
doo
doo
doo
oh
doo
doo
doo
I
doo
be - lieve.
G
in
ÇÇ
doo
@ ÇÇ doo
*Look. [mini-rant time, yay!] The first soprano line at m. 19-25 is written so the section carries the classic, well-known melody. This can be all first sopranos, or even a soprano solo if the director decides. Now here's where the problem arises: People like to add their own little Mariah Carey/Ariana Grande/whatever little runs and flairs to it. For the love of your God or lack thereof, don't. Please don't, it ruins the song. I mean, if you wanna do that, either a) sing gospel or b) put on a voluptuous wig and pretend to be Beyoncé in the comforts of your own home. But not for Lennon/McCartney. It just doesn't work. *also look: please tune the chords well. it's jazz, ok? you know what untuned jazz sounds like? musical divorce court, it's awful.
YESTERDAY
@@ @
25
S
yes
A
@@ @
doo
T
@ 4@@
doo
B
@ @@
doo
@@ @
-
Ç
ter
day.
*sop II
mm
5
T
ÇÇ
@ ÇÇ
ÇÇ
K ÇÇ
@ @ ÇÇ
Ç
ÇÇ
Ç
KÇ
@Ç
Ç Ç
Ç
@ ÇÇ
KÇ
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doo
doo
doo
doo
mm
doo
mm
doo
mm
28
S
T
mm
T
,T
mm T
T
?T
A
@@ @
T
@ @ 4 @ T
mm
B
@ T @@
mm
Ç
Ç
,T
Ç
Ç
, TT
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