Why Not-Michel Camilo

August 4, 2017 | Author: Joey Fourie | Category: N/A
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Description

As Recorded by Michel Camillo....

Why Not! 

Latin (q=130)

   

   





   



mf



   

mf





   





   

   



    

   

 



 

  



 

  

   



 



  

 

 





mf

 

 





    mf    



 



    

mf

  





   



 



    

mf

  





   

 



   



  

     mf    

 





  



  4th Trumpet    

    

  





  





  





1st Alto Sax

2nd Alto Sax

1st Tenor Sax

2nd Tenor Sax

Bari Sax

1st Trumpet



2nd Trumpet

3rd Trumpet

1st Trombone

 

2nd Trombone



3rd Trombone

Bass Trombone

Guitar/Vibes

Piano

Bass (5 String)

Drums









  







  







  





  



  



Solo Fill

    

     

mf

mf

   

mf

    

mf

    

mf

      

mf

      

mf

mf

     





 



 

   

  

    

 







                   

mf

        

   

   

 

   

 

 



   



 



   

    



  

       

 



 mf Time



   

   



                                                   







        

                                  





   



(2)



               

Michel Camilo Transcribed by Matt Amy

         



          



                              

  

                                                                                         

  



 



     

         



        

          

                                             

                                 

 

                               

  

 

                  



                  

           

                

           

        

             

                  

                 

           



                                              







































(4)











                                                  

  



 



 





  

2

A. Sax.



A. Sax.

T. Sax.

Tpt.



Pno.

Bass

Dr.

      

   

     

       

      

mf

mf

mf

mf

    

   

    

   

     







mf

mf

mf



                

  

    

 

    



    





    

      



     

       



    

         

 

mf

mf

mf

mf







        







       





mf



       

  mf    

   

 

mf

   



Tbn.

Gtr.

      



Tbn.

B. Tbn.

   

   

Tpt.

Tbn.

   

  

Tpt.

Tpt.

       

     



     

    

   

T. Sax.

B. Sax.

6

   

mf









      

 

      

 

    

          

                   



         



         



          



          

      

































    

                                                   



   

                



                   

                              



         

 

       



 

          



     

 



            

      

  

  



    

   



            

  

 

   



          



        



         



                  



          

























                 

                                                            

                 

























































  

(2)

  



 

           



 



 





 

   

   

 

    

                    

                                 



   

                  

             F



F

 

F#dim



F#dim

C/G





Ab+/Gb



 

  

C/G

Ab+/Gb

 



     

                      

     

  



    

     



             

 



              

  

                   

A-

F

 

  

A



C/E











































Eb6







Eb6

  opt

(6)



                                  

  

F



                          



    



            

  

       

           



   

C/E

 



         

                            

    

      



(4)

  



 

mf

 



                         







  



 





Ab7

                            D7[áÁ]                    D7[áÁ]

 

   

                                

3

A. Sax.



      13

    



      fp

A. Sax.

  

T. Sax.

  

T. Sax.

B. Sax.

Tpt.



          

Tpt.



  

Tbn.



Tbn.



Tbn.



B. Tbn.



Gtr.





 

Pno.

Bass

Dr.

 

    

Tpt.

Tpt.

fp

  

fp

 fp

 

     

   

 

 



       fp



     





  

  





fp



    





    



      

     



           

     





fp



fp



    

     





    



     





 

  













 

  

     

  

f

f

     f      



fp

    

  

C7#(9)

  



fp

F#9



           fp

 





 

     

            

      

 

   

fp

   



fp



    

     



                      

   

  

                         

G9



C

  

 



fp

C7(#9) C7(#9)/E





     

        

C7#(9)

 

fp

 

                             

                                                                                                

F9 A-(b5) G13

          

 





        

  

F9 A-(b5) G13     A-7                           F9 A-(b5) G13 A-7                             

F9 A-(b5) G13



 

             

       

F9 A-(b5) G13

                              

                 

                         

       

F9 A-(b5) G13

A-

                        

       

                       

             

 

  

       

        

                       

A-

                                

         

               





                                

                                                              

                                                    

  

                               

    

                       

   

                           

    

                      

     

                     E7(b5) F7 F#9 G9  C                                             fp







fp

   

C7#(9)

fp

       E7(b5) F7



fp

    

    

fp

 

fp





    



      



     

fp

fp

      

  







  

fp

 



     



fp

     





       

fp



 

 



fp



    

             



      



fp

fp

fp

  

   

     

  

   



 

  



                                









    

4

A. Sax.





    

   



  

   

              

    



  

     

   



  

     

               

   



  

   

   



  

    

   



  

    

   



  



   



  



  



  

    

  

    

                                 

T. Sax.

T. Sax.

Tpt.



Tpt.

Tpt.

Tpt.

Tbn.



 

Tbn.



 



Tbn.

B. Tbn.

Gtr.

Pno.

Bass

Dr.

             

  

A. Sax.

B. Sax.

21

   



 



f

f

f

f

f

f

f

    f

     f      

f

f

f

 



  

     



 



  

    



 



  

      f



 



  





 



  



  

  





f

f

  

                                                               

Fill





          

                    



 

      

           

             

                   

     

                                                                                                                                                                         

   

 

    

                                                 





















































 







                             

                                                                                                                                

                   

                  

                                                                                                                                                 





                                            









































      























  

















f



 

          

                       

  













 



(2)

(4)

  

  



 

          



 



 

         

           

  

            







 

   

 

                

  

           

        

  



   

    

                  

        

(6)



                                       



opt

 

f



  





     



                  



                                                                                                                                

                                                                                                    

 

       

      

         

     

       

5

A. Sax.





D





A/E

F#-

   

D

   

C#7

F#-7

   

           

F#-7

B-7 E7

A

A C#dim D

A/E

F#-

   

D

   

C#7

F#-7

   

D D#dim A/E F+/Eb D A/C# F#- C6 B7[áÁ]

   

   



F7























































  



























   

















































T. Sax.



       



























  



























   

















































Tpt.

Tpt.

Tpt.

A7

  

T. Sax.

Tpt.

        

A. Sax.

B. Sax.

30 Open Alto Solo

Tbn.



 

Tbn.





























Tbn.































 

























B. Tbn.

Gtr.





 

Pno.

Bass

Dr.

 

 

C7

       mf

C7

 

C7

mf Time





 Walk



F

  F











F

A-

   

F

E7

A-7

A-7

 

C/G

 

A-

  

  

  

 

C/G

A-

   

F

E7

   

   

   

       

(2)          mf

           

C/G

F

   

   

E7

C

C Edim F

             

           

   

A-7

A-7

   

A-7

A-7

(4)

D-7 G7

D-7 G7

C

C Edim F

            D-7 G7

C

C Edim F

           

C/G

A-

   

F

E7

A-7

 

C/G

 

A-

  

  

  

C/G

   

A-

   

F

E7

A-7

   

   

   

   

(2)

F

   

   

E7

A-7

   







F F#dim C/G Ab+/Gb F C/E A- Eb6 D7[áÁ]

   

   

   

   

     

   

   

   

(4)

   

F F#dim C/G Ab+/Gb F C/E A-

(6)

Ab7

                                

F F#dim C/G Ab+/Gb F C/E A- Eb6 D7[áÁ]

   





  

                               

6

A. Sax.







C#7(b5) D7

 

 



D#9



E9

  



A

 



A7



A7/C#





C#7(b5) D7

 

 



D/A



G#dim



E

  

1.

F#-7

 





B-7





E7

A





E



   2.























  





 



B-7















  

















  

















 













 

  













 



  

















  

















 













 













 



T. Sax.



Tpt.

Tpt.

Tpt.



A7/C#



T. Sax.

Tpt.

A7

  

A. Sax.

B. Sax.

42

   





Tbn.



















Tbn.

































 



Gtr.

Pno.

Bass

Dr.























 

C7(#9)



C7/E



   C7(#9)

 

 

C7/E



 

 

         











E7(b5) F7

 

E7(b5) F7

     

     

     

F#9



   F#9

G9



 

  



     

 



G9



  







 

 

C

 

 

   

C

     

  

C7(#9)



C7/E



   C7(#9)

 

 

C7/E



 

 

         











E7(b5) F7

 

E7(b5) F7

     

   

 

F/C



Bdim



  

F/C



Bdim







 

 

 

  





G

  

A-7

 

     G





 A-7

  

 

      

   





 

D-7







 

D-7



  

 

 

 

 

 



 





 









  







  

G7



G7

   

C

C



  

 

 

  

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

       





      

    

A



Tbn.

B. Tbn.

E7

D-7



 

  

G7

   

C

  

7

On Cue

A. Sax.



     

A. Sax.

Continue Soloing - Wail!

Fdim F#D D#dim A/E D/F# A/E B-/D C# F#                                                         mp f                                                                      

49

C#dim D

 

Fdim

D# E

mp

f

                                                                       

T. Sax.

mp

T. Sax.

B. Sax.

Tpt.

Tpt.

f

                                                     mp f                                              mp f                                                                    f mp                                                     f

mp

mp

               Tpt.         mp                   Tbn. 

Tbn.



Tbn.

Gtr.







 

Pno.

Bass

Dr.

  

mp

  

  

  

  

  

  

  

mp

mp

mp

  

 

   



    

f

                                         f                                        

                                          f

f

                                                    f

                                                  

 

f

F F#dimC/G Abdim AF/A D-/F E      C/G                                         

                                                                            

mp

Edim mp F



f

F# G

            mp                    mp

Abdim



A-

F/A C/G D-/F E

Abdim

A-

F

F#dim C/G

                                        f

                                                                                                           f

f















D

A/E

D

C#

E7/B F#-

C B-

                                                                                                                            

                                                                                                                          

                                                            

Tpt.

B. Tbn.

               



F/Eb A/E D#dim E A/E A 1.                                           

A





        









      





        





















                                                                                                              

      





         





          







          













            









        

 

                                

 

F

F#dim G C



         



                              

                                      F C/G F E G7/D AAb/Gb                                                                                                              

   

                                    

 

F C/G F E G7/D AAb/Gb                                                                                



EbD-

            

C/G F#dim G C/GC

                  



                 2.

 

               



 



 



                

                    

          



  



 



               



                



  



 

    

         

                    

                                                                                                

                            Fill                              

8

A. Sax.



    

























   

























   

























   

























   

























    

























   

























   

























   

























A. Sax.

T. Sax.

T. Sax.

B. Sax.

Tpt.



Tpt.

Tpt.

Tpt.

60 Open Piano Solo

Tbn.



 

























Tbn.





























Tbn.































 

























B. Tbn.

Gtr.





 

Pno.

Bass

Dr.

 

 

C7

        

C7





 

C7

Walk

mf

           

C/G

A-

F

   

E7

A-7

A-7



 

  

  

  

A-7

 

   

A-7

   

F

E7

A-7

A-7

   

   

   





F



C/G

A-





F



C/G

A-

       

(2)          Time





F

F

   

   

E7

    (4)

D-7 G7

C

C Edim F

               

            D-7 G7

C

C Edim F

            D-7 G7

C

C Edim F

           

C/G

A-

F

   

E7

A-7



 

  

  

  

   

A-7

   

A-7

   

C/G

A-

C/G

A-

   

F

   

   

E7

   

   







F F#dim C/GAb+/Gb F C/E A- Eb6 D7[áÁ]

   



   

   

F

E7

   

   

     

   

   

   

   

   

(2)

(4)

F F#dim C/GAb+/Gb F C/E A-

(6)

Ab7

                                

F F#dim C/GAb+/Gb F C/E A- Eb6 D7[áÁ]

 

                               

9

A. Sax.







 

















































 



  













 



  

















  

















 













 











  







  





  



 

A. Sax.

T. Sax.

T. Sax.

B. Sax.

Tpt.



Tpt.

Tpt.

Tpt.

72

  

1.

2.



Tbn.















 



Tbn.



















Tbn.

































 



B. Tbn.

Gtr.

Pno.

Bass

Dr.























 

C7(#9)



  

C7(#9)

 

 

C7/E



C7/E

 



E7(b5) F7

  

 

        

E7(b5) F7

   

 

   

     

     

F#9



  F#9





 

G9



  G9

 

 

  

C

 



     



   

 

   

C

     

   

C7(#9)



  

C7(#9)

 

 

C7/E



C7/E

 





E7(b5) F7

 

 

          

 

E7(b5) F7

     

   

 

  

F/C



Bdim

 

 

F/C





Bdim









 

 

 

G

  

A-7

 

       G

A-7

  

 

      

   





  



 



D-7







 

D-7



  







  









  



G7



G7

   

C

C



 

 

 

 

 

 



 

 



 

 

 

 

 

   

   

 

 

 

 

 

 

   

     

       



  

  



   

    

D-7

 

  





  



G7

     

C

   

10

A. Sax.



A. Sax.

79 On Cue                                                                 mp f                                                                           mp

  

T. Sax.

T. Sax.

B. Sax.

Tpt.

mp



mp

                           

Tpt.

mp

                  mp



Tbn.



Tbn.







 

Pno.

Bass

Dr.

  

                        

mp

     

mp

f

                          

   mp

 

   

f

                                        f                                    

                                           f

f

                                                       mp

f

                                                                 mp f F F#dimC/G Abdim AF/A D-/F E         C/G                                                   mp

          

Edim

mp

             

                                                        





F

F# G

           mp                     mp

Abdim















                                                                                                                                                                   

                                                f                                                                              f                                                                    

                                                             

     Tpt.     mp          Tbn.

Gtr.

f

                                              mp f                                           

Tpt.

B. Tbn.

f

                                                                     



f

A-

F/A C/G D-/F E

Abdim

A-

F

F#dim C/G

                                         f

                                                     f

                                                            f





        















                   



       







          













  



     





 







            





 





         

 

F

F#dim G C



            

                                           

                                                                                                                                                                        

                                       F C/G F E G7/D AAb/Gb                                                                                                          

   

                        

 

              

1.



                 2.



               



 



 



            

                     

          



  



 



               

         



                              



 



   

          

                                                                          

   F C/G F E G7/D AEb D- C/G F#dim G C/GC  Ab/Gb                                                                                                                                                   Fill                                        

11

A. Sax.



A. Sax.

T. Sax.

T. Sax.

B. Sax.

Tpt.



   



  





  

     

90 Soli

sfz

         

Tpt.

Tpt.

Tpt.

    



       



  



  

 

Tbn.



Tbn.



  

Tbn.



  

B. Tbn.



sfz

    

sfz

  

Gtr.



 

Pno.

Bass

Dr.

 

         

  

sfz

  sfz               

     

  

      







                







                







  

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              



              

sfz        

           

     







sfz

sfz

    

                

               

                

f



 





  





 





  





   

 

 

 

 

 







sfz

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      

        



      

        

mp

                                 

                 sfz

       

sfz

               

                                                                                              mp f                                                                                          

       









sfz

  

      

f

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       





       

                                                                                                        

sfz

  

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       





                                                                                                        

sfz

  

         

mp

                

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Time - H.H sfz



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sfz



     

                                                                                      mp f                                                                                                                     mp f                                                                                                                            mp f                                                                                                                    mp f sfz                                                                                                       mp f  sfz                                                                                                                   

F

  f

F#dim C/G Ab+/Gb



F

 

C/E



A-



                      mp            fF F#dim C/G Ab+/Gb F C/E Asfz                                                            mp sfz  f Crank it! (2) Fill                         f

                                                                                                                                                                        

F Ab/Gb C/G F E E7/G# A                                                                                     Eb6                                                                            Eb6





 











(4)











 

     

                    

     



               

                

                       

12

A. Sax.



A. Sax.

T. Sax.

T. Sax.

B. Sax.

Tpt.





Tpt.

   

 



 



   

f

  



 

  



   

    

  

f

   

  



 





   

f

   

  

  



 



   

f

 



 



   

f

  

   

  



 





   

   

  

  



 



    

  



 



 



   

Tpt.

Tpt.

100

   

   

 Tbn. 

Tbn.



Tbn.

B. Tbn.

Gtr.

Pno.

Bass





   











 

C7



f

f

f

     f        

f

f

    

f

           

f

f

      

f

  











 



 

        

   



   

 

   



 

  



 



 



  

  

    

  



   

     

   





F

C/G



                                   

   

                    







   







    

  

 



    









  

 



    

    





    





    







           







       











    













        





       





   









       











A-

F

    

         





   

   

    



                 

  

 



    



                  

  

 



    

      



                  











                 

     





    





    





   





    

  



 

  

 E7







































(2)

    

   

    

     





           

     





                 









                                  

 







                

  















                                     

 





   



  



 

f

     

       





Time! - big

     









     

   







f

Dr.

   

  

    

    



















    

                      



                      













A-7

(4)

A-7

D-7

G7

 













 









C

  

13

A. Sax.



A. Sax.

T. Sax.

Tpt.

   

   

              

   

     

               

     

  

   



Tpt.

Tpt.

   

     

   

     

   

     

 Tbn.



         

Tbn.





    

Tbn.





     





     





    





Tpt.

B. Tbn.

Gtr.

Pno.

Bass

Dr.

  



             

    

   

T. Sax.

B. Sax.

105

   





         mf

mf







 



Edim F

    

                                                             

 

          

                            



 

           

                                                                      C/G

A-

          

   

 

    

           

          

           

             

       

    

 

   

 

            

                           



   

            

                

                     

                                

           

                                                     

    

F

     

                 

                   

 

       

                                                  







































  











       











     

 





 

                           

 

 

       





 

 

  

 

 

  

                 

 

                

 

       

 

 

         

     

  



 

  

        F





 

       

 



              

     

A-

Eb6

                  



F#dim

F

F#dim

 

  

Ab+/Gb

 

 

  

A





C/G

Ab+/Gb



F



C/E

C/G 

F

C/E































              

  



   

  

 







 







      





 















Eb6

  opt

 

mf

(2)

(4)

                               

         





  

                  

                  









 





 

            

 







   

         

 







  

      



    











 



        

 













 

















 

          















  

         







  







A-7





 

E7



  

(6)





Ab7

                                 D7[áÁ]                 D7[áÁ]



                                

14

A. Sax.



112

   

    

 fp

A. Sax.

fp

T. Sax.

   

T. Sax.

B. Sax.

Tpt.

   

fp

    

  

     

       fp









  

  

fp



     









        



    

       



                   

       

                              







fp



fp



    

  

     



  

   





    



     

    





 

  

  













 

  

     

  

Tbn.



Tbn.



B. Tbn.



Dr.

fp

    

fp         fp



      





Bass



  



  

 fp

















 



     f      

fp

    

 

 

C7#(9)

C7#(9)

  

fp







fp

F#9



          

 





 

     

            

   

   

  



     

     

                       

  

                       

   

  

     

                         

  

G9



C

   

fp





fp

C7(#9) C7(#9)/E





       C   

      

C7#(9)

 

fp

 

                 

                                               

                             

F9 A-(b5) G13     A-7                       F9 A-(b5) G13 A-7                      

F9 A-(b5) G13

       

F9 A-(b5) G13

F9 A-(b5) G13

       



                                                                  

                       

       

                        A-

                      

       

F9 A-(b5) G13

A-

                 

 

 

 





                      

        



 

       

               





                                                    

      

                                                         

                            

                             

       

  

fp



                      

   

fp

      

                      

     

                  E7(b5) F7 F#9 G9                                          fp



  





fp

   

  

fp

       E7(b5) F7







fp

    

fp



f



fp



f

                             

       

     

Tbn.

Pno.

fp

   

     



fp

 





Tpt.

Gtr.



    



   

Tpt.

Tpt.

  

fp

      



fp

fp

    

  

   

   

    

   



 





        





 



    

                           







15

A. Sax.



A. Sax.

T. Sax.

T. Sax.

B. Sax.

Tpt.









  





  





  





  





       

Tpt.

   

Tpt.

Tpt.

120

  



   

 Tbn. Tbn.



Tbn.



B. Tbn.



Gtr.

Pno.

Bass

Dr.



   











     

ff

  

ff

ff

   ff      























   









  







 



 



 



 



ff

  

ff

ff

ff

Aff

A-

ff

 



 

  





 



  

 

     



  

  

















  



























  

 























  

























  



















































ff

 ff

ff

ff

ff











































  





F9

 

A-(b5)

G13

F9



A-(b5)









 





















  



 

G13

 

   

  ff  

  

 



 

  





 



  

 

     



  

  

























































  





F9

 

A-(b5)

G13

F9



  

 



A-(b5)

 

G13

 



 



 

 



 







  











  









 



































 



  

 





     







        

  





 







  





F9

  

A-(b5)

G13

F9



  

  



A-(b5)

 

G13

 

 

     

           

 

 



 

 



 





 















































 















 





























 









 













































 

















































  





















 

A-7

 



















 

 



















 



   





                 

A-7

 









 

 

 

  

 



 

 

  

 

 







  

   

1st Alto Sax As Recorded by Michel Camillo....

Why Not! Michel Camilo Transcribed by Matt Amy

                     

    

Latin (q=130)

mf

      6

  

 

    

     

                   mf

      

         

 

  

fp

 21

   



     

      

          

                          

            13

            

fp

                   

fp

                               

                      f

          

                                       



2 Why Not!

1st Alto Sax

Open Alto Solo

D A/E F#D C#7 F#-7 F#-7 B-7 E7 A A C#dim D                                30 A7

A/E

F#-

D

C#7

F#-7

D D#dim A/E F+/Eb D A/C# F#- C6 B7[áÁ] F7

                          42

A7 A7/C# C#7(b5) D7

D#9 E9

A

D/A G#dim E F#-7

A7 A7/C# C#7(b5) D7

                              1.

  

        

B-7 E7





On Cue

      2.

A

E

Continue Soloing - Wail!

 

B-7 E7





A

Fdim F#D                                                    49

C#dim D

Fdim

D# E

D/F# A/E B-/D C# 

F#-

mp

f

F/Eb                                               D#dim

A/E

D#dim A 1.                          E7/B F#-

D

A

C B-

A/E

E A/E

D

C#

              2.



A/E

Why Not!

3

1st Alto Sax

    



72

 

       79



Open Piano Solo

60

1.

On Cue

  mp



  



2.



                                                 f

                                                                       

90

Soli

    mp



   



             2.

                 

             

     

1.

    



                          

   

f

   

    

   



 



                                      

4 Why Not!

1st Alto Sax

100

                  

   

          

f

      105

  

 

    

                 

112

   

         

fp



120

 



   

  



 



                          

             

 

                   

fp

                  

fp

  

                          

  

                         

ff

2nd Alto Sax As Recorded by Michel Camillo....

Why Not!      

Latin (q=130)

                         mf

             6

  

    mf

          

 

   

 21

   



           

                            

       fp

           

                   

              

           13

Michel Camilo Transcribed by Matt Amy

fp

                   

fp

                    

                   f

   

   

           

                                     



2 Why Not!

2nd Alto Sax

    

30



Open Alto Solo



42

2.





                       49

  

1.

On Cue

     

mp



                       f

                                                                

60

Open Piano Solo



72

 

2.



 1.



                       79

            

1.

On Cue

mp

  

2.

      



                    f

                                                          

1.



             2.

Why Not!

3

2nd Alto Sax

    

90

Soli

                 



       

          mp

 

                          f

                                                             

100

         

             

             f

105

  

   

112

     

   

           

           

                          

          

fp

fp

fp

                   



  

 

             



  

 

             

120

ff

  

                   

          

          

 



1st Tenor Sax As Recorded by Michel Camillo....

Why Not! Michel Camilo Transcribed by Matt Amy

Latin (q=130)

    

                         mf

              6

  

mf

     

          

fp

   21

   

fp

 







                

fp



                      

                 

             

            

                        

              13

                

               

     

           

f

   

   

           

                       



2 Why Not!

1st Tenor Sax

     

30



Open Alto Solo



42

2.



                              49

  

1.





                            

On Cue

mp

f

                                                            

   

1.

    

60

  



          



Open Piano Solo



72

2.

1.



On Cue                       

79

mp

  

2.





                          f

                                                             

1.



   

          

2. 

3

1st Tenor Sax

Why Not!

     

90

Soli



            





 

     

mp



                                            f

               100

          f

  

                                        

               

              105

  

     

    fp

  



120

 



                 

               

          

                         

              112

            

               fp

            ff

fp

           

                      

                      

2nd Tenor Sax As Recorded by Michel Camillo....

Why Not! Michel Camilo

Latin (q=130)

     

                         mf

                  6

  

mf

    

     

  

 

fp

 21

   



          

                        

               13

         fp



             

fp



                            

                     

             

         

                 

               

     

Transcribed by Matt Amy

f

   

          

                        



2 Why Not!

2nd Tenor Sax

    

30

Open Alto Solo





42

2.



                             49

  

1.

On Cue

     

mp

   



                  f

                                                                    

60



 

1.





                             79

2.



Open Piano Solo

72

            

1.

On Cue

mp

  

     

   

2.



                  f

                                                          

1.



                2. 

Why Not!

3

2nd Tenor Sax

            90

Soli

sfz

                      

sfz

sfz

                          mp

               100

          f

  

f

                                    

               

                  105

  

     

    fp

    

          

                       

               fp



     



      ff

120

          

                 

               

              112

               

            

fp

                                                      

Bari Sax As Recorded by Michel Camillo....

Why Not! Michel Camilo

                     

     

Latin (q=130)

mf

      6

  

    mf

 

    

                        

 21

   



          

                          

13

fp

          

                  

              

             

Transcribed by Matt Amy

fp

  

fp

             

                     

   

                                               f

                                         

2 Why Not!

Bari Sax

    

30



Open Alto Solo



42

1.



  



2.



                                                         49

On Cue

mp

f

                                              1.                           

    

60



 





Open Piano Solo

72

              2.

1.



  

2.





                                           79

On Cue

mp

f

                                                

                       

1.



              2.

Why Not!

3

Bari Sax

                90

Soli

sfz



sfz

                         sfz

                                             mp f

                                                              

100

         f

 

      105

  

    

            112

    fp

 



fp











ff

          

                         

               

120

 

                 

              

   

          

   

           

                      fp

                     

1st Trumpet As Recorded by Michel Camillo....

Why Not! Michel Camilo

Latin (q=130)

   



          mf

             6

               



                         

  

mf

     



21

 

            

                



      

  

  

               

   

                                    

13

   

Transcribed by Matt Amy



                       

                    f

         

            

                                  

   



2 Why Not!

1st Trumpet

    

30



Open Alto Solo



42



  

On Cue

 

mp

    

     

         



  

1.

On Cue

mp

  

 

    

   

1.

2.





                      79

                        



Open Piano Solo

72



f

                    60



2.

                                 

                      49

  

1.

     

        

                    

  

1.



   

2.



                  f

                 

          

2. 

Why Not!

3

1st Trumpet

    

Soli

90

           







   

    



                                                    f

100

                                           

          f

 

               

105

                            

  



            

      

              120

ff

            



   

                                    



112

            

                 



  

mp

         

                   

     

                

2nd Trumpet As Recorded by Michel Camillo....

Why Not! Latin (q=130)

     

                         mf

             

Michel Camilo Transcribed by Matt Amy

            

                 

6

                       mf

           

              

                                                 

      

     

                   

             

     

                

13

f

21

   



                     f

   

                          

                                          



2 Why Not!

2nd Trumpet

     

30



Open Alto Solo



42

1.



                      49

    

On Cue

mp

          

     

60



  

1.

On Cue

mp

          

f

            

1.

2.





                           79

               



Open Piano Solo

72

   



              

         

                        

  



2.

     

1.

   



                  f

              

         

                     

  

2.



             2. 

3

2nd Trumpet

Why Not!

    

90

Soli



             



          mp

                                      

                                                        f

100

          f

               

             

            

                 

105

                      

           

              

                                              112

  

      f

                            120

ff

                 

                                 

                

3rd Trumpet As Recorded by Michel Camillo....

Why Not! Michel Camilo

Latin (q=130)

     

                         mf

               

Transcribed by Matt Amy

            

                 

6

                        mf

           

               

                                                13



      

     

 

             

    

               

f

21

   





                

                                       f

                                                  



2 Why Not!

3rd Trumpet

    

30



Open Alto Solo



42

1.



                          49

On Cue



                   

          

                

1.

       

1.

  

2.



On Cue

mp

         





                        79

2.



Open Piano Solo



72



f

                         60

2.

                           

mp

         

  

                                 f

          

1.                       





                                      2.

Why Not!

3

3rd Trumpet

     

90

Soli

           





   



    



mp

                                           f

     

  

                                           

100

         



f

            

               

           

                

105

                       

           

               

                                           112

  

       f

                        

120

 

ff

     

 





            

    

               

    

               

4th Trumpet As Recorded by Michel Camillo....

Why Not! Michel Camilo

Latin (q=130)

     

                        mf

               

Transcribed by Matt Amy

            

                 

6

                          mf

           

             

                                                          13

  



            

      

      

 

                

        

                     

f

21

   





   

                                              f

                                                  



2 Why Not!

4th Trumpet

     

30



Open Alto Solo



42

1.



                           mp 49



                    

            

                 

1.

    



 

1.

On Cue

mp

         





                           79

2.



Open Piano Solo

72



f

                         60

2.

                              

On Cue

         

  





                               f

            

1.                        

 2. 



                                       2.

Why Not!

3

4th Trumpet

    

90

Soli

            





   



    



mp

                                           f

         100

                                              

            f



            

               

            

                 

105

                         

           

             

                                                   112

  

       f

                                120

ff

      

 





                

        

                  

        

                     

1st Trombone As Recorded by Michel Camillo....

Why Not! Latin (q=130)

  





     



mf

          

                     

          

mf



     13

                          



   

fp



      

              21

 



fp

    

           

6

  

 



      

 fp

    

Michel Camilo

 

Transcribed by Matt Amy

             

              

                                        

   

                                                   f

                                                    

2 Why Not!

1st Trombone

   

30

      49

  

42

  

   

On Cue

mp

     

   

 

    

  

60



 

1.

      79

  

      

  

         

 

   

    

     

    

  

2.



                 f

             

           

1.

On Cue

mp



  

   

1.

2.



          







 



Open Piano Solo

72





Open Alto Solo



 





      

   

  

2.



                 f

             

                    

  

1.



          

2. 

   

Why Not!

3

1st Trombone

   

Soli



90

         sfz

               

                             



                                           

                                            

  

100

f

                     

          

105



  

112

 

 fp

    



             

                                    

   



       fp



 fp

                 

             

      

                     

             

      

                    

120

ff

2nd Trombone As Recorded by Michel Camillo....

Why Not! Michel Camilo Transcribed by Matt Amy



Latin (q=130)

  



     

mf

            6

 

     mf



 



 

    

           

           

 

     

          

                                                              13

 

fp

        

             21







fp

     

fp

                                    

   

                                                  f

                                                  

2 Why Not!

   

30

2nd Trombone



Open Alto Solo

      49

 

  

On Cue

 

mp



42

 

   

    

1.



      

   

60





 

          

 1.

     

1.

  

2.



                f

              

         

                   

  



mp

    

f

2.



On Cue

 



               

   

1.

                      79

2.

              

         

Open Piano Solo

72

        

                   

  



 2. 

   

        

Why Not!

3

2nd Trombone

             90

Soli



sfz

        



       

sfz

                                                                                                      

  

100



f

                      105

          

            

                                          112

 

 fp

            fp

fp

                 

            

     

                    

            

     

                  

120

ff

3rd Trombone

As Recorded by Michel Camillo....

Why Not! Michel Camilo

Latin (q=130)

  



      



mf

          

mf

       

   

                      6

 

    

           

fp

fp

               21

 



    

          

                              13

     

Transcribed by Matt Amy

fp

      



            

                  

                          

   

                                                     f

                                                   

2 Why Not!

3rd Trombone

   



Open Alto Solo

30



42

1.



                        49

On Cue

                    

Open Piano Solo

72





1.

mp

 

    

f

             

1.

2.





On Cue

 

                  



                      79



              

             

         

60

      

mp

 2. 

      

1.

2.



                    f

              

            

                   

  



              2.

Why Not!

3

3rd Trombone

             90

Soli

sfz



sfz

         sfz



       

sfz

                                                                                                                   100



f

                    105

          

            

                                                 112

   fp

              ff

fp

fp

              120

             

                         

            

                    

Bass Trombone As Recorded by Michel Camillo....

Why Not! Michel Camilo

Latin (q=130)

  





      

mf

           

mf

       

            

                      6

     

Transcribed by Matt Amy

          

                           



            

                  

                                     13

fp

fp

                  21







fp

      

            

   

                                                      f

                                                    

2 Why Not!

   

30

Bass Trombone



Open Alto Solo



42

1.



                      49

On Cue

       

          

mp

               

1.                     

   

60





1.

On Cue

mp

        



                 f

                                2.





                  79



2.



Open Piano Solo

72

  



2.



                          f

            

                        

  

1.

 

                                2.

3

Bass Trombone

Why Not!

             90

Soli

sfz



sfz

         sfz



sfz

                

                                                                                                                100



f

                    105

          

              

                                            112

                                    fp

fp

                                    120

ff

fp

              

             

              

Guitar/Vibes As Recorded by Michel Camillo....

Why Not! Michel Camilo

                             

Latin (q=130)

   

mf

  

 

 



    

6

 

mf

     

      13

C7#(9)

F F#dim C/G Ab+/Gb

   

E7(b5) F7

F#9 G9

F9 A-(b5)G13

21







C

F

             

C/E A-

Eb6

   

D7[áÁ] Ab7

           

C7(#9) C7(#9)/E

                        

                  A-

             

                     

                  

                

Transcribed by Matt Amy

F9 A-(b5)G13

       

   A-7               F9 A-(b5)G13

                            

                    

f

                            

   

             

                   



2 Why Not!

Guitar/Vibes

Open Alto Solo

A-7 D-7 G7 C C Edim F                                 30 C7

F

C/G

A-

F

E7

A-7

F C/E A- Eb6 D7[áÁ] Ab7

                                 C/G

42

 

A-

F

C7(#9)



E7

C7/E

E7(b5) F7

A-7

     



F F#dim C Ab+

F#9



G9



 C    

C7(#9)

C7/E





E7(b5) F7

    

D-7 G7 C D-7 G7 C                                         F/C Bdim

    49

  

On Cue

mp

G

A-7

1.

            

F#dim C/G           

     

2.

         

 1.    

F A                                 F/A

C/G D-/F

E

Abdim

f

F F E G7/D AAb/Gb C/G                                    

                  2.



Why Not!

3

Guitar/Vibes

Open Piano Solo

A-7 D-7 G7 C C Edim F                                 60 C7

F

C/G

A-

F

E7

A-7

F C/E A- Eb6 D7[áÁ] Ab7

                                C/G

72

 

A-

F

C7(#9)



E7

C7/E

A-7

E7(b5) F7

     



F F#dim C Ab+

F#9



G9



 C    

C7(#9)



C7/E





E7(b5) F7

    

A-7 1. D-7 G7 C D-7 G7 C        2.                                  F/C Bdim

   79

On Cue

   mp

G

               

F#dim C/G       

     

         

     

F A                                F/A

C/G D-/F

E

Abdim

f

F F E G7/D AAb/Gb C/G                                    

1.



                  2.

4 Why Not!

Guitar/Vibes

   

Soli

90

            



F F#dim C

Ab+

     f

F

C/E A-

f

  

 

 



    

105

 

112

C7#(9)

  

F

mp

Ab/Gb

C/G

E7/G#

A-

Ab+

F

    C

C/E A-

              Eb6

   

D7[áÁ] Ab7

           

C7(#9) C7(#9)/E

                       

A-

F9 A-(b5)G13

F9 A-(b5)G13

     

   A-7          

120 A-

F9 A-(b5)G13

F9 A-(b5)G13

     A-7            

                                ff

  

                     

F F#dim C

F#9 G9

E

                                                   

                  

E7(b5) F7

F

 

     

              mf

  

            

                                

Eb6

   

                100                



     

F9 A-(b5)G13

F9 A-(b5)G13

Piano As Recorded by Michel Camillo....

Why Not!                                  

Latin (q=130)

   

mf

   



6





      mf   

   









        13









     





F F#dim C/G Ab+/Gb F C/E A

    



                  





    

 

 



                 

Eb6

      





   

F9 A-(b5)G13

                  A-







       

     D7[áÁ]                

                                F#9 G9 E7(b5) F7  C C7#(9)                             

C7#(9)



                     

     

    





                       

                 



 





                 

 

Michel Camilo Transcribed by Matt Amy

        

       

   A-7                       





F9 A-(b5)G13

F9 A-(b5)G13



  

2 Why Not!

Piano







                                                                  f

 



        

21

      

f

      

  

             

            

           

  

      

    

                  

  

Open Alto Solo

                30 C7



C/G

F

A-

C/G

A-

F

A-7

 

 

C7(#9) C7/E







E7(b5) F7

    



                

E7

A-7

A-7

D-7 G7 C

                    

F#9



G9



 C    

C7(#9) C7/E





D-7 G7 C A                           

F/C Bdim

G A-7

1.

C Edim F

F F#dim C/G Ab+/Gb F C/E A- Eb6 D7[áÁ] Ab7

            

42

          



              

F

E7

  

  

Col 8va right hand

2.



E7(b5) F7

   

D-7 G7 C

   

3

Piano

Why Not!

         49

  

                                   Abdim AF/A C/G D-/F E                               

                        

On Cue

Edim mp F

F# G



Abdim

A-



           

              

       



F#dim

   

     

C/G

F#dim



G C

A-

Eb D-

Open Piano Solo

C/G F#dim



 

1.

G C/G C

  

F

 

         

F F E Ab/Gb   C/G                  



                              

         G7/D

F

             

f

 



 



    

      

2.

      

           

A-7 D-7 G7 C C Edim F                                 60 C7

F

C/G

A-

F

E7

A-7

                                    C/G

72

 

A-

F

E7

C7(#9) C7/E

E7(b5) F7





  

A-7

  

F F#dim C/G Ab+/Gb F C/E A- Eb6 D7[áÁ]Ab7

F#9

G9





  

C

  

                        F/C Bdim

G A-7 1.

D-7 G7

C

Col 8va right hand

C7(#9) C7/E



 



 A-7   2.

E7(b5) F7

  

 

D-7 G7 C

   

4 Why Not!

Piano

                            79

  

On Cue

mp

 

Edim

  

F



    

F#dim C/G

        

F# G

Abdim



A-

                

F

F#dim

G C



    1.                                G7/D AEb DC/G F#dim G C/G C         

90

                                  Abdim AF/A C/G D-/F E                              

  

  F

 

                               f

F C/G F E Ab/Gb                    

   

    

2.

      

      

           

Soli

                sfz sfz sfz sfz                                                                                           mp f              F F#dim C Ab+ F C/E A- Eb6                     

                    

              

   

                                

           

Why Not!

100 C7 Comp





F

E7

C/G







  E7



C7#(9)

   

C/G

F

     

F#dim C/G Ab+/Gb

    

F







A-7

D-7









G7

 



A-

C



F







F

C/E A

Eb6

 



       

 D7[áÁ]

  







            

                                       

E7(b5) F7

   



     

    

     





F

   

A-7

112

A-

A-7

Edim











105



5

Piano

 C              

C7#(9)

F#9 G9

             

A-

F9 A-(b5) G13

F9 A-(b5) G13

     

   A-7           

120 A-

F9 A-(b5)G13

F9 A-(b5)G13

     A-7             

                                ff

     

F9 A-(b5) G13

F9 A-(b5)G13

Bass (5 String) As Recorded by Michel Camillo....

Why Not!

Michel Camilo Transcribed by Matt Amy

Latin (q=130)

    6

    

mf

 

     

 



        



mf









    

   



 

 

opt



   

    

     





      

                                  13

      

   

 

      

21

  



     

opt      

        

             

   

    

f

Open Alto Solo

                        

F C/G AF E7 A-7 A-7 D-7 G7 C C Edim F                                30 C7

C/G AF E7 A-7                                    42                                  mf Walk



1.





 





        

 

    2.



 



2 Why Not!

Bass (5 String)

                       49

On Cue

mp

        

                               f

         

                         

 

                               

1.

2.



Open Piano Solo

F C/G AF E7 A-7 A-7 D-7 G7 C C Edim F                                Walk 60 C7

                                    C/G

A-

F

72

  



 

1.





E7

      



A-7

        

On Cue

mp

       

 

        

                       79



    2.

      

 



                              f

         

                        

 

    

1.

 

                 



              2.

Why Not!

         90

3

Bass (5 String)

                       

    

Soli

sfz

sfz

sfz

                                  mp

f

     sfz

        

                                                     100

      f

    

 

     

 



105

    

   

   



 

         

 



mf



112

  

 

    



    

 







 

opt



          

                      



 





 



120

     ff

 





 





 





       



       

Drums As Recorded by Michel Camillo....

Why Not! Michel Camilo Transcribed by Matt Amy

Latin (q=130)

Time

(4) (2)                                   Solo Fill

mf

6

 

   





 















(2)



(6)



 











(4)





                   

                                              13

fp

fp

fp

                                                    21



          

   

    

                                   

Fill

    (6)

(2)

   

   

    (4)

2 Why Not!

Drums Open Alto Solo

(4) (2)                                

30 Time

mf

    







 









 





(2)

(6)



 











(4)





                   

                                           42

  

1.



  

                

        2.

  



   

                                                                     49

On Cue

mp

f

                                                       1. 2.                  Fill                               

Why Not!

  

3

Drums Open Piano Solo

60 Time

(4) (2)                               mf

    







 









 





(2)

(6)



 











(4)





                   

                                           72

  

1.



  

                

        2.

  



   

                                                                 79

On Cue

mp

f

                                                       1. 2.                   Fill                               

4 Why Not!

Drums



Soli

  

90 Time - H.H

                        

Crank it!

                    f

 



(4)



100 Time! - big

     f

105







   

   





 







 







(2)

(6)















                       

   

(2)

 







(2)

    Fill

 

   

    (4)











(4)





                   

                                             112

fp

fp

fp

                                                                                                          120

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