Where Good Ideas Come From
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W H E R E GOOD COME
IDEAS|
FROM The
Natural
History of
Innovation
STEVEN
JOHNSON
RivEHHEAD
BOOKS
a m e m b e r of P e n g u i n G r o u p ( U S A ) Inc. New
York
2010
W H E R E GOOD IDEAS COME
FROM
ALSO BY STEVEN JOHNSON
Interface HOLD
Culture:
IVeiu Technology Transforms the ffay
fJ^
Create and Communicate
Emergence: The Connected lives ofjints. Brains,
Cities, and Software
Mind fVide Opeji: Your Brain and the JVeuroscience of Everyday life
Everything Bad Is Good for You.Mow Today^s Popular Culture Is Actually IVItiking Us Smarter
The Ghost Map: The Story of London^s Most Terrifying Epidemic
and Mow
It Clianged Science, Cities, and the Modern fVorld
The Invention of A.ir: A Story of Science, Faith, Revolution, and the Birth of America
W H E R E GOOD COME
IDEAS
FROM The
Natural
History of
Innovation
STEVEN
JOHNSON
RivEHHEAD
BOOKS
a m e m b e r of P e n g u i n G r o u p ( U S A ) Inc. New
York
2010
RIVERHEAD BOOKS Published bv the Penguin G r o u p P e n g u i n G r o u p ( U S A ) I n c . , 375 H u d s o n S t r e e t , N e ^ York, X e w Y o r k 1 0 0 1 4 , U S A • P e n g u i n G r o u p ( C a n a d a ) , 90 E g h n t o n Avenue East, S u i t e 700, Ibronto, Ontario M 4 P 2Y5y C a n a d a ( a d i v i s i o n o f P e a r s o n P e n g u i n C a n a d a I n c . ) • P e n g u i n B o o k s L t d , SO Strand, London W C 2 R ORL, E n g l a n d
P e n g u i n Ireland, 25 St Steplien's G r e e n ,
D u b l i n 2, Ireland (a division of P e n g u i n Books L t d ) ' Penguin G r o u p (Australia), 250 C a m b e r w e l l R o a d , C a m b e r w e l l , Victoria 3124, Australia (a division of Pearson Australia G r o u p Pty Ltd) • Penguin Books India Pvt Ltd, 11 C o m m u n i t y Centre, PanchsLeel Park, N e w Delhi—110 017, India ' P e n g u i n G r o u p ( N Z ) , S7 Apollo Drive, Roaedale, North Shore 0632, N e w Z e a l a n d (a division o£ Pearson New Zealand LtdJ
Penguin Books (South Africa) (Pty) L t d ,
24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa P e n g u i n B o o k s L t d , R e g i s t e r e d Ofrices; S O S t r a n d , L o n d o n W C 2 R O R L , E n g l a n d
C o p y r i g h t © 2 0 1 0 by Steven Johnson All rights reserved. Xo p a r t of tins book m a y be reproduced, scanned, or distributed in any printed or electronic f o r m w i t h o u t p e r m i s s i o n . P l e a s e do not p a r t i c i p a t e in or e n c o u r a g e piracy of copyrighted m a t e r i a l s in violation of t h e author's rights. P u r c h a s e only authorized editions. Published simultaneously in Canada
G r a t e f u l a c k n o w l e d g m e n t i s m a d e for p e r m i s s i o n t o r e p r i n t f r o m F r a n c o M o r e t t i , Graphs,
Alaps^
Tress; Abstract Modehfar a Literary History.
Verso,
2007.
Copyright
© F r a n c o M o r e t t i 9007. All rights reserved. R e p r o d u c e d by permission.
Library of Congress Cataloging-in-Publica.tion D a t a Johnson, Steven, date. W h e r e good ideas c o m e from : the natural history of innovation / Steven Johnson. p. ISBN
cm. 1-101-44020-1
1. Creative thinking. BF403.J5e
2010
I. T i t l e . 2010023481
303.4S'4—dc22 BOOK D E S I G N H¥ AMANDA DEWEY-
W h i l e tile a u t h o r h a s m a d e every effort t o p r o v i d e a c c u r a t e t e l e p h o n e n u m b e r s a n d I n ternet addresses at the time of publication, neither the publisher nor the author a s s u m e s a n y r e s p o n s i b i l i t y for e r r o r s , o r for c h a n g e s t l l a t o c c u r a f t e r p u b l i c a t i o n . F u r t h e r , t h e p u b l i s h e r d e e s n o t h a v e a n y c o n t r o l o v e r a n d d o e s n o t a s s u m e a n v r e s p o n s i b i l i t y for a u t h o r or t h i r d - p a r t y websites or their content.
For Peter
CONTENTS
Introduction
REEF, CITY, WEB
i
I.
THE ADJACENT POSSIBLE
II.
LIQUID NETWORKS
«
in. THE SLOW HUNCH
IV.
SERENDIPITY
V.
ERROR
m
97
67
2^
vr. EXAPTATION
i49
VII. PLATFORMS
m
Conclusion
THE FOURTH QUADRANT
Acknowledgments
247
AppendiL: Chronology of Key Innovations^ Notes and Further Reading Bibliography Index
J05 515
211
1400—2000 295
251
Introduction
REEF, CITY, W E B . . . ( 7 i imagination bodies forth The forms of things unknown, the poet^s pen Turns them to shapes and gives to airy nothing A local habitation and a name. -SHAKESPEARK,
A
Midsummer Night's
Dream,
Vi.14-17
Darwin's Paradox A p r i l 4 , 1836. O v e r t h e e a s t e r n e x p a n s e o f t h e I n d i a n Ocean^ t h e reliable northeast winds of monsoon season have b e g u n to give way to the serene days of s u m m e r . On the K e e l i n g Islands, two s m a l l atolls c o m p o s e d o f t w e n t y - s e v e n c o r a l i s l a n d s six h u n d r e d m i l e s w e s t of S u m a t r a , the e m e r a l d waters are invitingly placid and w a r m , t h e i r h u e e n h a n c e d b y t h e brilliant w h i t e s a n d o f d i s i n t e g r a t e d coral. O n o n e stretch o f s h o r e u s u a l l y g u a r d e d b y s t r o n g e r surf, t h e w a t e r i s s o c a l m t h a t C h a r l e s D a r w i n w a d e s out, u n d e r t h e v a s t b l u e s k y o f t h e tropics, t o t h e e d g e o f t h e l i v e c o r a l r e e f t h a t r i n g s t h e i s l a n d . For hours he stands and paddles a m o n g the crowded pageantry o f t h e reef. T w e n t y - s e v e n y e a r s old, s e v e n t h o u s a n d m i l e s from L o n don, D a r w i n is on the precipice, s t a n d i n g on an underwater p e a k ascending over an u n f a t h o m a b l e sea. He is on the e d g e of an idea a b o u t t h e forces t h a t b u i l t t h a t p e a k , a n i d e a t h a t will p r o v e t o b e t h e
STEVEN
JOHNSON
first g r e a t s c i e n t i f i c i n s i g h t o f h i s career. A n d h e h a s j u s t b e g u n e x p l o r i n g a n o t h e r h u n c h , still h a z y a n d u n f o r m e d , t h a t w i l l e v e n t u ally l e a d t o t h e i n t e l l e c t u a l s u m m i t o f t h e n i n e t e e n t h century. A r o u n d h i m , the crowds of the coral ecosvstem dart a n d s h i m m e r . T h e s h e e r v a r i e t y d a z z l e s : b u t t e r fly fish, d a m s e l f i s h , p a r r o t f i s h . N a p o l e o n fish, a n g e l f i s h ; g o l d e n a n t h i a s f e e d i n g o n p l a n k t o n a b o v e the cauliflower b l o o m s of the coral; the spikes a n d tentacles of sea urchins a n d anemones. T h e tableau delights D a r w i n ' s eye, but alr e a d y his m i n d is r e a c h i n g behind the surface display to a m o r e p r o f o u n d m y s t e r y . I n h i s a c c o u n t o f t h e Beagle^s v o y a g e , p u b l i s h e d four y e a r s later, D a r w i n w o u l d write: ^Tt i s e x c u s a b l e t o g r o w e n thusiastic over the infinite n u m b e r s of organic b e i n g s with which the sea of the tropics, so prodigal of life, teems; yet I m u s t confess I think those naturalists who have described, in well-known words, t h e s u b m a r i n e g r o t t o e s d e c k e d w i t h a t h o u s a n d b e a u t i e s , h a v e indulged in rather exuberant l a n g u a g e . " What lingers in the back of Darwin's mind, in the days and weeks to come, is not the beauty of the s u b m a r i n e grotto but rather the 'infinite n u m b e r s " of organic beings. On land, the flora a n d f a u n a o f t h e K e e l i n g I s l a n d s a r e p a l t r y a t best. A m o n g t h e p l a n t s , t h e r e i s little b u t ' ^ c o c o a - n u t " t r e e s , l i c h e n , a n d w e e d s . " T h e list o f l a n d a n i m a l s , " h e w r i t e s , '^is e v e n p o o r e r t h a n t h a t o f t h e p l a n t s " : a handful of lizards, a l m o s t no true land birds, a n d those recent i m m i g r a n t s f r o m E u r o p e a n s h i p s , rats, ' ^ T h e i s l a n d h a s n o d o m e s t i c q u a d r u p e d excepting the pig," D a r w i n notes with disdain. Y e t j u s t a f e w feet a w a y f r o m t h i s d e s o l a t e h a b i t a t , i n t h e c o r a l r e e f w a t e r s , a n e p i c diversity, r i v a l e d only b y t h a t o f t h e r a i n forests, thrives. T h i s is a true mystery. Why should the waters at the e d g e
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WEB
o f a n atoll s u p p o r t s o m a n y d i f f e r e n t l i v e l i h o o d s ? E x t r a c t t e n t h o u s a n d c u b i c feet o f w a t e r f r o m j u s t a b o u t a n y w h e r e i n t h e I n d i a n O c e a n a n d d o a full i n v e n t o r y o n t h e life v o u f i n d t h e r e : t h e list w o u l d b e a b o u t a s '^poor" a s D a r w i n ' s a c c o u n t o f t h e l a n d a n i m a l s o f t h e K e e l i n g s . Y o u m i g h t f m d a d o z e n fish i f y o u w e r e l u c k y O n t h e reef, y o u w o u l d b e g u a r a n t e e d a t h o u s a n d . I n D a r w i n ' s own words, s t u m b l i n g across the e c o s y s t e m of a coral reef in the m i d d l e of an ocean was like encountering a s w a r m i n g oasis in the m i d d l e o f a d e s e r t . W e n o w call t h i s p h e n o m e n o n D a r w i n ' s P a r a d o x : s o m a n y different life forms, occupying such a vast array of ecological niches, inhabiting waters that are otherwise r e m a r k a b l y nutrientpoor. C o r a l r e e f s m a k e u p a b o u t o n e - t e n t h o f o n e p e r c e n t o f t h e earth's surface, a n d yet roughly a quarter of the known species of m a r i n e life m a k e t h e i r h o m e s t h e r e , D a r w i n d o e s n ' t h a v e t h o s e s t a tistics a v a i l a b l e t o h i m , s t a n d i n g i n t h e l a g o o n i n 1 8 5 6 , b u t h e h a s s e e n e n o u g h o f t h e w o r l d o v e r t h e p r e c e d i n g four y e a r s o n t h e Beagle t o k n o w t h e r e i s s o m e t h i n g p e c u l i a r i n t h e c r o w d e d w a t e r s o f the reef T h e n e x t day, D a r w i n v e n t u r e s t o t h e w i n d w a r d s i d e o f t h e atoll w i t h t h e Beagle\ c a p t a i n , Vice A d m i r a l J a m e s FitzRoy, a n d t h e r e t h e y w a t c h m a s s i v e w a v e s c r a s h a g a i n s t t h e c o r a l ' s w h i t e barrier. A n o r d i n a r y E u r o p e a n spectator, a c c u s t o m e d t o t h e c a l m e r w a t e r s o f t h e English Channel or the Mediterranean, would be naturally drawn to t h e i m p r e s s i v e crest o f t h e surf, ( T h e b r e a k e r s , D a r w i n o b s e r v e s , a r e a l m o s t " e q u a l i n force t o t h o s e d u r i n g a g a l e o f w i n d i n t h e t e m p e r ate regions, and never cease to r a g e , " ) B u t D a r w i n has his eye on s o m e t h i n g e l s e — n o t t h e v i o l e n t s u r g e o f w a t e r b u t t h e force t h a t r e s i s t s it: t h e tiny o r g a n i s m s t h a t h a v e b u i l t t h e r e e f itself.
STEVEN
JOHNSON
T h e ocean throwing its waters over the broad, reef appears an invincible, all-powerful enemy; yet we see it resisted, and even conquered., by means which at first seem most weak and inefficient. It is not that the ocean spares tile rock of coral; the great fragments scattered over the reef, and heaped on the beach, whence the tall cocoa-nut springs, plainly bespeak the unrelenting power of the waves . . . Yet these low, insignificant coral-islets stand and are victorious: for here another power, as an antagonist, takes part in the contest. T h e organic forces separate the atoms of carbonate of lime, one by one, from the foaming breakers, and unite them into a symmetrical structure. L e t the hurricane tear up its thousand huge fragments; yet what will that tell against the accumulated labour of myriads of architects at work night and day, month after month?
D a r w i n is drawn to those m i n u s c u l e architects because he b e lieves they are the key to solving the mystery that has brought the Beagle t o t h e K e e l i n g I s l a n d s , I n t h e A d m i r a l t y ' s m e m o r a n d u m authorizing the ship's five-year journey, one of the principal scientific d i r e c t i v e s i s t h e i n v e s t i g a t i o n o f atoll f o r m a t i o n . D a r w i n ' s m e n tor, t h e b r i l l i a n t g e o l o g i s t C h a r l e s L y e l l , h a d r e c e n t l y p r o p o s e d t h a t atolls a r e created by u n d e r s e a volcanoes that have b e e n driven upw a r d b y p o w e r f u l m o v e m e n t s i n t h e e a r t h ' s crust. I n L y e l l ' s theory, t h e d i s t i n c t i v e c i r c u l a r s h a p e o f a n atoll e m e r g e s a s c o r a l c o l o n i e s c o n s t r u c t r e e f s a l o n g t h e c i r c u m f e r e n c e o f t h e v o l c a n i c crater, D a r win's m i n d h a d been profoundly shaped by Lyell's understanding of the d e e p t i m e of geological transformation, but standing on the b e a c h , w a t c h i n g t h e b r e a k e r s c r a s h a g a i n s t t h e coral, h e k n o w s t h a t h i s m e n t o r i s w r o n g a b o u t t h e o r i g i n o f t h e atolls. I t i s n o t a s t o r y
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of s i m p l e geology, he realizes. It is a story about the innovative p e r s i s t e n c e o f life. A n d a s h e m u l l s t h e t h o u g h t , t h e r e i s a h i n t o f s o m e t h i n g e l s e i n h i s m i n d , a larger, m o r e e n c o m p a s s i n g t h e o r y t h a t m i g h t a c c o u n t for t h e v a s t s c o p e o f life's i n n o v a t i o n s . T h e f o r m s o f t h i n g s u n k n o w n a r e t u r n i n g , slowly, into s h a p e s . D a y s later, b a c k o n t h e Beagle^ D a r w i n p u l l s out h i s j o u r n a l a n d reflects on that m e s m e r i z i n g clash b e t w e e n surf a n d coral. P r e s a g i n g a line he would publish thirty years later in the m o s t f a m o u s p a s s a g e f r o m On the Origin of Species, D a r w i n w r i t e s , '^I c a n h a r d l y explain the reason, but there is to my m i n d m u c h grandeur in the view of the outer shores of these lagoon-islands." In t i m e , the reason would come to him.
T h e S u p e r l i n e a r City F r o m a n e a r l y a g e , t h e S w i s s s c i e n t i s t M a x K l e i b e r h a d a k n a c k for testing the e d g e s of convention. As an u n d e r g r a d u a t e in Zurich in the 1910s, he r o a m e d t h e streets dressed in s a n d a l s a n d an open collar, s h o c k i n g a t t i r e for t h e day. D u r i n g h i s t e n u r e i n t h e S w i s s a r m y , h e d i s c o v e r e d t h a t h i s s u p e r i o r s h a d b e e n t r a d i n g inform a t i o n w i t h t h e G e r m a n s , d e s p i t e t h e official S w i s s p o s i t i o n o f neutrality in World War I. Appalled, he simply failed to appear at h i s n e x t c a l l - u p , a n d w a s u l t i m a t e l y j a i l e d for s e v e r a l m o n t h s . B y the t u n e he h a d settled on a career in agricultural science, he h a d h a d e n o u g h o f t h e r e s t r i c t i o n s o f Z u r i c h society. A n d s o M a x Kleiber charted a path that would be followed by countless sandalwearing, nonconformist war protesters in the decades to come. He m o v e d to California,
STEVEN
JOHNSON
K l e i b e r s e t u p s h o p a t t h e a g r i c u l t u r a l c o l l e g e run b y t h e U n i v e r s i t y o f C a l i f o r n i a a t D a v i s , i n t h e h e a r t o f t h e fertile C e n t r a l Valley. H i s r e s e a r c h initially f o c u s e d o n cattle, m e a s u r i n g t h e i m p a c t b o d y s i z e h a d o n t h e i r m e t a b o l i c r a t e s , t h e s p e e d w i t h w h i c h a n org a n i s m b u r n s t h r o u g h energy. E s t i m a t i n g m e t a b o l i c r a t e s h a d g r e a t p r a c t i c a l v a l u e for t h e c a t t l e industry, b e c a u s e i t e n a b l e d f a r m e r s t o p r e d i c t w i t h r e a s o n a b l e a c c u r a c y b o t h h o w m u c h food t h e i r livestock would require, and how m u c h m e a t they would ultimately produce after s l a u g h t e r . S h o r t l y after h i s a r r i v a l a t D a v i s , K l e i b e r s t u m b l e d a c r o s s a m y s t e r i o u s p a t t e r n in h i s r e s e a r c h , a m a t h e m a t i c a l o d d i t y that soon brought a m u c h m o r e diverse array of creatures to be m e a s u r e d i n h i s lab: rats, r i n g d o v e s , p i g e o n s , d o g s , e v e n h u m a n s . S c i e n t i s t s a n d a n i m a l l o v e r s h a d l o n g o b s e r v e d t h a t a s life g e t s b i g g e r , i t s l o w s d o w n . F l i e s l i v e for h o u r s o r d a y s ; e l e p h a n t s l i v e for half-centuries. T h e hearts o f birds a n d s m a l l m a m m a l s p u m p blood m u c h faster t h a n t h o s e o f g i r a f f e s a n d b l u e w h a l e s . B u t t h e r e l a t i o n ship between size a n d speed didn't s e e m to be a linear one. A horse m i g h t b e five h u n d r e d t i m e s h e a v i e r t h a n a r a b b i t , y e t its p u l s e c e r t a i n l y w a s n ' t five h u n d r e d t u n e s s l o w e r t h a n t h e r a b b i t ' s . A f t e r a formidable series of m e a s u r e m e n t s in his D a v i s lab, Kleiber discovered that this scaling phenomenon stuck to an unvarying m a t h e matical script called "negative quarter-power scaling," If you plotted m a s s v e r s u s m e t a b o l i s m o n a l o g a r i t h m i c g r i d , t h e r e s u l t w a s a perfectly s t r a i g h t l i n e t h a t l e d f r o m r a t s a n d p i g e o n s a l l t h e w a y u p t o bulls and hippopotami. Physicists w e r e used to discovering beautiful equations like this lurking in the p h e n o m e n a they studied, but m a t h e m a t i c a l elegance w a s a r a r i t y i n t h e c o m p a r a t i v e l y m e s s y w o r l d o f biology. B u t t h e m o r e species Kleiber a n d his peers analyzed, the clearer the equation
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b e c a m e : m e t a b o l i s m s c a l e s t o m a s s t o t h e n e g a t i v e q u a r t e r power. T h e m a t h i s s i m p l e e n o u g h : y o u t a k e t h e s q u a r e root o f 1,000, w h i c h i s ( a p p r o x i m a t e l y ) 5 1 , a n d t h e n t a k e t h e s q u a r e root o f 5 1 , w h i c h i s ( a g a i n , a p p r o x i m a t e l y ) 5,5, T h i s m e a n s t h a t a cow, w h i c h i s r o u g h l y a t h o u s a n d t u n e s h e a v i e r t h a n a w o o d c h u c k , will, on a v e r a g e , live 5.5 t i m e s l o n g e r , a n d h a v e a h e a r t r a t e t h a t i s 5.5 t i m e s s l o w e r t h a n the woodchuck's. As the science writer G e o r g e Johnson once observed, one lovely consequence of Kleiber's law is that the n u m b e r of heartbeats per lifetime tends to be stable from species to species. B i g g e r a n i m a l s just take longer to u s e up their quota. O v e r t h e e n s u i n g d e c a d e s , K l e i b e r ' s l a w wda e x t e n d e d d o w n t o t h e m i c r o s c o p i c s c a l e o f b a c t e r i a a n d cell m e t a b o l i s m ; e v e n p l a n t s w e r e found to obey negative quarter-power scaling in their patterns of growth. Wherever life appeared, whenever an o r g a n i s m h a d t o f i g u r e out a w a y t o c o n s u m e a n d d i s t r i b u t e e n e r g y t h r o u g h a body, n e g a t i v e q u a r t e r - p o w e r s c a l i n g g o v e r n e d t h e p a t t e r n s o f its d e v e l o p m ent, Several years ago, the theoretical physicist Geoffrey West dec i d e d t o i n v e s t i g a t e w h e t h e r K l e i b e r ' s l a w a p p l i e d t o o n e o f life's l a r g e s t c r e a t i o n s : t h e s u p e r o r g a n i s m s o f h u m a n - b u i l t cities. D i d t h e ' ^ m e t a b o l i s m " o f u r b a n life slow d o w n a s c i t i e s g r e w i n size? W a s t h e r e a n u n d e r l y i n g p a t t e r n t o t h e g r o w t h a n d p a c e o f life o f m e t r o p o l i t a n s y s t e m s ? W o r k i n g out o f t h e l e g e n d a r y S a n t a F e I n s t i t u t e , w h e r e h e s e r v e d a s p r e s i d e n t u n t i l 2 0 0 9 , West a s s e m b l e d a n i n t e r n a t i o n a l t e a m o f r e s e a r c h e r s a n d a d v i s e r s t o collect d a t a o n d o z e n s o f cities a r o u n d t h e w o r l d , m e a s u r i n g e v e r y t h i n g f r o m c r i m e t o h o u s e h o l d electrical c o n s u m p t i o n , f r o m n e w p a t e n t s t o g a s o l i n e s a l e s . W h e n t h e y finally c r u n c h e d t h e n u m b e r s . West a n d h i s t e a m w e r e d e l i g h t e d t o discover t h a t K l e i b e r ' s n e g a t i v e q u a r t e r - p o w e r seal-
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i n g g o v e r n e d t h e e n e r g y a n d t r a n s p o r t a t i o n gro%\'th o f city h v i n g . T h e n u m b e r o f g a s o l i n e stations, g a s o l i n e sales, r o a d s u r f a c e a r e a , t h e l e n g t h o f electrical cables: all t h e s e factors follow t h e e x a c t s a m e power law that governs the speed with which energy is expended in biological o r g a n i s m s . I f a n e l e p h a n t w a s j u s t a s c a l e d - u p m o u s e , t h e n , from an e n e r g y p e r s p e c t i v e , a city w a s j u s t a s c a l e d - u p e l e p h a n t . B u t the most fascinating discovery in West's research c a m e f r o m t h e d a t a t h a t didn't t u r n out t o o b e y K l e i b e r ' s law. W e s t a n d h i s t e a m discovered another power law lurking in their i m m e n s e datab a s e o f u r b a n statistics. E v e r y d a t a p o i n t t h a t i n v o l v e d c r e a t i v i t y a n d innovation—patents, R & D budgets, super creative" professions, i n v e n t o r s — a l s o f o l l o w e d a q u a r t e r - p o w e r law, in a w a y t h a t w a s e v e r y b i t a s p r e d i c t a b l e a s K l e i b e r ' s law. B u t t h e r e w a s o n e f u n d a m e n t a l difference: the quarter-power law governing innovation w a s positive^ n o t n e g a t i v e , A city t h a t w a s t e n t i m e s l a r g e r t h a n its n e i g h bor w a s n ' t t e n t i m e s m o r e i n n o v a t i v e ; i t w a s seventeen t i m e s m o r e i n n o v a t i v e , A m e t r o p o l i s fifty t i m e s b i g g e r t h a n a t o w n w a s 150 t i m e s m o r e innovative, K l e i b e r ' s l a w p r o v e d t h a t a s life g e t s b i g g e r , i t s l o w s d o w n . B u t West's m o d e l demonstrated one crucial way in which h u m a n - b u i l t cities b r o k e f r o m t h e p a t t e r n s o f b i o l o g i c a l life: a s cities g e t b i g g e r , t h e y g e n e r a t e i d e a s a t a faster clip. T h i s i s w h a t w e call " s u p e r l i n e a r s c a l i n g " : i f c r e a t i v i t y s c a l e d w i t h size i n a s t r a i g h t , l i n e a r f a s h i o n , you would of course fmd m o r e patents and inventions in a larger city, b u t t h e n u m b e r o f p a t e n t s a n d i n v e n t i o n s per c a p i t a w o u l d b e s t a b l e . W e s t ' s p o w e r l a w s s u g g e s t e d s o m e t h i n g far m o r e p r o v o c a tive: t h a t d e s p i t e a l l t h e n o i s e a n d c r o w d i n g a n d d i s t r a c t i o n , t h e a v e r a g e r e s i d e n t of a m e t r o p o l i s w i t h a p o p u l a t i o n of five m i l l i o n p e o p l e w a s a l m o s t three times m o r e c r e a t i v e t h a n t h e a v e r a g e r e s i -
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d e n t o f a t o w n o f a l i u n d r e d t h o u s a n d , " G r e a t cities a r e n o t l i k e t o w n s o n l y l a r g e r , " J a n e J a c o b s w r o t e n e a r l y fifty y e a r s a g o . W e s t ' s positive quarter-power law gave that insight a m a t h e m a t i c a l found a t i o n . S o m e t h i n g a b o u t t h e e n v i r o n m e n t o f a b i g city w a s m a k i n g its r e s i d e n t s s i g n i f i c a n t l y m o r e i n n o v a t i v e t h a n r e s i d e n t s o f s m a l l e r t o w n s . B u t w h a t w a s it?
The 10/10 Rule T h e first n a t i o n a l b r o a d c a s t o f a color t e l e v i s i o n p r o g r a m t o o k p l a c e on J a n u a r y 1, 1954, w h e n N B C aired an hour-long telecast of the T o u r n a m e n t o f R o s e s p a r a d e , a n d d i s t r i b u t e d i t t o t w e n t y - t w o cities across t h e country. For t h o s e l u c k y e n o u g h t o s e e t h e p r o g r a m , t h e effect o f a m o v i n g color i m a g e o n a s m a l l s c r e e n s e e m s t o h a v e b e e n m e s m e r i z i n g . T h e JSfew York Times., in t y p i c a l l a n g u a g e , c a l l e d it a " v e r i t a b l e b e v y o f h u e s a n d d e p t h . " " T o c o n c e n t r a t e s o m u c h color i n f o r m a t i o n w i t h i n t h e f r a m e o f a s m a l l s c r e e n , " t h e TY/Tiej w r o t e , " w o u l d be d i f f i c u l t for e v e n t h e m o s t g i f t e d a r t i s t d o i n g a ^still' painting. To do it with constantly m o v i n g pictures s e e m e d pure wizardry," Alas, the R o s e P a r a d e " b r o a d c a s t " turned out to be not all t h a t b r o a d , g i v e n t h a t i t w a s v i s i b l e only o n p r o t o t y p e t e l e v i s i o n s in R C A showrooms. Color p r o g r a m m i n g would not b e c o m e stand a r d o n p r i m e - t i m e s h o w s u n t i l t h e l a t e 1960s. A f t e r t h e a d v e n t o f color, t h e b a s i c c o n v e n t i o n s t h a t d e f i n e d t h e t e l e v i s i o n i m a g e w o u l d g o u n c h a n g e d for d e c a d e s . T h e d e l i v e r y m e c h a n i s m s b e g a n t o d i versify with the introduction of V C R s a n d cable in the late 1970s, B u t the i m a g e remained the same. I n t h e m i d - 1 9 8 0 s , a n u m b e r o f influential m e d i a a n d t e c h n o l -
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o g y e x e c u t i v e s , a l o n g w i t h a few v i s i o n a r y p o l i t i c i a n s , h a d t h e e m i nently good idea that it w a s t i m e to u p g r a d e the video quality of broadcast television. S p e e c h e s were delivered, committees formed, e x p e r i m e n t a l p r o t o t y p e s built, b u t i t w a s n ' t t m t i l J u l y 2 5 , 1996, t h a t a R a l e i g h , N o r t h C a r o l i n a , C B S a f f i l i a t e i n i t i a t e d t h e first p u b l i c transmission o f a n H D T V signal. L i k e the T o u r n a m e n t o f
Roses
footage, though, there were no ordinary consumers with sets capable o f d i s p l a y i n g its " w i z a r d r y , " ' A h a n d f u l o f b r o a d c a s t e r s b e g a n t r a n s m i t t i n g H D T V signals i n 1999, but H D television didn't b e c o m e a
1. T h e convoluted history of HEíTV's origins could be the subject of an entire book, but the c o n d e n s e d v e r s i o n g o e s s o m e t h i n g like this: i n t h e e a r l y 1 9 8 0 s t h e J a p a n e s e p u b l i c b r o a d c a s t i n g c o m p a n y N H K gave a series of demonstrations of a prototype high-definition television platf o r m t o m e m b e r s o f t b e L I S . C o n g r e s s a n d other g o v e r n m e n t officials. T h i s w a s a t t h e h e i g h t o f A m e r i c a n f e a r s a b o u t J a p a n ' s e c o n o m i c a s c e n d a n c y a t i m e w h e n S o n y televisions w e r e already outselling venerable A m e r i c a n b r a n d s like R C A a n d Zenith. T h e idea that the J a p a n e s e m i g h t introduce a b i g h e r - q u a l i t v i m a g e to t h e U.S. m a r k e t posed a threat both to A m e r i c a n c o n s u m e r electronics c o m p a n i e s and, as then-senator Al G o r e pointed out after watching the N H K d e m o , t o t h e s e m i c o n d u c t o r c o m p a n i e s t h a t w o u l d m a k e t h e c h i p s for a l l t h o s e n e w t e l e vision boxes. Within a m a t t e r of months, the Federal C o m m u n i c a t i o n s C o m m i s s i o n formally decided to investigate the possibility of i m p r o v i n g the picture qualitv of broadcast and cable T V . A l l t h e f o r c e s w e r e a l i g n e d for t h e n e x t m a j o r s t e p f o r w a r d i n t h e t e l e v i s i o n m e d i u m . R o n ald R e a g a n , always one to g r a s p the transformative possibilities of television, even called the d e v e l o p m e n t of a U.S. H D T V s t a n d a r d a m a t t e r of ''national interest." B u t w h a t followed i n t h e s u b s e q u e n t y e a r s w a s less o f a G r e a t L e a p F o r w a r d a n d m o r e of an endless, serpentine crawl. First, the F C C appointed a c o m m i t t e e — t h e Advisory C o m m i t tee on A d v a n c e d Television S e r v i c e ( A C A T S ) — t h a t solicited a n d reviewed twenty-three different proposals over t h e n e x t year, eventually w i n n o w i n g t h e m d o w n to six different s y s t e m s , each using a u n i q u e s c h e m e to convey higher-definition sound and i m a g e . S o m e were analog, others digital. S o m e were backward compatible with the current systems; others would require the consumer to u p g r a d e to new equipment. For five years, the sponsor organizations enhanced and tested their v a r i o u s p l a t f o r m s , at a cost of h u n d r e d s of m i l l i o n s in r e s e a r c h - a n d - d e v e l o p m e n t dollars. T h e whole process w a s supposed to c o m e to a conclusion in 1995, w h e n A C A T S w a s s c h e d u l e d to r u n a series of final tests a n d pick a winner, b u t t h e final tests t u r n e d o u t to be a p r e a m b l e : the only thing the c o m m i t t e e a g r e e d on was that digital w a s preferable to analog, w h i c h r e d u c e d t h e field slightly. I ' h e r e m a i n i n g c o n t e n d e r s all h a d e n o u g h f l a w s i n d i v i d u a l l y to keep the committee from anointing a new heir apparent, and so the A C A T S group proposed that the r e m a i n i n g candidates collaborate on a single standard. This g r o u p — c a l l e d the G r a n d A l l i a n c e — r e a c h e d a g r e e m e n t o n s p e c i f i c a t i o n s for d i g i t a l h i g h - d e f i n i t i o n v i d e o a n d a u d i o i n 1995, w h i c h t h e F C C e m b r a c e d t h e following year.
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m a i n s t r e a m c o n s u m e r p h e n o m e n o n for a n o t h e r f i v e y e a r s . E v e n after t h e F C C m a n d a t e d t h a t all t e l e v i s i o n s t a t i o n s c e a s e b r o a d c a s t i n g t h e o l d a n a l o g s t a n d a r d o n J u n e 12, 2 0 0 9 , m o r e t h a n 1 0 p e r c e n t o f U . S , h o u s e h o l d s h a d t e l e v i s i o n s t h a t w e n t d a r k t h a t day. I t i s o n e o f t h e g r e a t t r u i s m s o f our t i m e t h a t w e l i v e i n a n a g e o f t e c h n o l o g i c a l acceleration:, t h e n e w p a r a d i g m s k e e p r o l l i n g in, and the intervals between t h e m keep shortening. T h i s acceleration reflects n o t only t h e f l o o d o f n e w p r o d u c t s , b u t a l s o our g r o w i n g willingness to e m b r a c e these strange n e w devices, and put t h e m to u s e . T h e w a v e s roll i n a t e v e r - i n c r e a s i n g f r e q u e n c i e s , a n d m o r e a n d m o r e of us are b e c o m i n g trained surfers, p a d d l i n g out to m e e t t h e m t h e s e c o n d t h e y s t a r t t o crest. B u t t h e H D T V story s u g g e s t s t h a t t h i s a c c e l e r a t i o n i s h a r d l y a u n i v e r s a l law. I f y o u m e a s u r e h o w q u i c k l y a new technology progresses from an original idea to m a s s adoption, then it turns out that H D T V was traveling at the exact s a m e speed t h a t color t e l e v i s i o n h a d t r a v e l e d four d e c a d e s earlier. I t t o o k t e n y e a r s for color T V t o g o f r o m t h e f r i n g e s t o t h e m a i n s t r e a m ; t w o g e n e r a t i o n s later, i t t o o k H D T V j u s t a s l o n g t o a c h i e v e m a s s s u c c e s s . I n fact, i f y o u look a t t h e e n t i r e t y o f t h e t w e n t i e t h century, t h e most important developments in mass, one-to-many communications clock in at the s a m e social innovation rate with an eerie regularity. Call it t h e 1 0 / 1 0 rule: a decade to build the new platf o r m , a n d a d e c a d e for i t t o f i n d a m a s s a u d i e n c e . T h e t e c h n o l o g y s t a n d a r d o f a m p l i t u d e - m o d u l a t e d r a d i o — w h a t w e n o w call A M r a d i o — e v o l v e d i n t h e first d e c a d e o f t h e t w e n t i e t h century. T h e first c o m m e r c i a l A M s t a t i o n b e g a n b r o a d c a s t i n g i n 1 9 2 0 , b u t i t wasn't until the late 1920s that radios b e c a m e a fixture in A m e r i c a n h o u s e h o l d s , S o n y i n a u g u r a t e d r e s e a r c h into t h e first c o n s u m e r v i d e o c a s s e t t e r e c o r d e r i n 1 9 6 9 , b u t d i d n ' t s h i p its first B e t a m a x for
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another seven years, and V C R s didn't b e c o m e a household necessity imtil t h e mid-eighties. T h e D V D player didn't statistically replace the V C R in A m e r i c a n households until 2 0 0 6 , nine years after the first p l a y e r s w e n t o n t h e m a r k e t . C e l l p h o n e s , p e r s o n a l c o m p u t e r s , G P S navigation devices—all took a similar t i m e frame to go from innovation to m a s s adoption. Consider, as an alternate scenario, the story of C h a d Hurley, Steve Chen, and Jawed Karim, three former employees of the online p a y m e n t site P a y P a l , w h o d e c i d e d i n e a r l y 2 0 0 5 t h a t t h e W e b w a s r i p e for a n u p g r a d e i n t h e w a y i t h a n d l e d v i d e o a n d s o u n d . Video, o f c o u r s e , w a s n o t n a t i v e t o t h e V\'eb, w h i c h h a d b e g u n its life fifteen y e a r s b e f o r e a s a p l a t f o r m for a c a d e m i c s t o s h a r e h y p e r t e x t d o c u ments. B u t over the years, video clips h a d b e g u n to trickle their way online, thanks to n e w video standards that e m e r g e d , such as QuickT i m e , F l a s h , o r W i n d o w s M e d i a Player, B u t t h e m e c h a n i s m s t h a t a l l o w e d p e o p l e t o u p l o a d a n d s h a r e t h e i r o w n v i d e o s w e r e too c h a l l e n g i n g for m o s t o r d i n a r y u s e r s . S o H u r l e y , C h e n , a n d K a r i m c o b b l e d t o g e t h e r a r o u g h b e t a for a s e r v i c e t h a t w o u l d correct t h e s e deficiencies, raised less than $10 million in v e n t u r e capital, hired about two dozen people, a n d l a u n c h e d YouTube, a website that utterly transformed the way video information is shared online. Within sixteen m o n t h s of the company's founding, the service was s t r e a m i n g m o r e t h a n 5 0 m i l l i o n v i d e o s a day. W i t h i n t w o y e a r s , Y o u T u b e was one of the top-ten m o s t visited sites on the Web. Before H u r l e y , C h e n , a n d K a r i m h i t u p o n t h e i r i d e a for a s t a r t - u p , v i d e o o n the Web was as c o m m o n as subtitles on television. T h e Web was about doing things with text, a n d u p l o a d i n g the occasional photo. Y o u T u b e b r o u g h t W e b v i d e o into t h e m a i n s t r e a m . N o w compare the way these two i d e a s — H D T V and Y o u T u b e —
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c h a n g e d t h e b a s i c r u l e s o f e n g a g e m e n t for t h e i r r e s p e c t i v e p l a t forms. G o i n g from analog television to f l D T V is a c h a n g e in degree, not i n k i n d : t h e r e a r e m o r e p i x e l s ; t h e s o u n d i s m o r e i m m e r s i v e ; t h e colors a r e sharper. B u t c o n s u m e r s w a t c h H D T V t h e e x a c t s a m e w a y they watched old-fashioned analog TV T h e y choose a channel, and sit b a c k a n d w a t c h , Y o u T u b e , o n t h e o t h e r h a n d , r a d i c a l l y a l t e r e d t h e b a s i c r u l e s o f t h e m e d i u m . F o r s t a r t e r s , i l m a d e watchino; v i d e o o n the Web a m a s s phenomenon. But with YouTube you weren't h m i t e d t o s i t t i n g a n d w a t c h i n g a show, t e l e v i s i o n - s t y l e ; y o u c o u l d a l s o u p l o a d y o u r o w n clips, r e c o m m e n d o r r a t e o t h e r c l i p s , g e t into a c o n v e r s a t i o n a b o u t t h e m . W i t h j u s t a few e a s y keystrokes, y o u co uld t a k e a clip r u n n i n g on s o m e o n e e l s e ' s site, a n d d r o p a c o p y of it o n t o y o u r o w n site. T h e t e c h n o l o g y a l l o w e d o r d i n a r y e n t h u s i a s t s t o effectively p r o g r a m their own private television networks, stitching together v i d e o c l i p s f r o m all a c r o s s t h e p l a n e t . S o m e will say that this is m e r e l y a m a t t e r of software, which is i n t r i n s i c a l l y m o r e a d a p t a b l e t h a n h a r d w a r e like t e l e v i s i o n s o r cellular phones. B u t before the Web b e c a m e m a i n s t r e a m in the m i d 1990s, the pace of software innovation followed the exact s a m e 1 0 / 1 0 pattern of d e v e l o p m e n t that we saw in the s p r e a d of other t w e n t i e t h - c e n t u r y t e c h n o l o g i e s . T h e g r a p h i c a l u s e r i n t e r f a c e , for instance, dates back to a f a m o u s technology d e m o given by pioneering c o m p u t e r scientist D o u g E n g e l b a r t i n 1968, D u r i n g t h e 1 9 7 0 s , m a n y o f its c o r e e l e m e n t s — l i k e t h e n o w u b i q u i t o u s d e s k t o p m e t a p h o r — w e r e d e v e l o p e d b y r e s e a r c h e r s a t X e r o x - P A R C , B u t t h e first c o m m e r c i a l p r o d u c t w i t h a fully r e a l i z e d g r a p h i c a l u s e r i n t e r f a c e d i d n ' t s h i p tmtil 1 9 8 1 , i n t h e f o r m o f t h e X e r o x S t a r w o r k s t a t i o n , f o l l o w e d b y t h e M a c i n t o s h i n 1984, t h e first g r a p h i c a l u s e r i n t e r f a c e t o r e a c h a m a i n s t r e a m , if niche, audience. B u t it wasn't until the release of
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W i n d o w s 3,0 i n 1 9 9 0 — a l m o s t e x a c t l y t e n y e a r s after t h e X e r o x S t a r h i t t h e market—^that g r a p h i c a l u^er i n t e r f a c e s b e c a m e t h e n o r m . T h e s a m e p a t t e r n o c c u r s i n t h e d e v e l o p m e n t a l h i s t o r y o f o t h e r softw a r e genres, such as word processors, spreadsheets, or e-mail chents. T h e y w e r e all b u i l t out o f b i t s , n o t a t o m s , b u t t h e y t o o k j u s t a s l o n g t o g o f r o m i d e a t o m a s s s u c c e s s a s H D T V did. T h e r e are m a n y ways to m e a s u r e innovation, but perhaps the m o s t elemental yardstick, at least where technology is concerned, r e v o l v e s a r o u n d the job t h a t t h e t e c h n o l o g y in q u e s t i o n lets y o u do. All other t h i n g s b e i n g equal, a b r e a k t h r o u g h that lets y o u e x e c u t e two jobs that were i m p o s s i b l e before is twice as innovative as a b r e a k t h r o u g h that lets you do only one new thing. By that m e a s u r e , YouTube was significantly m o r e innovative than H D T V , despite the fact t h a t H D T V w a s a m o r e c o m p l i c a t e d t e c h n i c a l p r o b l e m , Y o u T u b e let you publish, share, rate, discuss, a n d watch video m o r e efficiently t h a n e v e r b e f o r e . H D T V l e t y o u w a t c h m o r e p i x e l s t h a n ever before. B u t even with all those extra layers of innovation, YouT u b e went from idea to m a s s adoption in less than two years. S o m e thing about the Web environment had enabled Hurley, Chen, and K a r i m to unleash a good idea on the world with astonishing speed. T h e y took the 1 0 / 1 0 rule and m a d e it 1 / 1 .
T
This is a book about the space of innovation. S o m e environm e n t s squelch new ideas; s o m e environments s e e m to breed
t h e m effortlessly. T h e city a n d t h e W e b h a v e b e e n s u c h e n g i n e s o f i n n o v a t i o n b e c a u s e , for c o m p l i c a t e d h i s t o r i c a l r e a s o n s , t h e y a r e b o t h e n v i r o n m e n t s t h a t a r e p o w e r f u l l y s u i t e d for t h e c r e a t i o n , d i f f u s i o n , a n d adoption of good ideas. N e i t h e r e n v i r o n m e n t is perfect, by any
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m e a n s . ( T h i n k o f c r i m e r a t e s i n b i g cities, o r t h e e x p l o s i o n o f s p a m o n l i n e . ) B u t b o t h t h e city a n d t h e W e b p o s s e s s a n u n d e n i a b l e t r a c k r e c o r d a t g e n e r a t i n g innovation.^ I n t h e s a m e w a y t h e ' ^ m y r i a d t i n y architects" of Darwin's coral reef create an environment where b i o l o g i c a l i n n o v a t i o n c a n flourish. I f w e w a n t t o u n d e r s t a n d w h e r e good ideas c o m e from, we h a v e to put t h e m in context, D a r w i n ' s world-chan^ino; i d e a unfolded inside his brain, but think of all the environments a n d tools he n e e d e d to piece it together: a ship, an a r c h i p e l a g o , a n o t e b o o k , a library, a c o r a l reef. O u r t h o u g h t s h a p e s t h e s p a c e s w^e i n h a b i t , a n d o u r s p a c e s r e t u r n t h e favor. T h e a r g u m e n t of this book is that a series of shared properties a n d patterns recur a g a i n a n d a g a i n in unusually fertile environments, I have d i s t i l l e d t h e m d o w n into s e v e n p a t t e r n s , e a c h o n e o c c u p y i n g a s e p a r a t e chapter. T h e m o r e w^e e m b r a c e t h e s e p a t t e r n s — i n o u r p r i v a t e w o r k h a b i t s a n d h o b b i e s , i n o u r office e n v i r o n m e n t s , i n t h e d e s i g n o f n e w s o f t w a r e t o o l s — t h e b e t t e r w e w i l l b e a t t a p p i n g our e x t r a o r d i n a r y c a p a c i t y for i n n o v a t i v e thinking.^
2 . T h i s fact, ironically, m a y b e r e l a t e d t o s o m e o f t h e i r b l e m i s h e s . I t m a y b e t h a t t h e c r i m i n a l s a n d s p a m m e r s t h r i v e i n t h e s e s p a c e s b e c a u s e they, too, a r e a b l e t o b e m o r e i n n o v a t i v e a t t h e i r t r a d e s . 3. Sections of t h e a r g u m e n t that follows will be f a m i l i a r to a n v o n e w h o has spent tbe last d e c a d e o r t w o e x p l o r i n g t h e n e w p o s s i b i l i t y s p a c e s o f t h e W e b . I l a s t w r o t e a b o u t t h e W'eb i n b o o k f o r m ten years ago; since that time, a m a r v e l o u s c o m m u n i t y of entrepreneur theorists h a s materialized, capable of p u s h i n g the b o u n d a r i e s of the m e d i u m , a n d at the s a m e t i m e reflecting on w h a t t h o s e a d v a n c e s m i g h t m e a n . W e h a v e , all o f u s , s e e n f i r s t h a n d h o w i n n o v a t i v e a s p a c e t b e W e b c a n be, a n d we h a v e a s s e m b l e d a g r e a t d e a l of local k n o w l e d g e a b o u t t h e forces that m a k e that innovation possible. In a s s e m b l i n g the seven patterns of innovation, I have tried to organize that knowledge into productive categories, a n d I hope I have provided a few insights into h o w the W'eb w o r k s t h a t w i l l s u r p r i s e t h e n a t i v e s . B u t e v e n t h e m o s t d e v o t e d c r o w d - s o u r c i n g , m i c r o b l o g g m g W i k i p e d i a - h e a d h a s d o u b t s a b o u t h o w p o r t a b l e t h e W'eb e x p e r i e n c e i s t o r e a l - w o r l d i n n o v a t i o n e n v i r o n m e n t s . J u s t b e c a u s e t h e p a t t e r n s w o r k for G o o g l e d o e s n ' t m e a n t h a t t h e y a r e r e l e v a n t for an u n d e r s t a f f e d nonprofit^ or a u t o - p a r t s m a n u f a c t u r e r , or city g o v e r n m e n t . A n d so one w a y to think about the p a g e s that follow is as an a r g u m e n t that the particular m a g i c that we have seen on the Web has a long history that predates the Web and can be reproduced in other
environments.
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T h e s e p a t t e r n s t u r n o u t t o h a v e a l o n g history, m u c h o l d e r t h a n m o s t o f t h e s y s t e m s t h a t w^e c o n v e n t i o n a l l y a s s o c i a t e w i t h innovation. T h i s history is particularly rich because it is not exclusively limited to h u m a n creations like the Internet or the metropolis. T h e amplification a n d adoption of useful innovation exist t h r o u g h o u t natural h i s t o r y a s w e l l . C o r a l r e e f s a r e s o m e t i m e s c a l l e d the "cities of the sea," a n d part of the a r g u m e n t of this book is that we need to t a k e the m e t a p h o r seriously: the reef ecosystem is so i n n o v a t i v e i n its e x p l o i t a t i o n o f t h o s e n u t r i e n t - p o o r w a t e r s b e c a u s e i t s h a r e s s o m e d e f i n i n g c h a r a c t e r i s t i c s w i t h a c t u a l cities. I n t h e l a n g u a g e o f c o m p l e x i t y theory, t h e s e p a t t e r n s o f i n n o v a t i o n a n d c r e a t i v i t y a r e fractal: t h e y r e a p p e a r i n r e c o g n i z a b l e f o r m a s y o u z o o m i n a n d out, f r o m m o l e c u l e t o n e u r o n t o p i x e l t o s i d e w a l k . W h e t h e r y o u ' r e l o o k i n g a t t h e o r i g i n a l i n n o v a t i o n s o f c a r b o n - b a s e d life, o r t h e e x p l o s i o n o f n e w s o f t w a r e tools o n t h e W e b , t h e s a m e s h a p e s k e e p t u r n i n g u p . W h e n life g e t s c r e a t i v e , i t h a s a t e n d e n c y t o g r a v itate toward certain recurring patterns, whether those patterns are emergent and self-organizing, or whether they are deliberately crafted by h u m a n agents. It m a y s e e m odd to talk about such different regions of experie n c e a s t h o u g h t h e y w e r e i n t e r c h a n g e a b l e . B u t i n fact, w e a r e c o n stantly m a k i n g equivalent conceptual leaps from biology to culture without blinking. It is not a figure of speech to say that the pattern of
c o m p e t i t i o n " — a t e r m often a s s o c i a t e d w i t h i n n o v a t i o n — p l a y s
a critical r o l e i n t h e b e h a v i o r o f m a r k e t p l a c e s , i n t h e i n t e r a c t i o n b e t w e e n a s w a r m o f s p e r m cells a n d a n e g g , a n d i n t h e e c o s y s t e m s c a l e b a t t l e b e t w e e n o r g a n i s m s for f i n i t e e n e r g y s o u r c e s . W e a r e n o t u s i n g a metaphor of economic competition to describe the struggles o f t h o s e s p e r m cells: t h e m e a n i n g o f t h e w o r d " c o m p e t i t i o n " i s
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w i d e (or p e r h a p s d e e p ) e n o u g h t o e n c o m p a s s s p e r m cells and corporations. T h e s a m e principle applies to the seven patterns I have assembled here. T r a v e l i n g across these different environments a n d scales is not merely intellectual tourism. Science long a g o realized that we can u n d e r s t a n d s o m e t h i n g b e t t e r b y s t u d y i n g its b e h a v i o r i n d i f f e r e n t contexts. W h e n we w a n t to answer a question like "Why h a s the W e b b e e n s o i n n o v a t i v e ? " w e n a t u r a l l y i n v o k e t h o u g h t s o f its c r e ators, a n d t h e w o r k s p a c e s , o r g a n i z a t i o n s , a n d i n f o r m a t i o n n e t w o r k s t h e y u s e d i n b u i l d i n g it. B u t i t t u r n s out t h a t w e c a n a n s w e r t h e question m o r e comprehensively if we draw analogies to patterns of i n n o v a t i o n t h a t w e s e e i n e c o s y s t e m s like D a r w i n ' s c o r a l reef, o r i n the structure of the h u m a n brain. We have no shortage of theories t o i n s t r u c t u s h o w t o m a k e our o r g a n i z a t i o n s m o r e c r e a t i v e , o r e x p l a i n w h y t r o p i c a l r a i n f o r e s t s e n g i n e e r s o m u c h m o l e c u l a r diversity. W h a t w e l a c k i s a u n i f i e d t h e o r y t h a t d e s c r i b e s t h e c o m m o n a t t r i b u t e s s h a r e d b y all t h o s e i n n o v a t i o n s y s t e m s . W h y i s a c o r a l r e e f s u c h a n e n g i n e o f biological innovation? W h y d o cities have such an extensive history of idea creation? W h y was D a r w i n able to hit u p o n a theory that so m a n y brilliant contemporaries of his missed? No doubt there are partial answers to these questions that are unique to each situation, and each scale: the ecological history o f t h e reef; t h e s o c i o l o g y o f u r b a n life; t h e i n t e l l e c t u a l b i o g r a p h y o f a scientist. B u t t h e a r g u m e n t o f this b o o k i s t h a t t h e r e a r e other, m o r e i n t e r e s t i n g a n s w e r s t h a t a r e a p p l i c a b l e t o all t h r e e situations, a n d t h a t b y a p p r o a c h i n g t h e p r o b l e m i n t h i s fractal, c r o s s - d i s c i p l i n a r y way, new insights become visible. Watching the ideas spark on these different scales reveals patterns that single-scale observations easily miss or undervalue.
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I c a l l t h a t v a n t a g e p o i n t t h e long zoom. It c a n be i m a g i n e d as a k i n d of h o u r g l a s s :
global evolution ecosystems species brains cells nature culture ideas workspaces organizations settlements information networks
As y o u descend toward the center of the glass, the biological s c a l e s contract: f r o m t h e g l o b a l , d e e p t i m e o f e v o l u t i o n t o t h e m i c r o scopic e x c h a n g e s of neurons or D N A , At the center of the glass, the p e r s p e c t i v e shifts f r o m n a t u r e t o c u l t u r e , a n d t h e s c a l e s w i d e n : f r o m i n d i v i d u a l t h o u g h t s a n d p r i v a t e w o r k s p a c e s t o i m m e n s e cities a n d g l o b a l i n f o r m a t i o n networks. W h e n w e l o o k a t t h e h i s t o r y o f i n n o v a tion from the v a n t a g e point of the long zoom, what we find is that tmusually generative environments display similar patterns of crea t i v i t y a t m t i l t i p l e s c a l e s s i m u l t a n e o u s l y You c a n ' t e x p l a i n t h e b i o diversity of the coral reef by s i m p l y studying the genetics of the c o r a l itself. T h e r e e f g e n e r a t e s a n d s u s t a i n s s o m a n y d i f f e r e n t f o r m s o f life b e c a u s e o f p a t t e r n s t h a t r e c u r o n t h e s c a l e s o f cells, o r g a n -
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i s m s , a n d t h e w i d e r e c o s y s t e m itself. T h e s o u r c e s o f i n n o v a t i o n i n t h e city a n d t h e W e b a r e e q u a l l y fractal. I n t h i s s e n s e , s e e i n g t h e problem of innovation from the long-zoom perspective does not just g i v e t i s n e w m e t a p h o r s . It g i v e s us
new Jucts.
T h e pattern of "competition" is an excellent case in point. E v e r y e c o n o m i c s t e x t b o o k will t e l l y o u t h a t c o m p e t i t i o n b e t w e e n rival f i r m s leads to innovation in their products a n d services. B u t when you look at innovation from the long-zoom perspective, comp e t i t i o n t u r n s out t o b e l e s s c e n t r a l t o t h e h i s t o r y o f g o o d i d e a s t h a n we generally think. Analyzing innovation on the scale of individuals and organizations—as the standard textbooks do—distorts our view. I t c r e a t e s a p i c t u r e o f i n n o v a t i o n t h a t o v e r s t a t e s t h e r o l e o f proprietary research and "survival of the fittest" competition. T h e l o n g - z o o m approach lets us see that openness a n d connectivity may, in the end, be m o r e valuable to innovation than purely competitive mechanisms. T h o s e patterns of innovation deserve recognition—in p a r t b e c a u s e it's i n t r i n s i c a l l y i m p o r t a n t t o u n d e r s t a n d w h y g o o d i d e a s e m e r g e historically, a n d i n p a r t b e c a u s e b y e m b r a c i n g t h e s e patterns we can build environments that do a better job of nurturing good ideas, whether those e n v i r o n m e n t s a r e schools, g o v e r n m e n t s , software platforms, poetry s e m i n a r s , or social m o v e m e n t s . We c a n think m o r e creatively if we open our m i n d s to the m a n y connected environments that m a k e creativity possible. T h e a c a d e m i c literature on innovation a n d creativity is rich with subtle distinctions between innovations and inventions, bet w e e n d i f f e r e n t m o d e s o f c r e a t i v i t y : artistic, scientific, t e c h n o l o g i cal, I h a v e d e l i b e r a t e l y c h o s e n t h e b r o a d e s t p o s s i b l e p h r a s i n g — g o o d i d e a s — t o suggest the cross-disciplinary vantage point I am trying t o occupy. T h e g o o d i d e a s i n t h i s s u r v e y r a n g e f r o m s o f t w a r e p l a t -
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f o r m s t o m u s i c a l g e n r e s t o s c i e n t i f i c p a r a d i g m s t o n e w m o d e l s for government. My p r e m i s e is that there is as m u c h v a l u e to be found i n s e e k i n g t h e c o m m o n p r o p e r t i e s a c r o s s all t h e s e v a r i e d f o r m s of innovation a n d creativity as there is value to be found in docum e n t i n g the differences between them. T h e poet and the engineer ( a n d the coral reef) m a y s e e m a m i l l i o n m i l e s apart in their part i c u l a r f o r m s o f e x p e r t i s e , b u t w h e n t h e y b r i n g g o o d i d e a s into t h e world, similar patterns of development and collaboration shape that process. If there is a single m a x i m that runs through this book's argum e n t s , it is t h a t we a r e often better s e r v e d by connecting i d e a s thtin w e a r e b y p r o t e c t i n g t h e m . L i k e t h e free m a r k e t itself, t h e c a s e for r e s t r i c t i n g t h e flow o f i n n o v a t i o n h a s l o n g b e e n b u t t r e s s e d b y a p p e a l s t o t h e " n a t u r a l " o r d e r o f t h i n g s . B u t t h e t r u t h is, w h e n o n e l o o k s a t innovation in nature a n d in culture, environments that build walls around good ideas tend to be less innovative in the long run than m o r e o p e n - e n d e d e n v i r o n m e n t s . G o o d i d e a s m a y n o t w a n t t o b e free, b u t t h e y d o w a n t t o connect, fuse, r e c o m b i n e . T h e y w a n t t o r e i n v e n t themselves by crossing conceptual borders. T h e y w a n t to complete each other as m u c h as they want to compete.
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I.
THE ADJACEN POSSIBLE
S
o m e t i m e in the late 1870s, a Parisian obstetrician n a m e d S t é p h a n e T a r n i e r took a day off from his work at M a t e r n i t é de
P a r i s , t h e l y i n g - i n h o s p i t a l for t h e city's p o o r w o m e n , a n d p a i d a visit to the nearby Paris Zoo. W a n d e r i n g past t h e elephants a n d r e p t i l e s a n d c l a s s i c a l g a r d e n s o f t h e zoo's h o m e i n s i d e t h e J a r d i n d e s Plantes, Tarnier stumbled across an exhibit of chicken incubators. S e e i n g the hatchlings totter about in the incubator's w a r m enclosure t r i g g e r e d an association in his head, a n d before long he h a d h i r e d O d i l e M a r t i n , t h e zoo's p o u l t r y raiser, t o c o n s t r u c t a d e v i c e t h a t w o u l d p e r f o r m a s i m i l a r function for h u m a n n e w b o r n s . B y m o d ern standards, infant mortality w a s staggeringly high in the late n i n e t e e n t h century, e v e n i n a city a s s o p h i s t i c a t e d a s P a r i s , O n e i n five b a b i e s d i e d b e f o r e l e a r n i n g t o crawl, a n d t h e o d d s w e r e far w o r s e for p r e m a t u r e b a b i e s b o r n w i t h l o w b i r t h w e i g h t s . T a r n i e r k n e w t h a t t e m p e r a t u r e r e g u l a t i o n w a s critical for k e e p i n g t h e s e infants alive, a n d he knew that the F r e n c h m e d i c a l establishment h a d a d e e p - s e a t e d o b s e s s i o n w i t h statistics. A n d s o a s s o o n a s h i s new^born i n c u b a t o r h a d b e e n i n s t a l l e d a t M a t e r n i t é , t h e f r a g i l e in-
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fants w a r m e d by hot water bottles below the wooden boxes, Tarnier e m b a r k e d o n a q u i c k s t u d y o f five h u n d r e d b a b i e s . T h e r e s u l t s shocked the Parisian medical establishment: while 66 percent of l o w - w e i g h t babies died within w e e k s of birth, only 58 percent died i f t h e y w e r e h o u s e d i n T a r n i e r ' s i n c u b a t i n g b o x . Y o u c o u l d effect i v e l y h a l v e t h e m o r t a l i t y r a t e for p r e m a t u r e b a b i e s s i m p l y b y t r e a t i n g t h e m l i k e h a t c h l i n g s i n a zoo. T a r n i e r ' s i n c u b a t o r w a s not t h e first device e m p l o y e d for w a r m ing newborns, a n d the contraption he built with Martin would be i m p r o v e d u p o n significantly i n t h e s u b s e q u e n t d e c a d e s . B u t T a r n i e r ' s statistical a n a l y s i s g a v e n e w b o r n i n c u b a t i o n t h e p u s h t h a t i t n e e d e d : w i t h i n a few y e a r s , t h e P a r i s m u n i c i p a l b o a r d r e q u i r e d t h a t i n c u b a t o r s b e i n s t a l l e d i n all t h e city's m a t e r n i t y h o s p i t a l s . I n 1896, a n enterprising physician n a m e d Alexandre L i o n set up a display of i n c u b a t o r s — w i t h live n e w b o r n s — a t t h e B e r l i n Ejcposition. D u b b e d t h e Kinderbrutenstalt, o r " c h i l d hatchery," L i o n ' s e x h i b i t t u r n e d o u t to be the sleeper hit of the exposition, a n d launched a bizarre tradition o f i n c u b a t o r s i d e s h o w s t h a t p e r s i s t e d w e l l i n t o t h e t w e n t i eth century. ( C o n e y Isltind h a d a p e r m a n e n t b a b y i n c u b a t o r s h o w u n t i l t h e e a r l y 1940s,) M o d e r n i n c u b a t o r s , s u p p l e m e n t e d w i t h h i g h oxygen therapy and other advances, b e c a m e standard equipment in all A m e r i c a n h o s p i t a l s after t h e e n d o f W o r l d W a r I I , t r i g g e r i n g a s p e c t a c u l a r 7 5 p e r c e n t d e c l i n e i n infant m o r t a l i t y r a t e s b e t w e e n 1950 a n d 1998. B e c a u s e i n c u b a t o r s focus e x c l u s i v e l y o n t h e b e g i n n i n g o f life, their b e n e f i t t o p u b l i c h e a l t h — m e a s u r e d b y t h e s h e e r n u m b e r of extra years they provide—rivals any medical advance of the twent i e t h century. R a d i a t i o n t h e r a p y o r a d o u b l e b y p a s s m i g h t g i v e y o u a n o t h e r d e c a d e o r two, b u t a n i n c u b a t o r g i v e s y o u a n e n t i r e l i f e t i m e . I n t h e d e v e l o p i n g w o r l d , however, t h e infant m o r t a l i t y s t o r y
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r e m a i n s b l e a k . W l i e r e a s infant d e a t h s a r e b e l o w t e n p e r t h o u s a n d b i r t h s t h r o u g h o u t E u r o p e a n d t h e U n i t e d S t a t e s , over a h u n d r e d i n f a n t s d i e per t h o u s a n d i n c o u n t r i e s like L i b e r i a a n d E t h i o p i a , m a n y of t h e m premature babies that would have survived with access to incubators. B u t m o d e r n incubators are complex, expensive things, A s t a n d a r d i n c u b a t o r i n a n A m e r i c a n h o s p i t a l m i g h t cost m o r e t h a n $40,000. B u t the expense is arguably the smaller hurdle to overcome. C o m p l e x equipment breaks, a n d when it breaks you need the technical e x p e r t i s e t o fix it, a n d y o u n e e d r e p l a c e m e n t p a r t s . I n t h e y e a r t h a t f o l l o w e d t h e 2 0 0 4 I n d i a n O c e a n t s u n a m i , t h e I n d o n e s i a n city o f Meulaboh received eight incubators from a r a n g e of international r e l i e f o r g a n i z a t i o n s . B y l a t e 2 0 0 8 , w h e n tin M I T professor n a m e d T i m o t h y P r e s t e r o v i s i t e d t h e h o s p i t a l , all e i g h t w e r e out o f order, t h e victims of power surges a n d tropical humidity, a l o n g with the hospital s t a f f s i n a b i l i t y t o r e a d t h e E n g l i s h r e p a i r m a n u a l . T h e M e u l a boh incubators were a representative sample: s o m e studies suggest that as m u c h as 95 percent of medical technology donated to develo p i n g c o u n t r i e s b r e a k s w i t h i n t h e first five y e a r s o f u s e . Prestero h a d a vested interest in those broken incubators, because the organization he founded, D e s i g n that Matters, had been w o r k i n g for s e v e r a l y e a r s o n a n e w s c h e m e for a m o r e r e l i a b l e , a n d less expensive, incubator, o n e that recognized c o m p l e x m e d i c a l t e c h n o l o g y w a s likely to have a very different t e n u r e in a developi n g world context than it would in an A m e r i c a n or E u r o p e a n hosp i t a l . D e s i g n i n g a n i n c u b a t o r for a d e v e l o p i n g c o u n t r y w a s n ' t j u s t a m a t t e r of creating s o m e t h i n g that worked; it w a s also a m a t t e r of d e s i g n i n g s o m e t h i n g t h a t w o u l d b r e a k i n a n o n - c a t a s t r o p h i c way. You couldn't g u a r a n t e e a steady supply of s p a r e parts, or trained repair technicians. So instead, Prestero and his t e a m decided to
27
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b u i l d an incubator out of parts that were already abundant in the developing world. T h e idea h a d originated with a Boston doctor n a m e d Jonathan Rosen, who had observed that even the smaller towns of the developing world s e e m e d to be able to keep a u t o m o b i l e s i n w o r k i n g order. T h e t o w n s m i g h t h a v e l a c k e d a i r c o n d i t i o n ing a n d laptops a n d cable television, but they m a n a g e d to keep their Toyota 4 R u n n e r s on the road. So Rosen approached Prestero with a n i d e a : W h a t i f y o u m a d e a n i n c u b a t o r out o f a u t o m o b i l e p a r t s ? T h r e e y e a r s after R o s e n s u g g e s t e d t h e i d e a , t h e D e s i g n t h a t Matters t e a m introduced a prototype device called the NeoNurture, F r o m the outside, it looked like a s t r e a m l i n e d m o d e r n incubator, b u t its g u t s w e r e a u t o m o t i v e . S e a l e d - b e a m h e a d l i g h t s s u p p l i e d t h e crucial w a r m t h ; d a s h b o a r d fans provided filtered air circulation; door c h i m e s s o u n d e d a l a r m s . You could power the device v i a an a d a p t e d c i g a r e t t e lighter, or a s t a n d a r d - i s s u e m o t o r c y c l e battery. B u i l d i n g t h e N e o N u r t u r e out o f car p a r t s w a s d o u b l y efficient, b e cause it tapped both the local supply of parts themselves and the local k n o w l e d g e of a u t o m o b i l e repair. T h e s e were both a b u n d a n t r e s o u r c e s i n t h e d e v e l o p i n g w o r l d c o n t e x t , a s R o s e n l i k e d t o say. Y o u didn*t h a v e t o b e a t r a i n e d m e d i c a l t e c h n i c i a n t o fix t h e N e o N u r ture; you didn't even h a v e to r e a d the m a n u a l . You just needed to k n o w how to replace a broken headlight. G o o d ideas are like the N e o N u r t u r e device. T h e y are, inevitably, c o n s t r a i n e d b y t h e p a r t s a n d s k i l l s t h a t s u r r o u n d t h e m . W e h a v e a natural tendency to romanticize breakthrough innovations, i m a g ining m o m e n t o u s ideas transcending their surroundings, a gifted m i n d s o m e h o w s e e i n g over t h e d e t r i t u s o f o l d i d e a s a n d o s s i f i e d t r a d i t i o n . B u t i d e a s a r e w o r k s o f b r i c o l a g e ; t h e y ' r e b u i l t out o f t h a t detritus. W e t a k e t h e i d e a s w e ' v e i n h e r i t e d o r t h a t w^eVe s t u m b l e d
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a c r o s s , a n d w e j i g g e r t h e m t o g e t h e r into s o m e n e w s h a p e . W e l i k e to think of our ideas as $40,000 incubators, shipped direct from the factory, b u t i n r e a h t y t h e y ' v e b e e n c o b b l e d t o g e t h e r w i t h s p a r e p a r t s that happened to be sitting in the garage.
B
efore his untimely death in 2 0 0 2 , the evolutionary biologist S t e p h e n J a y G o u l d m a i n t a i n e d an o d d collection of footware
that he h a d p u r c h a s e d d u r i n g his travels t h r o u g h the developing world, in open-air m a r k e t s in Quito, Nairobi, a n d Delhi, T h e y were s a n d a l s m a d e f r o m r e c v c l e d a u t o m o b i l e tires. A s a f a s h i o n s t a t e m e n t , they m a y not have a m o u n t e d to m u c h , but G o u l d treasured his tire sandals as a testimony to " h u m a n ingenuity." B u t he also s a w t h e m a s a m e t a p h o r for t h e p a t t e r n s o f i n n o v a t i o n i n t h e b i o l o g i c a l w o r l d . N a t u r e ' s i n n o v a t i o n s , too, r e l y o n s p a r e p a r t s . E v o l u tion advances by t a k i n g available resources a n d cobbling t h e m together to create new uses. T h e evolutionary theorist François J a c o b captured this in his concept of evolution as a "tinkerer," not an engineer; our bodies are also works of bricolage, old parts strung t o g e t h e r t o f o r m s o m e t h i n g r a d i c a l l y new. " T h e t i r e s - t o - s a n d a l s principle works at all scales a n d times," G o u l d wrote, " p e r m i t t i n g odd a n d unpredictable initiatives at any m o m e n t — t o m a k e nature as inventive as the cleverest person who ever pondered the potential of a j u n k y a r d in N a i r o b i , " You can see this process at work in the primordial innovation of life itself. W e d o not y e t h a v e scientific c o n s e n s u s o n t h e specifics o f life's origins. S o m e b e l i e v e life o r i g i n a t e d i n t h e b o i l i n g , m e t a l l i c vents of undersea volcanoes; others suspect the open oceans; others p o i n t t o t h e t i d a l p o n d s w h e r e D a r w i n b e l i e v e d life first t o o k hold.
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M a n y r e s p e c t e d scientists t h i n k t h a t life m a y h a v e a r r i v e d f r o m outer space, e m b e d d e d in a meteor. But we have a m u c h clearer picture of t h e c o m p o s i t i o n o f e a r t h ' s a t m o s p h e r e b e f o r e life e m e r g e d , t h a n k s t o a field k n o w n a s p r e b i o t i c c h e m i s t r y . T h e lifeless e a r t h w a s d o m i n a t e d by a h a n d f u l of b a s i c m o l e c u l e s : a m m o n i a , m e t h a n e , water, carb o n d i o x i d e , a s m a t t e r i n g o f a m i n o acids, a n d o t h e r s i m p l e o r g a n i c c o m p o u n d s . E a c h o f t h e s e m o l e c u l e s w a s c a p a b l e o f a finite series o f transformations a n d e x c h a n g e s with other molecules in the primordial soup: m e t h a n e a n d oxygen r e c o m b i n i n g to form formaldehyde a n d water, for i n s t a n c e . T h i n k o f all t h o s e i n i t i a l m o l e c u l e s , a n d t h e n i m a g i n e all t h e potential new combinations that they could form spontaneously, s i m p l y b y c o l l i d i n g w i t h e a c h o t h e r (or p e r h a p s p r o d d e d a l o n g b y t h e e x t r a e n e r g y o f a p r o p i t i o u s l i g h t n i n g strike). I f y o u c o u l d p l a y G o d a n d t r i g g e r all t h o s e c o m b i n a t i o n s , y o u w o u l d e n d u p w i t h m o s t o f t h e b u i l d i n g b l o c k s o f life: t h e p r o t e i n s t h a t f o r m t h e b o u n d a r i e s o f cellä; s u g a r m o l e c u l e s c r u c i a l t o t h e n u c l e i c a c i d s o f our D N A . B u t you would not be able to trigger chemical reactions that would build a m o s q u i t o , or a sunflower, or a h u m a n b r a i n . F o r m a l d e h y d e is a firs^t-order c o m b i n a t i o n : y o u c a n c r e a t e i t directly f r o m t h e m o l e c u l e s in the primordial soup. T h e atomic elements that m a k e up a sunflower a r e t h e v e r y s a m e o n e s a v a i l a b l e o n e a r t h b e f o r e t h e e m e r g e n c e o f life, b u t y o u ccin't s p o n t a n e o u s l y c r e a t e a s u n f l o w e r i n t h a t e n v i r o n m e n t , b e c a u s e it r e l i e s on a w h o l e s e r i e s of s u b s e q u e n t inn o v a t i o n s t h a t w o u l d n ' t e v o l v e o n e a r t h for b i l l i o n s o f y e a r s : ch lor o p l a s t s t o c a p t u r e t h e sun's energy, v a s c u l a r t i s s u e s t o c i r c u l a t e r e s o u r c e s t h r o u g h t h e p l a n t , D N A m o l e c u l e s t o p a s s o n sunflowerbuilding instructions to the next generation. T h e s c i e n t i s t S t u a r t K a u f f m a n h a s a s u g g e s t i v e n a m e for t h e
}0
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s e t o f all t h o s e f i r s t - o r d e r c o m b i n a t i o n s : " t h e a d j a c e n t p o s s i b l e , " T h e p h r a s e captures both the limits and the creative potential of c h a n g e and innovation. In the case of prebiotic chemistry, t h e adjacent possible defines all those m o l e c u l a r reactions that were directly a c h i e v a b l e i n t h e p r i m o r d i a l s o u p . S u n f l o w e r s a n d m o s q u i t o e s a n d b r a i n s e x i s t o u t s i d e t h a t c i r c l e o f possibility. T h e a d j a c e n t p o s sible is a kind of s h a d o w future, hovering on the edges of the prese n t s t a t e o f t h i n g s , a m a p o f all t h e w a y s i n w h i c h t h e p r e s e n t c a n r e i n v e n t itself. Yet is it not an i n f i n i t e s p a c e , or a t o t a l l y o p e n p l a y i n g field. T h e n u m b e r o f p o t e n t i a l f i r s t - o r d e r r e a c t i o n s i s v a s t , b u t it is a f i n i t e n u m b e r , a n d it e x c l u d e s m o s t of t h e f o r m s t h a t n o w p o p u l a t e t h e b i o s p h e r e . V\^iat t h e a d j a c e n t p o s s i b l e t e l l s u s i s t h a t at any m o m e n t the world is capable of extraordinary c h a n g e , but only certain c h a n g e s c a n h a p p e n . T h e strange and beautiful truth about the adjacent possible is t h a t its b o u n d a r i e s g r o w a s y o u e x p l o r e t h o s e b o u n d a r i e s . E a c h n e w c o m b i n a t i o n u s h e r s n e w c o m b i n a t i o n s into t h e a d j a c e n t p o s s i b l e . T h i n k of it as a house that magically expands with each door you o p e n . Y o u b e g i n in a r o o m w i t h four d o o r s , e a c h l e a d i n g to a n e w r o o m t h a t y o u h a v e n ' t v i s i t e d yet. T h o s e four r o o m s a r e t h e a d j a c e n t p o s s i b l e . B u t o n c e y o u o p e n o n e o f t h o s e d o o r s a n d stroll into t h a t room, three new doors appear, each l e a d i n g to a b r a n d - n e w r o o m that you couldn't have reached from your original starting point. K e e p opening new doors and eventually you'll have built a palace. B a s i c fatty a c i d s will n a t u r a l l y s e l f - o r g a n i z e i n t o s p h e r e s l i n e d with a dual layer of molecules, very similar to the m e m b r a n e s that d e f i n e t h e b o u n d a r i e s o f m o d e m cells. O n c e t h e fatty a c i d s c o m b i n e to form those bounded spheres, a new wing of the adjacent possible opens up, because those molecules implicitly create a fundamental
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division between the inside and outside of the sphere. T h i s division i s t h e v e r y e s s e n c e o f a cell. O n c e y o u h a v e a n "^^inside," y o u c a n p u t t h i n g s t h e r e : food, o r g a n e l l e s , g e n e t i c c o d e . S m a l l m o l e c u l e s c a n p a s s t h r o u g h the m e m b r a n e a n d then c o m b i n e with other m o l e c u l e s t o f o r m l a r g e r e n t i t i e s too b i g t o e s c a p e b a c k t h r o u g h t h e b o u n d a r i e s o f t h e p r o t o - c e l l . W h e n t h e first fatty a c i d s s p o n t a n e ously f o r m e d those dual-layered m e m b r a n e s , they opened a door into t h e a d j a c e n t p o s s i b l e t h a t w o u l d u l t i m a t e l y l e a d t o n u c l e o t i d e based genetic code, a n d the power plants of the chloroplasts a n d m i t o c h o n d r i a — t h e p r i m a r y " i n h a b i t a n t s " o f all m o d e r n cells. T h e s a m e pattern appears again and again throughout the evol u t i o n o f life. I n d e e d , o n e w a y t o t h i n k a b o u t t h e p a t h o f e v o l u t i o n is as a c o n t i n u a l e x p l o r a t i o n of t h e a d j a c e n t p o s s i b l e ,
when
dino-
saurs such as the velociraptor evolved a new bone called the s e m i l u n a t e c a r p a l ( t h e n a m e c o m e s f r o m its h a l f - m o o n s h a p e ) , i t e n a b l e d t h e m t o s w i v e l t h e i r w r i s t s w i t h far m o r e flexibility. I n t h e s h o r t term, this gave t h e m m o r e dexterity as predators, but it also opened a door in the adjacent possible that would eventually lead, m a n y m i l l i o n s o f y e a r s later, t o t h e e v o l u t i o n o f w i n g s a n d flight. W h e n our a n c e s t o r s e v o l v e d o p p o s a b l e t h u m b s , t h e y o p e n e d u p a w h o l e new cultural branch of the adjacent possible: the creation and use o f finely c r a f t e d t o o l s a n d w e a p o n s . O n e of the things that I find so inspiring in Kauffman's notion of the adjacent possible is the continuum it suggests between natural and m a n - m a d e systems. He introduced the concept in part to illustrate a fascinating secular trend shared by both natural and h u m a n history: t h i s r e l e n t l e s s p u s h i n g b a c k a g a i n s t t h e b a r r i c a d e s o f t h e adjacent possible. " S o m e t h i n g h a s obviously happened in the past 4.8 b i l l i o n y e a r s , " h e writes. " T h e b i o s p h e r e h a s e x p a n d e d , i n d e e d .
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m o r e o r l e s s p e r s i s t e n t l y e x p l o d e d , into t h e e v e r - e x p a n d i n g a d j a c e n t p o s s i b l e . . . . I t i s m o r e t h a n s l i g h t l y i n t e r e s t i n g t h a t this fact i s c l e a r l y true, that it is rarely r e m a r k e d upon, a n d that we have no particular t h e o r y for t h i s e x p a n s i o n , " F o u r b i l l i o n y e a r s a g o , i f y o u w e r e a carb o n a t o m , t h e r e w e r e a few h u n d r e d m o l e c u l a r c o n f i g u r a t i o n s y o u c o u l d s t u m b l e into. T o d a y t h a t s a m e c a r b o n a t o m , w h o s e a t o m i c properties haven't changed one single n a n o g r a m , can help build a s p e r m whale or a giant redwood or an f l l N l virus, along with a n e a r - i n f i n i t e list o f o t h e r c a r b o n - b a s e d life f o r m s t h a t w e r e n o t p a r t of the adjacent possible of prebiotic earth. A d d to that an equally f o r m i d a b l e list o f h u m a n c o n c o c t i o n s t h a t r e l y o n c a r b o n — e v e r y s i n g l e o b j e c t o n t h e p l a n e t m a d e o f p l a s t i c , for i n s t a n c e — a n d y o u c a n s e e h o w far t h e k i n g d o m o f t h e a d j a c e n t p o s s i b l e h a s e x p a n d e d s i n c e t h o s e fatty a c i d s s e l f - a s s e m b l e d into t h e first m e m b r a n e .
r I
I h e h i s t o r y o f life a n d h u m a n c u l t u r e , t h e n , c a n b e t o l d a s t h e
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story of a g r a d u a l but relentless p r o b i n g of the adjacent pos-
sible, each n e w innovation opening up n e w paths to explore. B u t s o m e systems are m o r e adept than others at exploring those possibility spaces. T h e mystery of Darwin's paradox that we b e g a n with ultimately revolves around the question of w h y a coral reef ecosvst e m s h o u l d b e s o a d v e n t u r o u s i n its e x p l o r a t i o n o f t l i e a d j a c e n t p o s s i b l e — s o m a n y di fferen t l i f e f o r m s s h a r i n g s u c h a s m a l l s p a c e — while the surrounding waters of the ocean lack that s a m e marvelo u s diversity. S i m i l a r l y , t h e e n v i r o n m e n t s o f b i g c i t i e s a l l o w far m o r e commercial exploration of the adjacent possible than towns or villages, allowing tradesmen and entrepreneurs to specialize in fields that would be unsustainable in s m a l l e r population centers.
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T h e W e b h a s e x p l o r e d t h e a d j a c e n t p o s s i b l e o f its m e d i u m far faster than any other communications technology in history In early 1994, the Web w a s a text-only m e d i u m , p a g e s of words connected b y h y p e r l i n k s . B u t w i t h i n a few y e a r s , t h e p o s s i b i l i t y s p a c e b e g a n t o e x p a n d . I t b e c a m e a m e d i u m t h a t let y o u d o f i n a n c i a l t r a n s a c t i o n s , w h i c h t u r n e d i t into a s h o p p i n g m a l l a n d a n a u c t i o n h o u s e a n d a casino. Shortly afterward, it b e c a m e a true two-way m e d i u m where it was as easy to publish your own writing as it was to read other people's, which engendered forms that the world had never seen before: user-authored encyclopedias, t h e b l o g o s p h e r e , social n e t w o r k sites, Y o u T u b e m a d e t h e W e b o n e o f t h e m o s t i n f l u e n t i a l video delivery m e c h a n i s m s on the planet. A n d now digital m a p s are t m l e a s h i n g their own c a r t o g r a p h i c revolutions. You can see the fingerprints of the adjacent possible in one o f t h e m o s t r e m a r k a b l e p a t t e r n s i n all o f i n t e l l e c t u a l history, w h a t s c h o l a r s n o w call " t h e m u l t i p l e " : A b r i l l i a n t i d e a o c c u r s to a s c i e n tist o r i n v e n t o r s o m e w h e r e i n t h e w o r l d , a n d h e g o e s p u b l i c w i t h his r e m a r k a b l e finding, only to discover that three other m i n d s h a d i n d e p e n d e n t l y c o m e u p w i t h t h e s a m e i d e a i n t h e p a s t year. S u n s p o t s w e r e s i m u l t a n e o u s l y d i s c o v e r e d i n 1 6 1 1 b y four s c i e n t i s t s livi n g i n f o u r d i f f e r e n t c o u n t r i e s . T h e first e l e c t r i c a l b a t t e r y w a s i n v e n t e d s e p a r a t e l y b y D e a n Von K l e i s t a n d C u n e u s o f L e y d e n i n 1745 a n d 1746, Joseph Priestley a n d Carl W i l h e l m Scheele independently isolated oxygen between 1772 a n d 1774, T h e law of t h e cons e r v a t i o n o f e n e r g y w a s f o r m u l a t e d s e p a r a t e l y four t i m e s i n t h e l a t e 1840s. T h e e v o l u t i o n a r y i m p o r t a n c e o f g e n e t i c m u t a t i o n w a s p r o p o s e d b y S , K o r s c h i n s k y i n 1899 a n d t h e n b y H u g o d e V r i e s i n 1 9 0 1 , while the impact of X-rays on mutation rates was independently t m c o v e r e d b y t w o s c h o l a r s i n 1927. T h e t e l e p h o n e , t e l e g r a p h , s t e a m
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engine, photograph v a c u u m tube, radio—just about every essential t e c h n o l o g i c a l a d v a n c e o f m o d e r n life h a s a m u l t i p l e l u r k i n g s o m e w h e r e i n its o r i g i n s t o r y In the early 1920s, two C o l u m b i a University scholars n a m e d William O g b u r n and Dorothy T h o m a s decided to track down as m a n y m u l t i p l e s a s t h e y c o u l d f m d , e v e n t u a l l y p u b l i s h i n g t h e i r survey in an influential essay with the delightful title "Are Inventions I n e v i t a b l e ? " O g b u r n a n d T h o m a s f o u n d 148 i n s t a n c e s o f i n d e p e n dent innovation, most t h e m occurring within the s a m e decade, R e a d i n g t h e list now, o n e i s s t r u c k n o t j u s t b y t h e s h e e r n u m b e r o f cases, b u t h o w i n d i s t i n g u i s h a b l e t h e list i s f r o m a n u n f i l t e r e d h i s t o r y of big ideas. Multiples have been invoked to support hazy theories about the "zeitgeist," but they have a m u c h m o r e grounded explanation. G o o d i d e a s a r e not c o n j u r e d o u t o f t h i n air; t h e y a r e b u i l t out o f a c o l l e c t i o n o f e x i s t i n g p a r t s , t h e c o m p o s i t i o n o f w h i c h e x p a n d s ( a n d , occasionally, c o n t r a c t s ) over t i m e . S o m e o f t h o s e p a r t s are conceptual: w a y s of solving problems, or new definitions of what c o n s t i t u t e s a p r o b l e m i n t h e first p l a c e . S o m e o f t h e m a r e , literally, m e c h a n i c a l p a r t s . T o g o l o o k i n g for o x y g e n , P r i e s t l e y a n d S c h e e l e n e e d e d t h e c o n c e p t u a l f r a m e w o r k t h a t t h e a i r w a s itself s o m e t h i n g w o r t h s t u d y i n g a n d t h a t i t w a s m a d e u p o f distinct g a s e s : n e i t h e r o f these ideas b e c a m e widely accepted until the second half of the e i g h t e e n t h century. B u t t h e y a l s o n e e d e d t h e a d v a n c e d s c a l e s t h a t enabled t h e m to m e a s u r e the minuscule changes in weight trigg e r e d b y o x i d a t i o n , t e c h n o l o g y t h a t w a s itself o n l y a few d e c a d e s o l d i n 1774. W h e n t h o s e p a r t s b e c a m e a v a i l a b l e , t h e d i s c o v e r y o f o x y g e n entered the r e a l m of the adjacent possible. Isolating oxygen was, as t h e s a y i n g g o e s , " i n t h e air," b u t o n l y b e c a u s e a s p e c i f i c set o f p r i o r discoveries a n d inventions h a d m a d e that e x p e r i m e n t thinkable.
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I h e a d j a c e n t p o s s i b l e is as m u c h a b o u t h m i t s as it is a b o u t o p e n -
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ings. At every m o m e n t in the t i m e h n e of an e x p a n d i n g bio-
s p h e r e , t h e r e a r e d o o r s t h a t c a n n o t b e u n l o c k e d yet. I n h u m a n culture, we like to think of breakthrough ideas as sudden accelerat i o n s o n t h e t i m e l i n e , w h e r e a g e n i u s j u m p s a h e a d fifty y e a r s a n d invents s o m e t h i n g that n o r m a l m i n d s , trapped in the present m o ment, couldn't possibly have come up with. B u t the truth is that technological ( a n d scientific) advances rarely break out of the adj a c e n t p o s s i b l e ; t h e h i s t o r y o f c u l t u r a l p r o g r e s s is, a l m o s t w i t h o u t e x c e p t i o n , a story o f o n e d o o r l e a d i n g t o a n o t h e r door, e x p l o r i n g t h e palace one r o o m at a t i m e . B u t of course, h u m a n m i n d s a r e not b o u n d by the finite laws of m o l e c u l e formation, a n d so every now a n d then an i d e a does occur to s o m e o n e that teleports us forward a few rooms, s k i p p i n g s o m e exploratory steps in the adjacent possible. B u t those ideas almost always end up being short-term failures, p r e c i s e l y b e c a u s e t h e y h a v e s k i p p e d a h e a d . W e h a v e a p h r a s e for t h o s e i d e a s : w e call t h e m " a h e a d o f t h e i r t i m e . " Consider the legendary Analytical E n g i n e designed by nineteenth-century British inventor Charles B a b b a g e , w h o is considered by m o s t technology historians to be the father of m o d e r n c o m p u t ing, t h o u g h h e s h o u l d p r o b a b l y b e c a l l e d t h e g r e a t - g r a n d f a t h e r o f m o d e r n c o m p u t i n g , b e c a u s e i t t o o k s e v e r a l g e n e r a t i o n s for t h e world to catch up to his idea, B a b b a g e is actually in the p a n t h e o n for t w o i n v e n t i o n s , n e i t h e r o f w h i c h h e m a n a g e d t o b u i l d d u r i n g h i s l i f e t i m e . T h e first w a s h i s D i f f e r e n c e E n g i n e , a f a n t a s t i c a l l v c o m p l e x fifteen-ton c o n t r a p t i o n , w i t h over 2 5 , 0 0 0 m e c h a n i c a l p a r t s , designed to calculate polynomial functions that were essential to
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creating the trigonometric tables crucial to navigation. H a d B a b b a g e a c t u a l l y c o m p l e t e d h i s project, t h e D i f f e r e n c e E n g i n e w o u l d h a v e b e e n t h e w o r l d ' s m o s t a d v a n c e d m e c h a n i c a l calculator, V\^ien the L o n d o n Science M u s e u m constructed one from B a b b a g e ' s plans to c o m m e m o r a t e the centennial of his death, the m a c h i n e returned accurate results to thirty-one places in a m a t t e r of seconds. Both the speed and precision of the device would have exceeded anything else possible in B a b b a g e ' s t i m e by several orders of m a g n i t u d e . For all its c o m p l e x i t y , however, t h e D i f f e r e n c e E n g i n e w a s w e l l w i t h i n t h e adjacent p o s s i b l e o f Victorian technology. T h e s e c o n d h a l f of t h e n i n e t e e n t h c e n t u r y s a w a s t e a d y s t r e a m of i m p r o v e m e n t s to m e c h a n i c a l calculation, m a n y o f t h e m b u i l d i n g o n B a b b a g e ' s a r c h i tecture. T h e S w i s s i n v e n t o r P e r G e o r g S c h e u t z c o n s t r u c t e d a working Difference E n g i n e that debuted at the Exposition Universelle of 1855; w i t h i n t w o d e c a d e s t h e p i a n o - s i z e d S c h e u t z d e s i g n h a d b e e n r e d u c e d to t h e s i z e of a sewino; m a c h i n e . In 1884, an A m e r i c a n inventor n a m e d W i l l i a m S , B u r r o u g h s f o u n d e d t h e A m e r i c a n A r i t h m o m eter C o m p a n y t o sell m a s s - p r o d u c e d c a l c u l a t o r s t o b u s i n e s s e s a r o u n d t h e country, ( T h e fortune g e n e r a t e d b y t h o s e m a c h i n e s w o u l d h e l p f u n d h i s n a m e s a k e g r a n d s o n ' s %\'riting career, not t o m e n t i o n his d r u g habit, a l m o s t a c e n t u r y later.) B a b b a g e ' s d e s i g n for t h e D i f f e r e n c e E n g i n e w a s a work of genius, no doubt, but it did not transcend the a d j a c e n t p o s s i b l e of its day. T h e s a m e cannot be said of B a b b a g e ' s other brilliant idea: the A n a l y t i c a l E n g i n e , t h e g r e a t u n f u l f i l l e d p r o j e c t o f B a b b a g e ' s career, w h i c h h e t o i l e d o n for t h e l a s t t h i r t y y e a r s o f h i s life. T h e m a c h i n e w a s so complicated that it never got past the blueprint stage, save a s m a l l portion t h a t B a b b a g e built shortly before his death in 1871, T h e A n a l y t i c a l E n g i n e w a s — o n p a p e r , a t l e a s t — t h e w o r l d ' s first
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p r o g r a m m a b l e computer. B e i n g p r o g r a m m a b l e m e a n t that the m a c h i n e w a s f u n d a m e n t a l l y o p e n - e n d e d ; i t w a s n ' t d e s i g n e d for a s p e cific s e t o f t a s k s , t h e w a y t h e D i f f e r e n c e E n g i n e h a d b e e n o p t i m i z e d for p o l y n o m i a l e q u a t i o n s . T h e A n a l y t i c a l E n g i n e w a s , l i k e a l l m o d ern computers, a shape-shifter, capable of reinventing itself b a s e d o n t h e i n s t r u c t i o n s c o n j u r e d b y its p r o g r a m m e r s . ( T h e b r i l l i a n t m a t h e m a t i c i a n A d a L o v e l a c e , the only d a u g h t e r o f L o r d Byron, wrote several sets of
i n s t r u c t i o n s for B a b b a g e ' s s t i l l - v a p o r w a r e
A n a l y t i c a l E n g i n e , e a r n i n g h e r t h e t i t l e o f t h e w o r l d ' s first p r o g r a m m e r , ) B a b b a g e ' s d e s i g n for t h e e n g i n e a n t i c i p a t e d t h e b a s i c structure of all contemporary computers: " p r o g r a m s " were to be inputted via punch cards, which h a d been invented decades before t o control t e x t i l e l o o m s ; i n s t r u c t i o n s a n d d a t a w e r e c a p t u r e d i n a " s t o r e , " t h e e q u i v a l e n t o f w h a t w e n o w call r a n d o m a c c e s s m e m o r y , or R A M ; a n d calculations were executed via a system that B a b b a g e called "the mill," using industrial-era l a n g u a g e to describe what we n o w call t h e c e n t r a l p r o c e s s i n g unit, o r C P U . B a b b a g e h a d m o s t of this system sketched out by 1857, but the first t r u e c o m p u t e r t o u s e t h i s p r o g r a m m a b l e a r c h i t e c t u r e d i d n ' t a p p e a r for m o r e t h a n a h u n d r e d y e a r s . W h i l e t h e D i f f e r e n c e E n g i n e engendered an i m m e d i a t e series of refinements and practical app l i c a t i o n s , t h e A n a l y t i c a l E n g i n e effectively d i s a p p e a r e d f r o m t h e m a p . M a n y o f the pioneering insights that B a b b a g e h a d hit u p o n in the 1850s h a d to be independently rediscovered by the visionaries o f W o r l d W a r II—era c o m p u t e r s c i e n c e , V\^iy d i d t h e A n a l y t i c a l E n g i n e prove to be s u c h a s h o r t - t e r m d e a d e n d , g i v e n t h e brillitince o f B a b b a g e ' s i d e a s ? T h e fancy w a y t o say i t i s t h a t h i s i d e a s h a d e s c a p e d t h e b o u n d s o f t h e a d j a c e n t p o s s i b l e . B u t i t i s p e r h a p s better p u t i n m o r e p r o s a i c t e r m s : B a b b a g e s i m p l y
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didn't h a v e t h e r i g h t s p a r e parts. E v e n i f B a b b a g e h a d built a m a c h i n e to h i s specs, it is u n c l e a r w h e t h e r it w o u l d h a v e worked, b e c a u s e B a b b a g e w a s effectively s k e t c h i n g out a m a c h i n e for t h e electronic a g e during the m i d d l e of the steam-powered mechanical revolution. U n l i k e all m o d e r n c o m p u t e r s , B a b b a g e ' s m a c h i n e w a s t o b e c o m p o s e d entirely o f m e c h a n i c a l g e a r s a n d s w i t c h e s , s t a g g e r i n g i n their n u m ber a n d i n t h e intricacy o f their d e s i g n . I n f o r m a t i o n flowed t h r o u g h t h e s y s t e m a s a c o n s t a n t b a l l e t o f m e t a l objects shifting positions i n carefully c h o r e o g r a p h e d m o v e m e n t s . It wcis a m a i n t e n a n c e n i g h t m a r e , b u t m o r e t h a n that, i t w a s b o u n d t o b e h o p e l e s s l y slow. B a b b a g e b r a g g e d t o A d a L o v e l a c e t h a t h e b e l i e v e d t h e m a c h i n e w o u l d b e able to multiply two twenty-digit n u m b e r s in three minutes. E v e n if he w a s r i g h t — B a b b a g e w o u l d n ' t h a v e b e e n t h e first t e c h e n t r e p r e n e u r to exaggerate his product's performance—that kind of processing t i m e w o u l d h a v e m a d e e x e c u t i n g m o r e c o m p l i c a t e d p r o g r a m s torturously slow. T h e first c o m p u t e r s o f t h e d i g i t a l a g e c o u l d p e r f o r m t h e s a m e c a l c u l a t i o n i n a m a t t e r o f seconds. A n i P h o n e c o m p l e t e s m i l lions of such c a l c u l a t i o n s in tlie .'^ame a m o u n t of t i m e . P r o g r a m m a b l e c o m p u t e r s n e e d e d v a c u u m t u b e s , or, e v e n better, i n t e g r a t e d circuits, w h e r e i n f o r m a t i o n flows an t i n y p u l s e s of electrical activity, i n s t e a d of clanking, rusting, steam-powered metal gears. Y o u c a n see a c o m p a r a b l e p a t t e r n — o n a vastly a c c e l e r a t e d t i m e t a b l e — i n t h e story o f Y o u T u b e . H a d H u r l e y , C h e n , a n d K a r i m t r i e d t o e x e c u t e t h e e x a c t s a m e i d e a for Y o u T u b e t e n y e a r s earlier, i n 1 9 9 5 , it w o u l d h a v e b e e n a s p e c t a c u l a r flop, b e c a u s e a site for s h a r i n g v i d e o w a s n o t w i t h i n t h e a d j a c e n t p o s s i b l e o f t h e e a r l y Web. For starters, t h e v a s t m a j o r i t y o f W e b u s e r s w e r e o n p a i n f u l l y slow d i a l - u p connections that could s o m e t i m e s take m i n u t e s to download a small image, ( T h e average two-minute-long YouTube clip would have
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t a k e n a s m u c h a n a n h o u r t o d o w n l o a d o n tlie t h e n - s t a n d a r d 14.4 b p s m o d e m s . ) A n o t h e r key t o Y o u T u b e ' s early s u c c e s s i s t h a t its d e v e l o p e r s w e r e able t o b a s e t h e v i d e o s e r v i n g o n A d o b e ' s F l a s h p l a t f o r m , w h i c h m e a n t t h a t t h e y c o u l d focus o n t h e e a s e o f s h a r i n g a n d d i s c u s s i n g clips, a n d not s p e n d m i l l i o n s o f d o l l a r s d e v e l o p i n g a w h o l e n e w v i d e o s t a n d a r d from scratch. B u t F l a s h itself w a s n ' t r e l e a s e d until l a t e 1996, a n d didn't e v e n s u p p o r t v i d e o until 2 0 0 2 . To u s e otir m i c r o b i o l o g y a n a l o g y , h a v i n g t h e i d e a for a D i f f e r e n c e E n g i n e i n t h e 1 8 5 0 s w a s l i k e a b u n c h o f fatty a c i d s t r y i n g t o f o r m a cell m e m b r a n e . B a b b a g e ' s c a l c u l a t i n g m a c h i n e w a s a l e a p forward, to be sure, but as advanced as it was, the Difference E n g i n e w a s still w i t h i n t h e b o u n d s o f t h e a d j a c e n t p o s s i b l e , w h i c h i s p r e cisely w h y s o m a n y p r a c t i c a l i t e r a t i o n s o f B a b b a g e ' s d e s i g n e m e r g e d in the subsequent decades. B u t trying to create an Analytical E n g i n e i n 1 8 5 0 — o r Y o u T u b e i n 1 9 9 5 — w a s t h e e q u i v a l e n t o f t h o s e fatty a c i d s t r y i n g t o s e l f - o r g a n i z e into a s e a u r c h i n . T h e i d e a w a s r i g h t , b u t t h e e n v i r o n m e n t w a s n ' t r e a d y for i t yet.
A
ll of us live inside our own private versions of the adjacent p o s s i b l e . I n o u r w o r k lives, i n o u r c r e a t i v e p u r s u i t s , i n t h e or-
g a n i z a t i o n s t h a t e m p l o y u s , i n t h e c o m m u n i t i e s w e i n h a b i t — i n all these different environments, we are surrounded by potential n e w c o n f i g u r a t i o n s , n e w w a y s o f b r e a k i n g o u t o f otir s t a n d a r d r o u t i n e s . We are, each of us, surrounded by the conceptual equivalent of t h o s e T o y o t a s p a r e p a r t s , a l l w a i t i n g t o b e r e c o m b i n e d into s o m e t h i n g m a g i c a l , s o m e t h i n g new. I t n e e d not b e t h e e p i c a d v a n c e s o f b i o l o g i c a l diversity, o r t h e i n v e n t i o n o f p r o g r a m m a b l e c o m p u t i n g . U n l o c k i n g a n e w d o o r ccin l e a d to a w o r l d - c h a n g i n g scientific b r e a k -
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THE ADJACENT
POSSIBLE
t h r o u g h , b u t i t c a n a l s o l e a d t o a m o r e effective s t r a t e g y for t e a c h i n g s e c o n d - g r a d e r s , o r a n o v e l m a r k e t i n g i d e a for t h e v a c u u m c l e a n e r your c o m p a n y ' s about to release. T h e trick is to figure out ways to explore the e d g e s of possibility that surround you. T h i s can be as s i m p l e a s c h a n g i n g t h e p h y s i c a l e n v i r o n m e n t y o u w o r k in, o r cultiv a t i n g a s p e c i f i c k i n d o f social n e t w o r k , o r m a i n t a i n i n g c e r t a i n h a b its i n t h e w a v v o u s e e k o u t a n d s t o r e i n f o r m a t i o n . R e c a l l the question we b e g a n with: W h a t kind of e n v i r o n m e n t creates good ideas? T h e simplest w a y to answer it is this: innovative environments are better at h e l p i n g their inhabitants explore the adjacent possible, because they expose a wide and diverse s a m p l e of spare p a r t s — m e c h a n i c a l or c o n c e p t u a l — a n d they encourage novel w a y s of r e c o m b i n i n g those parts. E n v i r o n m e n t s that block or limit those new combinations—by punishing experimentation, by obs c u r i n g c e r t a i n b r a n c h e s o f possibility, b y m a k i n g t h e c u r r e n t s t a t e so satisfying that no one bothers to explore the e d g e s — w i l l , on a v e r a g e , g e n e r a t e a n d c i r c u l a t e fewer i n n o v a t i o n s t h a n e n v i r o n m e n t s t h a t e n c o u r a g e e x p l o r a t i o n . T h e i n f i n i t e v a r i e t y o f life t h a t so impressed Darwin, standing in the calm waters of the Keeling Islands, exists because the coral reef is supremely gifted at recycling a n d r e i n v e n t i n g t h e s p a r e p a r t s o f its e c o s y s t e m . T h e r e ' s a f a m o u s m o m e n t i n t h e story o f t h e n e a r - c a t a s t r o p h i c Apollo
13
mission—wonderfully
captured
in
the
Ron
floward
f i l m — w h e r e t h e m i s s i o n control e n g i n e e r s r e a l i z e t h e y n e e d t o c r e a t e a n i m p r o v i s e d c a r b o n d i o x i d e filter, o r t h e a s t r o n a u t s w i l l p o i s o n the lunar m o d u l e a t m o s p h e r e with their own exhalations before they return to Earth. T h e astronauts have plenty of carbon "scrubb e r s " o n b o a r d , b u t t h e s e filters w e r e d e s i g n e d for t h e o r i g i n a l , d a m a g e d s p a c e c r a f t , a n d don't fit t h e air v e n t i l a t i o n s y s t e m o f t h e
41
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lunar m o d u l e they a r e using as a lifeboat to return h o m e . Mission Control quickly a s s e m b l e s what it calls a "tiger t e a m " of engineers to hack their way t h r o u g h the problem, and creates a rapid-fire i n v e n t o r y o f all t h e a v a i l a b l e e q u i p m e n t c u r r e n t l y o n t h e l u n a r m o d u l e . In the movie, D e k e Slayton, head of F l i g h t C r e w Operat i o n s , t o s s e s a j u m b l e d p i l e of g e a r on a c o n f e r e n c e t a b l e : suit h o s e s , canisters, stowage bags, duct tape, a n d other assorted gadgets. He holds up the carbon scrubbers. " W e gotta f m d a w a y to m a k e this fit i n t o a h o l e for t h i s , " h e s a y s , a n d t h e n p o i n t s t o t h e s p a r e p a r t s on the table, " u s i n g nothing but
thatr
T h e s p a c e g e a r o n t h e t a b l e d e f i n e s t h e a d j a c e n t p o s s i b l e for t h e p r o b l e m of building a w o r k i n g carbon scrubber on a l u n a r m o d u l e . T h e d e v i c e t h e y e v e n t u a l l y concoct, d u b b e d t h e " m a i l b o x , " perf o r m s beautifully. T h e c a n i s t e r s a n d nozzles a r e like t h e a m m o n i a a n d m e t h a n e m o l e c u l e s o f t h e early e a r t h , o r B a b b a g e ' s m e c h a n i c a l g e a r s , o r t h o s e T o y o t a p a r t s h e a t i n g a n incubator: t h e y a r e t h e b u i l d i n g b l o c k s t h a t c r e a t e — a n d l i m i t — t h e s p a c e o f p o s s i b i l i t y for a s p e cific p r o b l e m . In a way, t h e e n g i n e e r s at M i s s i o n C o n t r o l h a d it e a s i e r t h a n m o s t . C h a l l e n g i n g p r o b l e m s don't u s u a l l y d e f i n e t h e i r a d j a c e n t p o s s i b l e in s u c h a clear, t a n g i b l e way. P a r t of c o m i n g up w i t h a g o o d idea is discovering what those spare parts are, and ensuring that y o u ' r e not j u s t r e c y c l i n g t h e s a m e old i n g r e d i e n t s . T h i s , t h e n , i s w h e r e t h e n e x t six p a t t e r n s o f i n n o v a t i o n w i l l t a k e us, b e c a u s e t h e y all involve, in o n e w a y or another, tactics for a s s e m b l i n g a m o r e e c l e c t i c collection o f b u i l d i n g b l o c k i d e a s , s p a r e p a r t s t h a t c a n b e r e a s s e m b l e d into useful n e w c o n f i g u r a t i o n s . T h e t r i c k t o h a v i n g g o o d i d e a s i s not t o sit a r o u n d i n g l o r i o u s i s o l a t i o n a n d t r y t o t h i n k b i g t h o u g h t s . T h e trick i s t o g e t m o r e p a r t s o n t h e t a b l e .
42
II.
LIQUID
NETWORKS
Go t o N
r I
There a r e a d o z e n d i f f e r e n t m e t a p h o r s we u s e c o h o q u i a l l y to
I
d e s c r i b e g o o d i d e a s : w e call t h e m s p a r k s , h a s h e s , h g h t b u l b
moments: we have brainstorms and breakthroughs, eureka m o m e n t s and epiphanies. S o m e t h i n g about the concept pushes our l a n g u a g e into r h e t o r i c a l o v e r d r i v e , o u r v e r b i a g e s t r a i n i n g t o r e p r o d u c e tlie i n n o v a t i o n it d e s c r i b e s . A n d yet, f l o r i d a s t h e y a r e , n o n e o f t h o s e m e t a p h o r s c a p t u r e s w h a t a n i d e a a c t u a l l y is, o n t h e m o s t e l e m e n t a l level. A g o o d i d e a is a network. A s p e c i f i c c o n s t e l l a t i o n of n e u r o n s — t h o u s a n d s o f t h e m — f i r e i n s v n c w i t h e a c h o t h e r for t h e first t i m e in your brain, a n d an idea pops into your consciousness, A n e w idea i s a n e t w o r k o f cells e x p l o r i n g t h e a d j a c e n t p o s s i b l e o f c o n n e c t i o n s that they can m a k e in your m i n d . T h i s is true whether the idea in q u e s t i o n is a n e w w a y to s o l v e a c o m p l e x p h y s i c s p r o b l e m , or a c l o s i n g l i n e for a n o v e l , or a f e a t u r e for a s o f t w a r e a p p l i c a t i o n . If w e ' r e g o i n g to try to explain the m y s t e r y of w h e r e ideas c o m e from, we'll
STEVEN
JOHNSON
have to start by s h a k i n g ourselves free of this c o m m o n m i s c o n c e p tion: a n i d e a i s n o t a s i n g l e t h i n g . I t i s m o r e l i k e a s w a r m . W h e n you think about ideas in their native state of neural n e t w o r k s , tw^o k e y p r e c o n d i t i o n s b e c o m e clear. F i r s t , t h e s h e e r s i z e o f t h e n e t w o r k : y o u can't h a v e a n e p i p h a n y w i t h o n l y t h r e e n e u r o n s firing. T h e n e t w o r k n e e d s t o b e d e n s e l y p o p u l a t e d . Your b r a i n h a s r o u g h l y 100 b i l l i o n n e u r o n s , a n i m p r e s s i v e e n o u g h n u m b e r , b u t all t h o s e n e u r o n s w o u l d b e u s e l e s s for c r e a t i n g i d e a s ( a s w e l l a s a l l t h e other achievements of the h u m a n brain) if they weren't capable of m a k i n g s u c h e l a b o r a t e c o n n e c t i o n s w i t h e a c h other. T h e a v e r a g e neuron connects to a t h o u s a n d other neurons scattered across the braiin, w h i c h m e a n s t h a t t h e a d u l t h u m a n b r a i n c o n t a i n s 100 trillion distinct neuronal connections, m a k i n g it the largest and m o s t complex network on earth, (By comparison, there are s o m e w h e r e o n t h e o r d e r o f 4 0 b i l l i o n p a g e s o n t h e W e b . I f y o u a s s u m e a n avera g e of ten links per p a g e , that m e a n s you a n d I are w a l k i n g around with a high-density network in our skulls that is orders of m a g n i tude larger t h a n t h e entirety of the World Wide Web.) T h e s e c o n d p r e c o n d i t i o n i s t h a t t h e n e t w o r k b e plastic^ c a p a b l e of adopting new configurations, A dense network incapable of formi n g n e w p a t t e r n s is, b y d e f i n i t i o n , i n c a p a b l e o f c h a n g e , i n c a p a b l e o f p r o b i n g a t t h e e d g e s o f t h e a d j a c e n t p o s s i b l e . W h e n a new^ i d e a p o p s into y o u r h e a d , t h e s e n s e o f n o v e l t y t h a t m a k e s t h e e x p e r i e n c e so m a g i c a l h a s a d i r e c t c o r r e l a t e in t h e cells of y o u r b r a i n : a b r a n d n e w assemblage of neurons has come together to m a k e the thought possible. T h o s e connections are built by our g e n e s and by personal experience: s o m e connections help regulate our heartbeat and trigg e r reflex r e a c t i o n s ; o t h e r s c o n j u r e u p v i v i d s e n s e m e m o r i e s o f t h e cookies we ate as children; others help t i s invent the concept of a
46
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NETWORKS
p r o g r a m m a b l e computer. T h e connections are the key to wisdom, w h i c h i s w h y t h e w h o l e n o t i o n o f l o s i n g n e u r o n s after w e h i t a d u l t h o o d i s a r e d h e r r i n g , V\^iat m a t t e r s i n y o u r m i n d i s n o t j u s t t h e n u m b e r of neurons, but the m y r i a d connections that have formed between them. O f c o u r s e , e v e r y t h i n g t h a t h a p p e n s i n y o u r b r a i n is, t e c h n i c a l l y s p e a k i n g , a n e t w o r k . R e m e m b e r i n g to c u t y o u r t o e n a i l s i n v o l v e s a network of neurons firing in s o m e kind of orderly fashion. B u t that d o e s n ' t m a k e i t a n e p i p h a n y . I t t u r n s o u t t h a t g o o d i d e a s h a v e certain signature patterns in the networks that m a k e them. T h e creati n g b r a i n behaves differently from the b r a i n that is p e r f o r m i n g a repetitive task. T h e neurons c o m m u n i c a t e in different ways. T h e networks take on distinct shapes. T h e question is how to push your brain toward those m o r e creative networks. T h e answer, as it h a p p e n s , is delightfully fractal: to m a k e your m i n d m o r e innovative, you h a v e to place it inside environments that share that s a m e network signature: networks of ideas or people that m i m i c the neural networks of a m i n d exploring the boundaries of the adjacent possible. Certain environments enhance the brain's natural capacity to m a k e new links of association. B u t these patterns of connection are m u c h older t h a n the h u m a n brain, older than neurons even. T h e y take us back, once again, to t h e o r i g i n o f life i t s e l f
A
s far as we know, " c a r b o n - b a s e d l i f e " is a r e d u n d a n t e x p r e s s i o n : life w o u l d b e i m p o s s i b l e w i t h o u t t h e c a r b o n a t o m . M o s t
a s t r o b i o l o g i s t s — s c i e n t i s t s w h o s t u d y t h e p o s s i b i l i t y o f life e l s e w h e r e in the u n i v e r s e — b e l i e v e that if we are ever to discover con-
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vincing evidence of extraterrestrial life, be it on M a r s or in s o m e d i s t a n t g a l a x y , it, too, will t u r n o u t t o b e c a r b o n - b a s e d . W h y are we so confident about carbon's essential role in creating living things? T h e answer h a s to do with the core properties o f t h e c a r b o n a t o m itself. C a r b o n h a s four v a l e n c e e l e c t r o n s r e s i d i n g i n t h e o u t e r m o s t s h e l l o f t h e a t o m , w h i c h , for c o m p l i c a t e d r e a sons, m a k e s it uniquely talented at f o r m i n g connections with other atoms, particularly with hydrogen, nitrogen, oxygen, phosphorus, s u l f u r — a n d , cruciallv, w i t h o t h e r c a r b o n a t o m s . T h e s e s i x a t o m s m a k e u p 9 9 p e r c e n t o f t h e d r y w e i g h t o f all l i v i n g o r g a n i s m s o n e a r t h . T h o s e four v a l e n c e b o n d s g i v e c a r b o n a s t r o n g p r o p e n s i t y for forming elaborate chains and rings of polymers: everything from the genetic information stored in nucleic acids, to the building b l o c k s o f p r o t e i n s , t o t h e e n e r g y s t o r a g e o f c a r b o h y d r a t e s a n d fats, ( M o d e r n technology has exploited the generative potential of the c a r b o n a t o m v i a t h e a r t i f i c i a l p o l y m e r s w e call p l a s t i c s . ) C a r b o n a t o m s m e a s u r e only 0,05 percent of the overall composition of the e a r t h ' s crust, a n d y e t t h e y m a k e u p n e a r l y 2 0 p e r c e n t o f our b o d y mass. T h a t abundance highlights the unique property of the carbon a t o m : its c o m b i n a t o r i a l power. C a r b o n is a connector. T h o s e c o n n e c t i o n s a r e e s s e n t i a l for t h e d a y - t o - d a y f u n c t i o n i n g o f life: c h a i n s o f n u c l e i c a c i d s i n s t r u c t i n g a m i n o a c i d s t o a s s e m b l e into l o n g s t r i n g s o f p r o t e i n , p o w e r e d b y t h e s t o r e d e n e r g y o f c a r b o hydrates. B u t the connective properties of carbon w e r e essential to t h e o r i g i n a l i n n o v a t i o n s o f life itself. W i t h o u t c a r b o n ' s i n n a t e t a l e n t for f o r m i n g n e w c o m p l e x m o l e c u l e s w i t h o t h e r a t o m s , i t i s h a r d t o i m a g i n e h o w t h e first o r g a n i s m s w o u l d h a v e e v o l v e d . T h o s e four v a l e n c e e l e c t r o n s a l l o w e d t h e p r e b i o t i c e a r t h t o e x p l o r e its o w n a d jacent possible, sifting through the l o n g list of potential m o l e c u l a r
48
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c o m b i n a t i o n s until it hit u p o n a series of stable c h e m i c a l reactions t h a t b l o s s o m e d into t h e first o r g a n i s m s . W i t h o u t t h e g e n e r a t i v e l i n k s o f c a r b o n , t h e e a r t h w o u l d h a v e lik ely r e m a i n e d a l i f e l e s s s o u p of elements, a planet of d e a d chemistry. Carbon's connective talents lie at the center of one of the m o s t f a m o u s s c i e n t i f i c e x p e r i m e n t s o f t h e t w e n t i e t h century. I n 1 9 5 3 , two University of Chicago professors, Stanley L, Miller and H a r o l d C. Urey, created a closed system of glass tubes a n d flasks that s i m u lated the early conditions of the prebiotic earth. T h e m a i n ingredients were m e t h a n e (CH^), a m m o n i a (NH_), hydrogen (H^), a n d w a t e r ( H ^ O ) , O n l y t h e m e t h a n e c o n t a i n e d c a r b o n a t o m s . O n e flask connected to the chemical soup contained a pair of electrodes, which Miller and U r e y used to simulate lightning by triggering a series of q u i c k s p a r k s b e t w e e n t h e m . T h e y r a n t h e e x p e r i m e n t for s e v e n s t r a i g h t d a y s , a n d b y t h e t i m e t h e y h a d c o m p l e t e d t h e first c y c l e , they found that m o r e than 10 percent of the carbon h a d spontaneo u s l y r e c o m b i n e d into m a n y o f t h e o r g a n i c c o m p o u n d s e s s e n t i a l t o life: s u g a r s , l i p i d s , n u c l e i c a c i d s . M i l l e r c l a i m e d a t t h e t i m e t h a t "just turning on the spark in a basic pre-biotic e x p e r i m e n t " produced half of the twenty-two a m i n o acids. S e v e r a l years ago, a t e a m r e a n a l y z e d t h e o r i g i n a l flasks f r o m t h e M i l l e r - U r e y e x p e r i m e n t s , and found that in one v e r s i o n — w h i c h sunulated the environment around an u n d e r s e a v o l c a n o — a l l twenty-two a m i n o acids had been created. In the half-century that has passed since Miller and U r e y triggered their primordial
spark, hundreds of
rival theories
have
e m e r g e d t o e x p l a i n t h e e a r l y s t a g e s o f life, s o m e e m p h a s i z i n g t h e initial development of self-replication, s o m e e m p h a s i z i n g the development of metabolism; s o m e are predicated on the intense heat
49
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of u n d e r s e a vents, others on life-bearing comets colliding with the e a r t h ' s s u r f a c e . B u t all o f t h e s e t h e o r i e s s h a r e a c o m m o n m o t i f : t h e c o m b i n a t o r i a l p o w e r o f t h e c a r b o n a t o m , A few r e s e a r c h e r s a n d science-fiction authors have speculated on an alternate scenario, w h e r e life e m e r g e s a r o u n d t h e silicon a t o m . S i l i c o n sits d i r e c t l y b e l o w c a r b o n o n t h e p e r i o d i c t a b l e , a n d s h a r e s its four v a l e n c e e l e c trons. B u t silicon l a c k s c a r b o n ' s u n i q u e versatility, its a b i l i t y t o f o r m the double a n d triple bonds that create the long chains a n d rings of fatty a c i d s a n d s u g a r s . S i l i c o n a l s o r e q u i r e s far m o r e e n e r g y t o f o r m bonds than carbon does. Tellingly, the earth contains over a h u n d r e d t i m e s as m u c h silicon as it does carbon, a n d yet M o t h e r N a t u r e dec i d e d t o b a s e life o n t h e m u c h r a r e r e l e m e n t . S i l i c o n - b a s e d l i f e m a y b e i m p o s s i b l e for o n e o t h e r r e a s o n : s i l i con b o n d s r e a d i l y d i s s o l v e i n water. M o s t t h e o r i e s o f life's o r i g i n d e p e n d o n H^O n o t m e r e l y b e c a u s e h y d r o g e n a n d o x y g e n a r e i m p o r tant elements in m a n y organic compounds, but also because the environment of liquid water facilitated the early "chemistry experi m e n t s " t h a t l e d t o t h e e m e r g e n c e o f life. T h e M i l l e r - U r e y e x p e r i m e n t w a s , i n a way, a n a t t e m p t t o t e s t m o r e r i g o r o u s l y a h u n c h t h a t Charles D a r w i n h a d had a century before about the watery origins o f life. I n a l e t t e r t o t h e b o t a n i s t J o s e p h H o o k e r , D a r w i n s p e c u l a t e d t h a t life h a d first e m e r g e d i n " s o m e w a r m l i t t l e p o n d , w i t h a l l s o r t s o f a m m o n i a a n d p h o s p h o r i c salts, l i g h t , h e a t , electricity," M o s t theories of life's origins incorporate s o m e variation of the "primordial s o u p " : an e n v i r o n m e n t w h e r e novel c o m b i n a t i o n s could occur t h a n k s t o t h e s w i r l a n d flow o f l i q u i d . C a r b o n m a y b e a t a l e n t e d connector, b u t w i t h o u t a m e d i u m t h a t a l l o w s i t t o c o l l i d e r a n d o m l y with other elements, those connective powers are likely to go to
JO
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waste. All those spectacular polymer chains would r e m a i n unrealized, hidden behind the locked doors of the adjacent possible. L i k e c a r b o n , t h e H^O m o l e c u l e p o s s e s s e s s e v e r a l e x c e p t i o n a l properties that m a k e the m e d i u m of liquid water uniquely suited to s u s t a i n e a r l y life. T h e h y d r o g e n b o n d s t h a t f o r m between d i s t i n c t water molecules are about ten times stronger than equivalent bonds in " n o r m a l " liquids, which gives the m e d i u m several crucial properties. F o r s t a r t e r s , t h e t e m p e r a t u r e r a n g e a t w h i c h w a t e r r e m a i n s i n liquid form is m u c h larger than that of almost every other substance, thanks in part to those hydrogen bonds, thus preventing the o c e a n s f r o m b o i l i n g a w a y d u r i n g t h e e a r l y d a y s o f life o n e a r t h . Water is also a fiendishly talented dissolver of things, ( E v e n the famously inert gold is soluble in seawater if you give it e n o u g h time.) T h e combination of water's fluidity and solubility m a k e s it marvelously adept at creating new networks of elements, as they churn through the ever-shifting m e d i u m , colliding with each other in unpredictable ways. At the s a m e time, the strength of the hydrog e n boncl.'^ m e a n s tllat n e w c o m b i n a t i o n s w i t h s o m e stability t o t h e m — m a n y of t h e m ancliored around carbon a t o m s — c a n endure a n d s e e k out a d d i t i o n a l c o n n e c t i o n s i n t h e s o u p . A n d so, w h e n w e l o o k b a c k t o t h e o r i g i n a l i n n o v a t i o n e n g i n e on earth, we find two essential properties. First, a capacity to m a k e n e w c o i m e c t i o n s w i t h a s m a n y other e l e m e n t s a s p o s s i b l e . A n d , s e c ond, a " r a n d o m i z i n g " environment that e n c o u r a g e s collisions between all the e l e m e n t s in the system. On earth, at least, the story of
life's c r e a t i v i t y b e g i n s w i t h a l i q u i d , h i g h - d e n s i t y n e t w o r k :
connection-hungry carbon a t o m s colliding with other elements in the primordial soup. T h e molecules they formed m a r k the point at
STEVEN
JOHNSON
w h i c h c h e m i s t r y a n d p h y s i c s g a v e w a y t o biology. W l i e n t h e first lipids s e l f - a s s e m b l e d , they unlocked a door that w o u l d u l t i m a t e l y l e a d t o t h e cell m e m b r a n e ; w h e n t h e first n u c l e o t i d e s f o r m e d , a w i n g of the adjacent possible opened that eventually traced a path t o D N A . T h e y w e r e t h e first h i n t s o f life's g o o d i d e a .
r I
Ihe c o m p u t e r scientist Christopher L a n g t e n observed several
I
d e c a d e s a g o t h a t i n n o v a t i v e s y s t e m s h a v e a t e n d e n c y to g r a v i -
t a t e t o w a r d t h e " e d g e o f c h a o s " : t h e fertile z o n e b e t w e e n too m u c h o r d e r a n d too m u c h anarchy. ( T h e n o t i o n i s c e n t r a l t o S t u a r t K a u f f m a n ' s idea of the adjacent possible, as well.) L a n g t o n s o m e t i m e s uses the m e t a p h o r of different phases of m a t t e r — g a s , liquid, solid—to d e s c r i b e t h e s e n e t w o r k states. T h i n k o f t h e b e h a v i o r o f m o l e c u l e s i n each of these three conditions. In a g a s , chaos rules; new configurations are possible, but they are constantly b e i n g disrupted and torn apart by the volatile n a t u r e of the environment. In a solid, the opp o s i t e h a p p e n s : t h e p a t t e r n s h a v e stability, b u t t h e y a r e i n c a p a b l e o f change. But a liquid network creates a m o r e promising environment for t h e s y s t e m t o e x p l o r e t h e a d j a c e n t p o s s i b l e . N e w c o n f i g u r a t i o n s can e m e r g e t h r o u g h r a n d o m c o n n e c t i o n s f o r m e d b e t w e e n m o l e c u l e s , b u t t h e s y s t e m isn't s o w i l d l y u n s t a b l e t h a t i t i n s t a n t l y d e s t r o y s its new creations. T h o s e connective carbon a t o m s swirling in the prim o r d i a l s o u p f o r m e d a h i g h - d e n s i t y l i q u i d n e t w o r k . T h e 100 b i l l i o n neurons in your brain form another kind of liquid network: densely interconnected, constantly exploring new patterns, but also capable o f p r e s e r v i n g u s e f u l s t r u c t u r e s for l o n g p e r i o d s o f t i m e . T h e r e is a prediction (albeit retroactive) l u r k i n g in this idea of the liquid network, as well as in the p r e m i s e that innovative
52
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environments share s i g n a t u r e patterns at different scales. T h e pred i c t i o n i s t h a t w h e n e v e r h u m a n b e i n g s first o r g a n i z e d t h e m s e l v e s into s e t t l e m e n t s t h a t r e s e m b l e d l i q u i d n e t w o r k s , a g r e a t f l o w e r i n g o f i n n o v a t i o n w o u l d h a v e i m m e d i a t e l v followed. For ao;es, e a r l v h u m a n s lived in the cultural equivalent of gaseous networks: small packs of hunter-gatherers bouncing around the landscape, with alm o s t n o c o n t a c t b e t w e e n g r o u p s . B u t t h e rise o f a g r i c u l t u r e c h a n g e d all that. F o r t h e first t i m e , h u m a n s b e g a n f o r m i n g g r o u p s t h a t n u m b e r e d i n t h e t h o u s a n d s , o r t e n s o f t h o u s a n d s . After m i l l e n n i a o f l i v i n g i n a n i n t i m a t e c l u s t e r o f e x t e n d e d family, t h e y b e g a n s h a r i n g a space crowded with strangers. With that increase in population c a m e a crucial increase in the n u m b e r of possible connections that could be formed within the group. G o o d ideas could m o r e readily f i n d t h e i r w a y into o t h e r b r a i n s a n d t a k e root t h e r e . N e w f o r m s o f c o l l a b o r a t i o n b e c a m e p o s s i b l e . E c o n o m i s t s h a v e a t e l l i n g p h r a s e for the kind of sharing that happens in these densely populated envir o n m e n t s : " i n f o r m a t i o n spillover," V\^ien y o u s h a r e a c o m m o n civic culture with thousands of other people, g o o d ideas have a tendency t o flow f r o m m i n d t o m i n d , e v e n w h e n t h e i r c r e a t o r s t r y t o k e e p t h e m secret. " S p i l l o v e r " i s t h e r i g h t w o r d ; i t c a p t u r e s t h e e s s e n t i a l l i q u i d i t y o f i n f o r m a t i o n i n d e n s e s e t t l e m e n t s . A s s p e c i e s g o . Homo sapiens h a d b e e n o n a fairly g o o d r u n i n t h e m i l l i o n y e a r s t h a t l e d u p t o t h e b i r t h o f a g r i c u l t u r e : its m e m b e r s h a d i n v e n t e d s p o k e n l a n g u a g e , art, s o p h i s t i c a t e d tools for h u n t i n g , a n d cooking. B u t u n t i l t h e y s e t t l e d i n cities, t h e y h a d n o t f i g u r e d o u t a w a y t o l i v e i n s i d e a high-density liquid network. What happened when they did? To grasp the m a g n i t u d e of the change, we need to put it in s o m e kind of perspective, by m e a s u r i n g t h e s p e e d o f i n n o v a t i o n before t h e first cities w e r e settled. S o l e t u s
STEVEN
JOHNSON
c o n d e n s e s e v e n t y t h o u s a n d y e a r s o f i n n o v a t i o n into a s i n g l e t i m e l i n e , e n d i n g c i r c a 2 0 0 0 B . C . , a few m i l l e n n i a after t h e first t r u e cities formed. L o o k i n g at the past from this perspective m a k e s one thing clear: s o m e w h e r e w i t h i n a t h o u s a n d y e a r s o f t h e first cities e m e r g ing, h u m a n b e i n g s invented a w h o l e new w a y of inventing, A strong correlation exists between those dense settlements and the dramatic surge in the societal innovation rate. B u t is there a causal relationship between the two? T h e chart alone cannot tell us, a n d we do not know enough about the specific histories of these innovations to d o c u m e n t h o w e s s e n t i a l t h e u r b a n c o n t e x t w a s t o their c r e a t i o n . B u t the circumstantial evidence is strong. No doubt s o m e ingenious hunter-gatherer s t u m b l e d across the c l e a n s i n g p r o p e r t i e s o f a s h e s m i x e d w i t h a n i m a l fat, o r d r e a m e d o f b u i l d i n g a q u e d u c t s i n t h o s e l o n g e o n s b e f o r e t h e rise o f cities, a n d we s i m p l y h a v e no record of his epiphany. B u t the lack of a record is exactly the point. In a low-density, chaotic network, ideas c o m e a n d go. I n t h e d e n s e n e t w o r k s o f t h e first cities, g o o d i d e a s h a v e a n a t u r a l p r o p e n s i t y t o g e t i n t o c i r c u l a t i o n . T h e y s p i l l over, a n d t h r o u g h t h a t s p i l l i n g t h e y a r e p r e s e r v e d for f u t u r e g e n e r a t i o n s . For r e a s o n s w e w i l l s e e , h i g h - d e n s i t y l i q u i d n e t w o r k s m a k e i t e a s i e r for innovation to happen, but they also serve the essential function of storing iho^e i n n o v a t i o n s . B e f o r e w r i t i n g , b e f o r e b o o k s , b e f o r e W i k i p e d i a , t h e l i q u i d n e t w o r k o f cities p r e s e r v e d t h e a c c u m u l a t e d w i s d o m o f h u m a n culture. T h e pattern w a s repeated in the explosion of commercial and artistic innovation that e m e r g e d in the densely settled hill towns of N o r t h e r n Italy, t h e b i r t h p l a c e o f t h e E u r o p e a n R e n a i s s a n c e , O n c e again, the rise of urban networks triggers a dramatic increase in the
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Go to N
Index
A b s o l u t e zero. 2 7 2
Amazon, 245
Accounting, double-entry. 56-57, 228, 251
A m e r i c a n Airlim-s K U g h t 77, 70
A d j a c e n t possible, 2 5 - ^ 2 . « * , 72, 107, 110,
Analytical K n g i n c , 5 6 - 4 0 , 155, 157. 2 7 0
1 5 5 . 156, 185, 1 < > L 2 5 1
A n a l n i c gpomoiry, 258
for A n a l y t i c a l E n g i n e , 5 6 - 4 0 , 153
Ansoff, V i n c e m , 2 8 7
of b i o s p h e r e , 52—55, 5 6 . 156
Apollo 15 mission, 4 1 - 4 2
D a r \ v i n s P a r a d o x and, 53. 2 + 5
A p p l e , 124. 1 6 9 - 7 1 , 200, 244, 291
e r r o r a n d , 158
iPhone, 39, 1 6 9 - 7 0 , 195, 1 9 5 , 2 4 4
of e v o l u t i o n , 3 2 , 142, 147
iPod,
e x p l o r i n g , 38, 63, 102, 141 of jazz,
192
n e t w o r k s a n d . 45—47
170
Macintosh, 15 Application progri^mming interfaces (APIs), 194, 2 0 9
i n o r i g i n s o f l i f e . 51—52
A p p s for A m e r i c a , 1 9 5 - 9 6
serendipity and, |09
A p p s for D e m o c r a c y , 1 9 5 - 9 7
of Web. 54, 59
Archaea. 295
A d o b e F l a s h , 1 4 , 4 0 , 189
Archaeopteryu, 1 5 4 , 1 5 6 , 1 5 7 , 1 7 4
AdSense, 95
A r c h i m e d e s , 58, 110, 2 4 0
A f g h a n i s t a n , w a r in, 9 4
Aristotle, 255. 258
Air conditioning, 2 1 4 - 1 8 , 220, 251, 280
A R P A N E T . 221
Airplanes, 280
Ashbery, John, 122
Algorithms
Aspirin, 272
c o m p u t e r , 94, 114, M 6 , 158, 2 7 0
A s t e r o i d i m p a c t , e x t i n c t i o n c a u s e d by, 2 9 5
e\'olutionary, 79, 2 5 8
A s s e m b l y lines, 2 8 3
Al Qaeda. 70
A s s m a n n , Rich(ird, 280
Altmann. Richard, 27S
Atomic reactors, 286
Alvarez, L u i s a n d \\dlii'r, 2 9 5
A t o m i c theory. 2 6 7
NDEX
Atta, M o h a m e d , 75
Bose Acoustics, 65
Audion, 153-55,
Bouchon, Basile, 268
157, 2 8 5
Automobiles, 28, 215, 277, 2 8 5
Boyle, Robert, 259, 260
Avery-MacLeod-McCarthy
B r a h e , Tycho, 254, 256
experiment, 287
Avogadro, Count Amedeo, 267
Braille, 269 Br amah, Joseph, 255
B a b b a g e , C h a r l e s , ò6-^, 4 2 ,
155,
157, 2 7 0 ,
Brand, Stewart, 65
287
Brattain, Walter, 2 8 8
Bacon, Francis, 84 Balance-spring watches,
Braun, Kari Ferdinand, 279 259—60
Brazil, social n e t w o r k i n g sites in, 95
Ball bearings, 252
Brin, Sergey, 158
Barbier, Charles, 269
B r i t a i n , B a t t l e of, 2 8 6
Bardeen, John, 288
Brunelleschi, Filippo, 56
Barometers, 258, 259
Buchner, E d u a r d , 276
B a r t h , J o h n , 108
Buffalo F o r g e C o m p a n y , 214—15
Battelle, John,
122
Bunsen burner, 2 7 2 - 7 5
Bayliss, William Maddock, 281
B u m e l l , Jocelyn Bell, 290
Beagle
B u r r o u g h s , W i l l i a m S e w a r d , 57, 277
( s h i p ) , 4 - 7 , 8 2 , 177,
Beatles, the,
180
164
Burt, Ronald,
166-67
Becquerel, Henri, 279
B u s h , G e o r g e W., 9 4
Begun, Semi Joseph, 286
Büyükkökten, Orkut, 95
Beh aim, Martin, 252
Byrne, David, 164
Bell, Alexander G r a h a m , 275
Byron, L o r d , 58. 270
Bell, John, 85 B e l l l j b s , 288, 290
Calculators, 57, 259, 277
Beneden, Edouard van, 276
Calculus, 258, 261
Benkler, Yochai,
220n
Galera, 205
Benz, Karl, 277
California, University of
B e n z e n e , s t r u c t u r e of, 1 0 5 , 1 0 9 - 1 0 , 1 6 0 , 2 7 5
Berkeley, 159, 160
Bernardos, Nikolai, 277
Davis, 8
Berners-Lee, Tim, 88-90, 92-94,
117,
158,
Santa Barbara, 205
188,206,218,220-21,294
Santa Cruz, 205
Berti, Gasparo, 258
Capitalism, 217, 220n, 256, 257
Bessemer, Henry, 272
agrarian, 244
Bharat, Krishna, 94-95
industrial,
250
merchant,
56—57
Bible, G u t e n b e r g , 152, 155, 2 2 8 Bicycles,
268
Carbonated water, 264
Bifocals, 265
Carnot, Sadi, 269
Big Bang,
Carotbers, Wallace, 286
159, 2 9 0
B i n L a d e n , O s a m a , 70, 9 +
Carrier, Willis Haviland, 2 1 4 - 1 8 , 220, 2 5 1 ,
B i o s p h e r e , a d j a c e n t p o s s i b l e of, 5 1 — 5 3 , 5 6 , 107,
280
156
C a r r i e r E n g i n e e r i n g C o r p o r a t i o n , 215—16
Birüni, A b u R a y h ä n al-, 266
C a r t Wright, E d m u n d , 2 6 6
Bishop, J
G a r y I n s t i t u t e for E c o s y s t e m S t u d i e s , 1 8 2
Michael, 292
BlackBerry, 195
Cell diyision, 276
Blood circulation, 257
Cerf, Vincent, 2 9 1
Blood types, 2 7 9 - 8 0
C E R N ( E u r o p e a n L a b o r a t o r y for P a r t i c l e
Bohr, Niels, 285, 284
Physics), 9 0 - 9 5 , 29+
316
NDEX
Chadwick, J a m e s , 286
Cordus, Valerius, 255
C h a o s , 5 2 , 6 2 - 6 5 , 8 5 , 1 0 5 - 6 , 12Q, 1 4 8
Cosmic rays, 285
C h a r d a c k , W i l h a m , 156
Cotton gin, 266
C h e n , S t e v e , 14, 16, 5 9 , 1 8 9 , 1 9 7
C P U (central processing unit), 58, 270
C h i c a g o , U n i v e r s i t y of, 4 9 , 1 6 6 , 2 8 8
Creative C o m m o n s , 125
China
Credè, Carl, 276
ancient, 255, 266
Cretaceous period, 154
G r e a t W a l l of, 2 0 5
C r i c k , F r a n c i s , 159, 1 6 8 - 6 8 , 190, 2 8 9
m o v a b l e t y p e i n v e n t e d in, 1 5 5 , 2 5 1
Cristofori, Bartolomeo, 262
s m a l l p o x inoculation in, 2 6 6
Csikszentmihalyi, Mihály, 64
Chloroform, 269-70
CT scan (computerized t o m o g r a p h y ) , 291
Chomsky, Noam, 65
Cubic equations, 255
Chromosomes, 282
Cumings, Alexander, 255
Chronic Disease Institute (Buffalo,
Cuneus of Leyden, 54
N e w York), 155
Curie, Marie and Pierre, 279
Chronometer, 264 Cities, 1 6 - 2 1 , 59, 65, 115, 222, 2 4 5
D a g u e r r e , L o u i s , 154—55, 2 7 1
a d j a c e n t possible in, 55
Daimler, Gottlieb, 277
ancient,
Dalton, John, 267
55—54
d i s c a r d e d spaces in, 199, 2 0 0
Damadian, Raymond, 292
I t a l i a n R e n a i s s a n c e , 54—58, 2 2 8 , 2 5 5
D a m a s i o , Antonio, 76
s u b c u l t u r e s of,
D a p h n i a (water flea), 1 0 7 - 8
160—62
D a r k A g e s , 151
s u p e r l i n e a r s c a l i n g of, 9 — 1 1 , 7 5 , 1 6 2 Clarkson, Martha, 64
D a r l i n , D a m o n , 118, 120
Clausius, Rudolf, 269
Darnton, Robert, 8 6 - 8 7
Clinton, Bill,
D a r w i n , C h a r l e s , 17, 1 9 , 7 8 - 7 9 , 8 9 , 9 0 , 2 4 5 ,
196
269
Clocks, pendulum, 259 Collins, Wilkie, 159, 191
biblical a r g u m e n t against, 153
Colt, S a m u e l , 270
on Keeling Islands, 5-7, 41, 177-81, 258
C o l u m b i a University, 55, 282
M a r x on, 2 5 6 - 5 7
Comets, 254, 262
n a t u r a l s e l e c t i o n t h e o r y of, 7 9 — 8 2 , 1 4 5 ,
Complex numbers, 255
190, 2 7 5
C o m p u t e r s , 59, 47, 75, 116, 2 7 0
n o t e b o o k s of, 85—86
A n a l y t i c a l E n g i n e a s , 57—59
on o r i g i n s of life, 29, 50
early, 154, 157, 185, 188
s i d e i n t e r e s t s of, 1 7 1 — 7 2
graphical interface with,
t a n g l e d b a n k m e t a p h o r of, 2 5 8 — 4 0
1 5 - 1 6 , 160,
D a r w i n , E r a s m u s , 85—87
291 i n t e r c o n n e c t i o n of,
D a r w i n ' s P a r a d o x , 5, 55, 1 8 1 - 8 2 , 190, 2 0 2 ,
see I n t e r n e t ;
World Wide Web
245 Data.gov, 195
mainframe, 217 m u l t i t a s k i n g of,
Davis, Miles,
172
191-92,210
p e r s o n a l , 14, 1 6 5 , 1 7 0 , 2 2 4
Dean, Howard,
197
v a c u u m t u b e s a n d , 152—55
D e f e n s e D e p a r t m e n t , U S . , 290, 291
Concave lenses, 251
D e Forest, L e e , 1 5 1 - 5 5 , 157, 157, 220, 251
ConsUntz, Brent, 2 0 5 - 5
Delaware Department of Natural Resources and Enviroimiental Control,
C o n t a c t lenses, 2 7 8
198-99
C o n t i n e n t a l drift, 2 8 5
Dennett, Daniel,
Copernicus, Nicolaus, 226, 252-55, 256
JÍ7
190
NDEX
Deiiucé, J e a n - L o u i s - P a u l , 276
Endorphins, 292
D e o x y r i b o n u c l e i c a c i d , see D N A
E n g e l b a r t , D o u g , 15, 160, 2 9 0
Descartes, René, 258
Engels, Friedrich, 256-58
Design that Matters, 27-28
England, 2+4, 254
D E V G N t b i n k , 1 1 4 - 1 6 , 127
c o m m o n s of, 2 4 4
D i c k e n s , C h a r l e s , 159, 191
E n l i g h t e n m e n t in, 84, 162, 188
Difference Engine, 56-58, 40
I n d u s t r i a l R e v o l u t i o n in, 2 5 0 , 2 6 4
Digital Equipment Corporation, 65
Victorian, 8 7 - 8 8
D i n , T a q i a l - , 254-
E N I A C , 15+, 157
D J n o s a u r s , e x t i n c t i o n of, 2 9 5
E n l i g h t e n m e n t , 84, 86, 162, 226, 228, 254
D i o d o r u s Siculus, 24^>-+l
Eno, Brian, 165-65
Djerassi, Carl, 289
E n q u i r e s o f t w a r e a p p l i c a t i o n , 88—90, 9 5
D N A , 2 0 , 5 0 , 5 2 , 1 9 0 , 254-, 2 8 7 , 2 9 0 , 2 9 1
Enzymes, 275-76, 291
c o m p l e m e n t a r y r e p l i c a t i o n s y s t e m of,
Erdapfel, 252 Error, 1 5 1 - + 8 , 156
159 d o u b l e - h e l i x s t r u c t u r e of, 2 8 9 , 1 6 8
i n v e n t i o n s g e n e r a t e d by,
f o r e n s i c u s e of, 2 9 5
noise and, 1 5 8 - 4 5 , 1 4 5 - 4 8
n a t u r a l s e l e c t i o n a n d , 106—7, 14-2
p a r a d i g m s h i f t s a n d , 157—58 Ether,
r e p a i r s y s t e m i n , 144—47 D o p p l e r effect,
152-56
172, 2 5 5 - 5 4 , 2 7 0
E y a n s , Oliver, 240-1^2, 2 7 0
184-85
E v o l u t i o n , 2 0 , 2 9 , 106, 1+2, 1 5 + - 5 8
D o r i a n scale, 192, 2 1 0 Dorsey, Jack, 1 9 2 - 9 +
a d j a c e n t p o s s i b l e in, 5 2 , 1 4 2 , 1 4 7
D o u b l e - e n t r y a c c o u n t i n g , 56—57, 2 2 8 , 2 5 1
Darwin's tbeor>-of, 7 8 - 8 0 , 1 7 1 - 7 2 , 269
D r a i s , Kari von, 268
of facial expressions, 116
D r e a m s , 1 0 0 - 1 0 5 , 105, 109, 1 1 6 - 1 7 , 125,
m u t a t i o n in, 54, 1 + 2 - 4 5
156, 2 7 5 Drosophila
melanogaster,
see also N a t u r a l 282
selection
E x a p t a t i o n , 1 5 1 - 7 + , 192, 2 5 2 , 2 4 +
D u c h a m p , Marcel, 165
in coffeehouse model,
Dujardin, Edouard, 158-^9
in evolutionary theory,
D u n b a r , Kevin, 5 9 - 6 2 , 158
i n s u b c u l t u r e s , 160—65
DuPont Corporation, 286
165-70 155—57, 1 7 1 - 7 2
i n s h a r e d m e d i a , 165—65
D V D players, 14
Exposition Uniyerselle (Paris, 1855), 57
D y l a n , B o b , 165, 191
Eyeglasses bifocal, 2 6 5
E a r t h q u a k e s , 276, 281
concave lens, 251
E c c l e s , J o h n C a r e w , 101 Edison, T h o m a s Alva, 251, 276, 278
E^bricius, Johannes a n d David, 257
Einstein, Albert, 59, 219, 281, 2 8 +
P^cobook,
EKG, 278
Fahrenheit, Daniel Gabriel, 265
Electrical batteries, 54, 152, 267, 2 8 5
P^lcon, J e a n , 2 6 8
Electric motors, 269, 277
P o l l i n g b o d i e s , l a w of, 2 5 8
Electroencephalogram ( E E G ) , 10+
EVaday, Michael, 269
E l e c t r o m a g n e t i c s p e c t r u m , 151—52, 1 5 +
P^rnsworth, Philo, 285
Electrons, 279, 285
Federal Bureau of Investigation (FBI),
Elizabeth I, Queen of England, 255
126-27
A u t o m a t e d C a s e S u p p o r t system, 69, 76,
Elliptical orbits, 256 BrUaiinica,
195,196
6 9 - 7 4 , 9+,
Elevators, 272
Encyclopaedia
118,
91,92,95, 122-25
127
Gounterterrorism, 72
Ì1S
NDEX
Radical Fundamentalist Unit ( R F U ) , 71, 72, 9 2 , Federal
v i t i c u l t u r e in, 152, 135, 167
127
in World War 1,7
Communications Commission (FCC),
i2n,
Germ
theory, 2 7 4
Getting, Ivan, 290
B
Ferdinand III, Holy R o m a n Emperor, 259
Gilbert, William, 255
Fermi, Enrico, 287
Ginsburg, Charles Paulson. 289
Ferraris, Galileo, 277
G l a d w e l l , M a l c o l m , 6 2 , 76,
Ferro, S c i p i o n e del, 2 5 5
Global Positioning System ( G P S ) ,
Fick, Adolf E u g e n , 278
167
186-87, 207, 209, 290
Finley, J a m e s , 267
Global warming,
Fiore, Antonio, 2 5 5
G o d d a r d , R o b e r t H., 284
Firearms, 256, 270, 275
Godfrey, T h o m a s , 265
Fischer, Q a u d e ,
G o e t h e , J o h a n n Wolfgang von, 56
160-62, 200
122, 2 9 5
Fisher, Alva John, 282
Golgi. Camillo, 282
Fitch, John, 266
Goodyear, Charles, 271
FitzRoy, Vice A d m i r a l J a m e s , 5, 177, 181
G o o g l e , I7n, 9 1 , 9 5 - 9 5 ,
Flaubert, GusUve,
Fleming, Alexander,
154, 2 8 5
Alerts, 208
Flemming,
276
Books,
Fletcher,
William,
115,
1 2 1 - 2 5 , 127,
128, 158, 196, 2 0 0 , 2 0 9 , 2 4 5
191
Walther,
14,
280
114
Gmail, 95
Flintlock firing m e c h a n i s m , 256, 270
I n n o v a t i o n T i m e Off,
F l u s h toilets, 2 5 5
M a p s , 194
95—94
Flying shuttle, 265
News,
Ford Motor Company, 285
Search Products and User Experience, 94
94—95
Forensics, D N A , 295
G o r e , Al,
Foursquare, 207
G o u l d , S t e v e n J a y , 2 9 , 126, 1 5 5 - 5 4 . 156.
Ì2n,
192
259
F r a n c e , m e d i c a l e s t a b l i s h m e n t in, 25—26 F r a n k l i n , B e n j a m i n , 148, 172, 2 2 8 , 264, 2 6 5
G r a n d Alliance,
Franklin, Rosalind,
G r a n o v e t t e r , M a r k , 167
168
G r a p h i c a l u s e r i n t e r f e c e ( G U I ) , 15—16, 1 6 0 ,
Frasca, David, 71. 7 2 , 9 1
291
F r a u n h o f e r , J o s e p h von, 2 6 8 F r e u d , S i g m u n d , 1 0 1 - 2 , 109, 162, 188
Gravity, 262, 284
F u c h s i a n functions,
Gray, Elisha, 275
Fulton,
12n
110—11
G r e a t Barrier Reef, 205, 2 0 5
Robert, 2 6 5 - 6 6
Greatbatch, Wilson, GABA,
155-56
G r e e k s , ancient, 151, 192
101
m y t h o l o g y of, 1 0 5 , 1 6 0
G a l a p a g o s Islands, 82, 85 Galileo Galilei, 226, 254. 255-60, 265, 266
G r e e n X c h a n g e , 125, 126, 158
Galvani, Luigi, 267
G r u b e r , H o w a r d , 7 9 - 8 1 , 172
G a m m a ray bursts, 294
G u e r i c k e , Otto von, 259
G a t e s , Bill,
Guier, William,
112-15
Gunter, Edmund, 258
Gatling gun, 275 G e n e r a l Electric,
154
Gutenberg, Johannes, 1 5 2 - 5 5 , 167-68, 218,
Geological uniformitarian ism, 269 Geometry,
185-88, 209, 290
220, 221, 226, 251
111,258
Guthrie, Samuel, 270
Gerhardt, Charles, 272 Germany
Hadley, John, 265
t e c h n o l o g y c o m p a n i e s in, 2 8 6
Halley, E d m u n d , 2 6 2
319
NDEX
Hancock, Thomas, 271
H u r l e y C h a d , 14, 16, 5 9 , 189, 1 9 7
Hanjour, Hani, 70
H u x l e y T H.,
Hargfeaves, James, 254
Huygens, Christian, 259
79
Harrington, John, 255 Harriot, Thomas, 257
I B M , 125, 189
Harrison, Thomas, 264
Incubators, 25-29, +2, 276
H a r v a r d University, 254, 288
India, 70
Harvey, William, 257
social n e t w o r k i n g sites in, 95
H a y e k , Friedrich von, 217
Indian Ocean tsunami (2004), 27
H e g e l i a n dialectics, 257
Induction motors, 277
Heisenberg, Werner, 2 8 4
Industrial Revolution, 250, 25+, 265
Helicopters, 284
Infant morUlity, 2 5 - 2 7
H e l i o c e n t r i c theory, 252—55
I n f o r m a t i o n spillover, 55, 58, 65, 162, 2 5 5 , 2+2
H e n l e i n , Peter, 2 5 2 Heredity, 275, 282
Ingenhousz, Jan, 265
H e r s c h e l , W i l l i a m and C a r o l i n e , 2 6 6
''Intelligent design,"
Hertz, Heinrich Rudolf, 151-52, 279
I n t e r n e t , 18, 1 1 9 , 1 8 9 , 2 1 7 , 2 2 1 , 2 4 4 , 2 9 1
155
H e s s , Victor, 2 8 5
c o m m e r c i a l v a l u e of, 1 8 7
Hewish,
filters on, 120
Antony, 290
Hewlett-Packard, 200 High-definition television ( H D T V ) ,
g e n e r a t i v e p l a t f o r m of, 2 4 5 12-16,
o p e n a r c h i t e c t u r e of, 2 2 0 n
190
start-ups on, 200
Highs, Thomas, 26+
t r a n s m i s s i o n costs of idea s h a r m g on,
High-Z Supernova team, 29+
255
see also
Hippocrates, 272
World Wide Web
H o m e b r e w C o m p u t e r C l u b , 165, 188
IQ s c o r e s , 104—5
H l N l virus, 5 5
I r a n , p o l i t i c a l p r o t e s t s in, 1 9 2
Hooke, Robert, 228, 2 5 9 - 6 2
I R C m e s s a g i n g platform, 195
Hooker, Joseph, 50
Islam, 57, 2 5 1 , 2 5 5
Hopps, John, 288 Hormones,
f u n d a m e n t a l i s t , 70, 7+, 91
281,289
I t a l y R e n a i s s a n c e , 54, 5 6 - 5 8 , 228, 2 5 1 , 255
H o t air balloons, 266 Hounsfield, Godfrey 291
Ive, J o n a t h a n , 169, 170
Howard, Ron, 41 H o w e , Elias, 271
Jacob, Francois, 29
H T M I ^ 158, 189
Jacobs, J a n e , 11, 161-62, 199-200
HTTP,
Jacquard, Joseph-Marie,
189,209
157, 2 6 8
Hubble. Edwin, 285
J a m e s , W i l l i a m , 1 0 5 - 6 , 158
Hughes, John, 292
Janssen, Zacharias and Hans, 255
H u n c h e s , 6 9 - 9 5 , 99, 101, 102, 2 + 6
Japan,
A P L p l a t f o r m and, 185, 188
286
e a r t h q u a k e s in, 2 7 6
Dar\YÌn's, +, 5 0 , 7 8 - 8 7 , 177
H D T V in,
Ì2n
instant, 7 6 - 7 7
Javascript,
about 9 / 1 ] terrorists, 6 9 - 7 6
Jefferson, T h o m a s , 228, 2 + 0 - 4 2
s e r e n d i p i t y and, 109, 111, 1 1 5 - 1 5 , 1 2 5 - 2 + ,
Jeffreys, Alex, 2 9 5
126-28, 2+4
189
Jenner, Edward, 266
slow, 77, 7 8 , 8 1 , 8 5 , 8 9 - 9 + , 105, 115,
J e t e n g i n e s , 285—86
152-56,204-5,252
Jevons, W i l l i a m Stanley, 1 5 6 - 5 7
320
INDEX
J o b s , S t e v e , 169, 170, 2 9 2
Lessìg, 1 jwrenot?, 256, 2+2
J o h n s H o p k i n s Univoraity, 291
L i b b y , W i l l a r d , 2H8
Applied Physics Laboratory,
185-85,
L i e b i g , J u s t u s vou, 2 7 0
187-88
L i f e , o r i g i n s of, 2 9 - 5 2 , 4 9 - 5 2
Johnson, George, 9
simulation
J o n e s . Clive. 182
of,
49,289
Light
Jones, Greg, 74
s p e c t r u m of. 260, 268
Joyce, J a m e s , 59, 159, I 9 l
s p e e d of,
J u p i t e r , m o o n s of, 2 5 6
260-61,
281
Lighibulhs,251,276 L i g h t n i n g rods, 2 6 4
K a r i m , J a w e d , 14, 16, 5 9 . IH9. 1 9 7
L i l i e n t h a l , t)tto, 2 8 0
K a u f f m a n , Stuart, 5 0 - 5 1 , 52, 52, 107
L i n n a e u s , Carl, 228, 265
Kay, A l a n , 160
L i o n , A l e x a n d r e , 26
K a y John, 265
Lippershoy, Huns, 255
Keeling Islands, 5-7, 4 1 , 8 2 , 1 7 7 - 8 1 , 200,
L i q u i d networks, + 5 - 6 5 , 75, 162, 169, 2 5 2 ,
258
255,
K e k u l é von Stradonitz, Friedrich August, 105,
109-10,
246
Lithography, 267 U o y d , l-jlward.
160,275
188-89
84-85,
Kelly T . J . , 291
Locke, John,
Kelvin scale, 2 7 2
Locomotives,
Kepler, J o h a n n e s . 159, 256, 2 5 7
L o e w i . Otto,
Khosla. Vinod, 205
Logarithms, 8, 2 5 7 - 5 8
K m d l e , 114
London,
Kleiber, M a x , 7 - 1 0
100-102
165
c h o l e r a in, 1 1 4 - 1 5 ,
Koestler, Arthur, 5 8 - 5 9 , 159
172-74
Science Musi^um, 57
Kolhörster, Werner, 285
University,
K o r e a n A i r L i n e s F l i g h t 01)7, 1 8 6
168
World's F a i r { l 8 6 2 ) , 2 7 +
K o r s c h i n s k y . S., 54
Long-zoom
Kosterlitz, H a n s , 292
iiorsiu-clivc, 2 0 - 2 1
L o o m s , m e e h a n i / i i l i o n of, 5 8 , 8 5 , 1 5 7 , 2 6 5 ,
K r e b s cycle. 2 8 7
266. 278
K u h n . T h o m a s , 59, 157 Kühne, Wilhelm,
87, 228
268
Loschmidt, Joseph, 275
275
L o u i s Xni. K i n g o f T r a n c e , 2 5 6
K u n d r a , Vivek, 195, 197
L o ^ ^ l a c e , A d a , 5 8 , 59, 2 7 0 Lyell, C h a r l e s . 6, 82, 177, 179, 2 6 9
Laennec, René, 268 L a m a r c k i a n i s m , 145
Magnetism,
Landsteiner, Karl, 279
Malthus, Thomas,
L a n g t o n . Christopher, 52
Maps
Lanier, Jaron, 58 Lasers,
Google,
290
255 79-81,85, 222
194
Mercator proinllon, 254
Lavoisier, Antoine, 228, 265, 267
Marconi, Guglielmo,
Lee. William, 255
M a r i n l e R o u r g o o y s , 256
Leeuwenhoek, Antonie
Philips
M a r i o t t e , ECdm*', 260
van, 255,
260
Marius, Simon, 256
Lehrer, J o n a h , 159
Martin, Odile, 25, 26
Leibniz, Gottfried Wilhelm, 261
M a r x , Karl, 2 5 6 - 5 7
L e n o r m a n d , Louis-Sébastioti, 252
Mason, John, 86
L e o n a r d o da Vinci, 56, 226, 252, 278
Mason jars. 272
J2i
151-52. 279
NDEX
Massachusetts Institute of Technology (MIT), 27 Building 20,
M u l t i p l e s , 54—55 M u t a t i o n , 54, 1+2, 1 + 4 - + 7 , 1 5 4 - 5 6 , 2 8 2
62-65,65
Muybridge, E-adweard, 278
M a s s production, 152, 155, 250, 2 8 5 Mathematical symbols, 255
N a i r o b i ( K e n y a ) , 29, 126, 156, 259
M a u n a K e a , 178
Napier, John, 2 5 7 - 5 9
M a u r i t i u s , 177
National Science Foundation ( N S F ) , 205
Maybach, Wilhelm,
277
N a t u r a l selection, 7 9 - 8 2 , 1 0 6 - 7 , 1 + 2 - 4 5 ,
Mayer, Marissá, 94
155-56,190,
M c C l u r e , F r a n k T., 1 8 5 - 8 7 , 209 McGaffey, Ives W, 274
see also G P S
M c K e e n , W i l l i a m , 117, 118, 120 McPherson, Isaac, 2+0, 2+2 Mellotron synthesizer,
Navy, U S . , 155 Nemelh, Charlan,
164
1 5 9 - 4 2 , 147
NeoNurture, 28
Mendel, Gregor, 275
Neurotransmitters, 99, 2 8 2
Mendeleev, Dmitri, 101, 27+ Mendelian genetics,
275
Navigational devices, 57, 257, 2 6 5
190
Neutrons, 286, 287 Newcomen, Thomas, 262
Mercator projection, 2 5 4
Newlands, John, 27+
Mesopotamia, 245 Newton, Isaac, 228, 257, 258, 2 6 0 - 6 5 , 286 M e t a b o l i s m , r e l a t i o n s h i p o f s i z e to, 8—10 Michelangelo,
N e w York City,
56
165, 2 0 0 , 2 1 5 - 1 5
Police Etepartment ( N Y P D ) , 77
Microorganisms, 260
Nicholas of Cusa, 251
Microscopes, 61, 255, 260
Niepce, Joseph Nicephore, 271
Microsoft, 65,
N i k e C o r p o r a t i o n , 125, 158
112-15
Building 99, 6 5 - 6 4
Nitroglycerine,
Windows,
Nobel, Alfred, 2 5 1 , 2 7 4
16,244
W i n d o w s M e d i a Player,
14
M i c r o w a v e ovens, 287
271
N o b e l P r i z e , 101, 159, 169, 2 8 5 , 2 9 0 , 2 9 5 N o i s e , 1 0 4 - 5 , 116, 120, 2 2 2 , 2 5 2
Microwaves, 185, 185, 290
error and,
158-45, 145-48
M i l k y Way, 2 6 6
Non-Euclidian geometry,
Miller, S U n l e y L . , 49, 50, 289
Nucleotides, 52, 52. I +4. 289
Milne, John, 276
Nylon,
111
286
Milton, John, 59, 84 M i t o c h o n d r i a , 52, 2 7 8
O b a m a , B a r a c k , 195
M o l e c u l e s , f o r m u l a t i o n o f t h e o r y of, 2 6 7
Ocean tides, 257
Montgolfier, Joseph-Michel a n d J a c q u e s -
Octants, 265
Etienne,
266
Moretti, F r a n c o , 158, 2 2 2 , 2 2 4 Morgan, T h o m a s Hunt, 275, 282 M o r s e code, 152, 2 7 0 M o t i o n , l a w s of, 2 6 2 Motion picture camera, 278 Motorcycle,
Ogburn, Wilham, 55 Ogle, Richard, 167-69 Obain, H a n s von, 285 O l d e n b u r g , Ray, 162 Oldham, Richard, 281 Olszewski, Stanislav, 277
277 Oncogenes,
M o u n t Vesuvius,
292
151 Onnes, Heike Kamerlingh, 282
M o u s s a o u i , Zacarias, 7 5 - 7 6 , 9 1 , 9+, 127 M R I (magnetic resonance imaging), 292 Mueller, Robert, 71, 75 Muller,
Oral contraceptives, 25+, 2 8 1 , 2 8 8 - 8 9 Orbits of comets, 262
RA.,278
of electron around nucleus of atom, 285
J 22
NDEX
of m a n - m a d e satellites, 183, 1 8 5 - 8 6 , 290
Platforms, 2 1 , 4 0 , 9 3 , 125, 1 7 7 - 2 1 0 , 2 3 4 city as, 2 4 5
planetary, 252, 256
emergent,
O'Reilly, T i m , 197
1 8 7 - 8 8 , 194, 196, 1 9 7 , 2 3 2 ,
234
Orkut, 93
generative,
O s b o r n . Alex, 126
open, 125, 178, 194, 1 9 8 , 2 1 0 , 2 2 1 , 235,
Otis, Elisha, 272
189, 2 4 3 - 4 4
243
Otto, Nilcolaus, 2 7 7
stacked, 189-94, 206, 209, 210
Oughtred, William, 257-58
P l i n y t h e Elder, 151
Outside.in, 208, 209
Poe, E d g a r Allan, 191
Oxford University, 84
Poincaré, Henri, 110-13, 245
O x y g e n , i s o l a t i o n of, 3 4 , 3 5 , 2 6 5
Poindexter, A d m i r a l John, 73
Ozzie, Ray, 1 1 2 - 1 3
Polaris n u c l e a r missiles, 186, 2 0 9 Portland cement, 204
P a c e m a k e r s , 136, 2 8 8
Pressure cookers, 261
P a c i o l i , L u c a , 57, 2 5 1
Prestero, Timothy, 2 7 - 2 8
P a g e , L a r r y , 158
Priestley, J o s e p h , 34, 3 5 , 7 7 - 7 8 , 86, 138, 172,
P a g e R a n k s , 158
218, 228, 264, 265
P a n A m I n t e r n a t i o n a l F l i g h t A c a d e m y , 73,
Princeton University,
139, 2 3 4
Printing press, 152-53, 221, 226, 251
74 Pangea, 283
Procter & G a m b l e , 125
P a p i n , r>enis, 2 6 1 , 2 6 2
Proust, Joseph, 267
Paracelsus, 254
Ptolemaic astronomy,
Parachutes, 252
Public B r o a d c a s t i n g S y s t e m ( P B S ) , 122
P a r a d i g m shifts, 1 3 7 - 3 8
Public E n e m y , 165
P a r i s . 163
Pulmonary respiration, 253
Maternitéde,
152
Pulsars, 290
25-26
U n i v e r s i t y of, 2 5 3
P u n c h cards, 38, 157, 2 6 8
Parkes, Alexander, 274
Pyramids, 203
Pascal, Blaise, 259 Pasteur, Louis, 2 7 4 276
Quantum mechanics, 284
Pelouze, X T , 271
Q u a r t e r - p o w e r l a w s , 8—11
Pencils, 254
Q u i c k - T i m e , 14
Pendulums, 259, 276 Penicillin.
134, 2 8 5
Radioactivity, 279
Penzias, Arno, 139,290
Radiocarbon dating, 288
Periodic table, 50, 101, 274
R a d i o s , 13, 3 5 , 1 3 2 - 3 5 , 164, 165, 2 2 4 , 2 7 9
Perkins, Jacob, 270
R A M ( r a n d o m access m e m o r y ) , 3 8
Pescara, Raúl Pateras, 284 P h o e n i x m e m o , 6 9 - 7 3 , 7 5 - 7 6 , 9 1 , 94,
R a m o n v Cajal, Santiago, 282 127
R a n g i r o a atoll, 2 0 4
Photography, 35, 135, 271
R a y t h e o n C o r p o r a t i o n , 166—67, 2 9 0
Photosynthesis,
R e a g a n , R o n a l d , 186
265
Piano, 262
Red Sea, 201
P i S h e n g 153, 167
Refrigerators, 270
Planck, Max, 284
Relativity theory, 219, 2 8 1 , 2 8 4
Plante, Gaston, 272
R E M sleep, 101, 102
P l a n t r e s p i r a t i o n , 78, 2 6 5
R e n a i s s a n c e , 54, 56, 151, 226, 228, 234,
P l a s t i c , 33, 48, 1 5 6 , 2 7 4
253
NDEX
R e p r o d u c t i v e s t r a t e g i e s , 106—8, 1 4 6 — 4 7
September 11, 2001, terrorist attacks ( 9 / 1 1 ) ,
R e s e a r c h and d e v e l o p m e n t ( R & D ) labs,
6 9 - 7 6 , 9 1 , 94, 9 5 Serendipity, 99-128,
1 2 4 - 2 5 , 127, 158, 2 5 3 Respiration
chaos and, 105-6,
156, 2 5 2 , 2 4 6 120
plant, 78, 2 6 5
in d r e a m s , 1 0 0 - 1 0 5 , 105, 109, 1 1 6 - 1 7
pulmonary, 255
h u n c h e s and, 109, 111, 1 1 5 - 1 5 ,
Restriction enzymes, 291
125-24,
126-28,244
Revolvers, 270
Web and,
117-25
Richter, Claudio, 201
Servetus, Michael, 255
Riess, A d a m , 29+
Sewing machines,
RNA,
S e x u a l r e p r o d u c t i o n , 106—8, 1 + 6 — 4 7
290-05
280
Roberts, Richard X, 2 9 2 - 9 5
SGML,
Rock, John, 288
S h a r p , P h i l i p A., 2 9 2 - 9 5
Rockets, 28+
S h i b b , R a m z i bin al-, 75
Roemer, Olaus, 2 6 0 - 6 1
Sbocklee, H a n k , 165
Roentgen, Wilhehn,
Sbockle>-, Bill, 2 8 8
279
189
R o m a n s , ancient, 151
Sholes, Christopher L
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