We Will Rock You - Full Orchestra Score

February 18, 2017 | Author: pablo | Category: N/A
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1 - Innuendo Words by Freddie Mercury, Brian May, Roger Taylor and John Deacon

     

Music by Freddie Mercury, Brian May, Roger Taylor and John Deacon Arranged by Robert Russell

q = 74 Grandioso

Flutes



7



8



9



10



11



12



13

 

 

































































        



























      

















































 

 















































































      



























   



























   



























   



























   















































































      



























   















       

       

      

                       

Trombone 1

Trombone 2

Trombone 3

Trombone 4

            

Violin 2

Viola

Violoncello

 



























   























pp

   

Drone



































Overdrive

Choir

 



























      





















Spanish

   





































fret noise

big vibrato

q = 74 Grandioso



 



 

 



 

 E





 





 





















 

 



























p



p

p

p

 p

 p

p

 

14

 







 





 













  

 

 

   

 















 





 









 



















 











 



















 









p

p

 15  

 

p



p



 

p

p

p

 p

p

p



p

p



f



fret noise



   f  



     







fret noise

Electric Guitar 3

pp



     

Electric Guitar 2



    pp

Drums

6



Trumpet 4 in Bb

Bass Guitar





Trumpet 3 in Bb

Electric Guitar 1

5



Trumpet 2 in Bb

Keyboard





Trumpet 1 in Bb

Contrabass

4



Baritone Saxophone

Violin 1

 

Tenor Saxophones

Euphonium

3



Alto Saxophones

Horns in F



      

Oboe

Bassoon

2

  





 



 













 E



 

Fmaj7/E E



  



 





Fmaj7/E





 

 





Fmaj7/E

 3  3  3 3 3  3  3  3   3  3  3 3 3                    

2

Voice

Fl.

16     

Alto Sax.

Bari. Sax.

Bsn.

Hn.



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Cb.

Kbd.

E. Gtr. 1

Bass

Dr.

     

















 





















 

  

 

 



 













  

 

 

 



 

 

















 







 



 

 

   



























  Ooh,



22

23





ooh.

























































 

 

 

 

 







 











 











mf











mf







 





   





 











 

 







 







 







 







 





 







 







 





mf













   







 









 

























 













 













 









   







 









 





















 









 











































 





 









 



























           

 





21Freddie's Voice - Track



      

   

E. Gtr. 3



 

   

E. Gtr. 2





  

Vc.





  

Vla.



 



Vln. 2





      

Tpt. 4



      

      

Tpt. 3



 

      

Tpt. 2

 



     

Tpt. 1

  



20



 

 



19

  

  

 

     

Ten. Sax.

18



 

   

Ob.

17



 











 

 





     



E





 

Fmaj7/EG#





 



 

 

 

Amaj7/G#





 



 

 

G#

Amaj7/G#G#





 3  3  3   3  3  3 3 3  3  3  3                       



  

mf





G#



mf

mf

  



















  

  





E

Distorted

Amaj7/G#



mf

 

    

mf



 



Amaj7/G# E





      3  3  3 3 3  3  3  3                         

Dm/E

   

   

   



F/E



  

  E

                               

3

Voice

Fl.

24     

Bari. Sax.

Hn.



Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Cb.

Kbd.

E. Gtr. 1

Bass

Dr.

    



3



 

29

 



 

 





 

















































































 

 

 



 

 













 













 













 







 





  











  





































    

p

p



p



p



  

 

















 











 













 





 















































  

 

 

 









   



Dm/E



p

  

  

   

 

          

  







 

Fmaj7/E

 

    

   

          

   

     

         









 

 



 E









E





 









 







 Fmaj7/E



 E









    3  3          





 



p



 

F/E

p



Fmaj7/E

G#



G#

Fmaj7/E

      

   

3







p



While there's a wind and the stars



    





   

E. Gtr. 3





  

E. Gtr. 2











28





     

 





while the waves crash in the sea andmeet the land.



  

Vc.

and the de - sert has sand,



  

Vla.







Vln. 2





      

Tbn. 1



27





      

Tpt. 4

3



      

Tpt. 3

26

        



 

      

Tpt. 2

3



 

   

Tpt. 1

3





    

Ten. Sax.

  



     

Alto Sax.

25

While the sun hangs in the sky

   

Ob.

Bsn.



   



    3 3      

     

   



      

4

Voice

30      

Vocal

Fl.

 







and the rain - bow,



  



     

          Hn.      Tpt. 1  Bsn.

     

Tpt. 2

      

Tpt. 3

32

3

    

   Oh.







Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4

 

 33     

Fred

   We'll

34



  



35





  



 

Vla.



Vc.

 

 

      

E. Gtr. 2



E. Gtr. 3





 





 





 



 





 



mf

 





 

 





   

  



 



 

 

mf



 











 









  

 

   







 

 





 



 





 



 





 

 





 

 





 













 





 















  



  

 





 



 

Amaj7/G# G#

                



 

Amaj7/G# G#

   







 



    

 

   

      

   

  



 

mf

    

mf

   

mf     

   

mf

mf          

  

















   

 

  



 













 

      



































  



 

  



 

  



 

  

 



   



 

  



  



  



  



  



C#

   







   









   

  







mf









   

 





mf



(3 chords recorded)





   

36



mf

mf

 

Yeah.





  



Yeah.

Yeah.

  



tread that fine line.

 

    



  

        Vln. 1     

  





keep on try - ing,

All

 



Euph.

Vln. 2





      

Tpt. 4

Dr.



'til the moun - tains crum - ble in - to theplain.

    

 

      

Bari. Sax.

Bass





     

Ten. Sax.

E. Gtr. 1







  

Alto Sax.

Kbd.

  

Yeah.

Ob.

Cb.

31



C#

              3 3                        

  



      

         





       



       

       



 

       

 

 





         



         

         



    

                  

  



  

 

C#

  

 

C#

  

 



 





            3           3              





        

                     3           3          

    

        

5

Voice

37          

Vocal

Fl.

          

Ob.



38



We'll keep on

   

try - ing,

       

Oh, oh,

     

 



yeah,

39

  

   



40

  

'til the end of time,









 

41









   

'til the end of time,

'til the end

 

42

of



 









oh.



 

 





 

'til the end.





































Ten. Sax.



















Bari. Sax.





























 























Hn.



  

    

 



  

Tpt. 1



  

Tpt. 2

  

Tpt. 3

  

Tpt. 4

   

Tbn. 1

   

Tbn. 2

   

Tbn. 3

   

Tbn. 4

        Vln. 1        

        Vc.      Cb.  

Vla.

E. Gtr. 1

     

       

E. Gtr. 3

Bass

Dr.





  



 

 















 









  

   









 

 









 

 









 





   

 

 



  

  

  



  



  



 

F#        

   



  

F#

E. Gtr. 2







  

       

 

 

 

 

  

 



  



    





  

               

 



   

    

  



     

     





Euph.

Vln. 2

  

   

'til the end.



44





Bsn.





 

Alto Sax.

43

time.

   

oh.

        

Oh, oh,

 



                   

  

 

  

 

  

 

                   







         

  

        

 

   

       

                   

     

                   

     

                 

   

   

   

               

   

             

         

  

        

 

   

       

 

             

         









G#

    

                  

            





G#

  

    

           

   

                             

3

3

  

 

       

    E

              

 

 



             



          3 3                        



 E

       

  

   3 3         

   



 

   

 

 

2 - Radio Ga Ga Words by Roger Taylor

Music by Roger Taylor Arranged by Robert Russell

Violin 1

Angluar and Electronic 2



3



4



Violin 2

  









Viola

  









 









   









  







 



Violoncello

Contrabass

Keyboard

Electric Guitar 3

Bass Guitar

Drums

Percussion



Synth Bass

 



        

 





q = 114

Electric Piano

   













5



 

     

  p  

        Egg Shaker                                   

     







p



p F2

  

   



 

F



  



      



p



 

 Clean



     

6

p

Angluar and Electronic

     

 



   

q = 114

     

             

     



     

     

         



7  

8





9



10



11



(Glo

Vocal

  

E. Gtr. 3

Bass

Dr.

Perc.

 





All

  

We







 

   

 

   

 

    

 

    





mf





 

mf

   





 





 







 





Gm7

   

Bb



     

   



Gm7

    

13

bal - soft.)



 





    

       

 



    

   

                                      





Bb



       

 

mf





mf

   

Gm7



 

             

 

    

 

mf Bb/F

  

Gm7

Bb





  



    

   

Gm7/F

   F

          

    

    



 

  

 



 

 

F       

   







-







Vc.





 

   We

 

Vla.

Kbd.



   

Vln. 2

Cb.





Vln. 1

 

12Track

 



      

       F

  

             

2

14     sit

Vocal



a

-

    sit

a

-

15

lone

     

   light,

   

  

     

  

   

and watch your

lone

and watch your

     p  Vln. 2    p  Vla.    Vln. 1

   p

Vc.

light,

our

our

   

E. Gtr. 3

Bass

Dr.

Perc.

-

  

  

ly

ly

friend

friend

  

throughteen - age

nights,

  

  

throughteen - age

nights,

18       

19       

       

       

and

ev

and

ev

     

- 'ry - thing

want

we

want

to

to

get

get



from



the

   







from

the

we down - load

we down - load

















































Bb

Gm7

  

Gm7

  



  

Bb

  

Gm7













    

    



    





  

                                                                      

we





   

- 'ry - thing

20

   



Gm7

     F     

on

-

     



p F

Kbd.

on

17

  





p

Cb.

16

  



  



                                                    



       

    

              

 21      Vocal

     in

in

-

-

     mf  Vln. 2    mf  Vla.         mf

Cb.

Kbd.

E. Gtr. 3

Bass

Dr.

Perc.



   



mf

mf Bb/F

        Bb        

     

22





ter - net.

  

Vln. 1

Vc.

  

No



ter - net.

          

       



   No

 

  

23

24



  

to

   



  

   

need

need

to

think,

think,

  p   p   

p



p

no need

no need

   

  

   

to

to

feel,

feel,

when on

      

 

      

laugh,

  

laugh,

it

27

-

ly

   cy

-

ber space is

real.

It

makes us

-

ly

cy

-

ber space is

real.

It

makes us

      





































Gm7

  



F





  









      



    

  

when on

26

  



   

F

25

  

p F

F

    

  

  



  

Bb



  



  





Bb







Gm7

it





                                                                                   

3

28    

29

        

makes us cry,

Vocal

  

it makes us

  

        

makes us cry,

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

Perc.





Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

Perc.

like

we

  



 

mf Bb/F



    

           

    

is

mine.

     is

mine.

       

    



   F

        36

We're lost

in

space

       

      

   

(keep it light)



  

We're lost

in

space

37         we

don't care,

         but

we

don't care,

    F

Distorted



    

but

           

Gm7/F

    

     

     

32

A

 

   



  

   

our

our

life

life

  p   p  

      



p





p

 

  





your light

        your light

  

   

on - line,

on - line,

touch

a

touch

a















   



Fm6







39

our world's

    our world's

   not there.

   not there.

40

Com- plete

   Com- plete

   con - trol

41

    you

   con - trol

are

   you

are







 













 







 

 











   

         

    

  

 



 







 

Bb







Bb





 

 



G



G



 

 

  

 

 



 

 

F







F



ny key,

the

 



    







  

    





  

the





 

  



    

   

  

Fm6

        

   

    

-

ny key,

 



    

-



F



38        

   

 

 

F



34

  



p

       

with - out

  

blue - print for

    

with - out

33



blue - print for



          

    

  

 

A

F

Bb



can fly!)



     

 



   

      

mf

Gm7

   

can fly.

 



 

(We

  

mf

  



  

can fly.

  mf   mf  

Gm7



   





   

world





   

   

we



 

world

like



 

Vocal

feel

31





 

35  

Vln. 1

it makes us

  



feel

30



   the power,

   the power,

  

our

  our

 



                                                                                                                                                                                                          

4

42   Vocal

lives

   

lives

    

are pro - grammed

    

are pro - grammed



Claps

     Vln. 2   

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

 



 

   



   

 

Bass

Dr.

Perc.

by

the hour.



  

by

the hour.

    

C

 



 

 

 



44

 

Glo





Glo

 

  mf   mf

 

mf

 

mf

  



   

     

 





 



  



C

E. Gtr. 3





Vln. 1

Vla.

43



  

mf Bb/F

-

  

bal - show.

   -

45

 

(Glo





            

     

             

  

Bb

   F





  





-



bal - show.)

 



bal - show.

F    

Bb

 

F

 

 

  

Gm7/F





                 

46

      



      

49

      

is

ra - di - o ga ga,

vi - de - o goo goo,

in - ter - net ca ca.

All

we hear

is

ra - di - o ga ga,

vi - de - o goo goo,

in - ter - net ca ca.

     

F



     

  

     

  

 



















































  

arpeggios



     

  





Chorus

48

we hear



   

      

All

   

F

47



  

Bb

F

Bb

 



   F



    

Bb

F



















 



  



 

                                                                                                      

     

5

50   

All

Vocal

    

All



Claps

Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.

  

Kbd.

E. Gtr. 1

     



       

  

 

   

56

Glo - bal - soft,





Glo - bal - soft,



57





58



 

all

your

world

loves

you!









 

all

your

world

loves

you!



 



 



 



 









 



















 



















 



















 



















































































mp













 



























 





























 











mp









 

























































































    









mp

mp



mp

mp

mp

mp



mp





















































  



      F

     

Bb

F

E. Gtr. 3















     



 



  

mp

mp

mp

F





mp

    

Bb



   

mp





Perc.



  



Dr.

55





mp



E. Gtr. 2

Bass





new?

mp





     

Al - ways some - thing

 









 

54

         Al - ways some - thing new? 

mar - ket - ing blah blah.





53

mar - ket - ing blah blah.

cy - ber - space ga ga,

 

        





Euph.



is

cy - ber - space ga ga,

52



Tpt. 3

Tbn. 4

we hear







Tbn. 3

    

     





Tpt. 2

Tbn. 2

is

51



  



Tbn. 1

we hear





Tpt. 1

Tpt. 4

     





  



  





















Eb



Bb

C

Dm





Bb





Eb

 



  



             



F

C

Csus2

C

C

Dm

 F

C





Csus2





C





















   





  



  



 



   



 Synth Bass

 





F



 F





   

     

6

59  





    

Vln. 2





Vla.









Vc.

Cb.

Kbd.

E. Gtr. 3

Bass

Dr.

Perc.



  











  



 





   

 

 

just log

  

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

Perc.

   

watch

our shows,

 

   

just log

on

   



p









 

and

     

our screens

for

hours and hours.

We

hard - ly

need

     

     

 

dreams

  

ap - pear.

  























 

mf Bb/F

 











(Glo



   

       

 

    

   

   



  



Bb

 

 



-

bal - show.)



 

F

Gm7/F



  

 



               

       



  





     

70

We're

not

  

   

 



  

  

not

a - lone,

a - lone,

  p   p   

p

we have

   

  

  

our friends,

on

on

cy

cy

-

-

     

72

  

   

de - pend.

  

   

    

ber love

ber love

we

we

can

can





















 





  



                                     

71

     











F

F



   

our friends,





  



p



we have

  

Bb

     

     



 





                                    

p

F



  



     

69

  

  

 



 













de - pend.

 

So

 

So



Fm6

Fm6

    

  



                                                                                                                                                                                             

     

F



Gm7

We're

       

  



 

    





we

Bb

  



ap - pear.

      

we



                                   

dreams

our eyes or ears,



     

68

  





mf

    

a - cross

      

our eyes or ears,





 

Gm7

 

need





mf

   

Gm7

hard - ly

   

  



  mf   mf  

 

  

We



F

67

and

     

hours and hours.

      

Gm7

   



      

  

for

p



65     

our screens

  

your stars,

 64      

a - cross

   

your stars,

63

  

  

Electric Piano F

 



we watch



 

    

62

we watch

p

  

on

our shows,

  p   p  

        

Vocal

Vln. 2

  



66       

Vln. 1



watch

We

 

   

  



61

  



We

Vocal

Vln. 1

60

 

7

73         Vocal

stick

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 2

- round

         stick

Vln. 1

a

   

a

74          'cos we'd

Bass

Dr.

- round

'cos we'd

   

 



Perc.

Vocal

    Bb   

     

  

by

the hour.

   

   the hour.



     Vln. 2   



Vln. 1

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

Perc.

we need

 

 





  

   

    

81

con - trol,

  

         our vi sual.

you

Com plete

are

the power,

  

   

con - trol,

you

are

you use

the power,







 

 













  

 

 



G





     

     



-

Glo

-

 

  mf   mf

 

mf Bb/F

  

bal show.

  

82

(Glo



            

     

              

 

F       



Bb

   F





  



Bb



  -



bal show.)

 



F



  

Gm7/F





            

   

     

F



  

our lives



  

 

 

F

 

C









     

     

     

     

F



83



    

84

All



we hear

is

ra - di -o ga ga,

All

we hear

is

ra - di -o ga ga,

     





C



                                     

           

 

     



85

    



vi - de -o goo goo,



     

vi - de -o goo goo,



 

up



 

 



                                        

     

bal show.



 

G



 

 

 

 



up

    

you use





our lives

   





    

79

   



 



Com plete

  

  

mf



need

sual.

   



 

 



our vi

78

  



Glo



gra - phics,

need

77

       



mf

 

      



our





                                       80  

gra - phics,

        



     

our

76





   

Claps

Vc.

miss you,

 

 

 

by

Vla.

all

we need



   



miss you,

       

Bb

E. Gtr. 3

all

75          

86

    

               

in - ter net ca ca.



     

in - ter net ca ca.



 

     



87



    

All



we hear

is

All

we hear

is

     

 





































































































F

  





    



                                                                                                                                                                                        

8

88     Vocal

Claps

Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

   

cy - ber - space ga ga,

   

 

 

    





   



  

    Hn. 

Tpt. 1



Tpt. 2



Tpt. 3



Tpt. 4



Tbn. 2

Tbn. 3

Tbn. 4

   

   

89

       



90

        

mar - ket - ing blah

cy - ber - space ga ga,

Bsn.

Tbn. 1



mar - ket - ing blah



 

blah.

blah.

91

         Al - ways some - thing new?      

Al - ways some - thing

 





93

     

Glo - bal -soft,





new?



92

     

Glo - bal -soft,







 



94





your

world

loves

you.





  

Loves



all

your

world

loves

you.

Loves

 



 







































































   













   























































   















   















   













   















 





















































 















   Vln. 1  





























Vln. 2

















Vla.































  















  Bb     

























Euph.

Vc.

Cb.

Kbd.

E. Gtr. 1



E. Gtr. 2



E. Gtr. 3



Bass

Dr.

Perc.

    





   

 

     F

 

  

     

Bb

F





   



Eb



Eb



                                       



Bb





C

Dm



Bb



C

Dm











   



   

 F





C

Csus2





C

 F

C

Csus2



C













   



   

     

  

  



                             

 

 

 

     

                 

 

 

 

 

 

  Bb      



(One voice)       you.

you.

 

    

                                 

   

     

 

 

 

 

 

 

Bb

            

  

97







96

all





  

  

95



 

 

  Gm7       Gm7







  F      F

fill

 

 



3 - I Want to Break Free Words by John Deacon

Music by John Deacon Arranged by Robert Russell q = 114

Voice

Keyboard

Electric Guitar 3

Galileo      2           I want to break free,  Piano                  



Bass Guitar

    



              Rattle      



Percussion

E. Gtr. 1

E. Gtr. 3

Bass

Dr.



    

   

8

Voice

Perc.

  

need





you.







G5

  

    

17



Bass

Dr.



Perc.







  

  

24

Voice

Fl.

  

Alto Sax.

  

Ten. Sax.

    

Bari. Sax.

E. Gtr. 1

        

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

Perc.

knows,

      

Ob.

Bsn.

   



   









A5

25

          free,

D5

            

  

 

  





 

in love

for

the first time, in love

    

              

knows I've fal - len in



love.

       

                 

27





























              13



knows, A5

don't

 

real! G5

       

   

       

God G5



A5







God Distorted

  

              



     



12

       



       

sa - tis - fied I



       

                 

with a world that's for



G5

self

knows I want to



G5

  

21

            



14





break

                   

              

                  

free.

15



                      I've fal - len



      

D5



  

 









love, D5

  

  

23

in



                    

22           I've fal - len in



     







yeah.

 God

                                                   





       

18          19          20         









              



G5

from your lies, you're so



                       

              





D5





                                

A5

11





I want to break free





             

10

         26  

God



6           7              





     

                 

I've fal - len

             

free,

5

  

                               love, D5

E. Gtr. 3



  

       





break



I've got to break

               

  

                                

Cowbell

9



4

              





I want to

                                 

16

Voice

 

      



D5





q = 114

Drums

Muted

3

        

D5

      



 

       

                     

                

  

It's strange

        Distorted

28

       

                  

but it's

29

true,

p

 

      

       

               

 

hey!

30

              

     

I know I'm diff - 'rent, there's so much I have to do,    

  

  

 



 

p



 









 

p



p

p

 

A





G



          

  31          

  

  

p

  



A

but I









G

              

A5



   

                       

  

G5

A5

G5



       

       

             

         

  

  



            

2

        33         

  

32

Voice

Fl.

  

have to

  



 



oh,how I have to

be



free,



 

oh



how I want



to break

 



40

free!

  



 

 

 

   

 

 

  











 





 

 













 









 















 



 

















 





 









   













   





 





















 











     









       

    

     Vln. 1  Bsn.

  

Vln. 2

Vla.

Vc.

  

E. Gtr. 2

E. Gtr. 3

Perc.







ba - by,

37 38        39                    

   

Bari. Sax.

Dr.





be free

36

 

Ten. Sax.

Bass



oh,how I want to

   

 

Alto Sax.

E. Gtr. 1



        35   

 

Ob.

Cb.

be sure when I walk out that door;

34













  







  

p

p

p





E











  







  



 

G

  



A

Bm

   A

   





    

            





E5

G5



      

  



    

  

  

A5

Bm5

       



     

  

A5

G5

   



            

 



A

Bm

A5

Bm5

       





















 



 

G

  

  A

                    

Bm5









p



Bm

  

p



    

  



G



A



            

 

  



           

D

 

G5



 D5

A5

            



A5

   

            



                        

   

 41          f         Vln. 2  f           Vla.   Vln. 1

                 42         43         44         45          46          47         48                                                                                                                                

                         

                                                                 f

Vc.

           f                  f

Cb.

Kbd.

E. Gtr. 1

Bass

Dr.

Perc.



                                                                 

                                          



 





                                                                   D5

E. Gtr. 3

                                                                                      

  







  

       

             

G5

       

              

       

              

       

              

D5

       

               

      

             

       

              

   

          

3

  

49

Voice

        Vln. 2    Vla.   Vln. 1

Kbd.

E. Gtr. 1

       



Bass

Dr.

Perc.



52



        

       

      

        

   

   

      

        

       

        

   

                                       

E. Gtr. 3

51



                  

Vc.

Cb.

50



   

              

G5

 

       







  



      





      









            

  





  



    

        





       



  





D5



  





mf





mf





  



mf

 

mf









  













               

D5







I can't get used to





      

 

      





mf

 D5

55



wrong.





             

54

This ex - ist - ence is



                   

          



D5

     



                           A5





      

   

53



       

         





  





      

          





58      

57                  

56

Voice

   



liv - in' with - out, liv - in' with - out, liv - in' with - out hope

Vln. 1

   

Vln. 2

Vc.

Cb.

E. Gtr. 1



Bass

Dr.

Perc.





 







 



 







  







  

  



 



  







  

 





  

 

   



I don't wan - na live a - lone,







  





  

61





  







 





   







      60 





  

E. Gtr. 3



lie.

59



 

Vla.

It's all a





  



but

 God

 





knows

   

 

62



A5



                                                G5



        

              





D5

       

              





       

              





A5

       

              





       

              





      

           



4

  

63

Voice

Fl.

  

Bari. Sax.



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Perc.



to break





 

72



free.



 









































   



























































































































   

































































































































 



 





 







 

















G5























 

  



 



D5

    

         

God knows I want

71





E. Gtr. 3

God knows I need to,

  





E. Gtr. 2

Dr.





Vc.

Bass



God knows I've got to,

70



  

Vla.

E. Gtr. 1



        68         69       





Vln. 2

Cb.



67



   

Tpt. 4

So peo- ple can't you see,

 



   

Tpt. 3

66         



   

Tpt. 2

65



  

Tpt. 1

own.





  

Ten. Sax.

Hn.



   

Alto Sax.

      64     got - ta make it on my

  

Ob.

Bsn.













G5



  

  

A5

 





G5

                                                                                                                 

G5



D5

  





A5

  



  





  





   

 

 

 





 

 











 

           

    







  

 



 

D5

 





 







D5



 

  

 



fill



    



   

73

  



rfz

    

rfz

 

rfz

rfz

  rfz   rfz     

rfz

rfz

 

rfz

 

rfz

   

rfz

 

rfz

rfz

 

rfz

   

rfz

 

rfz

rfz

  0 3

  

rfz

0 2

 

rfz

 

rfz

rfz Bbmaj7(b5)

 

Bbmaj7(b5)

    

 

5

  

74

Voice

Fl.

     

Ob.



  

   

Tpt. 1

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4





























































 

   





 



 

fp

 

    





 











 



fp



               



     



































































 

   ppp  

 

 

ppp Bbmaj7(b5)



78

ppp

 











Scaramouche

              

















   







  





81



       I want to





82



  

break

free,







































































































































        mf          mf           







 

         

free,









 



      











80









 





            I want to break  

                    

 

 

79





       









ppp



        



ppp











 











fp

fp



   



fp



  

E. Gtr. 3



 

  

  

E. Gtr. 2

Perc.





  

Vc.

Dr.





  

Vla.

Bass







Vln. 2

E. Gtr. 1



      

Tpt. 4

Kbd.



    

Tpt. 3

Cb.





77

 

    

Tpt. 2

Vln. 1



76



     

Bari. Sax.

Euph.



    

Ten. Sax.

Hn.

75

      

Alto Sax.

Bsn.

 



   



        

       

        

       

               

       

mf

        

               

mf

                      

mf

                          

























             

      

 

 



Eb5







       

           

    

           





  

        

6

   

83

Voice

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 3

Bass

Dr.

Perc.

                        

          

  

       I want

to

84



      

break free

from your lies,

85

  

you're so

self

     

sa - tis - fied

I

86

don't



 

     you.        

need







     

 

     

     

 

     

 

     

 

     

 

     

 

     

 

 

   

 

     

     

 

 

   

 

     

     

     

 

     

 

           

                 

   



      

           



 

 

 

     

 

     

   

           

 

   

Ab5

  

          I've got to break free,                       88



     

                                   

87

      

        

   



  





  



      

           



   



       

        

   

   

     

            

 

     

 

     

     

 

 

                 

   

                     Eb5

 

   



  

     

  





 

     



      

           





      

        

   

  





   

       

   God knows, God                      Vln. 1                 89

Voice

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 3

Bass

Dr.

Perc.

  



     

                   

          



90

91



                                        

                       



     

knows I want to

break







   

94



95

poco rall.

















96

 



     



pp













 

        



     

pp







 

               

            

       

          

             







                               

      



       



  



 

pp





 

 





  









poco rall.

     





 

 

pp

       



free.



     



Ab5





93



Bb5

  





pp

     

                                 

92



 





4 - Somebody to Love Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

Scaramouche 3 4 5  6       2          a - ny bo - dy        love?  Can find me   some - bo - dy to

q. = 72

Freely

Voice

Vocal

Keyboard

Electric Guitar 2

Bass Guitar

Drums





  



  Piano      

          





 A E7/G#F#mD

 D/E

              



 D

      

                   A/C#E7





























Freely



  

7



8



  



9 10 12 11                   can'tbare - ly stand on my feet. Each morn ing I get up I die a lit tle,





E7

            E   

Distorted D                        q. = 72          

A

E7/G#

F#m7

 

 

 

         

     

     



A



E7

light arpeggios

           



F#m



   

 A

B7



              



B7

Take a

Teen Queens edgy and bitchy

           Take a look at your E

                       A

  



    

E

             

  

     

     

2

Voice

Vocal

Fl.

13   

  

           self in the mir ror and

  

Ob.

     

Alto Sax.

    

Ten. Sax.

     

Bari. Sax.

Bsn.



14

           look in the mir ror and cry,





  Hn. 

   

Tpt. 1

   

Tpt. 2

    

Tpt. 3

   

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Cb.

Kbd.

E. Gtr. 2

Bass

Dr.





      

Lordwhatyou'redo in'to

  

me.

cry,

18

19

I havespent all myyears in be - liev-ing you,



        yeah, yeah.



                      17

  Ooh,

 

butI just can't get no re - lief,

      

be - liev-ing you.



20

   Ooh,

  

ooh,

Lord.

  



Some bo dy,

22



ooh,

  



some bo dy.

































































































































































































































































































































































 





































































 



   

       

A

E7/G#

       



A



 



E7

         

F#m7

B7

                     

F#m7





B7



               

E A B7                                     

 E

       





A

               



B7

   

E

   

 E

           

                E

 

 E

chords

                         

B7/D#

  



B7

 

E

D

       

  E

     a - ny -bo - dy

Lord.





Can

    some bo dy, a -







23



    Some bo dy,

   

ooh,

21



  

Vc.

16





  

Vla.







Vln. 2

15

D

  

A

     ny -bo - dy,

mp





mp









mp

 



mp





mp





mp

 



mp





mp





mp





mp





mp





mp





mp





mp





mp



 

   mp 



mp

   mp  



mp

  

 

mp

mp



A

E7/G#

   

                                      

                                                                

   

   

3

Voice

Vocal

Fl.

24   



     

Ob.





find

me

  

  

  





  

find

me.





     





      

Alto Sax.

Ten. Sax.

        Bsn.     Hn.      Tpt. 1     Tpt. 2    Tpt. 3     Tpt. 4      Tbn. 1    Tbn. 2    Tbn. 3     Tbn. 4      Euph. 







Bari. Sax.

Vln. 1

     

Vln. 2

 

Vla.



Vc.

Cb.

Kbd.

E. Gtr. 1





Dr.

   

     

E. Gtr. 2

Bass





 

25

          







 





 F#m7

D

         







          



28



29



30



Iwork









             

31

32

  

 ev 'ry

hard

33

day ofmy life,

        



      

34

35

I work till I ache my bones.





At the end



Sheworks hard?

             At the end of the





























































































































































































































































  























  























  























  



















































































        



        



              

  

                         

D/E

     

     

D/E





27







26

         some bo dy to love?

 

      

A

A/G#

F#m7

D

E7

                                  







 













     



A











 

 



 











 













E7/G#

F#m7

A



Overdrive

 B7

    

         



  

A E/G#                             E

                                       









A

E7

light arpeggios





F#m7

                                                                                    





A







B7

         





E

A

              







E7

          

4

Voice

36  



38 37           I take home my bro - ken heart all

Vocal

Fl.





  

day,

     

Ob.

     

Alto Sax.

   

Ten. Sax.

    

Bari. Sax.

      Hn. 

Bsn.

    

Tpt. 1

    

Tpt. 2

    

Tpt. 3

   

Tpt. 4



Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4

Euph.

Vln. 1

        

Vln. 2

 

Vla.



Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.







   

     

    



home,

40

I go down on my knees and I start to

     

goes home on her own.



   



Down,

knees,

          41

           

pray

42

'til thetears run down from my eyes,

           praise the Lord!

 

Ooh,

  

ooh,

 

ooh,



Lord.

 

43

  



Some - bo - dy,



44



ooh,

45

           some - bo - dy. Can a - ny bo - dy

       

Lord.

Some - bo - dy,

 

please























































































































































































































































































































 





  F#m7

B7

             

 

  

B7

                



     



 

 

 



own.

39





F#m7

   

    

goes

on my



 



          

E7

    

 E

  

              

A



 















 

E

B7/D#

 

B7

E



                                  



B7









 

                     

A



 

          

E

             



     

   

       

 E

 



chords



    



B7

 

 

 

   

               E

D

        





E

D





             

A





      a - ny - bo - dy

  



 











 



























  



 

         

 

A

E7/G#

   

 



            

                                     





                          







 

 

       

5

Voice

46  

  

find

Vocal

Fl.





     

Ob.

    

Vla.



Vc.

Cb.

Kbd.

E. Gtr. 2





Dr.

   

     

E. Gtr. 3

Bass





 

some

    

  

           

         





 F#m7

D

           



 

         

49

-



  

        Bsn.     Hn.      Tpt. 1     Tpt. 2    Tpt. 3     Tpt. 4      Tbn. 1    Tbn. 2    Tbn. 3     Tbn. 4      Euph. 

Vln. 2

48

  

me.

Bari. Sax.

  

         

     

find

      

Ten. Sax.



me

        

Alto Sax.

Vln. 1

47

love?



  51        







53

Ev - 'ry day

   

  

       

   

           

  

54

    

I

          ev -'ry day.

55

try,

Try,

I try,

I try,

I

I

56

try,

but ev

try.

57

-

       

'ry - bo - dy wants to put me down. They



  

Ooh.























































































 









 









































































































 









 









 









 

































































































              

                                    



        

                                 

  A

       

D/E





    

D/E

52

She works hard,

              

              

bo - dy to

50

      









D

 

   

     

    

A

 





 



 

                                               

D

      



                             



 



         



 



         



 



 

 

         



 



         

   

     

   

                    







 



 

D

      

Clean A

          

  

A7

    

  



 



   

          D7

 

     

         

 



                    





D7

      D7

         

         

   



    

 

    

 

         

           

   



   

     G

 

          

   





G

  

G

 



       



          



   

     

                                 

 

 

 

 

  

    

6

Voice

58  

59           



say

Vocal





E. Gtr. 3

Bass



Dr.

Voice

 

                                                 

E. Gtr. 2

Bass

Dr.





   





   





   





   



    

   



   



   





Gm

        



  

 



 









  





             E5



feel,

 

 

         

I



   

got no rhy - thm,

             

I'll

                   

       

 



     



I got no - bo - dy left to be - lieve in.

     



 

 

   

A

  

 

          



 B7

    

 





yeah, yeah.



 





 

        



 





 



 

                                                                





        



E

       

    



        

          

A/E

E A/E

E A/E

E A/E

 

E

         





     E

A

E A

E

A

E A

E



           



 





 

 

       

  

A

A

             

She's al - right, she's al - right,

     



E

E A

E

A

E A

E

 

                                                              73     74      75       76      77                           I'm o - kay, I'm al - right. No I ain't gon - na face no de - feat, I just got ta get out of this

 

                                

   

 





yeah,

  







Yeah,

  





E7



        

          





 

             72       





 

            

 



F#m7







E7/G#







67

yeah!

no - bo - dy left to be - lieve.

She'll just keep los - ing and los - ing.







 



Ya - yee

66

        



 

65    

 

 



64



 

B7

63

She's got

just keep los - ing my beat.



A



   

     

B7

          

  

   

          

                        

  

   

                      



I got no com - mon sense,

B7

     



   

                               69 70 71 68                    

Vc.

E. Gtr. 1







Vla.

Kbd.

         



Gm

  Vln. 1   Vln. 2 

Cb.

     

62

     

  

Ah.

         

Gotno

Vocal

   

         

         

     

they say I got a lot of wa - ter in mybrain.

         

Gm





 

     

  

61

cra - zy,

Ooh.

       Bsn.      Tbn. 1     Tbn. 2     Tbn. 3     Tbn. 4      Vc.     Cb.  

E. Gtr. 2

go - in'

    

Bari. Sax.

Kbd.

I'm

           

60







 











E7/G#

F#m7

     yeah.







E7



F#m7



 

B7



B7

                                        light arpeggios















                                               A

  



E7

                   E

       

    Ooh,        

     B7

             

A

                        

this



  A

 





B7

      

7

Voice

78       pri - son cell.

          pri - son cell.

Vocal

 Vln. 1

   

Vla.

E. Gtr. 2

Bass

Dr.





E     

     

 

Some day I'm gon - na be free



     

          

 

     



Lord!

 

 

               

D E B7/D# E                                   



E

B7



 

81

Lord!

              

  E         

80

Some day I'm gon - na be free

 

Vc.

Kbd.

79

      

Vln. 2

Cb.



        



               

    E

D

   

                                

82





 

83

 

84



85



86



           

Find me some - bo - dy to love,

find

87

  Oh

       88



find

me, find me,

          

me some - bo - dy to

love,

find

                                    find Find me some - bo - dy to love, find me some - bo - dy to love, find me some - bo - dy to love,

89

90

   find,

    

ooh.

         

me (me) some - bo dy to love,



me



    

find

          

some - bo dy to love,



find

    

me (me)some



me



 

some





















































































































































   

          









     

             

             

   

8

Voice

91  

   

92



93



94





95



96





 97  Can

    Fl.



     

Ob.

Kbd.

E. Gtr. 2

Bass

Dr.





























































































































































































































  







   







Vc.





 

 









 





        

dy



  



-



  



  



 

 

ny - bo







-





Vla.



    find



A





Vln. 2



                 

some bo - dy, find mesome - bo - dy to love.

dy





Tbn. 4



-





Tbn. 3

  

some bo - dy,



ny - bo



    

Tbn. 2



 

-



    

Tbn. 1



  

some bo - dy,

 

   

A



    

Tpt. 4



Some bo - dy,

me some bo - dy, find mesome - bo - dy to love.



    

Tpt. 3

love.

find

me

  



      Hn. 

Tpt. 2

to

some bo - dy,

find





Bsn.

Tpt. 1

bo - dy

Some bo - dy,

              

 

dy

98

ny - bo



    

Bari. Sax.

Cb.

     

love.

 





-

  

-



    

Ten. Sax.

Vln. 1

   

to

    

a



    

Alto Sax.

Euph.

    

bo - dy

Vocal

    

   



  



     

   

         

 

find

 

           

me.

me.

             

         

 

A

E7/G#

F#m7

D

























    

                                                                                









                                                                         







99

some

  

                  

    

          

  



  



  



  



         



     

D/E

          

     

D/E

        

 

                                                                    

9

Voice

100  

     bo - dy to

   Vocal





  

    Fl.      Ob.          Alto Sax.                

Ten. Sax.

Bari. Sax.

Bsn.



   

 

    Hn.           

Tpt. 1

Tpt. 2

        

Tpt. 3

Tpt. 4



Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4

Euph.

    Vln. 2   

Vla.



Vc.

Kbd.

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

             

     

Vln. 1

Cb.

 







   

      

 

                 

 

 





102 103                      



101

104

love?

 

 



105



Some - bo

 

































































































































































       



-



106



dy,

 

107          

some - bo - dy

to

love.

 

 

   

Ooh,

ooh,

to

Ooh,

 



ooh,

 

to

  love.









 





 





f



f

 









f

f



f

f

 

f



f

f



f

 

f



f



f



f



f

f

 

f



f



f



f

f D

     

D



D

       

         

 

         









   

   

love.

 

108

 

 

 

   

 



   

C#m

Bm7

A

        



Bm7

       

 





    

C#m

 





    



 

         



A



 

     

Bm7

C#m

    

    

 

A

        fill

   

                          

5 - Killer Queen Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

      q = 112

Voice

Finger Clicks

Keyboard

Electric Guitar 1



    



        

    

Drums

       9

Voice

   Vocal

Kbd.

E. Gtr. 1



Bass



Kbd.

E. Gtr. 2

Cm







































3 3 3                           

10

11

for Krus chev

and Ken ne -dy,



at

Ooh,

you can't de

 









13

a ny time an in - vi -ta -tion

 



(harmonies sung both on and off-stage)

12







-

 

17               

Bbm6/Db

 

   



  

Abm

 

        







Queen,

   Queen,

Kil ler

Bb

Queen,

Dm

 

 



   

Bbm6

Eb/Bb

18

 

  3       

gun pow - der,ge -la -tine,

  3        

gun pow - der,ge -la -tine,

Ab/Bb

Bb7

Abm

 

 

19

3

 

 

3

  

 

20



      

 

3

3

21

dy na mite with a 3 3

la -ser beam, 'n'

         

dy na mite with a

3

la -ser beam,

3

 

Ba,

 

ba,



 

ba,



 

 

3 la -ser beam,

Ba,

ba,

ba,

ba,

Gm

Gm

A

G7

F/A

G7/B

C

Dm







Bb

Dm

Gm

Dm

Gm

A

Dm

G7

F

 

C

 

 

 

 

22

Eb



3

  

 

 

      

 

 

3

3

3

3

3



     

Gm

F

 

  

 

3

3



      



       

3

re com - mend ed at the price, in - sa -tia - ble in ap -pe tite.

A

Dm

G7

C

                                      

  3

  

A

   

   

F

          

23

3

       

Bb

      

Gm

 

         re com - mend ed at the price, in - sa -tia - ble in ap -pe tite.

Bb

  

C

 

She'sa

re com - mend ed at the price, in - sa -tia - ble in ap -pe tite.

3

        





D7

a -3ny time! Ooh,

 

3

                    Eb

      

  

   

    

D7

Ooh,

a -ny time! Ooh,





3  

3 3 versed in e - ti -quette. Ex - tr'or di na -ri ly nice! She'sa

       

Bb





    

 

 

     



Distorted C

G7

16



versed in e - ti -quette. Ex - tr'or di na -ri ly nice! She'sa

Bb7

     

ba,

3 3 dy na mite with a





gua ran teed to blow your mind.

3                                                                                                



well

    

Bb7

Cm

 

                    

3 gun pow - der,ge -la -tine,

Dm



 3

               





     

15



G7







   



Eb

 

                               3                

Eb

       

       





Cm



Bb7

Clean Jangle



3

G7

3

3



3

3

          

  



3



   



   

    

Ab

 

                 

Ca -vi - ar and ci gar ettes,

                                                    Bass                                Dr.                 

E. Gtr. 3

Overdrive

Ca -vi - ar and ci gar ettes,







    3  



Cm

well

Ab

    

Gm

Kil ler

   

14

cline.

        Ab Bb7                                                                  



             



Gm/D

        





Bb7

Ooh,

Eb

Kil ler

Vocal



                        

Bb7

                                                                                    

Dr.

Voice

  

Cm

8

                   "Let them eat cake," she says, "Find me on the in - ter -net." (A)

in her pret - ty ca - bi - net.





Eb

E. Gtr. 3



7

     



a re me -dy

  

   

6

            She keeps a Mo - ët et Chan - don



3



Super Yuppies 5





        

built in

4



                         

Bb7

Swing 8ths



3

    

Cm

q = 112



2



                         Piano + Harpsichord  

Electric Guitar 3

Bass Guitar

Swing 8ths

 





                     

 

Dm

 

G7

 

 

C

 

 

 

2

Voice

24       

Vocal

Kbd.

E. Gtr. 1

25



 

   

 

3

   

Wan - na try?

Bb

F

                   

Bass

Dr.

  

   

 



    



30 Killer Queen



31

32

                       I To a - void com - pli - ca - tions I ne - ver keep the same ad - dress. In con - ver - sa - tion





























                     F

   





Overdrive





    

 

 

  

 

 



3



    

 

 

 



Bb

   

3



        

29





Bb/F Eb/F

C Bb

E. Gtr. 3

28





                  

C Bb

E. Gtr. 2

27



Wan3- na try?

   



26







 

Eb/C

     

        

 

3

 

     

Bb7               

 

  



                   

   Cm              

           



















  





Cm



     

  





      

Eb/F

 

 



 







Voice

3 33   3 3          

34

e - mail like a Ba -ron - ess.

   

E. Gtr. 1

E. Gtr. 3

Bass

Dr.

35























 

    

   

  Eb           

3

  





3

         3



    



a kil - ler,

3

     3

a

  

   

     

Bbm6/Db

  

    

a

     

Ab

   

   

kil - ler,

she's a



kil - ler,

            

Eb/Bb

 

Kil - ler

Kil - ler

  



 

  



Gm



 

  

  

Bbm6

  

  

Ab

  

  

Abm

  

  

Bb7

     

              

     

   

    

  



Eb

  

  

Ab

    





   Bb7



  

 

      

 



G7





    



3 Vir-tual - ly.

Cm

              

 



3

  

Vir-tual - ly.

Queen.

Ab/Bb

40

          for cars I could-n't care less. Fes

Per-fume came vir-tual - ly from Pa - ris,

 

Queen.

      

she's a

Abm

 

      

39              

38

that way in - clined.

                               

Eb

    

     

Gm/D



            

 

a kil - ler,

Eb

  

37

             

Ooh,

Bb7             



36

Met a man from Chi- na, wentdown to Gei-sha Mi - nor, but then a -gain in -ci - dent -'ly if you're

Ooh,

Vocal

Kbd.

3 3                               

Bb7

Eb

                    





                                

G7

Cm

Bb7

Eb

3

 

 

 

 

 

 

 

 

3

Voice

41   

42

 ti-di -ous  and  pre  - cise, 

     Vocal

Kbd.

E. Gtr. 1

E. Gtr. 2

E. Gtr. 3

Bass



Dr.

               



 

 

E. Gtr. 1

E. Gtr. 2

E. Gtr. 3

Bass

   

Kbd.

E. Gtr. 1

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

F

Bb

Queen,

Dm

gun - pow - der, ge - la -tine,

  3         gun - pow - der, ge - la -tine,

3

 

3

  

3

3

45

          3

dy - na - mite with a 3 3

la - ser beam,

dy - na - mite with a

la - ser beam,

3

 

           3

 

Ba,

ba,



 

 

3 3 dy - na - mite with a

3 la - ser beam,

Ba,

ba,

Gm

Gm

A

G7

F/A G7/B





Dm







ba,

 



3 a - ny - time!

ba,

C

Bb

 

Bb

  

Dm

Gm

Dm

Gm

  51Cm    52Bb7  Eb                          3                                 3 3   3

A

Dm

G7

F

54   53                                        Eb

3

Gm/D

F

Bbm6/Db

G7

     

55Abm



Bb

C

Bb

       

 

Eb/Bb

56 Ab/Bb

     











 

 

59    



3



 of  a Drop

60

61

3

 hat

 

     

3

62

3









Abm

       

3

G7





Cm



                    Distorted



   



   







 

3

Cm

 

 

G7

 

Cm













 

3

ooh.

Eb



Cm

 

 

Bb7

Bb7

 

 









  

da,

     



3

 

Bb7

 

 

 

3

     

Bb7

             

    



ab - so - lute - ly drive

you

 

 

 Eb

Bb7

         

Eb

D7





drive

you

drive



you

Gm

F



             

                                3  

Eb/Bb 58

da,

Eb



                    

Da,

64



                                        

 G7

  



     

 

Bb7

 

Da,







  

   





                                              

3

ooh.

Bb7

 

        

   



 

  

Ab

63

3



                    

  

               

G7

Eb

   

Ooh,

                    



Ab

 



                         ac - tion, tem      play - ful as a pus - sy cat. Then mo - men - ta - ri - ly out of - po - ra - ri - ly out of gas to

I'm as will - ing, as



Bbm6

       

Ooh,

  

Gm



57 Bb7

                                                              

Eb

Overdrive

 

 

 











   







 Bb/F Eb/F

F









  





 

  

C

    

Ab



                                                 

  



                  

  

C

Distorted

                                                                                       

F

48



a -3ny - time!

ba,

3 gun - pow - der, ge - la -tine,

Dm

47



   



 



ba,



     



gua - ran - teed to blow your mind.

          

  

46

3

          

3                                                                                                  

     

Gm

       

   Vocal

  

Queen,

44

Cm 50Bb7                                

Dr.

Voice



  3       





3



43

Queen,

Kil - ler

 D7



Kil - ler

          

49

Kbd.



Gm

 

   



      

She's a

D7



Kil - ler

     

         

  

I'm a

She's a

    



    

3

Eb

 

 



              

D7

 

 

Gm

F

 

  

4

Voice

65    



66



wild.

     Vocal

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

E. Gtr. 2



   



wild,





70



71



72



rall.

73



 

74

















 





 



















 

wild.

   

     









 





























   



wild.

  

 Bb     

69





 



I'm all out to get you!



 

68





      Dr. 

Bass

67



Bb

E. Gtr. 3

3

 

wild,



        

 F





F5

F









Bbm





F

Bbm



        3

3

F





  p   p   p   p  

         



 



  

                3 3



 

cymbal noise



    

 

 





        





 

Gaug4 p



 



 

 

        



           



   

 

































rall.

 

 

   

6 - Play the Game Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

  

q = 74 Sensual slow rock!

Voice

   

 

2 Killer Queen

3

   

    

Op - en up your mind and let me step

4

  

 

in - side,



5

      

rest your wear - y head and let your heart





   de - cide.



6

   ea

It's so



     It's so

Vocal

Flutes

Violin 1

Violin 2

Viola

Violoncello

Contrabass

Keyboard

Electric Guitar 3

Bass Guitar

     

 

 

 

 

 

 

  



 

 

Piano

 

     









   

 















































     

   



C

q = 74 Sensual slow rock!

Drums



sy

-

sy,

 

     It's so

      

-

Super Yuppies

 

  

ea

     

Bbmaj7

               















Am

  

  

-

 

  mf   mf   mf  



mf C



7





 







Clean



  

 



the rules,





     Am

   

Am

          

  so

it's

  so

it's





  it's



   



p









p

p





p



p Dm

G

 

                                  C

   

when you know

sy,

f

mf

Fm6/Ab



      

ea



 

     

  

    

     

Dm

G



      

so



    



 

         

2

Voice

8 



ea





ea

Vocal

 Fl.

 -

ea

 

-

Bari. Sax.

    Hn. 

Bsn.

  

Tpt. 1

  

Tpt. 2

  

Tpt. 3

  

Tpt. 4



Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4

  Vln. 1 

Euph.



Vln. 2



Vla.

Vc.



Cb.



Kbd.

E. Gtr. 1









 

E. Gtr. 3

Dr.

  mf   mf   mf   mf  





 



fall

in





   

         

  

   

        

  

Play the game,

ev - 'ry - bo - dy play the game.

  

       



     

 



ev - 'ry - bo - dy play the game.































































































 



mf









 

p



p



p





C7

p F

Fm



                    

     

mf

  

mf

  

                                   mf

mf

  

       

  

       

mf

  

mf

mf

       















mf C









G/B

C

                                              



 



  

     

   

 

       

       

     

        

   





F



        

Fm



C

      

 



















































































   

C



  

 

       



                 

                   





       C7



of

G9add11



G

C



13

   

       

                             





       

mf

  

mf



            mf        mf       

               

mf

  mf   mf   mf   mf  









mf

mf

 p

 

12

ev - 'ry - bo - dy play the game

love. Play the game,

Play the game,



       

  



mf C



E. Gtr. 2

Bass



is

11



sy.



     

Ten. Sax.

to do

10

 

sy.

-

  

Alto Sax.

all you have

 



Ob.

     







sy,

9



    

G9add11

  

  



love.

              

           

14

    



Yeah.

     

 



   

 



Ab



 

Bb

C



C5

                                 Overdrive    

 

Distorted

Bb5

 

 

Bb

C





Ab

 



 

           





        

3

Voice

15  

16



      

  

When you're feel - ing down and your re - sis - tance is low,





17

18





Vocal







19

                   take a cy - ber shop - ping trip and let your - self go. Give me your





Let 

 

      

your - self go.

  

   Vln. 1 

















Vln. 2











Vla.































Vc.

Cb.

Kbd.

E. Gtr. 1





   

 

E. Gtr. 3

Bass

Dr.

C



Bbmaj7





 



  





Am

                               

  

    







     

           

Fm6/Ab

       

Give me your

20

21

life,



don't



       play hard to get. It's a free





life,

      

Let your - self go.

Fl.

Give me your

 





 

       



C

Am

 

 

    

 

p

p



p



p



p Dm





Am

        

                        



G

 world.

  world.

  

   

mf C

C7

                             

Dm

   

free

          mf    mf    mf    mf   

          

C

   it's a

                 



life,

  

    free

it's a

 world,



                                 G

C



  

C7



      

4

Voice

22 

     

all you have

to do

is

23

 

fall

in





24



love.



     Play the game, yeah,    

Play the game,

Vocal

 Fl.



      



  

Alto Sax.

     

Ten. Sax.

Bari. Sax.

    Hn. 

Bsn.

  

Tpt. 1

  

Tpt. 2

  

Tpt. 3

  

Tpt. 4

 









































Tbn. 3







Tbn. 4













Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1









p





  

E. Gtr. 3



Dr.











p

E. Gtr. 2

Bass

 p p

 





  



 

              

       

  

       



       











 





G/B

C

          





 

      

G

   

 

  

       

     

        

   





C

      

 















































































































C



    

      

 

       



                 

                   



of

love,

of

love!

        



  

               

           



C



C5



Ab





  C/B

      











 

C/Bb C/A C/G

C





                                                                                   



Bb



   

 

 





      

28



         







27

love!

 

G9add11

 love!





   Fm



G9add11

 F



       

                             





                                 



                                  

  

  



26

of

                         

               

mf C

Fm





  mf   mf   mf   mf  



p F

       





      

ev -'ry - bo - dy play the game



Tbn. 2



  





Vln. 2

        

ev -'ry - bo - dy play the game







  





 

25

         





  Vln. 1 

  

ev -'ry - bo - dy play the game



Tbn. 1

Euph.

    Play the game,

 

Ob.



       

Ab

 



Bb



C







Bb5





        

                       









              

5

Voice

29 

                           30

31

My game of love has just be-gun,





32

love runs from myhead down to your toes.



My love is pump-ing through your veins,



          



 Alto Sax.

Ten. Sax.



         

  Vln. 1 

Bari. Sax.



Vln. 2

Vla.

Kbd.

E. Gtr. 2









 

E. Gtr. 3

Bass

Dr.





               

                                 F Bb/F      

   

         



   

               Fmaj7    

 





  



  



  



   



  



  



  

 

    







  

  

  

   

                               



                                                          Bb/CDm

  

Gsus4

G

                                     

 

   

           

  



Dm

  

                             

C/G

      

 

 

Gsus4

G

C







           

  

  

  



   Em

             Em

           



come, come,

   

C

  

 

   

       Em

     

                



 



    



 

come, come.

           C

D

          

Em



C



Play the game,play the game, play the game,

                            

 

                               

C



game,

                       come, come, come, come. Play the game,play the game, play the game,



Play the game,

   

    



35               Oh, play the game,play the game, play the



Love runs from myhead down to your toes.







 

34

driv-ing you in - sane.

Play the game,

         

     

    

Love runs from myhead down to your toes.

Vocal

33

 

Em7

       

   

D

Em7

         





































         C6

         C6

     

     C7/Bb

       

 

C7

   

      

6

Voice

37 36         play the game.



         



            



   







  

   













  







  







  







 







   













38

39



40









41





42





 



play the game.

Vocal











play the game.

Fl.

Bsn.

Hn.



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

   

  

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2





Bass

Dr.



    



              









              

            









              

            



            







                 



            







f

f

f

f













       



Ab Bb



 





ff

ff

 C5

 ff









Sweep FX

Sweep FX



Sweep FX



Sweep FX



                                 



         Ab5 Bb5





 

 



 





 











Sweep FX



 



mf



mf



Sweep FX

 



 

 

mf

 Sweep FX

 

mf

 



Sweep FX

mf

 





p













p

p



p

 G

Ab/Bb Bb

C

Am

Dm

                         

       

 

 



Ab5

               







Sweep FX

 



          



3



Ab5

         

                 

C





Am

arpeggios

Am

  







 

Dm

     

C

                                   

p

       



Bb5

Sweep FX

          





Sweep FX





A5









Sweep FX

Bb5





         





to get. It's a



 

       



don't play hard

            

ff

   

life,





      

your

              

f





Give me

      





     















     

 

       to get. It's a

don't play hard

            

 



life,







your

             

f



   

Give me





     



     It's a





       



 

don't play hard to get.







 

life,

            

ff



your





Gm7





Give me

43

              

f

 

Gm7

E. Gtr. 3





 

Dm

  

                  



G

   G

                    

7

Voice

44   

Fl.

Hn.

  

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Euph.

Vln. 1

in

love.





 

all you have

 

to do

is



fall



in



love,

 

 







world,

all you have

to do

is

fall

in

love,

play



 

 









Dr.







   



























   



















 









 





















 

  









 











 









 









 









 









     

 

mf

 

 

 p



p











mf

 

 



p

 



p

C

C7

 

mf

mf



mf

  

     

 



   

C

C7

F

     

mf

  mf   mf    

mf

Fm





  

   F

  









      

          



Fm

   

   

       

                                     

  

       



C



   

 





 

 









 

































Ab

 



 



 

  



 

 

G/B

 

 

 

C



  C

   



 

   

 

  



 

Ab5

 

G9add11



  





 

















Piano + Harpsichord



Bb5

Ab



Bb







 









   



chords



Bb

  

G9add11

C

     

G9add11

    







G

 







      

 



 

G

 

 



 



C

 





                  



Fm

C

C7

C

                 

F

       

mf

mf



 



 



     

       

mf

p

  





ev -'ry - bo - dy play the game.

 

  

 



 



E. Gtr. 3







E. Gtr. 2



ev -'ry - bo - dy play the game.

the game,



 



   





love,

         



mf

of



  

the game,

  

mf

ev -'ry - bo - dy play the game

 

50

     



 

mf

 





mf









49

   



Vla.

Bass





 

48

         





E. Gtr. 1

 

play

       

47

  

  



Kbd.

world,

Yeah,



Vln. 2

Cb.



fall

   





Vc.



is



Tbn. 4





to do



Tbn. 3

46



all you have



Tbn. 2

 

world,

free

 









 

free

free

Vocal

45











8

51     

q = 112

Voice

Hn.

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

  

Vc.

Cb.

Kbd.

Bass

Dr.

52



love,





53

3



54

  



love,



55

56  3    

 love.







































































































































 

































Cm Bb7                            

        





       

    Vln. 1   

Vla.





Euph.

Vln. 2

Faster

    

  



    

q = 112

Faster

 Ab/C      

    Dm7(b5)/C             













Ab/C                 3     





 





 



 



 



 



 



 



 



 



 



 



 



 



 



               

  

love.



 

 



57

    Of

 

    Dm7(b5)/C            

3  



58

59



 



p





p





p









p

p





p













p





p









p

p

p

p





p









p

p













 

   fill

  

7 - Death on Two Legs Music by Freddie Mercury Arranged by Robert Russell

         pp    Violin 2     pp    Viola     pp      Violoncello

q = 138 Misterioso 2

Violin 1

Keyboard

 Vln. 1

Vln. 2

Vla.

Vc.

Cb.

Kbd.

7     





       

    



Db

4

     



  



   5

 

  



  

6

 

  



 

  



  



      



3



pp

Contrabass

  





                                                                                                Piano gradual cresc.                                           pp Ebm

Gb/Db

8

    

9



Dbsus4

10



















Fm/C



11

 

12

 











C

13



    Em/B

                                                                                                                                                 

2

14  



















































 



  





 



  



 ff









 ff























































Tbn. 1

 







 



Tbn. 2

 







 

 ff



Tbn. 3

 







 

 ff



Tbn. 4

 







 

 ff











 ff



 















Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Euph.

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

 



 



    





16



  

 

 

   

   

 

    

   

   

 

 





Kbd.

15



17

Em/B Em/C#

Em/B

           

Dsus4



 

 



 

   



19



20



21



22













23

 





















   

   

   

   

   

ff

 ff

   

   

   

   

   



















































   

   

   

   

   





   



 ff



ff

   

   

   

 

   

   

 

   

  







   

   



  

   

  

 

    

   

   

   

   

  

     

           

    

  

 

    

        

   

  

   

          







 

 

 

    

         







 







 

 



 

  

   



   



 



 



  

 

     

   



 

   



   



   



  



  

   





    

   



   

  

 



ff

3



  

   

   



ff

  ff

   

   

  

  

ff





   

25

    

   

   

ff

ff



   

   

   

   

  

ff

   

   

 

ff

24

   

  

ff

   

 

ff



   

3

18

ff

                                         molto cresc.

Em/Bb





 

     

       

            

  

    

   



    

  

 





































8 - Under Pressure Words by Freddie Mercury, Brian May Roger Taylor, John Deacon and David Bowie q = 114 Rock 4

Voice

Voice

Violin 1

     

2

                 p

Violin 2

p

   

Viola

Violoncello

Contrabass

Keyboard

Electric Guitar 1

Bass Guitar



Music by Freddie Mercury, Brian May, Roger Taylor, John Deacon and David Bowie Arranged by Robert Russell

  









5

6 Scaramouche









  





p



7

 



p

 

 

   

   

  





 





q = 114 Rock 4

 

p

  







push ing downon me,

press ing downon you.

    

No man asked for



          

un der pres sure.

That burns a

build ing down,

































































  

 





   

D

 

 

un der pres sure.



11









10

    



Clean



9

                   

Galileo

Pres sure

   

8

                  push ing downon me, press ing downon you. No man asked for

 













   

Drums

4

Pres sure

           

3



   

A

   





  

G

   





 



 





      

A



D

 





     

splits a



   

A

     

                                                                            



 Voice

12   



       13

Putspeop ple on streets.

        fam 'ly in two.    Hn.  

Tpt. 1

   

Tpt. 2

   

Tpt. 3

  

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Kbd.

E. Gtr. 1

Bass

Dr.

17





Boombah bah bay.





    



    

    

Do day oh.



Doday oh.



























































































































 G        

  



 



         



 

 

 

  

D         

A







            



    

A

18



19



That's o kay.



  



  

Boombah bah bay.

16

 





E. Gtr. 2

15

    



Voice



14





      

  

  

G

 

    

  is a - bout.





mp





mp





mp









mp





mp





mp



mp

mp









mp

A

    Distorted





 

G





mp



 

         That's the ter ror of know ing what thisworld



 

 

A

                                                                                                                                    

2

Voice

20  

21

3

   



 

Watch ing somegoodfriendsscream ing

Voice

Fl.

          

Alto Sax.

   

Ten. Sax.

    

Bari. Sax.

Hn.



Tbn. 2

Tbn. 3

Tbn. 4

Vln. 1



Bass

Dr.

er.

Pres sure on











































streets.

       

  

  

streets.

Day day dep.

peo - ple, peo ple on



27



  





  

Ooh ooh.



     Da da da bop

























mf





mf



  







  





mf

mf



mf



mf

        



























































































































 































































 





























  

 







    

 

  



-

peo - ple, peo ple on

26





E. Gtr. 2

gets me high

  

  



  

Vc.

E. Gtr. 1



- row



25        



  

Vla.

Kbd.





Vln. 2

Cb.



Pray to mo

     

24

   Pres sure on



    

Tbn. 1







    

Tpt. 4

     

"Let me out!"





   

Tpt. 3

    

23





    

Tpt. 2

Euph.



   

Tpt. 1

22

"Let me out!"

  

Ob.

Bsn.



    



 



A

 

                       









G

             



 

     



 

mf



 

mf

 



             

 

mf



  

mf



 







      



G



        

               

 D9maj7

A

    

 

 



G

 

mf



 



 

  

   

A7

  

G

A7



  

  

 

     

 

 

    

            

 

 

3

Voice

28   

   

29

30



O - kay.

Voice

Kbd.

E. Gtr. 1

Bass

      bop.    







 

Dr.





a - round,

             kick my brains a - round the floor.



    



  



     



   

Mmm.

These are the days



A

34



               it ne - ver rains bit it  pours.   De doh dah doh.      





  

    



33





D



32

  

 

 

   



Chip - pin'





     





    

 Mmm.

31

  



 



 



G

                                                     

A

 

       

35

     De de doh dah dah.





          



   





D

A



   

     



   

                         

         



Voice

36   

37

         Mm dah doh.    Hn. 

Voice

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Kbd.

E. Gtr. 1

Bass

Dr.



De dah de dah day.

   

 

Peo - ple on streets.





42



43



                    

























































































































































 G         

  





        





 

 

    

A

D

        

                         

 

  

    



    

A

 G







    

     

        

            

   

     





De dah de dah de dah de dah.It's the ter - ror of know - ing what thisworld is a - bout.



  



Peo - ple on streets.

    

41





E. Gtr. 2

Ba la lop.

 

40





Tpt. 4

  





   



  

Tpt. 3



39



   

Tpt. 2

 



Oh.

   



   

Tpt. 1

38



            







       



A





G

                                 





 

 

A

                  

           

4

Voice

Voice

Clicks

Fl.

44     

      

     

    

Alto Sax.

  

Ten. Sax.

    

Bari. Sax.

      Hn. 

Bsn.

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Cb.

Kbd.

E. Gtr. 1



Bass

Dr.

streets.

3

3

Turned a - way from it all



gets me high - er, high - er, higher.

3































































   



   

  

like a blind man,

                3

3

3

Turned a - way from it all



52

 

like a blind man,

 



  

























  







  















        





































































































































 





































































 





























  

 



     





51

               





E. Gtr. 2

peo - ple, peo - ple on





  

Vc.

Pray to - mor - row







  

Vla.

Pres - sure on

                    

50





Vln. 2

"Let me out!"

48  49                    



    

Tpt. 4





    

Tpt. 3

47





   

Tpt. 2

46



    

Tpt. 1

    

3 Watch - ing some good friends scream - ing "Let me out!"



Ob.

45



 











       







G

               



   



G

               

        

 

 

 



     D9maj7

 

         

 



A

       

 







 

 





A



 

    

    



 

     

  



G



              











  

A7

  

G

A7



  

 

 C

   

    





G

 



C

light arpeggios



         



G







  



  

5

Voice

3 3 54 53              

55

56



57 58            



sat on a fence but it don't work.

Voice

Clicks

Kbd.

E. Gtr. 1

 

Bass

3    3                       

sat on a fence but it don't work.

 

 







      G











 



  



  









Am







 







 

























G7



Fmaj7







G7



Fmaj7











heavy arpeggios F



      



F

 



 

C



61



Why?





G



 







C







   



   

  



Dr.

 

C









   



G





G

   

   





60



Why?

Keepcom - ing up with love, but it's soslashed and torn.

  

C

 

E. Gtr. 2

Why?

59



  

                                                   





Voice

62    Love,

Voice

Vln. 1

  

Vla.

Vc.

Kbd.

E. Gtr. 1

love,

   

Vln. 2

Cb.





Dr.

64





love, love.

 

65



      66



        

Can't we give our - selves





  

   



  









 





















 











 













A5

  



  









67

 



A5









A

        









        

G

                                               

        

D



G

play chords D



G



G

 

D

  

 

      



  

   



         

  

68



one more chance?

 



Am

    





   



63

In - sa-ni - ty laughs, un - der pres - sure we're crack - ing.

Am

Bass







E. Gtr. 2



69

3 Why can't we give love that one more

            

     

    

   chance?





  





  



  



  



A

  

G

A

  

G

A

  

G

        

   

  



 



A

  

G

D

  

G





G

A



D



G

A

  

G



D



G

        

   

 

   

 



  

              

Why can't we







   



   

  

6

Voice

Voice

Fl.

70        

     

give love, give love,

Alto Sax.

Bari. Sax.

     Vln. 1  Bsn.

  

Vln. 2

 

Vla.

Cb.

Kbd.

E. Gtr. 1

Dr.

  

  



give love,























    



    

D



  



G

D



G



                 

 

give love,



G



72

      

give love, give love,



D

E. Gtr. 2

Bass





Vc.

  



73

     

74

give love, give love,







  

   



 

 

A

     

G

   

       

love

dares you

to

for

the

   

care

for

the

 

on

peo ple

on

 































mp













































  

           

           

 

 

 

 

A/C#

D

 

A



              

D

  D

  



 





f

 

    

 

 

    

 

f









G2/B



        

       

A







                   f

     f



D





     

     

A/C#





     

     

G2/B





    

A

G2

A

D

A

G2

A



G2



A



D



A



G2



A

       

   

   

     

   

   

            

         

   

     

   

   

the

  the

           



A

   

 

peo ple



 

G

and

   

care

79



 

  

fash - ioned word

to

    



        

A

    

dares you

78



mp

G

love

    



mp

A

And

77





  

old

     



mp

     

an

    

76



mp

  

such





mp

  

75



give love?

Cause love's

        

Ten. Sax.

  



       

Ob.

71

     

    

             

7

Voice

Voice

Fl.

80        

Ten. Sax.

Bari. Sax.

the



And

love

you

  

dares

you

to

 to







change our

change our



         







             

       

D



night.



dares

 







way



of

car







way

of

car

-

-

  



ing

a

- bout

  





a

- bout

ing

85



















 

























           



   

our - selves. This

  



is

our - selves. This

is

  



 our

  

87



last

  





chance,

our

last

chance,

  



88



  



  

this



this















































  



































              

A



A



G2



A

   





G2

                  

86



A







D

A/C#

  



A



84





D

E. Gtr. 2

   

love

83





 

Vla.

Dr.

of

And

   



  

Vln. 2

Bass

edge



night.

82





     Vln. 1 

E. Gtr. 1

  

the

    



Bsn.

Kbd.

of

     

Alto Sax.

Vc.

edge

81





  

Ob.

   

G2/B



  

                            

        

  



 

  



  





  



  



  



 





               



  



  



 G

  

 



              



  



  



  



    



 A

  



              



  



     

 

        



 G

  



              

 our

is

 our

  



  



  



  





 A

is

 

G

              

   

8

Voice

Voice

Clicks

Fl.

89    



Ten. Sax.

Bari. Sax.

dance.

Vla.

Vc.



This



  is















 

  

  



 









    

  





   

     

   mf   



A



                 

   

mf

 



mf

 



mf



 

D



    







     



 



95



96





97







 

   





  



   



  Pres sure.

  









  





































































































































                             



     

A

              





  

       







 

 

      

   





 





 

      

   





Pres sure.

Un-der pres sure.

 G

94

   

Un-der pres sure.

our - selves.













  

93



Un-der pres sure.



 



92

     



         

  

Vln. 2

Dr.

last



91





     Vln. 1 

Bass

  

dance.

90



Bsn.

E. Gtr. 2



last



        

Alto Sax.

Kbd.

  



  

Ob.

Cb.







          

   









      

       

   





9 - A Kind of Magic Words by Roger Taylor

Music by Roger Taylor Arranged by Robert Russell

     

Colla voce - Very declamatory

Voice

Vocal

Violin 1

Contrabass

Keyboard

prize,



   6

one goal.





 

  mp   mp

 

 

mp



  

        

5

       

one





  



4

One

    gol - den glance



7



8



 

 



9

poco accel.

of what should be.







10











 



shaft

   

Chorus

12



      





of

light

13



 

Khashoggi





11



    

that shows the way,

no





It's a kind - a ma - gic.

  



 

one soul,





   

Violoncello





One

    

Viola



3





    

Violin 2



One dream,

    

Voice

2 Killer Queen

q = 128A tempo

Bell

 

mp



mp A









































     



  





































 



Sweep Pad







Bsus4/A B/A





Dmaj7





A















    

A





























B2













Voice

Voice

Vocal

Vln. 1

14  

   



Dr.











 



 















   

 

 

A



19

 



bell

that

rings

         

A





A

 







Clean



















 





21



       

in - side

your mind,

 



22

23



     



24

 

it's chal - leng



-



   

ing

the doors of





























































B7











      

Dmaj7





   









     



B7









Dmaj7

 



 





 

     







  E/G#



A

      



      

 

A

 

 time.











The





25





 

20



 







   

It's a kind - a ma - gic.



Dmaj7

  The



 

18





  



17





E. Gtr. 3

Bass

16



  

Vc.

E. Gtr. 2





   

Vla.

Kbd.

15

                mor - tal man can win the day.     

Vln. 2

Cb.



Distorted

 

  

 







      

2

Voice

Voice

Vocal

26    wait        

Cb.



E. Gtr. 1

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

 

     

Perc.

     





  



et - er - ni - ty,

 



30

    

 

 





ooh.



the









































    







29



ooh.

 



seemed

28

Ooh,

     

   







F#m

Kbd.

27



    

    Vln. 2 

Vc.

ing

Ooh,

Vln. 1

Vla.

-



 



 

        

Egg Shaker







D



  

        

Overdrive

 



  

        

day

   

has

 

31



dawned



aah,

Aah,

aah,



 











   

        





 

        



     

        





  

  



Is

 

 

 

 





E



  

        

 E



 

 





   

        



E7



this

   Is

a



this





   of     



a











 



 



f



f

of





f









D







                   

        



  

       



kind



 

E9

35

kind

f

 F#m/E



f



 

 

34



ooh.



F#m

33

sa - ni - ty.









ooh.



   

32



 

 





of

 

Aah,





D

     





3

Voice

36  

37

  

ma - gic?

       ma - gic?

Voice

   

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Vln. 1

Vc.



Dr.

Perc.









39







-





be

There

can

be

on

-

There



38

can

   



   



on

ly one.

             









40

41









ly one.













43

 



dream

will

44



 



last

a

 











    













    













   













    

















































































thou - sand years.































































mf

mf

 mf

mf

mf

mf

 mf

 mf

 mf



mf











 





   











 





  

















 

















 





























D

       







 

        

 

  

Aah.

A

                      

      

 

 

    



G

D

               E

                  



E

A D A                              



42

Aah.



 



This

It's a kind - a ma - gic.

A    

E. Gtr. 3

Bass



   

Vla.

E. Gtr. 2





Vln. 2

Cb.



  

Tpt. 1

Euph.





It's a kind - a ma - gic.

Vocal

Hn.





                

G

  

   

D

  

   

                 

    

            

4

Voice

45         

Voice

    Vocal

 Hn.

 

flame



that burns

51

   

in - side



of me,

  

I'm

52



hear

-

 

ing

53



sec

-

    ret

54

  

har - mo - nies.





















































on.













    



















     



















    



















    



















 



















 



















 



















 



















 























Tbn. 3

Tbn. 4



       

Vln. 2

Vla.

Vc.





  





 



 

 

   

E



 











 

mp

mp

mp

 

mp



 

 



 

mp

 

  

E. Gtr. 2

 

E A              

E. Gtr. 3

Perc.



50

  



Tbn. 2

Dr.



This

49





Tbn. 1

Bass

48



Tpt. 4

E. Gtr. 1





Tpt. 3

Cb.

 

on.

     

3 We will live

47



Tpt. 2

Vln. 1

We will live



   

Tpt. 1

Euph.



3 46      













































  













 

 

  

B2

 



Dmaj7







 



     



A

                 

                            

   

                 

                                                         

 







     

                

   

                                 

5

Voice

55   



56



              I

Voice

Vocal

Vln. 1



Perc.



a kind - a

ma - gic.



              



 



 

 









E. Gtr. 1



  

Dr.

Perc.







  

we're

chal - leng

we're



 

chal - leng

-

61





ing

  -





ing

62

   

63

 

the doors of

   

time.

the doors of

time.

 



























































































  







   

B7







                    









  

Dmaj7



B7

65

66



67















 

A



Dmaj7





     



     

 

 

 

                 

             







A



    

                                                       

It's

        







        

D

 

A

D A D



 



 

 

 

     

A D A

a

kind - a

ma

    



mf

  



  



        

             

a

kind - a

ma

-



 



      

-

gic.

                                

  

    

 

 

    

 

 

69



70



71



    

 

  

    



    



It's







           

           

     

     

     

     

     

     

     



     

It's

        

        

                                                                         



               

        

   

         













 

 

 

 

 

 

   



  



a

kind - a

kind - a

ma - gic.

ma - gic.

                           



A

a

                                 

            D

           

68

gic.

                                  

      D A             





60







        

their minds,







  







A



   

E. Gtr. 3

side

59



                               mf                                       

E. Gtr. 2

Bass



-

      

It's

mf

Cb.

in

 



    Vln. 1      mf        Vln. 2  mf     Vla.       Vc.

bell

58

                    

64  

Vocal



     

A



   



   

    

E. Gtr. 3

Dr.

It's

 

E. Gtr. 2

Bass

ma - gic.

  

Vc.

E. Gtr. 1

a kind - a

57

the



      

  

Vla.

Cb.

ring

It's

   

Vln. 2

  



      



   

       

 

 

    

 

 

   

     

6

73  74 75 76  72                                                                                                                      Vln. 2                              Vla.                                                                      Vc.                                                                       Cb.                                              E. Gtr. 1      Overdrive                    E. Gtr. 2 

Vln. 1

E. Gtr. 3

Bass

Dr.

Perc.



D    

 







 

    

    

  



 



        

 

      

 

      

A

  

 

 

  

                 

  

 

77 78                                                                     

        

                                                                      

    

    

       



 



        

 

 

      

 

      

D

    

 

 

A

  

 

 

 

  

                        



Voice

79   

80



This

      

Voice

Vocal



E. Gtr. 1

  

  







                                      

E. Gtr. 3

Dr.

Perc.



   



  



 

        







 

 

a kind

82





This

   

E. Gtr. 2

Bass

is

81



                            Vln. 2         Vla.          

Cb.





Vln. 1

Vc.



 

  

       

is

 

This



a

is

      of ma - gic.

kind



 

  

ma - gic.

a

ma - gic.



84





  

 

kind

83



  





There

can





be

on

  

 

85



  

   

86

  -

ly

 

There can

be

on

-

ly

There can

be

on

-

ly



  

87









one.

   



one.





 





























































 

f

 

f

f

 

 Distorted



 

A

 



 

D

 



one.







This

 



f



This



 f



 

A

 

                       

D

            

A

D

A

                      

                                                            

       

7

Voice

88   



quest

Vocal



thou





a





that

shapes

a

thou

that

     quest

Voice

 

89





shapes

90

    

 

 

   

 

 

Aah,

91

  

 -



sand years,

  

-



sand years,





3





will soon



be,



 



 

 





 









    











    











    











 











 











 











 











 





















    







 



   











 











 





















    

Vln. 2

Vla.

Vc.



E     E    

E. Gtr. 3













G

D

  

  

  

  

   

  

  



 be,

3





will soon

be

3 will soon

be







ooh.



Tbn. 4



3 will soon

be,

    

Tbn. 3

Perc.





Tbn. 2

Dr.

be,





Tbn. 1

Bass

will soon

93



Tpt. 4

E. Gtr. 2





Tpt. 3

Cb.







Tpt. 2

Vln. 1



3

   

Tpt. 1

Euph.





ooh.

Aah,

Hn.



3 will soon



 

92

 

 

G

  

       

 

 

 

   D

  

  

            

       

 

 

 

  

       

F

  

  

        









 

 

 

  

 

 

  

 

 

 

  

       

 F

       

  

 







 

 

  

       

8

Voice

94  



95



        done.





done.

Voice



     Vocal



Aah.

      



Hn.

   



     



     



    

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Cb.

E. Gtr. 2

Bass

Dr.

Perc.











 











 











 































 







 



















 





  

 

 

















 

 

 

   

       

   

 

  



     





D

 

one.

 

 

 

are



  



we





  

Now



  

E. Gtr. 3

 

one.

 



D

 

are

 





 

we

 

  

  

Now

     













 

















are

 





we



 





Now



    

 













  









  





are



  

97

we





Vc.





  

Vla.







Vln. 2

poco rall.

Now

 

Aah.

96





  poco rall.

 

one.

98

molto rit.

99

100

101

one.

  

3

3

     

ff



     

ff



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

     

ff



     



     



ff

     



ff

     



ff

     



     

 ff 

     

ff

ff

ff

      3

ff

 

3

3

3

3

3

3

3

3

     

ff

 

ff

     

 

ff

     



D



D



     

A

A

3

3

      3



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

     



     



     



     



     

 

            3



3

     



3

3

3

3

3

3

3

3

     

 

     

 

     

 













 

  

 



 





























































             

 

 



 



 

 

 

 

 

 



     

A

 













D



     

3

3

3

3

3

3

      molto rit.

3





A

D

 



     



3



3

     



A

3

3

     

     

3

3



A

3

3

     



     

3

 



3

     

ff

3

102

3



 

 



 

 

fill





10 - I Want It All Words by Freddie Mercury, Brian May, Roger Taylor and John Deacon q = 90 Heavy Rock 4

    

Voice

2



     

Violin 1

      mp      mp

Violin 2

Viola

      mp

Violoncello

        mp

Contrabass

mp 4 q = 90 Heavy Rock

Drums

Music by Freddie Mercury, Brian May, Roger Taylor and John Deacon Arranged by Robert Russell



3











 

    

  

Britney

5

Ad - ven - ture

   





   

   

   

4

          

        

   

     6

seek - er

         mf         mf          mf   

Just an al - ley creep - er



 

light on his feet.

 

   

   

 

        

mf

       

 

                                        



mf

 10 11 12 13                                  

 





  

 

A young fight - er

                     

    

8

          





    

 





7     

on an emp - ty street.







 







 

  



 

    





Voice

Bari. Sax.

Bsn.

Tbn. 1

9  

    

Tbn. 3

Tbn. 4

Vln. 1

Cb.

E. Gtr. 1























































  

         





mf

mf

                         

                

                   

  

     

 

 



 



   

  



I heard him say.

  



  



  



  



  



  



  









  



"All I want is a fu - ture,

 



 



 



 



 



   

 





 





               

                                                       

         

    

   





 





                          



 

          



 

     

             























Distorted

G



Distorted

G

















                          

     

   



         



  









  



  



  



  



      

   

move out -ta my way."





      

              

mf

     



 



mf

  

  





mf

          

Overdrive





mf

                 

 

            

         

ask - ing",

mf

     

 

  

E. Gtr. 3

Dr.





E. Gtr. 2

Bass





 



"It ain't much I'm



  

Vc.

can't see a way out.



  

Vla.

with the pain and an - ger





Vln. 2

with no time fordoubt,



 

Tbn. 2

Euph.

scream - ing,

14 15 16                         

 

  



  



  



  

     

 

 





                  



  



  



  



            

2

Voice

17  

    



I want it

   Vocal

Bari. Sax.

Bsn.

Tbn. 1





  



  



  





  





  





Tbn. 4

  

      Vln. 1  

  

Euph.

 

Vla.

Cb.

E. Gtr. 1



E. Gtr. 3

Bass





Voice

Vocal



  

  









  

     

21

all



22



23





and I want it now!





        



I want it

all,

I want it

all,

     

Youth of the Future





    







    

I want it

all,

I want it

all,

     



I want it

    



I want it

















































































































































































   

Bm

A

   

Bm

G

   

Bm

A

D

   

G

A

   

Bm

G

D

G

   

A

Bm

   

G

A

G



Bm



Bm

G

    

A

Bm

   

A

 

A

    

    

A

Bm

A

  D

G

    

Bm

G

D

G

                                                          

 

25



I want it

    





                                Meat



    

Lis - ten all you peo

              

26

-

 ple,

              

              

      27





come ga - therround.

28

    

I got - ta get me a game

     plan,

got - ta shake

              

29







              

             30



you to the ground.

Just give me,

oh, what I know is

   

















   

       





























all

and I want it now!

   

and I want it now!

   

 

        A

E. Gtr. 3



G

A

        A

Dr.

all,





24  

E. Gtr. 2

Bass

I want it

20     





  

all

E. Gtr. 1

all,





Dr.

  

 

  

E. Gtr. 2

      

 



Vc.

  

   

  

Vln. 2

19      





    

Tbn. 3





     

Tbn. 2

18

G

A

        3

    

Bm

A

              













A

            



Bm

    

Bm

                 



Bm

   





      



G



G





  

      

     



A











A





     



 



 



Bm

 

Bm

      



        





       





A

Bm

         A

       

Bm



             



  

3

Voice

31  

Bari. Sax.

Bsn.

Tbn. 1

Peo - ple do youhear me?



  

















































 







Vc.









Cb.

E. Gtr. 1

















  

E. Gtr. 2

E. Gtr. 3



  

G

   

A

Bm

G

A

  

   

Bm



   

  

  

   

all,

Vocal

I want it

   





all,

I want it

   





all,

Kbd.

E. Gtr. 1

    

G



D

G

        G

E. Gtr. 3

Dr.

 

D

G







and I want it

A

    

A

   

G

  



  



  



A







now!

  D



now!



A





     A

     A



all,

           



  







  

 

all,





A



G



Bm

     A

Bm

I want it





all,





all,



I want it

    D

G

    

G

D

I want it











































  



   



Bm A

Bm

   



Bm A

Bm

      

all.

I want it

G

        



all

and I want it...

    

    

G

 

     I want it

    

I want it

   

                                  44                

all,

    

     



        

      

I want it







    

Bm

   

G

   A

   

A

I want it





G

I want it



   



                    43             

   



I want it

all,

   





I want it

   



       

all,

   

   





all,

   



 

I want it

   



38

      

   



  

    I want  it

Both





G

all,

Bm







      

     I want it







    

    

Bm

A

G

I want it

now!

Bm

G

                  42           









I want it





  



D

      





         



       













   







        





   



     G



 





  





   



  





   



  





   



  

 

   

    

A

  

A

and I want it

all



       

E. Gtr. 2

Bass

I want it

  



       

all

    



                        41        

and I want it





A



all

    







        



                  Dr.               40  39        Voice        Bass



hear the cry of youth!



 

37

     

here's to the fu - ture,







  

Vla.





    Vln. 1 

36     

35





Euph.

Vln. 2

Just





Tbn. 4

34

                 give me the sign. It ain't much I'm ask - ing, if you want the truth



    

Tbn. 3

33





   

Tbn. 2

32

mine.

   Vocal

       

 







all

    

and I want it... Galactic Synth



 



    

A

G

A

    

A

G

A

 

 

   

                                                             

              

              

               

              

              

              

4

Voice

45    

46

now!

Fl.

47





    























mf

     

Ob.

   

Alto Sax.

mf

   

Bari. Sax.

Two

 hearts



   with a

one

track

   mind,

mp

    

Ten. Sax.

 

Britney

mp





mp

  Bsn.  





    Hn.   mp    Tpt. 1    



mp



 

 

    







    







    









mp

Tpt. 2

mp

Tpt. 3

mp

Tpt. 4

mp

Tbn. 1

Tbn. 2

  





  

mp





mp





mp





  

Tbn. 3

  

Tbn. 4

mp

Euph.

          

mp

Vln. 1

mp

      

Vln. 2

mp

   

Vla.

   

Dr.













 

      







    

mp B2



    

          

         







B5









     

E. Gtr. 3

Bass





    

E. Gtr. 2





mp

Kbd.



mp

Vc.

Cb.





   



 

 

       

F#2/B











       

 



B5



E2/B













 



 

          

         

















 



 







 

 

B2







 



  

  

 



5

Voice

48      so much

      Vocal

Fl.



 







to

in

one

life

do

 -



breathy

  

     

Ten. Sax.

Bari. Sax.

Not

   





Peo - ple do you

hear

me?

Peo - ple do you

hear

me?

Cb.

Kbd.

E. Gtr. 2

Bass

Dr.



 





 

 

 

































  









  

































          

E2/B

   



     



 



E. Gtr. 3





   





     

Vc.

and liv - ing





 

       

F#2/B



 



 

       

 

     







B2



 

 

        







 

       





    









 



 

 



 

So I'm



       

F#2/B





 











      







 

 



  

 



  

E2/B

lies.

 







 

  

whys



          Vln. 1 

Vla.



and



Euph.

Vln. 2

wheres



  

Tbn. 4

and

Britney





  

Tbn. 3

mise



         

    

Tbn. 2

-





    

Tbn. 1

com - pro

50





    

Tpt. 4



for

  



          Hn.      Tpt. 1    

Tpt. 3



a time





Bsn.

Tpt. 2

  



   

Alto Sax.

Meat



time.

   



    

Ob.

49

 

 



 







 



6

Voice

51       Meat              

Vocal

Fl.



Alto Sax.

it

all,

yes, I'm liv - in' it all,

Britney52

and I'm

Bari. Sax.





          



              

  

Tbn. 4

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 2

E. Gtr. 3

Bass

Dr.





    

G2/B

   

   G

     G       

 





  

 

 

all,



  

I want it all,

I want it

I want it all,

I want it

           

















 



































  























































































       

A2/B      

    

       



































     A





 

  



 

   





 

     

  

 



 



 







 

  



      







 







 



I want it

                

all,





A



it

I want it all,

A2/B         

   

want



       

I





  



it





  



all,





  

 



  55                   



  

     

Vln. 2

want



54





           Vln. 1 



I







Euph.

 







 



   it want





  

   I





    

Tbn. 3





Tpt. 1

Tbn. 2





 

Tbn. 1







Tpt. 4



Both



all!



           Hn. 

Tpt. 3

and I'm giv - in' it



Bsn.

Tpt. 2

it all



           

Ten. Sax.

giv - in'

53

    



 

   

Ob.

liv - in'

      



 



        

         

        

7

Voice

61  60  59 56        57  58                                                I want  it all, all and I want it now! I want it all, I want it all and I want it now!

    I want  it

   

      

       

Vocal

E. Gtr. 1

all





and I

    

Dr.

Voice

all

  

E. Gtr. 3



     

  

E. Gtr. 2

Bass

and I

Vocal

Vc.

Cb.

E. Gtr. 2

 



  

E. Gtr. 3

Bass

Dr.



all

and I

I want it

all,

I want it

all,

I want it

all

and I































 

        

 

66        I want  it all,

I want it

 

     

 

 

 

 67         



 68       







     



      



I want it

all,

I want it

all,

I want it

    



all,

I want it

all,

I want it

  

   



I want it

A

and I want it,

  

all

and I





want it.

and I

want it.



all

I want it,

 

A

    

Bm

A

Bm

    

G

D

G

     G

              

              

              

 

A

G

    

A

G



I want it

all

all,

I want it

       and I want it

   and I



 G

D

G

D

want it

    

G

A

    

Bm

and I

 



    

Bm





all

 

want it

G

A

    

G

A

G

A

 

 

A

            

I want it



now!

  







 

I want it

 

 

 

 

all!

 

Now!



A

        

all

     











G

I want it

Now!

 D

     



I want it,



 



    

all,



I want it

                                                              69    70  71  72 73 74                                   



G



I want it

all,

 64       

                          



Bm

all,



       

I want it

Bm A



A





    

       



    



all,

 63         

    

A



Bm



solo Bm A



A

 

all,

  

                                

I want it



all

     



want it now!

want it now!

      



all,

     I want it

      

I want it

        

        Bm

I want it



        Bm

all,

                     

want it now!

now!



I want it



now!



all,



now!



  

I want it





   

want it now!



      

65    

                             

62

G

  



 

 

 



    

 

  



         













 

 





 

 



            



 

    



 

 











     A

Bm

     A

Bm

 

   

 

   

 

11 - Headlong Words by Freddie Mercury, Brian May, Roger Taylor and John Deacon q = 142 Heavy

    



   



Voice

Violoncello

Contrabass

Keyboard

Electric Guitar 1

Bass Guitar

Music by Freddie Mercury, Brian May, Roger Taylor and John Deacon Arranged by Robert Russell

    

 





                              D5 Grunge             

Piano

Cb.

E. Gtr. 1

 



p

        



Bass



   

 Dr.  

  

 













 



Grunge

new goal. And you're rush - in' head - long,

 

out of

 



    

con trol. And you think you're so strong,

 

but there

 





























    

  







12

          

   

13





















   14



    



Britney



 

no there's noth in'you cando a - bout it.

Galileo

15

         

No there's noth in'you can,noth in'you can,

 

      

C5 D5

C5 D5

C5













                 

D5

        

7





Noth - in'you can do,



Britney

6

       



11All

ain't no stop - pin' and there's noth in'you cando a - bout it.



you got a

  

 

5

  



 

             

      

E. Gtr. 2

head - long,

 

9 10                   

  Vc.

4

         



p



8

Voice

 

And you're rush - in'





3







q = 142 Heavy

Drums

Meat

2

 

  

  

  

  

  

  

  

grungy slides

        

  

  

  

  

  

  

  

  

  

  

  

        

  

  

  

2

  

Scaramouche

16

Voice

Fl.

  













   







































   







































  













  







 























       



  

         

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4



Vln. 2

Vla.

Vc.



  

E. Gtr. 2

Dr.

Perc.









    

  

      



             







  

  

  



   



    















mf



And you're rush - in' head - long,



Tpt. 3

Bass



19+Offstage Chorus





Tpt. 2

E. Gtr. 1

All



Tpt. 1

Cb.



noth - in' you can do a - bout it!

  

Bari. Sax.

Vln. 1

18



Ten. Sax.

Euph.

 

Alto Sax.

Hn.

17



Ob.

Bsn.

Meat

       



                     

mf

mf



mf

21+Chorus

20

















































you got

a

new



goal.



out of

 

con - trol.

  

































































































































































































mf



































































D



D

 mf

 mf

 mf

 mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

G







         

  

Egg Shaker



  

  

G

        

  

  

 

  







         

  



And youthink you're







And you're rush - in' head - long,

 



mf

  

 



mf







 



mf



22

 



  

  

         

  

  

  



             

3

  

23

Voice

Fl.

Hn.























     

































a man























































































    

































































































 

  



































  



















 





























































                

Tbn. 3

Tbn. 4



Vln. 2

Vla.

Vc.



  

E. Gtr. 2

Perc.



used to be



Tbn. 2

Dr.



he



Tbn. 1

Bass



Hey,



Tpt. 4

E. Gtr. 1



a - bout it.

      



Tpt. 3

Cb.



stop - pin' and there's noth - in' you can do



 

29



no





Meat



but there ain't

             



Tpt. 2

Vln. 1

28

strong,





Tpt. 1

Euph.

27

so

   

    

Bari. Sax.

Bsn.

26



   

Ten. Sax.

25+Britney 8vb



  

Alto Sax.

24

 

  

Ob.

+Chorus











  

G



              









 



D

  

  

  

  



C

  

  

  

 

G





 

D5

                                                                 

 

with a

 

D5







D5

         

  

  

  

                                                                         

4

       

30

Voice

31 All + Chorus



 

stick in his hand.

E. Gtr. 1

   

E. Gtr. 2



Hoop



32

    



did - dy did - dy,





C

hoop



Britney 33

did - dy do.





G

34

           

   

She used to be





D5

a wo - man with a





 





hot - dog





35All + Chorus



 

stand.

Hoop





did - dy did - dy,



C

36

    

hoop





G

   



did - dy do.





                 C

G

D5

C

G

                                                                                                                               Dr.                             



Bass



Perc.



                                                                                           

 Meat     

37

Voice

Now you got

   

 soup

38

       in the

Bass

Dr.



Perc.



Bass



 

 

Dr.

Perc.

strings you gon- na

lose



  

your rag.



A

 

and it



D





ain't

so

 

Britney



43





   

groo - vy. When you'rescream - ing in the night

A



  get me

A

D

A

  

 

 

 

out of this





cheap

'B'

45

A

  



 





  mo - vie. 

G5



         



 

 

 

 

 

 

 

 

 

 

 

 

G5



F#5















 

 

 

 

 

 

 

  



  

 



 

                                                                                 

    



  

42

        You're get - ting in a fight

                                 



E. Gtr. 2

    

now you got

D

44

E. Gtr. 1

Meat 41

40

                                            



Voice

laun - dry bag,

D

A

E. Gtr. 2

39Britney



A

E. Gtr. 1





       



  



46



   

F5



D5



47

                      

49



 

F5 G5



48

 F5 G5

F5 G5

F5 G5



F5 D5



50

 



 

  

 

  

 









       

       

                       

D5

                         

51



            



 







 



5

  

52

Voice



53All + Chorus

 





Head - long

Fl.



57+Chorus

  



 





strong,

And you think you're so









  

























    

























   























    











































































   

























  

























  

























   

































































































































  

















































  

























 























































  

























       

G



D



D



D





       

       



  

Tbn. 2

Tbn. 3

Tbn. 4



Vln. 2

Vla.

Vc.









            



  

  

  





G

       

       

  

 

  

  

  

  



  

  

G

         

  

  

  



Britney

 

but there



Tbn. 1

Perc.

out of

  con - trol.



Tpt. 4

Dr.

head - long

56

 



Tpt. 3

Bass





Tpt. 2

E. Gtr. 2





Tpt. 1

Cb.

and you're rush - in'

 



Bari. Sax.

Vln. 1

high - way

   



Ten. Sax.

Euph.





Alto Sax.

Hn.

down the



  

Ob.

Bsn.

55+Chorus

54

 





         

  

  

  

           

6

   

58

Voice

E. Gtr. 1

  

E. Gtr. 2

ain't

Meat



59

   

no



Perc.





  



E. Gtr. 1

  

  

E. Gtr. 2



Perc.



 

        



  



F5



  

62



   

   

   

   



   



68

69





   

   

Galileo 70



  

When a

                                                              



red

hot





D5



    G



  



  







man

D5



                  71

  

meets a





red

hot





   

 

  

la - dy.



 

  

 

       

72All + Chorus

 

Hoop



C

    

did - dy did - dy,





  

D5

C

                                                                

      

did - dy do.





Scaramouche 74

  

Soon the

fire



D5

75

        

starts a - burn - in',makes'em more than half









  

cra - zy.



76All + Chorus

 

Hoop



C

      

did - dy did - dy,





77



hoop



G

      



did - dy do.





D5

C

G

                                                                                     Dr.                     

Perc.



78 Galileo

79

  

Now you start

         freak - in' ev - 'ry where you turn,



   you



A

D

                                             G



65



                                                                                                            

hoop

Bass

64



                   



   

63



a - bout it!

G5

           



    

E. Gtr. 2

  

61

rock - in' and there's noth - in' you can,noth - in' you can, noth - in' you can do

       

67



73

E. Gtr. 1

D

       

     

Bass

Voice





G

                  Dr.     



stop

60

   

       

66

Voice



stop - pin' and you can't

                    Dr.     

Bass

All





A

D

                 

 

 

 

 

 

 

 

                                                                                                 

7

  

80

Voice

Fl.

  

from

right,

84

85

            'cos rea - son's out the win- dow,bet - ter hold

 on



All

86

  

tight.You're rush- in'

 





head - long





















































   















































































































   



































































































  























  





 













  

       



  

         

Tbn. 2

Tbn. 3

Tbn. 4



Vln. 2

Vla.

Vc.





     

E. Gtr. 2























































































D

A









                                       

A

D

A

G5

F#5

A

G

                



























 

 

 

 

 

 

 

 

 

 

 

 

 

        

 

 

 

 

 

 







A

 

 





 

down the



Tbn. 1

Perc.





Tpt. 4

Dr.

time to fi - gure wrong





Tpt. 3

Bass

  





Tpt. 2

E. Gtr. 1

no

83



Tpt. 1

Cb.



got





Bari. Sax.

Vln. 1

run- nin''cos your feet





Ten. Sax.

Euph.



stop

      burned. It ain't 

Alto Sax.

Hn.



can't

    



Ob.

Bsn.

Scaramouche 82

81

 

D

   F5

        

  

  

  

                                            

8

  

87

Voice

Fl.

  

Bari. Sax.



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Vc.

E. Gtr. 1



Bass

Dr.

Perc.



con - trol.

   

You think you're

90

        so strong, but there ain't 91

92



   

no

     

stop - pin' and there's noth - in.

noth - in,







   















   















  





















 





   

















   















   















   















   















   





   











   

















   

















   

















   

















   















   















   





  











   





 











   

















   













   





   

of





  

E. Gtr. 2

out

 



  

Vla.

long

89

 





Vln. 2

-



   

   

Tpt. 4

head







  

Tpt. 3

 





  

Tpt. 2

Cb.

and you're rush - in'

  

Tpt. 1

Vln. 1

way

  

Ten. Sax.

Euph.

-

   

    

Alto Sax.

Hn.

high



  

Ob.

Bsn.

88











         D5

F5

D5

F5

D5



 

   E5



G

       

       

  

  

  

  



 

D

  

  

  

       

F5

D5

E5

F5

D5



         

  

  

  





    D5



   G

D

              

     



       

F5

D5

E5

F5

G5

F5

D5



          

  

  

  

  



F5



F5

  

          

9

    

93

Voice

noth - in,

    G5

E. Gtr. 1

Bass

Dr.

Perc.



noth - in',

94

 

noth - in'

you



can,

 

noth - in



you



can

 do

96





a - bout



it!









 

 

 



   



   



   



  

  

   

  

   

  

   

  

 



   

98

Head

     -

long!

    

99

 



                                                      

    

    

   

       





 

       

Bb

97



 

F5 G5





can, noth - in

95



C

 









 



F5 G5





you



C



  



Bb



G5

E. Gtr. 2

  

F5 G5

F5 G5

F5 G5

F5 D5 G5

  F5 G5



F5 G5

F5 G5

F5 D5 G5





  

D

  D

fill



 





12 - No One But You (Only the Good Die Young)

Words by Brian May

       e = 108

Alto Saxophones

Horns in F

2



     

Tenor Saxophones

Baritone Saxophone

Plaintive swing



 p       p       p      p      p    

Trumpet 1 in Bb

Trumpet 2 in Bb

Trumpet 3 in Bb

Trumpet 4 in Bb

Trombone 1











 



 















    

       p     Violin 2    p     Viola     p     Violoncello  p

Keyboard







 









 







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









 



 



 

 

 







 



 

    







10



11



12



13

























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

 



 





      

  







   

9





  

 



  

8





   









   







  



p





7

           



Violin 1

Contrabass



 





   







p

Euphonium





 

p

6



 

   

 

p

Trombone 4

5

 

   

Trombone 3

4



p

Trombone 2





    

    

3













   





 









   











  

















 











 



























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









 





 





  

 













 

   

   

   



14

    15     16     17    18      19                      

p





p



p

 

















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















 















































 







































































































       



 

     



    









































































26



27

   



                                                            



    





 

 



Piano

 







 

21





 

 



 





p

 

20



    



Music by Brian May Arranged by Robert Russell

D A/C#

D

B7 Em

B

                             





Kbd.

Bass

Dr.

22  





23

                 Em





         

C#m7(b5)A7



24

 D

   

Bm

25

G#m7(b5)E7

      











A

Asus4

                    







 



Meatloaf

28

D A/C# D          







         A hand a - bove the wa - ter,

 

  

  



 

29

    

B7 Em           

    30



    

an an - gel reach - ing for the sky.







B/D#

               

 

Em





31

32

         

C#m7(b5)          

D           

Is it rain - ing in

hea - ven?

A7

33



      

Bm

    

Do you want us to

G#m7(b5)

       

E7



Voice

   

     







           



 

2

Voice

E. Gtr. 3





cry?

35







       36

 

And ev - 'ry - where the bro - ken heart - ed

D                  

      A

    

G/A

  

  

A/C#



D





 

37

 



Kbd.

34    

 





         38

39

on ev - 'ry lone - ly a - ve - nue.

B/D#     

B7   

Em

  

 



  

Em

 











 



40

No one could

 

     

 

C



 

 

reach them,

 

    

G/B

G







                        

D

Acoustic



           Bass          Dr.     

A

D

B7







     

     

    

Em

softly strummed

B

Em

    

 

     

C

 

    

 

 

 

  



     

    

     

    

     

G



    



Voice

41    



 

no one

   

   

Kbd.

E. Gtr. 3

Bass

Dr.



D

 



 but

 

42





43

you.



   

 

     



    



One

 

B7                

A/C#

 A

B7



   

     

      

44

by

45

die









47

    

young.

  G#7    

B7 E     



46



on - ly the good

A





   



one,

  G#7   

E 

              D





fly - in'







 

too

B7 E     

A



They're on - ly

close

G#7   

  



 

to the



                        E



       

G#7

A

B7

E

G#7





      

    

   

 

  3

         

     

A

B7



   

     

E

G#7

     3

         

 

3



      



48   



sun

     

Kbd.

E. Gtr. 1

E. Gtr. 3

Bass

Dr.

C#m

 

  

  

and life

       

 

goes

A#dim

49

50

on

          3    

E/B



        C#m

     

A#dim

   

    

     

       with - out you.

 



B7

            



  



 





       

 

B7sus4





A/C#         

              

B7sus4



E



51



Voice

B7

  



   

52



    

An - oth- er trick - y

       

D



A/C#





   





53

    

54

si - tu - a - tion,

D



55

I get to drown - in' in the blues

     

   



Em

B/D#

     



 

  





Country



       

B7

     



 



    

Em

 



     

          3

             

D

A

D

B7









     

      

    

     

  

Em

B

        

Em

  

     



 

              

3

Voice

56   





Vc.





Bass

Dr.







Offstage Chorus





 

 





































C#m7(b5)     



  

A7

 



D   

      



 

 

  



Bm

         

G#m7(b5)

E7

 



A

C#m7(b5)

    

A7

D







     

      

             

63   



   



64

 

      



 





 



Em     

 

Hell

    



Bm

  

 







  

ooh,

      

         

ooh,

   

           C



 

G#m7(b5)

E7

     

 



   

 

you made a

66

   



sen - sa - tion,

                                  

65

  

  

     youfound a

       

a sen - sa - tion.

       

    

G/B



  

 

G



  



  

 

     

 

 

D

 

D

A

D

  



 

     

      





                  

         

   

       





                 

 



   



   

   

67

                 

 

Found a





 

B7

     





way through.

 

 

way through.

            

A/C#

       



  



    

      

    

    

              B7

                  3 Em C G D A B7                                 







    





 



Found a





  

a sen - sa - tion.

 





D

way through.



         



     







 

  





ooh,

B7           

A/C#



ooh,



 



 





 



   



Em

B/D#



 



 



                  

3 3                  

             

   

D

   





             

mf









mf

G













mf

        

A





mf

    





 

mf

G/A

 



62

to - geth - er pray - ing ev - 'ry



 

 





61

         Yes!It was such an o - pe - ra - tion,



                    

Vc.

E. Gtr. 3



do?



   

Vla.

E. Gtr. 1

60





Vln. 2

Kbd.



  

Ooh,

   Vln. 1 

Cb.

what would you



due.

Vocal

Well,

59



Dr.

Voice

  







E. Gtr. 3

Bass



think - in'.



  

Vla.

E. Gtr. 1

58

Ooh,

Vln. 2

Kbd.

    



  Vln. 1 

Cb.

57

and I find my - self

   Vocal

  





             

68





 

     

Em



by





 



     



One

B

 

69



3



 

        

one,

on - ly the



  

 

One

by

one,

on - ly the

One

by

one,

on - ly the

 





  





 



f

 



 



f

f

 

f



f

 G#7    

E 







  



   

  A





 B7     





         E

       

G#7

A





      

    

B7

        

4

Voice

70   



good

    

Vocal

    

Vla.

E. Gtr. 1



  

too

fly - in'

     



     





  





to the sun.

     



C#m

  

 

    

Dr.

E

G#7

A

                3

   

B7

E

3                                   3

      







 

 

 

 

 

      

E/B

 





 

   

pp

A#dim

 

 

pp

A#dim

    



 

     

B7sus4

 















E

   





pp

       

C#m



 

pp

  

 

 



 

  

     

 

  































B7





      

           



A/C# D                 

B7

 

3

     

   



B7sus4







 

   



77





pp

 

76

 



G#7

     for - ev - er.

 

 



75



re - mem - ber

   



 G#7      









B7 E     

We'll

to the sun.



 





close

 





  

                





 close

too



A

to the sun.

74

   

                        

E. Gtr. 3

Bass

They're on - ly





  

fly - in'

close

       



 G#7     

E      

They're on - ly





  

too

     

young.



fly - in'





Kbd.



They're on - ly

 

 

73

     

young.



  

Vc.

Cb.





       

Vln. 2



die

    

72

young.

die

    



die

 

good

good

Vln. 1

71





  



    

B7/D#

 

          

 78    

    Fl.  mf    Vln. 1   mp   Vln. 2   mp    Vla.  mp    Vc. Cb.

Kbd.

E. Gtr. 3

Bass

Dr.



          79

 

And now the par - ty must be















  



 

mp





 

E B/D# E              

  









80

      

 

mp

 

ov - er.



         

C#7              



 

        81

 

 

 



I guess we'll ne - ver un - der - stand

 





 







 





 

   



F#m

C#/E#



 

 

     

   

   

    

F#m



82



         



 

     

            

the sense of

you

83

      

lea - ving.









   



 















 



D#m7(b5)

B7





        







    

      

E

   

was

 







Was it the way it

 





84

         C#m



Voice

   

  

 

       

 



A#m7(b5)

F#7

E B E C#7 F#m C# F#m D#m7(b5) B7 E C#m A#m7(b5) F#7                                               



arpeggios

    

    



      



    



  

      



    

    

3

      



   



 

      



   

     

 

    

    

5

Voice

85   



86

planned?

  

87

And so we'll grace





            an - oth - er

88

ta - ble,





 

Ooh,

 

 



 

 

      













Ooh,

Fl.

Hn.

   

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Vln. 1

E. Gtr. 3

     



     



     



















mp

  



  



B        

  

       

Dr.

 

 







        

 

 

 









mp

















 







 

 



































 







 





mp

mp

     

 

 



 

     

   









 





 

  

B/D# C#7   E  E                                  

A/B

 





 

91            

 



 

ooh.

      

 ooh.

 



 

f





f

 



























 















  f



























     

 



     

 







 

f







f

















 













 

















 



 

 

   



F#m

C#/E#



 

   

         

     

      



f

f

  

      

   

f

f



F#m



 





f

 

 



 

     





f

     

 



f



 

f

   f







  



  

   A/C#       

f

D

    

and I ain't





 



 







the win - dow

 



       







   

A

  

                                             B

A

E

B

E

C#7





      

              

strumming

Bass

 

 

mp







mp











 

ooh,



There's a face at

 



mp







90







mp

  







mp

   



 

mp

89

ooh,



E. Gtr. 1



    

Vc.

Kbd.



    

Vla.



 

     



Vln. 2

Cb.



    

Tpt. 1

Euph.



         

and raise our glass - es one more time.



Vocal





      

 

 

  

                  



 



F#m

C#

F#m

D

A

      



     

  

   

     

          

    

                    

3

      



 

6

Voice

92        

Vocal

Fl.



ne - ver,

   

ne - ver say - in'

   

   

         Hn. 

Bsn.

      

Tpt. 1

          Vln. 1 

Kbd.

E. Gtr. 3

Bass

Dr.





E         



 









   



 





  







 









 



   

C#7                

 



 

f





f





 





f





B/D#

by

f





    



          





      





E







             

 



       







 

  





  









  

Vc.



one





   

Vla.

 





    

Vln. 2







Euph.

one





  

Tbn. 4

by





  

Tbn. 3

One

  





  

Tbn. 2

       

 











95

by





  

Tbn. 1

one





      

Tpt. 4

And it's



94





      

Tpt. 3

  





      

Tpt. 2

 

One

 

     

Bari. Sax.





   

Ten. Sax.





  

Alto Sax.

93

good - bye.

    

Ob.

Cb.



 

f

    













 

 



 



   

 

 



 

Gb   

   

  Bb7     

 

  

one



on - ly the



  

96

good

die



young.





  

 







  







    

 



  



  



  



   

 





 











  









 







 

  Db7     

 



Cb

 







 

  







 







   

  







  







  







  

















 













  



 

 

  







  

They're on - ly







They're on - ly











  

 





 

on - ly the good

  



   They're on - ly

young.







die





97

young.

 

on - ly the good



 

die

 

  





   



 





Bb7     



Cb

 

 

 

  





 Gb



  Db7     

     

                                         



 

B

      



C#7

 

 

                 3

Gb

  

 

      

Bb7

Cb



 

      

      

Db7

       

Gb



Bb7

 

      

3

Cb

 

     

         

Db7

       

7

fly - in'

Vocal

Ob.

Alto Sax.

close

to the

sun,

          

  

fly - in'

to the sun.

too

        fly - in'

Fl.

too

too

                 

  

 

99

    

close

    

close

cry - in'









to the sun.

    



    



    

                 Bari. Sax.        Bsn.       Ten. Sax.

                        Tpt. 1             Tpt. 2   

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

                    

Kbd.

E. Gtr. 1

E. Gtr. 3

Bass

Dr.



Gb     

              







                        



   

  Bb7       

   

Ebm



  

                     

  

         

Gb

      

Bb7

Ebm

3          

    

       

3

 

Cdim

Gb/Db

   





                        Cdim

   

    

     

  

103



for no one,



     104

no one but



 



   



you.



 

105

  



Ooh.







  

Ooh.

  

 



rall.

102





   

     

 

cry - in'



   

 





























































































































  



  

Cm7(b5)     Cb                       



           Vln. 1         Vln. 2        Vla.             Vc.     Cb.      





      

Euph.





             



101

for no - thing,

 

         

     



Hn.

Tpt. 3

100













   

                     

 

 



 

                                       



Voice

98         

Gb/Db







 



  

          



 rall.

             

 

 





 





 





 





 





 





 





 





 





 





 





 





 





 





 





 





 





 





 





 





 



Gb    

Cb/Db

straight



             straight

                       



freely

  

  

 



     

13 - Crazy Little Thing Called Love Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

    

q = 150

Voice

Hand Claps

Electric Guitar 3

Bass Guitar

Drums

 Voice

Claps

E. Gtr. 3

Bass



Vocal

Claps

Alto Sax.

E. Gtr. 3

Bass



Vocal

Claps

Alto Sax.



E. Gtr. 3

Bass

Dr.





 



 

  

D





Bohemians





  

Thisthing

         













10

     

11

 I must





Britney

5

 









 

 

  

G D

called love,

  



 

called love,













a - get round

 

it cries





 

   

 

 



I

G





            

  







 

  

Britney

cra - dle all night.









21



It swings,







 

 

  









 

 

    















    



 

  

 





22







it jives,



Meatloaf

 

This thing









   

 



  



G D

 

  23

3

shakes all







ov - er like a





     Meatloaf

jel - ly

fish.

I kind - a

         ooh, I kind - a    

Ooh, ooh,







    

3

        24        



 

This thing



G D

Meatloaf



3



G

                  



Ooh, ooh.

C

16





D









 

C

  

  

han - dle it.







 

Bb



Ooh, ooh.

can't

C G

15

Cra - zy lit - tle thing called love.





 

8

G

 

 



















  



  



  



  





  



  

 



  

  



     

mf

mf





 

 

  

  







    

like it.

      







 

 

  

26Both

      

like it.

      



  

27

Cra - zy lit - tle thing called love.





    



 

   

 















 





























 

 

  

  

                          G D

G D

3

 

  

   

-



  





 

 

  

  

30









  







 

 

  

D

G

D











C G





    



 

   

 

31 32          

   







roll.

 







33

cra





mp





















C G

C G

C G

C



 

     

       

  

   

  

   

- zy,

ooh,





C G

   

  



        

 

    



mp G

    G

 

She drives me

  



C



 





G

 

she knows how to rock and

  





  

          

D



mp



G

by,

  





D

  

ba

  

  

D



Ooh,



C



Britney 29        

 



28



 

There goes my



         D G D Bb         









  













 







G D

    



I just

D

14Both



7

  



25  

  

G D

                  mf D G D D G D G C G C G                 

 



D



20

like a ba -by.

 

ain't rea - dy.

      

in a









      

     

 







C











 



  

Britney 13

to it

called love,

G D

    

  

 



C G





12

6

 



D

 











G D







  

G

 19  



D

    



 



 

D

 



G D



18



D





G D



G D



called love,

 

  

4





 





D

Swing Rock

 



Ten. Sax.

Bari. Sax.

q = 150



17  

Dr.

Voice

 

G D





Ten. Sax.

Bari. Sax.



D

      

3



This thing





2



   Acoustic           

9   

Dr.

Voice





Swing Rock







           G

C G

C G

Bb



 

 

 

 

   

   

  

   

  



2

Voice

Vocal

Claps

Alto Sax.

Ten. Sax.

Bari. Sax.

E. Gtr. 1

34   



     f      f      f    

Dr.

Voice

Vocal

Claps

Alto Sax.

Ten. Sax.

Bari. Sax.

E. Gtr. 1



 

51  



Man!







  





  



  















  



  























       F





 Girls





 







 









   3

   

  Meatloaf46

   





     





 

 



  

hitch - hike.

 



          









    3

3

3

  

A

and take a long

ride

  

Ooh.









on my mo - tor













 

Meatloaf



  





  

   

   

   

52





 

 



D

   

 

53

G

54



 



D

   

G

  







 

C

  

  

3



57









   



 

called love.

        

Cra - zy lit - tle thing called love.











    

 

   

 

3

3

58



C 3

  

Bb

 

  

 





  

    



 

    

 







 





59



 

D

Cra - zy lit - tle thing

G D

 

 



D

    



 

 

G

50 Both

 

D

                          

  G

 

56



 

C G

 

55







 











































 

                       



     



   



G D

 

G D



           

D

  



   

D

G D

3

  

 



      

 

        



Bb



                                                

                        



   







3





  









D



Uh huh!







 



 





 

G

   

rea - dy.

vroom.



get hip,

            

49

un - til I'm



D

     

bike

Vroom,







3

48         

Britney 47

All

  

Back - seat,

3





  



3 3                           3 3



hitch - hike

E 3



     3 3 3          3

A G# G

3



   

Overdrive

  

D C# C



 





G







C

  

Ooh, ooh.















  

Ooh, ooh.







tracks. Take a back - seat,





re - lax,



44 45           





   



     





42





 



I got - ta be cool,

 



    



41

    



 



Britney



A

me









a - get on



40









C G

       

E

39



                                                                      

G

    

E. Gtr. 3

Dr.

  

     

Ten. Sax.

Bass

 



  

 

38

  



        

                        

Claps

E. Gtr. 1









   











Bari. Sax.



   

Vocal

Alto Sax.







Dr.

Voice

  

43  

E. Gtr. 3

Bass

    

37

she gives me hot and cold fe - ver, sheleaves me in a cool, cool sweat!

aah!



E. Gtr. 3

Bass



35 36                    



D

         

 

     

G

D

                                  

       

Bb

 

 

    

   

  

E

A

   

  

3

Voice

Vocal

Claps

E. Gtr. 1

60   

61

 

                  F

Bass



64





Galileo

65

    















  



   

   

   

3

    



   D C# C

A G# G

3

    

Dr.

63





66     

   

a - re - lax,

get hip

I got - ta be cool,

   

E. Gtr. 3

62





3

  





   



  



Scaramouche



   

    back - seat, hitch - hike            Ah - mm, ah - mm.

my tracks. Take a

  



Galileo 70

  

 



  











     3 3  3         3





































3

and

   



A

3 3                        3 3



and get on

Scaramouche 69



E

3

 

 68        

67

3

 72 73 71                    take a long ride on my mo - tor - bike un - til I'm rea - dy.                 Both

Voice

Vocal

E. Gtr. 1



  

E. Gtr. 3

Bass



Dr.

  





 







    

      





 

75

76

77





Cra - zy lit - tle thing called love.

    Are you rea - dy?

Mm

Claps

74Britney



  



78









 



















  





































3     



3

3

3

    















I just,

       



 



       



   

3

 

called love,



     

 

called love,

Thisthing





This thing





Meatloaf



D

G





 

 

D

D

G

D









  

 

 

  



Voice

Vocal

Claps

Alto Sax.

79  



  





E. Gtr. 1

   

Dr.







 

     



a - can't han

 -

 

 





81

dle it.

 







  

Britney

82



This thing















Thisthing





Meatloaf

83

  



called love,



 











called love,



  







I



 

just

got - ta get



  

must



a-get

























 G9     









   

E. Gtr. 3

Bass

  

80

woah!



Ten. Sax.

Bari. Sax.

    





     

G

C G

C





    



 

 

   

 

 

   



 

    3





84



    

round to it.

 

I ain't

      

 





  

 

rea - dy (Get

Ooh.



  

   

Britney 3      

 

round to it.



85





 

rea - dy!)

       

86 Both

  

Cra - zy lit tle thing called love,

                

Cra - zy lit tle thing called love,





 



















    

 



  

 



     

 





D

G

                    







   







  

 

 

 

 

  

G

D

D

G

D







  

  

 

 

    

G

C G

C





    



 

 

   

 

 

G

D

G D

Bb







 

  

 

 

   

C



4

Voice

87  

Vocal



Claps



Alto Sax.

E. Gtr. 1

Voice

Claps

Alto Sax.



E. Gtr. 1



Voice

Claps

Alto Sax.

E. Gtr. 1

Dr.















  

        



           Cra - zy lit - tle thing called love,









  G D

G D





 

 

  





    

 







   

 



     

 







    













 

G

G





 

 

    

101  



  





         

        

    





 

  

 

 

  











    

 







   

 



     

 









 

    





    

 

 

 



 





               

 



     





      3

3









                  

Bb

  

G

D











  

 

  

 

 

  

    

Cra - zy

 

lit - tle thing

G D

 







  

  

 

 

    















99

called love,

G D

Bb

C



 

 

 

  

    

 

100Both

cra - zy

lit - tle thing

called love,

    

 

    

 



 



 





 

               



    

 



    

     





  

Bb

C





 

 3





G

D









 

    

 

 

    

103

  



    

  

     

  



3



  

  







 















    

 

 

    

 

    

105

G



























D



G

D

Bb

 

  

All

106







D

G

  

 

D

A

D

D

G

   

 

    

 

D





C

 107  

Oh



A

D

D

G

    

 

D



 

D

  

 

    

 

G

 

D7

D

 

A9

D7

       

    

    





  D





 

A

 

yeah!

 



   

 

3

  

D







                 

      3





          

C

 

  



                               



C

 



     

Bb

 





Bb

104

 





D

 







G





3

       

D















 

D



 



C

 

98Britney



Bb



      

 

  



 



  

    

3





    





G D











D









       

C











    

D





 



G





    



D



 

94





102







93







G



92











D

ad lib.

97



 



3

           Cra - zy lit - tle thing called love,

91



D

al - right!







G D





 

G D





D

   



        

D







  







D

96





C



 

ad lib.

        

Bb

  

cra - zy lit - tle thing called love.





        

 

90





 







  



89

cra - zy lit - tle thing called love,

  

D

  

 

88



           

E. Gtr. 3

Bass





   

Ten. Sax.

Bari. Sax.



    

Dr.





95  

E. Gtr. 3

Bass

  



Ten. Sax.

Bari. Sax.



       

Dr.



 

    

E. Gtr. 3

Bass



    

Ten. Sax.

Bari. Sax.



 

fill



   

   



14 - Ogre Battle Music by Freddie Mercury Arranged by Robert Russell

  Distorted                        Heavy - heavy! q = 104            q = 104

Electric Guitar 1

Bass Guitar

Drums

Heavy - heavy!

2

3

                            

4

                                                    

                                                     



Fl.

5 

































































Ob.

  

Alto Sax.

  

Ten. Sax.

  

Bari. Sax.

    Hn. 

Bsn.

  

Tpt. 1

  

Tpt. 2

  

Tpt. 3

  

Tpt. 4

6



7



Tbn. 1









Tbn. 2









Tbn. 3









Tbn. 4





















  Vln. 1 

Euph.



Vln. 2









Vla.

















   







Vc.

Cb.

E. Gtr. 1

Bass

Dr.



 

                                                                                                                                          

  fff    fff   fff  

8

                       

               

          fff           fff

   fff    fff    fff    fff    fff   fff   fff

fff

   fff    fff    fff    fff    fff   fff   fff  

                            

                                                 

                      fff A

                

                                                             

   

 

  

10

 

 

     

 

     

 



 



 



 

    



 

  

 

 

 



 

  

Em

    

   

 



 

 

 

   

 



         

                    

9

 

 

     

 

     

     

     

       E5      

fill

 

15 - One Vision Words by Freddie Mercury, Brian May, Roger Taylor and John Deacon

Oboe

Alto Saxophones

Tenor Saxophones

Bassoon

Violin 1

Violin 2

Viola

Violoncello

Contrabass

Bass Guitar

Drums

                    

   

   

 

 

     

   

mf

mf



     



4



5



6



7



8



9



































    

































































 

           



















        mf         mf        

     

     

                 

     

                   

      

           

   

10





     

 

3



   

 

mf

  

   

2

 

    

 

Music by Freddie Mercury, Brian May Roger Taylor and John Deacon Arranged by Robert Russell

q = 126 Heavy Rock 4

   

mf

    f     f    

     f

    



















        



11





                

 

q = 126 Heavy Rock 4



 

   

2

Fl.

12  

13



  

14



                                                                     

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

      Hn. 



   

Tpt. 1

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4



Kbd.

E. Gtr. 2

Bass

Dr.

 E. Gtr. 1

E. Gtr. 2

Bass

Dr.

18

                                                               













19

                   





              

20

           









  













































































































































   

   

22  



    









 

Synth

































23



24





A D



G C











 

 



mf



mf



mf



25



26

G C

A





D

 



27

28

A

D

G

C















 



mf

mf

mf

         

mf



                     













G

C



Overdrive30

            A

D

 

     

Bb/D



29



 



                                                                       D

    





mf

Dm9





mf

                                                    









Bb/D



mf

                             

                                          





      

D











                                                                                                 





 

                                                              









21









                  



 





                        Vln. 1                 Vln. 2                               Vla.                  Vc. 

17

                             



Euph.

Cb.





   

Tpt. 4



16



  

Tpt. 3

f

                                   





  

Tpt. 2

15

    



Bsn.









   D

 

Distorted





     

  

           31           A

D

                                      



                     G

C

3

32   



    

  







G

one



One







         C

  



one

    



  42



so - lu - tion.

  



One

 

         

43





 

of



A

Ob.

Alto Sax.

Ten. Sax.

A



of

44



  



 G

  

Vc.

Cb.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

D

yeah!

             

G

Oh yeah!



yeah!

   

one

G

C



Oh yeah!

                

53

G

  



Oh yeah!







































 



















     









  

    



C

 

C7sus4



C5



C5

              





D



No

soul,

        





A

D

48

one

true re - li - gion.

one

true re - li - gion.









G



                 

C

G

         C

One voice, one hope,

one

real de-ci - sion.

one

real de-ci - sion.

          One voice, one hope,





D

A

D



D



A



D



                                                                      55



56

Voice 2

   

a dream



                    

      of sweet il - lu

                 

     

     

      

           



     

-

 

58

sion.



3 when I was young,

had a dream



57

        

                       





A glimpse of hope

                                                                





                       

    

                                                                                                         





                                               



























   

 

 

 

     

                    

      







Voice  3    





 

49                   



                                                     

  

just

A

A



 

Voice 1

           

D



just



                                                  

D

One com - fort zone,

D

I



C7sus4



47                

A

   





         



Oh yeah!





One com - fort zone,

     

54

mis - sion.

  

40



heart,

46

vi - sion.

         

one

No

                 

  

A



mis - sion.

39

   

C

vi - sion.



A







        C

        

  

God, one

C



C

                 

one

C



  



G

   



       

C

45



52

Whoa

     Vln. 1 

Vla.

51

    yeah,

                     Whoa

Bsn.

Vln. 2

A



                 

D

     

D



G

light,

     

 

D



                         

D

light,

 

flash

A



38

  

 

one





        

D

  

flash

  

D

Distorted



     One

  

D

                                      



so - lu - tion.

 

50  

Vocal



37



one goal,

  A

36



plan,

                    Bass                                      Dr.                    

E. Gtr. 2

35

  

Hey!

41    

Vocal



34





     

           Bass          Dr.     

E. Gtr. 1



Ga Ga Kids

E. Gtr. 2





Hey!

Vocal

E. Gtr. 1

33



     

 

4

59  

Voice 60 4           



and vi - sions of one sweet

Vocal

  

Fl.

  

    

Bari. Sax.

Hn.



Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

E. Gtr. 1

Bass

Dr.





3 and a dark rain falls and in my heart it shows.





            

                           

   

















































































































     



  

   66       

dream!

3 3 Look what they've done to my

dream!

   

 

            

                

              



                                                                                                                     



 











 

3 they've done to 3 my Look what







   

                                  





65







3

  f   f

3

f

3

   

3

 

     



3

   3 3

  



 





    







 





f

3

  



f

3

  





  

f

3



  

f

3



  

f

3









       

f

  

3

3

3

3



3

  

3

                               

 



  

      





























































































 















 



 

 

3



 

  

3







f





                              

                              

  

67



  



3 But a cold win blows

      



  

E. Gtr. 2

              All Boys



 





and in my heart it shows.



  

Vc.



64



  

Vla.

All

         



  



Vln. 2

Cb.



   

Tpt. 3



63



                                                                                   



   

62

u - ni - on.





  

Tpt. 2

Vln. 1



  

Tpt. 1

Euph.

  

      

Ten. Sax.





        

Alto Sax.



     

and u - ni - ty

  

Ob.

Bsn.



61

  Overdrive







             

       

                                   



  

                                     

5

68  

69



70



71



One





   

   D

Bass

Dr.

Perc.







  

One

    

E. Gtr. 2



 









 

D



 

  

A

  

  

      





 



 

     

G

C

                                   





3

3

   3

   G

     72

vi - sion.



Vocal

E. Gtr. 1

   





So

give us your hands,



vi - sion.

3



  

  

A

D

D

74

  

give us your hearts,

we're rea - dy.

    

  

give us your hearts,

we're rea - dy.



 

D

  



 

  

    



There's on - ly

   



There's on - ly

      C5 G5 F5

 A

                                     

Egg Shaker

    



                       C

73

 



 



 

     

G

C



    G



                 

                         





                                                                                

 75     one

Vocal

 E. Gtr. 1

Dr.

Perc.





di



di

F

   

     





     



rec - tion.



  



One

world



  







 

  









 

 

                 

 



 



          

                            C

   







te

-

le

-

vi - sion.

on

te

-

le

-

vi - sion.



 G





on

 A

79





na - tion



D

D

78

  

and one





     

            

77



rec - tion.

      -

76



    



-



one

  

E. Gtr. 2

Bass



  

               C



 



 

G5

    

F5

G5

No

hate, no

fight,

No

hate, no

fight,



just

ex - ci - ta -

just

ex - ci - ta -

  

    



A

D



D



A



                           

               

 

81

                               

Distorted

 G

80

    





 82   Vocal

83 84 85  86                             - tion. All through the night it's a ce - le - bra - tion. Whoa, whoa, whoa, yeah!

E. Gtr. 1





   

through the night



Bass

Dr.

Perc.



  





whoa,

 



88

  







whoa, yeah!

 

 

One, one,

 

    

89

  one, one,

 

one, one,

one, one,





one.

Synth Bass

All

    

we hear



A



D



A



G

   

D

 



 



is

     we hear

is

               



D







All



G





one.



A



one, one,

90



D





 

A







                                                                                                                            





D

D

 



 

A

A

E. Gtr. 2

it's a ce - le - bra - tion. Whoa,

87

One, one,

                                  - tion. All

Kbd.







         

             



            



6

Vocal

91       



     



ra - di - o

 Kbd.

Bass

Dr.

Perc.

ra - di - o

ga

ga

ga,

92

     

vi - de - o

ga,

goo goo,

    

vi - de - o



93

     

in - ter - net ca



goo goo,

ca.

    

in - ter - net ca



94



All



ca.

 All

     

we

hear

is

    

we

hear

is

95

     

cy - ber - space ga

ga,

    

cy - ber - space ga

 

ga,

96

     

in - ter - net ca

ca,

in - ter - net ca

ca,

    

 

                                                                                                                 





             

             

             

             

             

             

             

7

97  

mar - ket - ing

Vocal

 Fl.

        

Ten. Sax.

    

Bari. Sax.



       

Tpt. 2

   

Tpt. 3

  

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Vln. 1

Kbd.

E. Gtr. 1

 

Bass

Dr.

Perc.

ahh!

One flesh, one clone,

one

true

re - li - gion.

One voice, one hope,

one

real

de - ci - sion.

One flesh, one clone,

one

true

re - li - gion.

One voice, one hope,

one

real

de - ci - sion.















































 



















































mf















mf









































mf













mf













mf









































 

mf

mf

mf

mf

mf

                                       

































 

















































                                                  

  



100

ahh!

blah.



  

E. Gtr. 2

Ahh,

101 102 103                                     

 

Ahh,

blah



  

Vc.

99

  

 





98

 



  

Vla.

blah.





Vln. 2

Cb.



  

Tpt. 1

Euph.

mar - ket - ing

  

Alto Sax.

Hn.



blah

      

  

Ob.

Bsn.

       









             











               







A







A







                                                                                                         



    











8

104           Give us one night,

yeah,

105

     

give us one hope,

hey!

106            Just

   

  

107

give us, ah!

One plan,

  

109           

108

one star,

one day.

Just gim - me, gim - me, gim - me, gim - me fried

Vocal



Hn.

give us one hope.

give us,

one scam,

   one night,

  



hey, hey.

     



Gim - me, gim - me, gim - me fried

 

 

 

chic - ken!

 













 mp

 









 mp

 





































































  















  













 































Tbn. 2

Tbn. 3

Tbn. 4















  













   











   









   

















  

Vln. 2

Vla.

Vc.





    C

    C

E. Gtr. 2

Dr.

   



Tbn. 1

Bass



chic - ken!



Tpt. 4

E. Gtr. 1

Just



 

111

 

Tpt. 3

Cb.

      

   

 mp

Tpt. 2

Vln. 1

    

Give us one night,

  

Tpt. 1

Euph.

      

110



     

 



C



C

Csus4

 



Csus4



mp

 

mp



 

mp



 

mp

 

mp

 

mp

mp 

 

 

 



 mp

 





  mp

















   

   

   

   



          

   

   

   

   



          

                                           

                                                                                                         

mp

   

mp

 

mp

 

 

 

 

 



Eb5

Eb5

     

 

16 - Who Wants to Live Forever Words by Brian May

Music by Brian May Arranged by Robert Russell

    

q = 70 Freely

Voice

Keyboard

Drums

 Voice

Voice

11  



 

Dm Piano            rubato      q = 70 Freely

  

12

   a - way   from  us?  yet slips  

13









































Vc.

Cb.

  



G7/D

     Kbd.     Dr.  

Csus4



     

    

C



Dm



 

  mp  mp

16

 

mp

  

Bb

   

for - ev - er?

Who wants to live















 F/A

   





        

 

Gm

 

  

for - ev - er?

               Who wants to live



   





18

Ooh.

Em7(b5)

   

    

     









  







Bb

Fmaj7/A

Gm7

 

  Bb/C         





  





 

     

C7



  



 



21



  

F/C

 

     20

10

       What is this thing that builds our dreams

  





3

Dm/C Dm/B



 

Dm



There's no chance



 

Bb/D



for - ev - er?

mp



 



9

        there's no place for us.

19





   

8









  

7

Gm

Galileo





Gm2

17





   for us, There's  no time

              



 

Scaramouche 6

                 



mp



 

 

15

Who wants to live

5

 Glass Organ

 

      

14



Vla.

Em7(b5)/G

4

            

 Vln. 1   Vln. 2

 

Em7(b5)/Bb

 

3

          

    3

 

2

  

 

for us,

      it's all

                     

Gm2

   

Gm





       

Em7(b5)



    

de -

2

Voice

Voice

22 

        ci - ded for us.

 Fl.    Hn.  Tpt. 1



Tpt. 2



Tpt. 3



Tpt. 4



Euph.

23





    

24



Cb.

       





























 



Who wants to live

wants to live

              

for - ev - er?

Who wants to live

for - ev - er?



Ooh.





 

Ooh.





































































































       







 

Dm/C

Dm/B

F/C







 









 

 



  



mp



for - ev - er?

32





    

Who

31





3

30

               







3

29



     Dreamyeffect            3





           



  



Dm2

28



set a - side for us.



   

27





 



26



 

    Kbd.       E. Gtr. 1   Dr.  



This world has on - ly one sweet mo - ment

             Vln. 2           

Vc.

25

3          



Vln. 1

Vla.































G7/D

Csus4

C

     

 

     

 

    

  

      

      































  









Bb

Fmaj7/A

Gm7

 

 Bb

   



Gm

 

 

 

   



 

F/A

 

 

 

  

   









                 

  

mf

  

mf

  

mf

  

mf

   

mf

    mf     f     f      f

  f

        

 

 



 

Csus4

C

 



f

3

Voice

Voice

Hn.

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

33    

Vln. 1

                         

Kbd.

  



mf



  



mf



  

 



  

         



  

    



Bb

     

36

        

for ev - er?

        

   

























         

   

                          

   



 

 

 

 

 



















  









  









  









  

















Gm7







 







Fmaj7/A







Bb







  







Gm







F/A



















  





      

     

  Csus4     

 

 

p



p  

 

 

 











E. Gtr. 2

















E. Gtr. 3









Bass

  







 











Perc.





mf







             







mf





Dr.

             



p

  

pp



p

C



 pp  



 

 

pp



p

 

 



 

E. Gtr. 1

Overdrive







  

    

  

Overdrive









 









Dm

 3     

Distorted

 











41



  

  



40









39









3 Ooh when love must die.





 

                    



       

 





              

    

38      

Oh.







Oh.

            

        

  

37

for ev - er?

         

  



Vla.

35

         

  

mf

   

             

         

  

  

       



  







Who dares to love

 



Cb.



      

Vln. 2

Vc.



Who dares to love

 

mf

Euph.

34













 







       light toms







Egg Shaker

 

   

4

Voice

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

E. Gtr. 3

42  

Perc.



44



45



   











mp



 

                 





Bb

   



                        Dm

      

 

46

47



48





    

But touch my

 

   



   



mp





 

mp                                 Dm

    

 3     







Bb

    





   





  

mf

 



mf               

              

     





mf

Dm

    

 3     





Bb

    

                                                    

            Dr.        

Bass

43





 

    



                  

 

                                      

 

Bb

    



                   

Bb

   





                      

5

Voice

49   



tears

Voice

Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.

Tpt. 1

 



50









51

52







with your lips.







      

Touch my

world

     

with your fin - ger















  





















  

























Tpt. 2



Tpt. 3

































Tpt. 4













Tbn. 1

















































Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1





   

Vla.

Vc.

 





mf







and we















































 









mf











mf











mf

















































 







mf

mf

mf

mf



mf



mf



mf



mf



mf



mf



mf



mf









 

















 



           





 







f

Distorted    

                                         

  

Dm

        Dr.  

             

  

Bb

  

    

             



  

Dm

                   

      

            

  

Bb



Clean





F

C







Dm



                                               



 

      



 

F

C







for-





f

for-

can love





         



for - ev - er,



can love





Perc.

can have

and we



        

Bass

for - ev - er,





E. Gtr. 3

we

can have



f

E. Gtr. 2

we

55



f

Cb.

54



f

Vln. 2

        

And





            

tips.



 

        

53

And

  

  

             





                            



6

Voice

56     



ev - er.

Voice

 

57

   

  

ev - er.

For ev

   

58

    -

er

  

is our

 







  







  









  









  









Bsn.

   







Hn.









 

Alto Sax.

Ten. Sax.

Bari. Sax.



   

 

Tpt. 1



Tpt. 2



Tpt. 3



Tpt. 4



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

E. Gtr. 1

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

 

 

 

     

 

  







 

  







 

  











































        













  





















          

     

 

  

 



  





 

   



 



  Dm

              







 

  





 

Dm

 



G

              60





   

  

61





to live

             62



for - ev - er?

Who

 



for - ev - er?







  





  



  

Who

   

63

wants

to live

for - ev - er?

wants

to live

for - ev - er?

64

For - ev

        



-

    

er

is











 























 









 



















 





  













  





















  



 















  





































  













  











  











  













      













 

















 











 











 





  



  

     

            

 

  Ab



to live

              Who wants



F





to - day.



Ob.



Who wants

  

Fl.

59



  

Ab

  

                        

 





 





       

 F

C



 









      



Dm

3

      

            







C





  

       



 



 







 







 





























  

     







 





 





 





F

 





















       

   

 

  

Dm



 



Dm



G

 

               

7

Voice

65  

66

67



68







            



69



70

71





72



73



74

75





76



ours.

Voice

Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

  



   



    

 

  

     Hn.     Tpt. 1  Bsn.

Tpt. 2



Tpt. 3



Tpt. 4



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

     

       

     Vln. 1  

Euph.

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

  



 

   



 

  

  F

                    



Who waits for - ev -

  



     



     

 





















































































































 



















  







































  































































































































































  

     

  

             





 



     

 





















ppp







   

 



 

 



ppp

 





 

Ab





  



ppp



Ab

ppp

ppp





  mf





            Bass       Dr.       

  



         





E. Gtr. 3

Perc.







er a - ny - way?



     

       











   

    

































  

 

 









    



    





  



 



  



    























































 

 



 







17 - Flash Words by Brian May

Music by Brian May Arranged by Robert Russell

 

q = 112 Electric Rock





Vocal



Flutes













   

Alto Saxophones



   

Tenor Saxophones

Baritone Saxophone

Horns in F



 

Oboe

Bassoon







   









    



   

Trumpet 1 in Bb



   

Trumpet 2 in Bb



   

Trumpet 3 in Bb

Trumpet 4 in Bb



   



Trombone 1







Trombone 2







Trombone 3







Trombone 4







Euphonium

Violin 1

  

  





 

2



Flash!









                

               

Violin 2





Viola







Violoncello







Contrabass















        

Keyboard

Bass Guitar

Drums





 

  



Am

 

    

                                  

Piano

q = 112 Electric Rock







3  4         

Police & Bohemians





 



 

Flash!

 



f



f



Ah!



f



   Ah!

                   

         f        f f

 

        f       f       f         f        f       f         f       f       f       f       f        f       f       f       f G/A                                                

     





















































































































 















 



 Am



                                                  



6  7          Flash!





 

5





 







 

Flash!

 

Ah!





  

 

Ah!

                   

                                                                                                                  G/A                                                

     

























































  

 F/A



8





Flash!



































































 



 

play once

 

play once

 

play once

 

play once

play once F2/A

    play R.H. once

                                                  



9       





 







 

Flash!

 

Ah!





  Ah!

               

             

                                                                                                  G/A                                                

2

10 

  

Vocal

 Fl.







 











































































































































































































       

     Hn.      

Tpt. 1

   

Tpt. 2

       

Tpt. 3

Tpt. 4

Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4



  Vln. 1 

Euph.

Vln. 2



Vla.

 

Vc.











  

E. Gtr. 2

Dr.





Bsn.

Bass

 



Bari. Sax.

E. Gtr. 1







 





                             

   



 

















 



 



 

F/A

 

                Overdrive



Overdrive



 



       





 

 

     

         



15





Ten. Sax.

14





   

13





Alto Sax.

Kbd.



q = 72

 

12



 

Ob.

Cb.

11

  



 





 



 

              

 

 

C

G/B

      

 

 q = 72

 

     

     



C

G

                    



Dm

A/C#

                    













            

      

             





               

 

3



16

Kbd.

Bass

Dr.

Dm

A/C#

17

F

C/E

                                             

  

      

            





          

     

18 F

D7/F#

            



G

E7/G#

               

           



    

19Am

    

rall.

Cmaj7/G



 

  



20 F

 

                

   



 rall.   





21





 

 

 



18 - Seven Seas of Rhye Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell



q = 120 Heavy Rock

Keyboard

Electric Guitar 1

Electric Guitar 2

Bass Guitar

Piano 2           3           4           5           6                                                      

                                                                            

  



 



  



 





C5

Distorted



 





 

q = 120 Heavy Rock



Drums

Voice

Kbd.

E. Gtr. 1

7  





  

  

Dr.

Voice

Vocal

Kbd.

E. Gtr. 1



Vocal

E. Gtr. 1

Dr.

  

 



  





 

    

   

     

11Khashoggi

    



















 ss.

gli





C5

Distorted





           







 

   



  

  



13

14

          

       

I des - cend up - on your Earth from the

skies.

I com - mand

























   

   



                20



   



    

   



F5

   

       

21

 



  



   

   

         

hear me,

Doctors and Bohemians





G5

Can you





   

        

    

  I



23

   

 

   

 

  

 

   

    

   

   

   



 

24

    

G5



F5

   

       



 

     I

   

  25

you peers andpri - vy

 

   

  

   

   

 

a - ny man who dares a - buse my

     

 

trust.

  



3

    

   

   

26 27                     

will des - troy



3

C5

 

   

 

                      





G5



stand be - fore you ne - ked to the eyes.

    



Dm5

        

 







C5

       

12

        



  



ooh,

   

 



G

      





  



   

Ooh,

22       coun -cil - lors,

E. Gtr. 2

Bass

    







 

Dm9

  

Overdrive

 

Dr.

Voice

  C5



F5

Fear me, you lords and la - dy prea - chers,

Dm

Overdrive







10



Distorted





16 17 19    18      15                             your ve - ry souls, you un -be - liev ers. Bring be - fore me what is mine, the se - ven seas of Rhye.

E. Gtr. 2

Bass

9



                      

E. Gtr. 2

Bass

8









C5

   

    28



   

   

    

       

I swear that you'll be mine,

the se - ven seas of Rhye.





ooh.



    

   

       



   





C5

   

  

   





Dm5

   

       





        

 



G5

 

   

 

 

2

Voice

Vocal

Kbd.

E. Gtr. 1

29   

30



 









32

33            

 

  

  

  

  



      

34



I live and lie for you; Mis - ter,



Sis - ter,

 

Dr.



      

                                                          

E. Gtr. 2

  

Sis - ter,

C5

Bass

31



do and I'll die.









C5

Bb5





  

Ah.

For - ev - er,









 



C5

Bb5



  



F5



Dm5



Em



 

  

 

C5







                F5

                                      

 

 

 

do and I'll die.



        

  

You are mine, I pos - sess you, be - long to you for - ev - er.

        

Mis - ter,



  

        35        36    



F







 

                             

 



Voice

Vocal

Kbd.

E. Gtr. 1

37   

       ev - er, 

 

E. Gtr. 2

Bass



38



  C



        



40

    



  





  





               



















42

                            

   





43

44



45



46











Ahh!



Dm7

41



Ahh!

ev - er.

 

Dr.



39

       

C5









 

 

 

 

 

  Ab

  

             3



  



  

3

 

  



    



                           

 

drum fill

    

   

 

       

  

 



        

           



Voice

Vocal

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

47      



48



    



   



   





 

 

    



 

         

49



 

   

               



pp

            Overdrive



   

 





  



51



  



52



                                  



  

         53        

Storm the mas - ter ma - ra - thon, I'll

fly

through by

Storm the mas - ter ma - ra - thon, I'll

fly

through by

 

                              F  Distorted            

  

50















 



 





    

 

       

  

  

  

  

        

3

Voice

Vocal

E. Gtr. 1

54           55     flash andthun - der fire and I'll sur - vive.

         

                                            flash andthun - der fire and I'll sur - vive, I'll sur - vive, I'll sur - vive, I'll sur - vive,  





Dr.



Bb5

 





   

  

  

   

  

  

57

  

A5

G5

 



  



I'll sur - vive,

  

     

 

       

na - ture and

  

Bb5

    

 



 

 



  

  

Be

60

        61    



gone with you, you shod and sha - dy se - na - tors.

               

  



   

Then I'll get you.

I'll sur - vive.



B5

  

59

      

       





   

58

come out a - live.

I'll sur - vive,



 

A5

 

  

       

Then I'll de - fy the laws of



 

E. Gtr. 2

Bass

56









Be



gone with you, you shod and sha - dy se - na - tors.



C5



















     

 

 

 

 

   







C5





    

  

  





  

        

  



Voice

Vocal

E. Gtr. 1

62           63     Give out the good, leave out the bad, ev - il cries.             Give out the good, leave out the bad, ev - il cries.  

 

 

E. Gtr. 2

Bass

  



Dr.

 



   



  

  





G5



F5

   

       



  I



64



Ti - tan and his trou - ba - dors.

chal - lenge the might - y

Ti - tan and his trou - ba - dors.





    

   

And with a

           

    



66      

65            

chal - lenge the might - y

  I





  

   



   

 



  

68           

smile

I'll take you to the se - ven seas

 









Dm



C

Fm6

           







     





     

of







   





C5

   

67

  





Voice

Kbd.

69    Rhye!



Bass

Dr.



71



72





        73

Oh

I

74

  

       75

 

do like to be be - side the sea - side,

                                            





                                           





E. Gtr. 2

70

76

  





oh I do like to be be - side the sea!











fade to nothing

  















 

























C5

  

 

 

 

 

 









19 - Fat Bottomed Girls Words by Brian May

Music by Brian May Arranged by Robert Russell

q = 86 Heavy Rock Chorale

   Queen - Track      Oh,

Vocal

 Electric Guitar 1

Electric Guitar 2



Voice

E. Gtr. 1

E. Gtr. 2



Vocal

E. Gtr. 1

    



Vocal





Vocal









      



  

25  

oh,

         



  

  

down be side

that red fire -

down be side



that red



5

light.

    

6



Oh,

 



fire - light.

7

               you gon - na let it all hang out? Fat bot       

Oh,

     

          

you gon - na let it all

8

 

  

    

  

 





  

    

  

  

 

tomed girls





you make the rock - in' world go'round!

hang out? Fat bot tomed girls



you make the rock - in' world go'round!





























Killer10 Queen



  



















      



   

11











such

a naugh - ty nan - ny. Heap big wo - man

 

     G

 

F5

G5











  









 

 

       



  A

                  



down be - side C

 

 

 



red

   G5 F5 D5

   G5 F5 D5

        

world

 'round! 



  

        







C#5 D

   

 





       

 



    Fat

    G



 19



    

D Oh,



D

         



  





A

 

 

    

       

      



 

 

C#5 D

  

 girl, 

  bot  - tomed 

bot - tomed girl,





                    

 

        

 you 

       make rock - in'   the     

D you

A - in' make the rock







D







 

           

 

       



    A

                  



 

'Round!

 go 

   

let it

  

all

G

all

  

  

    

      

      

 

29

           





 

   

              





   'Round!







D5

           





 





   

F#5

'Round!

 



F#5 tomedD5girl bot

hang out? Fat

'Round!



 

bot tomed girl

   

'Round!



 

hang out? Fat

   

G



  

   'Round! 

  

        

  

'Round!

D



G

                                 

  'round!  

D go 'round!

 

  





world

   

let it

   





C





   

28

  world  

      



you gon - na

 



 

   

24







 



                

    

     

 

 



C me home to - night, G you gon - na take

you gon - na

C#5 Oh, D



you gon - na take me home to - night,



Oh,



20

Oh,

   





23Free improvisation around chorus!













Yuppies & Offstage Chorus



D

27

      Yeah!  Fat      G Yeah!



D

A



C#5 D go 'round!

 



G



14





G A fire - light.



26

 go 





18

       - light. 

red



        

fire



that

C

      





           that

 

 





13

done made a bad girl out of me!

    

F#5 D5

22

A - in' make the rock



F#5 D5 C#5 D5

down be - side





17

  





12

          

16

                   you  make  the rock   - in' world           

E. Gtr. 2

Dr.

 



  





D

Bass

    

4





            

D you

E. Gtr. 1





oh,

you gon - na take me home to night,





     oh,      

Dr.

Voice



21  

E. Gtr. 2



Oh,

  

D

Bass

  

    C#5D5 C#5 D5           

D oh,

E. Gtr. 1



15           - ny, she was  with big fat Fan  

Dr.

Voice



3



                             C#5  C#5  D5 C#5      C#5D5 C#5D5 C#5 D5 C2 G D5 D5 G5 F5 D5 A Hey! I was just a skin- ny lass, known for sit - ting on my ass, but I knew life be - fore I left my nur - se ry. Huh! Left a lone                                                                A   D5                          

E. Gtr. 2



 

   

D5

Bass



    

you gon - na take me home to night,

9   

Dr.

Voice

  

2

  

 



 



 

fill



 



 

20 - Don't Stop Me Now Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

q = 98 Freely

Voice

Keyboard



Bass Guitar



  

2 Killer Queen

Piano

Kbd.

Ah! To - night

E. Gtr. 3

Bass

Dr.

  



   



float ing a - round



  



in

ec - sta

-

D7

  

  

    

leap -ing through the

sky



Am

time,

cy.

12



So



don't

Gm

   





I feel a - liy

F

-

hi

- hi - ive!

me

now.

C

Gm

           

14





Don't

       stop

me 'cos I'm

                                  Distorted   F

C

















19

       like a ti -

ger



Dm

7

And the world



13          stop

6

            

Gm C                                             

Dm

20

de - fy -ing the laws

                               

5

  

   

11    

18

busy chords

Dr.

                    



F

Bass

a real good

Am



shoot -ing star

Kbd.



                                                    Gm7

17

Voice

4



I'm gon - na have my - self

F



     



3

            

10

Voice



   

                          

     of



Gm

gra - vi

21

  

- ty.

 



C



22

rac - ing car

 F

is turn - ing in - side

F

F7

out,

   

Bb

                                        

       

q = 144Faster 15

   



hav -ing a good

16



time,

     

hav -ing a



good time. I'm

                             Gm   C   Gm

 

 

q = 144Faster

23

    

I'm a

8 9          





      pass - ing by



Am



Gm7

 

 

C

C7

 a



                 24

         likeLa - dy Go - di

-

va,



Dm

Khashoggi shouts and stops song

    

I'm gon - na...

               

                                                           

21 - Another One Bites the Dust Words by John Deacon

Music by John Deacon Arranged by Robert Russell q = 110 Rock 4



Voice

Tenor Saxophones

Violoncello

Contrabass

Electric Guitar 2

Bass Guitar



 



 



5









7

         

  

q = 110 Rock 4

















pp













pp

























 



Very Light, Distorted





       



Kil - ler Queen walks wa - ri - ly down the street with the brim pulled way down low.



      



   



   



6





pp



   

Drums

4 Killer Queen



pp



     





pp



   

3



Hey!

     



2



    

Baritone Saxophone

Bassoon

  



  

       







               

      





 

   



        













     

     





    

 

 

 



    

 8



Voice



  

      



9

      

Ain't no sound butthe sound of her feet,

E. Gtr. 2

Bass











ma - chine guns rea - dy to go.



          

 

     



Dr.



 



  



10



Are you rea - dy? Hey!





 

    



11

12

                    

     

 



Are you hang- ing onthe edge of your seat?

           









   

  

 





Are you rea - dy for this?

 



 



 

 



 



   



Outof the door - way thebul - lets rip

    









       



 





            



    

   

   

13

Voice

14

           

to the sound of the beat,

Claps

Vln. 1



Vla.

E. Gtr. 1

 

Dr.







 



 



 Distorted





   



 

 

 

 



15

An - oth - er one bites the dust.





  

E. Gtr. 2

Bass



  

Vln. 2

yeah.

          

   G5

          mp           mp           mp

    



                   

                

 



 

      

        

   



                                  17

18

An - oth - er one bites the dust.



                             

    



             

               

 

      

19

And an - oth - er one gone and an - oth - er one gone, an - oth - er one bites the dust, yeah.

 





         

16

       

     

   

    

    

 

               

 

        

   

 





    

 











     

    

           

 



      

        

   



         

    

2

20



Voice

Ten. Sax.

  

Bari. Sax.

Bsn.

Vc.

Cb.

E. Gtr. 1





Hey,



21

            







   





















    













    



Dr.



22



23



24



25



26



I'm gon- na get you too. An - oth - er one bites the dust.



E. Gtr. 2

Bass



     









 

   

     























pp









pp

















pp

pp

pp

 



   

How do you think I'm gon- na get a - long

Am5



           









G5















 



               

                 

 

  

  



                       

       



Em5



               



with-



     

           



 





 



    

 



  

  



27



Voice

Ten. Sax.

  

Bari. Sax.

Bsn.

Vc.

Cb.

E. Gtr. 1



Dr.

  

 





28

          I took you for ev - 'ry thing that you

29

 

     

had and kicked you out on your own.







   























    



out you,when you're gone?



E. Gtr. 2

Bass





 



              

   

Am5

 

G#5Am5



   

      

   

Em5

   

 



 

  

 

  

 

  

               



How long can you stand the heat?









pp

    G#5Am5



   

Are you sa - tis - fied?

pp

Am5

 

31

Are you hap- py?



  

              

30

    

      

pp





pp









pp

    



            



    

 

    



 

       

  

  

 

 

      

3

32



Voice



      

33

Out ofthe door- way the bul - lets rip

Claps

Ten. Sax.



   

Vln. 1



  

Vla.

E. Gtr. 1



 







  



Dr.

             



    





      

An - oth - er one bites the dust.





























                             

    

        

               

    

      

             

























G5

        









       

                



      





   

 





 



       







                 

And an-



          

   

 

    



   

 

An - oth - er one bites the dust.



    

 

37





 

         

























36







Look out!



     

35







         





  

E. Gtr. 2

Bass





Vc.

  









Vln. 2

Cb.





34

tothe sound ofthe heat.

     

    

Bari. Sax.

Bsn.



  

    

      



   



   

 



     



39                    

38

Voice

oth - er one gone and an - oth - er one gone, an - oth - er one bites the dust.



Claps

        Vln. 2      Vla.   Vln. 1

E. Gtr. 1

   

E. Gtr. 2

Bass

Dr.





 



    

 

       

    







 

    

 









     

    

              

Hey,

I'm gon- na get you too. An- oth- er one bites the dust.

41



      

        



           



40

 

   



         

 







           



            43

An - oth- er one bites the dust,



 























































     



   



42

     

  



Am5

 









    

G5



Em5











                     



an

4

44



Voice



                               45

oth - er one bites the dust, oh!

Claps

Ten. Sax.



  

  



E. Gtr. 2

Bass









   





















  



































Dr.



48

49

             

  

 

 Vc.

Cb.







47

An - oth - er one bites the dust, hey, hey!An - oth - er one bites the dust, hey!



Bari. Sax.

Bsn.



46















   







Ooh.

  





50





Shot.



















pp









pp

















pp





 

There are

  



pp



pp



     



              







           





     

           



               







           

           



51



Voice

Ten. Sax.

  

Bari. Sax.

Bsn.

Vc.

Cb.

E. Gtr. 1



Dr.

                52

plen - ty of ways that you can hurt aman





andbring him to the ground.

53

               You can beat him,you can cheat him,you can treat him bad

54

55

                  

and leave him when he's down,







   





























    

 





E. Gtr. 2

Bass





 





 





Em5

  





 

           



  



           

          



    

Am5





 

 

 

       



G#5 Am5

Em5



     

 





 

          



 

Bit I'm rea - dy,



  

      

yes I'm rea - dy for you, I'm



pp



pp



pp



pp



    

Am5

G#5 Am5

                

 

yeah.

      



pp

    

            



    

 

    

5

56



Voice



      

57



stand - ing on my own twofeet.

Claps

Ten. Sax.



Bsn.

Vln. 1



 









       







 

 







          



             



    



 

     











                             

    

        

               

            

       























  G5

 













An













      

   



    



 











 



      

           

    

  

An - oth - er one bites the dust.





     









Yeah.









61







60

        







Dr.

  

oh.



 





 



59





  

E. Gtr. 2



  





 

     





re - peat - ing tothe sound ofthe beat,





Vc.

Bass



  

Vla.

E. Gtr. 1



   

Vln. 2

Cb.

Out ofthe door - way the bul - lets rip



   

Bari. Sax.

58                       

   





        

 











     

                 



       

62

Voice

And an - oth - er one gone, and an - oth - er one gone, anda - no - ther one bites the dust.





        Vln. 2      Vla.  Vln. 1

E. Gtr. 1

   

E. Gtr. 2

Bass

Dr.





 

64

oth - er one bites the dust.





Claps

63

      

       

     

   

 

    



    

 

       



 



    



    



     

     

 





    

 





            

    



              

Hey,

I'm gon - na get you too, an - oth - er one bites the dust.

65

                  

66



      

        

       

   



         

 







           





















     



   





       

 







    

67

       

G5



        

Em5

     

     











  

     







               



       

6

68



Voice



69



70









 

71

  



An - oth - er one bites

Claps

Ten. Sax.

Bari. Sax.

       

    Vln. 1  Bsn.



Vln. 2





Vla.

       

  

























        

        

        

        

       

  

  







Cb.









E. Gtr. 1

E. Gtr. 2

Bass

Dr.







 







 



 







    

Am5

G#5 Am5

      

 



 



          

Em5

   



 

 



   

 



 



          







 







     

   



pp

 

Am5

      

  



pp



 

G#5 Am5

        



pp

   

  an -





pp



the dust,



pp

  

Vc.

   



  



7

72



Voice



   oth - er



Claps

Fl.

   

Ob.







  

Tpt. 1

Tpt. 2

Cb.

E. Gtr. 1

Bass

Dr.

 

bites

   the dust.













































 

  





















  







     

     

























 













3





Yeah,

yeah,

75

3

   

























 

 

 









yeah,

yeah,

yeah,



  







one











  

an - oth - er





74



  

Vc.

the dust,

 





Vla.



bites







Vln. 2



one

  

  

Tbn. 2

Vln. 1

An - oth - er









  



Tbn. 1

Tbn. 4

73





Tbn. 3

 

 



  

Tpt. 4







  

Tpt. 3

  oh.





    

Bari. Sax.

Euph.

the dust,

   

Ten. Sax.

Hn.

bites

  



  

Alto Sax.

Bsn.



one



 

3







f

3









 









3



 









 



 

f3

f

3

3

3





ow!

3

f 3

 f

3













 f 3

 

 

 

 

   









3



 









 









 









 









 









 









 

  

   



  



 



 

3

 f 3

f3

f

3

f

3

f

3

f

3

f

3

f

3

3

3

3

3

3

3

3

3



3

f 3

  f 3

3

  

  

  

3







f







f

3

3

3

3

f 3

 f 3

 f



G5 3

3

  3   3

3















    



    

3

 3

3

  3    3





    

 

 

 

Em5

     

fill

22 - Hammer to Fall Words by Brian May

Music by Brian May Arranged by Robert Russell q = 128 Rock 4

    

Voice

Electric Guitar 1

     

Bass Guitar



3

Scara  



Ugh!

4

Galileo  



Ugh!

5

Scara  



Yeah!

A

D

A

D







 















  



q = 128 Rock 4

  



 





Galileo            Here we stand or

    

E. Gtr. 2

Bass



      

Dr.



11

    

here we

D

 



           

   19        Scara(8vb)& Galileo          You don't waste no time at all.

18

Voice

E. Gtr. 1

                  Bass           Dr.      E

E. Gtr. 2

 Galileo   

       Vln. 1  26

Voice

E. Gtr. 1



    

E. Gtr. 2

Bass

Dr.

 



   

20

Galileo

Don't hear the bell

      

A

A

27

28

Galileo     



Yeah!

Yeah! The

Asus4

29























     

    A

   

                  

It comes to

A



  

D

  

D

 

    A

    A

             



  

D

  

D

 

    E

    E

             



  

D

  

D

 

you

A

     

    

16



   

D

A

 





           

 23    

as

to

us

E

D

         E

     



A

  

A

        

24

all.

  

D

  

D

  

                

 

   

E

A

   

   

E

A

               

25

        wai - ting for the ham merto fall.

    A



home to night.

   

Scara

   

We're just

A

A

17

           

  

A

             

   

D

   

 

Yeah!

E

La - dy Mer cy won't be

  

A

Scara   



 Hey!

   



Asus4



A

                                                                                              

A

  

  Oh

D

             

   

E

D

Scara 30

       ev 'ry night and                

mf

       

mf

A

31

A

32



Asus4

       

    a lit -tle piece of you  is        

       

       

  

ev 'ry day

       

       

A

33

       

fal - ling a way,

         

mf

      

A

      

A

                

      

             

A

A

ham mer to fall.



D

fight the fight.

Scara (8vb) & Galileo 22           

A

    

15



           

   

Asus4

A

Scara   





but you an - swer the call.

A



      

              

    

      

D

9

Yeah!

       A

Wake the dead,

21       

    



A



D

D

 

14

Galileo   



A

      

D

8

Hey!

D

                 

                                                                   

D

Hey!

  

Vln. 2

E

           

A E D A                   A

Vla.



           

   

D

A

 



Scara   



A

       

Distorted

care at all.

E

  

A

 

   

D

   

D

13

won't

  

A

  

A

 

   

D

   

  

  His - to ry

  

A

D



fall.

   

  

D

12



7

Hey!

A



10

E. Gtr. 1

Galileo   



Yeah!

E

 Voice

6

                                     D





Drums

Galileo  



Distorted A

   

Electric Guitar 2

2





  

D

  

D

 

    A

    A

        



  

D

  

D

 

    A

    A

        



  

D

  

D

  

    E

    E

          

   but   

    

A

    

A

             

2

      lift your         Vln. 1      Vln. 2       Vla.   34

Voice

E. Gtr. 1

    

35



     face

    

    

         

       

           

A

D

  43       Scara (8vb) &Galileo          'Til one day they call your name,

42

Voice

  

   

  

   

           

A



  44

E. Gtr. 1

Bass





Dr.

    E



           

     

 

Oh

    







A

 

   

   

68

Voice

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

D



   

            

61

Asus4



Oh

                 D

        



now your





      

      

                          

      



















             

A

E

D

46

A

E

47



D

oh

no.

G

D

D

  

Galileo 49



A

                      

A

D

A

  

56 Scara



Lock your

E

 

                                     

D

D

G

D

64

E

  

   

Asus4

A



  

             

          

72 Both

What the

hell we

65

E

D

        

A

Distorted

E

            

D

      

  

Distorted

74

for?

E



rain

is

   

   

 

pour ing

through

   

E

   

         

66

    E



A

     A

fa -

F#m7

                    E

  your

   

F#m7

 



win - dow pane.

A

 

 



   

A



            67





              

  

B

  

B

      

                   

Both 75 76                   

Just sur - ren - der and it won't hurt at all.

  

    

F#m7

58

poor or

E

A

 

     

        

   

                    

F#m7

Galileo   



    

A

Rich or

A





        

                                                             E

     A

      

 57   

 

Distorted

     

fight - ing

        

A

73

door but

E

A

50 Scara

ham - mer to fall.

                            

                    B

   





 B

D

Asus4

   

E

                      

   

vain.

            

   

48

A

                         A

E

 

A



       

 



A

The

D

A

            

   

A

D



     co -ver  it  all.

Let the an - aes - the - tic



E

C F G C F G                                     C F C F G   G          Muted        

game.



       



41

 

                                                                                                       

A

71

Scara





 63        

    

their

40





A

G

in

play

  



   

                           

all

 39    



      

A

strug - gle's

E7

70

no,

A

62

line and

  55       

      D

Toe your

                              

A

Both  54      

E7

Muted

A

                      



Ba - by

Muted

69

   

  

 

                              Bass                                          Dr.               

E. Gtr. 2



  

 



A

no.

E

E

    

A



 



Asus4

                     D

E

you'll know it's time for the ham - mer to fall, yeah!

   



Both  60       

59

E. Gtr. 1

 



    

Voice



  

   

E. Gtr. 2

E



 

45 Galileo           

A E D A A     E. Gtr. 1                   A E D A A    E. Gtr. 2                                 Bass                          Dr.             51 53  52               Voice   mous, for your truth, it's all the same.

     

D

bo - dy de cays.

    

   

D

       

  

38 Scara (8vb) & Galileo



    

   

  

A



  

Build youy mus - cles as your

  

D



       Bass             Dr.     

37

 

       

A

D



          

   

  

36



the West - ern way, babe.

    

D

   

E. Gtr. 2



  

 

   

Asus4

You've just got

A

   

A

Asus4

A

time to

say

        

A

E

D

         E

                                               

D

      

3

             your prayers,

77

Voice

78

+Scara (loco)     79       

Galileo

 

A D E A          

          A

E. Gtr. 2

Bass

Dr.

D

E

A

                 





while you're wait - ing for the ham - mer to,ham - mer to fall.

A A       E. Gtr. 1         A A      E. Gtr. 2                       Bass                         Dr.          Scara 86 87          Voice     The ham - mer to fall.

E. Gtr. 1

80

 

Ay

    

Asus4

    

Scara 82

Ay

  D

 

A

83     Galileo  

   

oh.

 

A

Asus4

Galileo81  

  D

oh.

D

 

A

85     Scara



The ham - mer to fall.

 

A

84

D



Oh yeah!

Galileo  Oh yeah!

         E

A

D

A

D

         E

A

D

A

D

                                                                                                                                                           88

Both   



     

89

   



Hey!

  

D

  

D





Yeah!

       A

D

      

                                        

90

A

D

       A

                 

D

92       

  

93

94

95





Theham - mer to,ham - mer to, ham - mer to fall.

D

       A

                

Scara (8vb) & Galileo 91

      

                            

       

       

D        D                        

 

A       

       A





       fill

     

23 - These Are the Days of Our Lives Words by Freddie Mercury, Brian May, Roger Taylor and John Deacon

Voice

    

   Violin 1      Violin 2     

Viola

Violoncello

Contrabass

Electric Guitar 1

Electric Guitar 3

Bass Guitar

Percussion

Bongo



   

         

 



Music by Freddie Mercury, Brian May, Roger Taylor and John Deacon Arranged by Robert Russell

q = 112 Gentle Rock



2























3



 





Clean

q = 112 Gentle Rock









4

5 Pop   

    

mp solo (see 23a)



         A



           

D



(half spoken)





 



 

A

       

               

A



 

Shaker  Egg                                    

                 

6

     

Some - times I get tothink ing

   mp    mp    mp    mp  

Clean





                 

  

 

     

7

I was back in the old

days

long a - go.









  



     



  





   

  

D



      





A







8

 



 









D







 



G







     



  

D

  

       

   

         



              

2

Voice

9    

10

     

When we were kids, when we wereyoung

Hn.

  

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Cb.

E. Gtr. 1

Bongo





    









    









    

























































  



  





  





  

 



 



         

The sun was al - ways shin - ing,





p







p







p







p























 

 

 



 





 





p

 p

 p

 p





  



 

  

  











  

















 

we were young.





 

zy,

15



    

       







A

14



p





         

The days were end - less we were cra -



  

13

p



E. Gtr. 3

Perc.





youknow?

  

E. Gtr. 2

Bass

so per - fect,





 





12  

 



  

Vc.

things seemes

11



  

Vla.



   



Vln. 2





D



  





A



  





       





D



Muted



 





 



  



 



A

  

     

   

 E

 





  





 

        

    





 

     





   

      

     





  

       

              



3

Voice

16  

      we just lived for fun.

   



Bari. Sax.

      Hn.      Tpt. 1  Bsn.

Tpt. 3

Tpt. 4



Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4



Vc.

Bongo

The rest of my life's



been

21

     just a





22

23



show.





Those







   

























































































      





 













   



  













   







































































































   

       



            

   

     F#m



                    



   

         

       

    





   













 

Bm









 







       





 



















  





 

Bar Patrons



      Vln. 1    Vln. 2      Vla.  

Perc.

   20        



Euph.

Dr.

I just don't know.

19



               

Tpt. 2

Bass



Those

         

Ten. Sax.

E. Gtr. 3

18





    Ob.     Alto Sax. 

E. Gtr. 1

        

Some - times it seems like late - ly



Fl.

Kbd.

 

Those

Vocal

Cb.

17

 

    E

 

mf



mf



mf



mf

  

   



mf



          

mf

  

mf

      

mf



mf



   

mf

  

mf

  

mf

       

 

      

mf

 

mf

 



mf



mf



mf



    



mf

mf

Electric Piano



        



 mf

     

  





   

mf A

    were

24



the

days

   

days

were

the

     were

the

                                                                        

      

  

days

      

of

our

    of

our

    of

our

                       



       



   

        

 

   

 

 

 

   

 

                                                

          



E7/A

A

E/G#

F#m









   

         



E

             

                                    

              

              

4

Voice

25  

26

  



lives.

   Vocal





    Ob.     Alto Sax. 



   lives.

Bari. Sax.

      



  



  



Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4

     Vln. 1   Vln. 2 

Euph.

 

Vla.



Vc.

Cb.

Kbd.

E. Gtr. 2

Bass

Dr.

Perc.

Bongo





     





    



































      



 

      

 

DistortedD5

   

     



 

 

 

D





 

 





   

 











life







   



                       

Tpt. 4

    

The bad

          Hn.       Tpt. 1 

Tpt. 3

life

     



Bsn.

Tpt. 2

in

The bad

              

Ten. Sax.

   

The bad

lives.

Fl.

27     

 

            

          

things

things

in

    things

in

                                                                                   

28

   

life

                    

    were

so

    were

so

29

E7/A

A

E/G#





   

         

 



   few.

 

   

  



  



so

           

 



few.

     





       

  



           

   





   





   





   

  



   

F#m

E

   

         

     





   







   





       

       



 

   





   

  





  











  



D



 

D5

   

     



 

            

          

    are

32



all

gone

   

gone

are

all

    are

all

                                                       

  

gone

             

   



   



                   

    

    now

33

 

but

E7/B

A

E/G#





   

         



 

   

  

  

   

 

 

 



 



now

but

one thing re - mains

but

           

 





    

    





 

 



   

 

  

          



  



 

   

 



    



    



    

   

       



        

         

F#m

E

G

     

         

              

     

 

Dmaj7/G G



   

         

                                                                            



 

       







              

 

       

   





one thing re - mains

    

   

   when I



now

 

              



   





34

one thing re - mains

           

A

 





 









  





   



Those days

       



Those days

   

were

31

Those days

   







few.

           

A

30

  

       



D/F#



         

        

5

Voice

35   

   

   

















    

















    

















    

















    

















 

















 

















 

















 

















 















   

  

 

    

 

 

   





 

 



 

 

 



 

 

36

look

Hn.

and I find

p

Tpt. 1

37

     no

p

Tpt. 2

p

Tpt. 3

p

Tpt. 4

p

Tbn. 1

p

Tbn. 2

p

Tbn. 3

p

Tbn. 4

p

Euph.

Vln. 1





p

mp

Vln. 2

mp

Vla.



change.

mp

Cb.

E. Gtr. 1



  





  





E. Gtr. 3

Bass

mp



 



  



  

39               You can't turn back the clock,youcan't turn back the tide.

  



mp

Vc.

38

      

D2



    

  

 

   



  







   



 



  





  

  A



   

 

     

43           I'd like to go back one time on a rol - ler - coas - ter



D

42

Ain't that a shame?



     

 



 

 

D



        





  

  





  

  





  







  







  

    





A



  

       









 

 

 



  

  

D

 

A



    



        

        

Perc.



   

                                                        

Bongo



       

      

Dr.

        



41

   



   

   



 A

40

                      

 

              

     

     

              

6

Voice

45  44         ride,

Hn.

  

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

E. Gtr. 1



Bass

ing on what you did,

48

49

          

  

when you can lay back and en - joy it through the kids.

50

 

  

Some - times

51

     

it seems like late - ly







   

















   

















    

















    







































































































































 

 



 

  





 

  

 

 



 











 























Light Distorted





       3

D    

  

  

3

3

 

   

















 

 

   







E



 

 

   

 



      

                     

            

     

Bongo



              

      

   

 



          

  

  



       

   



Perc.

 

 

Bm

     





I just don't know.



     

 

   





A

  





Dr.





  



No use in sit - ting and a - think -

      





E. Gtr. 3

47



  

E. Gtr. 2

        



  

Vc.

Cb.

when life was just a game.

   

Vla.

46







Vln. 2



   

  



     



   

   



    

    



   





7

Voice

52  

53           Bet - ter sit back and

   



      Hn.    Tpt. 1      Tpt. 2    Tpt. 3    Tpt. 4  

Tbn. 1



Tbn. 2



Tbn. 3

   Euph.    Vln. 1   Vln. 2   

Tbn. 4

Vla.

Vc.

E. Gtr. 3

Bass

Dr.

Perc.

Bongo



 

'Cos





56



these

 



    

         









These

Bsn.

E. Gtr. 2

55

flow.





    Ob.     Alto Sax.    Ten. Sax.     Bari. Sax. 

E. Gtr. 1

with the



Fl.

Kbd.

go



These

Vocal

Cb.

54

     





 































































































































 































     

F#m





 

 







   

 

 

          

 

  E



      

 









      

  

 



  



      

 

      

           

mf

  

mf

  

mf



mf



mf



   

mf

  

mf

             

mf

 

    

      

mf

mf

 

mf

 

mf

 



mf



mf

        





 

mf A

     

                        

are



57



   

the

days

   

the

days

 

   

   



   

are

are

the

                                                       

days

             

   



   

      

            

        

       



  

   

E7/A

A

   

of

our

of

our

of

our

               

lives.



  



lives.

  





lives.

  



  



     

        



   













   

F#m





E

Overdrive

             

 

   

  

             



 



 



 

 



 

 



  

  

         

3



3

3

      

the

in

the

in

the

                                                                                   

     



              

E7/A

A

 

                          

in

                 A

Distorted D5







     

D







  





  

      

 





         

   



       

           

 





   

   



  

   

   

They'reflown

           

   

They'reflown



   

60    

They'reflown



   



         













    

59

  

   

    

E/G#

58



   

         

         

8

Voice

61  

 swift

  

 

swift

Vocal







swift

    Ob.     Alto Sax.  Fl.

  

             

Ten. Sax.

Bari. Sax.

          Hn. 

Bsn.

     

Tpt. 1

     

Tpt. 2

     

Tpt. 3

     

Tpt. 4



Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4

   

         Vln. 1   Vln. 2  

Euph.

 

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

Perc.

Bongo



 

        





   

E/G#



-

-

-

  



62

ness

of

time.

  



     time.

ness

of

63

  

 

  

ness

of

time.

  



  





  



  





  









     



  



  





     



     



  







  







  







  



  

  

  



D



 



    



  



  

  

      















  



  

  

















E



  

  

F#m









   





 





 



       A

   

  

3

D5

  



   





3

3

3

      





 



                       



      

 

days





  







  

days







     







  











These

     

days



  



These

These









  

     

64



 

   



              

 

  



65



are

all

gone

  



 

are

all

  





are

all

gone

  





           

   

  



     



                 

      

  



  



           

   

  



  

A

E7/B

 



  

      

gone

                    

E/G#







 

   now

   now

   now

           





one

thing

but



one



thing







one

thing



66



but



 

but

 

67



 

re - mains

 





 











 











 



 

 

  













     











  

  







 





 









 











 

     











 

  







  







  







  







  





        





















   

       



   

  







  







  



G

F#m



E

   

      







   



Dmaj7/G





G

      

 







 

                                      



D/F#

   



re - mains







 





   when I







re - mains

       

    



              

9

Voice

68   

   

   















    















    















    















    















 















 















 















 















 















 

 



 



    

 

 



 



   











 



 

    



 

69

look

Hn.

and I find

p

Tpt. 1



p

Tpt. 3

p

Tpt. 4

p

Tbn. 1

p

Tbn. 2

p

Tbn. 3

p

Tbn. 4

p

Euph.

Vln. 1





p

   

mp

Vln. 2

mp

Vla.



hope

p

Tpt. 2

70

   still

71

 sur -

72



73



74



vives.

Cb.

mp

E. Gtr. 1

     

E. Gtr. 3

Bass







 











    

 

 

 





 

p



 

p



 









   



p



         



                        

            

       



   

    

 

  

 

  



   



Perc.



       

                                 

     





Bongo



       

      

     





Dr.

 

    

 

 

   



              

 

   



         







 

    

 

       



p

D9



  







 

p

mp

75

Oh yeah!

mp

Vc.

   



24 - We Are the Champions - Underscore Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

q. = 54

 Bar Patrons             gentle hum throughout   Horns in F        mp   Trumpet 1 in Bb             mp   Trumpet 2 in Bb             mp  Trumpet 3 in Bb       mp  Trumpet 4 in Bb       mp    Trombone 1   2

Vocal

Trombone 2

Trombone 3

Trombone 4

Euphonium

Keyboard



Hn.

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

     

mp







mp







    



mp

mp F

            

  

                             

17

 

     Vln. 1  

Euph.

 



   

 

 

















 



     

Dm





19

Bb

   

           

F

Bb

                     















































   

 

   

                                           

     

                                         















Vla.



















Vc.



















































Kbd.



C7susf

             

              D7(b9)

     

 



 



 



 



 



 



 

                    





 

                    



Dm Faug/C#                          



 



                                                                         



  

 

                                    

Vln. 2

Cb.

               



   





























































F/C Faug/C#                                                 Bbdim



30



31

molto rall.



32





















































































































    

29

 



p

p







   p    p    p     

28

 



         

     

 



     

Bbm

 



     

                 

 



     



C7/G

                       

     



20 21 23 25 27 22 24 26                               



   

          

 

     

      



14      

      



    

Gm

       



    

D7/F#



13

       



    

          

         



    

12       

 

    

        



 



        

Am7



    

        



11

    

               

 

   



 

     

10

           



                                   

C

9





      





 

8

           





     

   



18

6 7          



 

  



5

   



Am7

               



                           

 

  

4

   



  

16        

15

Vocal

  

mp

3













 

 













 

 

33

   

       

       

              

    

 

























 

 

   

25 - Bicycle Race - Underscore Words by Freddie Mercury

     

Music by Freddie Mercury Arranged by Robert Russell



 

2

Bi

Vocal

Flutes

Oboe

Alto Saxophones

Tenor Saxophones

-

  



cy

-







cle,



  bi

-

 

 

cy

-



 



cle,



3



bi

 

cy

-



 



 



 

cle!



     



      



 

 

 

 

     



 

 

 

 



 





 



 





 

   ff

 

 

      

Baritone Saxophone

   

Bassoon

      

Bi

-

cy

ff

ff

ff

-

cle,



bi

-

cy

-

cle,



bi

-

cy

ff

 

 

 

 



   

Trumpet 1 in Bb

   



 

Trumpet 2 in Bb

   



 





Trumpet 3 in Bb

   



 

 

Trumpet 4 in Bb

   

   ff



   ff

 

 



ff

   



ff

cle!

 

 

ff

-

 

     

Horns in F

-

 

ff

     

Trombone 1

      

   ff

 

 

Trombone 2

      

   ff

     

 

 

Trombone 3

 

 

 

 

      

 

 

 

 

  ff





 

 



Trombone 4

Euphonium

Violin 1

Violin 2

Viola

Violoncello

Contrabass

Drums

          

ff

ff

 

 

     



   ff

     



                 

 

ff

 

 





 

 

ff

   ff ff

 





       

 

 

 

 





  



26 - Headlong - Reprise Words by Freddie Mercury, Brian May, Roger Taylor and John Deacon q = 142 Heavy Rock

Electric Guitar 1

    

Electric Guitar 2

Bass Guitar

Drums



Percussion

E. Gtr. 1

7   

  

2

 

          q = 142 Heavy Rock               





3



4



Grunge

Grunge







                   

                  

                   

5







 

6

  

     

               

D5

                  

                   

                                                                                                

      8         9      

 10          11  

   

   12     

  13  A

          C

E. Gtr. 2

Music by Freddie Mercury, Brian May, Roger Taylor and John Deacon Arranged by Robert Russell

                    Dr.     

Bass



Perc.



G

D5

C

                                                                                       

G

A

                                    

                                                                                                       

2

  

14

Vocal

Fl.

  

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Vc.

Cb.

E. Gtr. 1



Bass

Dr.

Perc.

  







   







   







    



























   







   







   



















































  







 

























     

E. Gtr. 2







  

Vla.

Scara, Galileo & Pop





Vln. 2





   

Tpt. 2

16













 

And you're ruch - in'

  

Tpt. 1

15



17+Offstage Chorus

 





long















head -

mf

mf

mf





mf

Galileo



long





































down the

































































































































































mf

























































 mf

 mf

 mf

 mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

G5

A

A5

 

       

       

    



 

       

 

 

         



 

 

 

 

 

G

 

F5

D5 F5 D5



D

  

        

  

  

       

  

  



  

F5

D5



G

 

  

 

 

mf

Scaramouche

out of



     

 

and you're rush- in' head -



A5

 



 





 

way





A

 

high -





mf

 





mf

                     

19+Chorus





G5

Scara, Galileo & Pop

18

 

 

 

D

   E5

         

  

  

  

                   

3

  

20

Vocal

Fl.

  

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Vc.



Dr.

Perc.

        so strong, but there ain't

21+Chorus



You think you're

Pop

22

Scara & Galileo 23 All + Chorus





no



 

 

stop - pin' and there's noth - in'



you







can, noth - in'

24



you



can,

 

noth - in'



you







can, noth - in'



you





can,











  



  











   





 











   















    



  















  













  









 



  











   



  











   



  











   



  















  















  















  















  













  













  











  



  











 



  















  















  













   

  

  

  

E. Gtr. 2

Bass

con - trol.

  

Vla.

E. Gtr. 1







Vln. 2

Cb.

Scara, Galileo & Pop



   

Tpt. 2

Vln. 1



  

Tpt. 1

Euph.











      

F5

D5

E5

F5

D5



   





  



   





  





 







   G

D

        

   





  

 

D5



       

F5

D5

E5

F5

G5

F5

D5

    





  



   





  







F

G

       

G

       









F

 



   



   



   



 



  

   

  

   

  

   

  

     

4

25

Vocal

E. Gtr. 1

    Bb   noth - in'  



you







can, noth - in'



you



can,

         Bb

E. Gtr. 2

Bass

Dr.

Perc.

    

  



   



   



   



26







C - in noth



you



can

 do

27





a - bout



it!

       

C

  

  

   

  

   

  

   

  













28







       

Eb5



 

  

   



  

   

  



 

  



















       

   



  

   

  



 

        

29+Chorus

  

   



  

                                                                





Bb - long! Ab Head





Bb

Ab









 

27 - We Will Rock You Words by Brian May

Music by Brian May Arranged by Robert Russell q = 82 Heavy

Pop 2 3 Galileo 4 5 6                                                   Bud- dy you're a boy, make a big noise,play - ing in thestreet, gon- na be a big man some day. You got mud on your face, you big dis - grace, kick - ing your can all ov - er the place. Sing - ing,                                        foot stomp

Voice

Hand Claps



7

 

Voice

Claps

Galileo   

we



  

will,

  





we

will

  

8

  

rock you.

  

   









We

will,

we

will

9

  

  

10

  

rock you.

  

   









We

will,

we

will.

11

  

12

13



  

14







 

























































  









































































  































































Vc.

















   p 

Cb.



  

































































Hn.

  

Tpt. 1

  

Tpt. 2

  

Tpt. 3

Tpt. 4

Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4

Euph.

Vln. 1



Vln. 2

Vla.

E. Gtr. 1



E. Gtr. 2

Bass

Dr.





Distorted

Distorted





A





A





 







p

 p

 p



p



p



p



p



p



p



p

 p  p

p

p











 

2

15    Tpt. 1   Tpt. 2   Tpt. 3   Tpt. 4  Hn.

16



17



18

19





















































Tbn. 1

 

 

Tbn. 2

 









Tbn. 3

 









Tbn. 4

 









  

    Vln. 1    Vln. 2    Vla.     Vc.

Euph.

Cb.





 





































 























20

21





22

23





24



25



26



27



28



f



pp





f



pp



f

pp



































































 f

 pp















 f

 pp















 f

 pp















 f

 pp



          





















f

pp



























f

f



 f

pp

pp

pp

 pp







f

pp



 f

 pp





































f



f

pp



28 - Killer Queen Entrance Music by Freddie Mercury Arranged by Robert Russell

    



  



     



   



q = 138

Flutes



Oboe

Alto Saxophones

Tenor Saxophones

Baritone Saxophone

Bassoon

Horns in F





   



   



   



   



   



   



   



  



    



   



  



Trumpet 4 in Bb

Trombone 1

Trombone 2

Trombone 3

Trombone 4



Violin 2

Viola

Violoncello

Drums



   

Trumpet 3 in Bb

Contrabass

  



Trumpet 2 in Bb

Violin 1



    

Trumpet 1 in Bb

Euphonium

     



   



  



  

q = 138



2



3



4



5

 

ff







 





 





 

ff

 ff

 ff

 ff

 ff

 





 



 

  



  



 

  



  







 





 





 





 





 

ff

 ff

 ff

 ff

 ff

 ff

 ff

 ff

 ff

 





 



 

  







 

  

 

  







 

  

 

  



  



 

  



  





 

 

 

ff

 

  ff

 

 

 

ff

 

 

ff

 ff

 ff

 



 

 

 





 



 

  



  



 

  



  











 

29 - We Will Rock You - contd Words by Brian May

Music by Brian May Arranged by Robert Russell q = 82

Voice

Hand Claps

 

  



7

 

Bud- dy you're a boy, make a big noise,play ing in thestreet, gon- na be a big man some day. You got mud on your face, you big dis grace, kick ing your can all ov er the place. Sing- ing, we

8

rock you.





foot stomp

   

    9  

  

  







      11       

    

We will, we will rock you.



 

10Galileo

            



Claps

Pop 2 Galileo 3 4 5 6 All                                                 

         

 Voice



  

 











will, we

will

 

12 13                   

 

Bud- dy you're a young man,hard man,shout- ing in thestreet gon- na take on the world some day. You gotblood on your face, you big dis grace.Wav- ing your ban- ner all ov er the place.









 



 

 









   

 







 Pop 16   All   15      17                          We will, we will rock you. Ev 'ry- bo- dy! We will, we will rock you.

    



Claps



19                 

18Galileo

14

Voice

 

20          



Bud- dy you're an old man,poor man,plead- ing with youreyes, gon- na make you some peace some day. You got mud on your face, you big dis grace,some

    







  



 



 







 

   

  

 All Pop All   22     23          24     25                           bo- dy bet ter put you back in to your place. We will, we will rock you. Sing it! Mm. We will, we will rock you.

26All          



Claps

E. Gtr. 1

  

Bass



Dr.







 

 



  





 

Ev 'ry- bo- dy! We

  

27

will, we

will rock you.

 







Bass



Bass







































Dr.



32

     



33



      







 34      

                     

 



Overdrive

                  







 

 

 

 



   

  

   

        36             



      

  





   



 



   

 





   

 



       





 



  



   

 



       

 

 

  

         





 

 

  

      





 



                           

D

A

37

        

 





A

     

  



     35   

E. Gtr. 2

C









C



31



Distorted



 E. Gtr. 1

will rock you.





Dr.

will, we



  



29

 

Overdrive



      



30   

E. Gtr. 2

We

  

 E. Gtr. 1

28

Distorted



E. Gtr. 2



      

Pop

21

Voice

      





  



D

A

D

A

        

   

 

   

     

 

38

D

A

D

A

       



 

   

 



   

 

     

39

D

D

A

        



 

   

 

 

A



   

 

             

30 - We Are the Champions Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

    

q. = 64 Rock

Voice

Keyboard

Bass Guitar





    

   



3



Cm

       tenuto     

Bb/C

  

5



Cm

                       

q. = 64 Rock

Drums

4



   

Galileo

6



7



I've paid my dues, Piano

  

2











Bb/C

8



9



time af - ter time,

Cm

                       

    

   



Bb/C

Cm

                                

    

10

   

  

11

       12

I've done my sen - tence

Bb/C

Cm

but com - mit - ted nocrime.

                              





Bb/C

Cm

     

  



                 



2

Voice

13   

14    

15



And bad mis - takes,





16          I've made a



17



few.



  19 

18      

I've had my share of sand kicked in my face





    20  but I've



  

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.













































































































































































   



  



Tpt. 2



Tpt. 3



Tpt. 4



Tbn. 4





Tpt. 1

Tbn. 3





    Hn. 

Tbn. 2



  

Bsn.

Tbn. 1

   

   

   Vln. 1  

Euph.

Vln. 2













Vla.













Vc.























Cb.

Kbd.

E. Gtr. 2

E. Gtr. 3

Bass

Dr.

                            

 

On and on

And I need to go

Vocal

Fl.

 

come through.





  



Bb/C

Eb

Ab/Eb

                                     

    

  

Chorus

     

 

mf  

 

 

mf

 

  mf    mf

 

 

 

mf

mf

   

   

mf

 

mf  

 

 

mf

 

 

mf

mf  

   

  mf

 

 

mf

 

 

mf

 

  mf     mf

   

   mf   mf

 

mf   

 

  

 

mf

mf Eb

Eb





  

Ab/Eb

   



     





Bb/D

     



  

 



Company

  

 

                                        Distorted     

            

  



  

 

 

 

 

 

   

   

 

 

     

    

 

 

 

 

   

 

 

 

 

 

 

   

   

 

 

   

   

 

 

 

      

       

Cm7

 

     

F





 

    22       



21

on and on

       

And I need to go

                                            

  

Bb



        

Ab/Bb

and

 

on,

 

and



on,

 



on,















































































             



on.



  

We

on and on.



    



on and on.



Bbm7(b5)

23Principals

Bb7

are the

 

We

 

are the

   

      

 

   

   

         

   

       

 

 

C7

         





  

  



We

are the

   

   

 

   

  F





                             



 

3

Voice

25 24           cham - pions my friends

          cham - pions my friends

Vocal



Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



cham - pions

    

 

         



Tpt. 2



Tpt. 3



Tpt. 4







Tbn. 1





Tbn. 2





Tbn. 3





Tbn. 4





Vln. 1

Vln. 2

Vla.

Vc.

Cb.



Bass

Dr.

               

        







                             

              



   

    Am

E. Gtr. 2

   

       



    

 

 

                

  

and we'll

28 29          

  

         

27

and we'll



   

friends

     

Tpt. 1

Euph.

my

        



       

26

and we'll

  



    

keep on fight - ing

keep on fight - ing

keep on fight - ing









   





   

         

   

 

  

 

   



          

 



   

 

   

 

 

Dm

Bb

  

   



C



                                        



   



   

         

 F







    



    

   

     

   

   

     

           

 

 

               

                 

 

 

   

   

   

Am

Bb

   

   





are the cham - pions,

   



  





 

    

                                   

        

     

 





F#dim







     





      

     





 



           

 





                  

 

























                 

 









     

   

   

C7

Bbm

   

   

   









    

             

 

    

      







  

      





     

    



        

 





 



 Gdim



                                            

   F



 



   

 



 

 



   



 



  

 

Edim

  





  

lo - sers 'cause







   

time for





   

36   



   

   









 



 



 

 

    



Gm

           

     

 



Ooh.

   

   

No

are the cham - pions.





 

are the cham - pions.



we

   



    

35

Ooh.







are the cham - pions.

       

34   

we





     

 





      

we







 



   

     

      

    

33





      

 

We



     

    

are the cham - pions,

are the cham - pions,



             



We





   







        

 



32



 



end.

           





end.

        



    



   



  



   



to the

31

We



        





to the

end.





                 

     

  

to the

30



 



 

Eb2

   

  

                     

4

Voice

37     we

       

     

 

are

are

We

are

     Ob.      Alto Sax.     Ten. Sax.  Fl.

Bari. Sax.



   We

Vocal

38    

Tpt. 1



Tpt. 2



Tpt. 3



Tpt. 4



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

     

    





    

     

   



   

     



     



    



    



  



               





    

    



Bb

    

    



Ab6

         

    







    



     





  

 



    



    

    



  

    





  

Cm11

      

                                  

         

       

are the cham - pions



my









 



 

  

  

                  

   

        

  

  

   

  

  

                   

F

            

        

  

    

   





Dm

 

   

             

  

    

  

     3



Am





  







  



           













  







  

    

  

         







  

    

  

  







  

   





 

    

  

And we'll

45 46          



and we'll

  

   

  

  

Principals 44

and we'll

                      



friends

        

     

43



         

 

42



           are the cham - pions my friends

We

    



  

   



   



  

 





  







We Company

41

 



 

    

40

of the world.

the cham - pions.

 

  

Galileo

  

the cham - pions.

    

  Bsn.   



the cham - pions

    

 Hn. 

39

   

       

   

  

 

Bb

C





        

keep on fight - ing

to the

end.

keep on fight - ing

to the

end.

         



   

      

   

   

      







     



    

   

     

   



 

               

 

 

               

                     

 

 F

                             



Am

 

 

        



Bb

   

are the

 

  

We

are the

We

are the

       

             





     



      



   

               



         

F#dim

     

                

3

 

 



      

  





      

 





     

 





                                               





              

  

We



        

     



           

 



         

48

end.

keep on fight - ing







                 





to the

47

     



             

            

Gm



  

          

5

Voice

49   

cham

   

cham

Vocal

     

cham

Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.

           

 

   

     



 

Tpt. 1



Tpt. 2



Tpt. 3



Tpt. 4



Tbn. 1



Tbn. 2



Tbn. 3



Tbn. 4



Euph.



     



Vla.

Vc.

Cb.

E. Gtr. 1

-



pions,

 

Bass

Dr.

the

  



 

 

  

pions,

we

are

the





 

we



















 

  





















      









 























 

   

 







 











 



are

 51  

are

pions,



      

the

     

   



  

          



cham

    

            

      

   

  

         

Bbm



cham



 

 



 

cham

    





C7

E. Gtr. 2

we



  



-





  Vln. 1  

Vln. 2

-



50

 

          

 

-

-

-



pions.

 

pions.

 

pions.

     

52



No



time

    

 

       

Edim

Gdim





           

 











 









 







sers

'cause we

   We



   



  



  

   



 

 









  









  

   



                     

   

    

  



  





  



  





  



   

   



  





  





  





  





  



   



   



 

 



     





   

  





 

     



  



                 

Ab6









Eb2









F





   





pions.

 







-









pions.

  





 







 







-



 

  





pions







-





  

56



  

 







 



 

the cham

the cham





are

     

are





 

the cham

We





 



are

 55   

    





  





  

Ooh.





-

 54   

  

Ooh.





lo



  





for

 

 

 53  



Bb

  

          



   

3

3

 

3

3

3







 

 

 



 

 

 





  



Cm11

      

  

6

Voice

57   

Galileo    

58



59



60



61



62

of the world,





Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.



 









         



 



Tpt. 2



Tpt. 3



Tpt. 4



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4



Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

   

 









  

 



   

      Dr. 

Bass





  

 





  

  















  







  







 







 

    Vln. 1  

Vln. 2





  

Euph.





 







 Bsn.    





   

Tpt. 1

64

 

  

 





65

   

 



66

  

 

 

  f    

 

   

  f f

 

  f

   

 

f

 

f

f

 

 

 

f

f

 

 



 



   



 





   

         



       



 

 



              



 



 



 



   

 





































    



 F



Fm7



Bb

 Db2















Distorted

 



          

          

          

          

  



 

        

 Eb9



       

  



low tom fill

          

 



 

 

 



 



  



 



 



 



 



 

 

 

 



 

 

    



   

 

 

    



 

 

    

 

 

 

 

    



 

 



 

 

    



 

   

    



 

   

   

 f   f  

 



 

 

 

 

   

   

f

 

 

 

f

   

 

 

f



   

   

   

 f  



 

 

 

 f

 

 

 



 

 

 

 



 

 

 

 

   

f

 

 

 

f

 





Ah.

 



 

 

 

f

 

 

   

  f

 

67

Ah.

Ah.

  f

  

  

Ah.

Ah.

   

 Hn. 





  

 

  

 

Ah.

Vocal

Fl.

63

world.



  





     

 

   







  F            F

big fill

    

31 - Bows Words by Brian May

Music by Brian May Arranged by Robert Russell

    Oboe 

Flutes

q = 152 Heavy Rock

 

           

Alto Saxophones

Tenor Saxophones

            Trumpet 1 in Bb      Trumpet 2 in Bb 

Baritone Saxophone

             

Trumpet 3 in Bb

Trumpet 4 in Bb

 

Trombone 1

 

Trombone 2

 

Trombone 3

       Violoncello

Trombone 4

Contrabass

Electric Guitar 1

Electric Guitar 2

Electric Guitar 3

Bass Guitar

Drums

 

 

        



3



4



5



7



8



9

























































































































































































 Piano

   



f



f

   

E

Esus4

E

Esus4

E



    f

    f      f      

f

play Esus4 along E

  





  



  



  



  



  

f

   f

   f



  



  



f

f



  



   f



   f



  



  



  



  



  



  

11   



  



 

  



  

10





                             E Distorted Distorted         E Distorted                          q =152 Heavy  Rock                                    EEsus4

6





ss. gli

Keyboard



2



   f

f

              



  

                                   E Esus4

E

Esus4

E

Esus4

E

Esus4

E

Esus4

E

Esus4

E

Esus4

E

                                   Esus4

E

Esus4

E

Esus4

E

Esus4

E

Esus4

E

Esus4

E

Esus4

E





 



                





 



      





     



 

                 



Esus4

E

Esus4

E

Esus4

E

                 Esus4

E

                        

Esus4

E

Esus4

E

                                      

2

Fl.

12        

Ob.

     

Ten. Sax.

    

Bari. Sax.

Bsn.

Hn.



       

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Vln. 1

Vc.

Cb.

Kbd.

E. Gtr. 1



























f



f





 

 















  

 















 

























































































 





















































 

 

















      



16

  





  

17

18



19



20



21



22











 

 







 

















 

 







 

















 

 







 









































 

 













 

 

 

 

     

 













 













































  



 

   



 





   f    f   f

f

 

 

 

  





 

  



 C

G D         

C

G

D

 G

G

 

E

G

E

E

solo!

 

   

D

C

       









   

C

G

                  

                              

   

     

         



 

G D        

E. Gtr. 3

Dr.

 

 



15

 



E. Gtr. 2

Bass



14

 

  

Vla.



13

    



Vln. 2

 



      

Tpt. 4





       

Tpt. 3





       

Tpt. 2







   

Tpt. 1

Euph.









     

Alto Sax.







G

E

  

      

   

   

                                     Esus4

E

Esus4

E

Esus4

E

C

G

E

Esus4

E

Esus4

E

D

E

                                     

Esus4

E

Esus4

E

     



Esus4

E

Esus4

E

     



Esus4

E

C

Esus4

E

C

   

 

G



G

E

E



 

G

E



Esus4

E

Esus4

E

     



Esus4

E

D

Esus4

E

D

     

E



 





E

  

end solo



                                     Esus4

E

Esus4

E

 

  

            

  

         

Esus4

E

C

Esus4

E

                   

         

  

                   

   

Esus4

E

     

         

D

E

        

      

                    

3

Fl.

23   

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



Tbn. 2

Tbn. 3

Tbn. 4

Euph.

E. Gtr. 1

Bass

Dr.







 







 















 









 







  



     









    

 





 













  





    











 



 











 





 





 



   









 



 















    







 

 







 



 









 



 









 



 





















 

 

 

 

 

     

 

 

 

                

 

   

 

 







D

Hammond Organ





                              

    

C

G



E

  

G

D

C

G







E

  

   

G

D

C

G

  

G



D



C



G

 











 















28

 



G



27



 





 















  

E. Gtr. 3











E. Gtr. 2



E

   E

  

                        

     

   



E

  







  





Esus4

E

G

        Esus4

E

Esus4

E

G

        Esus4

E

Esus4

E

G

        Esus4

E

 



        Esus4

 

Esus4

E







  

29

  

32

33



































     









      

















        

















         

































     



















 









 









 































   

  

           

                                              

   

G

D



C

G

C

D





C

G





C





C

G

       

  

    C

    C

    C



Piano











  E

another solo!



E

D

C

C

  

      

            





                                                 

C

 

                

E

    Esus4

E

Esus4

E

      

E

   

       

 

E Esus4

 

                                           

G







C



31



  

D



30

ss. gli

Kbd.





    

    Vln. 1      Vln. 2       Vla.  

Cb.

26





Vc.

   

     

Tbn. 1

25



      

Tpt. 4





      

Tpt. 3





       

Tpt. 2

24

    

    

Tpt. 1



Esus4

E

                 

4

Fl.

34  

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



Tpt. 2

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Vc.

Cb.

Kbd.

E. Gtr. 1



































42

 





 





  







 









   















    















   





















































     























     































    













































































   



 

43















 



 





















































































        













































  

                                Esus4

E

Esus4

E

C

G

E

Esus4



Esus4

E

     



Esus4

E

   

C

 



G

E



 

G

E



Esus4

E

 





E

  

E

       

        

   

Esus4

E

C

Esus4

E

                   

         

  

                   

   









 







 









 















 

   

 

 

 

     

 



Esus4

  

E D

         

E

  

                    

 

                              

    



C

G

D





C

G

D





C

G

D





C



G





Hammond Organ

G end solo

                                  Esus4



                   









E D

     



    

G

Esus4











G







E



 

G

E D





D

Esus4







E

     







 





44

  



    

   





41



Esus4 E Esus4 E C G E Esus4 E Esus4 E D E                                           

E. Gtr. 3

Dr.

40







E. Gtr. 2

Bass

39





  

Vla.

38







Vln. 2

37





     

Tpt. 3

36



   

   

Tpt. 1

35



E

   E

   E

   E

  

                   

   

   

   









       Esus4

E

Esus4

E

       Esus4

E

Esus4

E

       Esus4

E

Esus4

E

       Esus4

E

Esus4

E

 

   

            

            

5

Fl.

45   

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



    







     







    





 













Tbn. 2

Tbn. 3

Tbn. 4















 













 







 





 







   







 

 

 

 

 

   



         Vln. 2       Vla.   Vln. 1

Vc.

Cb.

E. Gtr. 3

Bass

Dr.



53



 



 



   

   

   

         



























   

     













   

         





















       

























   

         













   













   













   













   

     













   

   















     

 











 

   

 











 

 











































          





                                                              

D

C

  





G









C



'Chuck Berry' guitar solo! (on C)











Piano





 

     

   

           



G

C

C

G

  



    

  













  

G



D



C



G



  













 







                                                   

C

    

C



   

 

  

 

  

 

  

  

 

  

   

 



 



 



 



            

       

   

C

G

 

   

   

C

C

   

     

G/B

D



   

   

G

C

   

  

 

   

    

G

  

   

C

   



 





          

   

   



G

         

54





G end solo







C

  

52



     

D







G solo



51















50



  

 





49









     

 



E. Gtr. 2

 

48

ss. gli

E. Gtr. 1

 



47     

ss. gl i

Kbd.









     

Tbn. 1

Euph.



      

Tpt. 4





      

Tpt. 3





       

Tpt. 2

46

    

    

Tpt. 1



  

   

A

   

  

 



   

 

   



   



      A/C#

 

D B/D#



D





B end solo



     



   



A

D

B

      A

D

B

 

                                                                   



6

Fl.

55          56                             

Ob.

                    

Alto Sax.

                                 

Ten. Sax.

                   

Bari. Sax.

Bsn.

Hn.



                                         

Tpt. 1

                     

Tpt. 2

                                 

Tpt. 3

                                

Tpt. 4

                

Tbn. 1

                

Tbn. 2

                

Tbn. 3

                

Tbn. 4

Euph.

Vln. 1



                                                     

Vla.

                

Vc.

Kbd.

E. Gtr. 1

                  

                  

Vln. 2

Cb.

                



                



    E

  

Hammond Organ





         E

E. Gtr. 3

Dr.



E F5         

E. Gtr. 2

Bass





F5

   

57

   

   

   

           

                                                      F# big solo!





58

59





60

61





62

63





64

65













































































































































































































































































































































































    

B

 

 

F#



    

E

 

B/D# E

 

F#



    

B

 

 

F#



    

E

 

  

B/D# E D5 end solo

 



                                         

F#

B

F#

E

B E

F#

B

F#

E

B

E

D5

Muted

                                         

F#

B

F#

E

B E

F#

B

F#

E

B

E

D5

Muted

                                         

F#

B

F#

E

B E

F#

B

F#

E

B

E

D5

Muted

                                                                                                                                                                    

       

7

   

66

Vocal

Fl.

  

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Euph.

Vln. 1

Vc.

Cb.

76

  



will

rock you!

 











 







will,



















   























  



     

























   























 





















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















































    













































































   



 

  



















 

 





































































































  

















 











 













 















 

   







 

   

 

 

 

 



         



















 

C

G

                            

D





C

G



 

G

Esus4

E

Esus4

E

G

E Esus4

E

Esus4

Esus4

E

E

Esus4

Esus4

E

Esus4

E

Esus4

E

G

E

G

                                                   

                               

E Esus4

E

            

   

Esus4

E

    

Esus4

E

    

                        

   

Esus4

G

D

C

      





  

E

      

  

           

  



E





D

E Esus4



    

G

E









Esus4





C

E



 



E Esus4





D







                  

Piano





      

gradually becoming more distorted



75

we

We

gradually becoming more distorted                            

E. Gtr. 3



 





gradually becoming more distorted

Dr.







E. Gtr. 2

Bass

73Full Company 74



  

s.

E. Gtr. 1

72





glis

Kbd.



71





  

Vla.

70







Vln. 2

69





    

Tpt. 4

68



     

Tpt. 3

 

     

Tpt. 2

67



   

Tpt. 1



E

   E

   E

   E

  

                        

             

   

   

   









       Esus4

E

Esus4

E

       Esus4

E

Esus4

E

       Esus4

E

Esus4

E

       Esus4

E

Esus4

E

  

    

            

           

8

    

77

Vocal

   

We

Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

Bsn.

Hn.



Tbn. 2

Tbn. 3

Tbn. 4

Vc.

Cb.

Kbd.

E. Gtr. 1



Bass

Dr.





rock



you,

rock

82



we

 





















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





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













 









We



will,





you!







will











      











    













 



















 



























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









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















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



 

 















 









 







 













 

 

 

 

 

 

 

   







 









 













































         



         







 

 

 

 

   

   



                                D2

G



D

 



G



D2

 



C



D2

D



G

G



C



D2

D



G

G



C













G

       







      







C

      







      





D

   







   







G

  





you,





  

E. Gtr. 3



rock







E. Gtr. 2

you,

81



    

             

Vla.

rock







Vln. 2

will





        Vln. 1  

Euph.

we





     

Tbn. 1

80





      

Tpt. 4

79

 



      

Tpt. 3





       

Tpt. 2



will,

78

    

    

Tpt. 1



     

 

  

 

 























 E

G

D



G

D





D





G

G



C







G

E



C





D



G

G



C

E



C



G









E

  

  

  

      

   

 

  

  

  



   

      

  

      

      

   



    

9

     

83

Vocal

   





rock!

Fl.

   

Ob.

   

Alto Sax.

Hn.



Euph.

Vln. 1



  

Cb.

Kbd.

E. Gtr. 1



A

 







































 

 

snare fill





 















































 

 

Rock

  

 

            





 













 

















































 











































 





 





 





 

   





 





C





C



 







C









C





 

  

 

tom fill





 









D2





D2

  

  

big fill

 







 























D2









D2

 

 







 































 

 

























 



E

 E

 E

 E

 

   

























































































 

 

   



     



  



  



 

     



 



 



 

 



 

 



 

 





 

 





 

 



 



 







 

 

   

big fill

 

 

 

91









   







90

you!





  





A

Dr.





     





A

A

Bass







 

   

E. Gtr. 3







   

E. Gtr. 2







  







 

Vc.









   

    

Vla.





   

Vln. 2





 

Tbn. 4





 

Tbn. 3





 

Tbn. 2





 

Tbn. 1





     

Tpt. 4





     

Tpt. 3





      

Tpt. 2

89







      

Tpt. 1

88







    

87







 

86







    

Bari. Sax.

85





      

Ten. Sax.

Bsn.



84



  

32 - Bohemian Rhapsody Words by Freddie Mercury

Music by Freddie Mercury Arranged by Robert Russell

    

q = 72

Voice

Keyboard

Bass Guitar



2



  

3 Galileo





Ma - ma,

Piano

4      justkilled a man,

5         put a gun a - gainst

                                                                  Bb

Bb6 L.H.

Bb

Bb6

Bb

Bb6

Bb

Gm

Gm2 Gm

Cm

 

his head,

 

 

6       



pulled my trig - ger, now he's dead.

 

Cm2

Cm



 





Ma - ma,

Bb



 

life had just be- gun

                          F7

  

 

8      

  

7

Bb6

Bb

Gm



but

       Gm2 Gm





Voice

Kbd.

Bass

Dr.

9       



   10  



now I've gone and thrown it all a way.

Cm7

Baug

Eb/Bb

  

Ma - ma

F7/A

Ab Eb/G

Eb

ooh.

Bb/D

    







   







  

Cm2 Cm

 



        

Fm

    





          

  

 

If

Fm/EFm/EbFm/D

                      

 



 



14         

Did - n't mean to make you cry.

         

Cm

 

   

 13    



  12 

                                       

      



11

   

I'm not back a - gain this time

Bb

 



    



      3         

 

row, car - ry on,

car - ry

Eb

Bb/D

 

 

    

  

                

     

to - mor -

Bb7



15

    





   

 

   



Voice

Vln. 1

Vln. 2

Vla.

Vc.

Cb.

Kbd.

Bass

Dr.

16        

on

    

 

as if no- thing real - ly mat

   

17

-



18



19



20



ters.





























 















 















  

















Cm

Eb Ab/Eb Eb EbdimFm7/Eb Bb Bb6  Bb                                     

Abm

               

     



     







22

     



Too late,





21Scaramouche











 

mp

  mp  

my time has come.







 

23

      









mp





mp





   

 Bb        

Gm2 Gm   Cm  Bb Gm                  

 

 







Bb6

 



Bb6

                     

bo- dy's





mp

 

Sends shi - vers down my spine,



  

 



Cm2

 

Cm





 

  



   

    



2

Voice

24        

25

ach - ing all the time.





             26

Good- bye

ev-'ry- bo- dy,



27

      

I've got to go,



28

got toleave you all be- hind and face the truth.









29

  

Ma- ma





Ooh,

Vocal





  





































































































Tpt. 3













Tpt. 4































































Fl.

Ob.

Alto Sax.



Ten. Sax.



Bari. Sax.









    Hn.  

Tpt. 2

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

       

   Vln. 1   

Euph.

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 2

Bass

Dr.

        

   

   



              

F7



    







I don't wan- na die,

 



I

 

    

 

ooh.





A- ny way the wind blows.

Bsn.

Tpt. 1



31

ooh.

  



     

  30 

      

       

     





   

Bb



            

 



 

    



Bb6



Gm

 





                 

mf



































 

mf



mf

  

mf







Eb/G

Eb

Bb/D

Cm







 

 

 

  











                              

 

 





                       



      



Ab

 





F7/A

Eb/Bb

 

mf



 

mf

mf







Baug

         





Cm7

      











mf



























Distorted





 

  mf  



         



mf







mf















mf







mf







mf





mf

mf















mf



 



mf















mf

mf





Gm2 Gm            

 

Bb

 

    mf    

  

Cm2  Cm  Fm               



 

             



       

                    

                                   

        

                              Fm/E Fm/EbFm/D

         

    

3

Voice

32   

          33   

some- times wish I'd

 Vocal





   

   

   

Ooh,

Ooh,

Fl.

Ob.



 



Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

  









f













































































    



     

        

   



Bb

            































  

 





 

  





















f



















f



f

f

f





f



f



f



f

  

f

  f   f

 

f

f







    















  











 











 

 















    













f

  





f

Overdrive

 







f

   





f







Bb7

     













  

Bb

    



f











36











 



 

ooh.

35



37

















ooh,

f





ooh,



    Vln. 1   

Vla.

ooh,

  



Euph.

Vln. 2

 



     Hn.   

Tpt. 4



 

Bsn.

Tpt. 3

ooh,



Ten. Sax.

Tpt. 2

ooh,

ooh,





Tpt. 1

ooh,

  

Alto Sax.

Bari. Sax.

ne- ver been born at all.

34





 



                                        













     



















  





  

 

   































































  















  















  















   













   























































 









 

  

 





























       

        



           















 

   

      







 







            





      



       



  

 

        







7

 

    

  

  





    

    



        

           

3

   

      

 

   

      

4

Voice

38   

Vocal

Fl.

Ob.

Alto Sax.

Ten. Sax.

Bari. Sax.

39





Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

  





Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.



q = 144



41



42



 I





          

43Khashoggi

see a



44



45



lit - tle sil - hou - et - to of a man.







   



 

 

   

 

     



 



 

  



    

 





3     

   

   

3



3  





3  







    3



  

3

3

     3

         3

     3

  





   



  





   



    



    







    

    







    

    





    



  



  

   

 

  

  



      

    

  





  



3

3     



  



3





  

  



 3





  

 



3  



  



     3



  



3







    























  



 

 

Sca - ramouche, Sca - ra - mouche will you

     Vln. 1  

Vla.





Sca - ramouche, Sca - ra - mouche will you

Euph.

Vln. 2





     Hn.   

Tpt. 2





Bsn.

Tpt. 1

40



3

3

3

3

3

3

3

     3

   3



 3

     3

     3









         

      

         

 3

 

     3

     3



    



  

   

     3

3

3

3

     3

3

3

3

3      3

    3     3

     3

     







      3

 

 



3

   3     

3

3

3

3

                          



                                                                                                                                                          























































































































































































































































A

                  

    

       

   

    

D/A

A

Adim

A

D/A

A

Adim

A

D

                                     

A

   

D

























 













  

 

 













q = 144



A

   

5

Voice

46  

47



48



49



Galileo 50



51

     

     

Ga - li - le - o,

   Vocal

Fl.

do the fan - dan - go.

     

     



     





    

     



    

     



    

     

    

     



    

     



    

     

     



  

     



  

    

     

          

      



  



              



   

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4





  

Ga - li - le - o,

     

Ga - li - le - o,

I'm just a poor boy,

                    





                

Ga - li - le - o, Fi - ga - ro, Mag - ni - fi - co, oh.



     

 

 





Fi - ga - ro,





oh,

   

oh, oh.

   



















   

















  













  



    



















   















    

  















  





















   



















   



























































  

















  



















  





















   

   







    



     



    



     

    















     















    

     





     







     

   







































   



































  





































 

 



 













   

    

                   



  

Vc.

Thun - der - bolt and light - 'ning, ve - ry, ve - ry fright -'ning me.

54



  

Vla.











Vln. 2

Dr.





  

Tpt. 3

Bass

  

     

Tpt. 2

Kbd.

     

     

Tpt. 1

Cb.

    



Bari. Sax.

Vln. 1

      

  

Ten. Sax.

Euph.

       

do the fan - dan - go.

Alto Sax.

Hn.

    

     

Thun - der - bolt and light - 'ning, ve - ry, ve - ry fright -'ning me. Ga - li - le - o,



53



Ga - li - le - o.

      

   

Ob.

Bsn.

       



52



Adim

A

            D/A A

Db/Ab

                     

Ab

               



    



     



  

                  C/G

E7

 

  

A

                      

 

         









  















 

     

 













             

                 

Cb Bb   A Bb              



 

6

Voice

55     

  

no - bo - dy loves

  



56



57

58



59



60





me.

       



         

         

   





61

  

  

Ea-sy come,

ea - sy go,

62

     





 

        

         

                 

 





 







will you let me go?

He's just a poor boy, from a poor fa - mi - ly, spare him his life from this mon - stro - si - ty.

Vocal

63



No!

We

Bis - mil - lah. No!

We



 

      





   



    

     

      

  











  



    

     

      

  











Alto Sax.















Ten. Sax.















Bari. Sax.































  











Fl.

Ob.

He's just a poor boy, from a poor fa - mi - ly, spare him his life from this

     

      

mon-stro - si - ty.

      

     







   

   

      



   

   

  



   

   



   

   

                    

Tpt. 1





    

     

      

Tpt. 2





    

     

      

  











Tpt. 3





     

      

      











Tpt. 4





     

      











Tbn. 1

 

      

  



   

   











Tbn. 2

 





   

   











Tbn. 3

 





   

   











Tbn. 4

 

 



   

   













   

   

Bsn.

Hn.

Euph.

Vln. 1

  

 

   



  



Vla.

 



Vc.

 



Cb.

  

Vln. 2

Kbd.

Bass

Dr.





Cb            

    

                

  A       

Bb

 



                

    

   

    

   

 Ab/Eb Eb Ebdim Eb                     

Bb

         

Ab/Eb

Eb Ebdim

Eb

                     

      

  

  

                                        

 

   













      

     





















                   





















   

F7

 

       

Bb Ab Eb/G F#dim Fm7 Cb Bb  A                                   

   

         







         

         

 





    

  

    



   



    



Eb/G



    



               



    



Ab



    

     

      



    

             

     



      

             

     

                                 

 Cb Bb A Bb Eb Bb Eb Bb                                               

Bb

 

 

 

         

7

Voice

64   

65





                 will notlet you go. Let him go!

Vocal

  

Fl.

    

will notlet you go.

 

          

66

We will notlet you go. Let him go!

Bis - mil lah. We will notlet you go.

 

         

          



Alto Sax.



      



Ten. Sax.

        

Bari. Sax.



      

                         

Ob.

Bsn.

Hn.

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

                           

Vc.

Cb.

Kbd.

Bass

Dr.



         

                   

69     

 

 

                                        

                           

                   

         



         

        



         



         

                                                    

                                

         



Bb7

                     

                      

        

 



         

                                                   

  

                    

               

                      



Bb Eb Bb

         

              

Bb7

                             



 

 

               

 



         

                                                   

  

    

Will notlet you go.

 

                                                                                                 



      

                    

             

               

                      

Ne - ver, ne - ver, ne - ver, ne - ver let me

We will notlet you go. Let me go! Will notlet you go. Let me go! Will not let you go.

Bis - mil lah. We will notlet you go.



70   71        

72

Bb Eb Bb

         

              

Bb7

                             



 

 

               

 

                              

Let me go, oh,

       

Will not let you go.

             

oh,

 

oh, oh.

  

      





      



      



      



      



      



                           

   

      



             



                              

    

                         

                          



        

         



 

 



        

No, no, no, no,

              

             



go.

                                               

                 



Let me go.



            Vln. 1          

Vla.



          



        

Euph.

Vln. 2



         

68



                    

                 

67



 

No, no, no, no,

                                                

   

      



  

                                                 

                

   

Bm

A

        

              

         

D Db7

                            

       

8

Voice

73    

74          

75

77   78      79      80               76



Oh ma - ma mi - a, ma ma mi - a.

         Vocal





no, no, no!

          





no, no, no!

          Ob.      Fl.

Alto Sax.

Ten. Sax.

Bari. Sax.





     Hn.  

Tpt. 1



Tpt. 2



Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

    Vln. 1   

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

    

                    

                                     

Euph.

Vln. 2



    

Bsn.

Tpt. 3



       

  

       

        

                 

                 





       















































































































         



     

  







 

 

 

                 

for

         

me,

for

me!

         

   

 

 

for

me!

me,

for

me!

 



 









 





 

  

            me,

q = 138 A little slower



  

 























 

                                      Bb

Bb7













































































































 















   





                                                                                                                              Gm





                    

D





                    

                     





                    

Eb





                                                





 



82



                    

 Ab                              

me,

                         







for

            

                                                   



de - vil put a - side for

                                            

                                  





me,

                                 Ma - ma mi - a let me go. Be - el - ze - bub has a de - vil put a - side for me, for                                                   



Gb Bb Eb

de - vil put a - side for



Ma - ma - mi - a let me go. Be - el - ze - bub has a

                                 

Be - el - ze - bub has a

81

















       

   









 

    

3 3 3              Distorted  



83



        Eb 

3

 

3

3

3



3

3                                                            3 3 3 q = 138 Alittle     slower  3 3 3                                                                                                      3

3

3

3

9

Voice

84   

85



Killer Queen 3

86



87

3

88

              3

3

So you think you can stone me and spit in my

   Vocal

 E. Gtr. 1

E. Gtr. 2

 

 



    





   

     3     Dr.   

3

3

     3       3

3





3

3

E. Gtr. 1

E. Gtr. 2

          



 Fm    

          Dr.    3

Bass



   

3

3

     3

   



3 Just got - ta get out,



Bb

3

Just got - ta get out,

3 Can't do this to me, ba - by.

   





Eb

Bb



3

                    

    

98

3

 3

3



3

    

3

3 3 just got - ta get right out-ta

here.

3





Fm

            



3

     

Bb

3

100

    

     3         3



  



3

  

  

  

101



3

3





    

Oh,

ba - by.

Oh,

ba - by.



3

  Fm 



3

   

3

   3           

3

3

102





Bb

  



3

3

         

    

103



 3



        3 3             3

    

   

Ab



 3



Eb

  

  

          3

 Eb



3



3       3                  3

           here.



94

    





Bb

99

just got - ta get right out-ta



Bb

 

93









die.





           3



3

   Fm 3

3

92







3

97

Can't do this to me, ba - by. 3

   



3 3            



91

3





                                 3 3         3     3                   3                            

3

3 96 3 95                

Vocal



Bb







3

so you think you can love me and leave me to







3

3 3               

90



eye,





        F       3

Bass







89



  







                              F Gb 3



3

3

3



           3 3 3                  3

3

3

3



3

                  3 3 3                   3

10

104   

105



106



107





molto rall.

108



q = 72



109

Ooh,



Vocal



 









 

   

















  

















Alto Sax.



















Ten. Sax.





















Bari. Sax.





















































Ooh,

     Hn.  

Bsn.



















Tpt. 2



















Tpt. 3



















Tpt. 4



















































































































  















 



























  











  

















Tbn. 2

Tbn. 3

Tbn. 4

       

    Vln. 1   

Euph.

Vln. 2

Vla.

Vc.

Cb.

Kbd.

E. Gtr. 1

    



 

3 3         

Ab

3

    B

E. Gtr. 2

Bass

Dr.





3        

 

 

3

      

3

3

3

3

  

 

 

3

3

  

Bb

  

Bb





  

 

   Eb

  3

 

          3 3 3 3                          





Overdrive

 



Overdrive



 

molto rall.







ooh, yeah,

Tpt. 1

Tbn. 1

111

ooh, yeah,



Ob.







Fl.



   

110















Bb/D

        

 

q = 72

   

  

     

  

Cm

     



   







           

   

 

   

                        



    

           

           

G/B

Cm





ooh, yeah.

               

                  



ooh, yeah.

G/B

           

   

               

               

                                                   Cm

   

   

        Bb

  Eb

            

   







   







       



                      

 

  

                              

             

 

11

Fl.

112    

Alto Sax.

     



    ff   ff

Ten. Sax.

Bari. Sax.

Bsn.

   



ff

     ff Tpt. 1   ff

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

Tbn. 4

 

 ff

 

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.















































































































































p



p



p



p

p

ff



p

 



p















































p

 

p

p

































Eb

Cm

ff



p

D

Gm

     





p









      





ff

  





p

p

  







           







                             





ff

    





ff

Cb.







p

    





ff

Vc.







     





ff

ff

to



p

    

no - thing real - ly mat - ters





   

 



ff

   

no - thing real - ly mat - ters,

      

p



p

   

117





   

can see,

        

116Galileo



ff

   ff      Vln. 1 

Vla.



a - ny - one

  





ff

Euph.

Vln. 2

  

p



Hn.

Tpt. 3

115Scaramouche



ff

   



    

p

p

ff

Tpt. 2

  

114Galileo



No - thing real - ly mat - ters,

ff

Ob.

113



 

Ab

 





   



      



  



 

     



   

Gm

 



Cm





  

    



  

  





     

 

     

     

 

Gm

       



 

Cm

   

Abm





Ab/Bb

 

   



Voice

 

 

 



            



  

      

 



12

Voice

118         



119

120





121



122

123



     

me.

A - ny way the wind



 

124

blows.

 













  













Alto Sax.















Ten. Sax.















 

Bari. Sax.















 

     













 













Tpt. 1















Tpt. 2















Tpt. 3















Tpt. 4















Tbn. 1

 













Tbn. 2

 



     















 

Tbn. 3

 













 

Tbn. 4

 

 













 













 













  

 













Vla.

 













Vc.

 















 

Cb.

  













 

Bsn.

Hn.

Euph.

Vln. 1

Vln. 2

Kbd.

E. Gtr. 1

E. Gtr. 2

Bass

Dr.

 

   



Eb

Ab/Eb

                

Eb

Ebdim

      

                                                Clean             

Bb/D

Bbm/Db

 

C

C7(b9)

C

F



Ob.



Fl.

   

     

   

         

Bb/F

F

Fdim

 

   





  













  





























Gm/F

       F

  F

F  

   fill

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