Wasting Light.pdf
Short Description
Guitar score...
Description
from Foo Fighters - Wasting Light
Bridge Burning Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear E5
D/F#
11
C
1
D5/A
32 1
Eb5/Bb
13
1134
Intro Moderately fast q = 170 µ Riff A
mf
*Gtr. 1 (dist.)
XX X 9
X X X
X X X
**
9
X X X
X X X
X X X
9
X X X
X X X
X X X
X X X
9
X X X
X X X
X X X
9
X X X
X X X
9
X X X
X X X
X X X
X X X
9
X X X
X X X
X X X
9
X X X
X X X
X X X
X X X
9
X X X
End Riff A
X X X
X X X
9
X X X
X X X
X X X
*Two gtrs. arr. for one. **Hammer on low note w/ left hand while strumming muted notes behind the bridge.
Gtr. 1: w/ Riff A (2 times)
E5
Gtr. 2 (dist.)
f
P.M.
10
12
10
12
10
12
10
12
10
12
0
P.M.
10
12
0
P.M.
10
12
10
12
10
12
10
12
10
12
0
P.M.
10
12
0
Gtr. 2
P.M.
10
12
10
12
10
12
10
12
10
12
0
P.M.
10
12
0
P.M.
10
12
10
12
10
12
10
12
10
12
0
P.M.
10
12
Riff B Gtr. 3 (dist.)
0 End Riff B
f
5
7
5
7
5
7
5
7
5
7
0
5
7
0
5
5
7
5
7
5
7
5
7
7
0
5
7
0
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 3: w/ Riff B (2 times) Riff C
End Riff C
*Gtrs. 2&4
P.M.
10
12
10
12
10
12
10
12
10
12
P.M.
0
10
12
P.M.
0
10
12
10
12
10
12
10
12
10
12
P.M.
0
10
12
0
*Gtr. 4 (dist.), played f.
Verse E5
Eb5
1. These are
my
fa
Db5
-
mous
C5
last
words!
Gtr. 4
9 9 7
9 9 7
9 9 7
8 8 6
8 8 6
7 7 5
7 7 5
7 7 5
6 6 4
4
15
A
D5
5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
5 5 3
5 5 3
5 5 3
4 5 5 3
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
End Rhy. Fig. 1
Rhy. Fig. 1 **Gtrs. 2 & 3
8 8 6
G
D5
15
5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
6 7 7 5
6 7 7 5
6 7 7 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
5 5 3
5 5 3
5 5 3
4 5 5 3
6 7 7 5
**Composite arrangement
Gtrs. 2 & 3: w/ Rhy. Fig. 1
E5
Eb5
num - ber’s
up,
bridg
-
es
well
Gtr. 4
9 9 7
9 9 7
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9 9 7
8 8 6
8 8 6
8 8 6
7 7 5
7 7 5
7 7 5
6 6 4
4
15
C5
G
A
D5
My
Db5
D5
burned!
5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
5 5 3
5 5 3
5 5 3
4 5 5 3
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Em
Eb
you
let
Oh, won’t Riff D1
Gtr. 4
Dsus4
0 5
me
A7/C#
twist
0 5
your
C5
A7
0 5
0 5
get - ting
0 5
It’s
Dsus4
fate?
G5
kind
-
0 5
a
late,
0 5
0 5
P.M.
Riff D Gtrs. 2 & 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. 7
7
5
0 0
Em
6
5
6
0 0
5
Eb
0 0
Dsus4
and
5
5
0 5
0 5
0 0
3
wan
-
5
4
A7/C#
I don’t
4
na
0 5
5
5 0 0 3
3
5 0 0
5
5
C5
G5
A7
wait
no
3
0 5
0 5
5
5
µ
more.
0 0 5
8va
End Riff D1 loco
Harm.
0 5
0 5
4 4 17
8va
P.M. P.M. P.M. P.M. P.M. P.M. P.M. 7
7
5
0 0
6
6
5
0 0
5
5
5
0 0
4
4
5
0 0
3
3
5
5 0 0 3
3
5
Harm.
4
5 0 0
End Riff D loco
3
5
17
Gtrs. 2 & 3: w/ Riff D (2 times) Gtr. 4: w/ Riff D1 (2 1/2 times)
Em
Oh,
Eb
may
have
I
Eb
C5
this
dance
days
Dsus4
A7/C#
Em
Dsus4
Passed your
of
A7/C#
test
of
C5
G5
G5
A7
Dsus4
locked in
your
A7
em
- brace?
µ
faith.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
An - oth
time,
Eb
er
Em
Eb
an
- oth
Dsus4
A7/C#
-
er
An - oth - er
in
way.
line
up
C5
G5
A7
face.
your
µ
P.M.
-
ways
glanc
C5
-
on
stairs
and side
crook - ed
A7/C#
-
Down
Dsus4
Dsus4
Eb
your
an - oth - er
A7
Em
G5
place,
A7/C#
C5
-
Dsus4
Em
G5
es
comes
A7
Dsus4
the king
of
sec - ond
chanc -
Gtrs. 2 & 3
7
5
7
0 0
Em
6
0 0
5
5
5
0 0
Dsus4
es.
Gtr. 4
5
Eb
-
6
0 5
4
5
A7/C#
Now
throw him
in
the
4
0 5
0 0
0 5
3
5
5 0 0 3
C5
3
5 0 0
G5
5
5
0 0 5
A7
5
5
Dsus4
flame.
3
0 5
0 5
0 5
0 5
0 5
let ring P.M. Gtrs. 2 & 3
7
7
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5
0 0
6
6
5
0 0
5
5
5
0 0
4
4
5
0 0
3
3
5
5 0 0 3
3
5 0 0
5
5
0 0 0 5
5
0
Pre-Chorus
Csus2
What - ev
-
er
A7sus4
keeps
you
warm
at
Csus2
night.
(What - ev
-
er
keeps
you
warm
at
night.)
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
0 5
3 0 5
3 0 5
3 0 5
3 0 4
3 0 4
-
er
3 0 4
What - ev
3 0 4
3 0 5
3 0 5
3 0 5
5 0 7
3 0 5
0 0
you
warm
in
3 0 5
3 0 5
3 0 5
3 0 5
3 0 4
3 0 4
3 0 4
3 0 4
Dsus4
keeps
3 0 5
-
3 0 5
3 0 5
3 0 5
3 0 5
2
3 0 5
0
Eb
side.
*Gtrs. 4 & 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 4
3 0 4
0 0
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
*Gtr. 5 (dist.), played f. Doubled throughout
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 4
3 0 4
3 0 4
3 0 4
3 0 5
3 0 5
3 0 5
3 0 5
5 0 7
3 0 4
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 4
3 0 4
3 0 0
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
3 0 5
0 0 0
0 0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus
E5
Your
bridg
Rhy. Fig. 2 Gtrs. 2, 3 & 4
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
Rhy. Fig. 2A
Gtr. 5
-
es
are
burn
D%
-
in’
down.
They’re
9 9 7
11 X 9
11 X 9
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
let ring
9 9 7
0 0 9 9 7
9 9 7
C,7
9 9 7
all
com
9 9 7
9 9 7
in’
12 X 10
12 X 10
12 X 10
12 X 10
9 9 7
9 9 7
0 0 9 9 7
9 9 7
9 9 7
9 9 7
down,
12 X 10
9 9 7
E
-
0 0 9 9 7
12 X 10
13 X 11
10 10 8
10 10 8
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10 10 8
10 10 8
10 10 8
0 0 9 9 7 0
7 7 5
7 7 5
0 0 7 7 5
C,7
it’s
all
com
7 7 5
7 7 5
7 7 5
-
0 0 7 7 5
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
9 9 7 0
9 9 7 0
0 0 9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
13 X 11
13 X 11
0 0 9 9 7 0
0 0 0
12 X 10
12 X 10
12 X 10
12 X 10
7 7 5
7 7 5
0 0 7 7 5
7 7 5
in’
12 X 10
7 7 5
7 7 5
12 X 10
13 X 11
End Rhy. Fig. 2
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
9 9 7 0
9 9 7 0
0 0 9 9 7 0
9 9 7 0
9 9 7 0
13 X 11
10 10 8
10 10 8
10 10 8
10 10 8
0 0 9 9 7 0
13 X 11
0 0 0
End Rhy. Fig. 2A
let ring
10 10 8
7 7 5
’round.
0 0 9 10 10 8
0 0 7 7 5
7 7 5
E
let ring
0 0 9 10 10 8
0 0 7 7 5
9 9 7 0
0 0 9 9 7 0
0 0 0
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1st 4 meas.) Gtr. 5: w/ Rhy. Fig. 2A
E5
C,7
all
You’re
burn
com
-
E
in’
12 X 10
C,7
bridg
12 X 10
12 X 10
12 X 10
12 X 10
13 X 11
es
are
burn
-
12 X 10
12 X 10
12 X 10
12 X 10
13 X 11
Rhy. Fig. 3A
Gtr. 5
let ring
10 10 8
10 10 8
13 X 11
12 X 10
0 0 9 10 10 8
10 10 8
10 10 8
10 10 8
0 0 9 9 7 0
them
To Coda 2
It’s
C,7
they’re
all
com
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
-
in’
13 X 11
13 X 11
12 X 10
12 X 10
12 X 10
12 X 10
E
in’
12 X 10
To Coda 1
down.
12 X 10
You’re
End Riff E
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
D5
13 X 11
13 X 11
Eb5
down.
13 X 11
down.
E
Rhy. Fig. 3 Gtrs. 2, 3 & 4
12 X 10
in’
-
-
’round,
Riff E Gtrs. 2, 3 & 4
12 X 10
D%
13 X 11
13 X 11
13 X 11
9 9 7 0
9 9 7 0
0 0 9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
13 X 11
0 0 0
0 0 9 9 7 0
0 0 0
End Rhy. Fig. 3
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
8 8 6 6
End Rhy. Fig. 3A
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
8 8 6 6
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Interlude Gtr. 2: w/ Riff C
E5
Riff F
Gtr. 3
7
9
7
9
7
9
7
9
7
9
7
7
7
9
7
9
7
9
7
9
9
0
7
9
0
0
Riff F1
End Riff F1
7
Gtr. 5
9
0
Gtr. 4
End Riff F
7
7
7
Riff F2
End Riff F2
0
0
0
0
Verse Gtrs. 2 & 3: w/ Riff D Gtr. 4: w/ Riff D1 Gtr. 5 tacet
Em
let
me
Em
Eb
Dsus4
put
you
Eb5
tell
me,
what’s
Gtrs. 2 & 3
9 9 7 7
9 9 7 7
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9 9 7 7
8 8 6 6
in
G5
giv - in’
D5
ev
-
Db5
’ry
-
C5
for
me?
C5
G5
thing
a
8 8 6 6
8 8 6 6
7 7 5 5
7 7 5 5
7 7 5 5
6 6 4 4
5 5 3 3
me now,
5 5 3 3
5 5 3 3
G5
when
5 5 3
you
µ
in
5 5 3
it
-
way.
say
But
A5
D5
it
A7
5 5 3
love
what’s
Dsus4
I
Tell
6 6 4 4
A7
place.
it
your
C5
A7/C#
in
Dsus4
you’re
E5
A7/C#
2. Oh,
Eb
E5
for
me?
No
7 7 5
7 7 5 5
7 7 5 5
7 7 5
7 7 5
9 9 7 7
D.S. al Coda 1
one’s
Eb5
get - tin’
this
9 9 7 7
9 9 7 7
D5
9 9 7 7
8 8 6 6
Db5
C5
for
free,
so
tell
8 8 6 6
8 8 6 6
7 7 5 5
7 7 5 5
7 7 5 5
6 6 4 4
6 6 4 4
G5
me now,
A5
what’s
in
D5
it
for
me?
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3
7 7 5
7 7 5 5
7 7 5 5
7 7 5 5
D5
5 5 3
5 5 3
7 7 5
7 7 5
0 0 0
Coda 1 Gtrs. 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Rhy. Fig. 3A
bridg - es
are
burn
-
C,7
E
in’
12 12 12 X X X 10 10 10
down. End Rhy. Fig. 4
7 X 5
7 5
9 X 7
4 X 2
4 X 2
4 X 2
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
4 X 2
4 X 2
4 X 2
4 X 2
0 0 0
Bridge * E5
Gath - er - in’ the
Gtr. 4
Riff G1
1
8 8 6 6
D/F#
Rhy. Fig. 5 Gtr. 5
Rhy. Fig. 4
Gtr. 2
Eb5
1
12
12 12 12 12
14
14
ash
1
12 12
12 12 12
14
14
- es,
ev -’ry - thing
1
12
1
12 12
1
10
10 10 10
12
12
thrown
-
1
10 10
a
1
1
10
10 10 10
10
12
12
12
Riff G
Gtrs. 2 & 3
10 12 10 12
10
10 12 10 12
10 12 10 12
10 12 10 12
10 12
10 12 10 12
P.M.
10 12 10 12
12 10 12
10 12
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
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C
D5/A
way.
Gath - er - in’ the
1
8
1
8
8
8
8
1
8 8
10
8
End Rhy. Fig. 5
scat - ter as they
1
8
10
ash - es,
1
8 8
10
Eb5/Bb
8
10
1
10
10 10 10
12
12
blow
1
10 10
1
10
10 12 10 12
10
10 12 10 12
10 12 10 12
10 12 10 12
12 10 12
E5
Gtr. 2
12 10 12
way.
Gath - er - in’ the ash
11
11 11 11
11
13
13
13
-
6
D/F#
es,
8
6
8
6
8
6
8
ev - ’ry - thing
thrown
a
-
7
7
7
7
9
7
9
7
9
7
9
way.
7
9
7
Gath - er - in’ the ash
7
9
9
7
9
7
9
C
9
7
7
-
E5
way.
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
9
7
9
7
9
D5
9
7
9
7
9
7
9
Eb5
scat - ter
as they blow
a
-
7
7
9
9
es,
9
7
9
7
9
7
D.S.S. al Coda 2
9
Gtr. 2: w/ Riff C (1st 2 meas.) Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2 (1st 2 meas.)
1
End Riff G
Gtrs. 3 & 4: w/ Riffs G & G1 Gtr. 5: w/ Rhy. Fig. 5
-
EndRiff G1
P.M.
a
9
9
7
9
7
9
7
9
8
10
8
10
8
10
Coda 2
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (last 2 meas.)
C,7
all
com - in’
E
down.
8
10
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 5: w/ Rhy. Fig. 2A (2 times)
E5
Your
bridg
-
es
are
burn
-
in’
Voc. Fig. 1
the
ash
(Gath - er - in’
C,7
all
E
com - in’
way.
burn - in’
all
com - in’
com - in’
down.
They’re
Gtr. 2: w/ Rhy. Fig. 4 Gtrs. 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Rhy. Fig. 3A
You’re
thrown
It’s
all
bridg - es
are
burn
com - in’
-
a
-
in’
End Voc. Fig. 1
-
way.)
E
’round,
they’re
a
Gtrs. 2, 3 & 4: w/ Riff E
E
You’re
C,7
E5
C,7
’round.
down.
scat - ter as they blow
E
E
down.
C,7
all
them
D%
ev - ’ry - thing
Gath - er - in’ the ash - es,
Bkgd. Voc.: w/ Voc. Fig. 1
es,
C,7
it’s
-
down,
D%
D5
down.
Outro
Gtr. 2: w/ Riff C Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2
Eb5
E5
Gtr. 3
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
7
9
7
9
7
9
7
9
9
7
9
0
0
Gtr. 2
P.M.
10
12
10
12
10
12
10
12
10
12
10
12
10
12
10
12
10
12
10
12
10
12
10
12
10
12
P.M.
0
10
12
0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Foo Fighters - Wasting Light
Rope Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Intro Moderately q = 138 *Bm11
F#m11
Rhy. Fig. 1
Gtr. 1 (slight dist.)
End Rhy. Fig. 1
Dm11
mf **w/ delay
0 5 7 7
0 12 14 14
0 8 10 10
0 8 10 10
*Chord symbols reflect implied harmony. **Delay set for quarter-note triplet regeneration w/ 5 repeats.
Bm11
F#m11
Gtr. 2 (slight dist.)
Dm11
mf 5 7 7
Gtr. 1
5 7 7
5 7 7
0 7 7
5 7 7
12 14 14
12 14 14
12 0 14 14 14 14
0 8 10 10
12 14 14
0 8 10 10
0 8 8 8 10 0 10 10 10 10
0 8 10 10
0 8 10 10
0 8 10 10
f delay off
0 5 7 7
0 12 14 14
0 8 10 10 7 5 0
Gtr. 3 (dist.)
7
5 0
f
7 5 0
7
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
5 0
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm11
F#m11
Rhy. Fig. 2
0 5 7 7
0 5 7 7
0 5 7 7
0 0 7 7
7
7
7
7
7
5
0
7
7
7
7
7
5
7
Riff A1
0 5 7 7
Riff A
0
0 5 7 7
7
Dm11
0 8 10 10
0 8 8 10 0 10 10
10
10 10 10
8
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
5
5
5
3
0 8 10 10
10
5
8 10 10
10
0 8 10 10
0 12 14 14
0 12 14 14
9
9
9
9
9
9
9
9
9
9
5
End Rhy. Fig. 2
0 8 10 10
0 8 8 10 0 10 10
8 10 10
10
10 10 10
8
10
0
End Riff A1
5
5
5
5
5
3
5
0 12 14 14
0
0 0 14 14
0 12 14 14
7
9
7
9
Bm11 Rhy. Fig. 3
0 5 7 7
0
End Riff A
10
0 8 10 10
0 12 14 14
A5
0 8 10 10
0 5 7 7
0 5 7 7
0 5 7 7
0 0 7 7
0 5 7 7
Riff B
7
7
7
7
7
5
7
Riff B1
7
7
7
7
7
5
7
F#m11
* Dm11
0 12 14 14
0 12 14 14
0 12 14 14
0 12 14 14
0 0 14 14
A5
0 12 14 14
0 8 10 10
0 8 10 10
0 8 10 10
0 8 8 10 0 10 10
End Rhy. Fig. 3
0 8 10 10
8 10 10
0 8 10 10
0 8 10 10
0 8 10 10 7
9
9
9
9
7
9
9
8
9
9
9
9
7
9
9
8
8
8
8
7
5
5
5
5
3
0
7
5
0
End Riff B
8
8
5
5
5
8
8
8
8
7
5
0
7
5
0
End Riff B1
5
5
5
5
5
7
5
0
7
5
0
*Bass plays F.
Verse Bm11
1. This
**Gtr. 2
in
-
de - ci
Rhy. Fig. 4
0
0 5 7 7
0 5 7 7
0 5 7 7
0 5 7 7
0 0 7 7
0 5 7 7
F#m11
-
sion
got
Dm11
me climb
-
0 12 14 14
0 12 14 14
0 12 14 14
0 12 14 14
0 0 14 14
0 12 14 14
in’
up
a
0 8 10 10
0 8 10 10
0 8 8 10 0 10 10
wall.
0 8 10 10
A5
End Rhy. Fig. 4
0 8 10 10
8 10 10
0 8 10 10
0 8 10 10
0 8 8 10 0 10 10
8 10 10
0
**Doubled throughout Riff C Gtrs. 1 & 3
0
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Bm11
F#m11
cheat
Gtrs. 1 & 3
-
in’
grav
-
i
-
ty
and
wait
-
in’
on
the
A5
Been
Dm11
fall. End Riff C
0
7
Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4
How
did
Bm11
this
come
o
-
F#m11
ver
Thought
me?
5
Bm11
Our
hopes
I
was
a
- bove
gone
up
F#m11
5
Dm11
all.
in
smoke,
0
it
Gtr. 2: w/ Rhy. Fig. 3
A5
7
0
swal -
Pre-Chorus Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4
Dm11
-
low
your
F#m11
thought
I’d
save
On
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
crown.
Dm11
4
F#m11
Yow!
On
a
Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3
kiss,
Bm11
A5
a
A5
my
breath
Dm11
kiss,
thought
I’d
for
you.
save
Bm11
Yow!
my
A5
breath
for
you.
Chorus G5
Em7
Gim -me some rope, Rhy. Fig. 5
Gtr. 2
let ring
3
0 0 X 3
3
-
0
in’
3
0
loose.
3 0 2 2 0
0
com
Bm('4)
0
I’m
hang
let ring
0 3
4 4 2
4 2
-
on
G5
in’
you. End Rhy. Fig. 5
A5
2 0
0 0
3
1/2
2
2
0 0
0
Rhy. Fig. 5A
2
0
End Rhy. Fig. 5A
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
Gtr. 3
3
I’m
3 0 0 X 3
3 0 0 X 3
3 0 2 2 0
3 0 2 2 0
3 0 2 2 0
3 0 2 2 0
3 0 2 2 0
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
2 0
0 0
1/2
2
2
0
3 0 0 X 3
3 0 0 X 3
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (1 1/2 times)
Gim - me
A5
-
some
in’
out
of
my
Rhy. Fig. 6
for
rope,
I’m
you
com
-
in’
A
Rhy. Fig. 6A
in
3
3 4 4 2
3 4 4 2
3 4 4 2
some
rope,
to
the
2 0
2 0
loose.
I’m
pull -
Em7
I’m
com
-
in’
clear.
When
2
0 0
3 4 4 2
3 4 4 2
0 0
0 0
2 2 0
2 2 0
2 2 0
let ring
4 4 2
4 2
-
Bm('4)
Gim - me
head,
0 4 2
now.
let ring
Gtr. 3
G5
Bm('4)
Gtr. 2
Em7
2
2 0
0 0
0 0
2 2 0
2 2 0
0 0
0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
To Coda
G5
E/G#
you
go,
*Gtrs. 2 & 3
5 3
5 3
5 3
5 3
5 3
7 4
I
0
F#/A#
A5
7 4
7 4
7 4
7 4
0
come
7 5
7 5
7 5
7 5
7 5
loose.
End Rhy. Figs. 6 & 6A
9 6
0
9 6
9 6
9 6
17
*Composite arrangement
Interlude Gtr. 2: w/ Rhy. Fig. 2
Bm11
F#m11
Dm11
Gtr. 4 (dist.)
f
4 X 2
4 4 4 4 4 X X X X X 2 2 2 2 2
6 X 4
7 X 5
7 7 7 7 7 7 7 X X X X X X X 5 5 5 5 5 5 5
7 7 7 7
5
9
7
7 7 7 7
5
9
7
Bm11
Gtr. 4
4 4 4 4 4 X X X X X 2 2 2 2 2
6 X 4
9 9 9 9
7
9
7 X 5
9 9 9 9
7
10 X 8
10 10 10 10 10 10 10 12 X X X X X X X X 8 8 8 8 8 8 8 10
14 X 12
14 14 14 14 14 14 14 14 X X X X X X X X 12 12 12 12 12 12 12 12
9 X 7
10 X 8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
10
5 5 5 5
3
5
**Dm11
10 10 10 10 10 10 10 17 X X X X X X X X 8 8 8 8 8 8 8 15 **Bass plays F.
6
10 10 10 10
5
7 7 7 7 7 7 7 X X X X X X X 5 5 5 5 5 5 5
9
F#m11
10
Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3
4 X 2
9 X 7
Gtr. 3
7
Gtr. 1
7
A5
14 X 12
0
10
10 10 10 10
8
10
0
5
5 5 5 5
14 14 14 14 14 0 X X X X X 0 12 12 12 12 12
3
5
0
A5
7 5 0
7
5 0
Verse Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4 Gtr. 4 tacet
Bm11
2. These
prem
-
F#m11
o
-
ni
-
Gtr. 2: w/ Rhy. Fig. 3
Bm11
Leave
your
F#m11
con
-
tions
di
-
tion,
got
me
this
po
-
cry
Dm11
-
in’
-
up
a
tion
does
A5
storm.
Dm11
si
no
A5
harm.
Pre-Chorus Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4
F#m11
Bm11
Yow!
On
kiss,
thought I’d
Dm11
a
A5
save
my
breath
you.
for
D.S. al Coda Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3
F#m11
Bm11
Yow!
On
kiss,
thought I’d
Dm11
a
A5
save
my
breath
for
you.
Coda
Interlude B5 A5
9 7
B5
A5
9 7
7 5
7 5
9 7
B5 D5/A
9 7
E5/B µ
B5
7 7 5 5
7 7 5 5
9 9 7 7
E5/B µ
9 9 7 7
9 7
B5
B5 D5/A
E5/B µ
A5
B5 D5/A
A5
7 5
9 7
B5 D5/A
7 7 5 5
9 9 7 7
E5/B µ
9 7
7 5
9 7
7 7 5 5
9 9 7 7
17
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
B5 A5 B5 D5/A
E5/B
Gtr. 5 (dist.)
G5
A5
E5
B5 A5 B5 D5/A
E5/B
G5
A5
E5
f
0 0
Rhy. Fig. 7 Gtrs. 2 & 3
End Rhy. Fig. 7
let ring
9 7
7 5
9 7
7 7 5 5
9 9 7 7
X X X X
X X X X
X X X X
X X X X
5 5 3 3
7 5
7 5
let ring
0 0 5 3
2 0
9 7
7 5
7 7 5 5
9 7
9 9 7 7
X X X X
X X X X
X X X X
0 0
X X X X
5 3
5 5 3 3
7 5
7 5
2 0
E5
Guitar Solo Gtrs. 2 & 3: w/ Rhy. Fig. 7 (3 times)
B5 A5
B5 D5/A
E5/B
G5
A5
E5
B5 A5
B5 D5/A
Gtr. 5
E5/B
G5
A5
Harm.
Harm.
*
4
3.3
Pitch: G#
4
2.6
3.3
4
2.6
3.3
4
3.3
2.6
4
3.3
B
G#
B
D
G#
B
B D G# B D G# *Harmonic located three-tenths the distance between the 3rd & 4th frets.
B5
A5
B5
D5/A
E5/B
w/ wah-wah
7
0 0
1
10
7
9
7
10
A5
B5
7
10
10
E5/B
7
0 0
9
G5
A5
10
7
10
7
10
E5
7
9
7
9
7
10
7
5
7
5
G5
A5
E5
1 10
7
0 0
7
10
7
10
10
B5
0 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0
12
8
1
7
7
0 0
7
10
9
7
9
7
A5
10
B5 D5/A
A5
12 12
B5 D5/A
E5/B
G5
1
12 12
9
7
8
7
10
E5/B
10 0 0
7
1 1/2
10
F#
Harm. 1
B5
10
9
0 0 0
E5
7
9
D5/A
A5
G
4
1
B5
G5
0 0 0
2.6
12 12
A5
E5
Chorus Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (3 1/2 times)
G5
Gim - me some rope,
I’m
com
-
Bm('4)
in’
loose.
I’m
-
on
A5
hang
G5
Gtr. 5 tacet
Em7
in’
you.
16 16
Em7
Gim - me some rope,
I’m
Em7
Gim - me some hope,
I’m
-
in’
Bm('4)
I’m
com
-
in’
I’m
-
out
of
my
you
count
-
in’
now.
G5
you.
A
on
in - to
the
clear.
When
F#/A#
for
head,
come...
Dm11
in’
A5
I
F#m11
pull
A5
I’m
through.
go,
Outro Bm11
G5
Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A
loose.
A5
Bm('4)
you
com
E/G#
Gtr. 1
in’
Em7
Gim - me some rope,
G5
-
com
Bm('4)
*w/ delay
delay off
0 5 7 7
0 12 14 14
0 8 10 10
0 8 10 10 7 5 0
7
5 0
*Set as before.
Gtr. 3
7 5 0
7
5 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm7'4
F#m7'4
loose.
Gtr. 2
0 5 7 7
0 5 7 7
0 5 7 7
0 5 7 7
0 0 7 7
0 5 7 7
Gtr. 1
0
7
7
7
7
7
5
0
7
7
7
7
7
Dm11
0 8 10 10
0 8 10 10
0 8 10 10
0 8 10 10
8 0 10
5
7
Gtr. 3
7
0 8 10 10
8 10 10
0 12 14 14
0 12 14 14
0 12 14 14
9
9
9
0 12 14 14
0 0 14 14
0 12 14 14
9
9
9
9
9
9
9
0 8 10 10
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
8
7
8
5
5
5
8
5
8
5
8
5
3
7
9
7
9
0 8 10 10 7
5
0
7
5
0
8
8
8
5
5
5
8
8
7
5
0
7
5
0
7
5
0
7
5
0
from Foo Fighters - Wasting Light
Dear Rosemary Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
B5
A5 7fr
134
G5
A
Bm
E
111
1342
231
5fr 134
2
34
Intro Moderately q = 124 *Bm
Em7
Bm
Em7
Riff A
Gtr. 1 (elec.)
mf
4
2
0
2
w/ slight dist. let ring
3
4
4
4
3
4
3
4
0
4
3
4
*Chord symbols reflect implied harmony.
Bm
**Gtrs. 1 & 2
Em7
Bm
Em7 End Riff A
4
2
0
2
let ring
4
4
3
4
4
3 0
4
3
4
3
4
**Gtr. 2 (elec.) w/ slight dist., played mf.
Gtr. 3 (elec.)
mf w/ dist.
10
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtrs. 1 & 2: w/ Riff A (2 times) **Bm
Gtr. 4 (elec.)
A'Ê
G
Em7
9
9
7
7
6
6
7
7
6
6
4
4
2
2
4
f
w/ dist.
11
Rhy. Fig. 1 *Gtrs. 3 & 5
4 X 2
End Rhy. Fig. 1
4 X 2
4 X 2
4 X 2
4 2 0
4 2 0
4 2 0
4 0 X 3
4 0 X 3
4 0 X 3
4 0 X 3
4 2 2 0
4 2 2 0
4 2 2 0
*Gtr. 5 (elec.) w/ dist., played f. **Chord symbols reflect overall harmony. Gtrs. 3 & 5: w/ Rhy. Fig. 1 (3 times)
Bm
A'Ê
Gtr. 4
4
4
6
6
G
6
7
6
6
4
2
4
7
9
11
11
9
9
7
6
6
7
7
Em7
7
Asus2
9
9
2
4
4
6
Bm
G
A'Ê
E5
Gtr. 4
12
6
6
7
9
7
7
G
4
11
A'Ê
B5
Bm
Em7
G
7
Em7
10
9
B5
Asus2
G
11
1
9
9
7
E5
9 0
Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 5
0 4 2
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
0
4 2 2 2
0 0 4
0 4 0
3
3
0
0 4 0
2
2
0
4 2 2 2
0
0
End Rhy. Fig. 2
let ring P.M. 0 4
0
0
3
3
4 2 2 0
0
0
0
Verse Gtr. 4 tacet
Bm
A'2
1. You got
a - way,
got
a
Rhy. Fig. 3
Gtr. 3
3 4
3 4
2 2
2 2
E5
Bm
- way,
got
a - way from
A'2
G
me.
0 0
0 0
E5
G
0 0
0 0 4 2
3 4
3 4
2 2
2 2
End Rhy. Fig. 3
0 0
0 0
0 0
0 0 4 2
End Rhy. Fig. 3A
Rhy. Fig. 3A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 5
0 4 2
2
0
0 0 4
0 4
4 2 2 2
0
3
3
0 4 0
0
2
2
0
0 0 4 2
0 4
4 2 2 2
0
3
3
0
0
Gtr. 5: w/ Rhy. Fig. 2
Bm
A'2
Now get
a - way,
get
a
Rhy. Fig. 4
Gtr. 3
3 4
3 4
2 2
2 2
G
E5
Bm
- way,
get
a - way from
A'2
G
me.
0 0
0 0
E
0 0
0 0 4 2
3 4
3 4
2 2
2 2
End Rhy. Fig. 4
0 0
0 0
0 0 1
0 0 1
0 0 1
0 0 1
Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A
Bm
A'2
I could - n’t
grow
just, a,
Riff B Gtrs. 1 & 2
G
E5
Bm
liv - in’ in the shad
A'2
- ow.
Where do you go when no one’s
G
E5
fol - low - in’
you?
let ring
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm
A'2
You ran
a - way,
ran
a
Rhy. Fig. 5
Gtr. 3
3 4
3 4
2 2
2 2
G
E5
- way.
It was right on
Bm
A'2
0 0
E5
0 0
0 0 4 2
Shall I
3 4
3 4
2 2
2 2
0 0
0 0
0 0
End Rhy. Fig. 5A
P.M. P.M. P.M. P.M. P.M. 0 4 2
2
0
0
Gtrs. 1 & 2
3
0 0 4
0 4
4 2 2 2
3
P.M. P.M. P.M.
0 4 0
0
2
2
0 4
4 2 2 2
0
0
let ring
4
4
3
4
Gtrs. 1 & 2 tacet * B5
4
4
3
4
A5
Rhy. Fig. 6 Gtr. 5
on,
and on,
and
Harm. Harm. Gtr. 3
9 9 7
7
7
9 9 7
7 7 5
5
5
7 7 5
4
4
3
4
B5
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
4
A5
on,
and on,
and
3
4
4
4
B5
3
4
4
4
A5
on,
and on
Harm. Harm.
9 9 7
9 9 7
7
7
9 9 7
7 7 5
5 E
5
7 7 5
7
7
9 9 7
7 7 5
3
3
0
(cont. in slashes)
0 0 4 2 2
0 0 7 7 5
End Riff B
4
4
3
4
4
3
4
B5
A5
End Rhy. Fig. 6
a - gain?
Harm. Harm.
Pitch: E *See top of first page of song for chord diagrams pertaining to rhythm slashes.
4
4
go
End Rhy. Fig. 5
Rhy. Fig. 5A
Gtr. 5
A5
cue.
0 0
G
10 9 7 5 E
5
12 11 9
12 11 9
12 11 9
12 11 9
12 11 9
12 11 9 15
Pre-Chorus G5
A
Bm
Rose - mar - y, Rhy. Fig. 7
0 0 X 3
0 0 X 3
you’re
let ring
3
3
part
0 0 X 3
0 0 0 0
A
Rhy. Fig. 7A
of
me,
2 2 2 0
2 2 2 0
2 2 2 0
you
know
2 2 2 0
2 2 2 0
0 0 0 0
you are,
Rose - mar - y,
-
you’re
3 4 4 2
3 4 4 2
mar
Bm('4)
part
of
me,
you
-
Gtr. 3
y,
3
4 4 2
know
you are,
please
par
3 0 0 X 3
0 0 X 3
0 0 0
you
are,
you are. End Rhy. Fig. 7
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0 0 0 0
A
are,
you
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 X 0
2 X 0
2 X 0
2 X 0
2 X 0
2 X 0
2 X 0
2 X 0
2 X 0
2 X 0
2 X 0
-
don
0 0 X 3
0 0 0 0
2 X 0
2 X 0
3 3 0 0 X 3
3 3 0 0 X 3
0 0 0 0
2 X 0
3
E5
let ring
Gtr. 5
0
are.
2nd time, Gtr. 3: w/ Rhy. Fill 1
G5
Rose
A
you
let ring
Gtrs. 3 & 5: w/ Rhy. Figs. 7 & 7A
G5
End Rhy. Fig. 7A
me.
0
0 0 0
0 0 0
Rhy. Fill 1 Gtr. 3
4 2 X 0
4 2 X 0
4 2 X 0
4 2 X 0
4 2 X 0
4 2 X 0
4 2 X 0
0 0
0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus
3rd time, Gtr. 7 tacet
Bm
A
Truth
ain’t
gon - na
Gtr. 4
G5
change
E5
the way
lie.
you
Bm
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
2 2 2 0
2 2 2 0
0 0 0 0
let ring
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 0 2 2 0
9
9
7
7
6
3 4 4 2
2 2 0
E5
G5
11
Rhy. Fig. 8 Gtrs. 3 & 5
A
3 4 4 2
3 4 4 2
3 4 4 2
6
7
2 2 2 0
2 2 2 0
0 0 0 0
7
6
6
4
4
2
2
4
End Rhy. Fig. 8
let ring
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 0 2 2 0
2 2 0
To Coda 1 To Coda 2
Gtrs. 3 & 5: w/ Rhy. Fig. 8
Bm
A
Youth
ain’t
gon - na
G5
change
E5
the
way
Bm
you
A
G5
E5
die.
Dear
Gtr. 4
Rose -
fdbk.
4
4
4
11
11
9
9
7
7
6
6
7
7
6
6
4
4
2
2
10
Gtr. 5: w/ Rhy. Fig. 2
-
Asus2
mar
-
y.
G
E5
B5
Dear
Rose
11
12
Asus2
G
-
mar
-
y.
11
E5
B5
1
9
11
9
9 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
0
Verse Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A Gtr. 4 tacet
A'2
2.You’ve got
a - way,
Gtr. 6 (elec.)
got
a
G
E5
- way,
got
a - way with
Bm
A'2
Bm
A'2
w/ dist.
14
7
5
a - way,
got
a
- way,
E5
got
a - way with
Bm
2
4
5
A'2
3
5
5
2
G
4
5
E
things.
14
4
5
4
7
4
You got
G
4
E5
things.
f
Gtr. 3: w/ Rhy. Fig. 4 Gtr. 5: w/ Rhy. Fig. 2
G
Bm
7
2
4
5
3
G
5
5 0
0
0
0
Gtrs. 1 & 2: w/ Riff B Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A
Bm
False
G
E5
starts,
hearts
shat - tered.
A'2
your
get
Bm
A'2
Pick up the piec - es com - in’
E5
down a - round
you.
7
Gtrs. 3 & 5: w/ Rhy. Figs. 5 & 5A
Bm
A'2
You ran
a - way,
ran
a
G
E5
- way.
It was right on
Bm
A'2
G
E5
A5
cue.
Can I
14
7
4
go
5
4
2
4
5
3
5
5
2
4
5
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D.S. al Coda 1 Gtr. 5: w/ Rhy. Fig. 6
Gtr. 6 tacet
on,
and on,
A5
on,
and on,
B5
and
Harm. Harm. Gtr. 3
9 9 7
7
9 9 7
7
7 7 5
5
7 7 5
5
A5
on,
and on
A5
B5
A5
a - gain?
Harm. Harm.
9 9 7
9 9 7
16
7
7
9 9 7
7 7 5
5
5
7 7 5
7
7
9 9 7
7 7 5
E
7 5
16
16
16
16
16
5
17
E
and
B5
Harm. Harm.
Pitch: E
Gtr. 6
B5
7
Coda 1
Bm
A
G5
E5
die.
11
9
9
7
7
6
6
7
7
6
6
4
4
2
2
4
Bridge Gtr. 4 tacet
G5
A
Bm
A
Rhy. Fig. 9
End Rhy. Fig. 9
*Gtrs. 3, 5&7
This
was
no
or
-
di - nar
-
y
life. (This
Gtr. 2
3
2
5
2
Gtr. 4
4
*Gtr. 7 (acous.), played mf.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
5
2 4
3
was
no
or
2
5
3
4
0
-
di
2
2
-
nar
y
3
5
life.
Gtrs. 3, 5 & 7: w/ Rhy. Fig. 9 (2 times)
G5
This
was
no
A
Bm
or
-
di - nar
-
y
Gtr. 2
3
2
5
0
2
3
was
-
life. This
Riff C
A
2
3
4
or
2
5
no
5
3
4
0
di
-
nar
y
life.)
2
2
-
3
End Riff C
5
Gtr. 2: w/ Riff C
G5
I’m
A
here
from
now
Bm
on.
A
But
once
I’m
gone,
D.S.S. al Coda 2
G5
Gtr. 7
gone.
3
2
3 3 0 0 X 3
3 3 0 0 X 3
5
0
Gtrs. 3&5
3
4
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Bm
4
3
5
4
0 0 1 2 2 0
0 0 0 0
9 9 7
A
Coda 2
I’m Gtr. 4
E
9 9 7
9 9 7
9 9 7
G5
9 9 7
E5
die.
9 9 7
15
Dear
Rose -
11
9
9
7
7
6
6
7
7
6
6
4
4
2
2
4
Gtr. 4
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtrs. 3 & 5: w/ Rhy. Fig. 1 (4 times)
Bm
A'Ê
- mar
-
G
Gtr. 6
Gtr. 4
9
7
7
Bm
6
6
7
A'Ê
-
mar
-
6
4
9
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
7
-
4
2
7
6
6
of
G
Em7
me.
Dear you’re
part
of
Rose -
me.
11
7
11
9
9
7
7
6
6
7
7
6
6
4
4
2
2
mar
-
9
9
6
6
4
4
9
9
7
7
7
7
6
6
4
4
2
2
2
2
par
-
7
6
6
7
A'Ê
don
6
please
par
9
7
7
6
6
7
7
6
6
4
4
2
2
Em7
-
me.)
6
4
4
2
9
7
7
6
2
6
don
11
11
9
G
7
9
me.
y,
7
6
Bm
-
11
Em7
6
11
7
part
2
A'Ê
y,
please Rose
11
mar
y,
6
-
G
Dear
7
Bm
you’re Rose
9
y, (Dear
11
Em7
7
9
9
7
7
6
6
7
7
6
6
4
4
2
2
4
Gtr. 3
* B5
A5
G5
E5
Dear
Rose
B5
A5
-
mar
P.H.
-
y.
G5
B5
fdbk.
2
Pitch: F# Gtr. 6
7
7
9
4
A
7
Gtr. 4
6
2 2 0
2
grad. bend
2 1
4
2 2 0
7 0
grad. bend
2 1
0
0
0
4
Gtr. 5
2 2 0
0
2 2 0
grad. bend
2
0
0
0
2
1
2 2 0
2
2 2 0
2 2 0
2 2 0
*Chord symbols implied by bass.
Outro Gtrs. 3 - 6 tacet
B5
You
B5
Gtr. 4
A5
got
a
G5
A5
-
way,
E5
got
a
B5
Harm. let ring **
G5
-
A5
way,
Now get a - way,
G5
got
a
E5
-
way
E5 µ
get a - way from
from
get a - way,
me.
me.
5 3.3 Pitch: B D **Harmonic loacted one-third the distance between the 3rd & 4th frets.
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Foo Fighters - Wasting Light
White Limo Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Intro Moderately fast q = 169 * B'b9
A5 B5
Gtr. 1 (dist.)
P.M.
mf
P.M.
8 7
P.M.
7
Gtrs. 2 & 3 (dist.)
7
P.M.
8
10
7
7
C5 B5 A5 C5
P.M. P.M. P.M. P.M.
10 7
7
9 9
7 7
8
7 7
7
7
7
8
10
7
7
7
0 0
7
7 5
9 7
9 7
10 8
9 7
7 5
10 8
f
7 5
9 7
9 7
10 8
9 7
7 5
10 8
*Chord symbols reflect implied harmony.
B'b9
A5 B5
C5 B5 A5 F5/C
Uh!
P.M. P.M. P.M. 8 10 8
7
7
P.M.
8
10 7
7
P.M.
10 7
7
P.M.
9 9
7 7
7 7
P.M.
8 7
7
7
7
P.M.
7
8
10 7
7
0 0
7 5
9 7
9 7
10 8
9 7
7 5
10 8 8
(Gtr. 2, cont. on higher staff)
10 8
7 5
9 7
9 7
10 8
9 7
7 5
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
10 8 8
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
B'b9
A5 B5
Rhy. Fig. 1
P.M. P.M. P.M. Gtrs. 1 & 2
C5 B5 A5 C5
8
10 8 8
7
P.M.
8
10 7
7
P.M.
10
7
7
7
P.M.
9 9
7 7
7 7
P.M.
8 7
7
7
7
P.M.
8
10 7
7
0 0
7
7 5
9 7
9 7
10 8
9 7
7 5
10 8
Rhy. Fig. 1A
Gtr. 3
10 8 8
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
0 0
7
7 5
B'b9
8 7
7
7
7
7
7
7
P.M.
10
7
7
P.M.
8
10 7
7
10 10 8
9 7
A5 B5
P.M. P.M. P.M. 10 8
9 7
7
P.M.
9 9
7 7
7 7
P.M.
8 7
7
7
7
P.M.
9 7
7 5
7
10 10 8
C5 B5 A5 F5/C End Rhy. Fig. 1
8
10 7
10 8
0 0
7
7 5
9 7
9 7
10 8
9 7
7 5
10 8 8
End Rhy. Fig. 1A
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
0 0
7
7 5
9 7
9 7
10 8
9 7
7 5
10 8 8
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)
B'b9
1. I’ll take it out - ta the wish - in’ well.
B'b9
Go
with your
bad
self.
B'b9
You think you’re los - in’, it’s time
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
I have a
to stop ac - cus - in’. You’re nev - er
-
A5 B5
C5 B5 A5 F5/C
self?
gon - na take a
C5 B5 A5 C5
plan.
Why did you cheat your
I’m think - in’
A5 B5
hit on the head.
A5 B5
C5 B5 A5 C5
B'b9
Now
if you don’t
P.M. P.M. P.M. Gtrs. 1 & 2
8 10 8
7
7
7
take a
P.M.
10 7
P.M.
9 9
7
Chorus
7
7
7
7
got
some
P.M.
7
7
7
- where.
P.M.
Hey! End Rhy. Fig. 2
8
10
7
7
7
0 0
7
7 5
9 7
9 7
10 8
9 7
9 9 7
7 5
End Rhy. Fig. 2A
7
7
7
7
7
7
-
7
7
7
7
7
7
7
7
7
you wan - na
try
7 5
9 7
9 7
10 8
9 7
G5
thin’,
0 0
7
Bb5
You
7
some
Rhy. Fig. 2A
D5/A
7
8
7 7
7 7
Gtr. 3
10 10 8
ride
Rhy. Fig. 2
7
care,
P.M.
8
10
7
C5 B5 A5 B5
A5 B5
and
buy
B5
us
9 9 7
7 5
in.
Hey!
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
8 8 6
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Rhy. Fig. 3
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0 0
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtr. 3
4 4 2
D5/A
You
4 4 2
4 4 2
4 4 2
4 4 2
0 0
some
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
0
8 8 6
3 3 0 0 X 3
0 0
Bb5
got
8 8 6
-
thin’,
it’s
’round
go - in’ ’round
3 3 0 0 X 3
and
a and
-
gain. ’round
a
-
gain.
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 0
0 0
3 3 1
4 4 2
0 0
B
4 4 2
9 9 7
0
G5
0 0
End Rhy. Fig. 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
0 0
15
0 0
4 4 2
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Go!
9 9 7
8
9
4 4 2
G
11
12 12 10
12
3 2 0 0
4 4 2
8 8 6
0 0
3 2 0 0
Go!
9 9 7
9 9 7
4 4 2
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4 4 2
9
0 0
12 12 10
3 2 0 0
And the ride
12 12 10
11
3 2 0 0
12
0 0
7 7 5
0 2 2 2 0
7 7 5
6
0 2 2 2 0
4
5 5 3
5
3 0 0 X 3
Em
A5 B5
0
0 0 X 2 2 0
0 0 0 2 2 0
0
9 9 7
4 4 2
C5 B5 A5 C5
shared.
7
long. long.
3 0 0 X 3
was
so so
5 5 3
A
Go!
8
0
3 3 1
8
3 3 1
D
7
8 8 6
B
You said that I’ve been a - way You nev - er have been a - way
To Coda
12 12 10
0 0
Rhy. Fig. 4A
Gtr. 3
Bb
Rhy. Fig. 4
9 9 7
Go!
Gtrs. 1 & 2
D
Go
End Rhy. Fig. 4
7 5
9 7
9 7
10 8
9 7
7 5
10 8
End Rhy. Fig. 4A
7 5
9 7
9 7
10 8
9 7
7 5
10 10 8
Interlude B'b9
lim
P.M. P.M. P.M. Rhy. Fig. 5
8 10 8
7
7
7
P.M.
10 7
7
P.M.
9 9
7 7
7 7
7
7
7
7
7
B'b9
7
7
7
7
7
7
7
7
10 8 8
8 7
7
7
7
7
7
7
7
7
7
10
7
7
7
7
7 7
7 7
P.M.
7
P.M.
8
10 7
7
0 0
7
7 5
9 7
9 7
7
7
7
7
7
7
7
7
P.M.
8 7
10 8
9 7
7 5
10 8 8
P.M.
9 9
7
0 0
7
7 5
9 7
9 7
10 8
9 7
7 5
10 8 8
C5 B5 A5 C5
o.
P.M.
7
10 8 8
P.M.
8
10
-
A5 B5
lim
P.M. P.M. P.M.
7
7
7
Go
8
Rhy. Fig. 5A
10 10 8
C5 B5 A5 F5/C
o.
P.M.
8
10 7
-
A5 B5
7
P.M.
End Rhy. Fig. 5
8
10 7
7
0 0
7
7 5
9 7
9 7
10 8
9 7
7 5
10 8
End Rhy. Fig. 5A
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
0 0
7 5
9 7
9 7
10 8
9 7
7 5
10 10 8
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1 3/4 times) Gtr. 3: w/ Rhy. Fig. 5A (1 3/4 times)
B'b9
2. I guess you’re stuck in the Hab - i - trail.
A5 B5
C5 B5 A5 F5/C
You’ve grown to lov - in’ this shit.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
B'b9
Way out
on
a
back
shelf,
C5 B5 A5 C5
you nev - er meant what you planned.
B'b9
A5 B5
Look what you’re do - in’, now ma - ma said it’s ru - ined. You got a
A5 B5
C5 B5 A5 F5/C
mol - lusk in the palm of your hand.
D.S. al Coda Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 2A
B'b9
So
it’s
a
bad
smell.
Your
Coda
And
the
ride
7 7 5
7 7 5
7 7 5
7 7 5
0 2 2 2 0
0 2 2 2 0
Gtr. 2
Gtr. 3
D
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 0
D
Go!
9
9
2
9 9 7
0 0
9 9 7
4 4 2
2 2 0
G
What - ev - er hap -pened to Day
0 0
Bb
B
2 0
A
Go!
0
Go!
B
-
clothes?
Glo
Em
And the ride
was
shared.
A5 B5
Go!
Hey!
9 9 7
9 9 7
2 2 0
win.
won’t
1
ass
0
7
shared.
6
was
7
Gtrs. 1 & 2: w/ Rhy. Fig. 4 Gtr. 3: w/ Rhy. Fig. 4A
6
Gtr. 1
E
C5 B5 A5 B5
A5 B5
C5 B5 A5 C5
Go
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1st 4 meas.) Gtr. 3: w/ Rhy. Fig. 5A (1st 4 meas.)
B'b9
lim
B'b9
P.M. P.M. P.M. 10 8 8
8 7
P.M.
8
10 7
7
7
P.M.
7
7
7 7
-
7
C5 B5
A5
o.
Yeah!
7
7
P.M.
P.M.
8
7 7
Go
P.M.
9 9
C5 B5 A5 F5/C
o.
10
A5 B5
A5 B5
lim Gtrs. 1 & 2
-
8
10
7
7
7
0 0
7
7 5
9 7
9 7
10 8
9 7
0
7 7 5
Gtr. 3
10 8 8
7
7
7
7
7
7
Guitar Solo A5
7
7
7
B
7
7
7
7
E5/B
7
7
7
All
*Gtr. 4 (dist.)
7
7
7
7
0 0
7
7 5
9 7
9 7
10 8
9 7
0
7 7 5
A
f 0 0 0
7
right!
7
1
0
7 7
1
7 7 9
7 7
1
7 7 9
7 7
1
7 7
7 7
9
7
7 7
9
12 12
*Dave Grohl Rhy. Fig. 6
**Gtrs. 1, 2 & 3
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0 0
9 9 7 7
9 9 7 7
9 9 7 7
9 9 7 7
9 9 7 7
0
4 4 4 2
4 4 4 2
5 4 4 2
5 4 4 2
4 4 4 2
4 4 4 2
5 4 4 2
4 4 4 2
5 4 4 2
4 4 4 2
End Rhy. Fig. 6
4 4 4 2
2 2 2 0
**Composite arrangement
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 6 (2 times) Gtr. 4 tacet
E5/B
*Gtr. 5 (dist.)
B
f
1
0 0
0 0
1
1
1
1/2
1/2
A
1
7
7
9
9
10
10
12
9
9
11
11
13
13
14
12 14
*Dave Grohl
Gtr. 5 tacet
E5/B
Gtr. 4
B
0 0
5 grad. bend 2 1/2 1/2
9
1 1/2
1
9
9
9
9
0 0 0 0
0 0 0
1 9
A
2 1/2
2
9
2
9
9
9
9
9
9
9
Gtr. 4 tacet
E5/B
Gtr. 5
B
0 0
Gtrs. 1, 2 & 3
7 7 5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7 7 5
7 7 5
7 7 5
7 7 5
0 0
9 9 7 7
0 0
9 9 7 7
9 9 7 7
9 9 7 7
9 9 7 7
0
7 7
4 4 4 2
7 7
7 7
7 7
7 7
7 7
7 7
7 7
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
A5 B5
C5 B5 A5 C5
0 0
7 5
9 7
9 7
10 8
9 7
7 5
10 8
7 5
9 7
9 7
10 8
9 7
7 5
10 8
Interlude
Gtr. 5 tacet
B'b9
Gtr. 5
A5 B5
C5 B5 A5 F5/C
10 8
P.M. P.M. P.M. Gtr. 1
8 10 8
7
7
P.M.
P.M.
8
10 7
Gtrs. 2 & 3
10
7
7
P.M.
9 9 7
7
P.M.
8
7 7
7 7
7
7
7
P.M.
7
7
8
10
7
0 0
7
7 5
9 7
9 7
10 8
9 7
7 5
10 8 8
(Gtr. 2, cont. on upper staff)
10 8
7 5
B'b9
9 7
9 7
µ
10 8
9 7
7 5
10 8 8
C5
Whoa!
P.M. P.M. P.M. Gtrs. 1 & 2
10 8 8
8 7
P.M.
8
10 7
7
7
P.M.
10 7
7
P.M.
9 9 7
7 7
7 7
P.M.
8 7
7
7
7
P.M.
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
10 10 8
7
Gtr. 3
10 8 8
8
10 7
10 10 8
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Outro Gtr. 2: w/ Rhy. Fig. 5 (1st 7 meas.)
B'b9
Gtrs. 1 & 3
10 10 8
9 7
B'b9
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
0 0
7 5
9 7
9 7
10 8
9 7
7 5
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
(Gtr. 3, cont. on lower staff)
9 7
9 7
9 7
9 7
9 7
9 7
9 7
0
2
2
2
2
0
1/2
2 X 2
0
2
2
2
2
0
2 X 0
2 X 2
2 X 0
1/2
0
2
2
2
2
0
0
2
2
1/2
2
2
0
2 X 0
1/2
0
2
2
2
1/2
Gtr. 3
0 0
0 0 0
2
2
0
0
2
2
2
w/ bar
G#5
2 2 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 2 0
-1/2
10
A5
2 2 0
1/2
2
2
2
1/2
2
0
2 X 0
0
2
2
2
Gtr. 3 tacet Gtrs. 1 & 2
9 7
A
1/2
0 0
10 8 8
B7(no3rd)
Gtrs. 1 & 2
C5 B5 A5 F5/C
10 8 8
A5 B5
µ
2
2 2 2 0
from Foo Fighters - Wasting Light
Arlandria Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
**C#m
Gtr. 2 (dist.)
Intro Moderately q = 116
mf
9
9
11
11
Gtr. 1 (dist.)
9
9
11
1/4
9
11
11
9
11
9
9
9
11
f
1/4
9
*Gtr. 3 (dist.)
12
11
9
11
9
f
9
12
11
9
12
9
9
12
11
9
11
9
*Doubled throughout **Chord symbols reflect implied harmony.
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 3 tacet
1. Ain’t
Gtr. 2
that
the
way
it
al
-
ways
9
11
9
1
9
11
9
9
Gtr. 1
1
9
12
11
9
11
12
12
Verse Gtrs. 1 & 2 tacet
C#m7
Asus2
E5
starts?
A
sim
-
ple
round
of
con
-
ver
-
Rhy. Fig. 1
Gtr. 4 (dist.)
F#
mp
4 X 4
4 X 4
4 X 0
4 X 0
4 X 0
4 X 0
4 X 0
4 X X 0
4 X X 0
4 X X 0
3 X X 2
3 X X 2
3 X X 2
3 X X 2
0 0
P.M.
4 X 4
C#m7
Asus2
sa
-
E5
tion
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
be
-
came
a
shame - ful
e
-
qua
-
End Rhy. Fig. 1
4 X 4
4 X 4
4 X 0
4 X 0
4 X 0
4 X 0
4 X 0
4 X X 0
4 X X 0
4 X X 0
3 X X 2
3 X X 2
3 X X 2
3 X X 2
0 0
P.M.
4 X 4
F#
Gtr. 4: w/ Rhy. Fig. 1 (2 1/2 times)
C#m7
Asus2
E5
F#
tion.
C#m7
I flipped to
C#m7
sta - tion
to
Asus2
E5
F#
sta - tion.
Hey,
F#5
don’t
go
and
turn
the oth - er
way.
Rhy. Fig. 2
Gtr. 1
E5
Asus2
mp
End Rhy. Fig. 2
4 2 4
4 2 4
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2
4 2
4 2
4 2
4 2
P.M.
4 2 4
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
C#m7
Asus2
E5
F#5
Don’t say there’s noth - in’ more
C#m7
Asus2
Riff A
Gtr. 2
hush,
set - tle
down.
Hush,
C#m7
to
Asus2
E5
say.
Come on,
E5
hear me out.
F#
But - ton
F#5
up,
don’t
make a
sound.
let ring 1
1
9
11
1
9
11
1
9
11
9
11
4 X 4
4 X 4
4 X 4
4 X 0
4 X 0
4 X 0
4 X 0
4 X 0
4 X X 0
4 X X 0
4 X X 0
3 X X 2
3 X X 2
3 X X 2
3 X X 2
0 0
4 2 4
4 2 4
4 2 4
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 4 2
4 4 2
4 4 2
4 4 2
4 0
Gtr. 4
Gtr. 1
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C#m7
Asus2
shame,
go
a - way.
Shame,
Gtr. 2
E5
Come a
-
gain
F#
some
oth - er
day.
End Riff A
let ring 1
1
9
11
Gtr. 4
1
9
11
1
9
11
9
11
mf
4 X 4
4 X 4
4 X 4
4 X 0
4 X 0
4 X 0
4 X 0
4 X 0
4 X X 0
4 X X 0
4 X X 0
3 X X 2
3 X X 2
3 X X 2
3 X X 2
0 0
4 2 4
4 2 4
4 2 4
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 4 2
4 4 2
4 4 2
4 4 2
4 0
Gtr. 1
*Gtr. 5 (dist.)
f
16 *Doubled throughout
Pre-Chorus
Gtrs. 1, 2 & 4 tacet
C#5
You used to say
I could - n’t
Rhy. Fig. 3
Gtr. 5
6 6 4
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
0 0
A5
save you e -nough,
so I’ve been
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
0 0 0 0
E5
sav - in’ it
up,
I start - ed
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 0
B5
F#5
sav - in’ it
up.
4 4 2
4 4 2
4 4 2
4 4 2
0 0
4 4 2
4 4 2
4 4 2
C#5
And when you said I could - n’t
Gtr. 6 (dist.)
A5
give you e - nough,
I start - ed
B5
giv - in’ you up,
giv - in’ you up.
E5
I start - ed
C5
mf
0 0 0
16
Gtr. 5
6 6 4 4
6 6 4 4
6 6 4 4
6 6 4 4
6 6 4 4
6 6 4 4
6 6 4 4
Gtr. 7 (dist.)
0 0
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
End Rhy. Fig. 3
0 0 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 0
4 4 2
4 4 2
4 4 2
4 4 0
5 5 3
5 5 3
5 5 3
0
mf
16
Chorus
C#m7
You
are
not
Rhy. Fig. 4A
6 6 4
6 6 4
6 6 4
0 0 6 6 4
Rhy. Fig. 4
6
4
6 6 4
6 6 4
4
2
4
2
-
lan
-
dri
-
6
4
4 4 2
4 4 2
4 4 2
0 0 3 4 4 2
a,
4 4 2
0 0
0 0
4 4 2
4
4 2
4 2
Rhy. Fig. 4B
F#7'4
Ar
4
me,
5 6 6 4
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A'9
Ar
-
lan
-
dri
B5
-
C
a.
1
6 7 7 5
7 7 5
6 7 7 5
6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
7 7 5
0 0 6 7 7 5
7
7
9
9
9
0 0
7 5
End Rhy. Fig. 4A
1
7
9
4 4 2
4 4 2
4 4 2
8
8
8
10
10
10
5 5 5 3
5 5 5 3
5 5 5 3
0 0
4 4 2 2
4 4 2 2
4 4 2 2
0 0
0
5 5 3 3
5 5 3 3
5 5 3 3
End Rhy. Fig. 4
0 0
End Rhy. Fig. 4B
0 0
Gtrs. 5, 6 & 7: w/ Rhy. Figs. 4, 4A & 4B
C#m7
You
and
what
ar
-
my?
F#7'4
Ar
-
lan
-
dri
-
a,
To Coda
A'9
Ar
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
-
lan
-
dri
-
a.
B5
C
Oh,
God,
you
got
-
ta
make
it
Interlude Gtr. 7 tacet
C#m7
Asus2
E5
F#7'4
C#m7
Asus2
E5
F#7'4
stop.
Gtr. 5
0 0 4
0 0 4
0 0 4
0 0 4
0 0 4
0 0 4
0 0 4
0 0 4
0 0 4
P.M.
0 0 4
0 0 4
0 0 3
0 0 3
Gtrs. 1 & 4
4
0
Gtr. 7
4
P.M.
0
0
0
0
0 0 3
0 0 3
0 0 3
0 0 4
0 0 4
0 0 4
0 0 4
4
0
4
0 0 4
0 0 4
0 0 4
P.M.
2
0 0 4
0 0 4
0 0 4
0 0 3
0 0 3
0 0 3
0 0 3
0 0 3
P.M.
0
0 0 4
0
0
4
2
6 6 4
Verse Gtrs. 1 & 5 tacet Gtr. 4: w/ Rhy. Fig. 1 (1 1/2 times)
C#m7
Asus2
E5
2. Chase Riff B
Gtr. 8 (clean)
mp
F#
all
of
those
mem - o
-
ries
a
End Riff B
-
let ring throughout
6
0
4
4
4
0
0
0
0
4
2
3
4
0
0
0
Gtr. 8: w/ Riff B (2 times)
C#m7
way.
Asus2
E5
F#
Save them all
for
an - oth
- er
C#m7
Asus2
day.
E5
F#
Don’t you re - mem -ber
it
was
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C#m7
Asus2
E5
rain
4
6
Gtr. 4
0
4
4
drowned
0
0
you?
0
0
4
2
4
4 X 4
4 X 4
4 X 0
4 X 0
4 X 0
4 X 0
4 X 0
4 X X 0
4 X X 0
4 X X 0
3 X X 2
P.M.
4 X 4
µ
that
Gtr. 8
F#
Gtrs. 4 & 8 tacet
C#m7
Asus2
E5
Wait!
Gtr. 5
I
wan
-
na
see
if
you
can End Riff D1
4
Riff D1
4
Gtr. 3
F#
4 4
0
4
4
0
0
0
3 0
2
3 2
Riff D
2
End Riff D
9
Gtr. 3: w/ Riff D (2 times) Gtr. 5: w/ Riff D1 (3 times)
C#m7
Asus2
change.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
E5
F#
I
wan - na keep all
I
can
C#m7
Asus2
take.
E5
F#
I
feel much bet - ter
now.
C#m7
Use
me
up,
Gtr. 2
Asus2
spit
me
out.
E5
Let me
be
F#
your
hand
me
down.
let ring 1
1
9
12
12
Fame,
fame,
a - way.
go
Gtr. 2
E5
Come a
-
gain
9
12
some
oth - er
day.
F#
let ring 1
1
9
12
1
9
12
D.S. al Coda
Asus2
1
9
12
C#m7
1
9
1
9
12
12
9
Gtr. 5
4
4
4
4
4
0
4
0
0
3
0
0
2
4
2
Coda
Bridge Gtr. 5: w/ Rhy. Fig. 3 * C#m
stop.
Gtr. 6
My
sweet
A
Vir
-
gin
-
E
Gtr. 6 tacet
ia,
I’m
the
same
1
9
9
11
11
5
5
5
4
Gtr. 7
6
4
4
2
1
0 0
5
5
7
*Chord symbols reflect combined harmony, next 7 meas.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
B
F#
as
I
was
in
your
4
4
6
4
E
6
0
4
0
5
4
2
1
I’m
the
5
Vir
5
4
-
gin
B5
same
5
as
I
1
1
ia,
6
C5
was
-
6
1
0 0
A
sweet
let ring
6
My
4
arms.
Gtr. 7
7
C#
in
your
1
4
heart.
1
1
1
7
7
7
8
8
8
9
9
9
9
10
10
10
11
Interlude Gtr. 4: w/ Rhy. Fig. 1
C#m7
Gtr. 7 tacet
Asus2
Gtr. 7
E5
F#
C#m7
Asus2
E5
F#
9 11
Verse Gtr. 4: w/ Rhy. Fig. 1 (3 times)
Asus2
shame,
go
3. Shame,
C#m7
Mem
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
a - way.
-
o
- ries
keep
F#
Come
Asus2
E5
a - gain
E5
haunt - ing
some
oth - er
C#m7
day.
F#
me.
Help
me
chase
them
all
a
- way.
C#m7
Hush
Gtr. 7
now,
set - tle
down.
E5
But
- ton
F#
up,
don’t
make
a
sound.
Asus2
* **w/ delay
X X X X X X *Pluck strings behind nut. **Set for quarter-note regeneration w/ multiple repeats (hold for next 12 meas.).
Gtr. 2: w/ Riff A
C#m7
E5
Use
me
Asus2
up,
spit
Gtr. 2
I don’t
me
Come
now,
care,
out.
it’s
all
Watch it
Let me
be
F#
E5
take the blame.
E5
the same.
F#
your
all
go
flames.
hand
up in
Asus2
play the game.
C#m7
C#m7
to the ground.
That’s o - kay, I’ll
F#
Asus2
Help me burn this
E5
a - round.
C#m7
turn
F#
Close your eyes,
Asus2
me
down.
let ring 1
1
9
12
1
9
12
1
9
12
9
12
4 X 4
4 X 4
4 X 4
4 X 0
4 X 0
4 X 0
4 X 0
4 X 0
4 X X 0
4 X X 0
4 X X 0
3 X X 2
3 X X 2
3 X X 2
3 X X 2
0 0
Gtr. 4
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Fame,
fame,
Asus2
go
a - way.
E5
Come a
-
gain
F#
some
oth - er
day.
let ring 1
1
9
12
4 X 4
9
12
4 X 4
1
4 X 4
4 X 0
4 X 0
4 X 0
4 X 0
4 X 0
1
9
12
µ
C#m7
9
12
4 X X 0
4 X X 0
4 X X 0
3 X X 2
3 X X 2
3 X X 2
3 X X 2
mf
Pre-Chorus Gtrs. 2 & 4 tacet Gtr. 5: w/ Rhy. Fig. 3
C#5
You used
Gtr. 7
Gtr. 6
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
to
say
I
could - n’t
A5
save you
e - nough,
so
I’ve been
E5
sav - in’
it
up,
I
start - ed
9
7
5
9
9
9
7
7
7
5
5
5
4
5
4
5
4
5
5
5
4
4
4
6
6
6
4
6
4
4
4
4
4
5
4
6
4
6
4
4
6
4
B5
F#5
sav - in’
it
C#5
up.
4
0
4
E5
giv
-
6
said
I
could - n’t
give
in’
you
up,
you
e - nough,
I
start - ed
9
7
9
9
9
7
7
7
5
5
5
4
5
4
5
4
5
5
5
4
4
4
6
6
A5
0
6
And when you
5
I
start
-
B5
ed
giv
-
in’
you
up.
6
6
4
6
4
C5
1
5
4
6
4
4
6
4
4
4
5
4
5
4
0
13
13
13
13
15
15
15
15
4
6
4
6
4
4
5
5
5
5
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Outro-Chorus Gtr. 5: w/ Rhy. Fig. 4 (4 times)
C#m7
You are not
F#7'4
me,
A'9
Ar - lan
Riff E1
- dri - a,
B5
C
Ar - lan
- dri - a.
End Riff E1
1
9
9
9
7
7
7
7
Riff E
5
6
5
5
4
4
5
5
5
4
5
4
5
4
4
4
4
5
4
5
4
0
13
13
13
13
15
15
15
15
End Riff E
4
4
6
6
6
4
6
4
6
4
4
6
4
6
4
6
4
4
6
5 5 3
5 5 3
5 5 3
0
Gtrs. 6 & 7: w/ Riffs E & E1
C#m7
C#m7
my?
My sweet
9
9
11
Vir - gin
11
9
9
11
dri - a,
11
9 12
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
11 9
11
9 12
11 9
12 9
dri - a.
Oh, God, you got - ta make it
C
µ
Oh, God, you got - ta make it
stop!
11
11
9
9
11
9
12
Gtr. 1
C
- ia.
9
-
B5
B5
Ar - lan
A'9
9
-
A'9
Gtr. 7
11
Ar - lan
F#7'4
stop.
-
F#7'4
You and what ar
9 12
11 9
12 9
9 9 7
12
9 9 7
12
9 9 7
12
9 9 7
13
10 10 8
13
10 10 8
13
10 10 8
13
10 10 8
from Foo Fighters - Wasting Light
These Days Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear A
D5/A
111
13
Intro Moderately q = 133
*A
Dsus2
Gtr. 1 (elec.)
mp
A
Dsus2
w/ clean tone w/ fingers let ring throughout
0
11
0
12
11 12
0
12
12
12
12
0
12
12
0
12
11 12
12
0
11 12
12
0
12
12
12
12
0 12
12
*Chord symbols reflect implied harmony.
Verse A
1. One
of these
Riff A
0
11 12
12
0
Dsus2
days,
the
0
12
12
12
12
12
0 12
12
Dsus2
ground
11 12
A
will
11
0
12
0
12
drop
out
from End Riff A
11 12
12
0
12
12
12
12
0 12
12
Gtr. 1: w/ Riff A (8 times)
A
be
One
A
-
of
its
your
Dsus2
these
A
days,
fi
-
nal
Dsus2
feet.
your
Dsus2
A
will
A
heart
neath
A
Dsus2
Dsus2
stop
and
Dsus2
play
beat.
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A
Dsus2
A
Gtr. 2 (elec.)
mf
w/ clean tone & chorus let ring
12
11
0
0
12
11
0
One
of these
0
12
* Dsus2/A
A
days,
the
11
0
12
11
0
0
12
12
12
12
0
12
0
0
12
12
0
12
11
0
stop
0
11
Dsus2/A
will
0
11
clocks
let ring throughout
0
Riff B
12
let ring
0
A
Dsus2
0
12
11
and
time End Riff B
0
12
12
0
12
0
12
12
12
*Bass plays A.
Gtr. 2: w/ Riff B (2 times)
A
Dsus2/A
won’t
One
of
-
lence
12
0
Dsus2/A
ev
bombs
’ry
will
drop
Dsus2/A
-
Dsus2/A
A
-
A
their
Dsus2/A
Dsus2/A
thing.
days,
Riff C
Gtr. 2
these
a
A
A
mean
A
and
si
thing. End Riff C
11
Pre-Chorus C
0
12
0
11
0
12
12
0
12
G
But it’s
all
12
12
0
12
12
0
11
0
D'4
12
0
right.
11
0
Yeah,
12
12
0
12
12
12
0
0
A'4
it’s all
right.
Riff D *Gtrs. 1 & 2
3
2
0 3
*Composite arrangement
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
-
2
3
3
2
0 3
2
3
5
4
0 5
4
5
5
4
0 5
4
5
C
Said
G5
it’s
all
0
2
3
2
3
Eas - y
0
3
right.
µ
3
3 0 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3
for
you
End Riff D
Chorus
Gtrs. 1 & 2 tacet
µ
A
say.
Rhy. Fig. 1 Gtr. 3 (elec.)
Em7
to
Asus2
Your heart has nev - er been bro - ken,
f
your pride has nev - er been stol -
0
0 0 0 12 10 0
0 0 0 12 10 0
0 0 0 12 10 0
0 0 0 12 10 0
0 0 0 12 10 0
0
0 0 7 9 7 0
0 0 7 9 7 0
0 0 7 9 7 0
0 0 7 9 7 0
0 0 7 9 7 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 0 0 12 10 0
0 0 0 12 10 0
0 0 0 12 10 0
0 0 0 12 10 0
0 0 0 12 10 0
0 0 7 9 7 0
0 0 7 9 7 0
0 0 7 9 7 0
0 0 7 9 7 0
0 0 7 9 7 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
0 3 0 2 2 0
w/ dist.
11 0
11 11 0 0
9 0
7 0
7 0
7 0
7 0
7 0
7 0
0 0
0 0
Rhy. Fig. 1A
Gtr. 4 (elec.)
f
w/ dist.
11 0
11 11 0 0
9 0
7 0
2 2 2 0
0 0 2 2 0
7 0
7 0
7 0
7 0
7 0
0 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0
Rhy. Fig. 1B
*Gtrs. 5 & 6
f
let ring throughout
2 2 2 0
2 2 2 0
2 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0
0 3 0 2 2 0
0 3 0 2 2 0
0 0 0
*Gtr. 5 (elec.) w/ dist.; Gtr. 6 (acous.). Composite arrangement
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C'9
yet,
yet.
-
en.
Not
12 10 8
12 10 8
12 10 8
3 0 2 3
3 0 2 3
3 0 2 3
12 10 8
12 10 8
3 0 2 3
3 0 2 3
12 10 8
12 10 8
12 10 8
12 10 8
3 0 2 3
3 0 2 3
not
12 12 10 10 8 8
0 0
3 0 2 3
3 0 2 3
3 0 2 3
3 0 2 3
0 0
11 0 9 10
11 0 9 10
11 0 9 10
4 5 5
4 5 5
4 5 5
4 5 5
2 3 2 0 0
2 3 2 0 0
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
2 3 2 0 0
Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A Gtrs. 5 & 6: w/ Rhy. Fig. 1B
I’ll
C'9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
I
bet,
bet,
11 0 9 10
4 5 5
2 3 2 0 0
0 3 0 0 0
2 3 2 0 0
these
End Rhy. Fig. 1
11 0 9 10
11 0 9 10
11 0 9 10
11 0 9 10
D
I
4 5 5
4 5 5
4 5 5
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
I’ll
bet,
bet.
I
4 5 5
bro - ken.
I
11 0 9 10
4 5 5
4 5 5
End Rhy. Fig. 1B
bet your pride -’ll
4
be
en.
bet your heart -’ll
-
Em7
4 5 5
days,
11 0 9 10
11 0 9 10
11 0 9 10
Asus2
End Rhy. Fig. 1A
A
µ
One of
0 0 0
D
One of
be stol -
these
To Coda *A
A End Rhy. Fig. 2C
days,
Rhy. Fig. 2
11 0
11 0
11 0
11 0
11 0
11 0
11 0
Rhy. Fig. 2A
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
2 2 0
7 7 5
days.
12 0
11 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
11 0
11 0
11 0
11 0
11 0
11 0
11 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
7 7 0
2 2 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
Rhy. Fig. 2B
7 7 5
these
End Rhy. Fig. 2A
7 7 0
7 7 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
End Rhy. Fig. 2B
Gtr. 5
End Rhy. Fig. 2
Gtr. 4
one of
11 0
Gtr. 3
D5/A
Rhy. Fig. 2C Gtr. 6
D5/A
7 7 5
7 5 5
7 7 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Verse Gtr. 1: w/ Riff A (4 times) Gtr. 2: w/ Riff B (3 times) Gtrs. 3 - 6 tacet
A
2. One
of these
-
ap
-
pear.
Dsus2/A
A
your
A
eyes
Dsus2/A
will
Dsus2/A
close
A
and
pain
A
One
of these
will
Dsus2/A
days,
dis -
you
will
Gtr. 2: w/ Riff C
for
- get
Dsus2/A
to hope
A
and
Dsus2/A
learn
A
days,
A
Dsus2/A
to
Dsus2/A
fear.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Pre-Chorus Gtrs. 1 & 2: w/ Riff D
But it’s
all
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
*Gtrs. 3 & 4
mf
G
D'4
C
right.
Yeah,
A'4
it’s all
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
2 2 2 0
right.
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0 0 0
*Composite arrangement
Said
it’s
all
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
Coda
A
µ
right.
Eas - y
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
D5/A
for
you
(cont. in notation)
D.S. al Coda
G5
C
days.
11 0
11 0
11 0
11 0
11 0
11 0
11 0
11 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
0 0 0 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0 0
Bridge Csus2
But it’s
all
Rhy. Fig. 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
*Gtrs. 3 - 6
D5/A
right.
A
Yeah, it’s
Asus2
G5
all
right. End Rhy. Fig. 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
2 2 2 0
0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
*Composite arrangement
Riff E
Gtr. 2
3
End Riff E
0
2
3
2
0
3
Gtr. 2: w/ Riff E (2 times) Gtrs. 3 - 6: w/ Rhy. Fig. 3 (2 times)
all
G5
Don’t
say
it’s
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 0 X 3
Gtrs. 3 - 6
3
0 3
0
say
A
5
Asus2
all
right.
A
it’s
4
5
Asus2
all
right.
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
right.
3
2
Don’t
all
Gtr. 2
2
D5/A
0
4
5
right.
0
Yeah, it’s
4
right.
G5
it’s
5
say
3
0
4
5
D5/A
Csus2
all
Don’t
Said it’s
3
0
Csus2
G5
2
Csus2
0
2
0
3 0
0
3 0
0
3 0
0
3 0
0
3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Interlude
Gtr. 1: w/ Riff A Gtrs. 2 - 6 tacet
A
Dsus2
A
Dsus2
Verse Gtr. 1: w/ Riff A
A
3. One
of
A
its
fi
Gtr. 1
0
these
11 12
C
-
nal
12
12
But
it’s
all
0
2
2
3
12
11
0
12
G
and
Dsus2
12
12
0
play
11 12
12
12
0 12
12
12
Eas - y
0 12
right.
0
3
stop
0
12
12
3
beat.
0 12
will
A
Dsus2
heart
12
your
Dsus2
11
0
12
A
days,
Dsus2
for
you
0 2 3
Chorus Gtr. 1 tacet Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A (2 times) Gtrs. 5 & 6: w/ Rhy. Fig. 1B (2 times)
µ
A
say.
A
days,
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Not
Asus2
yet,
yet.
not
I
bet your heart - ’ll
be
your pride has nev - er been stol -
D
µ
Em7
en.
Your heart has nev - er been bro - ken,
C'9
-
Asus2
to
Em7
bro - ken.
One
I’ll
of
these
bet your pride -’ll
be
stol -
bet,
Gtrs. 3 - 6: w/ Rhy. Figs. 2, 2A, 2B & 2C (2 times)
A
D5/A
days,
bet,
bet.
I’ll
A
one of
Gtr. 7 (elec.)
I’ll
these
One of
these
D5/A
I’ll
bet,
I’ll
en.
D
-
C'9
days.
One of
these
f
w/ dist.
17
A Gtr. 6
A
D5/A
D5/A
days.
Gtr. 7
1
Gtr. 3
1
1
5
10
5
7
12
7
1
0
3 5
11 11 11 11 11 11 11 0 0 0 0 0 0 0
11 0
12 12 12 12 12 12 12 12 0 0 0 0 0 0 0 0
11 11 11 11 11 11 0 0 0 0 0 0
0 0 0
2 0 0
2 2 0
7 7 0
2 2 0
0 0 0
2 0 0
Gtr. 4
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
7 7 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Gtr. 5
7 7 5
7 5 5
7 7 5
0 0 0
2 0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Foo Fighters - Wasting Light
Back & Forth Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear A
5fr 1342
Intro Moderately q = 138 **F5
F#5
B5
C5
G5
G#5
C#5
A5
Gtr. 1 (dist.)
mf
7 0
7 0
7 0
7 0
7 0
P.M.
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
4 2 2
5 3 3
6 6 4
6 4 4
7 0
7 0
6 4 4
7 7 5
7 7 5
*Gtrs. 2 & 3 (dist.)
mf
3 3 1
4 4 2
5 5 3
6 6 4
*Composite arrangement **Chord symbols reflect overall harmony.
Verse Gtr. 2 tacet
Gtr. 3 tacet
A
A,7
1. Once
P.M. Gtr. 1
7 0
Gtr. 3
7 0
7 0
7 0
7 0
7 0
7 0
A6
up - on
a
time,
I
was
A5
some - bod - y
C5
else.
In
P.M.
10 9 7 0
7 0
7 0
7 0
6 0
6 0
6 0
6 0
4 0
4 0
4 0
2 0
2 0
2 0
0
5 3
6 7 7 5
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C(#4)
an - oth - er
C
C(#4)
life,
I
G
sold
my
-
self.
Way
back
Gsus4
then,
back
Gtr. 1
P.M.
5 3
5 3
5 3
5 3
G
4 3
4 3
5 3
5 3
5 3
was
7 3
7 3
2 3
4 3
4 3
4 3
4 3
2 3
Dsus4
2 3
2 3
2 3
0 3 3
2 3
D5
0 3 3
0 3 3
0 0
new.
P.M.
2 3
D
I
2 3
0 0
G6
when
4 3
7 3
4 5
0 0
4 5
4 5
4 5
4 5
5 5
5 5
0
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0
Gtr. 3 tacet *A
Gtr. 3
Some - where down the line
I
start - ed to
P.M.
7 0
7 0
7 0
6 0
6 0
C5
C(#4)
Rhy. Fig. 1
Gtrs. 1 & 2
A5
6 0
slip.
Years
C
gone
by,
C(#4)
G
bit - ing
my
A6
lip.
All
6 0
4 0
4 0
4 0
2 0
2 0
2 0
5 3
5 3
5 3
5 3
5 3
4 3
4 3
4 3
2 3
0 0
2 3
2 3
4 3
4 3
4 3
4 3
2 3
*See top of first page of song for chord diagrams pertaining to rhythm slash.
the
Gsus4
while,
G5
G6
all
D
this
time
I
knew.
Dsus4
D5
µ F5 F#5 B5 C5 G5 G#5 C#5
2. Now
1, 2 & 3 Gtrs.
End Rhy. Fig. 1
P.M.
2 3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 3
2 3
2 3
0 3 3
0 3 3
0 3 3
0 0
5 3
5 3
5 3
7 3
7 3
7 3
0 0
4 5
4 5
4 5
4 5
4 5
5 5
5 5
7 5
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
6 6 4
6 4 4
Verse Gtr. 3 tacet
A5
A,7
you’re on your own,
A6
A5
C5
worn through the pag
-
es.
C(#4)
C
O
-
ver the hill
and
C(#4)
through
the ag
G
-
Does
es.
Rhy. Fig. 2 *Gtrs. 1 & 2
End Rhy. Fig. 2
P.M.
4 0
4 0
2 3
P.M.
7 0
7 0
7 0
6 0
6 0
6 0
6 0
4 0
2 0
2 0
2 0
2 0
5 3
5 3
5 3
5 3
5 3
4 3
4 3
4 3
0 0 0
2 3
2 3
4 3
4 3
4 3
4 3
2 3
*Composite arrangement
Rhy. Fill 1
Gtr. 3
End Rhy. Fill 1
9 7 0
Gtr. 3: w/ Rhy. Fig. 1 (last meas.)
Gsus4
my
G5
heav
- en
G6
D
burn
like
hell
on
Dsus4
D5
µ F5 F#5 B5
C5 G5 G#5 C#5
you?
Half
Gtrs. 1 & 2
P.M. 2 3
2 3
2 3
2 3
0 3 3
0 3 3
0 3 3
0 0
5 3
5 3
5 3
7 3
7 3
7 3
0 0
P.M.
4 5
4 5
4 5
4 5
4 5
5 5
5 5
7 5
0
0
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
6 6 4
6 4 4
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fill 1
A5
A,7
be - neath the cracks, they’re
A6
A5
com - ing in
waves.
C5
Roll
C(#4)
-
ing like an earth - quake
C
C(#4)
un - der the pave - ment.
G
Where
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5
now?
G6
D
they
Gsus4
Tell
me if
it’s
still
Dsus4
D5
A5
true.
You got
a
lot of
nerve,
Gtrs. 1 & 2
P.M.
2 3
P.M.
2 3
2 3
0 3 3
2 3
Gtr. 3
0 3 3
0 3 3
0 0
5 3
5 3
5 3
7 3
7 3
7 3
4 5
0 0
4 5
4 5
4 5
4 5
5 5
5 5
7 5
0 0
7 5
7 5
7 5
7 5
7 5
7 5
7 5
5
14
Pre-Chorus A5
Ab5
G5
Ab5
A5
Ab5
5
G5
oh.
Riff A *Gtrs. 1, 2 & 3
0 0 0 5
End Riff A
0 0 0 4
0 0 0
4
3
0 0 0
3
4
0 0 0
4
5
5
0 0 0 4
4
3
*Composite arrangement
Ab5
F5
Now
Gtr. 3
0 0 0
0 0 0
0 0 0
show
a
lit - tle
Rhy. Fill 2A
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
8 10 10 8
10 10 8
10 10 8
Rhy. Fill 2
3
4
4
13
G5
back
-
bone,
why don’t
you?
End Rhy. Fill 2A
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
Gtrs. 1 & 2
0 0 0 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0 0 4
4
0 0
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
12 12 10
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
12 12 10
End Rhy. Fill 2
5 5 3
5 5 3
Chorus C5
I’m Rhy. Fig. 3A *Gtr. 4 (dist.)
look - ing
for
some
back
and
forth
with
F5
C5
you.
Are
you
feel - ing
the
same
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
mf
*Two gtrs. arr. for one. Rhy. Fig. 3 Gtrs. 1, 2 & 3
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
F5
as
I
do
now
and
D7
F7
now
and
then?
5 A 5 A 5 A 5 A 5 A
End Rhy. Fig. 3A
1/4
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 4 5
10 X 8
10 X 8
10 X 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
13 12 13
13 12 13
13 12 13
13 12 13
13 12 13
13 12 13
13 12 13
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Rhy. Fig. 3A
C5
I’m
look - ing
for some
5 4 5
10 9 10
5 4 5
10 9 10
5 4 5
5 4 5
10 9 10
10 9 10
back
and
forth
F5
5 4 5
10 9 10
5 4 5
5 4 5
1/2
10 9 10
10 9 10
with
you.
10 9 10
10 X 8
10 X 8
10 X 8
C5
Are you feel - ing
the
same
F5
10 X 8
10 X 8
End Rhy. Fig. 3
13 12 13
as
I
do
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
To Coda
D7
down
and
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (last meas.)
F7
µ F5
F#5
B5
C5
G5 G#5
C#5
out?
3. Roll -
Verse
A5
A,7
-
path,
I’ve
ing my
A6
A5
C5
wait - ed and wait
-
ed.
C(#4)
could sim - ple life
get
How
C
C(#4)
so com - pli - cat
-
ed?
Rhy. Fig. 4
G
Shoes
End Rhy. Fig. 4
Gtrs. 1 & 2
P.M.
7 0
7 0
7 0
6 0
6 0
6 0
6 0
P.M. 4 0
4 0
4 0
2 0
2 0
2 0
2 0
5 3
5 3
5 3
5 3
5 3
4 3
4 3
4 3
2 3
0 0
2 3
2 3
4 3
4 3
4 3
Rhy. Fig. 4A
Gtr. 3
7 0
5 3
to
Gsus4
fill,
se - crets to
2 3
2 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 3
2 3
3 3
3 3
3 3
3
G6
P.M.
2 3
G5
2 3
2 3
End Rhy. Fig. 4A
0 0
D
spill
you.
down
5
5 3
5 3
5 3
7 3
7 3
7 3
0 0
4 5
4 5
5 3
5 3
2 3
Dsus4
D5
µ F5 F#5 B5
C5 G5 G#5 C#5
Deer
P.M.
4 5
4 5
4 5
4 5
4 5
4 5
5 5
5 5
0 0
7 5
0
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
6 6 4
6 4 4
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
6 6 4
6 4 4
Gtrs. 1 & 2: w/ Rhy. Fig. 4 Gtr. 3: w/ Rhy. Fig. 4A
A5
A,7
the head - lights,
spoke in
Gsus4
tak - ing it
A5
You
G6
D
all
wheel.
G5
back,
the
C5
in
A6
my
I
O
won’t
C(#4)
pre
-
tend
You got a
3
5
P.M.
2 3
2 3
Gtr. 3
2 3
2 3
2 3
3 3
3 3
3 3
5 3
5 3
5 3
7 3
7 3
7 3
0 0
4 5
4 5
4 5
4 5
7 4 5
2 3
Coda
4 5
7 4 5
5 5
5 5
7 5
0 0
I’m
D.S. al Coda A5
lot of
nerve,
End Rhy. Fill 3
P.M.
real.
Rhy. Fill 3
Gtrs. 1 & 2
for
U’s.
G
mean
D5
C(#4)
I
Dsus4
C
7 5
7 5
7 5
7 5
7 5
0 0
20
5
7 4 5
5
Interlude
µ F5 F#5 B5 C5 G5 G#5 C#5 Gtr 5. (dist.)
A,7
A6
15ma
A5 Riff B **Gtrs. 5 & 6 loco
A5
C5
f *fdbk.
1
X
1
1
10
10
10
9
9
9
12
12
12
11
11
11
9
1
7
7
7
5
9
9
9
7
1
0
8 10
Pitch: A *Microphonic fdbk., not caused by string vibration. **Gtr. 6 (dist.), played f. Composite arrangement
Gtrs. 1, 2 & 3
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
6 6 4
6 4 4
Rhy. Fig. 5
7 0
7 0
7 0
6 0
6 0
6 0
4 0
4 0
4 0
2 0
2 0
6 0
2 0
0 0
5 3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C(#4)
1
8 10
C
1
8
8
8
7
7
7
10
10
10
9
9
9
9
5 3
5 3
5 3
5 3
4 3
4 3
1
12 14
5
7
7
7
7
7
9
9
9
2 3
2 3
2 3
4 3
4 3
1
1
D End Riff B
12
12
12
13
13
13
13
15
15
15
17
17
7
14
14
14
15
15
15
15
17
17
17
19
19
9
2 3
2 3
2 3
2 3
3 3
3 3
3 3
0 0
5 3
5 3
5 3
7 3
7 3
0 0
Dsus4
1
D5
1
µ
F5
1
F#5
1
B5
C5
1
G5
4 5
G#5
C5
7
7
8
8
10
6
7
7
8
8
9
9
9
9
9
10
10
12
8
9
9
10
10
11
11
4 5
4 5
4 5
4 5
5 5
5 5
End Rhy. Fig. 5
0 0
7 5
1
1
7
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 3
G6
8
0 0
7 9
14
12
14
1
1
5
0 0
5
G
1
G5
7
Gsus4
1
C(#4)
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
6 6 4
6 4 4
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 5 Gtr. 5: w/ Riff B
A5
Gtr. 6
A,7
1
14
14
12
12
12
16
16
14
14
14
C(#4)
1
14
17
17
15
15
15
19
19
17
17
17
1
15 17
15
17
17
17
C5
1
10
10
10
10
12
12
12
12
C
17
17
19
19
17
19
19
G
1
1
13
13
15
15
15
15
15
15
15
17
17
17
17
G6
D
15
15
15
15
18
18
18
18
1
17
1
G5
C(#4)
0 0
13
1
15
1
19
12
1
17
10
Gsus4
A5
1
16
17 19
1
14
A6
1
18
10 12
Gtrs. 1, 2 & 3: w/ Rhy. Fill 3
Dsus4
Gtr. 6
1
D5
1
You
got
a
lot
of
10
10
12
12
15
15
15
15
15
15
12
12
14
14
17
17
17
17
17
17
1
7 9
nerve,
1
10 12
Gtr. 5
A5
1
1
7
7
7
8
8
10
10
10
10
10
10
10
9
9
9
10
10
12
12
12
12
12
12
12
Pre-Chorus Gtrs. 1, 2 & 3: w/ Riff A (4 times) Gtrs. 5 & 6 tacet
A5
G5
A5
Ab5
G5
Ab5
A5
Ab5
Ab5
oh.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A
Ab
Nerve,
Gtr. 4
6 X 4
5 X 3
5 X 3
4 X 2
A
5 X 3
6 X 4
6 X 4
5 X 3
G
oh.
4 X 2
Ab
5 X 3
Ab
5 X 3
4 X 2
Ab
G
4 X 2
5 X 3
5 X 3
6 X 4
Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Fill 2 Gtr. 3: w/ Rhy. Fill 2A Gtr. 4 tacet
F5
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3 (3 times) Gtr. 4: w/ Rhy. Fig. 3A (3 times)
G5
Now
show a
lit - tle
back - bone,
F5
back
and
forth
F5
as
I
do
now
and
Are
you
feel - ing
the
look - ing
F7
now
F5
same
back
and
forth
I’m
look - ing for some
and
C5
then?
with
as
I
do
now
and
D7
I’m
look - ing for some back
and
forth
with you.
Fsus2
F5
for some
C5
then?
D7
you.
and
I’m
C5
you?
now Gtr. 6
with
F7
why don’t
you.
C5
Are you feel - ing the same
C5
C5
Are you feel - ing the same
15 13 12
13 13 12
15 13 12
P.S.
X X X
Fsus2
13 13 12
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
15 13 12
15 13 12
D7
15 13 12
15 13 12
as
I
do
down
and
13 13 12
14 12 11
13 13 12
13 13 12
13 13 12
15 13 12
13 13 12
15 13 12
15 13 12
15 13 12
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
13 13 12
13 13 12
13 13 12
15 13 12
13 13 12
15 13 12
15 13 12
15 13 12
15 13 12
15 13 12
15 13 12
15 13 12
15 13 12
Gtr. 6 tacet
µ F5 F#5 B5 C5 G5 G#5 C#5
out?
0 0
13 13 12
F7
10 10 11
10 10 11
10 10 11
13 13 14
13 13 14
13 13 14
13 13 14
13 13 14
13 13 14
13 13 14
13 13 14
Gtrs. 1, 2 & 3
3 3 1
4 4 2
4 2 2
5 3 3
5 5 3
6 6 4
6 4 4
from Foo Fighters - Wasting Light
A Matter of Time Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
F#5
G5
134
E5
134
11
Intro Moderately fast q = 172
µ
Gtr. 1 (dist.)
mf
E5
F#5
Rhy. Fig. 1 **Gtrs. 1 & 2
9 9 7
9 9 7
G5 F#5 E5 End Rhy. Fig. 1
0
4 4 2
*fdbk.
X
0 0 0
9 9 7
0
0
0
9 9 7
5 5 3
4 4 2
2 2 0
0
9 9 7
0
9 9 7
0
Pitch: E *Microphonic fdbk., not caused by string vibration. **Gtr. 2 (dist.), played mf.
F#5
Gtr. 3 (dist.)
G5
F#5
E5
mf
17
0
Gtrs. 1 & 2
9 9 7
9 9 7
0
4 4 2
5 5 3
4 4 2
2 2 0
0
9 9 7
9 9 7
0
0
0
0
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
F#5
G5
F#5
E5
0
4 4 2
0
4 4 2
5 5 3
5 5 3
4 4 2
4 4 2
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
2 2 0
2 2 0
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
µ
Rhy. Fig. 2
End Rhy. Fig. 2
Gtrs. 1, 2 & 3
9 9 7
0
0
0
9 9 7
9 9 7
9 9 7
0
Verse Gtrs. 2 & 3 tacet
E
change
the
sub
1. Let’s
Gtr. 1
G#5/D#
- ject
to
some
-
You know,
late -
one
else.
Rhy. Fig. 3
6 7
6 6
6 6
P.M.
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
D5
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
A/C# Gtr. 2
-
ly
I’ve
been
sub
- ject
to
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
6 6
G5 F#5 E5
change.
7 5
6 6
End Rhy. Fill 1
7 4
7 4
P.M.
7 5
6 6
*F#5 Rhy. Fill 1
6 6
7 5
7 5
7 5
7 5
7 4
7 4
7 4
7 4
7 4
7 4
7 4
7 4
7 4
4 4 2
0 0
5 5 3
4 4 2
0
*See top of first page of song for chord diagrams pertaining to rhythm slashes. Gtr. 2 tacet
C
Nor
E
- mal - ly
I
reel
in
the
strange
hang
-
o
-
6 7
6 7
P.M.
2 3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
*A'9
Gtr. 3
-
vers,
Riff A1
Am%
I’m
old
-
Gtr. 2
9
11
0
Riff A
0
0
0
9
11
0
0
9
11
9 11 0
9 11 0
9 11 0
9 11 0
9 11 0
9 11 0
11
0
11
0
10
End Riff A
0
0
11
10
0
11 14
P.M.
9 11 0
9
0
0
11
10
End Riff A1
End Rhy. Fig. 3
Gtr. 1
9 11 0
0
0
let ring
0
er.
w/ clean tone & amp tremolo let ring
9 11 0
9 11 0
9 11 0
9 11 0
9 11 0
9 11 0
9 11 0
9 11 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
11 10 0
16
*Chord symbols reflect overall harmony.
Verse Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.) Gtr. 3 tacet
E
2. You’re
D5
one
to
talk.
that
keeps
on
tick
C
count - ing
-
heart
ing
a
down
to
det
-
is
a
clock
just
like
a
way,
-
nate.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
You
5 3
will End Rhy. Fig. 4
9 7
9 7
P.M.
5 3
bomb
Rhy. Fig. 4
5 3
E
o
F#5 G5 F#5 E5
Gtr. 2
A/C#
-
The
G#5/D#
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtrs. 2 & 3: w/ Riffs A & A1
need
E'9
an
ar
Am%
-
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
Rhy. Fill 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 11 9 11 0
0 0 11 9 11 0
if
it
does
0 11
0 9
0 11
0 9
- n’t
mat - ter
0 11
0 9
0 11
0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0 0 9 10
0
11 11 9 9 11 11 0 0
9
0 0 9 10
11
0 9
0 0 11 9 11 0
to
sum - mon
It
does
- n’t
mat - ter
much
to
me
0 9
0 9
0 11
0 9
0 11
0 9
0 11
0 9
0 11
0 11
0 9
0 11
0 9
0 11
0 9
0 11
0 0 9 10
0
17
much
to
E'9
0 0 9 10
0
0 0 9 10
0
0 0 9 10
0 0 9 10
0
0
0 0 11 9 11 0
17
End Rhy. Fill 2A
let ring
0 0 11 9 11 0
End Rhy. Fill 2
Pre-Chorus Am('9)
Rhy. Fill 2A
Gtr. 2
my
me.
Gtr. 1
A'9
you,
0 9
0 11
0 11
0 11
0 0 9 10
0 0 9 10
0 9
0
0 11
0 9
0 0 9 10
0 11
0
0 9
0 11
0 13
0 11
0 13
0 11
0 13
0 11
0 13
0
0 11 9 11
0
0 11 9 11
0
0 13
0 11 9 11
0 11 9 11
0 11
0
0 13
0 11
0 11 9 11
0 13
0
0 11
0 13
Am('9)
oo.
0 11
0 13
0 11
0 13
0 11
0 13
0 11
0 13
0 11 9 11
0
0 11 9 11
0
if
it
does
*Gtr. 4 (dist.)
It
does
- n’t
mat - ter
much
to
me
0 11
0 9
0 9
0 13
0 11 9 11
- n’t
mat - ter
0 11 9 11
0
0 11
0 13
0 11
0 11 9 11
0
0 13
0 11
0 13
0 0 9 10
0
0
much
to
0 9
0 11
0 9
0 11
0 9
0 11
0 11
0 0 9 10
0
0 0 9 10
0
E'9
0 11
0 0 9 10
0 9
0 11
0 9
0 11
0 0 9 10
0
B5
0 9
0 11
0
C#5
you.
mf
12
0
4 X 2
6 X 4
7 X 5
9 X 7
11 X 9
4 X 2
6 X 4
*Doubled throughout
Gtr. 3
Gtr. 1
0 9
0 11
0 9
0 11
0 9
0 11
0 9
0 11
Gtr. 2
0
0 0 9 10
0
0 0 9 10
0
0 9
0 11
0 11
0 11
0 0 9 10
0 0 9 10
0 9
0
0 11
0 9
0 0 9 10
0 11
0
0 9
0 11
0 13
0 11
0 13
0 11
0 13
0 11
0 13
0
0 11 9 11
0
0 11 9 11
0
0 13
0 11 9 11
0 11 9 11
0 11
0 13
0 11
9 X 7
11 X 9
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus
D
It’s
just
a
mat
-
ter
time
of
A'9/C#
be
Gtr. 4
-
fore,
be
-
fore.
Riff B
12 X 10
12 X 10
11 X 9
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
11 X 9
Rhy. Fig. 5A
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0 6 7 4
Gtr. 3
12 X 10
7 7 7 5
Gtrs. 1 & 2
11 X 9
11 X 9
0 0 6 7 4
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
0 0 6 7 4
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
11 X 9
0 0 6 7 4
0 0 6 7 4
11 X 9
0 0 6 7 4
11 X 9
0 0 6 7 4
Rhy. Fig. 5
12 12 10
12 12 10
C
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
It’s
just
a
mat
12 12 10
-
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
ter
time
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
10 X 8
10 X 8
10 X 8
End Rhy. Fig. 5A
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
-
12 9
12 9
12 9
12 9
12 9
fore,
be
12 9
B5
12 9
fore. End Fill 1
9 X 7
11 X 9
9 X 7
9 X 7
Rhy. Fill 3A
5 5 5 3
0 0 1 2 2 0
12 9
C#5
-
12 9
9 X 7
5 5 5 3
10 10 8
12 9
5 5 5 3
10 10 8
12 9
10 10 8
12 9
End Rhy. Fig. 5
10 10 8
12 9
Fill 1
10 10 8
12 9
12 9
be
End Riff B
10 X 8
12 9
10 X 8
E
of
0 0 1 2 2 0
Rhy. Fill 3
0 0 1 2 2 0
9 X 7
0 0 1 2 2 0
9 X 7
0 0 1 2 2 0
9 X 7
0 0 1 2 2 0
9 X 7
0 0 1 2 2 0
9 X 7
0 0 1 2 2 0
0 0 1 2 2 0
9 X 7
0 0 1 2 2 0
9 X 7
0 0 1 2 2 0
9 X 7
9 X 7
0 0 1 2 2 0
4 X 2
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 X 7
End Rhy. Fill 3A
6 X 4
End Rhy. Fill 3
11 X 9
Gtr. 3: w/ Rhy. Fig. 5A Gtr. 4: w/ Riff B
D
And
though
I
hate
to
re
A'9/C#
-
wind
be
-
fore,
be
-
fore,
Gtrs. 1 & 2
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
12 9
To Coda 1 To Coda 2
C
it’s
just
a
mat
-
ter
time.
of
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
14
Gtrs. 1 - 4
9 9 7
0
F#5
0
0
G5 F#5 E5
E5
9 9 7
9 9 7
9 9 7
0
4 4 2
5 5 3
4 4 2
2 2 0
Verse Gtr. 1: w/ Rhy. Fig. 3 (2 times) 1st time, Gtrs. 2 & 3 tacet 2nd time, Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.)
E
4. Do
3. My - ing
past my
*Gtr. 5 (clean)
is time
get
G#m/D#
- ting for
us
no line
-
where af -
ter
fast, line.
When
I was will I
nev learn
mf
w/ amp tremolo let ring throughout
7
9
9
9
9
9
0
9
8
9
7
9
8
0
9
9
*12-str. elec. 1st time, Gtr. 2: w/ Rhy. Fill 1
D6
-
7
er to
10
one sing
for these
7
10
tak cramps
7
ing to
10
things my -
0
A/C#
F#5 G5 F#5 E5
slow. self?
10
6
5
5
5
6
5
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2nd time, Gtr. 2: w/ Rhy. Fig. 4
C6
E
No - where seems Pris - on - ers
some - where share a
5
5
5
like to
5
to
go. cell
Come I’m
with.
0
5
5
5
4
5
4
5
0
5
4
o hold -
5
1. Gtrs. 2 & 3: w/ Riffs A & A1 Gtr. 5 tacet
A'9
-
Am%
ver ing,
and still
o hold
-
ver. ing,
2.
D.S. al Coda 1
Gtrs. 1 & 2: w/ Rhy. Fills 2 & 2A
hold
Coda 1
ing
you
in.
E
-
E'9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 9 9 7 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
2
3
2
0
Gtr. 4
Gtrs. 1 & 2
Gtr. 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bridge Gtrs. 3 & 4 tacet
Am('9)
Where
the
0 0 0 17 17 17
0 0 9 10 0
E'9
0 16
0 16
0 0 14 14
Gtr. 2
0 16
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 11 9 11
hell
were
0 14
0 17
0 14
0 17
0 17
0 17
0 16
0 16
0 14
0 14
0 17
0 16
0 16
0 16
0 14
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 14
0 17
0 17
0 17
0 16
0 16
0 14
0 14
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
Oo.
you?
0 0 16 16
Gtr. 1
0 16
0 14
0 14
0 14
0 0 13 13
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 13
0 0 0 16 16 16
0 13
0 16
0 16
0 16
0 14
0 14
0 13
0 13
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 14
0 14
0 13
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 13
0 16
0 16
0 16
0 14
0 14
0 13
0 13
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
0 0 11 9 11
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Am('9)
Where
the
Gtr. 1
0 17
0 17
0 17
0 16
Gtr. 3
0 16
0 16
0 14
0 14
hell
were
0 14
0 14
0 0 17 17
0 17
0 16
0 16
0 14
0 14
0 17
0 17
0 17
0 16
0 16
0 16
0 14
0 14
0 17
0 17
0 17
0 0 16 16
Fill 2
0 14
0 0
End Fill 2
17
Gtr. 2
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 0 0 9 9 10 10 0 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
0 0 9 10 0
D.S.S. al Coda 2 Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1
E5
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2
F#5 G5 F#5 E5
B5
C#5
you?
Gtr. 4
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9 X 7
11 X 9
Coda 2
E
B5
C#5
D
What
does
it
mat - ter
now?
Riff C2
Gtr. 7 (dist.)
mf
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
Riff C1
Gtr. 6 (dist.)
mf 0 0 0
Gtr. 4
9 X 7
9 X 7
9 X 7
9 X 7
Gtr. 3
0 0 1 2 2 0
0 0 1 2 2 0
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
12 12 12 X X X 10 10 10
11 11 X X 9 9
9 X 7
9 X 7
Riff C
12 12 12 12 12 12 12 12 X X X X X X X X 10 10 10 10 10 10 10 10
12 12 12 12 X X X X 10 10 10 10
12 12 12 X X X 10 10 10
12 X 10
6 X 4
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
11 X 9
9 9 7 0
9 X 7
7 X 5
0 0 1 2 2 0
9 9 7 0
9 X 7
7 X 5
0 0 1 2 2 0
9 9 7 0
12 12 12 11 11 11 X X X X X X 10 10 10 9 9 9
Rhy. Fig. 6A
0 0 1 2 2 0
Gtrs. 1 & 2
7 X 5
4 X 2
9 X 7
7 7 7 5
7 7 7 5
7 7 7 5
Rhy. Fig. 6
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
12 12 12 12 12 12 12 12 10 10 10 10
12 12 12 12 12 12 10 10 10
12 12 10
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A'9/C#
What
does
it
mat - ter
now?
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
12 9
12 9
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12 9
12 9
12 9
12 9
12 9
12 9
A5
B5
9 X 7
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
9 X 7
11 X 9
11 X 9
11 X 9
7 X 5
C
12 X 10
12 X 10
12 X 10
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
End Riff C2
9 X 7
12 X 10
12 X 10
12 X 10
11 X 9
11 X 9
9 X 7
9 X 7
End Riff C1
7 X 5
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
7 X 5
7 X 5
End Riff C
11 X 9
9 X 7
11 X 9
11 X 9
11 X 9
7 X 5
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
0 0 6 7 4
7 X 5
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
10 X 8
10 X 8
10 X 8
End Rhy. Fig. 6A
5 5 5 3
5 5 5 3
5 5 5 3
End Rhy. Fig. 6
7 X 5
9 X 7
12 9
12 9
12 9
12 9
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
Gtrs. 1 & 2: w/ Rhy. Fill 3 Gtr. 3: w/ Rhy. Fill 3A Gtr. 4: w/ Fill 1
E
B5
13 X 11
13 X 11
13 X 11
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
6 X 4
6 X 4
6 X 4
Gtr. 7
Gtr. 6
Gtrs. 1 & 2: w/ Rhy. Fig. 6 Gtr. 3: w/ Rhy. Fig. 6A Gtrs. 4, 6 & 7: w/ Riffs C, C1 & C2
What
does
it
D
mat - ter
A5
mat - ter
B5
13 X 11
13 X 11
13 X 11
13 X 11
14 X 12
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
now?
What
does
it
A'9/C#
now?
C
C#5
It’s
just
a
mat
-
ter
of
time.
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
Gtr. 3: w/ Fill 2
E5
F#5 G5 F#5 E5
F#5 G5 F#5 E5
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
F#5 G5 F#5 E5
F#5 G5 F#5 E5
Screamed: Time.
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Foo Fighters - Wasting Light
Miss the Misery Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear E5
Em7
G5
A7sus4
D5
E5 VII 5fr
1
12 34
2
34
1 34
C5
B5
134
134
7fr
134
134
Intro Free time
Em
Gtr. 1 (dist.)
G(b5)
mf
*
1/2
w/ slow amp tremolo
0 0 0 2 2 0
** Em7
3 3 0
1/2
3 3 3 3 2 2
3 3 0
3 3 0
3 3 3 3 2 2
amp tremolo off
3 3 0
3 2 0
**Chord symbols reflect basic harmony.
*Fade in
Moderately q = 120 Em7
Gtr. 1
5
2 0
0 3
2 0
3 3 3 0 2 2
3 0 2 0
2 0
0 3
0 2 2 0
0 3
oh.)
Riff B
12 X 10
2 0
(Oh, Gtr. 1
17
0
End Riff A
Gtrs. 2 & 3: w/ Riff A (2 times)
mf 1/2 1/2
Riff A Gtrs. 2 & 3 (dist.)
11 X 9
9 X 7
7 X 5
End Riff B
5
0
5
7
7
0
3 3 3 0 2 2
2 0
2 0
12 X 10
11 X 9
3 0
9 X 7
7 X 5
2 0
0 3
0 2 2
0
5
0
5
7
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
7
0
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Verse
Gtrs. 1, 2 & 3 tacet
* E5
Em7
Rhy. Fill 1A Gtrs. 2&3
1. If
Rhy. Fig. 1 Gtr. 4 (semi-clean)
I
had
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 0 X 3
mf
my
way,
A7sus4
if
I
had
3 3 0 2 0
3 3 0 2 0
3 3 0 0
3 3 0 2
3 3 0 2
3 3 0 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 0 X 3
Gtr. 1
G5
Em7
End Rhy. Fill 1A
Rhy. Fill 1
to
lose,
End Rhy. Fig. 1
3 3 0 2 0
3 3 0 2 0
3 3 0 0
3 3 0 2
3 3 0 2
3 3 0 0
End Rhy. Fill 1
0 0 0 2 2 0 *See top of first page of song for chord diagrams pertaining to rhythm slashes.
Gtr. 4: w/ Rhy. Fig. 1
G5
would - n’t
A7sus4
take
back
Em7
one
G5
thing.
Nev - er
had
much
A7sus4
Em7
to
choose.
Gtr. 4: w/ Rhy. Fig. 1 (3 1/2 times) 2nd time, Gtr. 1: w/ Rhy. Fill 1 2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1A
G5
Then 2. What
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
it a
dawned nice
G5
like a Nev - er
2
cold worked
A7sus4
on long
A7sus4
Em7
Em7
me, leash,
sky for
rain me
G5
com - ing what a
Em7
down nice
G5
-
ing but
un - der a sure would look
A7sus4
on tight
burn - ing good on
moon. you.
you noose.
A7sus4
Em7
Em7
Been
wait
Gtr. 3
G5
-
ing
all
A7sus4
your
Em7
life,
your
wish
is
3 3 0
3 3 2
A7sus4
com
-
ing
Em7
D5
E5 VII
true.
G5
1/2
3 3
3 3 0
2
Gtr. 2
0 0 0 2 2 0
G5
A7sus4
Em7
Gtr. 4
Bless
your
heart
for
beat
-
Em7
in’
G5
me
right
A7sus4
out
of
D5
w/ dist.
you.
(cont. in slashes) 1/2
3 3 0
0 0 0 2 2 0
3 3 0
3 3 2
3 3 2
3 3 0
7 7 5 5
9 9 7 7
9 9 7 7
7 7 5 5
7 7 5
9 9 7
9 9 7
7 7 5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Pre-Chorus C5
D5
E5 VII
B5
End Rhy. Fig. 2
Rhy. Fig. 2 Gtrs. 3&4
Miss the
mis
-
Gtr. 2
9 X 7
9 X 7
9 X 7
9 X 7
er
-
y,
need a
rea
Need a
9 X 7
9 X 7
9 X 7
Chorus
Csus2
9 X 7
9 X 7
D5
9 X 7
9 X 7
9 X 7
E5
rea
-
Don’t
a
8 X 6
son
to
ex re
-
plain, frain,
so turn
it
8 X 6
8 X 6
B5
8 X 6
on
a - gain.
9 X 7
9 X 7
11 X 9
D
9 X 7
9 X 7
change
9 X 7
your
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Em7
mind.
11 X 9
You’re
11 X 9
11 X 9
12 X 10
12 X 10
12 X 10
wast
-
in’
light.
End Rhy. Fig. 3
3 3 0 X 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12
B5
Rhy. Fig. 3 Gtrs. 2, 3&4
3 3 0 X 3
change.
9 X 7
9 X 7
9 X 7
for
9 X 7
son
-
Gtrs. 3 & 4: w/ Rhy. Fig. 2
C5
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
3 3 0 X 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
3 3 0 2 2 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3 (1st 2 meas.)
Csus2
D
Get
Gtr. 1
in
and
let’s
Fill 1
5
Gtr. 1: w/ Riff B (1 1/2 times) Gtrs. 2 & 3: w/ Riff A (1 1/2 times)
Em7
go,
7 5
Gtr. 3
2 0
Gtr. 2
2 0
5
0
3
2 0
0
3
2 0
0
5
7
7
0
0
2
2
0
0
2
2
0
D5/A
5
5
2 0
2 0
Rhy. Fill 2A
End Rhy. Fill 2
7
Rhy. Fill 2B
0
D5/A E5/B
Rhy. Fill 2
Gtr. 1
17
2.
go.
1.
End Fill 1
3
2 0
2 0
2 0
3
2 0
0
7 7 5
9 9 7
9 9 7
7 7 5
End Rhy. Fill 2B
(cont in slashes)
7 7 5 5
9 9 7 7
9 9 7 7
7 7 5 5
End Rhy. Fill 2A
7 7 5
9 9 7
9 9 7
7 7 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bridge Gtr. 1 tacet
C5 Gtr. 3
D5
Miss the
mis
-
Gtr. 2
9 X 7
9 X 7
9 X 7
C5
9 X 7
9 X 7
9 X 7
9 X 7
Miss the Gtr. 4
9 X 7
mis
er
-
E5 VII
y,
B5
give me
rea
-
son
for
a
change.
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
D5
-
er
-
9 X 7
9 X 7
E5 VII
9 X 7
9 X 7
y,
9 X 7
9 X 7
9 X 7
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
B5
give me
8 X 6
rea
-
son
to
re - frain.
5
Gtr. 2
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
9 X 7
Gtr. 3: w/ Rhy. Fig. 3 (1 1/2 times)
Csus2
Miss your
Riff C
12
12
9 X 7
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12
9 X 7
12
12
9 X 7
12
12
mis
12
9 X 7
12
9 X 7
9 X 7
D
9 X 7
9 X 7
-
er
14
9 X 7
13
9 X 7
9 X 7
-
14
9 X 7
9 X 7
9 X 7
y
13
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
14
9 X 7
13
14
9 X 7
11 X 9
11 X 9
11 X 9
Em7
to - day.
11 X 9
13
Miss your
12
9 X 7
12
12
9 X 7
12
12
9 X 7
12
11 X 9
mis -
12
9 X 7
12
B5
-
er
-
y
10
11
11
10
11
10
10
D
to - day.
11
Csus2
Come on
and
turn
it
a - gain.
on
12
14
12
13
13
12
13
12
13
14
15
15
14
End Riff C *Gtrs. 1 & 4
15 17 *Played by Gtr. 4 only when recalled.
11 X 9
11 X 9
11 X 9
12 X 10
14 X 12
11 X 9
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
Interlude Em7
Gtrs. 1 & 4
**w/ octaver 1
1
1
1
5
5
8
10
5
7
7
10
12
7
1
7
1
1
12
8
10
14
10
12
**Set for one octave below.
Gtrs. 2 & 3
2 0
2 0
1/2
3
2 0
0
2
2
2 0
2 0
1/2
0 3
2 0
0
2
2
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
1
1
5
8
10
5
7
7
10
12
7
2 0
2 0
0
2 0
Bb5
C5
F5
2 0
2 0
1
8
10
14
10
12
1
10
0
2 0
C5
1/2
3
E5
1
1
12
G5
*
2
0
2
2
1
7
1/2
3
E5
1
1
5
D5
G5
2
0
2
A5
1
12
5
*Vol. swells
2 0
2 0
8 6
10 8
Em7
1
10 8
12 10
12 10
10 8
1
5
8
10
5
7
7
10
12
7
2 0
2 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
1/2
2 0
2 0
2 0
0
2
2
10 8
12 10
1
5
1
2 0
2 0
1
8
10
14
10
12
0 3
12 10
14 12
14 12
12
12 10
1
1
7
octaver off
1/2
2 0
0
2
2
0
Chorus Gtr. 1 tacet Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 1/2 times) Gtr. 4: w/ Riff C (1st 4 meas.)
Csus2
Don’t
Gtr. 4: w/ Riff C
Csus2
change
Don’t
B5
make
this
D
Em7
right.
Gtrs. 1, 2 & 3
2 0
2 0
2 0
3
2 0
2 0
3
ed
light.
Don’t
Gtr. 1: w/ Fill 1
D
in
and
let’s
2 0
go.
1/2
0
2
0
2
1/2
2
2
2 0
0
2 0
2 0
2 0
3
1/2
0
2 0
3
0
D5/A E5/B D5/A
Outro Em7
-
Gtrs. 1, 2 & 3: w/ Rhy. Fills 2, 2A & 2B
go,
wast
right.
Get
B5
Em7
this
make
You’re
Gtr. 1: w/ Riff B (1 1/2 times) Gtrs. 2 & 3: w/ Riff A (1 1/2 times)
mind.
Csus2
your
Em7
D
2 0
2
0
2
1/2
0
2
2
0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Foo Fighters - Wasting Light
I Should Have Known Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Intro Moderately fast q = 115
µ
(Strings)
8 sec.
*Gm Gtrs. 1 & 2 (slight dist.)
mf
w/ fingers let ring
0 1
3
0
0
3
1
3
3
1
0
0
3
3
1
1
3
0
3
1
3
*Chord symbols reflect overall harmony.
1. I
let ring
3
Cm6
3
known
that
1
1
there was
3
no
it would
3
1
2 3
1
3
1
way.
3
1
2 3
3
1
Am7b5
oth - er
Did
1
way.
3
1
should have
-
0 3
n’t
hear
let ring
1
0
3
0
I
1
let ring
3
end this
0
0
3
0
3
known
Riff A
0
should have
0
1
Verse Gm
your
warn -
2
0
1
0
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
0
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bb
Cm7
-
ing.
Damn,
let ring
3
0
1
F'9
0
1
1
0
my
heart
deaf.
let ring
3
1
3
gone
1
3
I
let ring
2 0 3
1
should have
0
3
End Riff A
0
3
1
1
Gtrs. 1 & 2: w/ Riff A
Gm
known,
look
at
the
shape
you’re
in.
I
should
have
Gtr. 3 (dist.)
mp
5
but
I
dove
right
Cm6
known,
in.
Am7b5
One
thing
is
for
cer -
6
5
Bb
Cm7
tain
as
5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
I’m
stand
-
ing
F'9
here,
I
3
should have
Pre-Chorus Gtr. 3 tacet
Gm
F'9/A
Bb
C
Gm7/F
known. Riff B
Gtr. 1
let ring let ring let ring let ring let ring 3
Gtr. 2
1
0
0 5
3
0
0 6
0
5
0 8
8
0
0
0
7
8
0
0
0 8
End Riff B
8 0
0
8
8
Riff B1
3
let ring let ring let ring
0
0
5
3
3
0
6
3
5
0
3
0
3
1
0
2
3
2
3
3
3
2
0
2
3
Riff B2 Gtr. 4 (dist.)
3
5
6
mf
Gtrs. 1 & 2: w/ Riffs B & B1 Gtr. 4: w/ Riff B2 (2 times)
Gm
F'9/A
Gm
5
8
8
one
C
3
0 5
3
0
last
0 6
5
0
mine.
C
time.
Though I
let ring let ring let ring let ring let ring 0
Gtr. 1
1
0
3
Gm7/F
me
in
Bb
Heal
hands
F'9/A
Gm7/F
your
Bb
Lay
3
End Riff B2
0
End Riff B1
let ring let ring 1
0
0
8
8
0 8
7
8
8
0
0 8
0 8
can -
0
0 8
8
Gtr. 2
let ring let ring 3
1
0
0
5
3
3
0
let ring let ring let ring 6
5
3
0
3 1
0
3
3
2
0 3
2
3
3
2
0 3
2
3
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus
Eb
not
for
Gtr. 1
-
let ring
0
5
6
give you
Gm
No, I
4 5
0
5
6
can - not
for
3
0
0
4
0
0
0 6
3
5 3
0
11
11
Leave
my
heart
3
in
6 8
8
8
C9
0
0
6
*
0
0
8
0 0 X 8
0 0 X 8
0 0 X 8
0 0 X 8
0 0 X 8
3
2
1
3 3
3
5
3
0
5
5
0 3
3
0 0 X 8
8 0 0 X 8
2. I
should have
8 0 0 X 8
8 0 0 X 8
8 0 0 X 8
8 0 0 X 8
8 0 0 X 8
**
2 3
2 3
3 2 3
3 2 3
3 2 3
3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
**Increase strum intensity.
8
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
***
2 3
1 3 2 3
3
***Allow 5th string to ring after notes are muted.
3
3
3
3
3
3
3
µ
1 0
3
*Increase strum intensity.
let ring
0
0
let ring
6
11
3
0
11
0 0 X 8
3
5
6
let ring
6
debt.
let ring 8
F'4
5
6
3
yet.
4
Gtr. 4
let ring
3 3
3
give you
5
let ring
-
Gm
5
6
let ring
3
4 5
0
let ring 6
let ring
Gtr. 2
3
yet.
Eb
3
3
3
3
3
3
Verse Gtrs. 1 & 2: w/ Riff A (2 times) Gtr. 4 tacet
Gm
I
was in
known
-
mf
side of
you.
Cm6
I
should have
known
there was that
side
of
you.
3 3 3 5
8 8 8 10
Am7b5
-
out
Bb
a
Cm7
caught me
known
here be
Am7b5
thing
Pre-Chorus Gm
Bb
for
fore.
I
Cm7
F'9/A
I’m
Bb
Gm7/F
should have End Rhy. Fig. 1
known,
don’t want it
-
in’
an - y - more.
F'9
still stand
C
I
1 1 2 3
should have
cer - tain,
is
-
ware.
Cm6
I’ve been
-
8 8 8 10
Gtr. 5: w/ Rhy. Fig. 1
a
10 11 10 12
Gm
-
13 13 14 13
un
F'9
warn - ing,
Came with
One
Rhy. Fig. 1 Gtr. 5 (slight dist.)
here.
I
should have
known. Riff C
Gtr. 2
let ring let ring let ring let ring let ring 3
0
6 0
3
0
6 0
5
0
1 0
0
3 0
0
6
0
Gtr. 1
let ring let ring let ring let ring 3
1
0
0 5
3
0
0 6
5
0
0 8
0
0
8
2
let ring
0 8
8 0 0 7
3
3
Rhy. Fig. 2
8 0 0 7
8 0 0 7
0
0 3
End Riff C
1
2
0
2
End Rhy. Fig. 2
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 2: w/ Riff C
Gm
F'9/A
Lay
Feel
Gtr. 2
me
one
6
0
last
5
Chorus Eb
not
for
Rhy. Fig. 3
0 5 6
C
-
give
you
4 0 5
Though I
6
5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
4 0 5 6
4 0 5 6
0
0 0 X 3
3 3
0
Eb
- not
for
5
6
0
5
5
2
0
No,
I
can
let ring
0 0 X 3
0 0 X 3
0 0 0
0 5 6
0 5 6
5
0
-
give
4 0 5
you
4 0 5 6
yet.
4 0 5 6
let ring
3 3
0
let ring
4
1
2
3
let ring
0 0 X 3
0
0
3
Gm
3
0
can -
3 0
yet.
let ring
3
1 0
time.
6
let ring 0 5 6
Riff D
0
0
mine.
Gm7/F
6
0
0
3
Gtr. 2
in
Bb
C
let ring let ring let ring let ring let ring 3
Gtr. 1
hands
F'9/A
Gm7/F
your
Gm
Bb
6
5
3
0
4 5
6
0
Gm
F'4
Leave
0 0 X 3
3 3
0 0 X 3
0 0 X 3
0 0 X 3
0 0 0
End Riff D
6 0 8 8
Riff E
5
5
0
5
0
7
8
debt.
6 0 8 8
0 0 0
No,
8 0 0 X 8
8 0 0 X 8
0
7
0
0 0 0
End Riff E
1
2
3
can -
End Rhy. Fig. 4
let ring
0
I
8 0 0 X 8
0
6
0
let ring
3 3
in
6 0 8 8
C9
let ring
heart
Rhy. Fig. 4
let ring
my
End Rhy. Fig. 3
2
0
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D
Eb
not
for - give
F'4
my
heart
No,
6 0 8 8
6 0 8 8
6 0 8 8
6 0 8 8
6 0 8 8
let ring
8
6
for - give you
0 8
0
yet.
You
leave
I
should have
8 0 0 7 8
0 0 0 0
0
can - not
Gm
debt.
Gtr. 2
7
I
Gtr. 1
C9
in
Eb
yet.
you
Gm
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
0 0 0
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
0 0 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Interlude Gtr. 2 tacet
Gm
F'9/A
Bb6
Gm7/F
C'2
known.
Gtr. 5
3
2
3 10
9
9
9
3
Rhy. Fig. 5
End Rhy. Fig. 5
Gtr. 1
0 0 1 3
0 0 1 3
0 0 1 3
0 0 1 3
Gtr. 1: w/ Rhy. Fig. 5
Gm
0 0 3 5
0 0 3 5
0 0 3 5
F'9/A
Gtr. 5
3
0 0 3 5
0 0 5 6
0 0 5 6
0 0 5 6
0 0 5 6
Bb6
0 0 8 10
0 0 8 10
0 0 8 10
0 0 7 8
3
0 0 7 8
0 0 7 8
0 0 7 8
C'2
3
0 0 7 8
Gm7/F
2
0 0 8 10
10
0 0 7 8
grad. bend
10
0 0 7 8
0 0 7 8
0 0 7 8
0 0 7 8
0 0 7 8
0 0 7 8
0 0 7 8
0 0 7 8
0 0 7 8
0 0 7 8
1
10
10
Bridge Gtr. 1: w/ Rhy. Fig. 5 (2 times)
Gm
F'9/A
Bb6
May - be you was
Gm7/F
3
3
3
right,
did - n’t wan -na
fight,
I
C'2
should have known.
3
3 5
5
7
7 10
9
9
9
3
3 7
7
5
5
Gtr. 5
Riff F Gtr. 6 (slight dist.)
mf 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
End Riff F
Gtr. 6: w/ Riff F
Gm
Could - n’t
read
the
3
3
C'2
have
Bb6
signs,
Gtr. 5
F'9/A
could - n’t
5
5
7
see
Gm7/F
the
light,
7
should
I
10
known.
No,
I
can
-
1
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
Outro-Chorus Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D Gtr. 5 tacet
Eb
not
for
Rhy. Fig. 6 *Gtr. 7 (dist.)
-
give
you
13 13 11
13 13 11
13 13 11
13 13 11
13 13 11
13 13 11
13 13 11
yet.
f
Gm
No,
I
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
can
Eb
- not
for
-
give
you
yet.
13 13 11
13 13 11
13 13 11
13 13 11
13 13 11
13 13 11
13 13 11
*Doubled throughout Gtr. 1: w/ Rhy. Fig. 4 Gtr. 2: w/ Riff E
Gm
F'4
Leave
5 5 3
5 5 3
End Rhy. Fig. 6
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
my
heart
C9
in
debt.
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
No,
I
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
can -
10 10 8
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D Gtr. 7: w/ Rhy. Fig. 6
Eb
not
for
Eb
not
for
-
give
-
give
you
my
heart
Gtr. 1
you
6 0 8 8
in
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
Gtr. 2
let ring
8
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
0
6 0 8 8
Gtr. 7
6 7
No,
I
can
Gm
C9
C5
0
0 0 0
5 5 5 8
5 5 5 8
10 10 8
10 10 8
10 10 8
let ring
0
0 3
2
leave
D5
No,
I
can
10 10 8
10 10 8
10 10 8
12 12 10
-
You
debt.
6 0 8 8
yet.
yet.
F'4
Gm
-
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D Gtr. 7: w/ Rhy. Fig. 6
Eb
not
for
Eb
not
for
F'2
-
us
-
all
give
give
you
6 0 8 8
6 0 8 8
6 0 8 8
6 0 8 8
6 0 8 8
let ring
8
6
0 8
0
Gtr. 7
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
15 15 13
yet.
Gm
No,
I
can
yet.
You
15 15 13
leave
µ
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
8 0 0 7 8
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
1 3 2 3
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
should have
1 3 2 3
10 10 8
8 0 0 7 8
1 3 2 3
-
I
0 0 0 0
0
debt.
Gtr. 2
7
Gtr. 1
C9
in
you
Gm
10 10 8
Gtrs. 1, 2 & 7 tacet
known.
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
from Foo Fighters - Wasting Light
Walk Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear A
123
E
F#m
231
D
134111
Dm
132
231
Intro Moderately q = 132 *Asus2
Gtr. 1 (slight dist.)
mf let ring
9
7
10
10
9
10
9
Rhy. Fig. 1 Gtr. 2 (slight dist.)
mp
70
End Rhy. Fig. 1
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
P.M.
*Chord symbols reflect overall harmony.
Verse Gtr. 2: w/ Rhy. Fig. 1 (4 times)
Asus2
1. A
mil
Gtr. 1
Riff A
let ring
9
10
7 9
10
9
10
E'4/A
-
lion miles
a - way,
your
9
7 9
9
9
sig -
let ring
9
10
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm7/A
-
nal
in
dis
the
Dm6/A
-
tance
to
whom
may
let ring
7
10
7
10
7
I
Gtr. 1
think
I
lost
my
10
7
10
9
9
7 0
Bm7
7 0
7 0
7 0
at
start
- ing
10
10
7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9 7
9 7
9 7
9 7
let ring
9
9
7
9
9
9
10
7 0
9 7 0
9 7 0
o
-
7 0
7 0
7 0
7 0
7 0
7 0
7 0
ver
ev - ’ry
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7 0
9 7 0
9 7 0
9 7 0
that
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
Dm7
I
9 7 0
9 7 0
9 7 0
re - turn.
let ring
10
9 7
9 7 0
time
7
9 7
9 7 0
Dm6
7
9 7
7 0
P.M.
9 7
9 7
10
10
let ring
7
10
10
7
10
7 0
P.M.
7 0
End Riff A
Get - ting good
Gtr. 2
7 0
7
10
way.
let ring
9
cern.
E'4
-
let ring
10
Asus2
con
7 7
it
10
7
10
10
8 10
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0 0
Chorus
Gtr. 1: w/ Riff A (2 times)
A'9
Learn -ing to
*Gtrs. 2 & 3
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
walk
a
-
E'4
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
9 7 0
gain.
6 7 0
0 0
I
be - lieve
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
0 0
*Gtr. 3 (slight dist.), played mp. Composite arrangement
Bm7
I’ve
7 7 9 7
7 7 9 7
Where do
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
talk
a
-
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
9 7 0
E'4
0 0
Bm7
I’ve
wait
-
ed
long
e - nough?
Where do
0 0
Can’t you see
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
Dm6
6 7 7 5
gain.
6 7 0
be - gin?
0 0
6 7 0
ed
Learn -ing to
6 7 0
I
-
A'9
e - nough.
wait
long
Dm6
9 7 0
9 9
I
9 7 0
9 7 0
9 7 0
9 7 0
0 0
be - gin? (In.)
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
7 7 9 7
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
7 7 9 7
7 7 9 7
0 0
6 7 7 5
0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Interlude
A
Gtr. 1
f
w/ dist.
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
Gtrs. 2 & 3
f
w/ dist.
2 2 2 0
2 2 2 0
Verse A
2. Do
you re
-
E
E'4
mem - ber the days
we
built
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
2 2 2 0
2 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
10 9 7 0
10 9 7 0
2 2 2 0
2 2 2 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
10 9 7 0
2 2 2 0
2 2 2 0
2 2 2 0
10 9 7 0
2 2 2 0
9 9 9 7
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
9 9 9 7
0 0 1 2 2 0
10 9 9 7
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
10 9 9 7
0 0 1 2 2 0
Bm7
these
pa
-
per
moun
-
and
sat
tains
Dm
and
watched
them
burn?
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
7 7 5
7 7 5
7 7 5
10 7 7 9 7
10 7 7 9 7
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
A
10 7 7 9 7
3 4 4 2
I
think I
10 7 7 9 7
3 4 4 2
10 7 7 9 7
3 4 4 2
10 7 7 9 7
3 4 4 2
found
place.
my
10 10 0
10 10 0
7 7 5
10 10 0
10 10 0
7 7 5
10 10 0
10 10 0
7 7 5
10 10 0
7 7 5
E
10 10 0
10 10 0
7 7 5
7 7 5
E'4
10 10 0
10 10 0
7 7 5
7 7 5
10 10 0
7 7 5
Can’t you feel
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
2 2 2 0
2 2 2 0
10 9 7 0
10 9 7 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
10 9 7 0
2 2 2 0
2 2 2 0
2 2 2 0
10 9 7 0
2 2 2 0
9 9 9 7
9 9 9 7
9 9 9 7
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
9 9 9 7
0 0 1 2 2 0
9 9 9 7
0 0 1 2 2 0
9 9 9 7
0 0 1 2 2 0
10 9 9 7
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
10 9 9 7
0 0 1 2 2 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm7
it
grow
Dm
- ing
strong
-
er,
lit - tle con
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
10 7 7 9 7
10 7 7 9 7
quer - ors?
10 10 X 7
10 10 X 7
10 10 X 8
10 10 X 8
10 X X 9 7
10 X X 9 7
10 X X 9 7
10 X X 9 7
10 10 0
10 10 0
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
7 X 5
7 X 5
9 X 7
9 X 7
10 X 8
10 X 8
12 X 10
12 X 10
3 4 4 2
3 4 4 2
Learn - ing to
Rhy. Fig. 2
10 X X 9 7
Chorus A
Dm/G
10 X X 9 7
3 4 4 2
10 X X 9 7
Dm/F
-
10 7 7 9 7
Dm/E
walk
a
-
gain.
10 10 0
E
10 10 X 7
10 10 X 8
10 10 X 10
E'4
10 10 X 10
10 10 X 10
0
I
be - lieve
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
10 9 7 0
10 9 7 0
Rhy. Fig. 2A
2 2 2 0
2 2 2 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0 0
let ring
0 0 1 2
0 0 1 2
0 0 1 2
0 0 0
Bm7
Dm
I’ve
wait
-
ed
long
e - nough.
Where do
Dm/E
Dm
I
Dm/F
be - gin? (In.)
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 10 0
10 10 X 7
10 10 X 8
10 10 0
10 10 0
10 10 X 7
10 10 X 7
10 10 X 8
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
7 X 5
7 X 5
9 X 7
9 X 7
10 X 8
10 X 8
3 4 4 2
3 4 4 2
A
Learn -ing to
Rhy. Fig. 3
0 0
talk
a
-
gain.
E
10 10 X 8
End Rhy. Fig. 2
10 10 0
10 10 0
End Rhy. Fig. 2A
7 X 5
7 X 5
0 0
E'4
I
be - lieve
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
9 9 9 7
9 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
10 9 9 7
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
Rhy. Fig. 3A
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
9 9 9 7
let ring
0 0 1 2
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
1 2 2 0
1 2 2 0
0 0 1 2
0 0 1 2
0 0 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm7
Dm
I’ve
wait
Gtr. 4 (dist.)
-
ed
long
e -nough.
Where do
Fill 1
f
15
Gtr. 1
Dm/F
Dm/G
I
End Fill 1
Dm/E
be - gin?
7 X 5
9 X 7
10 X 8
12 X 10
12
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 7 7 9 7
10 10 0
10 10 X 7
10 10 X 7
10 10 X 8
10 10 X 8
10 10 0
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
7 X 5
Gtrs. 2 & 3
3 4 4 2
3 4 4 2
0 0
10 10 0
10 10 X 7
10 10 X 8
End Rhy. Fig. 3
10 10 X 10
10 10 X 10
End Rhy. Fig. 3A
(cont. in slashes)
7 X 5
9 X 7
9 X 7
10 X 8
10 X 8
12 X 10
12 X 10
Bridge *A
Rhy. Fig. 4A Gtrs. 2&3
Now,
for the ver - y first
Gtr. 4
Riff B
End Riff B
6 X 4
Rhy. Fig. 4
6 X 4
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
11 X 9
13 X 11
time
14 X 12
6 X 4
6 X 4
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
11 X 9
13 X 11
14 X 12
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
Gtr. 1
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 4: w/ Riff B (2 times)
E
don’t you pay
no
mind.
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
Gtr. 1
F#m
D
Dm
End Rhy. Fig. 4A
Set me
free
Gtr. 4
6 X 4
6 X 4
7 X 5
7 X 5
7 X 5
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
Gtr. 1
10 11 11 9
10 11 11 9
9 X 7
9 X 7
9 X 7
11 X 9
13 X 11
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
a - gain.
To
End Riff C
Riff C
14 X 12
6 X 4
6 X 4
7 X 5
7 X 5
7 X 5
10 11 11 9
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
9 X 7
10 X 8
10 X 8
7 7 7 5
7 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
10 X 8
12 X 10
14 X 12
End Rhy. Fig. 4
6 7 7 5
6 7 7 5
6 7 7 5
Gtr. 1: w/ Rhy. Fig. 4 (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 4A (2 times) Gtr. 4: w/ Riff B (5 times)
A
keep
a - live
E
sac
-
ri - fice,
a
but
mo -ment at
a time,
know -ing to sur - vive.
but
still
The
first
in - side
to cry
a
whis - per to
a
ri - ot.
an - oth - er state of mind.
To
I’m
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 4: w/ Riff C
F#m
on
my knees,
Gtr. 5 (dist.)
I’m
pray - ing for
Dm
a sign.
D
For - ev - er,
what - ev - er,
I
nev - er want to die.
I
mf
10
Gtr. 6 (dist.)
mf
10 X 8
Gtr. 4: w/ Riff B (5 times)
A
nev - er want to die.
I
I’m
on
nev - er want to die.
my knees,
I
nev - er want to die.
I’m
14
14
14
14
14
14
14
14
14
14
14
14 12
14 X 12
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
15 14
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
E
danc -ing on my grave
and
12
12
12
12
12
12
12
12
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
run - ning through the fire.
For - ev - er,
what -ev - er,
I
nev - er want to leave.
I’ll
14
14
14
14
14
14
14
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
nev - er want to die.
I
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
nev - er say good - bye.
D
For - ev - er,
what - ev - er.
13 X 11
Dm
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
For - ev - er,
what -ev - er, oh.
13 X 11
11 X 9
Gtr. 4: w/ Riff C
F#m
14
14
15
15
14
14
14
14
14
14
14
15
15
15
15
15
15
15
15
15
15
15
15
15
15
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus
Gtrs. 2&3
Learn
- ing
to
walk
Gtrs. 4, 5 & 6 tacet
A
Gtrs. 4 & 5
a
-
gain.
14
Gtr. 6
14 X 12
Gtr. 1
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
Gtr. 1: w/ Rhy. Fig. 2 (last 6 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 2A (last 6 meas)
E
E'4
I
be - lieve
Bm7
I’ve
wait
-
ed
long
e - nough.
Where do
I
Gtr. 1: w/ Rhy. Fig. 3 Gtrs. 2 & 3: w/ Rhy. Fig. 3A
Dm
Dm/E
Dm/F
Dm
A
be - gin?
Learn - ing
to
talk
a
-
gain.
(In.)
E
E'4
Can’t you
Gtr. 4: w/ Fill 1
Dm
Dm/E
be - gin?
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Dm/F
see
Bm7
I’ve
wait
-
ed
long
e - nough?
Where do
I
Gtr. 1: w/ Rhy. Fig. 2 (1st 6 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 2A Gtr. 4: w/ Riff B (3 times)
Dm/G
A
Learn - ing
to
walk
a
-
gain.
E
E'4
I
D5
Em
Bm7
be - lieve
I’ve
wait
F5
-
ed
long
e - nough.
G5
14 X 12
14 X 12
12 X 10
12 X 10
10 X 8
10 X 8
12 X 10
12 X 10
12 X 10
Gtrs. 1 & 4
Gtr. 1: w/ Rhy. Fig. 3 (1st 6 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 3A Gtr. 4: w/ Riff B (3 times
A
Learn - ing
to
talk
Can’t
you
see
D5
14 X 12
14 X 12
Gtrs. 1 & 4
*C
F5
12 X 10
12 X 10
10 X 8
10 X 8
E
a
-
gain.
I’ve
wait
-
ed
long
Bm7
E'4
D5
9 X 7
9 X 7
e - nough?
Gtrs. 2 & 3: w/ Rhy. Fig. 3A (last 2 meas.)
Em/G
C
F5
14 X 12
14 X 12
12 X 10
12 X 10
10 X 8
10 X 8
Em/G
9 X 7
9 X 7
*Bass plays C.
Outro A
Gtr. 1 Gtr. 3
10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0
Gtrs. 2 & 4
2 2 2 0
2 2 2 0
2 2 2 0
10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0
10 10 10 10 10 10 9 9 9 9 9 9 7 7 7 7 7 7 0 0 0 0 0 0
10 10 9 9 7 7 0 0
10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0
10 9 7 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
0 0
7 7 5
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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