warm up-choir
Short Description
score...
Description
Warm Ups and Vocalises
4
Unison Alleluia Objective: Develop the upper register and shape unified vowels. Continue up by half steps through F major. Unison
-
œ
le
lu
-
-
œ
œ
ia,
4 & 4 œœœ œ œœ œ œœ œ œœ œ œ
?4 œ 4
œ
Al
œ
le
-
-
œ
lu
-
2 4
œ
ia.
2 4 b˙ b ˙˙ 2 4 b˙ b˙
œœ œ œœ œ œœ œ œœœ
œ
œ
Two-part Alleluia
∑
nl y
{
Al
œ
œ
œ
œ
O
Piano
4 &4 œ
ie w
Choir
Objective: Develop the upper register and build part-singing skills. Continue up by half steps through F major. I
Al
4Ó & ¢ 4
-
lu
Piano
œ
œ
œ
ia,
Al
- le
œ
œ
œ
Al
- le
œ
-
rP
{
- le
Part II
-
lu
-
ia,
-
œ
lu
œ
Al
-
œ
ia.
˙
œ
œ
- le
-
lu
Ó
-
œ œ & 44 œœœ œ œœ œ œœœ œ œœœ œ œ œ œ œ œœ œ œœ œ œœ œ ?4 œ œ œ œ œ œ 4 œ œ œ
Fo
II
œ
re v
I ° 4 Part œ œ &4
œ
Ó
ia.
œœ bb ˙˙ œ ˙ b˙ œ b˙
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
5
Two/Three-part Chords Begin with this unison exercise in this or any key. Once learned, progress to the two-part variation and the three-part variation. Unison
4 & b4 œ
œ
re
Do
œ
œ
˙
˙
˙
mi
fa
sol
fa
mi
b ¢& œ
Part I
I
Do
œ
w
re
mi
fa
sol.
œ
œ
œ
˙
˙
˙
mi
fa
sol
fa
mi
re
w
ie w
Do
œ
re v
II
re
O
Two-part Variation
° b Part II & œ œ
˙
w
do.
nl y
Choir
˙
re
w w
do.
Three-part Variation
Do
Part II
II
œ
œ
˙
˙
w
re
mi
fa
sol
fa
mi.
œ
œ
œ
w
re
mi
fa
sol.
œ
œ
œ
˙
˙
˙
mi
fa
sol
fa
mi
rP
III
° b Part III & œ œ &b œ
Fo
Do
b ¢& œ
Part I
I
Do
re
w
w
w ˙
re
w
do.
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
6
Bumble Bee Teach Part I as a unison exercise first. Once your singers know it well, divide the group into two equal parts and try both parts together. Part II
Bum - ble, bum - ble, bum - ble, bum - ble,
4 & 4 œœ ? 44 œœ
° œ &
œœœ œ œ
œ
œ
bum - ble
{
& œœœ
œ
œ œ
° & œ
œ
bum - ble,
¢& œ
{
Fo I
œ
œ
bum - ble
& œœœ ? œ
œ
œ
Bum - ble, bum - ble,
œœ œ
œœ œ
œ
rP
II
œ
œœ
? œ œ
œ
œ
bum - ble,
˙™
œ
œ
œ
bum - ble
œ
œœ œ œ
œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œœœ œ
œœœ œ
œœœ œ
œœœ
œ
œ
œ
œ
œ
bee.
œœ œ œ
2 4 2 4
2 4 b˙ b ˙˙ 2 4 bœ
∑ ∑
bœ
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
œ œ
bum - ble, bum - ble, bum - ble, bum - ble,
œ
œ
œ
bee.
œœ œ
œ
œœ œ œ œ
œœœ œ
œœœ œ œ
Bum - ble, bum - ble, bum - ble, bum - ble,
re v
Ó ¢&
bee.
bum - ble, bum - ble, bum - ble bee.
œœ
œ
Ó
œ œ œ œ œ œ œ œœ
œœœ œ œ
œœ œœ
bum - ble, bum - ble, bum - ble, bum - ble,
nl y
{
Part I
œ œ œ œ œ œ œ œ
ie w
Piano
I
Bum - ble, bum - ble,
4 ¢& 4 œ œ œ œ œ œ œ œ
I
II
œ œ œ œ
O
° 4Ó &4
II
Rhythm Rumbles
7
O
nl y
Over a period of several rehearsals, introduce these rhythm rumbles one at a time, teaching the chant and the correct rhythm by rote. Take time to emphasize the concept of steady beat. Once your choristers have mastered the first rumble, teach the next. When they have learned two rumbles, divide them into teams and have team one chant “Basketball” while team two chants “Soccer,” beginning and ending together. When your choristers have learned all three rumbles, the “part-thinking” fun increases! Divide your choristers into three teams and have them chant all three rumbles simultaneously. Finally, challenge your choristers to write their own rumbles by assigning a time signature and a set number of measures to each team. They will enjoy being creative and will increase their knowledge of rhythm and music notation in the process.
Rhythm Rumble #1: Basketball
4 /4œ œ œ œ œ œ œ œ œ˙
œ œ œ œ œ œ œ œ œ œ œ œ œ œ
vi e
Rhythm Rumble #2: Soccer
w
Bas -ket - ball, bas -ket - ball, best game of all. Wheth -er you are short or tall, hit the hoop and not the wall.
4 Œ Œ Œ /4 œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ in the grass or in the street, soc - cer,
rP re
Kick, kick your feet,
Rhythm Rumble #3: Sports Medley
soc - cer,
4 / 4 œ œ œ œ œ œ œ œ œ œœ œ œœ œ œ œ
œ œ œ œ œ œ œ
I just can’t de - cide, guess I’ll have to play them all.
Fo
Base- ball, bad -mint - on, vol -ley - ball, golf or ten - nis.
real - ly it’s the best of all.
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
Echo Songs
8
The Lord Is My Shepherd
I
° ## 4 & 4
∑
## 4 & 4Ó ¢
j j Œ ‰ œ œ œ œ œ œ™
‰ œj œ œ œ œj œ™
O
{
Œ
Leader or Part I
The Lord is my shep - herd;
#4 & #4
The Lord is my shep - herd;
re v
œ œœ œ œ œ˙ œ œ˙ œ ˙˙ ? ## 4 4˙ ˙
j œ œ
˙˙˙˙
Ó
Œ
œ œ œ œ œ œ J J &
˙˙ ˙
‰ j œ
˙˙˙
Fo
rP
Piano
Ó
Part II
ie w
II
nl y
When first teaching this piece, the director should sing Part I, inviting the choir to echo as Part II. Gradually add choristers to Part I until there are even groups of singers on each part. At that point, the director should be able to drop out. For a responsorial psalm in worship, try having the choir sing Part I and the congregation sing Part II.
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
He
j œ ?
9
## œ œ œ ˙ & ¢
{
‰
# & # œœ œ œ œœ ™™
7
Ó
œœ œ œ œœ ™ ™
œ J
˙ ˙
## Ó & ¢
Œ
rP
{
## œœ &
˙˙ ˙
Ó
Lord watch - es ov - er me
‰
œ œ œœ œ œ
# &#˙ ˙
Fo
I
˙˙ ˙
&
œ œ œ œ œ
˙ ˙
‰ œj œ
Œ
re v
° ## œ II &
Ó
He loves me, I know.
loves me, I know.
? ## ˙˙
j œ œ œ œ ˙
The
œ œ œ œ œ
The Lord watch - es ov - er me
j œ œœ ?
Œ
˙˙
œ œ œœ œ œ ˙ ˙
j œ ˙
j œœ™ œ
j œ œ™ œ™
œ ?
œ
I
œ
‰
j œj œ œ
go.
˙
œ J
I
œ
go.
∑
œj œ œ™
œ ˙ J ˙ œ
œ
&
j œ ˙
where - ev - er
j œj œ œ
where - ev - er
‰ œj
Œ
nl y
I
Œ
O
4
ie w
° ## Ó II &
˙
™™* ™™ ™™ ™™
*Optional repeat
CGBK67
10
Come into God’s Presence When first teaching this piece, the director should sing Part I, inviting the choir to echo as Part II. Gradually add choristers to Part I until there are even groups of singers on each part. At that point, the director should be able to drop out. For accompaniment, use Orff instruments alone, piano alone, or a combination of the two. Try using this piece as a choral introit or call to worship.
∑
b 44 & ¢
∑
° 4 Metallophone* & b 4 Xylophone*
∑
∑
∑
b
Fo & b ˙˙
œ
˙
œ
˙˙
œ
˙˙
œ œ œ œ ˙ œ
˙ ˙ ?
œ
œœœ ˙˙
œ œ œ œ ˙ ˙ &
œ œ œ œ ˙
sing - ing songs of joy!
∑
˙
œ
˙ ˙
˙ ˙ ˙ ˙ œ˙ œ œ œ ˙˙˙
sing - ing songs of joy!
˙ ˙ œ œ œ œ ˙ ˙
˙
Come in - to God’s pre - sence,
ie w
∑
rP b ˙ ¢& ˙ œœœ &b
{
œ œ œ œ œ œ
∑
re v
¢&
Come in - to God’s pre - sence,
° œ Met. & b Xyl.
∑
II ° b Part œ œ œ œ œ œ & 4
I
{
∑
Leader or Part I
4 & b 4 œ œ œ œœ œ œ œ œ ˙ œ œ œ ˙ ? b4 ˙ ˙ 4˙ ˙
Piano
II
b 44 & ¢
∑
O
I
∑
nl y
° b4 & 4
II
œ˙ œ œ œ ˙˙˙ ˙ ˙ ˙ ˙
&
˙ ˙
œ
˙
˙ ˙
*If not using piano, Orff instruments should play ms. 3 and 4 as an introduction. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
?
11
° b & 7
Come in - to God’s pre - sence;
œ
& b œœœ ? b ˙˙
˙˙
˙˙
˙ ˙
∑
b ¢& ˙™ ° b œ &
b ˙ ¢& ˙
{
&b œ
&
œ
this
˙˙
œ
œ
? b ˙˙
˙
œ
˙˙
˙˙
˙
˙ ˙˙
˙ ˙
this
œ œ œ œ
˙˙
˙ ˙
œ œ œ
is
Œ
Fo
Met.
˙
œ
œœœ
œ œ œ œ
Lord.
Xyl.
œ
rP
I
10
˙
re v
° b &
II
œ œ œ œ œ œ
b œ œ œ œ œ œ
° b œ &
{
∑
Come in - to God’s pre - sence;
b ˙ ¢& ˙
Xyl.
∑
˙
is the house of the
œ œ
˙
˙˙
˙˙
nl y
Met.
œ œ œ œ œ œ
O
¢&
I
∑
ie w
II
œ
the house
œ œ
of
the
?
˙˙ ˙
˙˙˙ ˙
˙
Œ
˙™
™™
Lord.
∑
∑ ˙
œ
˙˙
˙˙
˙ ˙˙
œ œ
˙
˙
œ
œ
™™*
˙ ˙˙ ˙ ˙ ˙
™™ ™™ ™™ ™™
*Optional repeat CGBK67
Mini-Descants
12
Come, Christians, Join to Sing* This is designed to be an easy, first introduction to hymn descants. Teach the hymn and the descant part to all singers and then take turns having different groups try the descant each time. Use the descant on as many verses as you like.
Piano
œ
œ œ ˙
#4 & ¢ 4 ˙
œ
œ
œ œ ˙
#4 & 4 ˙˙
œœ
œœ
œœ œœ ˙˙
1. Come, Christ - ians, join to sing: 2. Come, lift your hearts on high: 3. Praise yet the Lord a - gain:
Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,
1. Come, Christ - ians, join to sing: 2. Come, lift your hearts on high: 3. Praise yet the Lord a - gain:
Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,
? #4 ˙ 4 ˙
° # Descant & ˙ 5
Loud Let Life
œ œ
œ œ
praise to prais - es shall not
œ œ
rP
# & ˙ ¢
œœ
Choir
{
Loud Let Life
Fo
# & ˙˙ ?# ˙ ˙
praise to prais - es shall not
œœ œœ œœ œ œ
œ œ œ œ
O
{
œ œ œ œ
œœ œœ ˙ ˙
œ œ ˙
nl y
œ
˙˙ ˙
˙˙˙ ˙
œ
œ
œ
œ
a a a
-
men! men! men!
a a a
-
men! men! men!
œ œ ˙ œœœ œ ˙˙ œœ ˙ œ
œ ˙
œ œ œ œ
œ œ ˙
Christ our King: fill the sky: end the strain:
Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,
a a a
-
men! men! men!
Christ our King: fill the sky: end the strain:
Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,
a a a
-
men! men! men!
re v
Choir
° #4 & 4 ˙
ie w
Descant
œ œ ˙ œ œ ˙ œœ œœ ˙˙ œœ œœ ˙ ˙
œ œ œ œ ˙˙ ˙
˙˙˙ ˙
œ
œ
œ
œ
œ œ ˙ œœœ œ ˙˙ œœ ˙ œ
œ ˙
*Spanish folk melody. Text: Christian Henry Bateman, 1813-1899. Arrangement: Benjamin Carr, 1768-1831. Descant and accompaniment: Mark Patterson. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
13
9
Choir
˙
˙
all with heart and voice is our guide and friend; heav - en’s bliss - ful shore
be to his
-
Let He On
all with heart and voice is our guide and friend; heav - en’s bliss - ful shore
be to his
-
œ œ
œ œ
˙
13
œ
œ
œ
˙
œ
œ
œ
˙
& œœ œ œ œœ œ œœ œ
œœ
œœ œ
Praise his sing
œ
is his gra - cious choice love shall nev - er end: ing for - ev - er - more:
rP
#
¢& ˙
{
Praise his sing
#
Fo
Choir
?#
˙
fore his throne re - joice; us he’ll con - de - scend; good - ness we’ll a - dore,
œ œ œ œ œ œœœ œœœ ˙œ œ œ œ œ ˙
œ œ ˙
re v
° # Descant & ˙
œ œ
œ œ
-
-
œ
œ œ
œœœœ˙
œ œ œ œ
œ œ ˙
Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,
a a a
-
men! men! men!
a a a
-
men! men! men!
˙ œ ˙
œ œ œ œ
is his gra - cious choice love shall nev - er end: ing for - ev - er - more:
œ
œ
œœœ
œ œ ˙
œ œ
ie w
?# ˙
˙
fore his throne re - joice; us he’ll con - de - scend; good - ness we’ll a - dore,
O
# & œ œ œ œ œ œ œ œ œ œ œ œ ˙˙
œ œ ˙
œ œ
Let He On
# ˙ & ¢
{
œ œ
œ œ
nl y
° # Descant & ˙
Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,
˙˙ ˙ œ
œ
œ œ ˙
˙˙ ˙
˙˙˙ ˙
œœ œ ˙˙ œ œœ ˙
œ
œ
œ
œ
œ
CGBK67
14
Away in a Manger* Teach this descant to all of your singers and consider using a flute or recorder to reinforce the part. Encourage small groups of singers to take turns trying the descant while others sing the original melody. Sing verses 1 and 2 in usison, and use the descant on verse 3. If singing this carol with the congregation, consider having the choir sing the descant while the congregation sings the melody.
˙™
b3 œ ¢& 4
Ϫ
Be
{
Choir
1. A - way 2. The cat 3. Be near
b ¢& œ ™
-
œ œ J
œ
œ œ
I
ask
Thee to
œ œ
œ
œœ œœ J
˙œ
in a man - ger, no tle are low - ing, the me, Lord Je - sus; I
lit lit by
Fo
&b œ™ œ ™
œ
œ œœ
œœ
œ
me for - ev
j œ œ
-
? b ‰ œj ˙˙ ˙™
œ
tle Lord Je tle Lord Je me for - ev
j œ œ
œœ
-
-
œ œ
er,
and
œ œ
sus laid sus, no er, and
œ œ
‰ œj ˙˙ ˙™
œ œ
˙
˙œ œ
œ ˙
‰˙ œj ˙˙ ™
œ œ œ
love me,
I
œ œ œ
down his sweet cry - ing he love me, I
œœ œ œœœ ˙ ˙
œ
stay
close
œ
œœ
the but close
œ
œ
‰ œj ˙ ˙™
ie w
j œ œ
œ
crib for a bed, ba - by a - wakes, ask Thee to stay
‰˙ œj œ œ ™
‰ œj œ œ œ ˙™
rP
{
œ
re v
5
by
Choir
œœ ™™ œ™
? b3 Π4
° Descant & b œ™
œ
near;
3 & b 4 œœ
Piano
˙
nl y
° b3 œ & 4
O
Descant (verse 3)
˙
œ
pray.
Bless
˙
œ
head. makes; pray.
The I Bless
˙œ ˙
œ œ œ
‰ œj ˙˙ ˙™
*Traditional carol. Text: anonymous. Music: James R. Murray, 1841-1905. Descant and accompaniment: Mark Patterson. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
15
¢&
{
b Ϫ
œ œ J
stars love all
° ™ Descant & b œ
j œ œ
œ œ
in
Thy
ten - der
œ œ
œ
œ œ
œ œœ
œœ
b œ™ ¢& fit
us
˙œ
‰˙ œj œ œ ™
for
j œ œ
rP lit stay fit
Fo
& b œœ ™™
looked down sky Je - sus, look down Thy chil - dren in
re v
? b ‰ œj œ œ œ ˙™
13
œ
in the thee, Lord the dear
œœ œœ J
{
œ
all
& b œœœ ™™™
Choir
œ
-
? b ‰ œj ˙˙ ˙™
tle Lord by my us for
j œ œ
where he from the ten - der
˙œ œ
‰˙ œj ˙˙ ™
ie w
Choir
˙
œ
œ
heav - en,
œ
œ
Je - sus, cra - dle heav - en,
œ œ ˙™ ˙™ ˙™
œ
œ
œ
œ
care,
˙
œ
lay, sky care,
œ
œ
œ ˙
œ
‰ œj ˙ ˙™
with Thee
live
œ
œ
œ
œ
œ
œ œ
œ
œœ œ
˙ ˙
œ
˙
a - sleep on the till morn - ing is to live with Thee
the and and
œ
˙
to
˙ ˙
œ
and
nl y
9
O
° ˙™ Descant & b
there.
˙
hay. nigh. there.
CGBK67
Rounds
16
Share God’s Love*
1
œ
° b3 ˙ ™ & 4 ˙™
the
Take
Instrument 2
˙˙ ™™
light
b3 Œ ¢& 4
œ
˙
Œ
œ
œ
of
Christ
to
œ
˙
˙™ ˙™ œ
˙
œ
˙
œ
the
˙™ ˙˙ ™™
world,
œ
˙ œ
˙
˙
Fo
rP
Instrument 3
3 & b4 œ
œ
re v
Instrument 1
˙
ie w
Choir
3 & b4 ˙
O
nl y
This simple song may be performed as a unison song, a two-part round, or a three-part round, and may be sung a cappella or with accompaniment. The instrumental parts can be played by any combination of Orff instruments, handbells, or handchimes, depending on what you have available. Feel free to use just one or two of the parts, or all three. The instruments can all begin together or you can layer them in as the round progresses. Use one or more playing the four-measure pattern as an introduction. The parts can also be played on the piano in various octaves, if desired.
*Text: Mark Patterson. Music: based on O wie wohl ist mir am Abend, anonymous German canon.
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
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17
œ
° b ˙™ & ˙™
serv
Inst 2
&b œ
Inst. 3
b ¢& ˙
9
Choir
° b ˙™ & ˙™
Share
œ
œ
God’s
rP
Inst. 1
&b œ
b ¢& ˙
Fo
Inst 2
Inst. 3
˙˙ ™™
oth - ers
œ
˙
3
&b ˙
ing
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˙
œ
œ
œ
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where - ev - er
œ
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re v
Inst. 1
-
œ
˙
œ
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you
go.
œ
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share
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hope,
˙
˙˙ ™™
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&b ˙
˙
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2
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5
˙
God’s
˙ œ
˙™
™™
œ
™™
˙˙ ™™
™™
love.
˙™
˙
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CGBK67
18
Clap Your Hands and Sing Hallelujah* Teach this song in unison first, and then try it as a two-part round. Add tambourine on the off-beats of one and two if desired. For Palm Sunday, use the alternate set of lyrics provided.
Choir
Œ œ Œ œ ™™ Œ œ œœ œœ œœ . . . ˙ ™™ ˙ ˙
˙
˙
b & b #œ ˙
{
5
œ
Glo - ry Lift up
to the
œ œ œ Œ
God a - bove! gates and sing.
˙
˙
˙
b & b #œ ˙
rP
9
Choir
{
œœ Œ œœ œ. œ.
re v
b & b Œ #œœœ Œ œœœ Œ . . ? bb
œ
Glo - ry wel - come
to the
˙
œ œ œ Œ
God a - bove! King of Kings!
Fo
b & b Œ #œœœ Œ œœœ Œ œœ Œ œœ œ. œ. . . ? bb
˙
˙
œ #œ œ œ œ
nl y
{
œ œ
Clap your hands and sing Hal - le - lu - jah, Clap your hands and shout Ho - san - na,
b2 & b 2 Œ œœ Œ œœ œ. œ. ? bb22
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∑
Œ
˙
œœ œ.
Œ œ œœ . ˙
O
Piano
∑
1
˙
˙
Œ œ œœ .
˙
œ œ
œ œ
œ #œ œ œ œ
Œ
Œ
Œ œ œœ . ˙
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Choir
b2 &b 2
Clap your hands and sing Hal - le - lu - jah, Clap your hands and shout Ho - san - na
œœ œ.
˙ 2
˙
œœ œ.
Œ œ œœ .
˙
˙
˙
œ œ œ œ œ
Shout Shout
for for
joy, Hal - le - lu - jah, joy Ho - san - na,
Œ œœœ Œ œœ œ. œ.
˙
˙
Œ œœœ œ.
˙
Œ œœ œ.
˙
*Text: Mark Patterson. Music: Traditional Hebrew round. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
19
glo - ry lift up
to the
God a - bove! gates and sing.
b & b Œ #œœœœ Œ œœœœ . . ? bb
Choir
˙
˙
b &b œ ˙
{
17
to the
b & b Œ #œœœœ Œ œœœœ . .
œ Œ
˙
œ
œ
Glo - ry lift up
to the
God gates
b & b #œ
{
21
#œœœ Œ .
rP
b &b Œ
˙
˙
Fo
? bb
Choir
b & b œ #œ œ œ
{
24
œœœ .
?b ˙ b
œœ œ.
Œ
˙
joy, Hal - le - lu - jah, joy Ho - san - na
˙
Œ œœœ œ. ˙
œ œ
œ œ
œ #œ œ œ œ
Œ
Œ
œœ œ.
Œ œ œœ . ˙
œ
œ
œ
œœ œ.
Œ
œœ œ.
Œ
œ
œ
œœ œ.
œ
Œ
Œ
œœ œ.
a - bove! and sing.
œœ œ.
#œ
˙
˙
Glo - ry wel - come
Œ #œ Œ œ. œ
˙
˙
˙
˙
sing Hal - le - lu - jah, shout Ho - san - na
b &b Œ
for for
˙
re v
Choir
œœ œœ Œ œ. œ
˙
˙
Shout Shout
Œ œœ œ.
˙
Clap your hands and sing Hal - le - lu - jah, Clap your hands and shout Ho - san - na
God a - bove. King of Kings!
˙
œ œ œ œ œ
Œ œœœ Œ œœ œ. œ.
œ œ œ Œ œœ œ.
˙
œ Œ
˙ œ
Glo - ry wel - come
? bb
œœ œœ œ Œ œ. œ. œœ
˙
nl y
{
œ œ œ Œ
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O
Choir
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b &b œ ˙ 13
˙
Clap Clap
Œ
œ
to the
God King
œœœ .
œœ œ.
˙
˙
your hands your hands
˙ œ
Œ œ œœ .
œ
and and
œœ œ.
˙ œ
Œ
™™
œ œœ œ. œ œ
Œ
™™
œ
a - bove! of Kings!
œ
Œ
™™
CGBK67
20
Come, Lord Jesus Sing in unison or as a two- or three-part round. (The accompaniment is optional.) Consider starting with piano, and then have the piano drop out, featuring the voices a cappella. Add percussion as desired. If not being used for communion or table blessing, use the alternate text.
1
4 & b 4 Ϫ
Choir
Ϫ
j œ ˙
j œ ˙
Ϫ
j œ ˙
j j j 4 ‰ ‰ ‰ Djembe, Conga ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ / 4 or Hand drum 4 Œ œ Ó Finger Cymbals / 4 ∑ ∑ 4 Œ œœ Ó Œ œœ Œ œœ Ó Claves ¢/ 4 Ó
°/
œœ ™™ œ™
{
j œœœœ ‰ œœ Œ œ Ó Œ
Ó
Fo
˚ ¢/
œœ
Œ
rP
∂ ç /
guest.
j œœ ˙˙ œ ˙
sus,
be
œ œ
˙ ˙
our
O j œœ ˙˙ œ ˙
œ œ œ
2
Ϫ
j œ ˙
At In
this your
œœ
j œœœœ ‰ œœ ∑
œœ Ó
j œ œœœ ™™™ œœ œœ œ œ
& b œœ ™™ œ™ ? œ b œ
œ
re v
& b ˙™
Je -
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? b4 4 œ œ
4
Choir
{
4 & b 4 œœ ™™ œ™
Piano
Lord
nl y
Come,
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Œ
j œœ ˙˙ œ ˙ œ
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œ
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Ϫ
ta pres
œ
œœ
ble ence
-
j œœœœ ‰ œœ Œ œ Ó Œ
œœ ™™ œ™
œ œ
j œœ ˙˙ œ ˙ œ
œœ
œœ
œ
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
œ
œ ˙ J
œœ Ó
œ
j œœ ˙˙ œ ˙
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21
all
are
° / œ œ œ œ ‰ œj œ ∂ ç / ∑ Œ œ œ ˚ ¢/ Ó
{
& b œœœ ™™™
j œœœ ˙˙˙
Choir
Lord
œœ
œ
Come,
j œœœœ ‰ œœ Œ œ Ó Œ
Ó
œœ
j œœœœ ‰ œœ ∑
œ œ Ó
j œ™ œ œ œ œ œ œœœ ™™™
œœ ™™™ œ œœ
˙˙
re v
&b w 10
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blessed.
ie w
?b Œ
Œ
˙™
œ
j œœœ œ
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sus.
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w w w w
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w
Je
Œ
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Choir
3
w
O
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7
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œ
œ
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° / œ œ œ œ ‰ œj œ ‰ œj œ ‰ œj œ ™™ œ œ œ œ œ œ œ œ ∂ Œ œ ™™ Œ œ Ó ç / Ó ∑ Œ œ œ Ó Œ œ œ ™™ Œ œ œ Ó ˚ ¢/ Ó
Fo
{
&b ?b
œœœ ™™™ œ™ œ
j œœœ œ
œ
œœ ™™ œœ ™™
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œ
œ
Œ
j œœ œœ
œ
œœ
œ
œ
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œ
˙
™™ CGBK67
22
Sing Unto God* This simple round may be performed as a unison song, a two-part round, or a three-part round. A cappella singing is preferred, but an optional piano accompaniment is provided here, if desired.
5
3
&b œ
{
sing
œ
œ
un - to
œ
œ
rP
& b œœ
œ
œ
to
œœ œ
God,
˙˙ ™™ ˙˙ ™™
œœ
œœ
œ
sing
un
œ
œ ˙
œ
œ
œ
œ œ œ œ
God,
Al - le - lu - ia,
œœ
œ œ œ œ
˙˙ ™™
-
œ
to
œœ
˙ ™™ ˙ ˙™
˙™
un - to
œ
œ
œ
œ
œ
œœ
God,
œ
œ
sing
˙™
œœ
œœ
God.
˙ ™™ ˙ ˙™
Fo
? b œœ
œ
nl y
? b 3 œ˙ 4
-
˙™
O
{
3 & b 4 œ˙
un
œ
ie w
Piano (optional)
Sing
œ
2
re v
Choir
Choir
1
3 & b4 œ
*Text: Mark Patterson. Music: William H. Bradbury, 1816-1868.
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
™™ ™™ ™™
23
Sing Alleluia This simple song may be performed as a unison song, a two-part round, or a three-part round, and may be sung a cappella or with accompaniment. The instrumental parts can be played by any combination of Orff instruments, handbells, or handchimes, depending on what you have available. Feel free to use just one or two of the parts, or all three. The instruments can all begin together or you can layer them in as the round progresses. Use one or more playing the two-measure pattern as an introduction. The parts can also be played on the piano in various octaves, if desired. Use the main lyrics for general use or the alternate lyrics for Christmas or Easter. Consider using in worship as a processional or introit.
(With a feeling of 2)
Sing
° ## 4 & 4œ
Instrument 2
Instrument 3
¢
œ
œ
˙
œ
w w
w w
œ œ ˙
Lord! the born! is is a - live!
rP
° ## & œ
¢
˙
the Lord! is born! is a - live!
Praise Christ Christ
? ## 44 w w
œ
˙
™™
3
˙
Sing
œ
œ
œ œ
al - le
˙
˙
- lu
œ
-
œ
˙
ia.
™™
˙
## œ œ œ œ ˙ &
œ œ œ œ ˙
œ œ œ œ ˙
? ## w w
w w
w w
Fo Inst. 3
al - le - lu - ia,
œ œ œ œ ˙
# &# œ
Inst. 2
œ
œ œ ˙
œ
œ œ œ œ ˙
Praise Christ Christ
Inst. 1
˙
œ
sing
œ œ œ œ
## 4 œ œ œ œ ˙ & 4
4
Choir
al - le - lu - ia,
œ
re v
Instrument 1
œ œ œ œ
ie w
Choir
2
nl y
1
O
#4 & #4 œ
™™ ™™
Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
24
Gloria Deo* Sing in unison or as a two-part round. Consider adding these simple movements to help provide a kinesthetic anchor for each phrase of the round: Ms. 1-4: Take four steps forward with your hands by your sides. Ms. 5-8: Raise both hands upward slowly and follow with eyes. Ms. 9-12: Take four steps backward, lowering hands gradually to rest again at your side. Feel free to elaborate on these depending on time, rehearsal space, and the ability of your group.
Choir
voice
2
&b œ
œ
œ
Glo - ri
- a
& b œœœ ? b ˙˙™™
œœ
{
œœ
9
&b œ
{
œ
œ
glo - ri
- a
& b ˙˙
Fo
**
?b œ
and sing
˙˙˙ ™™™ ˙™ ˙™
? b 43 ˙ ™ 5
j œ œ
œœ
œ
œ
œ
œ
glo - ry
œ œ ˙˙ ™™ ˙™
œ
œ™ œœ ™™
De
œ
-
œ œ J
o,
œœ œœ J
˙
Ϫ
j œ œ
De
-
œ™ œ
˙™
nl y
your
Ϫ
to
œ
God.
˙™ œJ œ œ™ œ œ œ
O
lift
rP
Choir
{
3 & b 4 ˙˙˙ ™™™
œ
ie w
Piano
Come
œ
re v
Choir
1
3 & b4 œ
œ
o,
j œ œ œ œ
œ
œ
œ
Ϫ
glo - ri
- a
De
œ œ ˙™ ˙™
œ œ
œ
œ
glo - ry
to
œ œ
œ
œ
œ
œœ
œ
œ
-
œœ ™™ œ
œ œ J
o,
j œœ œœ
˙ ™™
˙™
™™
God.
˙ ™™ ˙ œ œ
œ
*Text: Mark Patterson. Music: Traditional German. **Piano should repeat ms. 9-12 when accompanying two-part round. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.
CGBK67
™™
ie w
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rP
Fo O
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CGBK67 7
$12.95
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