Violinstar1
Short Description
Descripción: violin book...
Description
• • 101n 47 progressive pieces for beginner violinists
Edward Huws [ones Illustrations by Mark Beech
Welcome to Violin Star To the teacher: This series will inspire violinists to develop confidence and musical skills through a refreshing choice of pieces. The repertoire presents a logical and approachable progression from the very first stages of playing through to Grade 2. Each piece is designed to develop a specific technique; as the series progresses, the pieces introduce the keys (and their related finger patterns) encountered at the early grades. There is a fun mix of musical styles, which include arrangements and original compositions. For each of the three
Violin Star levels, there is one Student's book and one Accompaniment book.
The Student's books contain the solo violin part, and an audio CD.The Accompaniment books have separate piano and violin accompaniments for every piece. The three different forms of accompaniment in
Violin Star offer variety, flexibility and interaction for both pupil and teacher.
Dotted around the Student's books you will find suggestions for supporting activities, which can be used in individual or group teaching and can form a base to develop your own ideas. All 106 pieces in
Violin Star were created during the course of my work as a peripatetic violin teacher.
Children are wonderful critics, and if they don't like the music they won't mince their words. The repertoire in Violin Star passed the test - in fact, it could not have been written without the students. I hope you enjoy
Vio/in Star!
Edward Huws [ones
Book design, cover and text origination Illustrations
by Kate Benjamin
by Mark Beech. represented by NB Illustration
Music origination
by Andrew [ones Notation
CD recording credits: solo violin played by Alexandra Wood; produced.by Ates Orga; balance engineering. editing and mixing by Ken Blair; recorded rn March 2011 at Red Gables Studio, Greenford; a BMP Production CD backing tracks by john Maul. Frank Mizen and Chris Norton
for ABRSM
Printed in England by Caligraving Ltd, Thetford. Norfolk Published in 2011 by ABRSM (Publishing) Ltd, a wholly owned subsidiary of ABRSM
f) 2011 by The Associated Board of the Royal Schools of Music eprinted in 2011 978 1 86096 899 O
3380 rights reserved. No part of this publication
may be reproduced, stored in a retrieval
syst~. or transmitt~d in ~ny form or by any means, electronic, mechanical. photocopying. recordíng, or otherwise, without the prior permission of the copyright owner.
DO NOT PHOTOCOPY © MUSIC
Contents~.
~~
First plucldng and bowing pieces
Second finger on D and A strings
Big Ben Edward UttLe Ben EHJ
StrictLy Tango EHJ London Eye EHJ Maiden Fair 17th-century ALLSiLk and Satin EHJ
Musette
Huws Jones [EHJl (b.1948)
4 4
J. S. Bach (1685-1750)
Ready, Steady, Bow! Trick or Treat EHJ
EHJ
5 5 6
19 19 20 20
English
Second finger on G string Crotchets and mínims FiddLe FaddLe Welsh Open-String Boogie EHJ SnowfLakes EHJ The Hundred Pipers Scottish Swanee River s. C. Foster (1826-64)
6 7 7 8 8
3/4 and dotted míntms ViLanova Spanish CircLes in the Air EHJ Heading South Latin American SiLent Night F.x. Gruber (1787-1863)
11 11
EHJ North American
21 22
Second finger on E string Nobody ELseBut Woodpecker Tap
Me
23
Greek
24
EHJ
Plus... 8 9 10 10
Crotchets and quavers CrocodiLe UncLe joe
Too Much Rosin! EHJ Happy Hippo EHJ
Plus...
WiLliam TeLL
25
Rossini (1792-1868)
Thírd finger on D and A strings OLd- Timer North American Greek Night Out Greek Violin Star EHJ House ofthe Rising Sun Spanish Steps EHJ
25 26 26
27
NorthAmerican
28
Third finger on G string
TroLLs,OrcsandCoblins
Grieg(1843-1907)
12
TwinkLe Toes EHJ Lady Meng jiang
29 29
Chinese
First finger on D and A strings First Finger Rag EHJ Witches' CauLdron EHJ Peeler's jig Irish Tudor Pageant EHJ Saraswati South Indian Friday Evening Hungarian
Thírd finger on E string
13 13 14 14
Hampton Court EHJ The Collier's WaLtz Welsh
15
Plus...
15
Autumn
I
30 31
I
31
Vivaldi (1678-1741)
First finger on G string jitterbug EHJ jewish Wedding
Klezmer
16 16
First finger on E string Cow's Reei On the River
Scottish EHJ
17 17
Plus... Paganini!
Paganini (1782-1840)
18
Using the CD Each piece in this book has two consecu.tive tracks on the CD: a full performance wl:h solo violin, followed by a play-along version of just the accompaniment.
~ fao.--: { + /}
41.J ~
full performance ~
I'. 1
I~ accompaniment only
J
I' I'
I~
Big Ben
~rt Steady
J = c.84
pIZZ.
Tick,
rg
g J
J
~
tick,
tock,
~
-Jf-----g=====J====
tock ... (If you like, go straight
4
on to Little Ben.)
J
g
J
J
~
J
g
~
J
g
and
stop!
*
Little Ben Still steady!
J = c.84
.-
. pIZZ.
F W~~~ Tick,
tock,
J
tA
F
tick,
J
F
F
tock ...
4
P
F
J
F
E?
F
J
F
t4
F and
J stop!
*
~
Musette
J. S. Bach (1685-1750)
Gently
J = c .80
;
Ready, Steady, Bow! Lively
; ~i
J = c.1 08
- ~~-~~~.
-~
5
Trick .-----_._or Treat
:1Ghostly
!.
li
(1st time: pizz. 2nd time: arco)
J ~ c .80
-
~-~~~-~~~-~~~-~
6
=pgr~-~~~-~~~-~~~-~~~-~:~
~. Fiddle Faddle Brightly
@~h~~~~~j
Welsh
J = c.104
I
-
gJ~~
~~E==d=jl=======~~-3
To help you create the difference between minims (long bows) and crotchets (shorter bows), try bowing the rhythm to Fidd/e Fadd/e on your left shoulder, without the violino(Try not to get toa much rosin on your shoulder!)
li
Open-String Chunky
Boogie
J = c.96
Snowf1akes J = c.100
Gently
~~t
-
~,ªE~-~W~~~~~~~- ~ 6
*~~-~~-~~-~~-~~-~~-~~-~~-~~- ~ 11
(Move around the room and make free, floating movements in the air with your bow.)
The movements in the second half of Snowflakes will help you to get used to the feel of the bow.
ACTIVITY
The Hundred Pipers Scottish
With energy
~~h -
J = c.88
~~~
~
W ~
I -
jWgE
oE!=F
E
til
jW til
~
oE!=F
;;~i
jWgE
~
t~~
Q
S. C. Foster (1826-64)
~
d
J = c .80
I---~ ~
-
I
W ~~j§
t
Swanee River Lazy swing
F
~ ~
6
~-~~~~-~ Vilanova With a lilt
~~
n
Spanish
J = c .92
J ~
J ~
~ jW
t
t
I
3--Circles In the Air Leisurely
zVt 7
v=a
J = c.96
-
, ,
(Make circles in the air with your bow.) i1
~
i1
ij
, , ij , , W , , W , , i1
i1
, ,
, ,
i1
~
i1
~
11 IP
•
-
, ,
i1
i1
~.
-
~
Heading South Gent1y swaying
Latin American
J = c.108
-
@J~
13
~~~·~W~· Play
===:::::j~~r
~W~· ~~~. ~~-~:~
Heading South while gently swaying from foot to foot. This will help you to feel the
rhythm and free up your bowing arm. Follow the movement of your bow, and remember to
ACTIVITV
keep swaying when you lift your bow off the string (retake) for the bar's rest.
Silent Night Gent1y ~~
-
J = c.100
-
-
-
~.
F.X. Gruber (1787-1863)
~.
~.
8
~.
p7J.
p7J.
~.
I~.
~.
~.
15
~.
~.
~.
~.
~.
p7J.
~.
~.
W·
~.
p7J.
22
~.
1{)
ij.
~.
~
Crocodile Scary.Imind those teeth!)
-
J = c.88
ri
~-~~ê-~ Cro-co-dile, cro-co-dile,
cro-co-dile, cro-co-dile, pizz.
~T cro-co-dile, cro-co-dile,
HAVEYOU
HADYOUR
t - :~St~-~~ TEA?
Uncle Joe Cheerfully ~
;! ~t
-
North America
J = c.96 __
:ri
~~-6
t :'(
Trolls, Ores and Goblins Steady at first, and with menace
Grieg
(1843-1907)
J = c.92
@tw'(~t 5
* 10
-
arco
~~~-====:l
* ~tt~~
First Finger Rag
Lf Jaunty J = c.104
~f! -
;Y
-
1
J
j
~
6
=f=ªj ~j~*-;! f~*r*~(*r'*1 f~*r*~l11
(Tap on a table with the screw end of your bow.)
15
~
5'Wftches' Cauldron --~------
Slow and spooky
J = c .88
'!
f! -
I
f ~~
-
gradually speed up on the repeat
~
-
-~
~
* * - :~ - ~
d~
13
Peeler's Jig With energyJ
~f! - I
Irish
= c.76
-
S
:J
11 F ij J
I~ J
7
=fi
:J
tt
F
ij
J
ij
J
~
li
J
~
t
~
:J
~
F
~
:J
13
fi
J
rr rr
F t
Tudor Pageant Boldly J = c.84
@J~h
-
ra ~ 6
-.---._
~
~
gg§
~
* - :~
Saraswati
South Indian
Lively d = c.63
@}~~
-
-
-
====- ======- ==::j~~t==t=1
==-===1~
ACTIVITV Now try making up your own tunes for
Saraswati. Let your
teacher begin by playing the opening two-bar phrase of the melody for
Saraswati and then you can make up your own
two-bar answer. Continue to take turns, with your teacher repeating the same opening phrase while you respond with a different pattern - see how long you can keep going! • Use these notes:
• •
•
• Vou don't need to play all the notes - you can just choose one or two of them. • Play the notes in any order, and as many times as you like. It works best if you don't look at the music!
Friday Evening
Hungarian
Cheerfully J = c.84
:7~i
-
9
~
15
r1 ~
t
ij
t
~
15
Jitterbug Solid swing beat
@ft
rn
-
J = c .96
- ~
-*-
6
t
-
j
~
j ~
11
f;----g -J-~ J ~
MJ
~
MJ
J
t
~
Jewish Wedding With movement
~t+! -
Klezmer
J = c.104
I -
~
j
~
6
Vi 16
j
~
j
~
t
-
:~
Gow's Reei Lively
J -= c.104
Scottish
®
t :~
_
J
ij 6--
Flowing
J = c.lOO
©~
J
F
~
~
F F
t :~
On the River -~--- --...•.•
..
-------
r
[
m
F
r
F
W~~j~
5
fw &r ~~~n~c~j
€ij§-~J~rr~r
~[~~r~[
r r
~W~-
~
F W~~c~j~-
13
fw M ~
j
ij
J
1°
-
17
Paganini!
Paganini
(1782-1840)
With a flourish
-
®~f
J = c .92 Who's this?
Pa - ga - m
-
m,
4
E~~~~~-~~~~FªJ~:~ Who's this? Pa - ga - m - m,
Who's this? Pa - ga - m - m,
7
maes
tro!
ri
P=iW=~J ~J===:::::::~~. ~ Bow - ing
on
the
~
A.
g g
Bow - ing
on
M
the
-
G.
11
~~~-==~~Who'sthis?Pa-ga-ni-ni,
18
~~~Who'sthis?Pa-ga-ni-ni,
~~~J Who'sthis? Pa-ga-ni-ni,
~J ~ maes - tro!
Strictly Tango With,movement
-
@}~h
=tTI
J = c .96
t
-
ij ~
~:::::=+,====-====
11
W=mt-n
=r--a-t-
London Eye
rito
During the introduction,
try making big circles in the air with your bow in time
to the music. Use two bars - or six beats - for each circle.
IJ~
r ACTIVITV
I;
Maiden Fair Like a stately dance
i
@~
-
I
r r c r r C
~ ~ 9
17th-century
J = c.92
-
rr=====:::c:Jt::=~~
r~j
r======:jij
C
~
C
~
~
C
English
ê ~
~
rr~~~~1==
=:===
====:====::=====:- ~
-
: ~~~
~
.. JfJr 0."
o."
...
Ali Silk ando Satin
~~.
Lively waltz tempo
J = c.132
~r w
~.
W·
ij'
iji'
-
~.
~.
§J
W·
fr'
81'
fri'
-
~.
bf'
gr.
['
W·
ij'
W·
-
~.
~.
s·
W·
s·
§.
W·
-
20
~
Too Much Rosin! J = c.88
~=r2ê-~~-~-~~-~~-~-Gritty rock style
6
+
6
(Sing along if you like!)
=r~t 11
r
~
~,I~-~I~, Too much ro-sin!
16
-
] -+ -J -,J -+ i
i
-. -.
~
Too much ro-sin!
,
-
i
I
I ~
~
t
!
21
Happy Hippo Big bows (splosh around!)
J = c.80
~fiM fJMPJ~t~MM~ , fJMPJM~ I
-
~
8
15
r.'\
ri
~
---
-~
Nobody Else But Me T
Lightly
Greek
J = c .72
_~~iê-~-~~-~-~rr~W~f
..
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