Velvet Revolver - Libertad

April 10, 2017 | Author: nightveil9904 | Category: N/A
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from Velvet Revolver - Libertad

Let It Roll Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash C5

G5

D5

A5

E

Eb

D

7fr 134

2

Ab

34

G

13

11

1333

1333

Bb5

F5

G5

D5

III

4fr 1342

5fr 1333

134

134

134

5fr 1342

Db5

V

5fr 1342

A

6fr

134

B5 4fr

134

134

Intro Fast q = 208

Play 3 times

* E5

Eb5

Ab5

G5

D5

 

    

End Riff A





mf



A5

Riff A

    

Gtr. 1 (dist.)

D5

12

0

11





0



10





10

0







5

0

 



4

0

3

 

3

10

  

0

*Chord symbols reflect implied harmony.

Gtr. 1: w/ Riff A (5 times)



Eb5

D5

A5



Ab5



G5





D

Oh,



**Gtr. 2 (dist.)





E



Eb



D







E5

A



yeah.





Rhy. Fig. 1         

   

  

  

  

      

8 8 8 6

X X X X

7 7 7 5

7 7 7 5

X X X X

Ab

G

D

  

   

     

X X X X

5 6 6 4



f

7 7 7

9 9 9 7

X X X X

6 7 7 5

**Doubled throughout



Ab

G

     

   

  

   

6 7 7 5

X X X X

5 6 6 4

X X X X

4 5 5 3

D

E

Eb

  

  

      

  

  

  

      

7 7 7 5

9 9 9 7

X X X X

X X X X

7 7 7 5

7 7 7 5

X X X X

8 8 8 6

D

A

6 7 7 5

  

X X X X

4 5 5 3

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

  

End Rhy. Fig. 1

7 7 7 5

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 1

E

Eb

Riff B Gtr. 3 (dist.)



 

D

A



 

Ab

D

E

Eb

          

mf

X

G

7

X

6

X

5

D

A



 

7

X

Ab

G

D

       

7

X

6

X

5

7

Verse Gtr. 3 tacet



E

  

  1. She’s

the



one







with

lips

like

   can

-

  

 





dy,

can

-

dy.

D5



End Riff B

 

Gtr. 3



  











7

Rhy. Fig. 2A Gtr. 4 (dist.)



   

mf

1 2 2 0



Gtr. 1

                    

                    

               

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

End Rhy. Fig. 2A

         

1 2 2 0

1 2 2 0

Rhy. Fig. 2

2

3 2 0

0

3

End Rhy. Fig. 2

   

  

        

  

2 2 0

0

2

3 2 0

0

3

Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A (3 times)

E

   Like

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  a



 dog,









  

well,

I’m

a

com

  -

ing



 run



 -

 ning.

 

D5





E

  

 

She





got

E



eyes

  

   

told

me







that

burn

right









her

name,

calls

her

Chorus C5





Rhy. Fig. 3 Gtr. 1



 

-



self

Can

G5

D5

 









  

Can’t

burn

her

out

of

my

   

  

  

  

  

  

  

  

   

      

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

3 3 4 5 5 3

X X X X X X

Eb

D

A

Ab

G

 



 



           Rhy. Fig. 4

9 9 9 7

X X X X

8 9 8 6

X X X X

 

 

 

7 7 7 5

7 7 7 5

X X X X

   

  

6 7 7 5



     

  

   

X X X X

X X X X

4 5 5 3

5 6 6 4





7 7 7 5



dy,





Can

-

dy.





7 7 7 5

7 7 7 5

7 7 7 5







drink

her

off

of

my

Eb5

7 7 7 5

7 7 7 5

7 7 7 5

D



E



7 7 7 5

 

A5

    

               

7 7 7 5



She



    mind.

          

   

  

5 5 6 7 7 5

X X X X X X

9 9 9 7

7 7 7 5

7 7 7 5

7 7 7 5

A

7 7 7 5

Ab

G

D End Rhy. Fig. 3

               



                  

  

 me.



E

              



D5

  -



through

head,

D





me,





Gtr. 2

 

through



  



D5

9 9 9 7

X X X X

8 8 8 6

X X X X

7 7 7 5

7 7 7 5

X X X X

6 7 7 5

  

  



Let

it

  

     

  

  

X X X X

X X X X

4 5 5 3

5 6 6 4

End Rhy. Fig. 4

7 7 7 5

Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff B

E

roll.

Eb

D







  

A

Ab



G

 

Let

D

 it

E

   roll.

Eb

D



A



Ab



G D



2. She

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse * E5



  

    got

a

    



head







that

makes

you

     

Gtr. 1

2 2 0

2

  

more

of







her.











X

9

  







 

w/ bar grad. dive

0 0

She

got



Gtrs. 1 & 4

-1



  



E5

 

0 0

*Chord symbols implied by bass, next 7 meas.



hairs







that

makes

you



  

  

 

want

more

of



-2 1/2





D5



it.





   2



D5

**fdbk.

w/ heavy chorus



think



mf



  

 

Pitch: G **Microphonic fdbk., not caused by string vibration.

Gtr. 5 (dist.)



  

0

   

 

3 2 0

3 2 0

3 2 0

3

Gtr. 5





























 



 w/ bar

0 0

0 0 -2 1/2

slack

Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A (2 times) Gtr. 5 tacet

 

    E

Lip

-

stick

  

 



than

quite

in

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



smile



E

more





  -

sane,









  

that

tastes

of

cher







that

makes

you

  want

  -







ry





bran

  her



 bad



-



D5

dy.



 -

 ly.

 She’s

D5



Chorus Gtr. 1: w/ Rhy. Fig. 3 (2 times)

C5

G5

D5

A5 Gtr. 2











  

Can’t

burn

her

out

of

my

   Riff C Gtr. 6 (slight dist.)

  



head,

       

 

mf

 

9 X 7

7 X 5

7 X 5

X X X

End Rhy. Fill 1











drink

her

off

of

 

E

        

Rhy. Fill 1

my

mind.

       

 

11 X 9

14 X 12

14 X 12

X X X

13 X 11

Gtr. 2: w/ Rhy. Fig. 4



Eb

 

D

A

Ab

 End Riff C

13 X 11

11

12 X 10

12 X 10

11 X 9

D



               13

G

E





A

Ab

G





D







11 X 9

Gtr. 2: w/ Rhy. Fill 1

G5

D5

head,











     

Can’t

burn

her

out

of

my

E Eb D

A

 

D



Gtr. 6: w/ Riff C

C5

Eb

 



Gtr. 2: w/ Rhy. Fig. 4

A5

  mind.









     

drink

her

off

of

my

E

 

Eb D

A



Ab

G D

 



Gtrs. 1 & 2: w/ Rhy. Fig. 1



G



   Let

 

  

Gtr. 6











7 X 5

E

it

  

Eb

D

A



Ab









Da,

ba,

ba,

ba,

 

 

F5

C5

   

 

ba, da,

5 X 3

5 X 3

X X X

9 X 7

E





Can - dy

O.

Eb

D

A











ya,

ba,

 

 

Ab

G D







ba,

       

G D





roll,



Interlude Bb5 Gtr. 2

D



  

Ab

   

G5 III

D5 V

ba, da,

ba,

   

        7 X 5

7 X 5

X X X

11 X 9

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 



 



 Can



 

-

dy,



Can

  

-



dy, Can





-





1

B5

 

    

1

11

C5

  





   

Db5

Bb5



 



dy,

Can



-





dy,

Can

   

1



(cont. in notation)

 

    

1

A5

-

dy

  

1

1

15

14

13

12

11

10

17

16

15

14

13

12

9

Guitar Solo Gtr. 4: w/ Rhy. Fig. 2A (4 times) Gtr. 6 tacet

E



D5











 

Gtr. 2 tacet





O.



 

 



 

    

mf 1

1

0

0

3



Gtr. 2







0

3

        

0 0

0

    

3

1/4 1/2

1

0

 

0



1/4

2 2

0

3

 





Gtr. 7 (dist.)

2

2

0

0

3



3

5

0

0

3

0

2

3

4



4



3





E









   Spoken:



   

 

Can

      -

dy

burn - ing,

                               3

3

D5

  Can - dy

     

1/2

2

0

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

2 2

4

0

3

3

0

0 2

2

0

2

2

2

0

2

4

3

3

2

0

3

2 3 2 0

2

2

2

0

2

2 2

0

1

2

0

E

       

    

1 1/2

2

2

E





       

       

      



1 1/2

1/4

2

2

0

0

2



2 X X

X X

5

7

5

7

7

5

1 1/2

7

5

6





       

       



 



- ing.

  







burn



D5

7

6

5

3

1 1/2

0

3

3

3

0

D5



Burn.



         

5

7

5

7

5 6

5

5

7 0

7

9

7

9

Chorus F/A

  

8v a



Gtr. 7



11

C











  

Can’t

burn

her

out

of

my

     1



15

1

       1 1 2 3 0

  

11

14

G

  



12



head,

14

12

14

16

15

12

14

12

14

15

12

14

 

  

14

12









drink

her

off

of

my

 

mind.

3 1 0 2 3

3 3 0 0 2 3



grad. bend



   

12

A/C#

     

  

12

D

   

15

15

*Gtrs. 1 & 2

9

    

1 1/2 1 17

     

  

  2 3 2 0

   2 2 4

*Composite arrangement

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









 1



A5





1



Gtr. 6



-







dy,



1



  









D

Gtr. 7





Can

1





-

dy, Can





E



-

dy,





22

22



1

1

18



D5

  

 



1



    

1

  

1

1

1

10

11

12

13

14

15

17

12

13

14

15

16

17

19

    

  

 

3 3 1

 

4 4 2

   

 

5 5 3

6 6 4

9 9 9 7

7 7 5

Gtr. 6 tacet

A

   

Ab



roll. 8v a

 

C#5



dy,

G

  

Let



D

it



E



Eb



D

A

Ab







  

Eb

-





1

2 2 0

Gtrs. 1 & 2: w/ Rhy. Fig. 4



C5

 

17

 

 

2 2 4

dy, Can

1

Gtrs. 1 & 2

  

-

16

1



Can

  

15



B5

    

Can



15

A#5



 



15



 

   

8v a

Gtr. 7





roll,

G



Can



D

 -

dy

G



D



Can

-

dy



22

Gtr. 6















17 19

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

E

Eb

D

A



O. 8v a

Gtr. 7





 22

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Ab

G

D



Let

it

roll,

  

E



Eb



D









 

A

 

Ab



Gtr. 3: w/ Riff D (2 times)

E



Eb

  



   1

12

12







14

X



1

12

13

X

15

3

7

3

12

1

A

 



1

            

15

X

E

 





Let

it

roll,

12

12

15

15

12

15

15

12

   

15 12

E

   

6

X

   

Gtr. 7

Eb

D

A

Ab

G

15 12

                        3

12 15 12

14

3

3

1

12 15 12 14

D



12 15

   





3

12 15

G

D

  



14

 

Gtr. 3

14

 X

12



13

12

12

12

X

12

14

12 15

12

15 12

14

12

14 12

14



 O.

-

dy









 



1

14



14

µ

Can

1/2

14

12

14

Ab

3

1

14

A

3

1

15

 

3

12

  

15 12

D



 

12

7

5

3

Eb

15





1

12 15

3

3

1

12

   

D

15



D

3

12 15 12



Eb

End Riff D

G



  

12 15

12

    

1

1



E

  

12

  

   

D

 

   

 

Ab

Gtr. 7

G

3

15

Riff D



Gtr. 3



Ab



Gtr. 7



A

 O.



D



12

14



12

12

14

12



 



7

14

 X

13



6

12

 X

10

10

10

      



w/ heavy reverb

5

7

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Libertad

She Mine Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash G5

A5

Bb5 5fr

134

Intro Moderately q = 132

134

F5

D5

6fr 134

C5 5fr

134

134

134

***A5

             

    

*Gtr. 3 (slight dist.)

†† pp



5

        

5

7

7

5

5

6

6

5





5

8



mp





2



             

End Riff A

mf

*Bkwds. gtr. arr. for gtr. ††Fade in Gtr. 1 (dist.)

Riff A

8

5

5

5

5

7

     



7

5

5

6

6

5



5

8





0

3

2

8

5

5

  0

3

         **Gtr. 2 (dist.)



† pp

mf



 

w/ bar



0

0

**w/ random fdbk. throughout ***Chord symbols reflect implied harmony. †Fade in Gtr. 3: w/ Riff A

       Gtr. 1

-1/2

Gtr. 1 tacet



G5





Gtr. 4 (dist.)

 

( ) 

 2

mf



grad. dive

3

0 0

0 0

 

 

Gtr. 2



 

w/ bar +1/2

0 0

 

-1



( )    

 

w/ bar

0

2 0

2 0 -3/4

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

-1/2

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 





 ( )   

 

w/ bar

0 0

0

0 0

-1/2

   

  

 

( )   



w/ bar

 



w/ bar

0

2 0

2 0

2 0

-1

       (cont. in slashes)  

A5

 



 





w/ bar

0 0

0

0

X X X

0

 

-3/4

    



w/ bar



 



Harm.

*

2 0

2 0

2.25 2.25 2.25 *Harm. located approx. one-fourth the distance between the 2nd & 3rd frets. Pitches low to high: E-A-D.

-1/2

G5 A5

G5 A5

Bb5

A5

G5 A5

    Gtr. 4           Rhy. Fig. 1 Gtr. 2                        Rhy. Fig. 1A

5 5

6 7 7

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X X X X

X X X X

4 5 5

6 7 7

7 8 8

6 7 7

4 5 5

6 7 7

X X X X

                                  

G5 A5

      X X X X

4 5 5

6 7 7

G5 A5

X X X X

X X X X

4 5 5

6 7 7

Bb5

7 8 8

A5

6 7 7

G5 A5

4 5 5

6 7 7

X X X X

   X X X X

G5 A5

G5 A5

Bb5

   



        



Gtr. 5 (dist.)

A5

G5 A5

G5 A5

     

 

G5 A5

Bb5

A5

G5 A5

                                 

End Rhy. Fig. 1A



      

 

mp 8

10

X

X

8

10

         Riff A Gtr. 6 (dist.)

10

7

5

7

6

           Gtr. 2

4 5 5

6 7 7

X X X X

X X X X

4 5 5

10



w/ slide

5

8

8

6

X

8

7



5

7

10

X

X

8

10

6 7 7

7 8 8

6 7 7

7

6

4 5 5

6 7 7

X X X X

5

7

7

5

5

4 5 5

6 7 7

X X X X

X X X X

4 5 5

10

8

10

          

End Riff A

7

8

7

7

5

7

7

  

            

6 7 7

7 8 8

6 7 7

A5 B5

C5

    





                  X X X X

11

10



        

          



X

                   

 



mf

11

10

End Rhy. Fig. 1

5 6 7 7

4 5 5

5



 

5 6 7 7

 Verse

1st time, Gtrs. 4, 5 & 6 tacet 2nd time, Gtr. 6 tacet *A5 B5 A5 B5

   



B5

A5 B5

      



1. Love 2. Cool

C5

songs kids

keep keep

                  mf

1

12

0

10

0

7

0





pump - in’ on my ra - di - o. mov - in’ as the car ex - plodes.

Gtr. 7 (slight dist.)

0

A5 B5

  

8

0

7

0



9



    

You split on Roll a - round on













B5



Mon Sun





-



0

12

0

10

0

7

0

8

0

                                Gtr. 2

9

9

9



9

9

9

9

9

9

9

9

9

9

9

   day, day.





7



     1

9

**w/ wah-wah P.M.

A5 B5

0



9

9

         

P.M.

9 10 9

7

9

9

9

9

9

9

9

9

9



9

9

9

9

9

9 10 9

7

*Chord symbols implied by bass, next 8 meas. **Used as filter.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    

A5 B5

A5 B5





C5

B5

A5 B5

      

took your ma - chine Du - al di - ag - no -

A5 B5

  

that kept, uh, me a - float. sis is the way to go,

1

12

0

10

0

7

0

8

0

7

0















0

9

12

0



9

9

9

9

9

9

9

9

9

9

9

9

 





10

                         

9

  

B5

   

Tues can





-





0

7

0

8

0

7



9 10 9 7

9

9

9



    0



9



   



             

9

9

9

9

P.M.

9

day. dy.



A5 B5

1

9

P.M.

C5

Now you’re back, it’s pop - ping pills like

                  0





A5 B5

9

9

9

9

7

7

7

7

7

Pre-Chorus Gtr. 7 tacet

2nd time, Gtr. 4: w/ Fill 1

C

B

   

 I

call it

            Gtr. 2

wah-wah off

5 5 3

       Gtr. 4

5 5 5 3

5 5 3

5 5 3

    

    

5 5 3

love

in

        -

san

-

  

i

-

       

        

  

0 0 5 5 3

4 4 2

0 0 4 4 2

0 0 4 4 2

  

0 0 5 5 3

0 0 5 5 3

 

 

 

4 4 4 2

4 4 4 2

4 4 4 2

4 4 2

4 4 2

4 4 2

0 0 4 4 2

0 0 4 4 2

  

Fill 1 Gtr. 4

     





 

 

 

  

1 2 2 0

1 2 2 0

0 0 1 2 2 0

 

 

   

X X X X

X X X X

0 0 1 2 2 0

2 2 0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5



  

  

  

  

             

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 1 2 2 0

0 4 2

          let ring P.M.

   

  

  

  

X X X X

X X X X

1 2 2 0

1 2 2 0

2 2 0

   1 2 2 0

2 2 0

0 1 2 2

2 2 0





 

4

4

0

let ring

0

 

ty.

            0 0 5 5 3

E



0 4 2

0 4 2

0

0 4 2

0 4 2

 

 

X X X X

X X X X

0 4 2

0 4 2

        let ring 0 1 2 2 0

0 0

4

0

C

   



  

  

    

I

call it

my

re

        5 5 3

5 5 3

      

5 5 3

5 5 3

        0 0 5 5 3

0 0 5 5 3

  

5 5 5 3

B

5 5 5 3

0 0 5 5 3

0 0 5 5 3

  

  

5 5 5 3

  

4 4 4 2

4 4 4 2

        -

al

-

i

   -

       

4 4 2

0 0 4 4 2

4 4 2

4 4 2

  

4 4 2

  

4 4 4 2

4 4 4 2

 

 

 



ty.

       

0 0 4 4 2

2nd time, Gtr. 4: w/ Fill 2

E

0 0 4 4 2

0 0 4 4 2

  

  

4 4 4 2

X X X X



She

         1 2 2 0

   X X X X

0 0 1 2 2 0

1 2 2 0

1 2 2 0

  

  

               grad. bend  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

9

9

0 0 1 2 2 0

0 0 1 2 2 0

P.M.

2 2 0

2 2 0

9

9

3/4

9

9

9

0

                            2 2 0

1/2

9

   

2 2 0

1/4



2 2 0

2 2 0

2 2 0



2 2 0

    



2 1

5

3 2

3 2

4



Chorus Gtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A

G

   

A

G



A

 

Bb

A

G



mine.

 

G A



Mine,

all

G

A

  

G





 

A

Bb

A

G



A



mine.

  She

T o Coda 

Gtr. 5: w/ Riff A

  

 

 

A



G

A

 

Bb

A

 

 

Mine,

all

G A



mine.

Fill 2 Gtr. 4

     2 2 0

 0

  

G A





G

A

 

Bb

A

G A



 

mine.





0

0

 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                        Interlude A5 B5

A5 B5

C5

B5

                    

D.S. al Coda

A5 B5

A5 B5

Gtr. 6



7

9



7

9



9

10



9

7

9

9

A5 B5



8

7

9

C5

B5



7

9

A5 B5



9

10



9

7

9

9

8

                                        Gtr. 2



mp w/ wah-wah P.M.

9

9

9

9

9

9

9



mf P.M.

9

9

P.M.

9

9

9

9

9

9

10 9

7

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

10 9

7

 Coda

Bridge F5

       

Rhy. Fig. 2 Gtr. 2

 

G5

D5

       

                           



C5 End Rhy. Fig. 2



While a

 





 

       12 X 10

      

 

14 X 12

Gtr. 4

2 3 3 1

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Sorgdal

 

way,

 







 

 

          

14 X 12

11 X 9

(Oo.

Gtr. 5

-

   

  

   

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

  

    





 11

12 X 10

9

 

       

let ring

3 2 0

3 2 0

3 2 0

3 2 0

2

2

3

0

3

11 X 9

9 X 7

    

0 2 3

2

0

0

Gtr. 2: w/ Rhy. Fig. 2 (2 times)

F

G5

      





D

  



  

  

our

old mis

oh,

 



 







14 X 12

  -



  





takes

 

 

     

14 X 12

14 X 12

14 X 12

11 X 9

    

  





  



let ring

1 2 3 3 1

 

C5

    

Oo.

   

Dsus2

3

2

0 3

0 X 3

F

     

   

 

 

14 X 12

14 X 12

14 X 12

    

let ring

3 2 0

0

14 X 12

 

2 3 2 0

3 2 0

2

0

3

3

2

0 2 3

G5

D







 



0

 

  



 

2

Dsus2

break

 

   

the

fray.

 

Oo.

   Gtr. 7















































let ring

14

15

12

15

14

15

12

15

14

15

12

15

14

15

12

15

14

   

 

 

 

14 X 12

14 X 12

14 X 12

14 X 12

11 X 9

 

  

  

  

3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

2 3 2 0

Gtr. 5

       Gtr. 4

1 2 3 3 1



3

 2

 0



3

15

12

15

14

15

12

15

 

  







3

3



let ring

2 3 2 0

2

0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C5

F5 Gtr. 2

   





    





 

C5



            



Change.

 

 

  

















12

15

15

14

12

15



 





 

15

5

7

6

 

 

 

 

 

 

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12







  

 

 

0

2 3 3 1

2 3 3 1

2 3 3 1





let ring

0

0

3

2

3

2

0 6

7

 



 









let ring

   

  

 

Oo.)

let ring

14

















let ring

0

5



5

0

5

5

5

0

5

5

 

 1

  

3

 5

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

 

(cont. in slashes)

5 5 3

Guitar Solo Gtrs. 2 & 5 tacet

 Gtr. 4  

  

G5 A5

     Gtr. 6



 

    



 8

     Gtr. 7

w/ bar steady dive

G5 A5



w/o slide w/ heavy reverb 1/2

8

G5 A5





     

Gtr. 4 tacet *A5



8



1/2

8

8

8

 

-1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

 

5 5

8

Bb5

A5



         

1/2

8

G5 A5

*Chord symbols implied by bass, next 6 meas.



  

1/2

8

G5 A5

      

1/2

7

1

7



7

10



10



Gtr. 7 tacet

G5

A5

G5 A5

Bb5

A5

G5 A5

G5 A5

G5 A5

Bb5

 



Gtr. 4

 

P.S.

 







                10

1/2

 

7

  Gtr. 2

   1/2 1

1

7

7

5

8

10

5 8





She

Gtr. 6

 1 



8

7 7

                     1/2 1/2 1 1  7 7

7 7

(77)



5

7

5

7



7

6

5

5

3

3

5



5



15ma



Harm. *

2.6 2.6 *Harmonic located six-tenths the distance between the 2nd & 3rd frets. Pitches low to high: C-F.

Chorus Gtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A (3 times)

  

G

 



A

G



 

A

Bb

A

G



mine.

 



  



 

Mine,

all



(She

 

  A



        

G



A

G



 

A

Bb

5

5

5

5

5

3

5

Gtr. 6: w/ Riff B (6 times)

  

G A

 





G

5

  



mine,

 

A





Bb

  

She





 

Riff B









mine.

 

        

End Riff B

 



w/ slide heavy reverb off

8

7

5

7

7

6

A

G



mine.

 

A



all

6

G

She

7

3

A

mine.



        steady gliss. 

Gtr. 6

  

 mine,

 

 

 

Mine,

all

mine.







A

  

G A





G

 

A

Bb

A



G

A



  She



  

all





mine.

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

 

 



G A

G A



Bb

A

G



mine.

 

 

Mine,

 

 

 

(Love

songs

keep





 

  A

  

 



She

 

pump

 

-

 

 

in’

on

the

ra - di - o.



 



G5 A5

   

Bb5

 



 

 

 

Cool

kids

keep

  





She

    

Gtr. 2

4 5 5

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

6 7 7

A

G A







  She

 

  

You

split

  

 

  

  

on

Mon

-

   







day.





A5

G5 A5



mine.

 

Bb

mine.



     Gtr. 4            



 

A



mine.

G5 A5

 

G



  

 



G A

all

 



  

  mov

 

  -

 

 

in’ as



 

 

 

Mine,

all

 

 

 

 





 

  



X X X X

X X X X

7 8 8

6 7 7

4 5 5

         6 7 7

X X X X



A5

G5 A5

        

 



 

   X X X X

  

      

Sun

-



day.)



all

               

  

Roll a - round on



  

6 7 7



Bb5

mine.

mine,

4 5 5

 



  

the car ex - plodes.



G5 A5



   

G5 A5



mine.)

                              4 5 5

6 7 7

X X X X

X X X X

4 5 5

6 7 7

7 8 8

6 7 7

4 5 5

     

 6 7 7

6 7 7

from Velvet Revolver - Libertad

Get Out the Door Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash B5

A5 9fr

Drop D tuning: (low to high) D-A-D-G-B-E

333

D5

F#5

7fr

G#5 4fr

111

111

A#5 4fr

8fr

333

111

111

Intro Moderate Rock q = 130

A5

B5

D5 E5 D5

         

       

                   

X X X

X X X

Gtr. 1 (dist.)

mf



7 7 7

9 9 9

A5

12 14 12 12 14 12 12 14 12

7 7 7

B5

9 9 9

D5

9 9 9

X X X

E5 D5 A5

12 12 14 12 12 12 14 12 12 12 14 12

Gtr. 1 tacet

B5

D5 E5 D5

A5





E5 D5 A5



7 7 7

     



D5



Rhy. Fig. 1

    

*Gtr. 2 (dist.)

B5

mf



7 7 7

9 9 9

End Rhy. Fig. 1

       

                   

X X X

X X X

12 14 12 12 14 12 12 14 12

7 7 7

9 9 9

9 9 9

X X X

12 12 12

12 12 12

14 12 14 12 14 12

7 7 7

*Two gtrs. arr. for one.

              B5

   

               

           

X X X

9 9 9

9 9 9

D5 E5 D5

A5

Gtr. 2

9 9 9

X X X

12 14 12 12 14 12 12 14 12

7 7 7

B5

D5

9 9 9

X X X

12 12 12

E5 D5 A5

12 12 12

14 14 14

12 12 12

7 7 7

B5

D5 E5 D5

X X X

12 14 12 12 14 12 12 14 12

A5

B5

D5

E5 D5 A#5

   

                

X X X

9 9 9

7 7 7

9 9 9

X X X

12 12 12

12 12 12

14 14 14

12 12 12

8 8 8

 Verse

2nd time, Gtr. 5 tacet

B5

µ

  

 1. Come 2. Like

    

 

 

9 9 9

9 9 9

9 9 9

 on Trans



 clos - form



 -

er, ers,

F#5

G#5













 

won’t girl,

you there’s

tell more

me than

what meets

you the

got. eye.



  



 

 





mp

f

6 6 6

6 6 6

6 6 6

4 4 4

µ

A#5





0

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission



  8 8 8

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B5

µ

  

F#5

  Wait a An - oth - er

    

 

9 9 9

9 9 9

 



  min - ute, beer and





girl, you’re then I



µ





feath - ers to An - gel - os

and and

fro. Toms.

    

 

 

6 6 6

6 6 6

6 6 6

Pre-Chorus B5

(1.) door. (2.) vard. I’ve

 

     string noise

X X

    

 

9 9 9

9 9 9

8 8 8

6 6 6

6 6 6

that you’re not. end up buy - in’.



0 0 0

 

 

 

9 9 9

9 9 9

9 9 9

road

 

 

 

be

-

fore.

cit - ies scream - ing, cit - y screams, it’s

 

 

 

X X X

9 9 9

9 9 9

9 9 9

8 8 8

F#5







G#5



  

 

 

6 6 6

6 6 6

4 4 4

C#5

D5

    

so

A5

 

 

long

with

 

 

 

 

   

 

 

X X X

2 2 2

4 4 4

4 4 4

X X X

12 12 12

12 12 12

A5

B5

11 11 11

  X X X

µ

















4 4 4

A5







you walked up Sun - set



to my Bou - le -

  X X X

 

 

 

miles

and

miles

of

 

7 7 7

9 9 9

9 9 9

  X X X

 



 

 

 

12 12 12

14 14 14

14 14 14

  

  7 7 7

E5

 

 



End Rhy. Fig. 2

     

D5

 

  



0 0 0

B5



driv - ing full of

D5

when of





Big The

  

µ

 

 

Rhy. Fig. 2

     

F#5



hit it dan - ger

this

D5



Mm, brass in pock - et, thought you Nev - er un - der - es - ti - mate the

down

C#5



µ





14 14 14

B5

 

 

14 14 14

A#5



 

12 12 12

  



B5

  

 

X X X

 



F#5

 

 

 

E5

 

F#5

   

 

some - thing might, a,



   

D5

 

D5

been

Rhy. Fig. 3

A#5





      

   4 4 4

G#5

 



G#5

  

 

 

X X X

2 2 2

A5

 

  

 

Get

out

the



  

Oh. freaks

    

 

   

 

4 4 4

4 4 4

X X X

12 12 12

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

11 11 11

  12 12 12

End Rhy. Fig. 3

  X X X

 

 

7 7 7

9 9 9

 

 steady gliss.

9 9 9





7 7 7

  Chorus

1st time, Gtr. 2: w/ Rhy. Fig. 1 (3 times) 2nd time, Gtr. 2: w/ Rhy. Fig. 1 (4 times) 3rd time, Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)

B5

   

D5 E5 D5

 





door.

Riff A

 

Gtr. 3 (dist.)









A5

 

 

Get

out



 

7

7

10

9



mf

2

0

D5

 



door.

A5

 

Gon

-

na

End Riff A   

12

10



End Riff A1   



7

Gtr. 4 (dist.)





E5



Riff A1

 

D5

 

  

the

mf

9

B5







4

7

6



 9

0

7

Gtrs. 3 & 4: w/ Riffs A & A1 (3 times)

B5

  

kick

 

 

you

when

B5

   

D5

 

D5

I

D5

 

E5

E5



 

 

 

saw

what

you

D5



door.

A5

B5

were

pack

 

B5

 

 

D5

kick

you

when

I

     Gtr. 2

9 9 9

  X X X

 

 

12 12 12

E5

 

14 14 14

-

A5

B5

  

 

 

 

Get

out

the

To Coda 2

  

 



 

 

 

A5

saw

what

you

were

pack

 

 

 

12 12 12

  X X X

7 7 7

 

ing,

gon

-

 

 

na

kick

D5

 



E5

D5

A5

it

out

the

 

E5



door.

D5

 

 

D5

B5

 

9 9 9

-

 

D5

A5

 

 

Gon

 

 

ing,

gon

 

9 9 9

  X X X

-

 

D5

 

 

E5

 

D5

na

kick

it

out

 

 

 

 

 

-

na

To Coda 1 

A#5

 

the



(2nd time, cont. in slashes)

12 12 12

12 12 12

14 14 14

12 12 12

8 8 8

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude

D.S. al Coda 1

Gtr. 1: w/ Rhy. Fig. 1

B5

      

F#5

G#5

A#5

 

B5

F#5



G#5

D5



A#5



door.

   

  

Gtr. 5 (dist.)

mf





4

6

  





  





9

7

4

6

  



*w/ phaser & octaver

9

7

5

2

5

*Octaver set for one octave below.

     Gtr. 2



     



9 9 9

4 4 4



    



6 6 6

    

8 8 8

9 9 9



              

9 9 9

4 4 4

6 6 6

6 6 6

    

0 0 0

X X X

8 8 8

 Coda 1

Interlude B5

A5

B5

A5

B5

A5

B5

D5

                                                            Rhy. Fig. 4

Gtr. 2



door,

oh,

Riff B Gtr. 6 (dist.)

 



mf

ah,

     

 

9

9



     

 

9

9



     

 

9

9



w/ talk box

9

Gtr. 2: w/ Rhy. Fig. 4 Gtr. 6: w/ Riff B

B5

 

9

A5



7

9

9

B5



7

A5

    



9

B5

9

7

A5

 

ow,







  

 

0

7

9

B5

oh, Gtr. 3

 

End Riff B

 

9

A5

End Rhy. Fig. 4

D5



     

A5

  

ah,







ow,



   9 10

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bridge Gtr. 2: w/ Rhy. Fig. 4 Gtr. 6: w/ Riff B (2 times)

B5

      oh. I’ve

A5

  

  

 

 

been

down

this

road

  





10 11

10 11

X X

Riff C

B5

    

miles

 

9 9 9

9 9 9

B5

  

X X



5 6

7 7

7 7

X X

A5

B5









3 4

5 6

5 6

X X

D5

and

miles

of

freaks

be

-

fore.









3 4

5 6

5 6

X X









7 7

9 9

9 9









X X

5 6

7 7

7 7

X X

A5

 





think

I

strong

 

 

 

I

stop

and



  



9 9 9

 



9 9 9

B5

 

 

 

7 7 7

9 9 9

9 9 9

A5

B5



  



9 9 9

 



7 7 7

D5

A5



 



could

I

been

so

wrong,

so

 

 

9 9 9



  9 9 9



  7 7 7

  9 9 9

  9 9 9



   0 0 0

 

9 9 9

 

  

9 9

but

 



End Riff C

 



 



A5



    

9 9



  er



A5

 

-

9 9 9

9 9



 

nev

9 9 9

9 9



with

 

X X

    

7 7



long

 

10 11

Gtr. 2



 

 

10 11

Think



so

 





B5



    

 



  



A5

 

  

Gtr. 3: w/ Riff C

B5

X X X



  (cont. in slashes)

7 7 7

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo B5

  

Gtr. 2

 

G#5

  

  

wrong.

F#5

  

A#5

 



B5

  

 



F#5





G#5

  

D5



                            1



12

12 14

14

Gtr. 2: w/ Rhy. Fig. 2

B5

     6

21

1

µ

 





15 16

0 0



9

9 11

11





15 16

15 16

1

F#5

G#5

     



  



15 16

15 16

12 13

12 13



12

A#5



  

D5







A5

 







B5



D5



E5



2

9 9

7 7

7 7

7 7

15



12

12

µ

F#5







 















12 13

12 13

12 13

12 13

10 11

10 11

10 11

10 11

9 9

9 9

9 9





  

F#5



C#5





2

15

12 13

B5

Gtr. 2: w/ Rhy. Fig. 3

G#5



12 14

14

µ

 



 

  Gtr. 6

A#5

     

15

15

16

16



D5



A5



  

2 1

16

15 14

14

21

D.S.S. al Coda 2 Gtr. 1: w/ Rhy. Fig. 1

 

B5

 

D5

E5

F#5

      

19

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

19

A5

B5

D5 E5 D5

 

1 1/2

6

C#5 D5

 1

19

17



             

   

1/2 17

17

17

17

Gtr. 6 tacet

17 15 17

15

16

16

A5

B5



D5

    

 

E5 D5 A5



Get out the





 Coda 2

B5

A#5 B5 A5

B5

D5

A#5 B5 A5

B5

D5

A#5 B5 A5

B5

D5

A#5 B5 A5

                                                         Rhy. Fig. 5

End Rhy. Fig. 5

Gtr. 2

pack - ing, gon - na kick

out the

door,



oh,

      



(Get out the Screamed: (Get out the

 



 

it

  

 



door. door.



Gon - na



       

kick you when I

 

saw what you were

Riff D Gtr. 6

End Riff D

                                              (cont. in slashes) Gtr. 2

9 9 9

9 9 9

9 9 9

Gtr. 2: w/ Rhy. Fig. 5 Gtr. 6: w/ Riff D

B5

 

9 9 9

9 9 9

8 8 8

D5

A#5

  



9 9 9





Gtr. 2

 

8

9

B5

7

D5

 

 

  

 

kick

it Get

out out

the the

door. door.

A#5

B5

A5



kick

you

when





9

9

Gtr. 6



B5

9

A5

7

9

B5

 

 

  

 

  

I

saw

what

you

were



B5



 

 

 

Get

out

the

door.

A#5

B5

A5

                

 

pack - ing,

 





0

9

9

9

7

 



D5

    8

9

0

D5



 

 

gon - na



B5





8

A#5 B5

  

 





 

9

7

A5



 

Gon - na



 

ow.

 

 

 

 

kick

you

out

the

 



 

 

8

oh,

       

 

0



 



D5

 

9

A#5

ah,

 

9

ow,

gon - na

B5

A5

0



pack - ing,

B5

9



  

9

 



ah,

 

7 7 7



door.)

   

 





0

9

9

9

8

7





7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Libertad

She Builds Quick Machines Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash F

G 5fr

7fr

132

132

Drop D tuning: (low to high) D-A-D-G-B-E

Intro Moderately q = 150

C5 D5

C5 D5

C5 D5

B5 D5

B5 F5

C5 D5

Rhy. Fig. 1 Gtr. 1 (dist.)

C5 D5

C5 D5

B5 D5

B5 F5 End Rhy. Fig. 1

                                   mf

                              



10 10 10

10 10 10

12 12 12

10 10 10

0 0

12 12 12

0 0

10 10 10

12 12 12

9 9 9

12 12 12

9 9 9

0 0

3 3

3 3

0

0

12 12 12

0 0

10 10 10

12 12 12

0 0

10 10 10

12 12 12

9 9 9

12 12 12

9 9 9

0 0

3 3

3 3

0

0

Gtr. 1: w/ Rhy. Fig. 1

        C5 D5

C5 D5

C5 D5

B5 D5

B5 F5

C5 D5

C5 D5

C5 D5

B5 D5

B5 F5

Gtr. 2 (dist.)

 

mf

10

10 12

                        

Gtr. 3 (dist.)

 

* pp

10 10 10

12 12 12

10 10 10

0 0

12 12 12

9 9 9

12 12 12

9 9 9

0 0

3 3

0

3 3

0

                            10 10 10

12 12 12

0 0

10 10 10

12 12 12

0 0

10 10 10

12 12 12

9 9 9

12 12 12

0 0

9 9 9

3 3

0

3 3

0

*Fade in

C5 D5

C5 D5

C5 D5

B5 D5

B5 F5

C5 D5

Rhy. Fig. 2 **Gtrs. 2 & 3

10

12 12 12

C5 D5

B5 D5

B5 F5 End Rhy. Fig. 2

                              f   1010

C5 D5

0 0

10 10 10

12 12 12

0 0

10 10 10

12 12 12

9 9 9

12 12 12

0 0

9 9 9

3 3

0

3 3

0

                                10 10 10

12 12 12

0 0

10 10 10

12 12 12

0 0

10 10 10

12 12 12

9 9 9

12 12 12

0 0

9 9 9

3 3

0

3 3

0

 

**Composite arrangement

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse * C5 D5

C5 D5

 



C5 D5

 





B5 D5

1. Hold Riff A

Gtr. 2

 

 

fast,

 



B5 Dm



lit - tle

 

10

10

9

  

C5 D5

C5 D5



C5 D5

B5 D5

  



off.



Punch





 



12



 

strong,



let

10

it

roam.



 

10

  

B5 Dm

End Riff A

12

9

Riff A1

Gtr. 3



 

3

End Riff A1



                P.M.

5

3

5

3

5

2

5

0

3

2

0

3

 

0

3



              P.M.

5

3

5

3

5

2

5

0

3

2

 

0

3

0

*Chord symbols reflect implied harmony.

Gtr. 3: w/ Riff A1 (3 times)

C5 D5

 

C5 D5



C5

D5

B5

  

D5





Eyes Gtr. 2

Riff B

 



cold

 



B5



10

9

C5 D5

   

as

 

10

Dm

the



C5 D5

C5



  



D5

B5

 

snow.

She





12

B5

Dm

a

quick

built

 



  

  

D5



10

dream.

  

  

 

10

9

12

9

10

10

End Riff B



Gtr. 2: w/ Riff A

C5 D5

 

C5 D5



C5



D5

 

B5



Sis



C5 D5

C5 D5



C5

D5

-

B5



D5





ter

keep

D5



She’s Gtr. 2

Riff C

 





  10

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



  

B5

Dm



 her



B5

mo - tor

   

10

9



12

to

C5 D5



C5 D5



clean.

Dm

al - ways quick

 



  

C5

D5

B5

D5









Sol - id

C5 D5

C5 D5



C5

D5

B5



fight.

B5

Dm







vi - sions and

a

wet

D5



 

B5



  

ma - chine.

   

Dm

We’ll break her through to - night.







  10



 

10

9

     

12

12

14

Pre-Chorus Half-time feel

A5



G5



C5



*





     



can feel

it when you

push

 pp

Gtr. 2 tacet

G5

C5

straight

down.

    



    I

Gtr. 2

A5



  



End Riff C





14

Riff D Gtr. 4 (slight dist.)



End Riff D

  

  



mf



let ring throughout

3 Gtr. 3

0

2

3

0

2

Rhy. Fig. 3

    7 7

   

 

 

5 5

10 10

10 10

      3

5

3

5

 

   

 

 

7 7

5 5

10 10

10 10

5

7

      3

5

3

5

7

0

*w/ echo set for quarter-note regeneration w/ 1 repeat, till Chorus.

End half-time feel

Gtr. 4: w/ Riff D

A5

G5

 





C5



I Gtr. 3

    7 7

Chorus

   

 

 

5 5

10 10

10 10

C5 D5 C5 D5        

 

Roll Rhy. Fig. 4

    



  

10 10 10 10

12 12

12 12





3

5

3

5

7

C5 D5        

Gtr. 3: w/ Rhy. Fig. 4

C5 D5

 

Right

B5 D5



in

 



B5





when they

12 12

9 9

12 12

 

B5 D5      

 

my

sight,

keep

C5 D5

 

B5

 

F5

0

 





their

 

5

7 7

5 5

3 3

C5 D5    

3 3

C5 D5    

C5 D5





Right,

0

     

it through to - night.



   10 10

12 12



  

10 10 10 10

12 12

C5 D5         I’ll

B5 D5

smash

End Rhy. Fig. 3

 



B5

F5

keep it through to - night.

10 10 12 12

C5 D5

right



      

       

 



5 5

right,

10 10

 



G5

   

10 10

C5 D5



 

ground.

    

F5

3 3

F5

 

       0

 

stood

keep it through to - night.

10 10

G5



       

        10 10

it



10 10 10 10

could feel



o - ver right,







Gtr. 2: w/ Rhy. Fig. 2 (2 times)

C5 D5



 

A5

9 9

12 12

B5 D5       through

End Rhy. Fig. 4

       3 3

0

  your

 

B5 F5

spot

0

3 3

 

 

-

light.

0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtrs. 2 & 3: w/ Riffs A & A1

C5 D5

C5 D5

 

C5



B5

2. She

ran

 



 

Gtr. 2: w/ Riff B

C5 D5

C5 D5

  

3

5

3

C5 D5



D5

ex

in



C5 D5



Dm

to

Tex

  



-



C5

as



B5 Dm

Veg

-

C5 D5



At

5

X



as

5

0



B5

3

2



0





Dm

3



don’t

back

 

 

all

night

B5 D5

the

sex

show,

X

3

5

3

5

2

5

0

2

3

0

0

-

D5

keep



 



a - way

B5 D5

B5



Dm

the

ex

-

D5





 

 

so

far



  3

5

3

C5 D5

C5 D5







    

End Riff E

5

2

B5

from

home.

0

3

2

B5





dashed

 C5 D5   

5

D5

  

 

C5 D5

cess.

B5 Dm

as.

5

  



             1 3

C5 D5

3

to

 C5 D5   



C5 D5

Tex

B5

P.M.

5

 





D5

3

3

C5

 

B5 Dm



 

  

C5





0

  

C5 D5



C5 D5

                   P.M. 3

D5

 

burned through in - her - it - ance,

  

C5 D5

 

2

B5 D5

She





  

 

C5

Gtr. 2: w/ Riff C

Gtr. 3



B5 D5

5

Gtr. 2: w/ Riff A Gtr. 3: w/ Riff E

 

B5

                P.M.

5

C5 D5



a - way

Old

  3



D5

C5 D5



Gtr. 3 Riff E





D5



a - cross

 

Dm





3

0

  

A - mer - i - ca.

B5 D5

B5 Dm



                3

5

3

5

2

5

0

2

5

3

0

 Pre-Chorus

Half-time feel Gtr. 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff D (2 times) 2nd time, Gtr. 6: w/ Fill 1

A5

*

G5

 



C5



I

 









A5



can

feel

it

when

you

push

 









A5

could

feel

it

when

they

stood



    

 

 

G5



 

C5

straight



down.

*w/ echo as before.

A5

G5

 





C5



I



G5

 



F5





their

 

ground.

End half-time feel



G5





Chorus Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 4

C5 D5 C5 D5        

C5 D5

 

Roll

o - ver

Voc. Fig. 1

    

(Ah,

Sorgdal

 





B5

F5





it through to - night.





C5 D5    

C5 D5



Right,  

 ah,

C5 D5    

B5 D5



right,





17

 keep

 

         8v a

15

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 keep

ah,

Fill 1 Gtr. 6

4



right,





B5 D5

 ah.)



B5



F5





it through to - night. End Voc. Fig. 1





     

     

Bkgd. Voc.: w/ Voc. Fig. 1

C5 D5

 

C5 D5

Right Gtr. 3

    

in



my

  

10 10 10 10

12 12

C5 D5



T o Coda 

     

B5 D5

sight,

  

12 12

F5



    

I’ll

      

10 10

12 12

9 9

12 12

10 10 10

0 0

Interlude D5

12 12 12

0 0

10 10 10

12 12 12

9 9 9





12 12 12

3 3

0

0 0



0

3 3

0

9 9 9

3 3

0

3 3

0



10 10

12 12

   

C5 D5

smash

  

10 10

                                12 12 12

  

10 10

Gtr. 2

10 10 10

C5 D5       

C5 D5

keep it through to - night.

10 10 10 10

            B5

right



 B5 D5     through

12 12

        10 10 10 10

12 12

9 9

      F5

your

10 10 10 10

 

12 12

spot - light.

       0

0 0

3 3

         

                 

10 10 10

0 0

12 12 12

10 10 10

0 0





12 12 12

10 10 10

12 12 12



9 9 9

12 12 12

0

0

0 0

3 3



Ah. Gtrs. 2 & 3



 

 

 

 

0 0

Bridge Gtrs. 2 & 3 tacet

D5

       Gtr. 4

Riff F

mp



What

you







give

 

is

 





what

you

       

    

12 X 10

9 X 7











 

**



take.

 

 

End Riff F



*w/ delay

5 X 3

7 5

11

11

9

9

9

7

11 9

*Set for quarter-note regeneration w/ 1 repeat. Gtrs. 2 & 3



 

Gtr. 5 (slight dist.)

 

0 0

 



pp

 7 7



mf

0

  7 7

**w/ echo as before, next 32 meas.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4: w/ Riff F

Dsus4



 

What

 

 you

8 7

bleed

8 7

8 7



is

what

you

8 7

7 7

  

Dsus4





        

fdbk.



D



 

Gtr. 5











        5 X 3

 

 

7

7

5

5

 

 

Gtr. 5



 

8 7

fdbk.

8 7

  







       12 X 10

 

14 12

    8 7

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 



11

9

9

9

7



D

I’d

steal

7 7

0

 

11 X 9

7 7

  

17 X 15

7 7

 7 7

0 0

  

12

11 X 9

10

        7 7

0

7 7

0

   for

14 X 12

        



 

you.

 

19

19

17

17



you.

      

 

fdbk.

    

8 7

 

    

    

8 7

7 7



9

7 7



15

0

11

       

17

       

for

9 X 7

11





bleed

12 X 10

Dsus4





7

    

8 7



Harm.

       

8 7

break.

D

I Gtr. 4



    7 7

7 7

C/F



 

G

  





7

7

5

5

   

   4 X 2



5 5



  

  

5

5 X 3

3



3 4



take,

   

    

D5

I’d

  

 

 

5 X 3



  

I’d

 

 

 

7

7

5

5

 

 

 

3 2

 

  

let ring fdbk.

  





*

3 2

3

3

*Fingernail of right hand lightly touches vibrating string.

C/F

  

G(no3rd)

   





take,

  

I’d

 

 

  



  

       

take,

 

17 X 15

  

 



8 9

17 X 15



8 7

19

19

19

19

19



        

grad. bend 1/4 1/2

14 X 12

  

D

19

1919

3/4

1

19

19

I’d







19

19

17

  7 7

19

 



fdbk.



(cont. in slashes)

7 7

Half-time feel Gtr. 4 tacet ***F Rhy. Fig. 5A

G

      Gtr. 5                            

End Rhy. Fig. 5A

*Voc. Fig. 2

    











take, (Ah.)

I’d

Rhy. Fig. 5 Gtrs. 2 & 3



   







End Voc. Fig. 2

  

take,

I’d End Rhy. Fig. 5

        

  

3 3

3 3

f

3 3



3 3

3 3

3 3

3 3

3 3

3 3



3 3

    3 3

3 3

3 3

0

        

  

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5



    5 5

5 5

5 5

0

*Refers to down-stemmed voc. only. ***See top of first page of song for chord diagrams pertaining to rhythm slashes.

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

End half-time feel

Bkgd. Voc.: w/ Voc. Fig. 2 Gtrs. 2 & 3: w/ Rhy. Fig. 5 Gtr. 5: w/ Rhy. Fig. 5A

F

   



  

  

take,

G

  

I’d

Gtr. 6 (dist.)







  



take,

I’d



        



f 1/2

1

7

7

Guitar Solo D5 C5





D5



C5

D5

C5

D5



C5

D5

8

8

8

7

C5

6

B5



take. Gtr. 6



 

   

1/2

1/2

       

8

Gtrs. 2 & 3



  0 0

D5

5

1/2

8

8

7

5

6

 

 

 

 

10 10 10

12 12 12

10 10 10

12 12 12

C5

D5

8

8

7

C5

5

6

 0

D5

8

  0 0

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

5

 

10 10 10

12 12 12



8 8

8

 

 

 

10 10 10

12 12 12

10 10 10

12 12 12

12 12 12

10 10 10

9 9 9

D5

C5

D5

C5

B5



               3 P.M.

8

 

6

 

hold bend

8

8

8

8

7

 

C5



hold bend

 

3

Rhy. Fig. 6

Sorgdal

6

8

5

1

 

             8

1/2

8

7



     

3



1



1/2

 



     3

8





8

  0 0

8

6

7

 

 

10 10 10

12 12 12

0

6

  0 0

7

5

6

 

 

10 10 10

12 12 12

7

5

  0 0

7

5

7

5

5

7

5

3

5

3

5



3

End Rhy. Fig. 6

 

 

 

 



10 10 10

12 12 12

12 12 12

10 10 10

9 9 9

                     1/2 P.M. 

Gtrs. 2 & 3: w/ Rhy. Fig. 5

F5

G5

Gtr. 6

                             1 P.M.  P.M.  P.M.  P.M.  P.M.  P.M. 3

0

5 5

3

5

0

5 5

5

3

0

5 5

3

5

0

5 5

3

5

0

5 5

3

5

0

5 5

3

3

5

        

Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 times)

               





5

D5 C5 D5

1/4

5

7

5

7

9

7

9 12

9

12

10 10

9

10 10

12

C5 D5

5

5

5

3

5

3

3

12

10

12

3

5

3

5

3

                 

C5

D5

C5 D5

1

C5

1

10 10 10 10

B5

1/2

10

13 10

13

12

12 10

5

5

5

12 10 12 10

12

12

12 10

Gtrs. 2 & 3: w/ Rhy. Fig. 5 (1st meas.)

D5 C5 D5



 

C5

D5

C5

D5

           



C5

13

B5

F5 8v a

3 1

10

13

12

13

10 12 10

10

13





3

1/2

13

C5

                

3 1 1/2

D5

10

13 10

10

12

10



3

15

13 10

12

12

  

1

1/2

13



11

13

14

15

15

13

14 0

D.S. al Coda

G5











1

15





8v a

Gtr. 6

 





1/4

13

15





 



17

15



1 1/2

15

16





      

15

16

17





3

1/2

17 10

17

17

15



 

17

17

1/2

17 17

16

*Played behind the beat.

Gtrs. 2 & 3





F5

*







3 3

3 3

3 3









3 3

3 3

3 3

 0

 

 

 

 

   

 

 

 

 

 

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5



     5 5

3 3

 Coda Gtr. 2: w/ Rhy. Fig. 1 (last 2 meas.)

C5

D5

 

     

C5

I’ll Gtr. 3

  

 



 

D5

smash

 

 

10 10 10 10

12 12

  

 

C5

D5

right

 

    

B5

D5

through

 

 

12 12

 

F5

your

 

10 10 10 10

   

spot



 

 

 

-

light.







10 10 10 10

12 12

9 9

12 12

0

3 3

0

3 3

0

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Libertad

The Last Fight Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash (E)

(F#7'4) (A'9)

(Dsus2)

(D7)

5fr

Gtr. 3: Tune down 1 step: (low to high) D-G-C-F-A-D 231

Intro Moderately slow q = 91 *D

1342

1342

13

E

2341

G

   

Gtr. 1 (elec.)

D

  

                   

Riff A

 

  

          

 

End Riff A

mf w/ slight dist. let ring throughout



14

12

15

12

15

14

15

13

12

12

13

12

12 14

15

13

12

12 15

12

14

12 X 12

12 15

12

14

12

12 X 12

14

12 X 12

14

14 14

13 X 13

12 X 12

*Chord symbols reflect basic harmony.

E

   

Gtr. 1



               



10 10 11

14

12

15

12

15

14

15

12 13

12

12 14

13

15

10

12

12 X 12

12

14 14

12 X 12

  14 14







   

3 0 0 X 3

3 2 0 0

Verse 1st time, Gtrs. 1 & 2 tacet 2nd time, Gtrs. 5, 6 & 7 tacet

Asus4

     

  

1. Time 2. Time

feels heals

Riff B Gtr. 3 (acous.)

     

B5 (C#5)

  

   

like I’ve been back in all of the burned out

0 0 4

0 0 4

0 0 4

0 0 4 6

0 0 4

   

  

     

do - ing noth - ing

time, more

         

let ring

0 0 4

A5 G5 (B5) (A5)

jail, like when I’s bridg - es filled with

        

mf

 

12 12

   

0 0 1 2 2

** (Bsus4)

 

10



 

12

    

w/ clean tone & amp tremolo

2 3 2 0

12

  



 mf

12

       



      Gtr. 2 (elec.)

13

 D    

G

0 0 4 6

6

0 4 6

0 0 4 6

0 0 4 6

0 0 4 4

0 2 2

D (E)

    

oh, in the can. than mis - er - y.

I

     

    

0 2 2

0 X 4

4

0 2 2

4

6

6

End Riff B

0 0 4 6

Gtr. 4

                mf

w/ slight dist. P.M.

2 0

2 0

2 0

2 0

2 0

2 0

2 0

2 0

               

               

        

4 2

5 5 3

5 3

4 2

4 2

**Symbols in parentheses represent chord names respective to de-tuned guitar. Symbols above reflect actual counding chords.

4 2

4 2

4 2

4 2

2 0

5 3

5 5 3

5 3

5 5 3

5 3

5 5 3

5 5 3

4 5

4 5

4 5

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

4 5

4 5

0 4 5

4 5

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Riff B

Asus4 (Bsus4)

    

     

Spend all wear the

night mask

on of the

B5 (C#5)

  

A5 G5 (B5) (A5)

     

a bend - ed un - bat - tled

knee son

D (E)

    

just try’n’

to to



     

beg for

some - thing to

  

  

be - lieve.

Rhy. Fig. 1

End Rhy. Fig. 1

                P.M. 2 0

2 0

2 0

2 0

Pre-Chorus E7'4 (F#7'4)

 

2 0

2 0

4 2

4 5

4 2

4 2

4 2

    

 

Left

home

a

pack

 

   

     

0 0 3 4

0

       0 0 3 4

with

4

4

6

4 2

4 2

4 2

G'9 (A'9)



Gtr. 3

 

2 0

        

of

clothes,

 

5 5 3

5 3

5 5 3

5 3

with - out

5 5 3

G7 (A7)

   





a

5 5 3

5 5 3

4 5

4 5

4 5

5

5

4 5

       

 

fam - i - ly

yeah.

tree,

  

   

  

5

    (cont. in slashes)

0 0 6 7

6 7

4 6

5 5 3

  

  

0 0

2 0



2 0

                                 P.M.



  Gtr. 4

0 0 6 7

0 0 6 7

0 0 6 7

8 9

8 9

8 9

8 9

0 8 9

8 9

0 8 9

0 8 9

Gtr. 4

    

           P.M. P.M. 0

2 0

0

0

0

2 0

0

0

3

5 5 3

3

3

       P.M. 3

5 5 3

3

5 3

       5 5 3

5 3

               P.M.

5 5 3

5 5 3

5 3

5 3

5 3

5 5 3

X X X

X X X

Chorus Gtr. 1: w/ Riff A

(E)

   

(F#7'4)

(A'9)

                         

Rhy. Fig. 2

Gtr. 3

This

fight

last

fight,

no

giv

-

ing

and no

win

-

ning. End Rhy. Fig. 2A

 



P.M.

7 5

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

the

                      End Rhy. Fig. 2

Rhy. Fig. 2A

    Gtr. 4

could be

(E)

7 5

7 5

7 5

  



7 5

7 5

7 5

  

 

1 2 2 0

X X X



P.M.

0



0



2

        P.M. 0

0 1 2 2 0

0

4 5 5 3

   

 

P.M.

5 3

5 3

5 3

        P.M.  5 3

4 5 5 3

0 0

7 5

 



  



5

5

7 5

5

P.M.

7 5

5

T o Coda 

                                                      (E)

(F#7'4)

One

time

    Gtr. 1



10 10 11

could



14

12

   



15

be

the



       

12

15

14

all

(A'9)

15

13

the time

12

12 13

should

 



12

12

de - cide

to end the

12

12 15

mis

(Dsus2)

-

      



   

15

13

14

we

(E)

12 12

12

12

X X X X X X

14 X 14

er - y.

 

 

 

X X X

12

12

      

  

X X

5 3

Gtr. 4

  



P.M.

7 5

7 5

5

5

 

 

7 5

5

 

  1 2 2 0

7 5

        P.M.

 

 

   

1 2 2 0

1 2 2 0

X X X X

X X X X

2

2

0

0

0

 

let ring

5 5 3

5

            P.M. 

5

5 5 5 3 3 3

5 5 3

X X X X X X

7 5

5 3

D.S. al Coda

Interlude Gtr. 1 tacet Gtr. 3: w/ Riff B Gtr. 4: w/ Rhy. Fig. 1

Asus4 (Bsus4)

     

  *Gtr. 5

 

B5 (C#5)

A5 G5 (B5) (A5)

       

 

14

14

    

     



14

14



mf 14

15

14 14

15

14 14

15

*Kybd. arr. for gtr.

     Gtr. 6 (elec.)

mf

   

15

14 14

0

2

Gtr. 7 (elec.)

2



4

2

4

15

14

15

14



2

4

2

2

4

2



14

15

15

17

         

w/ dist.

 



D (E)

2

4

16

17

16

15

  

     

  

2

0

2

0

2



2

2



4

14 14

 

3

15

15

14

  



4

4

  mf **w/ dist. & delay

2

4

2

3

**Delay set for eighth-note regeneration w/ 1 repeat.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Coda Bridge



Gtr. 1 tacet

(F#'4)

  



  



of feath - er

-

      



and gi

   

(A'9)

      

    

   

weights

Gtr. 2

(F#'4)

-

ants.

With the stain,







       



       



 

for - ev - er



  

          Break the chains

(A'9)

last - ing li

-

   

  

ars.



amp tremolo off let ring throughout

7

7

9

10

     

   

Gtr. 4

12

10 7

  

   

  

0 0 0 0 0

3 0 0 X 3

0 0 1 2 2 0

9

7 10

10

12

       

   

w/ amp tremolo

0 0 1 2 2 0

(F#'4)

  



(D7)

   

          They’re a - fraid

when we spit

      

7

      0 0 1 2 2 0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9

  



out

the

liv



3

  1 0 2 3

  1 0 2 3

   1 0 2 3

and start

    5

  

   

     

7

   

(E)



fire



  



-



3 3 5

 

0 0 0 0 0

      0 0

0 0 0

2 3 2 0 0

(F#'4)

  

  

liv

  



  



-



5 7

  

     



ing,

7

3 3 0 0 X 3

 

 

  

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

let ring

  

ing,

  

9

7

    0 1 2

0 0

0 0

(A'9)





liv

-

 



 

  

ing,

 



 

  



my

Gtr. 6





 



   

    









friend.

 











    













1

7

  Gtr. 2



10



12







7

      3 0 0 X 3

9

9

7

9

9

9

9



12

12

10

9

9







10

Gtr. 4

7

9

1

  

  

  

  

  

  

  

  

  

  

  

  

  

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3







7

9

7

Guitar Solo Gtr. 2 tacet Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (2 times)

 

D (E)

E7'4 (F#7'4)     

  

Voc. Fig. 1



   

(Who

   Gtr. 6



   

   

 -

     7







9



7

9

7

   



9

7

9





prayer?)









1

8

9



7

 

my

 

9



9



9

D (E)

     

swer





1

10

  







1

1

9



9

G'9 (A'9)

an



10

9



will



9





10 9

9

7

9

End Voc. Fig. 1



  

 7

7

 





let ring

7

11

10



    

10

  

 13

13

3

10

11

10

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bkgd. Voc.: w/ Voc. Fig. 1

  







10

  

3







 

15

15

1

15

G'9 (A'9)

      

X

1/4

17

17

15

16

16

15

17





1

15





   

15

D (E)

    

   3

1

17

17

      



    











3

17 13





  



 



E7'4 (F#7'4)

1/2

1

17 17

19

15

17

16

       

      

13 12

13 12

3

3 1

15

12

10

10

10

11

1/4

1/2

12

12

12

10

12

10

12

13 12

13 12

13 12

13 12

13 12

13 12

10 10

12

Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (till fade) Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (till fade)

D (E)

 



 

This



E7'4 (F#7'4)

  







could

be

the

last

fight

G'9 (A'9)





 



fight,

      





 



no

liv



  

-



ing







and

no





   

mp 10 10 10

3

11

X X

D (E)

  

   





win

-



       





ning.

One

                

 

time

9

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7

9

7

9

7

7

7

9

7

9

7

7

9

7

9

the



       

all

the



9

7

X X

E7'4 (F#7'4)

       

1/2

7

could be

X X

7

time

should



G'9 (A'9)

D (E)

  



we

de

 -



cide

 









to

end

the

mis

      

 





-

8

 

This



9

  

could

be

the





  



  





last

1

10







1

10 9

fight,

10

10

9

9



no

   7

10 10

10

 

11

10

  



giv

-



ing





    

1

G'9 (A'9)

 







12





and

no





10

 

 1

10 10

12

10



10 10

12 12

12 12

X X

  



win

  

E7'4 (F#7'4)



fight

12

9





D (E)

9

  

            

12

9

 



let ring

10 9

9



y.

1

10

7

-



let ring 1

 

  

er

     



string noise

X X X

  



-











ning.

 

One

              



time

 



1

10 14

12

14

10

11

12 12

10

12

12

10

12

12

10

10





could

be

the

  

1

10

12



   



1

14



14

10

10

12

12

  



12

10

10

Begin fade

E7'4 (F#7'4)

  





all

the

  





G'9 (A'9)

 



time



1

10 10 12

1

10 10 12

1

10 10

10 12



we

de

should

                              1



10 10

10

1

10 12



10 12

10 10

10 10

1

10 10 12

cide





to

end

the

                     

1

10 10

-



1

1

10 10 12

1

10 12

12

10 10

1

10 10 12

1

10 10 12

1

10 10 12

10 10 12

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D (E)

  



  



mis

-

er

-











y.

 

This



fight

                                        1

1

10 10 12

10 10 12

E7'4 (F#7'4)

 

10 10

10 10

12

12

3

12 12 10 12

12

  







3

10 10

3

11

12

12

10



fight,





12

12

11

11

D (E)



 



win

      

-

  







9



11

9

9

9

11

9

10

10

11



could

be

the



        3

10 10

10 12

  



giv



12

10

12

no

 1/2

10

11

G'9 (A'9)





12 12



hold 1 bend

              

last

 

3

hold 1 bend

1



-

12 11 12

12



ing

3





and

no

     

     

 

 

15 15 16

15 15 16

15 15 16

15 15 16

15 15 16

15 15 16

15 15 16

15 15 16

10

   0 17



  





ning.

One

time







could

be

the

E7'4 (F#7'4)





  

all

the

time,

10

10 11

17







could

be

the

                                            

let ring

12 14

14 13

14

14 14 14 14 13 13 13 13 13 13 13 13 13

13 13

14

13

14

13

14

14 14

13 13

14

14

13

14

12

13

15

13

15

12

15

13

15

12

15

12 13

15

13

15 15

Fade out

G'9 (A'9)

  

 





time







to

end

the

                 let ring

13

15

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

13 16

15

13 16

15

16

15

13 16

15

D (E)

  



-

er

-

y.

  

1

1

17 17





mis

15 16







1

17 17

 

1

17 17



17





1

 1

17 17

17

17

17

from Velvet Revolver - Libertad

Pills, Demons & Etc. Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash A5

F

C'9

G

A5 open

5fr 134

134211

2

3

21

34

1144

Intro Moderately q = 115

   

µ

 



*A7

Gtr. 1 (dist.)



 mf

                    



w/ wah-wah



5

 

17

3

4

3

5

4

5

3

4

5

3

3

4

   

              

3

5

4

3

5

5

4

3

4

5

X X

5

X X

 

*Chord symbols reflect implied harmony.

G5

A5

C5

Riff A1 Gtr. 2 (dist.)

              mf

10

  Gtr. 1

11

12

10

11

12

10

11

12

10

A5

G5

A5

G5

A5

C5

    

3

4

5

3

4

5

   

3

4

5

3



10

12



10

12

11

12

10

11

12

10

11

    

  

3

4

3

5

4

5

3

4



5

X X

12

   



    

5

X X



3

4

5

Rhy. Fig. 1 Gtr. 3 (dist.)

mf

 

 

  

 



1/4

2 2 0

X X

3

End Rhy. Fig. 1



    

G5

                     

Riff A



A5

3

 

 

1/4

2 2 0

2 2 0

3

2 2 0

3

 

 



 





A5

1/4

2 2 0

3

1/4

2 2 0

2 2 0

3

2 2 0

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

3

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Sorgdal

Gtr. 3: w/ Rhy. Fig. 1

A5

G5

A5

C5

           

A5

Gtr. 2

10

 

11

12

10

11

12

10

11

12

G5

A5

G5

        



10

10

12

12

12

10

11

12

10

End Riff A1       

A5

11



C5

12

10

11

3

4

5

3

4

5

3

4

5

X X

12



3

3

4

3

5

4

5

3

4

5

3

4

5

X X

10

End Riff A

                

  



G5



Gtr. 1

              

A5

   X X

5

X X

3

Verse

 

A5 Gtr. 3



Gtrs. 2 & 3 tacet



  

 

1. You,

  



12

12

Fill 1



      

 



you

got



skills,

C5





you

got

F#5

   the

pills.

End Fill 1





  

* G5







You’re

get

  -

ting

old -





               

**w/ delay

X X X 5

G5

X X X

X X X

X X X

X X X

X X X

X X X

X X X

5 *Chord symbols implied by bass, next 3 meas. **Set for quarter-note regeneration w/ 1 repeat.

A5

G5

   



-

er.

  Gtr. 1

C5



  You



F#5

G5



   

got

the

A5



weight



G5

of



C5

  

 all



that’s left

F#5

you

G5



 

on

your

shoul -

                                    Harm.

X X X

X X X

X X X

X X X

5 X X

Pitch: B

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Sorgdal

5 X X

5 X X

5 X X

5 X X

5 X X

5 X X

5 X X

5 X X



A5

G5

   



-

der.

C5

F#5



 But

  Gtr. 1

G5

A5

 



the

G5

world



C5

  



still

 

G5



waits



for

                X X X

Gtr. 3

F#5

X X X

X X X

X X X

X X X

X X X

X X X

X X X

Riff B



 

0



3

3

A5

G5



C5



   

2

2

0

2

F#5



 

though

       



3

3



   

2

2

G5



you,



 

0

3

Gtr. 4 (dist.)

  



you

 

stare



mf

through



3

 





right

2

   

   

0

me.

               

 

delay off (cont. in slashes)

X X X

 

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

End Riff B



0

 

3



3

 

2

   

2

0

2

3



0

 

3



3

 

2

   

2

0

2

 

3

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Chorus

Gtr. 3 tacet

F

C'9

G

A5

 E

open

T o Coda

F

C'9

                                        Rhy. Fig. 2

*Gtrs. 1&4

You got your de - mons and your

Gtr. 5 (dist.)



    

  

Riff C

ways of

life.

  

You could

    

G

        

open

     

    

end the

  

  

End Rhy. Fig. 2

(2nd time, cont. in notation)

  

pull the trig - ger and you’d

       





 2. strike. 1. strike,



you could.

   EndRiff C



mp w/ chorus let ring

17

20

17 19

17

20

19

17

20

20

17 19

20

17

20

19

17

20

17 19

17

20

19

17

20

17

20

19

17

20

19

20

*Composite arrangement

Interlude Gtrs. 1 & 2: w/ Riffs A & A1

A7

     



Gtr. 5 tacet

   

   

     



Oo,

 



oo,



Fill 2 Gtr. 5



  

   



oo.

End Fill 2





let ring





17

Verse Gtr. 2: w/ Fill 1 **A5

  

G5

C5

F#5



1. Yeah,

      Gtr. 1







G5

 



  

I

got

the

        

5

5

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



news

 



G5

C5





you

had

F#5

   the

blues,



G5





you

bought

  a

tick -

       

w/ delay

X X X **Chord symbols implied by bass, next 4 meas.

A5

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

A5

G5

   

C5

F#5





-

G5

et

  

A5

  





to

the



one

           



X X X

X X X

X X X

X X X

G5

C5





place

that

F#5

  I



won’t



G5



   

be

go - ing

to



   



vis -

mp

X X X

X X X

X X X

Gtr. 3: w/ Riff B

A5

G5

   

C5

F#5

A5



 



What

the





-

G5

it.

G5



fuck

were

C5





you

F#5



think

           

G5

-

ing



mf

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

D.S. al Coda

A5

G5

  

C5

F#5





of?

Now

G5

A5

 



I

  

G5

stare

C5

right



F#5

through

                       

G5



 

you.

 

 (cont. in slashes)

8

8

X X

X X

8

8

X X

8

X X

X X

X X

X X

X X

X X

 Coda

Gtr. 5: w/ Riff C

Dsus2

 

 

 

 

 

You

got

your

de

Rhy. Fig. 3 Gtrs. 1 & 4

   0 3 2 0

Csus2

-

 

 

mons

and

G5

 

 

your

 fan

-





cy

wine.

A5









It

would End Rhy. Fig. 3

 

       

0 3 2 0

0 3 2 0

X X X X

X X X X

3 0 X 3

 

 

 

  

  

  

 

 

 

 

3 0 X 3

X X X X

X X X X

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

X X X X

X X X X

2 2 0

2 2 0

 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F

  Gtrs. 1 & 4

    1 1 2 3 3 1

C'9

 

 

 

go

down

eas

-

G5

 

 

 

y

if

you’d

  

  

  

  

 

 

 

 

1 1 2 3 3 1

1 1 2 3 3 1

X X X X X X

X X X X X X

0 3 0 2 3

0 3 0 2 3

X X X X X

X X X X X

Gtr. 3











  

  

  

  

  

3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3



   







spend

the

night.

  

  

3 0 0 X 3

3 0 0 X 3











P.S.

X X

 

15

Interlude Gtr. 4 tacet Gtr. 5: w/ Fill 2

A5

  









C5

 







Oo,

            Gtr. 2

Riff D

10

11

12

10

11

12

10

11

12

             



10

3

4

    Gtr. 3

                       

10

12

3

4

5

3

4

5

3

10

12

4

11

12

10

11

12

10

11

12

X

            

  

3



3

5

4

5

3

4

5

3

4

5

5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

   

 

X X X

7 X 5

X X X

X

X

     X X

Riff D1

7 X 5

Sorgdal

5



oo,

Gtr. 1







  10 X 8

X X

2

G5



   





 oo,

            10

 

11

12

10

11

12

10

11



12

10

  







 







             

10

12

10

12

11

12

10

11

12

10

11

12





oo,

      X X

X X

X X

X X

X X

X X

Riff E

     3

4

3

5

 5

4

3

4

    

5

3

3

4

 



   





10

11

12

10

11

     3

    4 X 2

4

5

3

4

12

 5

10

11

12

   3

4

5

 

4

5

3

4

 5

   3

4

      

 oo,

           

3

5

X X X

F#5

    

  

5 X 3

 

A5



 10

 3



X X X



5

X X

 

     

   

X X X

X X X

5 X 3

 









12

10

12

3

4

11

12

10

11

    

  

3

5

   

 

X X X

4 X 2

X X X

X X

X X X

X X

X X

7 X 5

G5

            

10

     

4

5

3

4

12

 5

10

11

12





X X

X X

X X X



oo,

      X X

X X

X X

X X

X X

X X

End Riff E

   3

4

     

5

X X

X X

 

      

   

X X X

X X X

X X X

X X

5 X 3

X X

X X

X X

X X X

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A5



   











 







oo,

           

10

 

11

12

10

12

11



     3

4

5

3

10

12

  

5

4

11

3

4

   



  

oo.

           



  

 



10

10

12

10

12

3

3

 

7 X 5

4

11

10

12

11

    

  



5





3

5

4

3

5

4

   

 

 

 

X X X

7 X 5

7 X 5

7 X 5

X X X

12

 12

10



11

14

 

5

3

  

4

19 X 17

17

  

14





5

5

  



            End Riff D1

   

19

7 X 5

End Riff D

 19 X 17

19 X 17

19 X 17

19 X 17

Guitar Solo Gtrs. 1, 2 & 3 tacet

F#5

      

E5



F#5



8v a

     Gtr. 6 (dist.)

F#5

E5

F#5

E5

F#5

A5



F#5

E5



  



A5





 







  

 

 

  



f

w/ wah-wah 1

1 1/2

17

17

        Gtr. 4

1 1/2

1

17

1/2

1

17

17

17

19

Rhy. Fig. 4

4 4 2

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

End Rhy. Fig. 4

     2 2 0

  4 4 2

     2 2 0

 

 

 

4 4 2

2 0

4 4 2

     2 2 0

  4 4 2

     2 2 0

 

 

4 4 2

2 0

Gtr. 4: w/ Rhy. Fig. 4

F#5

      Gtr. 6

E5

F#5

A5

F#5

E5

F#5

E5

F#5

A5

F#5

14

A5

14

1

14 17

G5/A

14

14

14 12

17

14

17 14

1/2

14

17

14

16 14 16

16

14

16 14

16

18 X 16

0 0 0

14 X 12

14 X 12

A5

16

16 X 14

14

16 X 14

G5

16 X 14

18

       

2 2 0

5 5

A5

18 X 16

16

18 X 16

19

19 X 17

17

19 X 17

G5

A5

19 X 17

21 19

C5

21 X 19

21 X 19

 

   

2 2 0

0 0 0

A5

G5/A

 

 

2 2 0

C5

A5

0 0 0

  





X X X



    

9

11

11

 

   

2 2 0

9

0 0 0

9

7

7

9

5

7

       

2 2 0

5 5

5

6

7

7

4

 

2 2 0

7

0 0 0

7

5

G5

 

12

       

14

 

2 2 0

0 0 0

    1

 



8

8

11

16

14 0

5 5



14

A5

X X X

2 2 0

A5

                     12

16

16

14 X 12

 

G5/A

14

                   

   

A5

14

17

17

C5

Gtr. 4

2 2 0

14

14

17

1

                         



  

    

1

A5

Gtr. 6

11



3 1

12

E5

                                        

7 4

 

   

 

2 2 0

2 2 0

2 2 0

    2 2 0

 

  

2 2 0

0 0 0 0 0

 

Chorus Gtrs. 1 & 4: w/ Rhy. Fig. 2 Gtr. 5: w/ Riff C (1 1/2 times) Gtr. 6 tacet

F

 

G

 

 

 

 

You

got

your

 

C'9

 

de - mons

  and

G

 

 

your







ways

of

life.







end

the

strike.



Dsus2





 

 

 

You

got

your





Gtrs. 1 & 4: w/ Rhy. Fig. 3



A5

 

Csus2

 

de - mons

  and





You

could

  your

F



G5

 



 

 

pull



fan - cy

 

C'9

 

 

 

the

trig - ger

and

you’d



A5





It

would

wine.





9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F

C'9

   

 

go Gtr. 5



 

 

down

eas







-

G5

 

 

 

y

if

you’d







 



spend the



 

 



 





night,

spend the

 





 



 

  















night.



Oo,







let ring

17

20

17

20

19

20

17

20

19

17 19

17

20

20

17

17

20

19

20

19

  

  

  

  

  

  

  

  

  

  

  

  

  

  

   

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

X X X

               

  

  

  

  

  

  

  

  

  

  

  

  

  

X X X X X X

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

   

   

   

 

 

 

 

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

X X X X X X

X X X X X X

0 3 0 2 3

0 3 0 2 3

X X X X X

X X X X X

   

   

   

   

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

X X X X X X

    



17

20

   

Gtr. 1

Gtr. 4

17 19

0 3 0 2 3

0 3 0 2 3

X X X X X

X X X X X





X X X



P.S.

 

X X X

17

Interlude Gtrs. 2 & 3: w/ Riffs D & D1 Gtr. 4 tacet

Gtr. 5 tacet

A5

 

    



15

17

  Gtr. 5

 













C5









oo,





oo,





Gtr. 1

               3



4

5

3

4

5

3

4



5

                 

  

3

3

4

3

5

4

5

3

4

5

3

4

5

5

17

Gtr. 1: w/ Riff E

G5

    



      oo,

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A5





   oo,

F#5

   



      oo,

G5





   oo,

A5

  













 





oo.

  Gtr. 1

     3

4

3

5



  

5

4

3

4

5

    

  



3

3

4

3

5

4

3

5

4

       

5

5

6

7

7

Gtr. 3: w/ Rhy. Fig. 1

A5

  Gtr. 2

 

17

18



20

G5

 

17

18



20

A5

C5

  

17

18

A5

17

           

A5

17

19

19

11

12

A5

10

11

G5

           Gtr. 2

17

18

19

17

18

12



10

11

   



12

10

A5

  

10

C5



17

18

19

           

    

12

12

10

11

12

18

17

19

18

    

12

10

11

10

12

11



20



G5

A5

  

17

17

12

10

11



17

18

17

19

12

G5

18

19

17

18

C5

A5



   

19

17

10



18

20

11

12

10

A5

   

17

18

19



10

10

 



 

11

10

12

11

12

10

11

12

10

11

12

Gtr. 3

1/4

2 2 0

3

 

 

1/4

2 2 0

2 2 0

3

2 2 0

3









 

 

1/4

2 2 0

3

18

19

19

       

            

12

17

G5



        

A5

A5

 20

Gtr. 1

10

12

17

19

Gtr. 1

10

G5

        



19

G5

 

12

10

12

µ





19





12



1/4

3

2 2 0

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Libertad

American Man Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash B

B VII

B/D#

Em

7fr 1333

A5

B'11

7fr

7fr

134211

143121

1342

A

E

C

G

32 1

134211

Em type2

1144

1342

D

7fr 13421

Intro Moderately q = 141 µ



     

(Drums)



111

*A

231

E

(Bass)

C

132

G



A

E



C

G

     

Gtr. 1 (dist.)





** p



mf

12 12 12 *Chord symbols implied by bass, next 4 meas.

A

E

Rhy. Fig. 1 ***Gtrs. 1 & 2

        0 2 2 2 0

0 2 2 2 0

C

G

12 12 12

**Vol. swell

A

E

C

G End Rhy. Fig. 1

  

  

X X X X

0 0 1 2 2 0

  

                      

        0 0 1 2 2 0

X X X X

0 1 0 2 3

0 1 0 2 3

3 3 4 5 5 3

X X X X

3 3 4 5 5 3

3 3 4 5 5 3

    

  

  

   

0 2 2 2 0

0 2 2 2 0

X X X X

0 0 1 2 2 0

X X X X

                      

       

  

0 0 1 2 2 0

0 1 0 2 3

X X X X

0 1 0 2 3

3 3 4 5 5 3

X X X X

3 3 4 5 5 3

3 3 4 5 5 3

   X X X X

***Gtr. 2 (dist.), played mf . Composite arrangement Gtrs. 1 & 2: w/ Rhy. Fig. 1

A

E

          

Rhy. Fig. 2

    

Gtr. 3 (dist.)

  

  

C

G

     

        

  

   

A

   

   

   

     

3 3 4 5 5 3

3 3 4 5 5 3

X X X X

E

           

  

  

C

     

G

        

  

   

   

End Rhy. Fig. 2

   

mp 5 5 6 7 7 5

5 5 6 7 7 5



X X X X

12 12 13 14 14 12

12 12 13 14 14 12

B





   



1. Free

-



Riff A

w/ chorus let ring

9

11

8 8 9 10 10 8



dom,

       Gtr. 1

8 8 9 10 10 8

X X X X

3 3 4 5 5 3



Verse

Gtr. 3

X X X X

5 5 6 7 7 5

5 5 6 7 7 5

X X X X

12 12 13 14 14 12

12 12 13 14 14 12

X X X X

8 8 9 10 10 8

8 8 9 10 10 8

X X X X

3 3 4 5 5 3

3 3 4 5 5 3

   

  

3 3 4 5 5 3

X X X X



(cont. in slashes)

Gtr. 3 tacet *** Em9

 

   the

na

-

ked



pow

 

   -

er

    



 weak

    - ened

by



let ring

10 7

7

  the

ag -

End Riff A



5

***Chord symbols reflect implied harmony.

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Riff A (2 times)





B7





-



* B7/D#





Em9



es.





Raped,

but



not







for - got





-

Em9/G





ten.

Em9/A Em9/G

  





All

it’s



sup

-





ple

se -

*Bass plays note to right of slash, next 11 meas.





B7

B7/D#







-



Gtr. 2

crets,









7

7

7

7

P.M.

4 6 7







 



gods

and

lib



7

7

P.M.

4 6 7

 



4 6 7





7

7

P.M.

 



4 6 7











 -

7

7

7

7

P.M.



 



er











tions.





7

7

P.M.

4 6 7

Em9/G

-

a

-





4 6 7

7

7





to

use

 



P.M.

 







 

7

7

7

7

P.M.

 

B7

  

   it

       Riff B

let ring

9

11

B7/D#

   are





7

7

P.M.

5 7 7

Gtr. 2: w/ Rhy. Fig. 3

Em9/A







Those

that

try



those



 that

 



5 7 7

   try







7

7

P.M.

 



5 7 7

Em9





to





 

7

7

7

7

P.M.

  

sheath





it,

     let ring

10 7

7

  5 7 7





7

7

P.M.

Em9/G



 

  

wide a



-

 



2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





7

7

P.M.

5 7 7

Em9/A









wake. End Riff B





5 17

Sorgdal



End Rhy. Fig. 3

5 7 7

Gtr. 1



Em9

-





Rhy. Fig. 3

   











 Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) 3rd time, Gtr. 4: w/ Fill 1

A

E

      Yes,

C

G

     

I

am

the

    

A - mer

-

i - can

A

E

  



man.

Yes,

C

G

     

I

am

the

    

A - mer

-

i - can



man.

To Coda 1  To Coda 2 1st & 2nd times, Gtr. 3: w/ Rhy. Fig. 2

A

E

      Yes,

C

     

I

am

the

Gtr. 1





    

A - mer

Guitar Solo B VII Rhy. Fig. 4

G

 



mf

9

7

Gtr. 1: w/ Rhy. Fig. 4

B

6



          

2

2

7

I

am



the

9

      

Em

 





1

9

End Rhy. Fig. 4      





     

9

10

10

7

10

10

7

10



man.

 

10

7

i - can

      

7

9

-



 

    

A - mer



9

G

     

 

B/D#

2

C

       P.M. 

          7

   Yes,

 

     

6

man.

E

Em

      

Gtr. 4 (dist.)

 

i - can

B/D#

   



-



A

 3    

 

7

 9

7

* Em/G

7

9

Em/A

Em/G

3

3

7

            3

3

9

12

11

9

12 11

9

12

11

9

12 11

*Bass plays note to right of slash, next 13 meas.

    

Fill 1 Gtr. 4





14

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 1: w/ Riff A (2 times)





B7

   







Em9



  





    

2. Free



Gtr. 4 tacet

B7/D#

men

haunt

-

ed

by

the

mu





  

-

Em9/G

    



sic.



Em9/A

Ghosts

of

gen



-

er

-



12



B7

B7/D#

 



a



-





tions

Em9









beat

the

drums





for

free

Em9/G







-





dom.

Em9/A





Those

that







toiled

and

D.S. al Coda 1 Gtr. 1: w/ Riff B Gtr. 2: w/ Rhy. Fig. 3

B7

  

B7/D#

    

suf

-

  



fered,

now

those

   they

Em9



try



to

Em9/G

  

smoth

-

  



er

Em9/A

wide

  

a

-





wake.

 Coda 1

Bridge Half-time feel





A5 Gtr. 2





     

Where

 

  

Gtr. 1



to







    

Gtr. 2 tacet *A

be - gin?







A

  

17



C

  

        Where

do

 17

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17

I

  



G

  

Bred

to



  

win.









mp

string noise

X X X

17

E

C



    

w/ slapback delay

5

E

  

G

  A



go,

  the





soul

5 *Chords implied by bass, next 6 meas.

   worn



17

E

C

   off my



    skin?

   13 X 10

G







        

15 X 12

15 X 12

15 X 12

12

    9 X 7

12 10

A

E

  

C

  

 



G

  

A

  



E

  



C



G

 



 

 

So... Riff C      

     

Gtr. 2

 

I

   

w/ pick & fingers

11

10 9

9 9

9

        

 

Gtr. 1

8 9

10

8 7 9

7

  

 

0

9

14

14 X 12

12

Gtr. 2: w/ Riff C (3 times)

A

E

  

    

16

16

14

14

11 X 9



  

cut

out the

         Gtr. 1

14

14 X 12

12

A

E

 

So

are

we

E

read

C



  

I

know I



  

 

  -

    

  

16

16

14

14

G

  



y,

 

feel,

E

12 X 10

 

  

 

12

    

E

y

E

 

 End Riff D

 

C





to

lose?

   





G



   

feel.







9 X 7

C

feel,





0

G

    14

   

9

you.

12

-

A

 

7

9 X 7

know is

14

 

8 7 9

 

   

  

I

A

End Riff C

C

    

read

G

12

         let ring

8 9 10

    14

  

   







 

8 9 10

 

soul



  Gtr. 4

C



A

  

  

9 9 9

9 9

12



my

   

14

A

   in

 

Gtr. 1: w/ Riff D (2 times)

  

  

hole

 

Riff D

12 X 10



G

    



  

C

  

10 9

11

 

mf

12 X 10

   

         let ring

 

15

G

   

   



15

17

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4 tacet

A

side

9

11

12 9

9

        Riff E

7 X 5

the

 

    



 



8 8

8 7 9

10

 

8

7

9

side

the

G

 

walls,

  

 

       

12 9

9

  

 

 

    

9 X 7

12

14

10

12

7 X 5

8 8 9 10

8 9 10

  

 

9

8 7 9

8

  

i - ron

 

Gtr. 4

C

  

 

walls

 

G

pro

-

 



 

7 X 5

7



  

tect

the

A

E

 

souls

C





    

of

my old



           let ring

   

    

12 12

8 8

8 8

Gtr. 2

11

 

Gtr. 5 (fuzz)

  

G

    

   

12 9

10



             let ring 7 8 9 9

8



7

     



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     

   

     

12 12 9

15 15 12

15 15 12

12 10 9

11

9

         mf 4

5

0

9 X 7



boots.



5

6

9

End Riff E

7

9

7



End half-time feel

E

the

10



let ring

10 9

11

   

     

          let ring

   

C

 

-

  

7

  



E

in

9

A

A

walls,

 

Gtr. 1: w/ Riff E

  

G



-

     

   Gtr. 2

Gtr. 1

   

 



In

   

C



 

  

E

7

8

10

12

          let ring 8 7 9

     5

7

7

3

8

7

9

  

3



Guitar Solo Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtrs. 2 & 5 tacet

B



B/D#

 



  

  





 





Gtr. 4



Em

 1



12

* Em/G









Em/A







  







    







1 1/2 12

12

12

12

1/2 11

*Bass plays notes to right of slash, next 9 meas.

B

B/D#

     





     

 

3

11

11

12

12













14

12



  





  

 





11

              

1/2

11

11

let ring

12

12

14

12

15

 14 15 12

Em

Oh.





             

11



Em/A



B/D#



Em/G

     

B



Em

 

14 14 14



 

15

12

12

Em/G

11

12

Em/A



                   1/2

1

12

1

15

15

14

14

14

14

12

11 12

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

BVII



Gtr. 1





B'11

  

             



 

 

12

14







      

      1

1

17

1

17





0 0 0

20

17

A

E

Yes, I

am

C

the

G

    

A - mer



19 19

17 14

i - can

  

 

  

  -

side

the

E

  



man.

Yes,

E

C

am

 



 



walls,

in

G

A

E

C

                                           am

               Gtr. 3

5 5 6 7 7 5

 

X X X X

the A - mer

  

12 12 13 14 14 12



-

C

     

I

Gtrs. 1 & 2

5 5 6 7 7 5

17 15

14

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

the

A - mer

G

-

  -

 

side

   the

  

i - can



man.

 

 



walls.)

 Gtr. 1    (Gtr. 2, cont. in notation)   G

D

 

i - can man.

  

     

       

12 12 13 14 14 12

8 8 X 9 X 10 X 10 X 8

8 8 9 10 10 8

     X X X X

   

3 3 4 5 5 3



   

   

  

   

3 3 4 5 5 3

3 3 4 5 5 3

X X X X

5 5 6 7 7 5

           5 5 6 7 7 5

X X X X

  

12 12 13 14 14 12

   12 12 13 14 14 12



      X X X X

8 8 9 10 10 8

   

   

      

3 3 4 5 5 3

10 10 11 12 12 10

 

Gtr. 2

   7 7 5 5

8

17 15 13 12

    

End Voc. Fig. 1

 

 



A

Bkgd. Voc.: w/ Voc. Fig. 1

Yes, I

17 15 14 15 14

 

-

Voc. Fig. 1

(In

A



Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Rhy. Fig. 2

                





            3 

17

12 12

 Coda 2

D.S. al Coda 2

Em type2

  

 



Em

       7 7 5 5

7 7 5 5

from Velvet Revolver - Libertad

Mary Mary Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash F#5

F5

E5

B5

B5 type2

D5

A/C# 5fr

134

134

11

134

Intro Moderately q = 134 µ

13

134

311

Verse *F#5

        (Drums)





F5

E5

F5 F#5

F5

E5

F5 F#5

          



1. Got a feel - in’, feel

-

F5

E5

F5 F#5

Got a

fe - ver, fe -

    



in’ in your eyes.

*Chord symbols implied by bass, next 7 meas.

F5

E5

F5 F#5

               

E5

F5 F#5

      

- ver, fe - ver in your Gtr. 1 (dist.)

F5

F5

E5



thighs,





F5 F#5

F5

E5

F5 F#5

  

      

in your

thighs.



** F5

E5

B5







           



mf

P.M.



0 0 4 2

0 4 2 2 0

0

X X X

4 4 2

**Chord symbols reflect overall harmony.

     

   Mar - y, Mar

     Gtr. 2 (dist.)

  -

y,

Mar

E5

B5

     -

y,

by my







side.

   Got, a, time





  and

E5

   

love,

F#5

  

the kind you

 

can - not



buy,

   



mf

4 4 2 Rhy. Fig. 1

        Gtr. 1

4 4 2

          4 4 2

4 4 2

End Rhy. Fig. 1

       P.M.

0

2 2

X X

4 4 2

  

 

              P.M. 2 0

2 0

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

2 2 0

0 0 4 2

X X

4 4 2

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Sorgdal

F5

        

E5

F5 F#5





F5

E5



F5 F#5

 

   can - not

    

F5

E5

F5 F#5

  





F5

E5



buy.

Rhy. Fig. 2

                     4 4 2

4 4 2

3 3 1

3 3 1

2 2 0

2 2 0

3 3 1

                    

4 4 2

4 4 2

       

3 3 1

3 3 1

2 2 0

2 2 0

B5

3 3 1

                    

4 4 2

  

4 4 2

3 3 1

3 3 1

2 2 0

2 2 0

3 3 1

        

4 4 2

  

4 4 2

 

3 3 1

3 3 1

          2 2 0

2 2 0

4 4 2

X X X

              string noise

4 4 2



Black

boots,

strong

legs,

got

style.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal











4 4 2





2 2 0

               P.M.    4 4 2

4

2 0

2 0

2 2 0

     My ba - by knows

        

 

4 4 2

let ring

B



       

       

E5





     

X

the

 

you see her come for

 

  

A5

     

walk,

    

X X

   4 4 4 2

4 4 2

X X

miles,

  

End Rhy. Fig. 2

4 4 2

2 2 0

0 0 4 2 2 0

 



2 2 0

0 0 4 2

12

  

      

 4 4 4 2

4 4 4 2

     X X X

7 7 5

 

G#5

        







 



G5



   

C#5

come for



C#7#9

F#5 G#5





miles. Voc. Fill 1

    



A5





End Voc. Fill 1

  

  



(Oo, oo,

             Riff A

 





   





 

 

oo. End Riff A

  

1

14 12

12

14

14

12

13 11

11

14 X 11

12 11

10

12

Rhy. Fig. 3

                      P.M.

7 7 5

7 7 5

7 7 5

7 5

 Pre-Chorus

7 7 5

7 7 5

X X X

6 6 4

  

Wan - na

    

Voc. Fig. 1

                

find

 

6 6 4

X X X

X X X

5 5 3

5 5 3

       

     out

what

let ring

6 6 4

0

        

  

   

P.M.

6 6 4

E5

    

     

End Rhy. Fig. 3

3

4

5

4

4 4 2

B5

E5 F5

       

you’re

say

-

6 6 4

X X X X

7 7 5

F#5





ing.

End Voc. Fig. 1

   









  

  



Oo, oo,

        

  



 



       

9

9

 

 

oo.)

 

  

1

14 12

12

14

14

12

7

                           P.M.

7 7 5

7 5

7 7 5

X X X X X X

7 7 5

7 7 5

X X X

2 2 0

7

7

10 X 7

7

12 9

                P.M. 2 2 0

0 0 4 2

2 0

2 2 0

2 2 0

X X X

4 2

4 4 2

             P.M.

4 2

4 2

2

P.M.

4 2

2

P.M.

4 2

2

              P.M.

4 2

2

4 2

2

2 0

3 1

1

4 4 2

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bkgd. Voc.: w/ Voc. Fig. 1

F5

     

E5

    

F5 F#5

       

Wan - na

     Gtr. 3 (dist.)

play

F5

the

E5

F5 F#5

        games



F5

        

you’re

play

-

E5

F5 F#5

 

F5



B5 C#5



D5



 



ing.

Mar -









 



mp

17

                                                Gtr. 2

4 4 2

4 4 2

3 3 1

3 3 1

2 2 0

2 2 0

3 3 1

4 4 2

4 4 2

3 3 1

3 3 1

                                

2 2 0

                                               P.M.

4 4 2

4 4 2

3 3 1

P.M.

2 2 0

0

3 3 1

X X X



Chorus D5

      -

y, Mar - y

4 4 2

4 4 2

3 3 1

0

 

                                            

3 3 1

X X X

on

my

4 4 2

C5

  

 

mind,

3 3 1

2 2 0

2 2 0

3 3 1

4 4 2

4 4 2

3 3 1

3 3 1

5



P.M.

A

   

3 3 1

6 X 4

3 3 1

2 2 0

4 4 2

4 X 2

2 2 0

Gtr. 1

4 4 2

         

  

  



4 4 2

3 3 1

0

2 2 0

  

oh.

3 3 1

X X X



Get

4 4 2

4 4 2

3 3 1

4 X X 4 X X 2 X X

back,

X X X

7 7 5

D5

   



6 6 4

           

sug - ar

ba

-

by. Mar -

Riff B1

   





   









   

1

19 17

 

17

Riff B

 

19



19

18

18 17

7 5

    7



   





18





18

17

17 17

   





17

7

6

6 5

6

17

7 7 5

5

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

X X X X X X

7 7 5

7 7 5

X X X

2 2 4

6

5

5

2 2 4

X X X X X X





5 5

2 2 4

2 2 4

    

End Riff B1

16

16

   

15

14

17

End Riff B





     

1

                   2 2 4



17

5

5

4

5

X X X

5 5 3

                   5 5 3

5 5 3

X X X X X X

4 5

Rhy. Fig. 4

             



16

17

1/2

5



1

17

1

5





1/2

17





5 5 3

5 5 3

X X X

5 5 3

5

4

3

2

5

 End Rhy. Fig. 4                  7 X 5

5 3

4 X 2

4 X 2

5 X 3

4 X 2

7 7 5

To Coda 2 Gtr. 1: w/ Rhy. Fig. 4 Gtrs. 2 & 3: w/ Riffs B & B1

A

C5

          -

y,

Mar - y

on

my

  

    

  

mind,





 

oh.



Get



back,

   

   

sug - ar

ba



D5

       -

by. Mar -

A

y, Mar - y



Fill 1

    Gtr. 3

  

    

 

on my

mind,

oh.

   



B5







  



19

19

17

19

18

18 17

 

Gtr. 4 (dist.)

18



  

End Fill 1       

1/2

17

E5 F#5 E5 F#5







   

1

17

  



      -

To Coda 1 

18

16

16

16

17





   



  



mf

P.S.

X X

     

   

Gtr. 2









7 5

7

5



1/2

7

6

6

5

5

6

6

4 19

   

   

1

 

4

  

(cont. in slashes)

4

5

0 0

19

                   

4 4 2

Gtr. 1

                 let ring let ring

                P.M.

P.M.

P.M.

       

    

(2nd time, cont. in slashes)

7 7 5

7 7 5

5

X X 7 X X 7 X X 5

Interlude Gtr. 3 tacet

F#5

F5

 open E

7 7 5

X X X

E5 F5

2 2 4

2

2 4

F#5

X X X X 2 X X 4

F5

2 0

E5 F5

  

  

(cont. in slashes)

4 2

4 2

4 2

F#5

4 2

F5

4 2

 open E

4 2

4 2

E5 F5

4 2

4 2

4 2

4 2

4 2

F#5

0

F5

2

0

4 4 2

E5

B5

                                 P.M. P.M.                                               *Gtrs. 1&2 Gtr. 4

4

4

3

2

3

4

4

3

2

3

4

4

3

2

3

4

4

3

2

3

4

*Composite arrangement

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1

E5

          2. A mod - ern

    

 

lov

-

    

er,



  

4

4

a mod - ern

Gtr. 4 tacet

B5





kind.

E5

   When we close





     

  the

F#5

door

 

we’re nev - er out of



time,



4

Gtr. 2: w/ Rhy. Fig. 2

F5

        

E5

F5 F#5





F5



E5

F5 F#5

 

   out of

       

F5

E5

F5 F#5

  





F5

E5

B



time.

         string

Gtr. 1

  

  

 

noise

 X 

4 4 2

red

lips,

brown

        





      

eyes.

   

Can’t tell you how it

feels

         

  

4 4 4 2

0 0 4 2

2 2 0

X X X



 



hair,

B



Uh, black

E5



















       

0 0 4 2

2 2 0

   

A5

  

 

that you’re mine, o



1 2

4 4 4 2

X X X

mine,

       1 2

0

7 7 5

D.S. al Coda 1 Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff A

      

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bkgd. Voc.: w/ Voc. Fill 1

G#5







 



mine,

o

G5





 

C#5

mine.

 



 

C#7#9

F#5 G5





A5

 Coda 1 B5

E

type2

F#

open 2fr

Gtr. 1

Guitar Solo

  

Gtr. 3: w/ Fill 1 (last 2 meas.)

F5 E E5 F5

open

     

   Gtr. 5 (dist.)

  

 

* pp

mf





16 16 16

16 16 16

F5 E E5 F5 open

F#5

        P.M.

        P.M.





End Rhy. Fig. 5

          

 

14

14

 



steady gliss.

w/ slide



F#5

open

Rhy. Fig. 5

  





  



E F#5

0 0

         

14

14

16

*Vol. swell

Gtr. 2

4

  

                  

                  Rhy. Fig. 6

P.M.

P.M.

4 4 2

4 4 2

3 3 1

0

2 2 0

3 3 1

End Rhy. Fig. 6

3 4 4 2

3 4 4 2

2 3 3 1

0

1 2 2 0

2 3 3 1

3 4 4 2

Gtr. 1: w/ Rhy. Fig. 5 (2 times) Gtr. 2: w/ Rhy. Fig. 6 (4 times)

F

      Gtr. 5

E F F#

F

    





steady gliss.

16

Gtr. 1



14 14

F5





F#

   

F

E F

        

F#



 

14 14

17 17

F

E F

        

F#





steady gliss.

16

F#5

E F



17 17

14 14

 E

E5

F5

open







P.M.

      



Gtr. 5

9 9

17 17

 

  





3 4 4 2

3 4 4 2

2 3 3 1

F5







 





  

 

0

1 2 2 0

2 3 3 1



      3 4 4 2

 

17 17

  

3 4 4 2

2 3 3 1

14 14

14 14

9 9

E

E5

F5







  



P.M.



  

 



     

0

1 2 2 0

2 3 3 1



11 11

 

19 19

open

11 11 11

Gtr. 2

P.M.

14 14

F#5

9 9

       

19 19

P.M.

 

F#5

11 11

3 4 4 2

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Sorgdal





Interlude



Gtr. 5 tacet

     



 



(cont. in notation)









steady gliss.

11 11 11

       

 

       

 

3 4 4 2

4 4 2

Verse

  

* F#5

F5

     

E5 F5

3. Ba - by, ba

       Gtr. 2



-

 

    

by, ba

-

F#5

F5

by’s on my



     1/2

4 4 2

E5 F5



F#5

  

F5



mind.

4 4 2

E5 F5

When we close



 

F#5

the

       F5

door

A5

we’re nev - er out of





 

E5

time,

 



4 4 2

12

     Gtr. 1









             string noise

X X X *Chord symbols implied by bass, next 4 meas.

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff A

         

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

0

7 7 5

Bkgd. Voc.: w/ Voc Fill 1



G#5



G5



 

C#5

 



out

of

time.

  





C#7#9

F#5 G#5





A5

Pre-Chorus Bkgd. Voc.: w/ Voc. Fig. 1

A5

E5

    

     

  

Wan - na

       



play





Gtr. 2

  





  the

 



       

B5

games

play



  

you’re



    



     -

  

 

ing.

 

1

14 12

12

         

14

14

9

12

7

7

7

7

    

    

   

 

 

 

2 2 0

2 2 0

X X X

Gtr. 1

7 7 5

 

7 7 5

 

 

7 7 5

 

7 7 5

7 5

7 7 5

X X X

2 2 0

2 2 0

0 0 4 2

2 0

12

10 X 7

9

9

 

 

 

4 4 2

 

 

4 4 2

4 4 2

P.M.

4 4 2

 

 

4 4 2

4 4 2

P.M.

 

P.M.

4 4 2

D.S.S. al Coda 2

     

C#5









D5

Ah.

Mar -

    

 

   

 

 

   

 

 

   

    

             

X X X

X X X

4 4 2

3 3 1

4 4 2

5 5 4

6 6 4

5 5 4

6 6 4

7 7 5

8 8 6

7 7 5

8 8 6

 

   

 

 

 

 

 

 

 

 

 

 

4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

12 9

      



 

 

 

4 4 2

4 4 2

P.M.

4 4 2

 



 

4 4 2

2

4 4 2

P.M.

P.M.

4 4 2

P.M.

P.M.

P.M.

P.M.

P.M.

9 9 7

10 10 8

  

 

      

4 4 2

4 4 2

6 6 4

0 0

0

0



5



P.M.

0 0

7 7 5

 Coda 2

Gtr. 1: w/ Rhy. Fig. 4 (2 times) Gtrs. 2 & 3: w/ Riffs B & B1 (2 times)

A

          -

y, Mar - y

on

my

mind,

C5

  

     oh.

  



   Get

 back,



   

   

sug - ar

ba

D5

       -

by. Mar -

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

C5

          -

y,

Mar - y

on

my

  

    

  

mind,

  



oh.



Get

D5

   



back,

           

sug - ar

ba

-

by. Mar -

Gtr. 3: w/ Fill 1

D5 Gtr. 1

A/C#

F#5

                          P.M. P.M.

-

y, Mar - y

Gtr. 2



 



  

    

 

on my

mind,

oh.

    





  

  







w/ slide 1

    

Come on



Gtr. 4

    



                

  



       

B5

    

Gtr. 2 divisi

steady gliss.

down

  

w/ out slide

1/2

*

7 5

5

7

7

6

6

5

6

5

6

4 4

5

4 4

8 8

11 11

4 4 4 2 *Gtr. 2 notated to left of slash in tab.

Outro Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 1/2 times)

F5

     

E5 F5

 

   now.

Get on

              Gtr. 4

F#5

  

F5



E5 F5

 

  

down

now.

F#5

  

Come on

4

2

4

down

        

2

2

4

4

4

E5

F5

2

4

   





2

2

4

4

4





F5



E5



 





1

4

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

2

2

4

2

4

F5

2



Get

on

           1

2

F#5

  

4



4



down

4



2

2

4

F5

E5



4

4

4

2

2

4

2

4

F5

4

F#5

now. Riff D



down End Riff C



 



 





4

4

1

1

2

   



 

4





F#5

Come on

    





E5 F5

now.

now.



F5

1

F#5



F#5



 

1

F5

     

Sorgdal

E5 F5

Riff C

1

    

F5



2

4

4

4

2

2

4

2

F#5



F5

E

E5

F5

E5

F#5

        P.M.             

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)

F5

E5

F5

F#5

F5

E5

F5

F#5

open

Gtrs. 1&2



Ooh.

      Gtr. 5

    

Come

on

down









X X

X X

X X

11 11



  now.



Get

on

   

 

11 11

10 10

X X

10 10

11 11

 







9 9



 

down

 

X X



now.



 

Riff E

11 11





Get

on

down,

 

End Riff E

 

10 10

  

9 9

10 10

11 11





4

4

End Riff D

Gtr. 4



 

 











1/2

4

2

4

  

E5

F5



down,

F5

E5

2

2

4





get

on

4

4

2

4



 2

2

4



Come

on



 

F5

get

on

down,

  

F#5

  

F5

down,

down,

  



E5

F5



down,

  down,





come

on

E5



F5





get

on



Free time

F#5

 







  

F#5

down

  

F#5

down,

 

  



F5

 

E5



now.

 

F5

get

on





  

E5



down,





F5



Get

on

F5





get

on



F5

F#5







  



 





Gtr. 4: w/ Riff C

now.

    

2

4



     

 



1



on

4



get



4



F5



      



1

4

4

Gtr. 4: w/ Riff D Gtr. 5: w/ Riff E (6 times)

Gtrs. 1&2

  





  

F#5

down

  

F#5

down

 

now.

       Gtr. 5

  



11 11

     



11 11

 

Gtr. 4

 grad. bend

4





1

4

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Libertad

Just Sixteen Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash F#5

E5

A5

B5 5fr

134

11

D

134

Dsus4

E5 type2

G5

7fr 134

D5

113

A5 open

2

D5 V

34

E5 VII 5fr

Intro Moderately fast q = 160 B5

        

Gtr. 1 (dist.)

 

P.M.

0

0

         9 9 7

        

0

   

11 12

9 10

 0

0

9 7

9 7

9 7

9 7

9 9 7

  11 12

9 10

9 9 7

 0

9 9 7

 11 12

9 7

9 7

9 7

Rhy. Fig. 2A

9 9 7

9 9 7

9 9 7

12 10 12

9 7

9 9 7

9 9 7

9 9 7

9 9 7

 0

0

0

0

9 10

0

11 9 12 10

9 7

9 7

9 7

9 7

9 7

X X X

9

9 9 7

9 9 7

9 9 7

9 9 7

   11 12

9 10

9 9 7

 0

9 9 7

9 9 7

  11 12

9 10

9 9 7

 0

9

  14 12

            

9 7

                     9 9 7





 





 





 





0

0

0

0

10

0

12 10

0

12

0

0

10

0

12 10

0

12

7

9

9 7

9 7

9 7

X X X

9

7

9

9 7

9 7

9 7

X X X

9

7

9

9 7

End Rhy. Fig. 1A

                  P.M. P.M. 9 7

   

End Rhy. Fig. 1

Rhy. Fig. 2

9 7

 

134

                                                         

9 9 7

    

 



134

Rhy. Fig. 1A

mf

Riff A

  

11

P.M.

10

9 7

Gtr. 3 (dist.)



  

13

                                                        P.M.  P.M.

mf





134

Rhy. Fig. 1

Gtr. 2 (dist.)

  



mf



132

7fr

9 7

9 7

X X X

9

7

9

9 7

             9 9 7

9 9 7

9 9 7

9 9 7

9

7

9

9 9 7

7

9

 0

9 9 7

9 9 7

    14 12

12 10

 0

9 9 7

9 9 7

    14 12

12 10

9 9 7

9 9 7

9 9 7

E5

 0

 

14 12

                 P.M. P.M. 9 7

9 7

9 7

9 7

9 7

9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

 0

9 9 7

9 9 7

    14 12

12 10

9 9 7

 0



7

                9 9 7

9 9 7

9 9 7

9

7

    14 12



12 10

9 9 7

9

B5

 0



12

  

End Rhy. Fig. 2

7

9 7 End Rhy. Fig. 2A

 

2 2 0

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

    2 2 0

9 9 7

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 1 tacet

* B7

    



 1. At

    Gtr. 1

  

 

  

school

the

-

teach

 

er

     





saw

the tal - ent

End Riff A   

  

in your

eyes.









12

                 P.M.

P.M.

    

P.M.

Riff B End Riff B                                 



Fill 1

Gtr. 2

End Fill 1



P.M. 1

7 7

7

9

9

9 7

7

11 7

9 7

7

11 7

7

9 7

7

Rhy. Fig. 3

               Gtr. 3

9 7

7

7

7

7

7

7

9 7

7

7

7

7 7

7

9

7

9



P.M. 1

9

9

7

9

P.M.

7 7

8 7

9

          

P.M.

9 9 7

9 7



P.M.

7

7

9 7

7

11 7

9 7

7

9 7

7

9 7

              P.M.

9 7

7

7

7

7

7

7

7

7

7

7

7

7

7

9

8 7

   

7

8 9 9 7

*Chord symbol reflects implied harmony.

Gtr. 2: w/ Riff B (4 times)

    

        Gtr. 3







So

pleased

         P.M.

8 9 9 7

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

8 9 9 7

7

7

7

7

7

7

 

    to

meet

you.

So young, so pret - ty,

          

7

7

7

7

          

7

7

7

8 9 9 7

  

so

un - sat - is

         P.M.

8 9 9 7

7

7

7

7

7

7

   -



fied.

                 

7

7

7

8 9 9 7

9 9 7

9 9 7

9 9 7

7 7 7

    



 



Un - der - neath

               P.M.

7 7 7

9 9 7

7

7

    

7

7

7

He’s her

the

7

7

fa

7

7

-

vor - ite

                      P.M. P.M. P.M. 

teach

7

7

9 7

7

11 7

9 7

7

9 7

7

7

7

7

7

7

7

  

8 9 9 7

7

7

7

  

the kid and

Mis - sus

Jones.

Du

9

7

7

-

7

9 9 7

7

7

7

7

7

  

one - o

-

7 7 7

7

9 7

7

7

7

11 7

7

       8 9 9 7

7 7 7

7

8 9 9 7

9 9 7

F#7'11

one.

7 7 9

 

7

  

                      (cont. in slashes)  P.M. P.M. P.M. 1 1

P.M.

8 9 9 7

7

ly dis - con - cert - ed lov - ers

8 7

   

7



        

           

7

     

  

         8 9 9 7

 9 7

   

P.M.

        

9 7

P.M.

7

  

 

1

                 8 9 9 7

7

9 9 7

- er.

7 7

Gtr. 3



7

9

7

8 9 9 7

7





sat

    

Gtr. 2

8 7

bleach - ers

        

  



 

   

7



  

9 7

  

7

9

9

9

7

  

  

  

  

  

4 4 2

End Rhy. Fig. 3

  

  

  

let ring

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

0 0 3 4 4 2

Pre-Chorus

F#5

E5

F#5

E5

F#5

                                P.M. P.M. P.M. P.M.                                      Gtr. 2

We ain’t got

          Gtr. 3

noth - ing

  

to

hide,

hide.

   

We ain’t got



noth - ing



to

hide,

hide,

   

let ring

0 0 3 4 4 2

0

3

2 4

0

3

2 4

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E5

F#5

A5

B5

                                  

P.M.

    

P.M.

     

hide.

We ain’t got

    

  

noth - ing to

  





hide,





            

P.M.

P.M.



hide.

(cont. in notation)

We ain’t got

noth - ing, noth - ing, noth - ing to

    

2

0

Chorus

  





 

Oh,

 

you

  

say

Rhy. Fig. 4 *Gtrs. 1 & 2

                  

 

it’s

     

slight P.M.

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

4

7 7 5

  

   

G5

D5



you

say

      

 

5 5 3

0



2

3

wrong,

hide.

                     

let ring



5 5 3

X X X

7 7 5

   what

    

 

you

you

do,

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

9 9 7

A5

     

do,

you

B5

do.

                

slight P.M.

7 7 5

7 7 5

  

                7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

X X X

9 9 7

*Composite arrangement

   

  

 

Oh,

 

Gtr. 4 (dist.)

you

  

say

 

we’re

  

wrong,



   

G5

A5



you

say

   what

    

 

we

we



do,



  

   



do,

E5

  

we



B5

do.





 

 

mf

7

                   Gtrs. 1 & 2

End Rhy. Fig. 4

     

slight P.M.

9 9 7

9 9 7

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9

9 9 7

9 9 7

9 9 7





0

        5 5 3

5 5 3

X X X

7 7 5

                slight P.M.

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

              7 7 5

7 7 5

7 7 5

X X X

9 9 7

9 9 7

0

  9 9 7

1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 4 2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 4 (1st 7 meas.)

   

  

 

Oh,

you

  

say

 

it’s

wrong,

7

7

9

7

9

D5

  



you

say



1

9

   

what

    

 

you

you

do,

A5

  

9

9

7

do,

you



9

7

9

    

   

 

Oh,

  Gtr. 1

you

do.

say

 

we’re

  

wrong,

7



   

A5

T o Coda 

  



you



steady gliss.

17

G5

B5

    

              

          Gtr. 4

9

  

G5

say

what

    

    

we

we



do,

   

E5

B5

    

   

do,



12

we



do



 

wrong.

  

 

12

Riff C   End Riff C                             Gtr. 4



1

9

7

9

7

9

7

9

9

7

9



9

7

7

7

Interlude Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A Gtr. 4 tacet

     









      You

    

do











wrong.

      You

    

do

wrong.

Verse Gtr. 2: w/ Fill 1 Gtr. 3: w/ Rhy. Fig. 3 (simile)

B7

    





Gtr. 2: w/ Riff B (5 times)









2. Roll - ing

in

the

street





 -

lights











in

his

 



old man’s

 





ride.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   





  





in

his

lap

Head

   



 

go









Stand - ing

in

the

court







 



ing

up

-

 

-







and down,







up



and down,



house,





God

and









oh,

no,

cop

lights.







 

 

ev - ’ry

child,

D.S. al Coda

    

 

  

you said, “Your Hon

  

or,

to

I plead

7 7

9

7

7

7

9 7

11 7

7

the crime of

be - ing

sat - is

F#7'11

   -

fied.”

7 7

7

                                     P.M. P.M. P.M. P.M. 1 1 1 hold bend 

               P.M. P.M.  Gtr. 2

8 7

-

  

         

9 7

7

9 7

9

7

9 7

 Coda

9

8 7

9

7

7

7

9 7

11 7

7

9 7

7 9

9

4 4 2

7

Bridge Gtr. 4: w/ Riff C (last meas.)

A5 Gtr. 2

E5 type2

E5

       

     

   

do,

we

   

 

do

    

       

Rhy. Fig. 5

            Gtr. 3

     

wrong.



 



Voc. Fig. 1



Kind

of





(Kind

of

feel - ing





feel - ing

in

love.





in

love.

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

7 7 5

7 7 5

19

7

P.M.

P.M.

  





 



 

                 

Riff D



steady gliss.

7 7 5

       

P.M.

   

G5

7

6

7

6

7

5

7



7

6

7

6

7

5

7

D

       

Dsus4 D5

       

P.M.

   

  I’m

  



kind

of





Kind

of



feel - ing

in

love.





in

love.





feel - ing





5

Dsus4 D



  





 



I’m



kind

of





Kind

of

End Voc. Fig. 1

 





    

 



7

7

5

7

Dsus4 D

       

feel - ing



5

 



5

7





 

5

7

7

5

7









Kind

of











feel - ing

in

love.

5

7

*Voc. Fig. 2

  







Dsus4 A5







    

 

7

7

     

  

Gtr. 2

3 3 2 0

2 3 2 0

5

   2 3 2 0



7

   3 3 2 0



 

5

  2 3 2 0





Kind

of

5

7

 

  

  

3 3 2 0

5

7

  

  

5 5 2 2 0

 0





feel - ing





0





in

love.)

 

5

7

P.M.

5 5 2 2 0







7

2 3 2 0



    

Gtr. 3





feel - ing





in

love.





in

love.

 

7

  

  

5 5 2 2 0

5 5 2 2 0

 

5

7

 



(Once

  

(cont. in notation)



End Riff D



7

P.M.





    

7



Dsus4

       

End Rhy. Fig. 5

7

5

7

E5



 



a





-

gain.



    



5

7





5

5

7

7



  

  

  

  

  



P.M.

  

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

2

0

5 5 2 2 0









7

5

7

  

  

2

0 0 4 2 2 0

1

0

2

*Refers to upstemmed voc. only.

Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 2: w/ Rhy. Fig. 5 Gtr. 3: w/ Riff D

    



Bkgd. Voc.: w/ Voc. Fig. 2

      Kind

of

End Voc. Fig. 2

feel - ing

in



  



 

G5







  

love.







       I’m kind

Once

a

-

of

feel - ing

in

  





D

love.

gain.)

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D

Dsus4 D5

Dsus4

D

Dsus4 D

 open

Dsus4 A5 open

 open

A

A5 open A

A5 open

B5

                                P.M. P.M. P.M.                         Gtr. 2

Kind of feel - ing in

  

  



love.

  

(Kind of feel - ing in

   Gtr. 1

I’m kind of feel - ing in





 

     



love.

love.

     

Kind of feel - ing in





 



 

  

 

love.)







7 7

X X X

                               Gtr. 3

7

5

7

5

7

7

5

7

5

7

5

7

7

5

7

5

7

5

7

7

 

5

1

grad. bend

7

 

 



9 9 7

7

Guitar Solo

   

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A









                      1

7 7

1

7

7 7

7 7

7 7

7 7

10 9

7 7

7

9

7 7

8

              

           

Gtr. 1

7 7



1/2

7 7

7 7

7 7

9

9 9

9 9

9 9

7

7 7

9

9 9

8

9

7 7

8

9 1

2

X

0

1

2

4

2

                

                     *Gtrs. 2 & 3

         

1 hold bend

2 3

F#5



             Gtr. 1

3

4

4

4

4

4

6

             

4

6

4

6

4 4

7 6

7

1/4

6

               

2

6

4

   

6

6

6

4 4

6 6

       

1

0

4

  

(cont. in slashes)

9 9 7

9 9 7

*Composite arrangement

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

7

9

7

9

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

0

4 4 2

Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 times)

F#5

E5 type2

        Gtr. 1                

 

Rhy. Fig. 6

Gtrs. 2&3

1

4

1

2 2

4



     





1/4

2 2

4

F#5



2

2

4



  

5

 



5 6









4

2

4

4

2 2

4

  



2 2

F#5

4





 

End Rhy. Fig. 6





 







2 2

2 2

1

4

E5





F#5

1

2 5

4

    

Gtrs. 2&3

 

1

2 2

   

E5



  



5 6

6

4 4

4

2

 







2 2

4

A5



2 2

4

4

E5



F#5

     

7 8

0 5 6

7 8



0 5 6



0 5 6





0 5 6

                      



2 2



(Gtr. 2, cont. in notation)

               

  

3

1

10

11

14

11

12

14

10

11

14

11

12

14

12

13

16

13

14

17

13

14

17

13

14

14

17

17

14

14

17



17

Chorus Gtr. 1 tacet



Gtr. 3

   

  

 

  Gtr. 1   

Oh,

you



  

say



 

it’s

  



 

D5 V

   

(cont. in notation)

wrong,



you

say

A5

   what

    

 

you

you





do,

  

B5

     

do,

you

do.





               

                

17

     

 

 

 

 

 

 

   

 

   

       

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

5 5 3

Gtr. 2

8 9 9 7

X X X

5 5 3

5 5 3

7 7 5

Gtrs. 2 & 3

slight P.M.

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

X X X

9 9 7

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3: w/ Rhy. Fig. 4 (last 4 meas.)

   

 

Oh,

  Gtr. 4

  

 

you

say

 

we’re

  

   

G5

wrong,



A5

  



you

say

what

    

 

we

we

do,

  

E5

   

  



do,

we

B5

do.

  



 7

Gtrs. 2 & 3: w/ Rhy. Fig. 4 (2 3/4 times)

   

  

Oh,

  





  

you

say



     

 

it’s

wrong,

7

9

7

9

7

9

   

D5

  



you

say

what

    

 

you

you

do,

A5

  

     

do,

you



9

9

7

9



7

9

   

7

 

Oh,

  Gtr. 1

  you

  

say

 

we’re

  

wrong,



   

G5

A5

  



you



steady gliss.

17

Gtr. 4: w/ Riff C

B5

do.

              

1

7

  

G5

say

what

    

 

we

we



do,



12

E5

  

   

do,

we

B5

    

     



   

do

wrong.

  

1

7

7

7 10

9

   

G5







          7

7

D5

      You

    

do

7









wrong.

                

1/2

7

A5

9

7

9

7

9

0

10

10

1

7

10

7 9

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

You

    

do

wrong.

       

1

7 10

B5

     

1

9

7

9

9

9

7

9

9

7

G5

   









You

          9

7

9

7 7

9 9



     12

10

9





7

9 9

7

9

7

9

















1

10

12

12

10

12

12

A5

 

12

B5

   

    

do

     



10

  



1

9

7

9

9

7

A5

        

   



 



   1

7

9

7





7

8





   





10



12

10

10

10

12

10

10

11

wrong.

11



  

12





12

10





do



1

7

1/2

7 9



1/2

7

9

9

B5

      

do

  

  

9

9













7

wrong.

  

 

9

9

1

7 9

You

7

9



wrong.

1/2

1/2

1

7 7

10

    

1 1

              



    

    



A5

      You

 

 

1/2

10

12



  



12

wrong.

E5 VIII



9

do

G5

9

9

7



12

12



3

9

12



wrong.

1/2

10

You



1/2

You

   

    

do

   



11 9

D5

     



11

10

    

        

wrong.

9 9

B5

      



3



9





9

9





 

Gtrs. 2&3



You



10

E5

G5

   

  

do

1/2

7

7

    

                  

 1

7 7

A5

     

    



7

9

9

7

9

7

9

7

7

5

7

7

7

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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from Velvet Revolver - Libertad

Can’t Get It Out of My Head Words and Music by Jeff Lynne

C5

Fmaj7

134

Dsus2

T3 4 2 1

Am

13

Dmaj7

D7

G

231

21

A

C

34

Cmaj7

32 1

32

G III

C7

F

134211

Ab

213

111

3241

134211

134211

132

C VIII

Bb 4fr

111

D

6fr

8fr

134211

13421

Gtr. 2: Drop C tuning: (low to high) C-A-D-G-B-E

Intro Moderately q = 85 Gtr. 3: w/ Rhy. Fig. 1A (2 times)

C

C,7

Rhy. Fig. 1A *Gtr. 3 (acous.)

 

F/C

G/C

C End Rhy. Fig. 1A

C,7

F/C

G/C

Riff A

End Riff A

 

 

 

 

 

 

 

 

 

 

 

 

  

  

  

  

                                    

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 0 0 2 3

0 0 0 2 3

0 0 0 2 3

0 0 0 2 3

1 1 2 3 3

1 1 2 3 3

1 1 2 3 3

1 1 2 3 3

3 3 4 5 3

3 3 4 5 3

3 3 4 5 3

3 3 4 5 3

3 3 4 5 3

mp

Gtr. 4 (elec.)



mf

w/ dist.



5  X3

5 X 3

5 X 3

5 7 5 X X X 3 5 3

5 X 3

5 X 3

5 7 X X 3 5

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

12 X 10

 

12 12 X X 10 10

*Doubled throughout

Rhy. Fig. 2 Gtr. 1 (elec.)

       

                                 mf P.M. P.M. P.M. P.M. P.M. let ring  w/ dist.



5 5 3

5 3

5 5 3

5 3

4 5 3

5 3

4 5 3

5 3

2 3 3

3

2 3 3

4

3 4 5 3

Rhy. Fig. 1 Gtr. 2 (elec.)

4 5 3

4 5 3

End Rhy. Fig. 2

                             

       

 

4 5 3

P.M.

5 3

5 5 3

5 3

P.M.

5 5 3

X X 4 X X 5 X X 3

mf

w/ dist.



5 X 3 0

5 X 3 0

4 5 3

5 3

X X X X X X

2 3 3

3 3

2 3 3

0

P.M. (cont. in slashes)

5 3

4 5 3

 

4 5 3

End Rhy. Fig. 1

                                                                5 X 3 0

P.M.



5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5  X3 0

5 X 3 0

5 X 3 0

5 X 3 0

           

                         

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

© 1974 (Renewed 2002), 1975 EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

 

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse





C5 Gtr. 1

  

   1. Mid

-

Gtrs. 1 & 2 tacet

Am



night

on

Gtr. 4

  

  

  

   

the

 



wa

-





ter,



  







  

 

w/ wah-wah 1

10

10

5 X 3

9

Rhy. Fig. 3

       Gtr. 3

0 1 0 2 3

Gtr. 2

0 1 0 2 3

0 1 0 2 3

10

 

 

 

 

 

 

 

 

 

 

 

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 X 2

0 1 0 0 X 3

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

Rhy. Fill 1

8

End Rhy. Fig. 3

  

  

  

0 1 0 X 2

0 1 0 0 X 3

0 1 0 0 X 3

End Rhy. Fill 1

   

  





5 X 3 0

Gtr. 3: w/ Rhy. Fig. 3

C

   I

Gtr. 4



  



     

saw



the o



-

cean’s

     

     

Am

daugh



-

 



ter.



  



13

12

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  Walk-

 1

2



    

13

Pre-Chorus Gtr. 4 tacet

F,7

Dsus2

F,7

Am

G

                               

Rhy. Fig. 4A Gtr. 3

End Rhy. Fig. 4A

      -

  

 

in’ through the burn - ing

     





rain,

  

 

hop - ing just to know her

   

     



name.

And I

Gtr. 4





 





mp

13

12

Rhy. Fig. 4B Gtr. 5 (elec.)

End Rhy. Fig. 4B

    

mf

   

   

  

0 3 2 0

0 1 2 3

0 1 2 2 0

w/ clean tone & amp tremolo

0 1 2 3

Gtr. 1

   3 0 0 X 3

Rhy. Fig. 4

   

End Rhy. Fig. 4

      P.M.

3 3 1

3 3 1

3 3 1

3 3 1

 

P.M.

 

3 3 1

3 3 1

 

 

 

        P.M.

0 0 0 0

0 0 0 0

3 2 0

3 2 0

0

 

P.M.

3 2 0

0

3 2 0

0 0 0 0

     0 0 0 0

      P.M.

3 3 1

3 3 1

3 3 1

3 3 1

 

P.M.

 

3 3 1

3 3 1

 

 

       

       

P.M.

0 0 0 0

0 0 0 0

2 2 0

2 2 0

2 2 0

2 2 0

5 3

5 3

5 3

5 3

 Chorus

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (2 times) Gtr. 5 tacet 2nd time, Gtr. 4: w/ Fill 1 3rd time, Gtrs. 8 & 9: w/ Fills 2 & 2A 3rd time, Gtr. 10: w/ Riff A (3 1/2 times)

               C

can’t

C,7

get

Fill 1 Gtr. 4



it

out

of

  

F/C



my

head.

    13

G/C

      No,



I

       C

C,7

can’t

Fill 2 Gtr. 8



get

it

out

of

   13

   my

   

F/C

head.

G/C

     Now

my

  

Fill 2A Gtr. 9

 5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C

C,7

F,7

To Coda 1 

G

To Coda 2

C

G



F

G

                                                                    Rhy. Fill 2A

End Rhy. Fill 2A

Gtr. 3

old

world

is

gone

for

dead,

’cause

Gtr. 1

                       5 5 3

5 5 3

5 3

4 5 3

5 3

5 3

4 5 3

X X X X X X

2 3 3

Gtr. 2

                         5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

5 X 3 0

3 3

I

can’t

get

   

 

     

2 3 3

4 5 3

5

let ring

2 3 3

4 5 3

3

5 5 3

5 5 3

Rhy. Fill 2

     

         

 

       

5 X 3 0

5 X 3 0

5 5 7

5 5 7

5 X 3 0

5 X 3 0

5 5 7

5 5 7

5 X 3 0

5 X 3 0

it out

of

my head. Rhy. Fill 3

End Rhy. Fill 3

                     

  

5 5 3

0 0 X 0 X X

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

3 3 1

3 3 1

3 3 1

5 5 3

5 5 3

5 5 3

End Rhy. Fill 2

                       

 

5 X 3 0

5 5 7

5 X 3 0

5 5 7

5 5 7

5 5 7

5 5 7

3 3 5

3 3 5

3 3 5

3 3 5

5 5 7

5 5 7

5 5 7

Verse Gtr. 2: w/ Rhy. Fill 1 Gtr. 3: w/ Rhy. Fig. 3 (2 times)

C

  

   2.

*Am7



  

on

the

  

 

  





                       

 



 

End Riff B

17

17

17

17

Break

-







down

shore

line.

Riff B Gtr. 6 (elec.)





 

mp w/ dist.

17

19

20

17

17

Gtr. 4

19

20

17

17

19

20

17





17

19

20

17



17

20

17

17



17

20

17

17

 





mf

20

1

1 10

9





mp

  

  

9

7



20

17

          

10

Riff C Gtr. 7 (elec.)

17

  

  

 



7

9

7

5

1

10

1

10

10

10

8

 



w/ dist. & slide

9

7

5

9

7

7

Gtr. 1 Rhy. Fig. 5

                                                 slight P.M.

5 3

5 3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 0

5 0

5 0

5 0

5 0

5 0

5 0

*Chord symbols reflect overall harmony.

5 0

   

 

 

   

   

5 0

5 0

5 0

5 0

5 0

5 0

5 0

5 0



Gtr. 6: w/ Riff B

C

 

  Can’t









move,

        

I’ve



1

8

8

    

par

-

a



-

   

 

lyzed.

  







mf

1

been

     

  

Gtr. 4

*p



Am7

  

1

    





1

13

13

7

7

7

7

12

*Vol. swell

Gtr. 7





 



 



9

9

7

7

5



End Riff C

 



 



 



7

9

9

7

7

5

End Rhy. Fig. 5

Gtr. 1

        

     

 

slight P.M.

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

                

       

5 3

5 0

5 3

5 3

5 3

5 3

5 3

5 3

       

                

5 0

5 0

slight P.M.

5 3

5 0

5 0

5 0

5 0

5 0

5 0

5 0

5 0

5 0

5 0

5 0

Gtrs. 1, 3 & 5: w/ Rhy. Figs. 4, 4A & 4B Gtr. 7 tacet

      Morn - ing don’t get here

  

till

 

Dsus2





F,7





night.

   13

    

  

 

Search - ing for her sil - ver

Gtr. 4



5 0

D.S. al Coda 1

Pre-Chorus

F,7

5 0



 



  

1/2

7

9

9

9

7

5

Am

G





light.

  

And I



 

 7

 

7

     

14

14

16

12

1/2

12

12 14

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Coda 1

   

 

Gtrs. 2 & 3: w/ Rhy. Fills 2 & 2A

C

can’t

get



Gtr. 4







 

 

it

out

of









let ring

8

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

Guitar Solo D

   

 

       Gtr. 4

 



  Gtr. 1

7

5

Riff D











3

2 3 0

  Gtr. 2

Rhy. Fig. 6

Sorgdal

of







8

10

10

8

8



my



5

7

 

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

3 3 1

3 3 1

3 3 1

5 5 3

5 5 3

5 5 3

5 5 3

G



  









 

D7





 



A

  











 

End Rhy. Fig. 6A



                                        7



1

5







7

8







5 8

8





8



7

8



7

7



7

7



2 2 0

2 2 0

2 1 0

2 1 0

2 1 0



3 1/4

9

7

9

1/2

9

1

8 10

9

9

9 7

9

9

9

7

11

10

End Riff D



  

 

 

    

 

   

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

7 7 5

2 1 0

0

  

  

  

  

  

  

  

 

  

  

  

  

  

  

  

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 6 7 5

7 6 7 5

7 6 7 5

7 6 7 5

7 5 7 5

7 5 7 5

7 5 7 5

7 5 7 5

7 5 7 5

7 5 7 5

7 5 7 5

7 5 7 5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

out



  

6





let ring

2 3



 

 5





 

7



head.

5

head,

G

 

   

  

my

F



Gtr. 3

 

 

D,7

Rhy. Fig. 6A



8

9

 

 

 

let ring

7

8

Gtr. 1

   

G

5 5 3

7 7 5

7 7 5

End Rhy. Fig. 6

 

 

 

 

 

 

   

5 5 7

5 5 7

5 5 7

5 5 7

7 7 9

7 7 9

7 7 9

7 7 9

Gtr. 1: w/ Riff D (2 times) Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A (2 times)

       

D

  Gtr. 4

D,7



10

D



   

15

 

15

15

  

13

D,7

    

1 1/2

1/2

12 10

10

13

13

10



10

10

17

15

17

                    



13

15

13

16

A

6 1

 

13

10

14

13

13

10

15

1

15 14 15 14

15

13

15

15 13 15 13

15



3 1

15

15

13

15





1/2

13

15

  0 0

15

0 0

3 1

10 13 10

12

*Gtrs. 1, 2 & 3



13 10

15

13

13

13 10

1

G/B

6

13



                      

 1

10 13 10 13

15

Bb5

1

13 12 13 10 13 10

13

15



D7

1

14

17

    

A

3



13 10

    

                 

      

15

17

G

 

10 12 10 13 10

15





1

3

3

1/4

Gtr. 4

G

1/2 12

15

13



 

                        

D7

13 11 13 11 10 11 10 11 10

12

12

12 10 12

13

  

 

 

 

 

 

 

   

3 3 1

3 3 1

3 3 1

3 3 1

5 2

5 2

5 2

5 2



5 2

*Composite arrangement

Verse Gtr. 1: w/ Rhy. Fig. 5 Gtr. 2: w/ Rhy. Fill 1 Gtr. 3: w/ Rhy. Fig. 3 (2 times) Gtr. 6: w/ Riff B (2 times) Gtr. 7: w/ Riff C

C





   3. Bank

Am7

  





  

job

in

the

cit

        Gtr. 4



12

13

   -

 

y.





  9

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 







             C



Rob - in

 



  

 

 

10

12

10

8

10



Hood and

Wil - liam

Tell

and

  

  

12

10

  



Am7

  

en



and

Lan

- ce - lot,



8

     

they don’t



12

I - van - hoe

 

-

   



vy

me.



  









8v a   

 





1

fdbk. 

15

15

D.S. al Coda 2

Pre-Chorus Gtrs. 1, 3 & 5: w/ Rhy. Figs. 4, 4A & 4B

  

F,7

     

Sit - ting still I want to

 

Dsus2





 

drown.

F,7



 

  

Gtr. 4 tacet

  

Am

 

In my dreams the world keeps go - ing



’round

           

G

   and

 

’round. And I

8v a

Gtr. 4









fdbk.

15

Gtr. 8 (elec.)







     mf 15 17

Gtr. 9 (elec.)







      mf

1/2

w/ dist.

7

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17 15 13

17

9

9

15

15

15

            16

 

1/2

9

7

5



1/2 1 1/2 1 1/2 1 1/2

15

w/ dist.

Sorgdal

Gtr. 2

14

12

14



12 14

12

12 14

              7

5

7



5

7

5

5 7

 Coda 2

Outro

Gtr. 1: w/ Rhy. Fill 3 Gtrs. 2 & 3: w/ Rhy. Fills 2 & 2A (last meas.)

Gtr. 2: w/ Rhy. Fig. 1

F

C

G *Gtrs. 1&3

  

  



head,

  

out

Gtr. 4

 

of

 



             5 X 3

5 X 3

5 X 3







head.

  

14

13

14

   

Gtr. 10

5 X 3

                    

my

C7

              

9

5 X 3

  

C,7

12 X 10

12 X 10

12 X 10

13

13

13

13

13

13

13

13

13

13

13

13

 

steady gliss.

13 9

       

       

5 X 3

4 X 2

5 X 3

5 X 3

5 X 3

4 X 2

4 X 2

         

4 X 2

3 X 1

3 X 1

3 X 1

3 X 1

  

3 X 1

13

14

14

      3 X 1

3 X 1

3 X 1

*Composite arrangement

F

G III

       Gtr. 4              1

1

15 13

15

15 15

15

14

15

13

14

      13

Ab

 

 



 

 

 

   

   

5 X 3

5 X 3

5 X 3

5 X 3

7 X 5

7 X 5

 

 

 

 

   

   

3 3 5

3 3 5

3 3 5

3 3 5

5 5 7

5 5 7

7 X 5



13

13

 

7 X 5





    



13

13

    8 X 6

13

8 X 6

5 5 7

5 5 7

  6 6 8

6 6 8





 

13



   



15 13 15

 



let ring

13



  

15

   

  

8 X 6

10 X 8

10 X 8

10 X 8

12 X 10

   

 

 

   

    

8 8 10

8 8 10

8 8 10

5 5 3 0

6 6 8

6 6 8

   



15

15 15

 

8 X 6

 

fdbk. let ring 1

15

15 15



C VIII

 

   

Gtr. 2





let ring

10

Gtr. 10

Bb

10 X 8

8 8 10

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Libertad

For a Brother Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash G5

D/F#

134

1

F

23

1342

Intro Moderately q = 128 **E5

F#5

E5

F#5

E5

F#5

E5

C#5

A5

G#5

E5

                                        mf  Riff A

Gtr. 1 (dist.)



7

8

End Riff A

9

9

7

X

   

Gtr. 4 (dist.)

X

X

7

8

9

9

7



X

X

X

7

8

9

9

7

X



X

X

9

7



11

11

7



6



7

 



mf



7

                                                 mf 

*Gtrs. 2 & 3 (dist.)



0

Riff A1

1

2

End Riff A1

2

X X

0

X X

X X

0

1

2

2

0

X X

X X

X X

0

1

2

2

X X

0

X X

X X

2

0

4

4

0

4

0

*Composite arrangement **Chord symbols reflect implied harmony. Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Riff A1

F#5

 

Gtr. 4

E5

F#5

E5

F#5

E5

C#5

Riff B

 

               

8

9

9

8

9

9

9

9

8

9

9

8

9

9

9

8

8

      

9

9

9

8

9

9

9

A5

G#5

E5

 



         

9

11

11

End Riff B

11

11

12

11

7

 Verse

Gtr. 1: w/ Riff A (1 1/2 times) 1st time, Gtr. 2: w/ Riff A1 (1 1/2 times) Gtr. 3: w/ Riff A1 (1 1/2 times) Gtr. 4: w/ Riff B (1 1/2 times) 2nd time, Gtr. 2: w/ Riff D (1 1/2 times)

F#5

1. Can’t 2. Nose





    

rise dive,

F#5



crash



E5



from to

the the

 

 

bot - tom. bot - tom.

F#5



  

 

Time An

E5



 -

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

    



 

E5



 



  

flies gel,

your

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Wast not



ed. for

  

E5



 

    



Your Fought

2nd time, Gtr. 2: w/ Fill 2

 

A5



-

F#5

got it. bro - ken.

      

  

E5



  

E5



G#5







time for

  



          



 

re - ced - ed. the proph - ets,

     did Did

 

E5

has of

rights

Could and should have been and spir - it of your daugh - ters.

the



F#5



when ya al - ways

was

F#5

A5



wing

 







C#5

  

 -

 

n’t. n’t.

 

Gtr. 1

8

  Gtr. 4

9

7

X

X



7

7

7

End Fill 1

       

9

9

8

9

9





  3                      

  

   

 

2 2 0

2 2 0

2 2 0

        

   

 

       

2 2 0

2 2 0

2 2 0

2 2 0

2

2

0

X

0

X

0

2

2

0

0

2

1

1

2

1

3

0

0

3

2

Gtr. 3

1

2

2

0

X

X

0

Fill 2 Gtr. 2

         2 2 0

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 2 0

 

7

        

1



7

9

Gtr. 2

 



Fill 1

8

 

9



2 2 0

 

7

      let ring  9

8 9

7

2 2 0

2 2 0

         

2 2 0

2 2 0

2 2 0

2 2 0

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

            

3

1 hold bend

8 7

7

5

7

5

0

 



Chorus

Gtrs. 1 & 4 tacet

F5

A5

        



Giv - en



up my

  

 

5 X 3

5 X 3

5 X 3

Rhy. Fig. 1

           

Gtr. 2

Riff C

   3 3 1

3 3 1

3 3 1

3 3 1

4 X 2

9 X 7

2 2 0

2 2 0

2 2 0

5 X 3

5 X 3

 

           

3 3 1

3 3 1

9 X 7

giv

X X X X X X

2 2 0

-

0 0 0

3 3 1

5 X 3

3 3 1

4 X 2

free.

               

End Riff C

9 X 7

9 X 7

7 X 5

5 5 3

5 5 3

5 X 3

5 X 3

4 X 2

9 X 7

   

 

       

3 3 1

3 3 1

3 3 1

9 X 7

9 X 7

          

 

   

but you set your - self

free.

       

               

9 X 7

9 X 7

14 12 X X 12 10

12 12 12 X X X 10 10 10

     

     

(2nd time, cont. in slashes)

2 2 0

2 2 0

9 X 7

2 2 0

2 2 0

0

12 X 10

12 X 10

14 X 12

14 X 12

                  

5 5 3

2

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

  

 

E5

F#5

Riff D

      



P.M.

E5

F#5

        

2

0

X X

0



P.M.

0 0 2

0





         





14 X 12

14 X 12

14 X 12

12

  

  

  

  

3 2 0 0 2

3 2 0 0 2

3 2 0 0 2

3 2 0 0 2

3 2 0 0 2



0



End Rhy. Fig. 1

   X X X

0

D.S. al Coda 1

F#5

1

0



1/2

14 X 12

Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 4: w/ Riff B

 

5 5 3

 

   

3 2 0 0 2

5 5 3

4 X 2

E5

Interlude

Gtr. 2

7 X 5

To Coda 2

1/4

5 X 3

7 X 5

                  

5 5 3

2 2 0

E5

      

for

D/F#

en and I’ve par - doned,

               

5 X 3

G5

  

    

hand

9 X 7

              



a

         

2 2 0

2 3 0

up

           

G5

       

 

9 X 7

    



 

-

9 X 7

I’ve giv - en

To Coda 1 

    

I’ve ris - en and for

a broth - er.

               

2 2 0

A5

           

9 X 7

C5

         

  

         

9 X 7

2 2 0

E5

for

E5



F5

     

hand

       

Gtr. 3

 

F5



   







E5

E5

        

0

1

2

2

0

X X



P.M.

0 0 X X

1

2

2

0

X X

X X

A5

G#5

E5

End Riff D



P.M.

0 0 0

            

C#5

0

2

4

4

2 2 0

4

0

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 Coda 1 G5

    

  

Gtr. 2



D/F#

  

but you set your - self

    

                 12 X 10

10

12 X 10

12 X 10

12 X 10

 











free.

 

Gtr. 3

12







          



F

12 X 10

 

 



  steady gliss.

11 X 9

10 X 8

10 8

Bridge Gtr. 2 tacet

A7

 

Gtr. 3 tacet

   



Oo,

 

walk

slow

    

    

 -

ly.

 

Gtr. 5 (slight dist.)

  0 0 2

0 1 0 2

  

1

1



  



time

stopped.





0

    

Gtr. 3



Seems like

    

mf

        

  









w/ clean tone

3 2 0 2 0

  



   





Seems like I’m

       Gtr. 5

let ring

0

0

0

1



   slow

 danc



   -



    

 

oh,

but

ing,

     5 5 7

8 7







10 10 12

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 

I’m



fly -

         7 7

0

4

  

5 5

X X

5

5

5 7

5

7

A7sus4

ing.

   Gtr. 5

 Where

do

I

5

    

Rhy. Fig. 2

5

7

8

   

10

A7sus4

  



  I’m

10

10

7

5

7

5

  

C,7





5

7

  



8

7

7

7

  

5

7

7

 



5



5

3



5

5

7

0

5

free,

7

7

5

5

7

5

7

End Rhy. Fig. 2

  



 

yeah.

      2

0

0 3 0 2 0

7

5

4

5





7

9

  



free,

5 5 7

5

7







0 2

  

C,7

                    

let ring

0 2 0 2 0

7

free,

7

 

Riff E



7

  

    

             

1/2

10 8

10

     

    

0 0 0 2 3

I’m

Gtr. 3

7





3 5

9



closed.

    

   

A7sus4



8

free,

A7

Gtr. 5

know is

  

  

                                       1 hold bend  

   

9

 

         



3

  

I



  

  

5

home

0 3 0 2 0

Gtr. 3: w/ Rhy. Fig. 2

   

  



  



 The

5

7

  

A7

  



go?

0 2 0 2 0

Gtr. 5

  



           3  5

Gtr. 3

  

  



  

C,7

7

5

7

    

9

8

    0

2

0

3

    

0 0

0 0 2 3

10

10



10

8

    0

3

2

1

10 8

0

7

5

5

7

5

7

  0 0 2 3

3

  

  

        yeah.

 10

10

5

1 10

End Riff E

      0

0



0

3

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Riff E

A7

A7sus4

  

 





  





 







  

Free,

     Gtr. 5







3







3





 

3











8

10

8

10

7

8

7

10

C,7

  

  



         13

8

9

10

 



8

10

10

8



10

10

                   6

1

13

13

12

10

13

12

10

12

13

10

13

12

10

13

12

13

12

10

12

12

12

10

12

10

12

10

D7sus2

  



10

3

E5





 

3

1

9 10 9

Gtr. 3

 

12



                                  

      Gtr. 5





13

yeah.

      



12

1



 

free,

Fsus2

   

10





3 1

10



 

7

5 7 5

  

4

4

5

4

5

4

7

7

5

7

4

5

7

9

10

7

10

8

10

12

13

10

                     

13



1 1/2

13

13

   

let ring

3

  Gtr. 2

0

1 3



0

1 3

0

3

0

1 3



0

1 3

0

2

1

0 2



1

2

1 0



2

1

0 2



1

2

1

   0

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Interlude Gtr. 5 tacet

 

F#5

E5

F#5



E5



F#5





E



G5



A5



Yeah.

   













































8

9

9

8

9

9

8

9

8

9

9

8

9

9

8

9

8

9

9

8

9

9

9





 

 

 

 





 

 

 

 





 

 

    

 

2

X X

X X

X X

2

X X

X X

X X

2

X X

2 2 0 0

2 2 0

Gtr. 4

 



Gtr. 2

1

2

0

  Gtr. 3

 0

1

2

0



 0

1



2

0



0 0 X 3



  



w/ dist.

2 2 0

D.S.S. al Coda 2 Gtr. 4 tacet

     Gtr. 2



 







5 5

5 5

5 5



1

2 2 0







1

    

 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

E5

    

Gtr. 3

 





 

1

 





7

5

 

 

X X X

X X X

 

1/2

5 5

7

7



7

7

5

7

7

5

7

 

 

 

 

 

 

 

 

14 14 12

14 14 12

14 14 12

14 14 12

14 14 12

14 14 12

14 14 12

14 14 12

E5

C5

the

shit

5

 

 Coda 2

Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 3: w/ Riff C

F5

bit - ten

off

my



hand

 

            for

the stuff

and

F5



         liv - in’

off

  

     you

  

G5

      

E5



I’ve

A5



          

steal.

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F5

E5

A5

-

li

-

 

    

  

5 X 3

5 X 3

5 X 3

9 X 7

4 X 2

Gtr. 3: w/ Riff C

F5

E5

A5

up





my

E5



 

   

    





       3 3 1

3 3 1

  

 

       

5 X 3

5 X 3

5 X 3

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2 2 0

2 2 0

3 3 1

Gtr. 3

3 3 1

       

4 X 2

9 X 7

2 2 0

2 2 0

0

giv - en

  

9 X 7

9 X 7

9 X 7

2

9 X 7

up

                 

11 X 9

a



11 X 9

C5

11 X 9

  

    

 



hand

11 X 9

11 X 9

  

G5

 

for

free.

14 X 12

12 X 10

11 X 9

11 X 9

          

D/F#



    

  

 





            

    

  



  

F5

 

5 5 3

5 5 3

5 5 3

5 5 3

3 2 0 0 2

                12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

 

free.

  

11 X 9

    3 3 1

 

   10 X 8

X X X

    

free.

5 5 3

               9 X 7

12 X 10

see.

free.

             2 2 0

12 X 10

E5

I’ve



12 X 10

        



  

12 X 10

but you set your - self

You set your - self

Gtr. 2



hand,





G5

F5

12 X 10

n’t



I’ve giv - en up my

   

your - self

12 X 10

-



          

A5

set

               

12 X 10

    



You

F5

9 X 7

  

hand.





9 X 7

could

E5

     

X X X

E5



Giv - en

9 X 7

  

   

    



daugh - ters that you

             9 X 7

D/F#



 

gion and for - got - ten

9 X 7

   

        



   



re

 

Gtr. 3

         



        



You per - ished for

G5

    

           

 

from Velvet Revolver - Libertad

Spay Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash Bb5

A5 6fr

134

E5

G5

F5

Bb5 I

5fr 134

134

Ab5

134

F# 4fr

11

F#5

134

134

F#sus4 9fr

1333

D5

9fr 1334

134

Ab 5fr

134

4fr 13421

Intro Fast q = 184 * Bb5

A5

Bb5

   

(Bass & drums)



A5

Bb5

Gtr. 1 (elec.)



       



A5

mp ** p w/ dist. & slide





14 14 14 *Chord symbols reflect overall harmony.



Gtr. 3 (elec.)

    Gtr. 1

**Vol. swell

   



   

  mf

14 14 14

 

Gtr. 2 (acous.)

14 14 14 14



14 14 14

      

A5

   



mf

w/ dist.

      

 14 14 14 14



Bb5

14 14 14 14



   

12 12



15 15

14 14

 

 

mp w/ slide

15 15

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

14 14

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb5

A5

Bb5

A5

           

                    (cont. in notation)                              

Rhy. Fig. 1



       14 14



12 12 12

14 14

   

     

14 14

14

14

14

12

14





14

15 15 15



14 14 14



15

14

15

 Gtr. 1         

15

  

   

     



     

14 14 14

14

14

14

12

14



14

10 10 10



12 12 12



11 11 11



  

  

15

15

15

F#5

 

14 14 14

  



14



14 14 14

Gtr. 2

 

15 15 15

12 12 12

        

G5

 14 14 14

  



14 14 14

Bb5

A5

   

steady gliss.

(cont. in slashes)

11 11 11

 

 

14 14 14

7 7 5

 



steady gliss.

14 14 14

14

14

14

12

14

14

                  

12

14

12

12

11 11 11

11 11 11

7 7 7

End Rhy. Fig. 1

Gtr. 3

7 7 5

7 7 5

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

        7 7 5

7 7 5

7 7 5

7 7 5

         5 5 3

5 5 3

5 5 3

4 4 2

                4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

                4 4 2

4 4 2

4 4 2

4 4 2

8 X 6

8 X 6

8 X 6

7 X 5

 Verse

Gtr. 2 tacet

A5

Bb5

A5

Bb5

A5

                                P.M. P.M. P.M. P.M.                           Rhy. Fig. 2

End Rhy. Fig. 2

Gtr. 1

1. Wast - ed, 2. Blitz - krieg

all the

a bitch

                  Gtr. 3

-

dis - grace. es bald.

Re - ar - ranged May the tro -

pret sell

-

ty the

mess gold.

-

es.

Riff A

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

End Riff A

                7 X 5

7 X 5

7 X 5

7 X 5

8 X 6

Pray on Pay the toll

5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

       

7 X 5

7 X 5

7 X 5

7 X 5



  











To When

the the

king bill

with is

king on





5 X 3

3

Bb5



of rights col - lec

  

P.M.

   you would rath The sing - er sings

 -

  



er of

spite your di - ’mond

                 

face things

Gtr. 3

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

        7 X 5

7 X 5



7 X 5

    

4 X 2

5 3

7 X 5

7 X 5

7 X 5

7 X 5

         

7 X 5

7 X 5

7 X 5

7 X 5

8 X 6

8 X 6

8 X 6

7 X 5

A5

               

  

P.M.

P.M.





up come

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2



pleas all.

4 X 2

4 X 2





-

ures.

            

                4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

A5

8 X 6

8 X 6

8 X 6

Bb5











un - der - neath pep - per holes

tions,



7 X 5

fucked one,



-

7 X 5

     

Bb5

   

5

4 X 2

           

5

F#5

G5

P.M.

7 X 5

 

    

A5

7

7 X 5

to Come

Gtr. 1: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff A

  

8 X 6

               



your a - ban - doned knee or sell your soul.

                  7

8 X 6

G5

            P.M. P.M.            

Gtr. 1

the phy



the and



night ug -



A5





to - night ly mess

7 X 5

-

es.

 open

F#5

E

                 

P.M.

P.M.

P.M.









than and

change all

your ex

    5 X 3

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2



life. ces

-

                4 X 2

P.M.

4 X 2

-

P.M. (cont. in notation)





ses.

               



(cont. in slashes)

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Chorus G5

F5 G5

Gtr. 3



Bb5 I

  



Rhy. Fig. 3A

   

G5

 

        





Spay. Voc. Fig. 1

 

 

 







Why

won’t





 



F5 G5



  





Bb5 I

 



       

End Rhy. Fig. 3A



you?

 







Rhy. Fig. 3

 

 

 

    

5 5 3

5 5 3

3 3 1

G5





 

  

1

 

F5 G5

Bb5 I







 

    

5 5 3

5 5 3

3 3 1

3

1

4

    

5 5 3

5 5 3

3 3 1

5









Why

won’t

you

spay

 

 

 

 



Why Why

won’t won’t

 

 

3 3 1

3 3 1

1

3

1

4

  

Why

won’t

 

 

Why Why

won’t won’t

  

Ab5

you?

  you? you?

        

1

 

E5 F5



End Rhy. Fig. 3

3 3 1

5 5 3

  



3

1

4

1

-





self?

 



End Voc. Fig. 1







1

4

5

     2 2 0

 

3 3 1

6 6 4

         

1

3

1

4

1

4

Bkgd. Voc.: w/ Voc. Fig. 1 (1st 4 meas.) Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A

G5

   

Spay.

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F5 G5



Bb5

G5







Why

won’t

5

        

your

4

you? you?

        

3 3 1

5 5 3

4

 

        

 

  

1

 

F5





    

        

3 3 1

5 5 3

  

 

  



 



(Spay. Screamed: (Spay.

Gtr. 1



 you?



F5 G5

Bb5









Why

won’t

 you?

5

To Coda 1  To Coda 2

G5 Gtr. 3





  

    

 



Gtr. 1

5 5 3

 

3 3 1

5 5 3

F5



(2nd time, cont. in notation)

 

  



         



    

  5 5 3

Gtr. 2

Bb5





    

 

F5 G5









Why

won’t

you

spay

 

 

 

Why Why

won’t won’t

you you

3 3 1

1

3

1



4

1

4



spay spay

-

 

 

3 3 1

3 3 1











 

6 6 4



      

        

 





self?) self?)

    

3 3 1

 



End Voc. Fill 1

  -

      2 2 0



A5

self?



your your

 

 

your

 

5

 

Ab5

  

Voc. Fill 1

        

  

E5 F5



w/ slide 12 12 12

6 6 4

15 15 15





14 14 14



 

15 15

15



14

Interlude Gtr. 3: w/ Rhy. Fig. 1

Bb5





A5





        



   

  

 14 14 14

   Gtr. 2

14

14 14 14





14



          

Ah.

Gtr. 1

Bb5

A5





 

A5

   

   

  

 12 12 12

15 15 15



14 14 14





15 15



14 15

14 14 14



   

14

12

14

14





14

 12 12 12

15 15 15



14 14 14



  

15 15

15

14 14 14

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



        

   

A5

  

 14 14 14

  



14 14 14

     



15 15 15

12 12 12



14 14 14





D.S. al Coda 1

        

Bb5

Bb5

  

 

 

   

w/o slide (cont. in slashes)

steady gliss.

14 14 14

 

A5

8 8 6

 

8 8 6

7 7 5



steady gliss.

14 14 14

14

14

14

12

14

14

15

14

15

15

14 14 14

14 14 14

 Coda 1

Bridge

Bkgd. Voc.: w/ Voc. Fill 1

F5

Ab5

  

spay



Gtr. 4 tacet

E5 F5

 

A5

D5



your

-



 

self?

There





Gtr. 4 (elec.)

 

7 7 7

  



is









F#

a





mf w/ dist. fdbk.

2 3 2

0

   

 

3 3 1

3 3 1

Gtr. 1

   

 

3 3 1

3 3 1

Gtr. 3

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      2 2 0

3 3 1

     2 2 0

3 3 1

    6 6 4

    

         

   

      

 

 



w/ slide

0

1

0

3

0

4

5 5 5

         

7 7 7

7 7 7

Rhy. Fig. 3

                        

11 11 11

                 (cont. in slashes)

6 6 4

0

1

0

3

0

4

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

11 11 11 9

F#

F#sus4 F# F#sus4

Gtr. 3: w/ Rhy. Fig. 3 (2 times)

D5

F#

                  End Rhy. Fig. 3



Gtr. 3

love

that

does

-

n’t

lease



through





 

the



night, (Uh.)

    

 

 

Gtr. 1

     

 

 

   

7 7 7

9 11 11 11

*

11 11 11

11 11 11

7 7 7

*Fret top note w/ index finger on slide hand.

   

F#sus4 F# F#sus4

D5

  



   

  

9 11 11 11





heed

all

your

  

 

 

 

  

11 11 11

7 7 7



   sume





all

your



     7 7 7

                   Gtr. 3



   

-





gage

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

  

 

7 7

9 9

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

9 X 7

11 11 11

9 X 7

9 X 7

-

11

               

9 X 7



D5











12 12

9 X 7



con

 

 



               

7 7 5



and

     

       

1/4

7 7 5

F#sus4 F# F#sus4

life.

 

Gtr. 1

 bag

7 7 7

E5

F#

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

  

1/2

9 X 7

9 X 7

2 2 0

F#5

 



    

12 12

11 11

   



(cont. in slashes)

2 2 0

4 4 2

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo F#5

E5

F#5

E5

        

Gtr. 3

P.M.

  

         

P.M.



F#5







                          11 11



11

E5

11

9

11

9

11

9

11

10 10 10

10 10 10

F#5

11 11 11 11 11

G5

11

9

11

        



Gtr. 1

11

10

11 X

14

14



14

A5

14

14 14

13

G5

A5

14

12 14

             P.M. P.M.                                    P.M.



3

13

14

15

14

16 14

16

14

16

14 16

15

14

12

16 12

G5

    

13

14 14

14

12

14

A5

G5

A5

                           P.M. 8v a                                     

P.M.

   



*

12

14

12

13 12.5

14

14

14

14

12

14 14

14

14 14

12 12

14 14

14

17

17

17

17

17

19

21

15

17



15 15 17

*Slide positioned between 12th & 13th frets.

D.S.S. al Coda 2

 Coda 2 Bkgd. Voc.: w/ Voc. Fig. 1

 

         

     





 Gtr. 3           F5



spay

            8v a



 

   

**

20

21 21.5 22 22.5 23 23.5 24

24 15

**Hypothetical fret numbers.

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17

17

17



     Gtr. 1

your

        3 3 1

2 2 0

Ab

-

17 3 3 1

 

E5 F5

3 3 1



 

self?

      



w/ slide 10 10 10



13 13 13

 

      fdbk.

13 13 13 Pitch: G

13 13 13

20

from Velvet Revolver - Libertad

Gravedancer Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash

G

G III

F

C

G5

F5 10fr

21

134211

134211

32 1

C/E 8fr

14

14

7fr 14

Gtr. 5: Open G tuning: (low to high) D-G-D-G-B-D

Intro Moderately slow q = 70 µ

   

Gtr. 1 (clean) (Synth.)

*G

Csus2 G/B

G

F5

              mf

4 sec.

      

let ring throughout

 



1

0

0

0

0

4

1 0

3

2

0

0

0

0

4

G



   

 

0

3

1

1

3

*Chord symbols reflect overall harmony.

Verse 2nd time, Gtr. 3 tacet

G7

F'9

   

   

1. She’s 2. She’s

all world

the



   

that at

I my

G7

F'9

 



 see feet,

                   Gtr. 1

    

and the

       

  



all sun



that that

I gives

       

w/ wah-wah

    

1

0

0

0

0

0

3

0

0 3

3

0

3

0

1

0

0

0

0

3

0

3

0

2

3

0

3

0

3

Gtr. 2 (slight dist.)

    

   mf

 



 

          

 





let ring throughout

0 1

3

3

3

3

3

1

1

3

0 1

1

3

1

3

3

3

0 3

3

3

1

1

Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G7

   

F'9



 

breathe. heat.

Take a Take a

  

Riff A





0

0

0

0

0

3

    

breath rest

          1

G7

and and

hold hold

her her

0

0

2

Riff A1

   

  

3



   



0

0

3

3

3

3

1

3

1

0

0 1

3

3

-

ow’s whis a - way

-

per from

     



3

3

   

  

1

 

0

0

  

  

End Riff A

    

0

0 1

as her shad or she’ll float

1 3



 

in near

0

3





       

3

F'9

 

0

0

3



3

End Riff A1



0 3

3

3

1

1

Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff A1

G7

F'9

   -







 ing. here.

G7



’Cause



I’m

I can know - ing







hear the laugh what you’re fear -

  

   flies mile





be - side that guides







an

G7

 

F'9

ter, ing,

F'9

and while she And ev - ’ry





G7

  

un





-

 

on

me you,

I’ll watch

Gtr. 2



  

   

0 1

3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3



 

 



  

0 3

3

3

1

1

3

1

   

0 1

3

3

3

3

0







know - ing what they’re sen - ti - men - tal

  

  

man - y o - ver

 

 

5 3

5 3

bro ev

   af ju

 -

ter ry.

  -

ken wings. ’ry - thing.



Chorus Gtr. 2 tacet

Am7

Bb6

  

  





Take,

take



Riff B1 Gtr. 3 (clean)





 





5

7

C

  

 

a

a - round,

look

 

C'9





    



she’s



C

a

 

pret - ty good

danc

-

End Riff B1

 





5

7

 



mf w/ amp tremolo let ring throughout

8



Gtr. 1



8

Riff B





wah-wah off

      1

0

2

0



8

1

0

0

2

3

2

End Riff B

 



0

3

0

0

6

        

1

0

3

1

8

    3

0

2

0

6

 

1

0

2

1

Gtrs. 1 & 3: w/ Riffs B & B1 (2 times)

Am7

   



-

er.

Am7

  

 

Bb6

She

danc







Bb6



down.

-





Ev

- ’ry





es

on

  



C

 



my





time

she

Am7

F

grave.

  

C

 



comes

     down.



Gtr. 3







Gtr. 1



She danc - es all

 

8

  

     



8





5

7

o

6

Ev

- ’ry

time

it

goes

C







time

we

fall



(cont. in notation)





ver me.



  

End Fill 1



     1

0



  



8

Fill 1



  



 



C





  

-

C'9

down.

 



Ev - ’ry

G Gtr. 2





1. Interlude 2nd time, Gtr. 3: w/ Riff B1 (last meas.)

C'9

2

0

2



0

      3

1

2

2

1

2

        1

0

0

0

4

0

 



       1

0

3

2

3

0

0

0

4

0

   

0 1

1

3

   3

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2. Bridge Gtr. 3 tacet

G III

Gtr. 2





  



C

  

       

-

ver

   

F







   





mp let ring

that

we

    

feel

 

it,

 

it’s just

5 5

7

5

         0

0



  

 

0

0

4

0

an - oth - er long





let ring

5

9

1



      

5

7

5 5



  



2

0 1

 

5

5 5

7

 

 

2

0

     1

0

0

2

0

1

7







0

2

3

night.

 

5

  

wast - ed

    

7

Gtr. 1





End Rhy. Fig. 1

me.

Gtr. 4 (slight dist.)

7 7

   



And ev - ’ry time





F

Rhy. Fig. 1

3

1

5

0

1

Gtr. 2: w/ Rhy. Fig. 1 (2 1/2 times)

G



 

F'9





 





And the

dance

that

              





let ring

7 7

9

2 3 3 1

4 5 5 3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9

7

we

F'9





do

        



is

 

just an - oth - er way for you

7

7

9

6 5 5

6 5 7

7

5

7

5 5

7

roll

            let ring

   let ring

9

to

5

5

7

5 5

7

7

5

7

7

Riff C

       Gtr. 1

8 7

  

   

Gtr. 4

C

5

End Riff C





 

4 5

5

 

0



2 1

 



2

0

  

     1

0

2

3

0

0



2





2

3 1

    

1

3

0

3

Gtr. 1: w/ Riff C

G

   o

F'9

   -

ver

me.

 





And the

bed

that

    

    

Gtr. 4

7

8 7

9

7

9

6 5 5

G

6 5

7

5



 

you.

       

     

Gtr. 4



let ring

7 7

7

Wan

9

8 7

8 9

8 7

8 7 7

6 5 5

9

7

5

5 5

na

 

feel

6 5 5

7

5



let ring

8 8





  



10

that

  

6 5 5

I

wan - na

bring

     

 let ring



6 5 5

7

5 5

7

5 7

5 5

C



 



you,

    

    

the home

Eb

8

Gtr. 5 (slight dist.)

is

5 5

7





6 5 5

7

ing

let ring

5

-

    

  

       

let ring

let ring

-







shar

F'9





    

F'9

   



we’re

   

 let ring

let ring

C

  

 



I

   

     don’t want

   



let ring

8 8 10

8 8

8 8

8 8

X X 5 5

  Fill 2

mf

to

   

5 5

7

hear

5 7

5 5

  

 

  

8 8 8

5 5 5

5 5 5

7

w/ slide

5 5 5

              Gtr. 1

2 3 3

4 5 5

5

5 3

5

3

3 3 1



 

*Gtrs. Rhy. Fill 1 1&2

 

 

 

 

End Rhy. Fill 1

 

 

  (Gtr. 2, cont. in slashes)

2 1



8 8 8

0

8 8 6

8 8 6

8 8 6

8 8 6

5 5 3

5 5 3

5 5 3

*Composite arrangement

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





Interlude

G Gtr. 2

  







       

 





you.



Gtr. 4



f 1/2

12

12

      



Gtr. 5



1/2



11

11

12

12

9

9

1/2

1/2

12



1/2



              

1/2

1/2

12

12

12

10

  



               

12

12





w/ dist. 1/2

Gtr. 5 tacet

11

11

12

12

12

9

9

1/2

11

11

12

End Fill 2

  

12

 9

9

10



0 0 0

       

Gtr. 1



1

0

0

4

0

0

 







Gtr. 4





   

 

1/2

3





12

0

0

4

0

 

 

1 1

        

12

0

0

F5

  

0

4

0

0

3



     





1/2

10

          

0

3

13

13

12

2

0



1

12

       1

0 2

Guitar Solo G5

  

2

3

       1

12

12

3

12

12

15

12 15

12

Gtr. 1





    

0 5

5

   

  12 X 10

Gtr. 6 (slight dist.)

0

5

0

  

5

5

 

 

12 X 10

12 X 10

0

   

    

7

0 3

3

 

   

 

 

12 X 10

12 X 10

12 X 10

12 X 10

5

5

 

 

12 X 10

12 X 10

0

0 5



0

3

0 0

 

 

 

 

 

   

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

3

0

        3

3

3

0

3

0 5

7

mp 12 X 10

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14 12

14 X 12

C/E



         









2

0

2

2

  

0

2

0

          1/2

15

       0 0



   

15



F5

13

15





1/2

15

15

       

0

0 0

0 5

2

7

0

1

3

1

3

1

     

1

1



17

3

5

5

3

0

 

3 5

 

 

 

 

 

 

   

 

 

 

 

 

 

 

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12





   

14



17

   

2

        





3



Chorus Gtr. 1: w/ Riff B (3 times) Gtrs. 2 & 6 tacet Gtr. 3: w/ Riff B1 (3 1/2 times)

   





take



Gtr. 4 tacet

 



   

           C'9



a - round,

C

she’s a pret - ty good



  

             

     

Am7

danc

-

Bb6

er.

She danc - es



  down.

  

 

Ev

- ’ry

C'9



grave.

C

look

  C

on

my



18

18

C

a



1

    

         

Bb6

    

Take,



  

   

Am7

Gtr. 4

Gtr. 4 tacet

  

C'9



 

Ev - ’ry

 

C

time

it

 

 

 

C

 

time

it

  

 

Am7

goes





falls

  

 

Ev

- ’ry

Bb6



down.

 

 

time

she

  comes

Gtr. 1: w/ Fill 1

   

Am7

  down.



F







She

danc

-





es

all



   o

-

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro Gtr. 1: w/ Riff C (3 1/2 times) Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)

G

F'9

     -

ver

me.

Gtr. 4



  

                1 1 

3

5

5

She danc

 

5

3

3

5

5

F'9



   

 



3 1

me.

5

3 1

G

    

5

3

5

3

3

1



es

all

1

3

1

  



5

F'9

3

-

She danc

-





es

all



5

5 5

3

3

6

5

5

5

3

5

5

-

3

1

  



o

-

3 1/2

1

3

5

5

5 5

5 5

3 3

5

3 3

5

5 5

3

C

F'9





                           3

o

          

me.

1

3

F'9

       

 

 

1

1

3 3

3



5

3

      ver



5

3

-

  

 

5

C

   ver

  

  

   

-







w/ wah-wah

  

F'9

  



G



C

     She’s a

pret - ty good



   

3 1/2 hold bend

3

3

5

5

5

4

5

3

5

3

5

2

5

3

3

5

Gtrs. 1 & 2: w/ Rhy. Fill 1 Gtr. 5: w/ Fill 2



G



 

F'9

  

 

Eb

C





danc - er.



  

                                             

5

7

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

5

5



5

7

6

6

6

3

3

6

6

6 1

6

5

6

5

7

4

3

4

5

3

6

5

3

5

3

5

5

5

3

1

3 5

3

3

1

3 6

1

3 6

3

3 6

Gtr. 1: w/ Riff C (3 1/2 times) Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)

   G



F'9

 

Take,



C



take,

 

take

a



  

look



1

3

6

1

3

3

6

G

   -



6

6

3

1

5

 

pret

3

3

6

5

3

6 7

6 7

6 7

8

8

6

-

ty,





pret

8

6

8



3

3

6 7

8

3

5

5





she’s

a

-

8

8

3

6

pret - ty

ty,

pret - ty



8 8 8

3

danc



6

5

3

5

-

5

3

5

good

 



5

6

7

5

5

5

Ev -’ry time

5





she

go

3

                3

7 1 1/2

1

6

6

5

  

er.

3

8

3

7

F'9



 



                          6

   

6

1

C



er,



6 1/2

3

 



                        



F'9



danc



a - round,

                 1

F'9

13 13

7

10

10

11 13

11 13 11

8

10 8

6

8

6

8

8

Begin fade

G



  

  

 

F'9

C



  



’round,

  

she come

F'9

 



  





down.

Come



  

head - ing



my

                                                           

1/2

6

8

G

  

6

8



7

12 12

  

9

13

12

13

12

13

12

13

12

15 14 15 14 12

9

14

15 14 15 14 12

14

9

15 14 15 14 12

14

15 14 15 14 12

9

14

15 14 15 14 12

14

15 14 15 14 12

14

F'9





way.



  



   





 12

17

15

















 











3 1

1 1

17

15

17

1/2

1

17

15

15 17

18

18 17

1/2

18 17

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fill 1





    

                     

C



G

            



Eb



Gtr. 4

Gtr. 1: w/ Riff C (till fade) Gtr. 2: w/ Rhy. Fig. 1 (till fade)

F'9

3 1/2

1/2

18

18 17



Gtr. 5



  

17 15 17

17

17

19

15

  

 

 

8 8 8

8 8 8

5 5 5

5 5 5

                 C

3

17

15

15

17

15

15

17 15

15

17

17 15

17



1

17 17

17

17

15

17 17

15

    12 12 12 12



    





G

  

F'9

                     6

3



17 15 17

17

1/2

Gtr. 5 tacet

F'9

1



14

14

 

5 5 5



15

1/4

3



1 hold bend

3 3

1 hold bend

17 17

18 17

15

  

1/2

18 18

18

18 18 18

17

17

17

17

17

15 18 17 15

17

17 15

15

14

17

15 14 15 14

17

14

17 15

17 16





12 12 12 12

Fade out

C

F'9

                   

Gtr. 4



G

        



3

1/2

14 12

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

12 15

12

15 12 15 14 12

                   

3

7

15 12

F'9

14

12 15

1

15 13

15

15

15

13 15

17

15

15 17

1

15 18 17

1/2

15 18 17

15

18 17

1

17 15 17 15

17

17 15 17

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