Velvet Revolver - Contraband

April 26, 2017 | Author: redman_4757 | Category: N/A
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from Velvet Revolver - Contraband

Suckertrain Blues Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner G5

E5

A

G

B

G7

5fr 134

11

E7

D/A

7fr

134211

134211

C/G

E5

134211

type 2

    

213

11333

Riff B

Gtr. 2 (clean)





G7sus4 8fr

11333





7

6

213

C5

5fr

Intro Fast Rock q = 172 ** E5

6fr

11

134211







8

9

6fr 214





8

9





7

6





8

9

mf w/ chorus



8

9

*** mf

Riff A                                        *Gtr. 1

Gtr. 3 (dist.)

mf



Gtr. 1 divisi

7

7

7

7

5

7

7

7

7

7

7

7

5

7

5

End Riff A

X 7

7

7

7

5

7

7

7

7

7

7

7

7

5 7

*Elec. bass arr. for gtr. **Chord symbols reflect basic harmony.



Gtr. 2







9

8

9





 

Gtr. 3



7

***1/2 vol.

Gtr. 1: w/ Riff A (2 1/2 times)



5





7

6





8

9







8

9









7

6





9

8



End Riff B



 



‡Harm.

X 2.6 Pitch: D



Gtr. 3









 ‡Harm.

3.1

 

Gtr. 2



Riff C

9





8

9





7

6





8

9

 

 

 

 

X X X

X X X

X X X

X X X







8

9





Harm.

2.6

Pitch: B D ‡Harmonic located just past the 3rd fret.



‡Harmonic located approximately 2/3 the distance between the 2nd & 3rd frets.





7

6

 8

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

 9

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







  



Gtr. 4 (dist.)

      

  

fdbk.

      







  

0 0 1 0 2 0

*Vol. swell



 

8

  

f

5 5 3

Pitch: G





          





End Riff C

          

Gtr. 2

Gtr. 1 divisi

9

f

0 0 1 0 2 0





 



   

*

0 0 1 0 2 0

G5

7

9

6

8

9

**

7

8 7

7

7

9 5

7

7

7

7

7

6 7

7

9

8 5

5

7

5

**Gtr. 2 to left of slash in tab.

Gtrs. 1 & 2 tacet

E5

G5

                                P.M.

P.M.

         

Gtr. 3

Riff D

5 5 3



5 5 3

4

 

5

3



         



3

8

3

7

3

3



4

5

6

End Riff D

       

0

0

1

E5



(cont. in notation)

0

2

         

0

5

0



4

0



1

0

2

2

3

  



1. Hands

                                                          let ring   let ring  P.M. P.M. Gtr. 4

1

5 5 3



5 3

5 3

5 3

1

3 3

3 3

2

5

5 3

2 0

2 0

2 0

2 0

2 0

2 0

1

0 0

0 0

2

2

2 0

0

0

2 0

Riff E

       

3

3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 3

3 3

4

3

5

3

End Riff E

                

3

8

3

7

3

4

5

6

0

0

1

0

2

0

      

0

5

0

4

0

1

   





Gtr. 3

5 5 3

1

3 3

1/4

2

3

2 0

 Verse

2nd time, Gtr. 5 tacet





E5

µ

          are are



shak - in’, got your fin - ger on the trig - ger. fry - in’ while the kings and queens are dy - in’,

  

µ

 

            

Je Sa

-

sus ain’t com -plain - in’, gon - na tan won the race and the





       

Harm.

2 0

2.6

2 0

0

1

0

2

2 0

out. mile.

E5



   Some -

8v a

loco

          

*Composite arrangement

fig - ure it mir - a - cle

  

8v a

*Gtrs. 3 & 4



E5

    

0

1

2

0





loco

Harm.

  

2.6

2 0

2 0

Pitch: D

D

2nd time, Gtr. 4: w/ Fill 1





      

       

-

tape - worm a - bor

bod - y

raped

my

 

-

            

tion. Come

on, moth - er - fuck - ers, and de - liv - er

the



cow.

8v a

Gtr. 3



E5

        2 0

0

1

0

2

2 0







                     

loco





µ

Harm.

1/4

2 0

2.6

0

1

0

2

0

0

5

0

4

0

1

2

4 2 3

Pitch: D

          

Gtr. 4



2 0

0

1

0

2







2 0

            2 0

Fill 1 Gtr. 4



 



 

7

0

1

0

2

   22

2 0



    P.S.

X X



17

 

0

  0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

               

                     

E5(add#4)

E5

Brain and bod - y melt - ing while there’s roach - es mul - ti - ply - in’. It’s the

                 

           4 2





2

3

2

   

4



2

0 0 3 2

0 0 3 2

  

 

               

P.M.

0

0

1

0

2

2 0

0

2 0

2 0

0 0 3 2

2 0

0 0 3 2

2 0

2 0

0 0 3 2

2 0

0 0 3 2

al - i - en in - fec - tion, it’s the

2 0

2

3

2

   

4



0 0 3 2

2

0

1

0

2

    

0

2 0

2 0

                                           E5(add#4)

sen - ti - men - tal ha - los, and these





E5

con - se - quen - tial an - gels, when I’m

               4 2

2

3

2

4

0 0 3 2

2

0 0 3 2



0 0 3 2

        

 

E5

0 0 3 2

0 0 3 2

E5(add#4)

All these

          0 0 3 2

0 0 3 2

0 0 3 2

       

2 0

2 0

2 0

2 0

2 0

2 0



   



     P.M.

0

0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

0

2

0

2 0

2 0

2 0

2 0

0

A



run - nin’ with the dev - il, don’t de - liv - er the fight.

                           

(cont. in slashes)

0 0 3 2

0 0 3 2

0 0 3 2

4 2

2

3

2

4

0 0 3 2

2

0 0 3 2

0 0 3 2

0 0 3 2

0 0 3 2

0 0 3 2 0

                2 0

2 0

     

0



4 2

   

P.M.

0

 

com - ing of Christ.

              

4 2

2 0

    

E5(add#4)

2 0

2 0

2 0

2 0

0

          P.M.

0

1

0

2

0

2 0

2 0

5 5 6 7 7 5

                  2 0

2 0

2 0

2 0

2 0

2 0

2 0

5 5 6 7 7 5

  Gtr. 3                            

     

Pre-Chorus

(A)

E

G

E

open





      



Don’t

look at me

                 Gtr. 4

5 5 6 7 7 5

5 5 6 7 7 5

5 5 6 7 7 5

5 5 6 7 7 5

3 3 4 5 5 3

                5 5 6 7 7 5

5 5 6 7 7 5

5 5 6 7 7 5

5 5 6 7 7 5

    

  



fell

too

fast,

your

wings

   

   

                      

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

   

   

    

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

5 5 6 7 7 5

3 3 4 5 5 3

0

   

   

    B



  

  

  

   

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

0

won’t



1

7 7

9

7 7

7 7

7

X X X X X X

9







 

too

fast,

your

wings



hold.

1

7 7 8 9 9 7

0

  



(cont. in notation)



fell

  

   



   



A



look at me now,

Gtrs. 3 & 4

E

open

     

   

G

Don’t

5 5 6 7 7 5

5 5 6 7 7 5

   

      

  



   

0



now,

    

5 5 6 7 7 5

B

open

   

X X X X X X

5 5 6 7 7 5

T o Coda 



    

Bb5 A5 E5 G5

won’t

hold.

Yeah,

   

       

   

   

   

   

   

       

   

   

            

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9 9 7

8 8 6

7 7 5

0

5 5 3

Chorus

    

 

Gtr. 3: w/ Riff D



  

and



Gtr. 4



Rhy. Fig. 1

                5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

 

   

E5

when I

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

    

   

want

                5 5 3

 

5 5 3

2 2 0

G5           

to,

yeah,

End Rhy. Fig. 1

                P.M.

2 2 0

2 0

2 0

2 0

2 0

2 0

2 0

          2 0

2 0

2 0

2 0

2 0

2 0

2 0

5 5 3

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E5

    

 

  



I



Gtr. 3



Riff F

    3



3

4

3

  5

 

   

will

3

3

8

3

7

3

4

0

1

0

  mp           





    

   

find

         



 

Gtr. 5 (dist.)

you.

1

0

2



Yeah,

End Riff F

        0

G7

         

0

0

5

0

4

0

1

2

2

3

Gtr. 4



               

               

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Gtr. 3: w/ Riff F

2 2 0

E7

                                  Rhy. Fig. 3

and



when I

want

Gtr. 4

Rhy. Fig. 2



               

               

5 5 3

5 5 3

5 5 3

                2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

                2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

1

2

5 5 3

G7

                                      to,

yeah,

End Rhy. Fig. 2

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

2 2 0

                2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

               

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

5 5 3

D.S. al Coda Gtr. 3: w/ Riff E

E7

I



will

                                  

                                

End Rhy. Fig. 3

blind

you.

2. Brains

Gtr. 4



               

               

5 5 3

5 5 3

5 5 3

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Sorgdal

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

2 2 0

                2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

             2 2 0

2 2 0

2 2 0

2 2 0

1

2

3

2 0

 Coda

Chorus

     

         

 

Gtr. 4: w/ Rhy. Fig. 1

G5



 

E5

and

when I

     

   

want

G5          

to,

yeah,

                                          Gtr. 3

5 5 3

4

3

5

3

3

8

3

7

3

3

Gtr. 3: w/ Riff F (2 times)

4

0

G#5

    

 

I

0

1

0

2

0

0

   

will

 

5

0

E5

     



1

Gtr. 5

4

0

find

2



you.

                                     slight P.M.  slight P.M.

2

3

G7

           



     

   

1

0



Yeah,

Gtr. 4

5 5 3

5 5 3

5 3

5 3

5 5 3

5 5 3

5 5 3

5 5 3

Gtr. 4: w/ Rhy. Fig. 2 Gtr. 5: w/ Rhy. Fig. 3

    



5 5 3

5 5 3

5 5 3

 

  

and

when

(G5)

             Gtr. 4

5 5 3

5 5 3

6 6 4

0

   

 

2 2 0







3

 

3

4



3

   5

3

 

3

8

2 0

2 0



3

2 0

2 0

  

want

2 0

2 0

2 0

2 0

2 0

1

    

  

E5

2



to,

           

2 0

   

5 5 3

   

G7

yeah,

        

                

  

 



7

0

I

Gtr. 3

2 0

 

E7

I

2 2 0

                

3

4

will

blind

1

 0

you.

  0

1

 0

   2

0

  0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bridge

D/A

        

C/G

Rhy. Fig. 4A



            It’s all

                   Gtr. 5









o - ver me



  

Let me go,

        



let ring



4 3 4

4 3 4

4 3 4

4 3 4

4 3 4

10 10

10 10

12

12

5





4

0

 



1

2

0

5

D/A

5

0

Gtr. 3: w/ Rhy. Fig. 4 (2 times)

End Rhy. Fig. 4A

    

  

    

go,





let



  

me go.



    



1





12

               

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

12



2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

X 12 X 12 X 14

10

X X X

3

3



 

0

2 2 0

P.M.

3

 



5



12 12

12 12

14

14

2 2 0

2 2 0

2 2 0





 

12 12 14

2 2 0

2 2 0

X X X

2 2 0

now?



 1

1

8 8

   

8

8

10

10



    

  

Let me go,

let me



  

12

12

12

14

14

14





1

X X 12 X 14

Gtr. 4





               

 



1

X X 8 X 10



E5

       

 1

10

End Rhy. Fig. 4

2 2 0

   

And what’s come o - ver me



8 8

C/G





1

8 8

(cont. in notation)





8 8

          P.M.    1/2 0





1



Rhy. Fig. 4



      

let me

1

X X 8 X 10

 

Gtr. 3



1

X 10 X 10 X 12

         

now.

1

4 3 4

E5 type 2



        2 2 0

0 0 X 2

2 2 0

  

    

0 0 X 2 2 0

0 0 X 2 2 0

X X X



Gtr. 5







    

go,

let

me

go.



















Gtr. 4: w/ Rhy. Fig. 4A

 



C/G

     



It’s

all

o - ver me

  











1

1

Let me



     

12

12

10

10

10

8

14

14

14

12

12

12

10



  

  

  

0 0

0 0 X 2 2 0

0 0 X 2 2 0

2 2 0

        7 X 5

9 7

8 8

8



 

Gtr. 5







let

go.



me





12 14





go,

let

me





 

1

1

12

12

12

12

14

14

14

14





 

 





What’s come



 



C/G

Gtr. 4

1



  

1

12

12

10

14

14

12

12

 











o - ver

me

now?









  

  

5





15ma

 *fdbk.

1

8

8 8 8 10

8 8

X

*Microphonic fdbk., not caused by string vibration.



P.M.

5



10

  

5



   

(cont. in notation)

1

10 10



 



open

let ring

Gtr. 3



A

   

1

10 10 10



1



let ring 1



  

7 7 7 5 5

X X X



go,

   



     1

8 8

10

D/A

   



1

1

12

Gtr. 4



1

    



now.

let ring 1

E5

0

       



3 3

0 0

   3

3

3

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Gtr. 5 tacet

E5 Gtrs. 3&4



 















           

Ah.

Gtr. 5 15ma

Gtr. 5















Gtr. 6 (dist.) divisi





  



Gtr. 6

            _1

_1

_1

_1

_1

_1

f

*w/ harmonizer 1

X 5

      w/ bar _1

_1

_1

_1

_1

_1

5

5

5

5

5

5

*Set for Perfect 4th below with equal amounts of processed (wet) and original (dry) signal.

    Gtr. 3

 

 

 

 

 

 

 

 

 

 

  





   

(cont. in slashes)



4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

1

0

 

 

 

 

 

 

 

 

 

 

 

    



4 2 2

0

3

2 2 0

Gtr. 4



P.M.

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2



    (cont. in slashes)

1

3

2 2 0



G5

E E5

open

                                 

Gtr. 6

_1

_1



_1

  



w/ bar _1

5

_1

5

_1

5

0

0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 12 -2 1/2

10

      P.M.

13

P.M.



1

           P.M.

1 13

1

  



P.M.



          

harmonizer off 1

13

0 14

1

12

12

15 12

1

12 15

15 12

15



          

 



G5



   







   





   







 

     





w/ bar

15

15

12

15

15

12

12

15

15

12

12

15

15

12

12

15

15

12

12

1

15

14

14

-1 1/2

-1

-1 1/2

E5

        8v a

loco





harmonizer off

15

1

0

-1

-1 1/2

15

15

-1

-1 1/2

        loco       

          w/ bar 8v a

-1



  

w/ harmonizer 1

12



14

12

-1 1/2







     



G5

  



     

3

12

12

12

15

12

15

12

15

15

12

15

0

15

12

15

15

12

12

-1







 

 

             

       







w/ bar 1/2

1/2

  

8v a







A





  1

15

15 14 12 14

14 14 12

14

14

14

12

14

   



  

17

1/2

17

17

1/2

17

15

17

0

-1 1/2

B

       

            

1 1/2

1/4

G

-4 1/2

       

C

       

                           

(Gtr. 3 cont. in notation)

8v a



   

1

17

15

17

15

17

1

17

15

17

17

     17

17

17

1 1/2

17

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude Gtrs. 4 & 6 tacet

Gtr. 4









  

    

µ



Spoken: John - ny sat down be - side the old

8v a





17

17

         

   

8 8 9 10 10 8

8 8 9 10 10 8



Gtr. 6



Gtr. 3

   rats

 have





oak

tree,

   

   

cut off his hand,







what did he

see?



      

All

the an - i - mals are





crawled through his

 

 

X X X X

X X X X





house

and





out through their

dead.

The













 

   

X X X

X X X

X X X



















head.

One

of

them

ate

a

hole

in

the

 

8v a



Gtr. 4









fdbk. *

 9

*Vol. swell

  

 

X X X

X X X

Gtr. 3

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





  

  

X X X X

X X X X



   

  

  

X X X X

X X X X

X X X X



    X X X X







  

sky.

To



be - lieve



  

this would

be

a





fate worse



than











  

G5



dy - ing.

Yeah,

8v a  loco     



  



steady gliss.

9 18



   

  

X X X X

X X X X



   

  

  

X X X X

X X X X

X X X X



   

  

X X X X

X X X X

 Harm.



  

Harm.

X X X X

9



  

Harm.

X X X X

9

  



9

 



9

20

  



steady gliss.

Harm.

X X X X

5 5 3

8

19

5 5 3

8

Chorus Gtr. 3: w/ Riff D

    

 



     

and



Gtr. 4



when I

 

     

   

want

         

F#5 G5

to,

yeah,

End Rhy. Fig. 5

                                           P.M. P.M.

                

5 5 3

2 0

5 5 3

5 3

5 3

5 3

5 3

5 3

5 3

    

5 3

5 3

 

5 3

5 3

5 3

Gtr. 3

Riff G

    

3

3

4

3

 

5

5 3

5 3

    



I



E5

Rhy. Fig. 5

Gtr. 4: w/ Rhy. Fig. 5



   

2 2 0

   

E5

will



3

3

3

7

3

4

5

2 0

2 0

 

2 0

2 0

6

0

2 0

2 0

  

   

find

          8

2 2 0

2 0

2 0

2 0

0

1

0

2

0

  0

4 4 2

2 0

5 5 3

         

F#5 G5

  

you.

       

2 0

Yeah,

End Riff G



5

 0



4

     0

1

2

2

3

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Riff G

    

 



  

and

     

 

 

 

P.M.

 



 



 









3 3

3 3

5 5 3

5 3

5 5 3

5 3

   

5 5 3

to,





            P.M.





2 0

2 0

2 0

2 0

3 3

    

    

1

 

G5

yeah,

 

               P.M.

1

12 12 2 2 0

12 12

12

14

14

12

5 5 3

5 5 3





 

 



I







   

 

E5

will



let ring

 



  

  

   



 

3 3

3 3

3 3

 

 

 

P.M.

 

 

 



4

3













let ring 1



5

3

2 2 0

2 2 0



 



2 0

2 0



2 0

 

2 0







1

0 0

 

5 3

let ring 1

5 3

 

3

    

2

  

5 3

  

3 3

5





3

G7



you.

1

5

5 3

       

blind



5 3

Gtr. 3

3

  



5

14

0



   

  



2 2 0

14

2 2 0



want

5 5 3

        



 

E5

5

    

   

I

   

1

5

5 5 3

when



1



 



  



1

0 0 2

2

0

5 5 3

15

 







 







(cont. in slashes)

7 6 7 8

3

14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7

3

4

0

1

0

0

1

0

2

0

0

5

0

4

5

1

2

0

(G7)

Gtr. 3





E7

        







       









 



I

will



       

 



 





 

find

you.

(Yeah.)



Gtr. 4



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

G7

        



 







 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

 

  

 

 

5 5 3

 

 







  





 

2 2 0

G7sus4

       



 

  



 







 

 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

G7

E7

      







 



I

will

blind

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

  

     











  













 



  2 2 0



you.





 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

  







15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 













Gtr. 7 (clean)







 

















Gtr. 2: w/ Riff B



 













E7

 



Riff H

       

mp

w/ chorus P.M.

7



Gtr. 4







  



   

  

7

7

7

7

7

7

7

  

2 2 0











       

       

        

P.M.

7





7

7

7

7

7

7

7

  

7

7

7

7

7

7

7

7

  

7

Gtrs. 3 & 4 tacet

E5

7

7

7

7

7

7

        P.M.

5

7

7

7

7

7

7

7



  

2 2 0

Begin fade

Fade out Gtr. 2: w/ Riff C (till fade) Gtr. 7: w/ Riff H (till fade)



       

          

7

7

Gtr. 7

        

End Riff H

P.M.

7

7

16 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

(15 sec.)



from Velvet Revolver - Contraband

Do It for the Kids Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner

A5

G5

G#5

5fr

Bb5 4fr

134

134

134

C5III

Bb5I

C5

D5

6fr 134

134

F

F5

8fr

5fr

8fr

134

C

134

Bb

A 5fr

134

134

134211

1333

1333

134211

Intro Moderate Rock q = 145

µ Voc. Fig. 1

  









Spoken: Went

too

fast,

I’m

out

A5

Gtr. 1 (dist.)

G5

G#5

A5

G5

-











ta

luck

and

I

don’t

e

   

G#5

A5

       

E

open

f

Rhy. Fig. 1 Gtr. 2 (dist.)



 



 



     







2 2

0 0

2 2

2 2

2 2

2 2

f

2 2

1 1

0 0

1 1

Bb5

C5

Bb5

   

 

          

3 3

5 5

3 3

Gtr. 2: w/ Rhy. Fig. 1

A5

Bb5

 



C5

Bb5

    

 

        

A5



End Rhy. Fig. 1

 

2 2



2 2

 3 3

5 5

G5

Rhy. Fig. 2

G#5

A5

G5

G#5

      

-

End Voc. Fig. 1









ven

give

a

fuck.

A5

G5

G#5

A5



G5

G#5

        



 



    

2 2

2 2

0 0

2 2

2 2

1 1

   

A5

E

open

0 0

1 1

Bb5

C5

Bb5



  

 

   

Gtr. 3 (dist.)





rake

3 3

 

f

2 X X X

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A5

 





G5

G#5

A5









 



1

 

G5



1

6

6

G#5

E

        1

 

A5

Bb5

C5



open



 









Bb5

  (cont. in notation)

End Rhy. Fig. 2

 







    3

 6

6

5

3

5

3

5

3

3

5

5

3

5

3

G5

G#5

Verse Gtr. 3 tacet

A5

G5

 

G#5

A5



 1. I

Gtr. 3

G5

G#5





wan - na

A5

  

be

G5

your

Bb

 

man

C



Bb

 -

A5

G5

G#5



A5



child,

 let’s

  all



 







 2

Gtr. 2 Rhy. Fig. 3A

 



 



     



P.M.

2 2

Gtr. 1

2 2

0 0

0 0

1 1

2 2

2 2

1 1

2 2

2 2

0 0

3 3

  

 

     

 

       

  

 





 



     

P.M.

5 5

3 3

2 2

2 2

0 0

1 1

2 2

2 2

0 0

1 1

 

 

 

   

 

     

7 5

5 3

7 5

7 5

Rhy. Fig. 3

  

 

P.M.

7 5

7 5

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    

5 3

6 4

7 5

7 5

5 3

6 4

7 5

7 5

5 3

5 6

  

P.M.

7 8

5 6

7 5

6 4

5 3

6 4

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (3 times)

A5

G5

Bb

 



 

go

it

hog

Gtr. 2

C

 -

 

    

  P.M.

2 2

2 2

0 0

7 5

7 5

A5

5 3

G5 G#5



 

A5

    at

sta

-

7 8

5 6

A5

G5

G#5







I

al - ways

Bb A5



A5

 

 

G5 G#5 A5



A5



 

said, “I’ll

see

G5 Bb



 



you

lat

-









C

   

 -



tate

G5 G#5





to

her.

A5

tion,

no heav - y

9

9

Bb

A5





G5 Bb

con - cen

C

  

      



7

G#5



G5 Bb

grav - i

      

Gtr. 3

G5

C

Bb





er.”

3 3

5 6

    

the

 

End Rhy. Fig. 3A

 

C



She





G5 Bb



G5 G#5 A5

End Rhy. Fig. 3

 

       

P.M.

 

5 5

Gtr. 1

  

A5

wild.



3 3

Bb

-

tra

G5 G#5 A5



Bb



A5

6

6

G#5

Let’s

all

meet

G5 G#5 A5



G5 G#5



  We could

    

1

4



tion.

          6

G5

   -

3



1

4



4

4

Gtr. 3 tacet

A5

   all

G5 Bb

 hook

  



up

C



 there,

Bb



A5



G5 G#5



A5



 the

G5



kids

G#5



are

A5

 



all

al

G5 Bb

 

-

right



C





Bb



there.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus D5

A5

               

Rhy. Fig. 4 Gtr. 2





  







Should we

Riff A Gtr. 4 (dist.)



go

out

-



  



 

  



      

1/2

10

10

      Gtr. 1

6 7 7 5

 

 

 

 

 

 

5 5 5 5

6 7 7 5

X X X X

X X X X

6 7 7 5

5 5 5 5

6 7 7 5

6 7 7 5

10

10

 

 

10

 

 

 

  

 

6 7 7 5

5 5 5 5

6 7 7 5

5 5 5 5 5

6 7 7 5

7

     5 5 5 5 5

0 0 0

F5

               



  

-











Show



9

10

9

 

        

7 7 5

5 5 X 7 7 5

7 7 5

7 7 5

7 7 5

1/2

  

10

9



time







  

10

10

10

10



for

stran





10

6 5 7

5 5 5

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6 5 7

X X 6 X X 5 X X 7

5 5 5

6 5 7

X X 6 X X 5 X X 7

5 5 5

6 5 7

X X 6 X X 5 X X 7

6 5 7

7

0 0 0

9

  

  

  

  

  

  

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

               

     

                                       

Sorgdal

9

1/2

End Rhy. Fig. 4

 

  

-



  7 7 5



gers.

 

  

       

1/2

6 5 7

1/2

A5

 



er?

mf

10



End Riff A





lat

 

  



 



  

               

     

9

10

9

     slight P.M.  7 5

7 5

7 5

1/2

5 5 X 7 7 5

    

1/2

9

1/2

9

1/2

9

Interlude Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 1

D5

C5 III

Bb5

A5

I

              

Rhy. Fig. 5A

       



1/2

1/2

9

1/2

9

9

12 X 10

    

1/2

1/2

9

 

1/2

9

G5 G#5 A5

G5 Bb5

C5

Bb5

9

9

12 X 10

12 12 10

12 X 10

12 X 10

12 12 10

12 12 10











C

Bb

9

            12 X 10



1/2

            

Rhy. Fig. 5

  

G5 G#5 A5

End Rhy. Fig. 5A

End Rhy. Fig. 5

12 12 10

12 12 10

10 10 8

10 10 8

8 8 6

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (4 times)

A5

G5 G#5 G#5



G5 G#5



         Gtr. 3

1



7

A5

G5 Bb5



C5

Bb5

7

6

G5 G#5 A5



      2. Don’t - cha give

 3   3         

G5 G#5

a

fuck an

A5

  

-

y

G5 Bb

  



-

  

more

now?

Gtr. 3

Gtr. 5 (dist.) divisi

7

A5

7



 





 

mp

7

7

7

6

7

0 0 0

0

Gtr. 3 tacet

A5

 

G5 G#5



A5



 She’s

G5

G#5





 



in’

up

on

giv -

A5

Gtr. 5

 



G5 Bb

   

C



you



Bb



A5



now.



 

0

G5 G#5 A5





G5

G#5





“Do

it

 0

0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A5

G5 Bb

  



for

the

  

C



 

they

say,

 



kids,”

Bb



 

A5

G5 G#5 A5

G#5







“It

ain’t

a





 

G5

A5

-

 



 

bout

you

an



0

G5 Bb

C

 -

y

Bb

 -



way.”





 

0 0

A5

G5 G#5 A5



 

G5



I Gtr. 3

 





G#5





0



say

we’re



A5

G5

Bb

 



all

grown

up





 

 



 

Bb

A5

G5 G#5A5







G5



   now,

1









and

sex





G#5





14

12

1

15

15

  

C

  

15

15

15

15

0

Gtr. 5

2









 



0

0 0

A5

 





G5

Bb

  



ain’t

so

safe

 



 



C





Bb



now.





 

14

 

15

12



1

Sorgdal



G#5







“It’s

all

 

A5

G5 Bb

 



in

the

 



  



 

groove,”



C

Bb



 

they

say.



P.M.

12

0

 







 

0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



G5

 

12

0

6



G5 G#5 A5

  



1

14

A5

0

 Chorus

Gtr. 2: w/ Rhy. Fig. 4 (2 times) Gtr. 4: w/ Riff A (4 times) Gtr. 5 tacet

Gtr. 3 tacet

A5

G5 G#5 A5

G5 G#5

A5



  

It does’n - t

G5 Bb

C

    

mat - ter

Bb

Rhy. Fig. 6

 

        

Gtr. 1





Should we

go

 

an - y - way.

Gtr. 5

 

* Dm7

6 7 7 5

0

6 7 7 5

5 5 5 5



 

 

  







out

 

 

 

 

 

 

 

 

 

 

 

  

 

6 7 7 5

X X X X

X X X X

6 7 7 5

5 5 5 5

6 7 7 5

X X X X

X X X X

6 7 7 5

5 5 5 5

6 7 7 5

5 5 5 5 5

   

6 7 7 5

5 5 5 5

0 0 0

*Chord symbols reflect overall harmony.

-

7 7 5

5 5 X 7 7 5

7 7 5

 A5    -

 

  

  

  

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

5 5 X 7 7 5

      slight P.M.

    

7 5

7 5

5 5 X 7 7 5

 





5 5 5

6 5 7

X X X X X X

6 5 7

5 5 5

7 5

7 5

7 5

5 5 X 7 7 5

6 5 7

 



Should we

go



6 5 7

5 5 5

6 5 7



X X X X X X

6 5 7

6 5 7

0 0 0





out

                 

                  

6 7 7 5

X X X X

6 7 7 5

5 5 5 5

6 7 7 5

X X X X

X X X X

6 7 7 5

5 5 5 5



6 7 7 5





Show

  

for

X X X X X X

6 5 7

er?

          slight P.M.

time

6 5 7

Fmaj7







                   



End Rhy. Fig. 6



                 

Dm7





-

X X X X

6 7 7 5





7 7 5

  

-



   

  



   -

  



lat

7 7 5

  

 

7 5

A5





gers.

7 7 5



7 7 5

  

      









Show

        

stran



er?

   







  

Fmaj7



lat

 





 A5   

5 5 5 5

6 7 7 5



5 5 5 5

5 5 5 5

6 7 7 5

6 7 7 5

0 0 0





time

for

 

                 

                   

8 7 5

6 5 7

X X X

6 5 7

5 5 5

6 5 7

X X X

X X X

6 5 7

5 5 5

6 5 7

X X X

6 5 7

5 5 5

6 5 7

X X X

X X X

6 5 7

6 5 7

0 0 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

T o Coda 

A5



  



 

  

stran

-



*Gtrs. 1&2



                           Keep me run - nin’ like





 

gers.

 Gtr. 1

Bridge F



 

        

7 7 5

5 5 X 7 7 5

7 7 5

7 7 5

7 7 5

  

a



X X X

  

 

(cont. in slashes)

in

the head

-

 



Gtr. 6 (dist.)

   

deer

Voc. Fig. 2

 

 

12

10

10

8

lights,

(Oh,

 

   

mp 10 X 8

X X X

10 X 8

10 X 8

9 7

*Composite arrangement

C



         

 

all



for

noth

 

Bb

                            

                 

-

-

in’



I

thought,  





just

 

the ran

 

som

I

had

bought.

 

oh,

       10 X 8

9 7

10 X 8

  

10 X 8

 

 

12

10

10

8

 

 

 

 

9 X 7

7 X 5

9 X 7

10 X 8

  7 X 5

Bkgd. Voc.: w/ Voc. Fig. 2

F

A

                       

F

  

                                A - bout the day



 



oh.)

                   

   5 X 3

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

End Voc. Fig. 2

6 X 4

6 X 4

6 X 4

6 X 4

6 X 4

6 X 4

14 14 X X 12 12

tried





6 X 4

I

14 X 12

to

tame

her,



 

 

   

15 X 13

14 X 12

14 X 12

12 10

C



         

 

nev - er

12 10

                

tried

       14 X 12

Bb

9 X 7

to

 

 

10 X 8

9 X 7

blame

  

10 X 8

           

her,

just

a

                 

game

that

I

had

bought.

                      

 

      

12

10 X 8

10

10 X 8

12 X 10

12 X 10

14 X 12

14 X 12

15 X 13

15 X 13

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A Gtr. 6 tacet

F

A

D5

                              14 X 12



              



14 X 12

18 X 16

18 X 16

18 X 16

18 X 16

18 X 16

18 X 16

C5





               

            

10 X 8

3 X 1

Gtr. 3

18 X 16

Bb5

9

9 X 7

7

7

7 X 5

5

5

5 X 3

3

3 1

2 0

2 X 0

5 X 3



3 X 1

Gtrs. 1 & 2: w/ Rhy. Figs. 7 & 7A (2 times)

A5

G5 G#5 A5

G5 G#5

A5

G5 G#5

A5

Bb5

Rhy. Fig. 7

A

G

G#

A

G

G#

End Rhy. Fig. 7

                                     Gtr. 1

Gtr. 3

 semi-harm.

2

Gtr. 2

2

2

2

Rhy. Fig. 7A

          2 2 2

2 2 2

0 0 0

1 1 1

2 2 2

2 2 2

0 0 0

1 1 1

2

3

1

0 0

2 2 2

0 0 0

1

3

1 1 1

1

1/2

3

3

           2 2 2

3 3                 3

3

3

2

3

2

3

2

0

2

0

2

1

2

End Rhy. Fig. 7A

        2 2 2

3 3 3

3 3 3



3 3 3

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

G

G#

3

A

Bb

          

A





    

G G# A



3



*

1

G G#

A

G

3



5

1

0

0

3

3

1

0

0

Bb

   3

3

1

5

5 2

A

3

1

8

7

1

G#

         5

5

5

5

5

8

8

C5

Bb5



 

7

0

-1/2 *Lower pitch of open string by pushing on back of headstock while stabilizing body of guitar with right hand.

A5

Gtr. 1





P.M. Gtr. 3



G5

G#5

A5









G5

G#5

A5







               3

8

3

7

Gtr. 2

 

6

 

5

3

6

5

    

6

3

3

5

5

8

 

8

 

7

 

7



  

3

8

 

2 2 2

0 0 0

1 1 1

2 2 2

2 2 2

5

7

Gtr. 2



0 0 0

Bb5

 

7

7

 

2 2 2

2 2 2







3 1/2

 

1 1 1

 

    

3

5

P.M.



Gtr. 5 divisi

2 2 2

G

3 fr

0

7

7

1

5

5

              P.M.

 3 3 3

5 5 5

3 3 3 0

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1 1/2 times)

A5

G5 G#5 A5

 

G5 G#5

   

3. Let’s all meet

Gtr. 3 tacet

A5

  

at

the

G5 Bb

C

  

   

sta

-

Bb

 





G5 G#5 A5





tion,

G5 G#5

   no heav - y

Gtr. 5

 

A5

 

0

   2



A5

  

G5 Bb

C

      

con - cen - tra



-



        5

2

5

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

tion,

 

0

0

Gtr. 3

Bb

0





D.S. al Coda

A5

G5 G#5 A5

G5 G#5

A5

    

 

the kids are

G5 Bb

   all

al

C

Bb

right

       

too fast, I’m out - ta luck and

        

    

I don’t e - ven give a fuck. Gtr. 1



Gtr. 5





A5

       

there. Spoken: Went

Gtr. 5

 

A µ

         -

Gtr. 5 tacet





Gtr. 1 divisi

0



1/2

0 0





4 5

16

   

Gtr. 2





16

                 * P.M.

2 2

2 0

2 0

2 0

2 0

2 0

2 0

2 0



2 0

*Gradually lift P.M.

 Coda

Gtr. 1: w/ Rhy. Fig. 6 (2 times) Gtr. 2: w/ Rhy. Fig. 4 (2 times) Gtr. 4: w/ Riff A (4 times)

Dm7

Gtr. 6

     7 X 5

7 X 5

7 X 5

Should

we

 

 

** Voc. Fig. 3





(Should

we















 



go

out go,

     

     

     

     

           

     

7 X 5

9 X 7

9 X 7

10 X 8

10 X 8

13 X 11

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

9 X 7

10 X 8

10 X 8

10 X 8

10 X 8

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

**Applies to upstemmed notes only.

Bkgd. Voc.: w/ Voc. Fig. 1









er?

 

Show

-









time

for show



 

End Voc. Fig. 3









-







lat

 

   

F,7



       A5

-

time.)

 

       

 

                 

                 

14 X 12

14

9

5 X 3

14 X 12

12

9 10 X X 7 8

9 X 7

7

5 X 3

5 X 3

5 X 3

X X X

X X X

5 X 3

7 X 5

7 X 5

14 X 12

14 X 12

14 X 12

X X X

X X X

7 X 5

7 X 5

7 X 5

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bkgd. Voc.: w/ Voc. Fig. 1

     

 

A



stran

-

 





Dm7





gers.

   

 

 

6 X 4

7 X 5

9 X 7

  







Should

we

               

 

8

10

X X X

     

out

lat



go

8



Bkgd. Voc.: w/ Voc. Fig. 3

 



mf 8





10

10

10

10

10

Bkgd. Voc.: w/ Voc. Fig. 1

10

10

 

A5

-

12

12

12

12

12

12

 



er?

   

               

13

16

17

13

13

13

13

13

13

13

16

16

16



16

16

16

17

17

17

17

17

17

17

17

17

15

15

              

12

12



12

12

12

12

12

12



12

12

13

13

13

13

13

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

13



-

               

8



Gtr. 4

10

12

13







15



Fmaj7



15

Show



12

          

  

Gtr. 6

12

8

8

8

8

8

8

  10

8

8



8

8

8

10



10

10

10

10











time

Bkgd. Voc.: w/ Voc. Fig. 1



     

for

stran

 

A

-

 





poco rit.

gers.

 

                                   poco rit.

5



5

5

5

5

5



5

 

5

5

5

5

5



10 10 10 10



9

9

9

9

9

9

9

9



10 10 10 10 10 10 10 10

 

 

 

10

10





Outro Free time D5 Gtr. 2

    Gtr. 6



10

Gtr. 4

  







10

 

9

9

7

7



 





  



13

poco rit.

9 X 7

7 X 5

13

 

1/2

10



12

   

                              

1



10

13

13

3

6

6

5

1/2

10 13 10

11 13 11 10 11

12

11 13 11 10 11

12

10 11 10

12

10 12

12 10 12 10

12 10 12

 

 



   

 



7 X 5

     Gtr. 1

6 7 0 0

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Contraband

Big Machine Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner D

A

AV

E5

G

DV

5fr 132

123

E7

C5

E

2 1

134

231

G5

A5

5fr

134211

11

134211

1333

134

11

Intro Moderately fast q = 145

µ



  

Gtr. 1 (dist.) (Drums & bass)





* mp w/ Leslie



0

*1/2 vol.



 







0

Verse Gtr. 1 tacet ** E5



 

Gtr. 1





 1. I

 



 don’t

 



know







be - cause

she





says







so.









He’s

a

fag - got





boy,

Gtr. 2



Gtr. 2 (dist.) divisi







mp

***

0 3 **Chord symbols reflect overall harmony. ***Vol. swell to 1/2 vol.

 

  







the

T - V



 says









so.







He’s

a





junk - ie







piece

of

shit





be - cause





he

says







so.



3

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus E5



Gtr. 1







    





All

that

first

 -





   







jet

set

brings

me

class

 

3



  



  

   

Gtr. 1

 

   

down,

   

7 7 7 5

  

 

    





All

that

first

-

class







2

0

 





let ring





2

2 2 0

0

AV





down,

  

   



down.

 

 

down.

  

  

5 5 6 7 7 5

5 5 6 7 7 5

(cont. in slashes)

7 7 7 5

7 7 7 5



 



shit

brings

me

 2

 

2 3 2 0

2 3 2 0

G



open

 



 

(cont. in notation)

       

E



 

drug





 





0

down,

   

1/2

0

down,

mf

E5

open

2 2 2 0





E



   

A





Leslie off

3

AV

Gtr. 2

 

mf



    



D

 

*















  















  

  

  

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

Ah.

 

 

 



 

P.M.









*

2 3 2 0

2 2 2 0

2 2 2 0

2 2 2 0

0

0

5 3

5 3

5 3

*Vol. swell to full vol.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 3

5 3

        E

Chorus E5

AV

open

f

     









    

  

3 3 4 5 5 3

  

3 3 4 5 5 3

  

3 3 4 5 5 3

  

3 3 4 5 5 3

3 3 4 5 5 3

D5

all







slaves

to

a



   1

7

7

6

 7

5

 

  

7

5

Gtr. 1

6

f 5 5 6 7 7 5

0







It’s

a

big





ma - chine,







it’s

a

big





ma - chine.

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

Rhy. Fig. 1



Gtr. 2

 



  



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

A

Ab











It’s

a

big

ma

 5



big



G







ma - chine.

   





3 4







7



End Rhy. Fig. 1

 

  

5

3

4

 

  

  

  

  

  

  

7 0

7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

0

2 3

- chine,

 

Rhy. Fig. 2



7

4 5

E5

   1

0

A5



We’re





Gtr. 1: w/ Rhy. Fig. 1

   

Eb5



   







Gtr. 1





Gtr. 2





(cont. in notation)



5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









it’s

a

big



ma - chine. We’re

    

  

 

  

  

  

 

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

Gtr. 2

 



all









1

to

a

 7

Ab



  

slaves

7

0

E5











All

tied

up

to

a

big



big



   

6

5





4 5



ma - chine,





I

got



3 4



D5





hous - es,

got

cars,

  

  

  

  

  

  

  

  

  

  

  

 



9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

7

5

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0





    

mon - ey

in

the









A5



wife,

I

got

kids,

got







3 4

1

got

a

 12

0

   5

 

bank.

  

  

 

  

  

  

 

  

  

  

 

  

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

2 3

  7

5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    I

  

End Rhy. Fig. 3

4

6



 

  

6

7



  

12

4 5

 





0

     1   End Rhy. Fig. 3A

   



E5

 



5

12

6

Gtr. 1 Rhy. Fig. 3

G



1

Eb5

  



End Rhy. Fig. 2

2 3

  

Ab



0

  

A



 



  

   



A5

ma - chine.

    Gtr. 2

Sorgdal

G

5

7

  

Rhy. Fig. 3A



A



  

 D5   

Eb5





 



7

Rhy. Fig. 4A

End Rhy. Fig. 4A

Rhy. Fig. 4

End Rhy. Fig. 4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

X X X

2 2 0

2 2 0

2 2 0

X X X

2 2 0

Verse

 

E5

  

2. Get

 







a - way



    







with - out

bor

-

 



Gtr. 1: w/ Rhy. Fig. 5 (2 times)

 



ders.

 

 

I’m

a



 slave,

 

 

a

New

       

   

 fdbk.

9 9





9 9



Rhy. Fig. 5

 

 

2 0

2 0

P.M.

    

 

2 0

2 0

2 0



  

 

 

2 0

2 0

2 0



    

 

2 0

2 0

2 0

 

 

        

I

chose





 

 



World

Or

-

 

 

 



der.

I

guess

Gtr. 2





End Rhy. Fig. 5

 



 

9 9

    2 0



 

 

to

be,

 





 

 

 

 

 

I

guess

I

chose

to

be,

Gtr. 2 tacet





 9 9



Pre-Chorus

DV

    

 



 

 

 

 

I

guess

I

chose

to

be,



 

 

 

 

I

guess

I





 

   

chose

to

be.

 

 



All

that

Rhy. Fig. 6

Gtr. 1



Gtr. 2

Rhy. Fig. 6A

 

P.M.

2 0

  2 0



     2 0

2 0

  2 0



   2 0

  2 0

  2 0



     2 0

2 0

   2 0



7

 0

   2 3 2 0

 

AV

 



first - class

  

 

 

2 2 2 0

2 2 2 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







   

jet



 



set

brings

me

 

down,

down,

down.

0 0 1 2 2 0

2 2 0

G







    

 



brings

me



drug

shit

 







 



         0

2

2

0

 

    



All

that



  



G







down,

3 fr

 

     

 

down,

  

  

2 2 2 0

2 2 2 0

2 3 2 0

2



 

first - class

 



1/2

0

AV



2 2 0





      

  

2 2 2 0



 

DV



   



E7

  

A End Rhy. Fig. 6A







down. (Ah.)

   

 

 

2 2 2 0

0

0



P.M.

5 3





5 3



5 3



5 3

5 3

 5 3

 5 3





5 3

  

  

  

  

  

  

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

End Rhy. Fig. 6

   5 5 6 7 7 5

Chorus Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtr. 2: w/ Rhy. Fig. 2 (2 times)





  

It’s

a

big

 



ma - chine,

   it’s

a

big

 

Eb5 D5

     

E5

a

big



ma - chine,

   it’s

a

big

 

     

Eb5 D5

   

E5















All

tied

up

to

a

big

ma

- chine,

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 





slaves



to

a

big

ma - chine.

A Ab G

 



 



A5



ma - chine. We’re all

Gtr. 2: w/ Rhy. Fig. 3A

 



It’s

 



 

  



A5

ma - chine. We’re all



A Ab G











E5







I

got

slaves



to

a

big

ma - chine.

Eb5



D5











hous - es,

got

cars,

I

got

a

A

Ab

G

A5

E5

       

Gtr. 1

    wife,











I

got

kids,

got







    

mon - ey

in

the

bank.

  

  

  

  

X X X

9 9 7 0

9 9 7 0

9 9 7 0

Gtr. 2





  

  

9 9 7 0

9 9 7 0

Bridge C5

  

 

  

  

  

  

X X X

9 9 7 0

9 9 7 0

9 9 7 0

E

Rhy. Fig. 7

       

  

 

    









Hope

I

teach

my

  

  

  

X X X

9 9 7 0

9 9 7 0

9 9 7 0

Rhy. Fig. 7A













let ring

0 1 0 2 3

0

how

to

be



0

1 2 2 0

3

            

      hits

thir

-

let ring







  

let ring





0 1 2 2 0

0



X X X

a

man...



0

 



 let ring 3 2 0

1



be - fore



 

2

he





0

0

0

C5

G5

              

       

  











ty - five. Com - ic





0

1

E



  

0 0 0 0

               ...now

  

 

  

D

                  son

  



0



1

 

 let ring 0 1 0 2 3



 

0 3

book



1

lives

don’t



 

0



real - ly





have



an - y







let ring

0 0 X 3

3

0



3 0

3

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Rhy. Figs. 7 & 7A

A5

               real



3

2





2

0

do







4

2

2

0









5

4

2

0

     how

to

be

 

 

a







 

Hope

I

teach

my

now?









5

3

2

0



    

he

hits

D

   son

they

 

End Rhy. Fig. 7A



E



             

End Rhy. Fig. 7

life,

  

C

    

E

   



  C

man...

Com - ic ...now

be - fore

thir

-

ty



    book

lives

five.

Interlude Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (2 times)





G

   don’t

    



real - ly have an - y



Gtr. 3 (dist.)



A5

  

real



life,



  

 

do

they





E5

 





now?

               



f 11 9



   



12

12



   





8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







9

9

9

11 9



11 9

11 9

11 9

11 9

11 9

11 9





 



















9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

12

12

   

   

9

12



9

13

13

12

Verse Gtr. 1: w/ Rhy. Fig. 5 (3 times)

 

 

E5

 

3. I

   



don’t

12



 

 

be - cause



 

  

 

says

so.



 

 



He’s

a

fag - got



 

 

she

boy,

 14

15

15

             fdbk. 

    Gtr. 2

9 9

9 9

 



 



 

Gtr. 2 tacet



8v a 15ma              

the

T

- V

*X

says

15 14

X

so.

3

3

9 9



   

  



 

      

know



Gtr. 3







X X

X X

X X

X X

X X

 

He’s

a

   



junk - ie

piece

3

3

X X



loco               

3

X X

 

X X

X X

of

                shit

be - cause he





says



so.



3

X X

X X

     

X X

X X

X X

X X

X X

X X

X X

X X

X X

X X

*Starting over the pickups, simultaneously slide down and tap with edge of pick in rhythm indicated.







9 9

Pre-Chorus Gtr. 1: w/ Rhy. Fig. 5









    





All

that

first

E5

 X X

 X X

 X X

 -

class

 X X

   







jet

set

brings

me

 X X

 X X





Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A Gtr. 3 tacet





down,

down,

D

  A

down.



X X

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

E7



   



down,

    





All

that

first

 



A

down,

 -

class

 

down.

drug

  

G



   









shit

brings

me

D



















it’s

a

big



Ah.

Chorus

     





A









It’s

a

big

ma

- chine,







ma

- chine.



 







We’re

all

slaves

to

a

A



Ab

big







it’s

a

big

ma

- chine.





A

We’re

all

slaves

to

a

big













All

tied

up

to

a

big

ma

- chine,

    wife,



A5









I

got

kids,

got



10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

E5 Gtr. 1

 

mon - ey Gtr. 2



 







G



 

   

Ab

E5

D5

E5

A

A5



 

      

in

the

bank.





I

got













It’s

a

big

ma

- chine,

Ab



ma - chine.

G





ma

- chine.

A5









 

Eb5





 

G



D5

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A



E5

 

Eb5

   

Sorgdal







   



Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Rhy. Fig. 2 (2 times)



Eb



D5











hous - es,

got

cars,

I

got

a

   



  















  

  

  

  

  

  

  

  

  

  

  

  

  

  

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

Bridge

  

   

Gtrs. 1 & 2 tacet

 



all

  

Gtr. 4 (dist.)







slaves

to

a

big











     











 

ma - chine.



mp

7

7

7

7

7

7

9

9





We’re

all

9

9







slaves

to

a



   

w/ Leslie Harm.

7

  







We’re







E5











Harm.

0

0

0

0

0

0

7



9

 













We’re

all

slaves

to

a

big

ma



    



9



7

7

7

7

Pitch: G#

big

ma

- chine.



















 















 







- chine.



















 

f

fdbk.

  

















Harm.

7

7

7

7

7

7

7

7

 

Gtr. 1



Gtr. 4 divisi

7

7

Interlude Gtr. 4 tacet

E5















We’re

all

slaves

to

a

big

ma













       fdbk.

Gtr. 1

Gtr. 4

 7 7

  

Gtr. 3

Gtr. 2 divisi

7























 

 

 

11 9

11 9

  7 0

Gtr. 1











 

 

 

 

 

11 9

11 9

11 9

11 9

11 9

11 9

 

  

  

  

  

  

  

7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0



- chine.

 2

1 1/2

 



 







Gtr. 3 (cont. in slashes)



P.M.

        f  0

Gtr. 2

9 17

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                        (cont. in notation)                                        let ring E

12 fr

12



12

9

9

9

9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

11 9

12

12

12

8

9

9

   

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  



9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

9 9 7 0

9 9 7 0

9 9 7 0

X X X

0

G5



Gtr. 3



9

A5



 







                 

let ring

10

10

10

9



9

9



let ring

9

8

9

9

8

9

8

8

5 5 3

           

 

           

5 5 3

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

7 7 5

7 7 5

7 7 5

Gtr. 2

let ring

*Gtrs. 1 & 2

  

DV

C5

7 7 5

8

8

8

9

8



 

let ring

10

8 9

 

           

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

11

5 5 3

10 11

10 11

11

12 15

  

  

  

     1 

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

15

*Composite arrangement

Outro-Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Rhy. Fig. 3A



Gtr. 3





 











It’s

a

big

ma

- chine,

 

 

 

1

1

1

 

1







it’s

a

big

 

1

 

1



 



 

1

 

1

12

12

12

12

12

12

12

15

15

15

15

15

15

15

15

A Ab G

ma - chine.



A5



E5



  

It’s

a

big

  ma - chine,



 







We’re

all

slaves

to

a





   it’s

a

big

 

     

big

 





D5

1

12

15

Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtr. 2: w. Rhy. Fig. 4A (2 times)

 

Eb5

ma - chine.

12

Gtr. 3 tacet









E5



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

ma - chine. We’re all

12



  

Gtr. 1

(Gtr. 2, cont. in slashes)

5 5 3

               

slaves

to

a

E7sus4

big



 



 





  

 

   

 

All

tied

up

to

a



9 9 7 0

       

      

 

 

(cont. in notation)

 Gtr. 2                         wife,

9 9 7 0

I

got

9 9 7 0

X X X

kids,

7 7 7 0

got

7 7 7 0

7 7 7 0

X X X

7 7 7 0

                mon - ey

in

  

X X X

6

9 9 7 0



9 9 7 0

  

the

 

2 2 0

2 2 0

 

bank.

 



1

Ab

6

  

  



9 9 7 0

 

 

2 2 0

2 2 0



got

7 7 7 0

X X X

9 9 7 0

G

    

            

                        

hous - es, got

9 9 7 0

9 9 7 0

X X X

cars, I

7 7 7 0

         

  1

5

4 5

3 4

 2 3

5

9 9 7 0

9 9 7 0

    

   

5

2 2 0

5

  

  

   

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

*

  

 

2 2 0

2 2 0

4

3

      

5

  

7 7 7 0

got

a

X X X

9 9 7 0



2 2 0

  

   

9 9 7 0

9 9 7 0

    2 2 0



2 2 0

         0 0 1 2 2 0

  -1/2

*

  

E5

7

5

5

  



Gtr. 1

9 9 7 0



7 7 7 0

X X X

I

  

 

      7

                

A

E



9 9 7 0

Eb5 D5

7

  

9 9 7 0

7

X X X



   

     

Gtr. 1

     

ma - chine,

  

9 9 7 0

X X X

E5

   

big

Gtr. 2

9 9 7 0



 

E7sus4

                        

ma - chine.





E5

 

     2 2 0

-1/2 *Lower pitch by stabilizing body of guitar with right hand while pushing forward on back of guitar neck with left hand.

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Contraband

Illegal i Song Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner Bb

D5/A 5fr

214

Intro Moderately q = 100 µ

G5

F5

5fr 114

134

134

* F#5

  (Snare drum)  

Riff A Gtr. 1 (dist.)



 

    

f



9

   

9

9

7

9

10

  

9

9

9

       

 

A5

G5





12

10

Riff A1 Gtr. 2 (dist.)



f



2

2

2

2

0

2

3

2

    

2

2

5

5

3

3

*Chord symbols reflect implied harmony.

 

 

F#5

C5

9

9

9

7



    

     9

10

9

9

9

15

         



2

2

2

2

2

0

2

3

2

2

G5

F#5



    

10

9

    3

3

3

3

9

9

7

    

9

10

9

9

9

A5

G5





12

10

         

    

2

2

2

2

2

0

2

3

2

2

5

5

3

3

Gtr. 2: w/ Riff A1

F#5

 

A5 End Riff A







9

9

9



Gtr. 3 (dist.)









7

9

10

9





9

9

f 11

 



G5

End Riff A1 Gtr. 1









2

2

2

2



 



0

2

2

3

















9

9

9

7

9

10

9







9

9

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission





12

10

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F#5

  



11

9

C5

G5

F#5

               9

9

9

7

9

10 9

9

9

15





11

9

A5 G5

 9

µ



  1. One fine 2. An - oth - er



  

P.M.

F#5

  



day way,

    

P.M.

  Gtr. 2

2





9

7

  

2

2

3

2

        

F#5

  

2

 

2

0

2

 

3

2



9

10 9

9

9

12

10

9

9

7

8 10 9

9

 

I’ll a

set - tle bat - tle



µ



F#5

  





down, ground,

-

     



Riff C

  

P.M.

P.M.

blood - y tell - er

     

me. whore



P.M.

4 0

2

2

3

2

        

2

2

2

F#5



-

2



    

when you read - y

a End Riff B

µ



2



2

0

2

2

3

End Riff B1

2



   

ground sound.

2

2

0

2

3

2

   

   

with my Keep the

bro -ken mon -ey,

 

 



face bitch,

  

and

    fist - i keep the

   

  cuff. stuff.

 Gtr. 1                                                   P.M. P.M. Gtr. 4 (dist.)  mf divisi P.M.  P.M.  P.M.  P.M. 1  End Riff C

4 2 2

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9

P.M.

µ

 

I ran a who makes no

Gtr. 1

 

P.M.

P.M.

2

9

9

9

4 0

Riff B1

2

11

9

10

4 2



Gtr. 2: w/ Riff B1 (3 times)

  

Riff B



       

Gtr. 3 tacet

F#5

 



           

 Verse

Gtr. 1

F#5

4 0 2

2

3 2

12

2 2

4 0 2

2

3 2

2 2 2 2 2 2 0

2 2

0 2

2

3 2

2 2 2 2 2 2 2

Pre-Chorus Gtrs. 1 & 2: w/ Riffs A & A1 Gtr. 4 tacet

2nd time, Gtr. 1: w/ Riff B

 

   

 

 

 

   



  

 

 

F#5





                                          P.M.  P.M. P.M.  P.M. 1  Fuck the Fly a

rest round

-

and world,

the

4 2

0

F#5

2

3

2

2

 

C5

2

2

2

2

G5

F#5





2

0

2

 

more.

2

 

3

12 2 2

2



A5 G5



I

2

2

 

2

don’t



12 2 2

F#5



   

don’t

an - y

T o Coda

 -

 









-

2



an - y



2



   

2







2

A5 G5

I

stuff. up.

4

2

    

all their keep it

and

    

  

more.

Chorus

Bb

D5/A

                                                       Rhy. Fig. 1

* Gtrs. 1&2

Just

look

and

you’ll

see

Gtr. 5 (dist.)

                              mf 7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

5 3

5 X 3

5 X 3

5 X 3

me

                                5 X 3

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

10 8

10 X 8

10 X 8

*Composite arrangement

G5

F5

                                                                ly

-

ing

there,

ly

                                 10 X 8

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

5 3

5 X 3

5 X 3

-

ing

End Rhy. Fig. 1

there.

                                5 X 3

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

5 3

5 X 3

5 X 3

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb

D5/A

                                Rhy. Fig. 2



 



 

Just

look

and

you’ll

  

                                  5 X 3

7

7 X 5

5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

10 8

10 X 8

 



10 X 8

 

     

see

me



                                10 X 8

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

5 3

5 X 3

5 X 3

5 X 3

G5 End Rhy. Fig. 2

                               

  

   



  

ly

-

ing

 

 



there,

 

 

ly

  

                           

-

 

  





ing.

  

 

  

 

 

+2 1/2 *w/ DigiTech Whammy Pedal

+2





+1 1/2

5 X 3

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

**

+1



7 X 5



7 X 5





7 X 5

7 X 5

7 X 5

7 X 5

*Set for Perfect 4th above when fully depressed. **Pick sixteenth notes while gradually depressing Whammy Pedal.

D.S. al Coda Interlude Gtrs. 1 & 2: w/ Riffs A & A1 Gtr. 5 tacet

F#5

F#5

C5 G5

F#5

A5 G5

F#5

 



















11

9

9

11

9

11

9

9

11

9

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A5 G5

Riff D

Gtr. 3

End Riff D

 Coda

Chorus Gtrs. 1 & 2: w/ Rhy Fig. 1

Bb

  



 



 

Just

look

and

you’ll

  

D5/A



     



see



me

                                           Gtr. 5

7 X 5

  

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

  

G5

7 X 5

7 X 5

7 X 5

7 X 5

ly

-

7 X 5

5

5 X 3

3

5 X 3

    

   



7 X 5

ing

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

Bb

  

15 X 13

15 X 13

15 X 13

7 X 5

7 X 5

7 X 5

5

5 X 3

3

 



 

Just

look

and

you’ll

15 X 13

15 X 13

15 X 13

15 X 13

  

G5

15 X 13

15 X 13

15 X 13

15 X 13



ly

-

17 15

  

    ing

7 X 5

7 X 5

7 X 5

7 X 5

  

7 X 5

7 X 5

7 X 5

7 X 5

-

7 X 5

10 8

10 X 8

10 X 8

 F5    

   



5 X 3



17 X 15

7 X 5

ing

there.

                               

5 X 3



15 X 13

7 X 5

5

ly

7

7 X 5

5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

  

D5/A

7 X 5

7 X 5

7 X 5

7 X 5

     



see

                                  15 X 13

7

there,

Gtrs. 1 & 2: w/ Rhy. Fig. 2

  

5 X 3



                               10 X 8

5 X 3

7 X 5

14 12

14 X 12

14 X 12



me

                               

17 X 15

17 X 15



14 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

  

there,

14 X 12

 





                                 

14 X 12

ly

-

               

14 X 12

 

14 X 12

17 15

17 X 15

17 X 15





 



ing.

w/ DigiTech Whammy Pedal +2 +1

17 X 15

12 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

10 8

10 X 8

10 X 8

10 X 8

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude Gtr. 1: w/ Riff B Gtr. 2: w/ Riff B1 (2 times)

Gtr. 5 tacet

Gtr. 1: w/ Riff C

             

F#5

     Gtr. 6 (dist.)

f



*w/ harmonizer 2

11 11

11

1

9

11

  



          3

 11



1

9

11

1 1/2

1 1/2

9

9

9

11

11

11

11

11

9

10

9

*Set for one octave above.

 

     

Gtr. 5

  +2







7 X 5

Gtrs. 1 & 2: w/ Riffs A & A1 (1st 3 meas.)

      

A5

Gtr. 6

 









G5



    

F#5



3

C5 G5









harmonizer off

1

9

2

9 9

9

9

F#5

 

1

A5

G5

7

1

9

9

7

9



X X

7

F#5



Gtr. 1

              

               

Gtr. 2 divisi

 

 



   

9

9

_1

Gtr. 6





 





w/ bar _1

1

7

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1 1/2

7

9

9

9 2

9 2

9 2

7 2

9 0

2

10 3

9 2

9 2

9 2

9 2

9 2

9 2

9 2

_1



 









_1

1

9

7

9

7

7

9 2

Interlude Bkgd. Voc.: w/ Voc. Fig. 1 (8 times) Gtrs. 1 & 2 tacet

F#5

 

* Voc. Fig. 1

   

     

 

 

Spoken: (All on the streets.

Spoken: (Kill -ing time

 

   

 

hate Sun - day. It’s

 

All on the streets.

kill -ing time

 

 



 

hate Sun -day.) It’s) Riff E

   8v a

**Gtr. 7

End Voc. Fig. 1

     



      





    

mp

1

1

17

17

17

1

17

2

17

1

17

17

17

**Synth. arr. for gtr.

    Gtr. 2 Gtr. 1



 

9 2

  Gtr. 6







2 *Applies to both voices.

Gtr. 6 tacet

  

Gtr. 7

8v a



Gtr. 7: w/ Riff E (7 1/2 times)



1

17

















2

1

17

17



End Riff E





1

17

17

17

                                          Gtr. 8 (dist.)



mf 1/2

9 11 11 11 9 11

11

9 11 9

11

9

9

9

9

9

9

9

9

9



9

9

9 11

11

11

11

11

11 9

8

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

          

                  

          



1

9

8

9 11 11 11 9 11 9

9

9

9

7

11

9 11 9

7

9

11

9

9

9

9

9

9

9

9

9

9

9

9

                                                  A5

Gtr. 8



9 11 11 11 11 11 11 11

 

Gtrs. 1 & 2

11

11

1/2

11 9

8

9

8 9 8 9 8 9 8 9 8 9 8 9 8 9



7 9 9 9 7 9



G5

 9

9

9 7 9 7

9

               slight P.M.

2 2 2 2 0 2

 

F#5

C5



G5

F#5

   

(Kill -ing time

     

 

 

(All on the streets.)

A5

G5

 



3 2



2

2 5 5 3 3

F#5 µ



hate Sun - day.)

                                               Gtr. 7

 

8v a

1/2



1/2





Gtr. 8 divisi 1

17 7 9 9 9 7 9

 

9

9

9

7 9 7

9

7

9

9 9 7 9

9

9 7 9 7

9

7 9 7 10 9 7 9 10 9

                    Gtrs. 1 & 2

          





       

3

2

slight P.M.

2 2 2 2 0 2

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9

3 2

2

2

3

2

2 2 0 2

3 2

2

2 5 5 3 3

3 2 0 3 2 0 2 3 2



Chorus Gtrs. 1 & 2: w/ Rhy Fig. 1 (3 times) Gtrs. 7 & 8 tacet

Bb

  



 



 

Just

look

and

you’ll

see

                      

  

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

  

G5

7 X 5

7 X 5

7 X 5

7 X 5

ly

-

3

5 X 3

5 X 3

5 X 3

    

   



5

ing

7 5

7 X 5

7 X 5

Bb

  

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

  

7 5

7 X 5

7 X 5

5 3

5 X 3



 



 

Just

look

and

you’ll

7 X 5

7 X 5

7 X 5

7 X 5

  

G5

7 X 5

7 X 5

7 X 5

7 X 5

5 X 3

ly

-

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

ing

7 X 5

7 X 5

7 X 5

5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

5 3

5 X 3

-

5 X 3

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

5 X 3

5 X 3

5 X 3

7 X 5

7 X 5

7 X 5

7 X 5

10 8

10 X 8

10 X 8

    

F5

ing

7 X 5

  

D5/A

there.

7 X 5

7 X 5

7 X 5

7 X 5

     



7 X 5

10 8

10 X 8

10 X 8



me

                                5 X 3

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

  

7 X 5

7 X 5

7 X 5

7 X 5



-

7 X 5

10 8

10 X 8

10 X 8

 F5    

   

ly

3

7 X 5

   





5

7 X 5

  

there,

7 X 5

7 X 5

see

                               10 X 8

7

                            



    

   



7 X 5

me

ly

                                 10 X 8

5 X 3

there,

7 X 5



                            



                      10 X 8

     





Gtr. 5

7 X 5

  

D5/A

ing

there.

                                5 X 3

7 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

14 12

14 X 12

14 X 12

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb

  



 



 

Just

look

and

you’ll



  

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

  

G5

15 X 13

15 X 13

15 X 13

15 X 13

ly

-

17

17 X 15

15

ing

17 X 15

17 X 15

12 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

Bb

12 X 10

12 X 10

12 X 10

10

10 X 8

8

  

15 X 13

15 X 13

15 X 13



 



Just

look

and

you’ll

15 X 13

15 X 13

 

G5

15 X 13

15 X 13

15 X 13

 

 

 

15 X 13

 

 

15 X 13

 

ly

   

15 X 13

-

 

 

10 X 8



15 X 13

17

17 X 15

15

14 X 12

14 X 12

 

 

17 X 15

  

   

14 X 12

14 X 12

14 X 12

  

14 X 12

14 X 12

14 X 12

-

14 X 12

7 5

7 X 5

7 X 5

7 X 5

 

D5

7 X 5

ing

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

     

see

me

7 X 5

7 X 5

 

19 17

19 X 17

19 X 17

19 X 17



  

  

19 X 17

 

19 X 17

19 X 17

19 X 17

 

 

ly

-

  

  

19 X 17

19 X 17



19 X 17

19 X 17

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

19 X 17

19 X 17

19 X 17

19 X 17

19 X 17

19 X 17

19 X 17

19 X 17

19 X 17

14 12

14 X 12

14 X 12



19 X 17



19 X 17



20

22 X 20

22 X 20

ing.

  

 

+2

19 X 17

22



+1

19 X 17

17 X 15



+1 1/2

17

17 X 15



+2 1/2

19

15

there.

 

w/ DigiTech Whammy Pedal

22 X 20

17

 F5    

   



there,

 

14 X 12

                            

17 X 15

ing

 

14 X 12

                               

10 X 8

 

me

ly

                      15 X 13

12

there,

Gtrs. 1 & 2: w/ Rhy. Fig. 2

  

14



                                  17 X 15



                               

    

   



15 X 13

     



see

                                  15 X 13

  

D5/A



19 X 17



19 X 17

19 X 17

 





Outro Gtrs. 1 & 2: w/ Riffs A & A1 (2 times) Gtr. 5 tacet

F#5

Screamed: Just

A5 G5

 



look

and

 

Gtr. 6

F#5

 

 



 



just

look

and



you’ll,





C5

G5

 



9

F#5



just

look

and







 



9





 



just

look

and

     

A5



just

look

and





 







 

F#5





F#5

 

you’ll,

9



you’ll,







9

9

9

C5

G5

1

9





 



just

look

and



 

you’ll,

  



9

9





9

   



1



G5

     

9

 

µ

















you’ll...

12

 

G5

and

9

1/2

 9

 

11

look

G5



A5



11

just













9

1 1/2

9

F#5



you’ll,

1

   

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  

 









A5



       1

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you’ll,





F#5







  

12

11

11



   

Gtr. 1

Gtr. 2 divisi

9 2

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Contraband

Spectacle Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner

A5

F

11

134211

E7

CIII

E

231

G

C

Cadd9

134211

32 1

32 4

D

E VII

C/D 5fr

2314

1333

1333

rake

1

grad. bend

1/4







1/4



1/4

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1/4

3

X

3

1/4

1/4

5 5

0

0

3

0

3

0



5 5

1/4

1/4

5 5 0

0









1/4

0

3

0

3

0



End Riff A Gtr. 2



1/4

0

 



5 5 3

0

3



let ring

1/4

5 5 3

3

(cont. in notation)

5 5 3

0

Gtr. 1 w/ Riff A







3

*Am7

















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134

X

1/4

3









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V

5fr

f

Gtr. 1 (dist.)

f

7fr

A5 Gtr. 2 (dist.)

  

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7fr

1111

Dsus4

231

D/E



Intro Fast Rock q = 170

µ

1333

5fr

Dm

5 5 0

0



2 2

 

 



let ring

2 2 0

5 5 0

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let ring

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5 5 0

2 2





2 2

*Chord symbols reflect overall harmony.













1. Take

  



 

 



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2 2

2 2 0

5 5 0

2 2

2 2 0

5 5 0

2 2

5 5 0

2 2

2 2 0

5 5 0

2 2

2 2 0

5 5 0

2 2

5 5 0

2 2

2 2 0

5 5 0

2 2

2 2 0





sim.

5 5 0

5 5

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

to break



 





  



1/4

 

1/4

1/4

1/4

0

to

 

5 5 3

three



Rhy. Fig. 1 Gtr. 1

and

  



two







3

0

3

0

F



 

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    

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  

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4 5 5 3

4 5 5 3

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0

3

0

0

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2 3 3 1

Gtr. 2 Rhy. Fig. 1A







1/4

1/4

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3

0

0

3

Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtr. 2: w/ Rhy. Fig. 1A (2 times)

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me

back,



3

0



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you

spec

0

3

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ta

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-

0

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5 5 3

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me

picked

down

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a

fight,



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with

bro

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ken

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G



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2 3 3 1

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now

stand

your

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1/4

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-

er,



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yeah.)

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bones.

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Gtr. 2



5 5 3

G



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A5

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cle. (Moth - er

A5

  

1/4









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1/4

1



8 10

3

0

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

3

0

0

3

0

3

0

0

3

0

3

0

0

0



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0

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                   

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       







1/4

0

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  

End Rhy. Fig. 1A

        

3



End Rhy. Fig. 1



5 5

0

G

go.

1/4

5 5 3





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

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A5



Verse

0

Chorus

F

Dm















  

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 

You

talk

a

- bout



    

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it,





(You Rhy. Fig. 2 Gtr. 1













3

1 3

  



  

 

 

 



1 3 2

0 3 2

1 3 2

0



let ring

0

  





 

Gtr. 2





2

 

 

8

8 8

7 7 5

7 7 5



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don’t know

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a

- bout

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what

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5 5 5

7 7

X X X

7 7 5

X X X

7 7 5

7 7 5

7 7 5

7 7 5

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0

 

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in

the

back

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5 5

 0

5 5



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  X X X



want

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5 5

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2 2 0

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you

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want.)

  

let ring

2 2 0

0 0 0

2 3 3

3



P.M.

 

 

 

0

0

3 3 1

3 3 1

let ring

2 2 0

F

 

it,



0 0 0





    

A5

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0

3 2

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let ring

1

8

3 3 2

  











0



3 2

3

 

 

    

3 1

3 1

3 1

P.M.

3 3 1

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

of

some

-

 



    

els

-

e’s







3







2

3

 

 

 

3 1

3 3 1

3 3 1

P.M.



3

 

 

 

3 1

3 3 1

3 3 1

P.M.

 





car.

End Rhy. Fig. 2



 

 



 



























let ring

0 2

  

let ring



     

C







one

  



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0

1

3

0

1

0

0

0

1 0 2 3

1 0 2 3

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 

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5 5 3

5 5 3

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5 5 3

5 5 3

X X X

5 5 3

X X X

5 5 3

5 5 3

5 5 3

5 5 3

0



0

0

P.M.

3 1

10

Interlude Gtr. 1: w/ Riff A

Am7















2. You

Gtr. 2

                            let ring  let ring  sim. let ring 5 5 0

2 2

2 2 0

5 5 0

2 2

2 2 0

5 5 0

2 2

5 5 0

2 2

2 2 0

5 5 0

2 2

2 2 0

5 5 0

 

                 

2 2

5 5 0

2 2

2 2 0

5 5 0

2 2

2 2 0

5 5 0



2 2

  

9

0 0 0

0

Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Rhy. Fig. 1A (3 times)





write

the

list,

-

et

bitch

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





well,

write

me

off.

   







is

blast

 - ing

G

G



F







 

(Right

on

tar



F





 



 

-

get,

yeah.)

off.







Rock











  

A5



   





  

A5

Boots





laced

up,





In

the

end



I’m

here

to



   





G

F









I’ll

stand

a

 -



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1/4





1/4



1/4







1/4







1/4





























G





  

lone.

Gtr. 2 Rhy. Fig. 3





go.



  

A5







  

A5

 

1/4

1



8

8 10

10

3

0

0

3

0

0

3

0

3

0

0

3

0

0

 Chorus

Gtr. 1: w/ Rhy. Fig. 2

F











 

Dm



1



6 8

7

Rhy. Fig. 4

0 8 7

  

don’t know

talk

a

  -

    

 

bout

Voc. Fig. 1



it,







 

 

 



 

 

 

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 

 

 



 

 

7 7 5

7 7 5

5 5 5

7 7

X X X

7 7 5

X X X

7 7 5

7 7 5

7 7 5

5 5 5

7 7

X X X

X X X

what

  

     

  you





talk

a

- bout

  

 

 

 

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

X X X

7 7 5

X X X

7 7 5

7 7 5



 

F

 



want





You





 



  



    

A5

 

(You End Rhy. Fig. 3

1

0 8

0

  

 

    

3







it,

 

 

what

   1/2

7 7

   3

7 7

5 5

7

  0 0 0



 

you

 

 

 

in

the

back



want.)

 

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  of

some

-

  

one

     

     C

els

-

e’s



Gtr. 2

    

 

 

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1



 

 

 

 

 

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

 

 

   

 

5 5 3

5 5 3

5 5 3

5 5 3

 

 

 

You

lied

a

- bout



  

 

 

  

 

  

3 2 0

1 3 2 0

1 3 2 0

3 3 2 0

1 3 2 0

3 3 2

  

 

 

 

7 7 5

7 7 5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 





5 5 5

 

3 3 3

Dm

 



 Rhy. Fig. 5 Gtr. 1



 

car.





 



       



   

  

 

 

 



1 3 2

0 3 2

1 3 2

0

 

 



2

 

 

 

5 5 3

5 5 3

7 7 5

 

 

0

2

3

 

   

5 5 3

5 5 3

0 1 0 2 3

0

2

3

 

 

 

 

X X X

5 5 3

X X X

5 5 3

3 3 3

A5

 

 



bled









(You

lied

a

- bout

 

 



0





it,









    

 







 



an - oth -



 it,





 



let ring

7 7 5

  5 5 5

  7 7 5

  X X X

  7 7 5

  7 7 5

7 7 5

5 5 5

7 7

3 2

0 0 0

 P.M.

 

0

0

5 5

5 5

2 2 0

5 5

2 2 0

2 2 0

 

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

X X X

7 7 5

    -





     

  er



then



 

 

  

an - oth

-

er

heart,

 

 





 

let ring

5 5



heart,



5 5

2 2 0







5 5

  

 

 

 

X X X

7 7 5

X X X

X X X

 

 

F

 

5 5

  

  

1/2

7 7



 

 





5 5

7

T o Coda

0 0 0

  

be - gan End Voc. Fig. 1

 

       

to

fall





  

a

  

fall



















   -

 

part.

  

a

-





part.)



let ring

0 2 2 0

3

7 7



 

2 3 3

3 2

 

 

 

 

 

0 0 0

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

0 2

3

3

End Rhy. Fig. 4

 

 

2 3 3 1

2 3 3 1



 

2

3

3

0

 

 

 

 

 

 

 

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 2 0

 Bridge

E

E7

  

E

  F

Gtr. 1

 



    



It



  

   

  

  

  

  

  

   

let ring

   



 

 

1

0 0 1

     

  

  

1 2 2 0

1 2 2 0

1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

3 1 2 2 0

0

   

  

  

  

  

  

 

End Rhy. Fig. 5

 

 

 





(cont in slashes)

2 2 0

2 2 0

2 2 0

  

  

  

  

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

 

 

 

 

 

 

 

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

(2nd time, cont in slashes)

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       

  



rains

Gtr. 2













and

you

fall

back





down





a

- gain.





 

(Fall

back



down





a

- gain.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

      





It

be - gins





to

rain

 

 

 

 

 

 

 

10

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

F



 

    











a you

-





gain. right



back



E



     













and

I’ll

knock

you

right

back

 

 

 

 

 

 

 

 

 

12

10 X 8

9 X 7

9 X 7

9 X 7

9 X 7

7 X 5

7 X 5

9 X 7





 



F





 

8

G

   

 

down Knock



  

10 X 8

10

      





down

a - gain.

        







You

in

-

ces

-

sant







bitch,

you

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



       

 

 

9 X 7

     

 



  



 

F



E

C

Cadd9

 



C

      

lied







in

wait









for

the

last

        

  



 

 

 

 

 

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

 

Dm

        











stand

-

ing









for

the

last

 

 

 

 

 

 

 

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15



I’m

stand





19 X 17

19 X 17

19 X 17

19 X 17

       

- ing

 

17 17

19

19

17 17

19



time

now.





 

   

  

17 X 15



19

19 X 17

17

 

 

 

 

  

19 X 17

19 X 17

19 X 17

19 X 17

19 X 17

E

      

(cont. in notation)



I'm

stand

-

ing

 

 

 

 

 

 

 

21 X 19

21 X 19

21 X 19

21 X 19

21 X 19









now.

now.)

 

 

 

 

 



w/ wah-wah

19 X 17

21 X 19

21 X 19

21 X 19

21 X 19

21 X 19

21 X 19

       

17 17

19

19

17 17

19

19





 19









f

19

     

 

E7

now,

19 X 17



I’m

wait

E

Dsus4

now. in



Gtr. 3 (dist.)

17 17





Guitar Solo A5





     

 19 X 17





                

19 X 17



time Lied

  

Dm

21 X 19

21 X 19

21 X 19

           

17 15

17

17

15

17

17

17

17

15

17

17

17

Rhy. Fig. 6 *Gtrs. 1 & 2

              5 5 5

7 7

7 7 5

5 5 5

7 7

7 7 5

5 5 5

7 7

            

       

 

 



5 5 5

5 5 5

7 7 5

5 5 5

7 7

7 7

7 7 5

5 5 5

7 7

7 7 5

5 5 5

7 7

7 7

7 7 5

5 5 5

7 7

*Gtr. 2, wah-wah off. Composite arrangement

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 6

      

8v a

              



let ring 1

17

20

17

20

    

 

   3

1/2

20

19

15 17 17 17 17 17 15 17 17 17 17 17



loco

19

19

17

19

17

17

19

15

19

17

19

End Rhy. Fig. 6

  



 

 



 

  

5 5 5

7 7

7 7 5

5 5 5

7 7

7 7 5

5 5 5





7 7

F

Gtr. 2

Gtr. 3



 

  

8v a

  



loco





2

17 17

    8v a



20

19

17

19

19

19

17

19







C III



         P.M. P.M. 3 1

3 1

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

18 20 18 17 18 17 18 17



3 3 1

3 1

  3 1



 

 

3 3 1

3 3 1

19

17



19

   

 

 

17

19

17







loco.



 

 

P.M.

  

3 3 1

3 3 1

3 1

3 1

 

P.M.

3 3 1

3 1

 

                         

17

5 5 3

18

 



17

 

18

18

D

1

20



8v a

Gtr. 1

3

18





             

17

 





1







   

1/2

1 1/2 17





Gtr. 3

17

3

1

16

19

17

19

19

19

           P.M.

       P.M.

5 5 3

5 3

5 3

5 3

5 3

5 5 3

5 3

5 5 3

19

 

17

19

 

P.M.

5 3

5 3



19

19

    5 5 3

5 5 3

 



C/D D

           



19

19

 

19

7 7 5

7 5

7 7 5

7 5



1/2

 

7 5

 

7 5

 



 

w/ wah-wah

1

17

17

19



E VII

D/E

           



let ring

17

7 5

     

        

             P.M. P.M.

7 7 5



E VII

D

8v a



1





C/D

19



7 5

17

1

17

20

20

20

17

            P.M.

 

7 7 5

9 9 7

7 5

7 5

7 7 5

7 5

19 20 19 20 19

 

17 19 17

   

0

9 7

9 7

P.M.

9 9 7

9 7

Verse



A5 V











 



3. Take

8v a



       



  

   



1/2









20

17

20

17

19

17

19

17





two

to

break











and

three

to

go.

 loco    

19

17

19

17

19





fdbk.

20

20 19



wah-wah off



1



17fr







9 7

A

steady gliss.

 

17 20

   

  

P.M.

9 9 7

20

17

17 Pitch: E

 

 

P.M.

9 7

9 7



 

 

 

P.M.

9 9 7

9 7

9 7

     9 7

9 9 7



0

  steady gliss.

7 7 5

  

0







17

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Rhy. Fig. 1A (3 times) Gtr. 3 tacet

A5





(Yeah,

F

A5



bro

-

Hold

me

back,





you

spec



-



ta

-





cle.

A5









Kick

me

down

with









yeah.



ken



F



huh,











Uh























G



 yeah.













G















G

 



bones.

 



 

fuck

-

er,

yeah.)





Moth

- er

F

 









You

D.S. al Coda

Gtr. 2: w/ Rhy. Fig. 3









picked

a

fight,





now









A5



stand



your





G



F







ground.

 Coda Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 4



 

E5







      3 1 2 2 0

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









    Gtr. 1



Dm







   You





 0

 1

  0 0 1

 

Gtr. 4 (dist.)

 

 

 

2 2 0

2 2 0

2 2 0

















0

2

3

2

0

2

3

2

f

Bkgd. Voc.: w/ Voc. Fig. 1

talk





3

a - bout







2

3

2

 



3







2

3

2









0

2

3

  

you

 

 

want

































2

3

2

1

2

3

2

1

2

3

2

1

2

3

2

1

2

3

2







2

3

2

 

in

the

back







2

3

2

   

3

of

some

-

one

0

2

3

 





0

2

 

bled

 

an - oth

    

els

-

e’s









2

3

2













2

3

2

0

2

0

2



car.



3

    

 

 

You

lied

a

- bout















2

3

2

0

2

3

2

 

 













0

2

3

2

0

2

3

2

  

  er

3

 

 



-

C

 



     

     

  







Gtr. 1: w/ Rhy. Fig. 5

       

 

Dm





what

     

 



 



  





A5



  







     don’t know

 

3

  

 

it,

3

F



 



 

 

A5



 

    



3

F

 

 

it,

 



heart,

then

 































1

2

3

2

1

2

3

2

1

2

3

2

1

2

3

2



3







2

3

2



3

be - gan







2

3

2

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

       

to

fall

   





  



  

a

  

-

E7

 

 

E

 



part.

 

fall

E

   



 

Moth - er

  

 

a

-













 

2

3

2

0

2

3

2





fuck -

part.)

Gtr. 4

 

3

Gtr. 2

  







2

3

2

 

 

 

 

 

 

 

 

 

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 2 0

1 2 2 0

1 2 2 0



3













 

2

3

2

0

2

3

2

 

 

 

 

   

 

 

steady gliss.

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

19

1

1







2

3

2



Outro Gtr. 4 tacet

   

  

A5

-

er,

   



µ







yeah.

          Gtr. 1 Gtr. 4



Gtr. 1



 



 



 



 



 





 





 





 









1/4

1/4

1/4

1/4

1/4

1/4

1/4

1/4

1/4

5 5 3

0

5 5 3

0

5 5 3

0

3

0

5 5 3

0

5 5 3

0

3

0

divisi

1

5 5 3

0

3

0



8

8

7 5

7 5

Gtr. 2















       

1/4

1/4

1/4

1/4

1/4

1/4

1/4

1/4

1/4

3

0

14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       



       





0

3

0

0

3

0

3

0

0

3

0

0

3

0

3

0

0

3

0

0

3

0



  2 2 0

 

Fall To Pieces Words & Music by Matt Sorum, Duff 'Rose' McKagan, Scott Weiland, David Kushner & Saul Hudson C

D

G5

F

A

C'9 Bm('11)

E5 7fr

Recorded key Db - tune gtrs. down a semitone q = 133 Intro Gtr. 1 (elec.)

mf



3 3 2

2 3 2

0

0









3 3 2

2 3 0 4

0

0 2



G5

0

3 0 0 X 3

0 2

3



3 0



0 0 2

3

0 2 3

3 3 2

0

0

D



    

 

          1 1 2 3

 

It’s been I keep

2

a a

0

3 3 2

2



          

0

1 2

3 0 0 X 3

0 3

2

Verse

3

4



0

0

2

G 5 4fr

 

3 4

 

F 4 4fr

           2

0 0 2

         



          

Gtr.2 (elec.) w/dist.



         1

C# 6 9fr



C





2



4

0







  



w/clean glassy tone











D               

 

  

long jour

-

3 0

0 0 2

 

0 0 2

3

0 2 3

C

G5



 

year nal

 



since you’ve of me -

been mo -

Sorgdal

2

3 2

3 3 2



3 3 2





 





                                0

4

2

0

3

1 2

0

0 4

0

0

0

0 2

2

3

© Copyright 2004 Ready Set Go Publishing/Pimp Music/Dracsorum Music/D T K Music. Chrysalis Music Limited (77.5%)/Copyright Control (22.5%).

3 0 0 X 3



 gone, ries,

 

0 0 2

0 2 3





0 2

3



    



I

0 0 2

3 3 2

0 2 3

2 3 2

3 0 0 X 3

3 0

0 0 2



0



2

2

0

0 4



0

0

 



3

 

0 0 2

0 2 3

3 3 2

2 3 2

0

3 3 2

2

4

  



I’m

still

          1 1 2 3

to

         



Sorgdal

2

3 2

and





0

0

- es,

2

G 4 5fr



0 4

3 3 2

F 4 3fr

es

0

piec

4

          

3 2



               



 -

3

0 0 2

fall to



fell

           piec





0







         0

      Harmony 2º only

- ing,

1

0

0



fall

0 4

D

    

I’m



3 0

G 6 3fr



0





  

3 0 0 X 3

C 5 3fr

2







0

3



          

0

3

2

2

old. breathe.

2

3 3 2

C# 6 9fr



1

0

4

            



2



   

 

3

G5

I’ve grown I can’t



2



3

3 3 2

here, ly,

-



0 0 2

 

1 1 2 3

  

       





    

F



 







3 0



         







 

I’ve been a - lone I’m feel - ing lone

        -















C# 6 9fr









fall

-

ing.

          

 

0 1 2

0 3

3 0 0 X 3

3 0

0 0 2

3

0 0 2

0 2 3

Pre chorus

A





 









time

I’m

 



Ev -’ry

G5

D





  



fall

-

down,







                        ff



w/distortion

3 2 2 0

2 2 2

0 4

  

    

3 0 0 X 3

3 2 0

2 2 2

0

2 4

4

0

0 3

A



3 2 2 0







 















                            all



3 2 2 0

2 2 2

4

1. D

  

0

a - lone

3 2 2 0

I

fall

2 2 2

0

2 4

4









  



piec

  

    



    











Gtr.3 (elec)

                 Gtr. 3 w/distortion Gtr. 1 w/Fig. 1 (x2) Fig. 2... 15 14

14

  

2 2 2 0

2 2 2 0

2 2 2 0

G5

fr2 fr3 fr2



14

12 11





Sorgdal

14

12



10 9 9

    



14

Cadd9 

G5

    







     

 



...Fig. 2 ends

13 14 12 11

10 12

10

13 12 15

14 12 11

C fr3

    



1/2

15

B

13 14 12 11

                  15 14

3 0 0 X 3

13 12 15

    



C

 

    

10



   

  

12

D



es.

  

    

     

  

1/2

15 14

1/4

3 2 0



-

  

3 0 0 X 3

Cadd9 



G 6 3fr

B





0

0

    3 2 0



3 0 0 X 3



ing

 

A

to

  



3

G5



G 6 3fr

12 10

9

12 10

  3

Chorus

2. D

  





 









 



Ev -’ry

time











Cadd9 



  



G5







I’m

fall -

                                      Gtr. 1



Fig.1...



5

7

7 7 7

7 7 7

7 7 7

2fr

C

B

C

3fr

2fr

3fr

B







    





      





5

 

  

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

7 7 7

7 7 7

D

0 0 5

  









down,

 

7 7 7

7



- ing



0 0









  

3 0 0 X 3

0 0 0

5



G5



7





7 7 7

7 7 7

2fr



3

5



  

3 0 0 X 3

7 7 7



 



5









 









5

B

C

3fr

2fr

3fr



7

7 7 7

7 7 7

7 7 7

 Sorgdal

4

7 7 7



  

  

  

    

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

Cadd9 



0 0 7

7 7 7

  



0 0 3

5

5

7

  





7 7 7

0 0



  Ev -’ry

0 0 0

           5

7 7 7

7



G5





fall

5



0 0



es.

I’m

7 7 7



3 0 0 X 3

           





7 7 7

0 0

fall

D



                           time

5 5 5



I

7 7 7

B

2fr



5 5 5





a - lone

0 0

C





-



0 0





               5 5 5

3

5 5 5

...Fig. 1 ends

piec

5 5 5



0 0

          

    

to

5 5 5

7

all

B

Cadd9 

7 7 7

5 5 5

5 5 5

5 5 5

0 0

3 0 0 X 3





   -

  



7 7 7

0 0 5

3fr

2fr

3fr

C

B

C





7





ing

down,

  

  

  

    

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

0 0 0

D





    







    



 



Cadd9 







G5



    

  





                                     all a - lone

I

fall

to

piec

   



 Bridge

5

7 7 7

7

7 7 7

7 7 7

0 0 5

7 7 7

Bm'11



   

  

7 7 7

7

 



All the



mf

       w/cleaner tone

7 7 7

0 0 5

7

7 7 7

0 0 3









years

I’ve





3

tried

with







more



 

to





0

3 4



  



3 4

3

3

4

0

Bm'11





 



go,







when



 







    

0 3 0

3 0

3 0



  will the





mem

 



- ’ries

die?

      



0 3

0

3

3

0

4

0 3

3

4

3

4

3

4

2

4

3 4

2

3

   

Sorgdal

3 0 0 X 3

3





0 0



      

4

G5

  

5 5 5

es.

2

   



5 5 5

0 3

4

2



  

5 5 5

-

 

G5

0 3 4

5





I’m













wait



 





0 3 0

3 0

Bm'11





-

ing.











3 0

 

And will

 







0 3

0

I

      

0

3 0

 



3

3

0

4

3 4

3 4

2 3

3

5



   



find

you,

  



A

   







3

2

2

3

2

find





    



fall -

               0 2

3

2

0

3

2

2

0

5





3

3

4

5

0



 





- ing



 We’re

2

2

    



you?

2

2

0

  



2

4



  

   

3

4

G5 

      

and can I

0 3



 



 4

   









down,

I’m









fall

-

 











ing.

                           0

0



5

D

    









0

3

4

3

5

4

5

4

0 0



Cadd9 



17

G5

    



    



       



full

17

full

full

    full

cont. sim.





   3      



full

15 17

17

15

 

full

17

17



16

 D

     full

15

6

5



Gtr.1 w/fig. 1 (x4) full

Sorgdal

0

    





f



4

0

3

0

     

0

3

4

Solo



0

3





Cadd9



   3        

full

15

1/4

14

15

13



1/4

13 15

G5 3

          full

13 15 13 12

13

12 13 12 10 12

10

12 10

10



D

    

  

 



3

full

10



  



full

                

10

10

10

10

10

10

Cadd9

10

12

12

12

10 12

12

E5

Gtrs. 1+2 

3

3

1/2

15

14 15

14

14



15

10



3

15

15 12

 



full









        

  

      full

12 12

17

15







G5











   

 

1/2



 



A5

 

1/2









full



G5



  





   3

full

full

12



12 12

14

14

15

14 15

15

15

15

2fr B

Chorus

D Gtr.2





   2º

    





      

    

 





Ev -’ry

time

I’m







Cadd9 





Sorgdal

14

    



B

C

3fr

2fr

3fr

    





C

   -

ing

 



 down,

gliss.

3

1/2

 

G5

fall

Gtr.1 w/Fig. 1 2º Gtr. 3 w/Fig2 (x2)



15

14





full

12

   

                         full

3

12

G5



 10

3

full

full

12

10 12

10

gliss.

12

7

B

2fr 3fr 2fr

D





    







    

  



Cadd9 





G5





    

I

fall



to



piec

  





5

7

7 7 7

7 7 7

0 0 5

7 7 7

7

7 7 7

7 7 7

0 0 5

7

7 7 7

0 0 3

5

5 5 5

5 5 5

5 5 5

0 0

3 0 0 X 3

es.

  

  

  

   

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

B

C

2fr B

D

    





 



    

 







Cadd9 

G5

    





I’m

fall



5

7

D





7 7 7

7 7 7

0 0 5

7

    



7 7 7

7 7 7

0 0 5

    

  





7 7 7



7

7 7 7

3

1. Cadd9 





0 0



5

5 5 5

5 5 5

5 5 5

0 0

G5



    



                                     all a - lone

I

fall

to





5



7

7 7 7

7 7 7

7 7 7

2. Cadd9 

0 0 5

 

7



7 7 7







7 7 7

7 7 7

G5





               to

piec



 Sorgdal

8

3

5

5 5 5

0 0

5 5 5

5 5 5

0 0

3 0 0 X 3

5

7



7 7 7

0 0 3





-

es.

   

5

5 5 5

5 5 5

5 5 5

0 0



3 0 0 X 3



- ing

down,

  

  

3 0 0 X 3

3 0 0 X 3

  

   

3 0 0 X 3

3 0 0 X 3

       





-

  

0 0 0

3fr



3 0 0 X 3

piec



3fr 2fr

  

  



7 7 7

C

    

                                     Ev -’ry time

C





-

Gtr. 1

7 7 7

B

    

                                     all a - lone

C

3fr

0 0 0



es.

  

  

  

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3







 

   

    

      3 0  0 0 0 0  X 3

from Velvet Revolver - Contraband

Headspace Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner A

Aadd9 5fr

A(b6)

6fr

321

32

Bb5

C5 6fr

321

Bbsus2 8fr

111

111

G5

A5

8fr

113

F5

13

Fsus2

8fr

111

D5 10fr

411

5fr

7fr

111

333

Drop D tuning: (low to high) D-A-D-G-B-E

Intro Moderately q = 95 C5

B5

C5

B5

Rhy. Fig. 1 Gtr. 1 (dist.)

                                                                    f



10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

C5

10 10 10

9 9 9

9 9 9

9 9 9

B5

9 9 9

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

9 9 9

9 9 9

9 9 9

C5 End Rhy. Fig. 1 3

6

                                                                    9 9 9

10 10 10

10 10 10

*C5

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

F5

10 10 10

10 10 10

E5

10 10 10

10 10 10

9 9 9

C5

9 9 9

9 9 9

9 9 9

10 10 10

10 10 10

10 10 10

F5

10 10 10

10 10 10

E5

Rhy. Fig. 2

10 10 10

10 10 10

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

C5

End Rhy. Fig. 2

10 10 10

F5

10 10 10

E5

Rhy. Fig. 3

**Gtrs. 1 & 2 (dist.)

                                                          f 10 12 10 0

3 3 3

3 3 3

0

3 3 3

0

0

2 2 2

0

3 3 3

10 12 10 0

0

3 3 3

0

3 3 3

2 2 2

0

0

10 12 10 0

3 3 3

0

3 3 3

3 3 3

0

0

2 2 2

0

*Chord symbols reflect overall harmony. **Composite arrangement

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

C5

F5

µ

C5 End Rhy. Fig. 3



      10

12

10

0

3 3 3

                 0

3 3 3

0

3 3 3

0

X X X

X X X

X X X

X X X

F5

Riff A Gtr. 3 (dist.)

        

E5

          

     

X X X

X X X

mf 5 X 3

7

5

5

3

0

10 X 8

12 X 10

X X X

13 X 11

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

9 X 7

9 7

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C5

F5

E5

C5

F5

E5

C5

F5

E5

End Riff A                                                                      

5 7 X 3 5

5 3

10 X 8

0

X 12 X X X 10

X 13 X X X 11

X 9 X X X 7

9

5 7 X 3 5

7

5 3

10 X 8

0

X 12 X X X 10

X 13 X X X 11

Verse





  1.

Gtr. 1



mf

w/ chorus



 





Me,

                 7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

 Harm.

7



 

 

I’m

7 7 7

5 3

10 X 8

0

X 12 X X X 10

X 13 X X X 11

X 9 X X X 7

9 7

man

                

X X X

5 5 5

7 7 7

5 5 5

5 5 5

5 5 5

 

 

who

            X X X

 





7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

 Harm.

7

            X X X



is

X X X

7 7 7

5 5 5

5 5 5

5 5 5

A(b6)

   

-

ing

7 7 7

7 7 7

7 7 7

 

7 7 7

5 5 5

7 7 7

 Harm.

7

 

 

best

                 7 7 7

 



 

trudg

5 5 5



a

A



5 7 X 3 5

7

Aadd9

Rhy. Fig. 4

5 5 5

9



Gtr. 3 tacet

A Gtr. 4 (slight dist.)

X 9 X X X 7

End Rhy. Fig. 4



I

can

                

X X X

5 5 5

7 7 7

5 5 5

5 5 5

5 5 5

 

through

            X X X

 





7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

 Harm.

7

a

            X X X

X X X

7 7 7

5 5 5

5 5 5

5 5 5

Gtr. 4: w/ Rhy. Fig. 4

A



  



-

field

7 7 7

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7 7 7

7 7 7

7 7 7

 

7 7 7

5 5 5

7 7 7

 Harm.

7

Aadd9

 

 

built

                 5 5 5

Sorgdal



 

mine

 

to



 





blast.

 

 

Can

I

           

                              

X X X

5 5 5

X X X

7 7 7

5 5 5

5 5 5

5 5 5

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

X X X

X X X

X X X

7 7 7

5 5 5

5 5 5

5 5 5

A Gtr. 2

    make



 

it,

will

I







last?

Free

my

                              

5 5 5

5 5 5

7 7 7

7 7 7

7 7 7

7 7 7

 



7 7 7

5 5 5

F5



mind,

7 7 7

X X X

 

 

lev

-

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

C5

X X X



E5

i

X X X

5 5 5



C5

-

7 7 7

5 5 5

5 5 5



tate.

7 7 7

7 7 7

7 7 7



 

 

F5

7 7 7

7 7 7

7 7 7

10 10 10

   

E5

C5

let

an - y

 

 

 

let

me

Don’t

5 5 5

10 10 10

10 10 10

10 10 10

those fuck

-

ers

10 10 10



   

F5

of

10 10 10

in



10 10 10

E5

my



head -

Verse

  

Gtr. 4: w/ Rhy. Fig. 4 (2 times)



C5

F5

E5



 



space.

A



 





2. Please,



Gtr. 1





-

7 7 7

7 7 7

 



tions,

7 7 7

7 7 7

5 5 5

7 7 7

X X X

 

 

no

more

X X X X X X

7 7 7

7 7 7

5 5 5

 

 

No

7 7 7

5 X X

7 7 7

5 5 5

5 5 5

5 5 5

7 7 7

7 7 7

7 7 7

7 7 7

A(b6)

7 7 7

5 5 5

7 7 7

more

X X X X X X X X X

 





needs.

7 7 7

5 5 5

5 5 5

5 5 5

 

You’re

the

loco

Harm.

7 7 7

be.

  

                              7 7 7

 

5 5 5

7 7 7



7 7 7





5 5 5

8v a

5 5 5



                    

 

ques

Aadd9

                    

A

 



 

 

            



                              

Chorus

 

 



 

C5

X X X

X X X

7 7 7

5 5 5

5 5 5

5 5 5

                            5 5 5

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

7 7 7

5 5 5

5 5 5

5 5 5

Pitch: G

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

 

  



 

can

-

 

cer,

 

 

 

you’re

Aadd9



the

to

5 5 5

5 5 5

7 7 7

7 7 7

7 7 7

7 7 7

 

7 7 7

5 5 5

7 7 7

X X X

X X X

 



 

bleed

X X X

7 7 7

5 5 5

5 5 5

5 5 5

me

 

 

of

dis

 

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

X X X





-

X X X

X X X

7 7 7

5 5 5

5 5 5

5 5 5

C5

      3       

 

ease.

Free

my 3

                              

                            

5 5 5

5 5 5

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

X X X

X X X

X X X

7 7 7

5 5 5

5 5 5

5 5 5

7 7 7

Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 2 (4 times)



C5

7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

7 7 7

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10



10 10 10



Chorus



F5



mind,



C5



 

 

lev

-

 

F5



i





rest

of

them

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



F5



F5



tate.

Gtr. 1: w/ Rhy. Fig. 3 2nd time, Gtr. 2: w/ Rhy. Fig. 3



 

  Don’t



E5

C5

me



F5



go





that

try



    

E5

C5

let

an - y

1st time, Gtr. 1: w/ Rhy. Fig. 2 (2 times) 2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 6

 

Let

 

C5

-

2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 2

C5



E5

space.

Sorgdal

sent

                              

 



 

                              

Gtr. 2



 

leech,

A



 





 





to

keep

me

of

 

E5

C5

own

 en



fuck



-

ers



chained.

in

 

F5



way.

C5

-

    

those



E5

my



F5

Burn



F5



E5

my

head -

  E5

the

E5





Bridge D5

F5



Rhy. Fig. 5 Gtr. 2

  Liv

    -

        

     

 



  





    

    

 



ing,... ...tak

-

ing

chanc

-

es

is

-

n’t

Gtr. 1

                 3

0

0

0

3

0

3

0

0

0

3

0

3

0

0

                3

3

0

0

0

3

3

0

0

0

3

0

3

0

0

0

3

2nd time, Gtr. 1: w/ Fill 1

C5

Bb5

      

    

all

that

    

        it’s

Bbsus2

  

  

  

meant

to

be.

 

                 3

0

0

0

3

0

3

0

0

0

3







Dy

-

 

0

0

 

3

0

0

0

3

F5

  

your







(Meant

to

be.)

0

3

0

0

0

0

3

3



face

                 0

   





0

3

3

0

 



ing... ...with

3

    

               

3

  

Gtr. 2: w/ Rhy. Fig. 5

D5

0

3

  

End Rhy. Fig. 5

3

0

3

0

0

0

3

0

3

0

0

0

on,

a

                3

3

0

0

3

0

3

0

0

0

3

0

3

0

0

0

3

Fill 1 Gtr. 1

               3

0

0

3

0

3

0

0

0

3

0

3

0

3

  3

0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     

 

C5

tee

   

  



shirt

is

-



Bb5

n’t

all

                 3

0

0

3

0

0

3

0

0

0

3

3

0



0

0

3



 

  

that

o - rig

-

Bsus2

T o Coda



i - nal.

       

       

3

0

0

0

3

0

3

0

2

0

3

3

0

0

0

3

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 2

Gtr. 2



   

 





















that

o

- rig

-

i

 

 

 

 



(All Gtr. 5 (dist.)

   f

7 X 5

 

Fsus2

 

 

 

 



Bbsus2





F5





-

C5

E5



nal.)

 

 

 

 

     

 

1

7 X 5

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

10 X 8

10 X 8

10 X 8

12 X 10

12 X 10

12 X 10

14

14

12

12

5

5

Gtr. 1

  





0 17

Gtrs. 1 & 2: w/ Rhy. Fig. 3

C5

    

F5

Gtr. 5



 3        

1

5 6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

E5

C5



 

5









3

0

3

0

 10 3

2 1/2

5

       E5

grad. release

13

5

F5

13

10

13

13

13

1

10

13



Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

C5



F5

          6



3

 

*



13

10

12

10

12

10

12

10





1

12

C5

6

3

1/2

10

         µ

12

12

12

10

12

12

12

10

F5

E5







   

5

3

1

10 5

5

3

0

*Played behind the beat.

                                          3 C5

F5

E5

1

3

5

0

F5

E5

 

P.M.

5

C5

3

5

0

3

5

3

0

3

3

9 10 9

11

12

9 10 12

9 10 9

12

9 10 12

8

10

8 10

10

13

10

13 12 10 13 10 12 13

10

10 12

Verse

C5

F5

E5

G5 A5 Gtr. 1





  



3. Me,



                  3



      

13

14

10

12 13

10 13 10 12

13

10 12 13 10







      I’m

a

 

3

1

12



G5 A5

13

10

1/2

10 13

13 10 12

1

12 10 12 10

12

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5 A5

G5 A5

 

  

G5 A5



      



man.

G5 A5

Will

 

I



 

make

it,

G5 A5

will

 

I

C5

            

       

G5 A5

    

(cont. in notation)

 last?

Free



my

 Gtr. 5      15ma

fdbk.

12

Gtr. 2







       



7 7 7



10 10 10

D.S. al Coda Chorus



Gtr. 5 tacet



C5



F5



mind,

 

 

lev

-



E5

i



C5

-

 

F5



tate.

  E5

Don’t

let

Rhy. Fig. 6 Gtrs. 1 & 2

End Rhy. Fig. 6

   

10

12

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

  

0

3 3 3

       

0

3 3 3

0

3 3 3

   



2 2 2

0

0

  

10

12

10

  

0

3 3 3

       

0

3 3 3

0

3 3 3

   

0

2 2 2

 Coda

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff A Gtr. 5 tacet

Bbsus2 Gtr. 2



    

  

    



    





C5







F5

E5

C5

    



 

My (All

that

o - rig

-

head

F5



E5

 

    

- space.

My

head -

i - nal.)

                               Gtr. 5









mp

7 X 5

7 X 5

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

10 X 8

10 10 X X 8 8

12 X 10

12 X 10

12 X 10

14 14 12 12

Gtr. 1

                              3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

Outro Gtrs. 1 & 2: w/ Rhy. Fig. 6

C5





F5



 

    

space.



Gtr. 1: w/ Rhy. Fig. 1

E5

My



head

C5



F5

  

E5



C5

F5

E5



- space.





Gtrs. 1 & 2

  

10 12 10

              

0

3 3 3

0

3 3 3

0

3 3 3

0

2 2 2

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Contraband

Superhuman Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner

Drop D tuning: (low to high) D-A-D-G-B-E

Intro Moderately q = 122 ** D7 Gtr. 1 (dist.) *

    







 











 

  



f



  



12









15

13

12





 

15

13

12

13

12

 





 

I’m

a

su - per

-

man.







15

13





13

12



15

12

12

 

15

13

12

12





15 12

















15

13



13

12

F5

12



  

14

12

12

Riff B

  



 

0 0

15





14

f

Gtr. 3 (dist.)

13



Riff A   

Gtr. 2 (dist.)

 

13 12

D5



13



15 12





*Key signature denotes D Mixolydian. **Chord symbols reflect implied harmony.



Gtr. 1

15 12

14





13 12







 0



3

 0



5

 0





5

3

 0





3

5

 0





  

5

3

0

3 3

Rhy. Fig. 1





  

mf

0 0

 

 

 

0 0

0 0



 

 

0 0

0 0



  

   

 

 

0 0

0 0

0 0

0 0





  0 0

 

3 3

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Riff A



 I



   



wan - na



 14



  3 3





 0





3

 

 

3 3

0 0

0 0

your



15 12



 0



  



be

  su





15

13

 

5





0

 

 

0 0

0 0







5

3









15

13

12



 

 

0 0

0 0

0 0

0 0

0 0



  

    

be

su

 I



wan - na

su - per

-





  

5

3

0



 



 

4 4

0

 



4 4

your



-



3

 

 

0 0

0 0

 0





5

 0

 

 

0 0

0 0







5

3





 0









3

5

 0

  





0 0

0 0

0 0

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F#5

per - man.

End Riff B



Gtr. 3

   0 0

Gtr. 2



man.

12

   



a



  

D5

I’m

 

14

5

0

   



3

0





 







End Riff A



F5





13 12





D5

- per - man.

12





F#5









13 12





  







D5





  

5

3

0



 0 0





3 3

  3 3

 0

 



3





0 0

0 0

 0





5

 0





0 0

0 0





5

3



 0





3

5

 0

 

  





0 0

0 0

0 0

0 0





  

5

3

0



4 4

End Rhy. Fig. 1

 0 0



  4 4

Verse





Gtr. 1 tacet

D7[no3rd]

      



 

1. What you get



Gtr. 1







is

a

 

      

crash

course to



be

a

man,

              but

a

man



is

a

des - ti - na - tion nev



-

er

known.



14



Riff C



  



 

P.M.

 





  P.M. 

P.M.



 

P.M.



    



Gtr. 2

P.M.



P.M.



P.M.

 

 P.M.

  P.M. 





 

 

P.M.

P.M.

1/4



5

0

4 4

7

0

7

0

5

0

5

0

7

0

5

0

3

3

5

0

7

0

7

0

5

0

5

0

7

0

5

0

3

Gtr. 3

Riff D



                                 

End Riff D

1/4

5

5

  

    

Some - times



Gtr. 2

 







P.M. 1/4

3



Gtr. 3



P.M.

5





dressed

up



 

P.M.

3

0

5

5

3

3

  P.M. 





red

hot

 

P.M.

3

0

     like a

3

0

5

5

  



la - dy in

pumps.

    P.M.



P.M.





P.M.

3

0

5

 

5

5

  

Don’t



3

0

P.M.

  P.M. 



0

3

   

think she can

 

3

get



e - nough.

 



1/4

5

0

7

0

7

5

0

0

5

0

7

5

0

3

3

0

5

0

7

0

7

5

0

0

5

0

7

5

 7

0 End Riff E

 

  

1/4

3

 

slight P.H. P.M.

P.M.

Riff E





0



3

0

0

3

5

5

 0

  

3

5

 0

   

3

5

5

3



 





3

0



4 4

1/4

3 0



3 0

  

3

5

5

 0

  

3

5

 0

   

3

5

5

3

  0

3

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Riff E







P.M.



like she’s run - nin’ on





P.M.

 

P.M.

5

0

0

7

7

0

        

Gtr. 2



 



P.M.





P.M.

5

 



 

P.M.

face



0

5

0

  



Keep - in’ her





  P.M. 

- ster wheel.

Get - tin’ high,

P.M.

P.M.

5

0

with



  P.M. 

3

3

3

co - caine.

 

 P.M.

    P.M.

0

5

7

0

and

mak - in’ mis - takes.



  P.M. 



 

 

P.M.

P.M.

7

0

  

Her

face





 P.M.

5

0

  



is



5

0





numb,

 

P.M.

7

0

your

  P.M. 

0

 

  

faith is



gone. I’m

  

P.M.

   

End Riff C

0

7

5

0

5

0

0

7

5

0

3

3

0

5

0

7

0

7

5

0

0

5

0

7

5 6 6



 



   





 



  



 





   



 

1/4

0

3

5

G5 Ab5

5

0

3

5

  

G5 Ab5

    

G5

  

Rhy. Fig. 2 *Gtrs. 2 & 3

      5 5

6 6

*Composite arrangement

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



   5 5

6 6



3

0

F5 G5

trav

6 6

3

Ab5         





5

End Riff F

 Pre-Chorus

Sorgdal

cars

Riff F

3



P.M.

7

0

P.M.

1/4



 



    



1/4





5

  





crash - in’





P.M.

0

   





packed

 

7

0

1/4

Gtr. 3



 

P.M.

  

1/4

7



a ham



  

Al -ways feel

Gtr. 2



      

                







5

5

3

  

F5 G5

-

’lin’

3

3

0

0

 

Ab5



3

G5 Ab5

5

5

0

 

G5 Ab5

on

3

5

0

G5

 

 

3

F5 G5

5

5

F5

3

6 6

0

Bb5 A5 Ab5

  

now.

I’m

                                          5 5

3 3

5 5

3 3

5 5

6 6

5 5

6 6

5 5

6 6

5 5

3 3

5 5

3 3

8 8

7 7

6 6

G5 Ab5

   

G5 Ab5

 

  

G5

mak





 

  

F5 G5

F5 G5

-



Ab5

ing

 

G5 Ab5

G5 Ab5

 

 

A5

plans

Bb5 A5 Bb5 A5 Bb5 A5 D5



now.

                                                            End Rhy. Fig. 2

6 6

5 5

6 6

5 5

6 6

5 5

3 3

5 5

3 3

5 5

6 6

5 5

6 6

5 5

6 6

7 7

7 7

8 8

7 7

8 8

7 7

8 8

7 7

0 0

Chorus Gtr. 2: w/ Riff B Gtr. 3: w/ Rhy. Fig. 1

D5

    

  

Co

-

D5

    

 

caine,

-

 

 

F5

 

D5

  

al - co - hol,

  

Co

  

 

caine,

   

 

 



la - dy - lay,

T o Coda 

  

 

F5

   

D5

 

al - co - hol,

    

  

with

 

la - dy - lay,

- drawal.

 



with

F#5

 

   -

F#5

 

drawal.

Verse Gtr. 2: w/ Riff C Gtr. 3: w/ Riff D



 

        

2. Keep it

com - in’

in

     

      

We’re all

run - nin’ from the







D7[no3rd]

a

world that’s



Gtr. 3: w/ Riff E (2 times)





goose, she’s



  

blown

up

       high on



wild.

 

       

Keep it

        

co - caine.

com - in’

in

a





world that’s

       bred

her style.

          

 

There’s a noose swim - min’ right be - tween her legs to

her

brain.

                                          We’re all

 

Gtr. 3: w/ Riff F

    

in

need

of

a

         

So ro - de - o,

ro - de - o,

su - per - hu - man wom

- an now.

We’re all

in

need

                  ro - de - o,

ro - de - o.

Throw the rope a - round her

of

a

su - per - hu - man wom

- an now.

D.S. al Coda

                Ab5

neck and get the show on the

road. I’m

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Coda

Guitar Solo

D5

    

    

 

 



la - dy - lay,



Gtr. 1



 

  

with



-

F#5

 

drawal.



Gtr. 2: w/ Riff B (last 4 meas., 2 times) Gtr. 3: w/ Rhy. Fig. 1 (last 4 meas., 2 times)



D5

  



 

14 X 14



Gtr. 4 (dist.)









 





 

 

 

 

 

 

 

14 X 14

14 X 14

14 X 14

14 X 14

14 X 14

14 X 14

14 X 14



f

w/ flanger

7





 

 

 

 

 

 

 

 

 

 

 

 

   

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

13 X 13

 

 

 

   

14 X 14

14 X 14

14 X 14

14 X 14

14 X 14

14 X 14

14 X 14

11

14 X 14

14 X 14

14 X 14

14 X 14

14 X 14

10

14 X 14

14 X 14

11

F5

             14 X 14

14 X 14

14 X 14

14 X 14

17 X 17

      

11

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

14 X 14



                

14

F#5

       



 

14

Sorgdal

D5

 

D5



   

 

7



F5

  

10

17 X 17

17 X 17

D5

                           

16 X 16

  9

16 X 16



16 X 16

16 X 16

16 X 16

16 X 16

16 X 16

16 X 16

16 X 16

16 X 16

16 X 16

16 X 16

16 X 16

  

16 X 16

F#5

   14 15

  





9

13

9

Pre-Chorus Gtr. 1 tacet Gtrs. 2 & 3: w/ Rhy. Fig. 2



D5







Ab5

  



Ab5 G5 Ab5



G5 Ab5

 

I’m



Gtr. 1



            

         

14 15

14 15

16

14 15

13 14

14 15

14 15

16

14 15

16

14 15

16

14 15

16

15

13



                  4 4

0 0

0 0



Gtr. 3

     4 4

   

0 0

0 0

G5 Ab5

0 0



0 0

0 0

0 0



7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

 

0 0

G5 Ab5

7 7 5

7 7 5

G5

 

 

now.

7 7 5

F5 G5

7 7 5

-

’lin’

on







7 7 5

7 7 5









6 6

                       0 0

trav

 

Ab5

13

               0 0

F5 G5

1

13

Gtr. 2

  

F5 G5

15

       

  

G5



Gtr. 4



Gtr. 4 tacet

6 6

F5 Bb5 A5 Ab5

  

I’m



G5 Ab5

G5 Ab5

 

  

G5

mak

F5 G5

-

  

F5 G5

ing

 

Ab5

plans

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   



  

G5

 

Ab5

Gtrs. 2 & 3

  

G5



 

 

Ab5

 

G5



 

Bridge

F5

G5

F5

E5

D5









now.

Spoken: What’s she

  

Gtr. 3

   



 





   







think - in’?

She’ll



  



 

*w/ delay

6 6

5 5

6 6

5 5

6 6

5 5

3 3

5 5

3 3

3 3

2 2

0 0

5

17

*Set for eighth-note regeneration w/ 6 repeats.







Gtr. 2



  0 0

     nev - er



Gtr. 4



get







e - nough.





What’s she







think - in’?

 



She’ll











nev - er

get

e - nough.









Gtr. 3 tacet







  



mf

7 X 5



Gtr. 2



                                                           3

 

3

7

3

3

3

3

3

**

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

**Using a guitar with Les Paul-style electronics, set lead volume to 0 and rhythm volume to 10. Strike the strings while the pickup selector switch is in the lead position, then flip the switch in the rhythm indicated to simulate the re-attack.

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 0

0 0

0 0

0 0

0 0

0 0

0 0

0 0

Gtr. 2 tacet







What’s she





think - in’?

   



7

5

5









nev - er

get

e - nough.

   

7





She’ll

Gtr. 4



 











nev - er

get

e - nough.



   

 

 















 



  



What’s she









think - in’?





13 12

    8











 





What’s she think - in’?



     14

9 7





13 12

   

12







15 12

15



She’ll now.





15

13







nev - er

get

e - nough.

8 X 6





 

think - in’?

She’ll

  



She’ll trav



8 X 6

 

 



nev - er

get -





13











  





’lin’



13





15

on



13

12









13

 





15

13

12



   9 X 7

 





  



What’s she





14

12

   7 X 5





13

12

 



12

 

 

 

14

10 X 8

  

 

e - nough.



  think - in’?



I’m

12

  

  

12

5

 

  

   

 

12

 



7

  



 

12

7 X 5

6





15

12

  

 

Gtr. 4



9 X 7

(I’m

Gtr. 1



What’s she

10 X 8

 







  

 





15 12

  



She’ll mak -





15

13

12

    7 5

10 X 8

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





 

 

nev - er -



Gtr. 1





  



 











 



 





What’s she think - in’? Shouted: She’ll now.

plans



 

  





 











nev - er

get

e - nough, ah!





15

13





 





 



 



13 12

15

14

13

12

13

12

10

15

12

  

 

    Gtr. 4

13

12

12

 



Gtrs. 2 & 3

13

15

12

  

 

9 X 7

8



 

e - nough. in’







get



  

13

12

12

 

16



8 X 6











  

* delay off

0 0 *Gtr. 3 w/ auto-wah, next 8 meas.

Gtr. 2: w/ Riff B (1st 6 meas.) Gtr. 3: w/ Rhy. Fig. 1 (1st 6 meas.) Gtr. 4 tacet









  





 

Gtr. 1











 

D5



 





  









F#5





 

 





 





13 16

12

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





F5







15 12

15 12

13

13 12

15 12



14

13 12



13 12

15 12

15 12

13

13 12

15 12

14

13 12

Gtr. 1: w/ Riff A

D5

F5



Gtr. 5 (dist.)





D5









  



mf 14 X 14







        

Gtr. 2



3 3







3

0

     



0

Gtr. 3



3 3

0 0

0 0

5

0

  0 0

5



0 0

  

3

5

    



3

0

5

 

  

 

0 0

0 0

0 0

0

3



0



0 0

0 0





auto-wah off

0 0

0 0

 

F#5

Outro-Chorus Gtr. 2: w/ Riff B Gtr. 3: w/ Rhy. Fig. 1





D5

  

  

Co

-

14 X 14

14 X 14

14 X 14





14 14



Gtr. 1



al - co - hol,

 

    14



F5

        

caine,

    

Gtr. 5



 

   

14 X 14

          

  

D5

la - dy - lay,

with

   -

drawal.

       

                                           14 X 14

14 X 14

14 X 14

14 X 14



14 X 14

14 X 14

14 X 14

14 X 14

14 X 14



14 X 14

14 X 14

14 X 14

14 X 14

15 X 15

15 X 15

15 X 15

14 X 14



14

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





D5

  

  

Co



       14 14



-

14 X 14

 

caine,

14 X 14

14 X 14



          

   

14 X 14

la - dy - lay,

               

14 X 14

14 X 14

14 X 14



  

D5

al - co - hol,

   



F5

        

14 X 14

14 X 14

     

14 X 14

14 X 14



14 X 14

with

       

14 X 14



14 X 14

14 X 14



F#5

     -

drawal.

              

14 X 14

14 X 14

13 X 13

14 X 14





13 X 13

13 X 13

 

12

Gtr. 5 tacet

 

Gtr. 1









D7

 







13 12

12

     Gtrs. 2 & 3

4 4

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





15 12





12







15

13















15

13



   





13 12

12

14

14

12



µ



from Velvet Revolver - Contraband

Set Me Free Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner D5

Bb5

C5

G5

F5

F5

I

8fr 1

13

Intro Moderately fast q = 164 µ

                    

Gtr. 1 (dist.)

13

13

134

13

             Riff A

         

f



X X X

X X X

X X X

X X X

X X X

11 X 8

10

8 X 5

7

8 X 5

8 X 5

9 X 6

8 X 5

9 X 6

11 X 8

10 X 7

 

 

10

8 X 5

7 X X

Gtr. 1: w/ Riff A (1 1/2 times)

  

 

 

  

8

8 X 5

8 X 5

9 X 6

Gtr. 1

5

Gtr. 2 (dist.)

   8 X 5







  9 X 6



 

*A5

  

 

  

11 X 8

10

8 X 5

10 X 7



End Riff A

7

  

 f







 



  

 

 

2 0

14 Gtr. 3 (dist.)







   f

2 0

 

  

 

 

2 0

2 0

*Chord symbols reflect basic harmony.

**Gtrs. 2 & 3

  

 

2 0

 

  

 

 

  

 

2 0

2 0

**Composite arrangement

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1 tacet

                         Riff B

Gtr. 1

8 5

C

End Riff B

8 X 5

8 X 5

9 X 6

8 X 5

9 X 6

11 X 8

10 X 7



A5





7

                     





5 5

2 0

0

  

C Gtr. 3



 0



C#

G5



 

 

5 5

5 5

6 6

6 6



5

5

G#5



 

 

3

3

4

A5

    

4

 

6 6

7 7

7 7

   

A5











5 5

6 6

6 6

7 7

7 7

4

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

5











3

4

4

5

5

 

7 7



 

6

5

3

5 5

5

4

4

6 6

7 7

7 7

End Rhy. Fig. 1

   8 8

7 7

 



Rhy. Fig. 2



    6

5

C#

5 5

3



5 5



3

 

4

5

     6

5

5

3

C

C#

G5



 

 

5 5

5 5

6 6

 3

6 6

5



5 5

5 5

 

 



3

4

0

6 6

G5

6 6

5 5

4

4

3



5

5 5

        3

4

5 5

End Riff C

0

5

3

7 7

0

5

3

       

5 5

    

3

0

C

0

5

4

   8 8

7 7

6 6

3

5

3

6 6

5

Gtr. 2



5 5

15

5

8 8

7 7

5 5

             

7 7

0

6 6

Riff C

G#5

5 5

6 6





2 0

5 5

0

Gtr. 2

Sorgdal

G#5

Rhy. Fig. 1

  



G5

10

Gtr. 3



C#

3



5

G#5

4

A5

3

3

               6 6

6 6

7 7

  

4

4

5

End Rhy. Fig. 2

7 7

8 8

7 7

5 5

7 7



      6

5

3

5

Verse

A5

µ

 

      

1. You op - er - ate and mo - ti - vate on



   

  

syn - thet - ic

    fuel.

   

     

You’re Moth - er

Na - ture and

an

at

-

om

bomb.









       







 



7 7

5

5

A5

 

   



As long as you’re kept Gtr. 1

        

full

of pret - ty





bod - ies,

        your lit - tle



se - cret will be





      safe

with me.

         



11 X 8 X X Gtr. 3









10 7

8 X 5

X X



 

Gtr. 2 divisi

   0 5

15

 Pre-Chorus

Gtr. 1: w/ Riff A (1 1/2 times) Gtr. 2: w/ Riff C (1 1/2 times) Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)

C



 (Ah.)

C#



G5

G#5



A5

C





C#



G5

G#5



A5

 3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

T o Coda Gtr. 1: w/ Riff B



 

C



C#



G5

G#5

 

A - round



a - gain,

A5





 

in - sane

C



C#



 she  it

a - gain,

G5



 

comes

G#5

A5



a - gain





 



D

and

sets

me

free.

 

                 

Gtr. 3







5 5 0







     So

  

set

Rhy. Fig. 3 Gtrs. 2 & 3

me

  

  

  

     

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

  



Bb

    

  

Set me

  

       

2 3 2 0

2 3 2 0

2 3 2 0

0 0

3 3 3 1

    

C

set

free

  

me

  

  

    

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

  

set me

3 3 3 1

5 5

6 6

6 6

7 7

8 8

7 7

3 3 3 1

3 3 3 1

4

4

3

3

’cause

 

4

G5

    

 

   

  

I

think

        

  5 5 5 3

5 5 5 3

4

5

   

    

6

  

5

2 3 2 0

0

D

       

you

3 3 0 0 X 3

5 5 5 3



5

2 3 2 0

7 7

need

  

my

 

   

  

0 X 3

3 3 0 0 X 3

3 3 0 0 2 3

soul.

End Rhy. Fig. 3

    2 3 2 0

E5

A5

 

 

               

             

free.

             3 3 3 1

3

5 5 5 3

F5

    

 

3

5

     

free,

     2 3 2 0

 

3 3 3 1

5 5

        

free,

  

6 6

Gtr. 2

Bb

    

6 6

0

5

Chorus D

5 5

0

10 10 8

 *

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

9 9 7

9 9 7

9 9 7

0 5

*Gtr. 2 plays A on 6th string, Gtr. 3 plays A on 6th string.

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude Gtr. 2: w/ Riff C Gtr. 3: w/ Rhy. Fig. 2

A5

C







Verse A5

 

C#

G5



G#5

A5

 



C#

G5



G#5

A5



µ



     

  

2. You’re kept a - live and po - lar - ized with one Gtr. 3

C





 



   

thing

         

in

mind.

  

Me - tab - o - liz - in’ ev - ’ry



   

- thing

   

that

 

you



see.



7 7 Gtr. 2





 

X X X



 

X X X



   

X X X

X X X



 

X X X



 

X X X



X X X

 



   

X X X

X X X

X X X

5

D.S. al Coda

          But now and then Gtr. 1

           

         

or

now

a

lit - tle





lat - er,

I’m gon - na take









you

down

with

  me.

       





A5

11 X 8

  

10

8 X 5

7

8v a

Gtr. 3











loco



 

20 20 20 0

17 Gtr. 2

 

  X X X



  X X X



  X X X



    X X X

X X X



  X X X



 

       

        

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X 5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Coda

Chorus Gtr. 2: w/ Rhy. Fig. 2

D

      So

set me

C

free,

set me

free

  

    

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

    



       Gtr. 3

5 7 7

5 7 7

5 7 7

6 6 7

Bb

  

6 6 7

6 6 7

6 6 7

6 6 7

6 6 7

  

 

set me

  

      

 

6 6 7

6 6 7

6 6 7

6 6 7

6 6 7

  

’cause I

think

                 8 8 9

8 8 9

8 8 9

8 8 9

8 8 9

    

you

C

need

my

7 8 7

7 8 7

Rhy. Fig. 5

    

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

    

  



 

  

  

   

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

soul.

7 8 7

5 7 7

D

 

  

     

  

  

   

7 8 7

7 8 7

7 8 7 0

7 8 7 0

7 8 7 0

7 8 7

           

8 8 9

8 8 9

8 8 9

8 8 9

8 8 9

   

8 8 9

0 0

0

Gtr. 2

  

           

7 8 7

 

D

       

free.

End Rhy. Fig. 4

   

G5

    

8 8 9

G

    

free,

5 7 7

  

                

6 6 7

Set me

5 7 7

    

    

Rhy. Fig. 4

Gtr. 3

  

    

Bb

    

  

  

3 3 0 0 X 3

0

End Rhy. Fig. 5

  

  

   

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

5 5 5 3

0

2 3 2 0

  

  

  

  

  

    

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

0 0

   2 3 2 0

Gtr. 2: w/ Rhy. Fig. 3

 

    

Bb

So

set

free,

  

  

   

     

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

  Gtr. 3

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

me

  

6 6 7

         6 6 7

6 6 7

    

C

set

free

    

 

me

  

    

  

     

6 6 7

8 8 9

8 8 9

6 6 7

’cause

8 8 9

I

     8 8 9

8 8 9

G5

  

think

     7 8 7 0

       

D

my

  

  

   

  

   

7 8 7 0

7 8 7 0

7 8 7 0

2 3 2 0

    

you

  

need

soul.

  

Bb

    



  

Set me

   Gtr. 3

2 3 2 0

   Gtr. 2

0

0

7 0

7 0

0

2 3 2 0

2 0

2 0

3 2 0

3 2 0

set me

      

6 6 7

        

  

    

 

free,

         

F5

6 6 7

 

3 3 3 1

6 6 7

    6 6 7

6 6 7

F

 

 

               

        

free.

  

0

10 10 8

  

  

 

  

3 3 3 1

3 3 3 1

3 3 3 1

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

3 1

15

                

               

10 10 8

10 10 8

  

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

1 1 2 3 3 1

10 10 8

Bridge

F

 



   

 

 

 

So

take

me



    

E

    

 

down,

      



 

 

take

me





let ring

1 1 3 1

     1 1 2 3 3 1

3 1

0 0 3 1



3 1

    

1 1 3 1

3 1

2 0

    0 0 X 2 2 0

2 0

  

    

0 0 0

let ring

1 2 2 0

0 0

 

  



    3 3 0 0 X 3

 

 

 

down,

down,

down,

  

  

   

  

              

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

  

  

   

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

F

   down.

   

   let ring

3 3 0 0 X 3

0

       0 0

G5

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

  

  

   

  

    

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

1 1 2 3 3 1

0

2 3 3 1

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

E

 

   

Take

Gtr. 1

me

A5



down,





    

 

take



me

A





             3        3  3 



5

8

1/2

8

5

7

7

      

  

 



let ring

2 3 3 1

1 1

2 3 3

     Gtr. 2

1 1 2 3 3 1

   

let ring

2 3 3 1

2 3 3 1

1 2 2 0

    

   

    

1 1 2 3 3 1

1 1 2 3 3 1

0 0 1 2 2 0

         0 0

  

 

  



7

5

7

5

7

3



let ring

5

3

5

3

   



2 0

      0 0 1

1 2 2 0

5

5

 





let ring

0 1 2 2

1 2 2 0

0



down.

1

Gtr. 3

F

2

2 0

    

2

2 0

3

    

 

 

1 1 2 3 3 1

2 0

Gtr. 1 tacet

 

 

 

So

take

E5

    me

 

down,

Gtr. 3

       

3

5

     Gtr. 2

3

3

  

5

3

   

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 0 X 2 2 0



5

2

let ring

1 1 2 3 3 1



  



0

 

 

take

me

 

2

2



5

  

0

0

G5

D/F#

 

 

down,

 

2



3 3 0 0 X 3

 

down,

down,

   down.

                  

5

   

 

F

5

  

7

  0 X 3

5

5

7

  

3

3

5

4

    3 2 0 X 2



4

  

7

4

4

7

4

3

   

   

2 0 X 2

1 1 2 3 3 1

 

E5



 

Take

Gtr. 1

me

   



down,

 

take





A5

me



G5





down.



           





X X X



Gtr. 3

          3

3

5

3

3

5

2

   

  

    Gtr. 2

3

 

2

  



5

    

2

2





5

7

A5

7

5

7



7

 

5

7

11 X 8

10

8 X 5

7

           

       

7

X X X

5

7

7

7

7

8 X 5

8 X 5

8 X 5

10 X 7



        

0

0

1

1 1 2 3 3 1

0 0 X 2 2 0

2

2

0

0

0

0

5 3

5 3

5 3

7 5

Interlude Gtr. 1: w/ Riff A (2 times)

A5

   Gtr. 3

µ



A5













  

10 7

Gtr. 2

  

7 5

2 0













15

   2 0

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3

  

  

 

 

2 0

 

2 0

Guitar Solo A5

C5

               

2 2 0

17

A5

            

Gtr. 1

  



 

               

       

 

  

*w/ octaver

8 5

8 X 5

8 X 5

8 X 5

X X

8 X 5

8 X 5

8 X 5

10

10 X 7

7

10 X 7

8 X 5

10 X 7

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

5 5 2

7 7

*Set for one octave below. Rhy. Fig. 6 Gtrs. 2 & 3

              

            

           

 

 

  

End Rhy. Fig. 6



   

1/2

2 2 0

2 2 0

0

2 2 0

0

0

2 2 0

0

2 2 0

Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 1/2 times)

            Gtr. 1

1/2

7 7

2 2 0

0

5 5 3

5 5 3

7 7

7

5 5

7 7

2 2 0

         C5

2 2 0

A5

 



1/2

5 5

5 5 3

5 5

7 7

5

7 7

5 5

7

5 5

0

0



2 2 0

0

 



1

0

7 7

7 7

2 2 0

0

0

0 0

2 2 0

      

    



1

1

1

8

7

6

5

10

9

8

7



**

11

**Change octaver setting to 2 octaves below.



       

11

12

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

11

12

13

10

11 12

          C5

12

11

12

A5

   

 



   

 13

10

12

10

     

8v a

 



1/2 16

13

15

1

15

13

10

15

13 19

C5

8v a



Gtr. 1





20 19

19

20

20

19

17

17

19





C5/A





 1 

1

17

20

    

Bm

          

      

1

19

A5

1/2









1

1

20

19

D

22

20

20

Gtrs. 2 & 3



    





               let ring 1/2

2 2 0

2 2 0

0

5 5

0

7 7 0

0

7 7

7 7

1/2

7 7

7 7

5 5

0

0 0

2 3 2 0

Chorus Gtr. 2: w/ Rhy. Fig. 3 Gtr. 3: w/ Rhy. Fig. 4

  

D

  Gtr. 1 8v a



   

set









  

So

Gtr. 1 tacet

  

Bb

  

me



  

set

me

  

free,

     C



  

   

free,

  

’cause



 

G5

 

I

  

 

think

  

you

    

need



my

  

D

soul.



22

Gtr. 2: w/ Rhy. Fig. 5

     

        

Set

Bb

me

free,

  



    

set

me

  G

 

 





 

D

free.

   

 

7 8 7

7 8 7

Gtr. 3



C

       

0

7 8 7

7 8 7

8 8 9

        8 8 9

8 8 9

8 8 9

     

0

0

7 X 5

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 3

  

 

So

5

7 X 5



    

  

set

    7

      

7 X 5

7 X 5

me

7 X 5

  

      

 

            

  

            

  



     

set

10 X 8

Bb5

Set me

  

me

   

  

free,

          

     

  

Bb

10 X 8

10 X 8

10 X 8

  

free,

 

C

free,

10 X 8

F5

  

set me

free.

    

  

12 X 10

12 X 10

12 X 10

12 X 10

2 0

Gtr. 1

2 0

3 1

3 1

3 1

3 1





  

you

    

need

  

D

my

soul.

               

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 7 5

D5

 

 



10 10 8

3 1

    

think

 



    

           

1

13 2 0

 

12 X 10

1

2 3 2 0

G5

’cause I

12 X 10

    

             

Gtr. 2

10 X 8

  

13

12

1

13

13

12



1/2

13

13

12



12

12



10

3 2 0

   



1

10 13

Gtr. 3

   7 7 5

         7 X 5

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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7 X 5

7 X 5

7 X 5

   10 X 8

                10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

12 X 10

10 10 8

      10 10 8

10 10 8

     

       

     

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

3

0

3 2 0

  





   

So

Gtr. 1



  

set



Bb5

  

me

  

set

me

  

 



 

I

think

10

10

10

10

10

10

10

13

13

13

13

13

13

13

13

13

13

13

1

 

 

 

 

 

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

 

  

you

   

  

0 0

   

 

 

 

3 1

3 1

3 1

3 1

3 1

  

D5

my



1

  

 

C5

need







G5

10





’cause

 

10



 

free,

  

10

   



   

10



 

  

C5

10 13





   

  



Gtrs. 2 & 3





free,

1



  





 



 

  

   

soul.

         





    

   

  

Set

Bb5

me



 

5 3

0

   

1

 





1

 

 

5 3

5 3

5 3



 







5 3

0

G5

 

set (Set

me me

 

 



   

 



  1

 

free,

    



  

 







free free.)



 

1

10 10 13 13

 

 

5 3

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

13

13

13

13

13

13

13

13

13

13

13

13

13

13

13



 

5 3

 

 

5 5 3

5 5 3

 0 0

 2 0







 

 

2 0

2 0

3 2 0

3 2 0

    0 0

3 1



 



  

3 1

3 1

3 1

0

5 3

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C5



  



  



 

’cause Gtr. 1



   

 



  

I



think





 

1

D5

  

  

 

 

you





 

need



1

10 10 13 13

Gtr. 2

  

  

 

my







  

10

10

10

10

10

10

10 10

13

13

13

13

     

   

soul.

1

10

   D5

So

set

    

1

     

Bb5

    me

free,

  



10 10

10

1

10

10 10

13

10

10

12

Gtr. 4 (dist.)











 



   







mf

1

1

Gtrs. 2 & 3



 5 3







    5 3

   

5 3

5 3



5 3

    5 3

5 3

   

set

            

me

 













10

10

10

10

10

10

10

10



 

 

 

 

 

 

10

10 X 8

10 X 8

10 X 8

14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





5 3

5 3

 

2 0

G5

    

         

’cause

I











10

10

10

10

10





   

think

  



 

    

7 X 5

7 X 5

  

       you



    

need

7 X 5

10 X 8

  

D5

    

my

soul.













10

10

10

10

10

10









1

12

15

14

12 X 10

Gtr. 3

 

0 0

13

  

13



1

8

Sorgdal

5 3

free,



 

11

12

(Gtr. 2, cont. in slashes)

    



 

5 3

C5

11 13



 

5 5 5 3





  

10

 

1

12 14

 

  

 

  

12 X 10

12 X 10

12 X 10

7 X 5

 

 

10 12

 

 

 

 

 

 

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

    



  

  

      

Set me



   

free,

  



  

10

10

10

10

10



10

   

  





F5

    

  

set me

free.

  



10

  

  







Bb5

10

            

  

 

10

13

10

   



   

(cont. in notation)

  

 



F5 I

Bb5





 

My

cre - do,





13





               

     

1

10 12

12

     

     

7

7 X 5



5

7 X 5

7 X 5

11

11

13

13

7 X 5

 

7 X 5

 

10 X 8

12

12

           

10 X 8

10 X 8

10 X 8

10 X 8

12 X 10

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

        

10 10 8

0

3 1

3 1

3 1

3 1

Outro Gtrs. 1 & 4 tacet

F5



Bb5







my

F5















 

cre - do,

Gtrs. 2 & 3

  

 

 

 



let ring

3 1

3 1

3 1

3 0

1



 

 

 



let ring

3 1

3 1

3 0

1



 

 





 

 

 

 

 

 



let ring

3 1

3 1

3 1

3 1

3 1

3 1

3 1

3 1

3 0

1



 

 

3 1

3 1

15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb5



my



 





let ring

3 0

  

 

 

3 1

3 1

3 1

3 1

3 1

 

 

 

3 1

3 1

3 1



 



let ring

3 1

 

3 1



 







 

 



3 0

1



3 1

3 0

1

 

 



let ring

3 1

3 1

3 0

 

1



 

 

let ring

3 1

3 1

Bb5



 



 

3 0

1

A5



 

my

cre - do.

 

   







3 1

3 1

3 1

3 1

3 1

2 0



 





cre - do,

 

   

 

 

3 1

3 1

3 1

3 1

3 1



F5



my

 



 



let ring

3 1

1



Bb5

cre - do,

   

 







 

F5

  3 1



 



Gtr. 3

  

 

  pp

2 0 Gtr. 2

  





 pp 1

2 0

16 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

3

from Velvet Revolver - Contraband

You Got No Right Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner Bb

C

D 5fr

1333

Intro Moderately q = 97 D/A

1333

1333

Bb6

C/G

Rhy. Fig. 1

End Rhy. Fig. 1

                                                        

Gtr. 1 (acous.)

mp

let ring throughout



4 5 5

5 5

4 5 5

5 5

5 5

4 5 5

5 5

4 5 5

5 5

4 5 5

5 5

5 5

4 5 5

5

4 5 5

5

6

5 5 6

6

6

6

5 5 6

6

6

3

2 3 3

3

3

3 3

2 3 3

3

3 3

Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times)

D/A

      

 

1. I

D/A

  



fell

Bb/F

   



(She

  Gtr. 1

through

the

    It

nev - er

 

said

you nev



ice.

to

C/G

-

er



  

She

won’t

be

  

 



lie.

 





Bb6



  



wins

  



  



Bb6

She

  

have

 

no

 

said

D/A





C/G

com



-

ing

C/G



you’ll nev



-

back

a

0 1 1

gain.

 

er

rights.

have



no



 



rights,



 

no

rights.) End Rhy. Fig. 2

                       

1

-

     

Rhy. Fig. 2

1 1

 

    



1

1

1

0 1 1

1

2 3 3

3

2 3 3

3

2 3 3

3

2 3 3

3

               

5 5

5 5

4 5 5

5 5

5 5

5 5

4 5 5

5 5

5 5

5 5

4 5 5

5 5

5 5

4 5 5

5 5

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

0

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

* Bb6









I’ve took it

 

Gtr. 2 (elec.)

G6/B

  

  



far

-

 

ther on



  

D



the out



-

Dsus2

D







side.



  

  



mp

w/ clean tone & heavy reverb let ring throughout

7

 

Riff A

Gtr. 1





3

 

 

0 0

 

3

0

3

1





3 3

 

  0

0

2

  

 

0

3

0

0

2

 



   2

3

2

0



   0

3

2

0

5

5



  

0

3

0

2

5

End Riff A

 

2

3

2

0

*Chord symbols reflect basic harmony.

Gtr. 1: w/ Riff A (2 times)

Bb6

 

    I

took

   Gtr. 2

it

G6/B

  



near

-

ly

 

to

the

Dsus2





  

6

Bb6

 

And

   6

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

7

    if you’ve seen



G6/B



   me

on

  the



D



brink.





D

out

    5

5

  

D







-

7

     

7

7

5

Dsus2

5

5

7

D





side,





   7

5

   5

5



0

Bb6

  

   

C

you would have bare

   Gtr. 2

  

 -

ly

 

seen



me

Dsus2

D





breathe.

      



6

  Gtr. 1



7



3

 

 

0 0

3

3

1

   0

3

  

0

3

2

       0

1



0

2

0

5

5 7

 

5

5

     

1

0



3

0

0

  

5

  

0

2

2

7

3

2

Verse Gtr. 2 tacet

Bb6

  

    2. Fun - ny, right here

  

Gtr. 3 (elec.)



   I

  

C/G

   

find

   

my - self



mp



in - side

   a

  

pa

D/A

   

-



per



cup.



  

w/ slight dist. and Rotovibe let ring throughout

1

  Gtr. 1

3

3 3

5

5 5

7

7

Rhy. Fig. 3

    



   

5 5 6

6

6

6

6

5 5 6

6

  

3

3 3

       

 



           

2 3 3

4 5 5

5

4 5 5

3

3 3

3 3

2 3 3

3 3

5 5

5 5

5 5

4 5 5

4 5 5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 3

  

  



With - out

      7 5

 

Bb6

    a

C/G

             

warn

-



ing



or

rea

 



7

7

a

3

1

-

son, it’s

trea

-





son



   with no

an -

  



3

5

5

3

End Rhy. Fig. 3

       

 

 

4 5 5

5 5

5 5

5 5

4 5 5

5 5

5 5





5 5

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

D/A

     -

  





      



swer.

You got

Gtr. 3

   

 





right

 

5

     to





4

keep

me

wait -

  

3

0

4

5



no

Bb/F

3

3

1

Gtr. 1: w/ Rhy. Fig. 2

C/G

     -

     

in’ here.

You got

        

3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

no

Bb/F

C/G

        



right

to





5 1

    3

3

3

keep

the

pain

in



     

here

that holds the crown.

     

3

5

5

5

 Chorus

Gtr. 3 tacet 2nd time, Gtr. 2 tacet

D/A Gtr. 4 (elec.)



 



  

Bb5/F

w/ dist. (cont. in notation)

 



8v a





  

3 15

2 14 0 12



H.H.

3 15

  

   

Gtr. 3



7

5

 

7

7



 5

7

5

I

on the out -



Rhy. Fig. 4 Gtr. 4

  

7



a - part



    

3 1 1

 

3 1

0 0



  

 

f

   

 

3 3 0 0 2 3

3 3 0

 0

     

Rhy. Fig. 4A

Gtr. 5 (elec.)

fall

3 15

  



       

   



And if

  

G

mf



Gtr. 2

Gtr. 2 tacet

  

 

w/ dist.

0 0

3 1 1

        -







 

2 3 2 0

      Gtr. 5

2 3 2 0 0









 









 

 



3

3

real - ly



don’t



be - lieve





0 0

2

0

   0

3

2

3

if

I

take

me.)



End Rhy. Fig. 4



let ring

2

0 0

  

 and

(You

    

0 0

Bb5/F

side,

Gtr. 4

3 3 0 0 2 3

1st time, Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (3 times) 2nd time, Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (2 times)



D

0 0

2

3

 



2 0

  

   

 

2 3 2

2 3 2 0

2 3 2

  

End Rhy. Fig. 4A

 



0 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G

  

 it

G

  

 a

D

  





to

the

brink,

  

on

the







      

  D





out

-



Bb5/F

G



 



you

would have

bare

Bridge *E7

 

  

     

And if

 

Gtr. 6 (elec.)

G7

I

 





-

ly





real - ly









don’t

if

fall

I







be - lieve

me.)





D

  





seen

me

breathe.



D

      

you out





side,

     

meet

 

T o Coda 

  

  (You

 





and

 

 

- part



Bb5/F

 



to - night,















15

15

End Riff B

mf w/ slight dist. & slide

15

Riff B

                   Gtr. 4

 let ring

let ring

1

3

Rhy. Fig. 5

0 1

3

0 1

3

3

1 0

     

         

  

  

0 0 1 2 2 0

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

Gtr. 5

let ring

2 0

2 0

2 0

2 0

0

*Chord symbols reflect combined harmony.

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

3

  

1 0

3

15

        let ring  2

3

2 2

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

  

10

  

  

2 3 2 0

2 3 2 0

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

  

  

  

  

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

  

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

   2 3 2 0

End Rhy. Fig. 5

  

   

2 3 2 0

2 3 2 0

0 0

Gtr. 4: w/ Riff B Gtr. 5: w Rhy. Fig. 5

       

E7

  

will

you

be

G7

 

lov

-

Riff C

  

ing

me

D

    

for - ev



Gtr. 6

     

       

-



 

 

 

End Riff C





15

15



er?



12





15

15

10



Gtr. 6: w/ Riff C

E7

      

  

It’s al - ways o

G7

D

              

 

-

ver af

-

ter the

                  

1

      Gtr. 5

3

 let ring

0 1

  

3

0 1

    let ring

0 0 1 2 2 0

0 0 1 2 2 0

3

3

     

  

3 3 0 0 X 3

3 3 0 0 X 3

0 0 1 2 0

0

0

1 0

  

  

3

1

let ring

3 3 0 0 X 3

3 3 0 0 X 3

3

0

      3 3 0

 



night.

Gtr. 4

let ring

B





      

      

 let ring

let ring

2

3

2 2

3

2

4

5

4

 

          

4 4 2

4 4 2

  

  

  

  

  

   

0 0

2 3 2 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

0 0

4 4 4 2

4

5

2

 

4



4 4 4 2

4 4 4 2

0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    

F

    

         

-

er



It’s al - ways cold Gtr. 7 (elec.)

E7



D5

af

-



ter

the night.



                    



f

w/ dist.

  



Gtr. 6

2

3

5

4 5 7





9

9

7



 

 

 

 

 

 

 

 

1

1

2

2

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

 

 

 

 

 

 

 

 

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0





let ring

 





let ring

1

1

  0

1

0

3

1

     

  

  

  

  

  

  

  

  

let ring

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

2 3 3 1

1 2 2 0

1 2 2 0

1 2 2 0

Gtr. 5

  



3

1

      

0 2 0

2 0

2 0

Guitar Solo

Gtr. 6 tacet

   



Bb5



                            6 5

7

4

5

7

4

5

7

4

5

4

7

5

7

5

6

5

8

5

7

8

5

7

   

 

 

 

 

 

 

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

*Gtrs. 4 & 5

*Composite arrangement

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



 

     

3

7

Sorgdal

2 4



10

        

4

5

2 3 5

2 3 5 2 3 5

Gtr. 4

 

5

2 3 5 2 3

12

mp

10

Gtr. 7

3

3

6

6

8

5

7

8

15

13

12

12

10

10

10

Rhy. Fig. 6

 0 0

                3 1

3 1

3 1

3 1

3 1

3 1

3 1

0 0

 





G5

D

     

1

13

13

12

12

10

0 0 X 3

3 3 0 0 X 3

0 0 X 3

0 0 X 3

0 0 X 3

0 0 X 3

0 0

           

11

1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

13

 15

15

11

  

  

  

  

  

  

  

  

   

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

D





1

12

3

5 5 3

0 0

                     

C5





0

  

 



1

  

12

3 3 1

10

  



12

     

10 12 10

  

11 11

   

12

12



  

1

12

     

1

12 14

Bb5



          

 



14

              let ring

    

11



let ring

13

 

 

 

12 12

    5 5 3



12

 

9

11

  

5 5 5 3

5 5 5 3

0 0

8

10 10 10

8

10 10 10 10 12

10

  

  

  

  

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

12

Gtrs. 4 & 5: w/ Rhy. Fig. 6

     8v a               

Bb5



G5

     



 

     

P.H.

1

1

1

12

12

10

12

10

13

10

15

13

15

18

17

17

17

15

15

18

15

18

18

17

17

15

Pitch: G A

    

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

End Rhy. Fig. 6

    2 3 2 0





0

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

* D/F#

D

8v a





   Gtr. 7











1

14







1 1/2

15

15







1 1/2

17

17

15





15

17

17

15

15

*Bass plays F#.

Bb5 8v a

 







1

    1

20

C5









 20

20

17





1

hold bend

















1/2

20

20 20

20

20





1/2

20

20

20

D

                       P.H.  semi-harm. 8v a

15ma

1/2

20

1

20

20

8v a

1

20

20

1

20

20

Pitch: E

D

1

20

20

E

1

20

20

1/2

20

20

19

20

19

1/2

19

1/2

19

Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)

Bb6

C/G



  

D/A





3. I broke

   

  

Gtr. 2

  





0

3

0

3

0

Gtr. 1

          

6

6

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

19

1/2

19

1/2

19

19

19

Verse

Gtr. 7 tacet

 

1/2



D

Interlude

 

            

5 5

6

5 6

5 6

5 5

5 6

           3

3

3 3

3

3

3

2 3 3

2 3

  

 



through

   the

ice.





2







   

Bb6

 

She



won’t

    Gtr. 2

 

 



C/G

be com

-



in’

back

a

  -



It’s been

0

a

  



year



 







and

a



D.S. al Coda



night.





8v a

Gtr. 5

  

   

2

3

0

   





gain.

  



3

0

         

D/A





f

*p fdbk.

0



*Vol. swell

  Gtr. 4











       

f

** p fdbk.

X X X

0

X X X

X X X

X X X

Pitch: F# **Vol. swell

 Coda



  



you

would have

bare

Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (1st 2 meas.)

Bb5/F

 





-

ly

G





 

seen

me



 

D/A

 breathe.

Gtrs. 4 & 5

 



  



Outro-Chorus

 

 

     

And

if

I

Gtrs. 4 & 5: w/ Rhy. Fig. 6 (last 4 meas., 3 times)

   

D5/A

Bb5





     

 

 

 

 

 

 



3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

0

 

Gtr. 7

D5

 

 

 

 

 

 

2 3 2 0 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

 

 

 

 

   

 

C5

fall

a

-

part

on

the

 

 

 

14 X 12

12

12 X 10

out -

mf 10 X 8

10

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      

 

D

-

 

 

         

Bb5





side,

and

   

 

(She

said







you nev

-



   Gtr. 6

 



er

 

   

had

no

I

fall

a - part

on

the out -





rights.









if

             

C5





6

6



w/ slide

10

7

          

    

Gtr. 7

11

12 14 X 10 12

9

10

        

12 X 10

11 X 9

9 X 7

7 5

 

 

 

 

10 X 8

14 X 12

12

12 X 10

D

-

 

Gtr. 8 (elec.)



 

C

mf

     

w/ dist., wah-wah & slow flanger





side,

   

She

and if

   said

  

          11 12 14 X 9 10 12

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Bb

        

10

 

 



you nev

-

er

 

had

 



 

no

rights.





 

  

10

7

10

10

          13 10 X 10 7

13 10 X 10 7

8

10





12

10

10

13 X 10

  15 12

a - part

 

on the out -





   

fall





    10 13 X 7 10



I

        



      13 15 X 10 12

13 10



D

        

-

side,







 

 



 

She



said

  







 



you nev

-

er

 

had

 







 

no

rights.)





7

           Gtr. 7

14 X 12

14 X 12

 

if

I



rit.

fall

       a - part

rit.

  



12 X 10

10

6

    

        

14 X 12

11 X 9

12 X 10



9 X 7

6

on

the

out -









7

10 X 8

5

14 X 12

Gtrs. 4 & 5

  



  

 -

8

8

 

 

rit.



Free time D

 

 

3 1 1

12 X 10

           3 1

3 1

3 1

3 1

3 1

 

1 1

12 X 10

rit.

       

 

2 3 3

2 3 3

2 3 3

2 3 3

2 3 3

2 3 3

Gtr. 8 tacet







side.

  









steady gliss.

7

12

14

10

12

5

3

 

    

 

  

10

10

3

0

9

   

9

5

0

3



mp

7

         

     

C

rit.

10

11 X 9



    



and

Gtr. 6

14 X 12



Bb

2

 

5

   pp 



5



 pp

3 2 0 0

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Contraband

Slither Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner

Drop D tuning: (low to high) D-A-D-G-B-E

Intro Moderately fast q = 141 Half-time feel

D5 Gtr. 2 (dist.)

   

*** C5/D 3                 



3



mf

**w/ wah-wah & delay P.S.



X

 X X X  X X X 

                  



P.S.

P.S.

X

**Delay set at quarter-note regeneration w/ 3 repeats.

Gtr. 1 (slight dist.)

       *p



    



 X  X  X  X  X 

  



X

  

mf

3 2 0 0 0

5 5 3

*Vol. swell

***Bass plays D next 12 meas.

G/D

D

                           

       

P.S.

   

 X  X  X  X X X X X X X X X  X X X X

      3 3 4 5

   

  

  

3 2 4

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1 tacet * D5

  

 

f

  

 

 

Gtr. 2

wah-wah off w/ flanger

  

 

 

 

C5/D

 

 

12

7 X 5

7

 

  

10 X 8

7 X 5

1/4

7 X 5

7 X 5

10 X 8

12 X 10

12 X 10

10

Gtr. 3 (dist.)

     



f

3 2 0 0 0



0

0

















P.M.

0

0

0

0

0

0

 





5





 



0

0

0

P.M.

0

5 5 3

0

0

*Chord symbols reflect implied harmony.

G/D

    7 5





P.M.

0



 



5 0

0

7 X 5

      2 3 2 0 0 0

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

P.M.



 

 

 

5 X 3

7 X 5

7





5



 

  

10 X 8

12 X 10





 



0

0

0

0

P.M.

  7 X 5

 

  12 10



0

0

0

0

0

  10 X 8

  10 X 8

 



     ** X

7 X 5

X



 

 

 

 

  

 

 

0 0

0 0

0 0

0 0

0 0

0 0

0 0

Ab5

A5

D5

C5

P.M.

3 4 5

End half-time feel

D

  



 

D5

F5

F#5

       Rhy. Fig. 1

delay & flanger off

 

X

0 0 0

3 3 3

4 4 4

D5

   

    

0 0 0

0 0 0

6 6 6

7 7 7

10 10 10

**Dampen strings w/ pick hand.





0



0 0







14 14

    

0 0 0

   

       

    

3 3 3

0 0 0

0 0 0

4 4 4

6 6 6

7 7 7

10 10 10

Gtrs. 2 & 3: w/ Rhy. Fig. 1

D5

Ab5

A5

D5

G5

 

D5

F5

  



F#5

D5

F5

F#5

D5

Ab5

A5

D5

C5

D5

Ab5

A5

D5

G5

D5

F5 F#5

Play 3 times







Ay. End Rhy. Fig. 1



        0 0 0

6 6 6

 

 

7 7 7

0 0 0

 

5 5 5

Riff A Gtr. 4 (dist.)

      f

*Gtrs. 2 & 3

0 0 0

3 3 3

4 4 4

 

12

  

 

10

9

11





10

  

13

12

9

12





10

12

  

End Riff A



12

12

10

12

*Composite arrangement

Verse D5

F5

   

1. When 2. When

    

F#5 D5 Ab5 A5





you you

look, seek





Gtr. 4

  10 

Gtrs. 2 & 3

  

D5

C5

  you me,

D5

  

see you’ll

right de

-

D5

 

G5

D5

  

through stroy

F5

F#5

D5

F5

 

me. me,

Cut rape

F#5



D5 Ab5 A5



the my

D5

I and

       



0

0

6

D5

F5

3

Ab5

4

A5

to the



0

D5

6

7

0

10

G5

D5

F5

F#5

    my pop

-

 knees. pies.





 

Born



    

7

0

5

0

3

4

F#5

D5

Ab5

A5

D5

C5





 blood bro

and

-



ken ied



        P.M.

0

3

4

0

6

7

0

10

D5

Ab5

A5

D5

G5

D5

F5

F#5



  

ev

-

’ry

sin

-

gle

    

End Riff B

 

P.M.

0

   

time.

Gtrs. 2 & 3



fell smell

Riff B

   



C5

 

rope, mind



P.M.

 

D5 Ab5 A5

6

7



0



5

    0

3

4



 

P.M.

0

3

4



0

 

6

7



0



10



0

 

6

7



0



   

5

0

3

4

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3: w/ Riff B Gtr. 4 tacet

2nd time, Gtr. 4: w/ Fill 1

D5

Gtr. 4



 







Ab5

A5

3



 

1/4

0

D5

C5





1/4

4

0

6

D5

Ab5

A5

   1/4

7

0

D5

G5





1/4

0 0

10

6

D5







F#5



  

F5



D5

F5

0





Al

F5 F#5 D5 Ab5 A5 D5

-







ways

keep

me

    

       

   

       



0 0

0 0

0 0

0 0

0 0

D5

   -

3 3

4 4

Ab5 A5 D5

 

 der

fin

6 6

7 7

G5

D5 F5 F#5

 







see

some

type

-

ger.

6 6

7 7

F5 F#5 D5 Ab5 A5





That’s

the

spot

  

pleas

-

ure

    

5 5

0 0

3 3





D5

 

 you

Ab5 A5



 run might

to lin

in

mind.



 

D5

 

D5 F5 F#5 D5 Ab5 A5 D5 C5

 

un -

4 4

C5

where

     my



D5



D5 Ab5 A5 D5 G5 D5 F5 F#5

  of

D5



D5 F5 F#5 D5 Ab5 A5 D5 C5



10 10



3

Gtrs. 2 & 3



C5





0

3

D5

 

1

7

F#5

G5

D5

F5 F#5







-

me. ger.

Might

D5 Ab5 A5 D5 G5 D5









F5



(Ah.)





                  

               

0 0 0

0 0 0

Gtrs. 2 & 3



3 3 3

4 4 4

0 0 0

6 6 6

7 7 7

0 0 0

10 10 10



Fill 1 Gtr. 4

0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

4



0

 

1/4

6

7





0

1/4

10



0

 



 









6 6 6

1/4

6

7

  



0

0

1

3





3

7 7 7

0 0 0

5 5 5

0 0 0

3 3 3

 Chorus

Half-time feel D5

    



 

Yeah,

Gtr. 4



Cadd9

   

here comes

the

wa

Riff C

          0

3

4

0

Rhy. Fig. 2 Gtrs. 2 & 3

6

    

  

3 2 0 0 0

3 2 0 0 0

7

0



10

0

 

6

7

    -

 



ter.

It

   

comes

to



   

       

   

   

0

5

0

0

5

0

  

3

4

    0 0 0

4

5

0

5

7

0

10

5

7

0

0

 

   

5

 

3 0 2 3

0 0 0

4

3 0

3 0

1.

G/B

  

       

 

wash

a - way

sins

the

4

5

0

7

9

0

of

     

  

you

I.

and

   

  



This

       

      

10

0

0

     

  

3 3 0 0 2

7

9

0

5

0

5

4

         

3

4

0

6



time



         0

  

End half-time feel

D5

7

0





you

will

End Riff C



       

10

0

6

7

0

5

0

3

4

End Rhy. Fig. 2

0 0

0 0

6 X 3

6 X 3

6 X 3

6 X 3

 

 

0 0 0

0 0 0

 



12

Interlude Gtrs. 2 & 3: w/ Rhy. Fig. 1 (4 times) Gtr. 4 tacet

D5 F5 F#5 D5 Ab5 A5 D5 C5

  

see.

 

D5 Ab5 A5 D5 G5 D5  F5 F#5

 

Ay,

D5 F5 F#5 D5 Ab5 A5 D5 C5



D5 Ab5 A5 D5 G5





D5

 F5 F#5   ay,

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4: w/ Riff A

D5 F5 F#5 D5 Ab5 A5 D5 C5



  

D5 Ab5 A5 D5 G5 D5 F5 F#5 D5 F5 F#5 D5 Ab5 A5 D5 C5







D5 Ab5 A5 D5 G5 D5 F5 F#5







ay.

2. 2nd time, Gtr. 5: w/ Fill 2

D5

   

1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff C 2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 4 meas.)

   

 





This

time

Gtr. 4

          0

3

4

0

6

  

  

0 0 0

3 2 0 0 0

Gtr. 2

7

0

 

 

you

see.

 



10

 

0

6

    

7

0

5

0

3

7 X 5

5

5 X 3

3

 

ho













-

ly

1/2

3

  

Cadd9

    -



ter,

Fill 2 Gtr. 5









15

T o Coda 

15

G/B

it

-

burns

on



13

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

you

fast

           1

13

ly

10

3

   -



3 1

13 10

er

12 10 12

10

  than

   you’ll

    1

13 12

6

  

   

    15



 



1 1/2

Sorgdal

Like



5

 

0 0 0

wa



7

Gtr. 3

   



4

       

  





 

  

ev

-

er

   



dry.

D5

  

   

  





This

Gtr. 1



Interlude D



 

time

with









me.

     



*p

     

mf

2 3 2 0 0 0 *Vol. swell Gtr. 2



 

  

0 0 0

3 2 0 0 0

  

 

     

 

 

Gtr. 4

 

 

Gtr. 2 divisi

7 7 5

Gtr. 3

  5 5 3

5 5 3

7 7 5

p

0 0

    

 

 

pp

3 2 0 0 0

End half-time feel Gtr. 1 tacet

Gtr. 2: w/ misc. pick scrapes & fdbk. (next 6 meas.) Gtrs. 3 & 4 tacet

C5

G

   









  



Oo.

Gtr. 1

 

   5 5 5 3

   





3 4 5



D

µ





hoo.

  





     



7 7 7 5 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo D5

           

   

Gtr. 5 (dist.)





f



w/ wah-wah 1

1

10

10

13

1

10

10

13

10



1

10

13

  

1

10 13

   

C5

10





15

1

15



15

Rhy. Fig. 3 Gtrs. 2 & 3

   

        7 7 5

5 5 5

5

7 7 5

       1 15

       P.M.



7 7 5

5

1 1/2



15

15

15

            P.M. 

5 5 3

3

3

3 3 3

5 5 3

5 5 3

7 7 5



1 1/2 1 1/2

15

5 5 5

5

 8v a        

G/B

 

5

1 1/2

     5 5 3

7 7 5

5





15

5 5 3

    

P.M.

P.M.

7 7 5

 

14

   

3 0 0 2

0

13

3 0 0 2

2

13 15

 

7 7 5

5 5 3

          P.M.

0

5 5 3















1 15

3

15

1

15

15 14 15 14

15

13

  

3 0 0 2

3 0 0 2

2

14

  

   

  

     P.M. 

 

3 0 0 2

3 0 0 2

3 0 2 3

3 0 2 3

0

0



8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

14

 

12

15



12

13

 

15

12 13 12

 

P.M.

7 5

5

14



12

13

 

14

12

 

12

10

12

 

 

7 7 5

7 7 5

P.M.

5 5 5

7 7 5

0

7 7 5

12

12

10

5

 

3 0 2 3

0 0 0

1

10

13

10 13

13

12

     P.M.  let ring 5

 

3

10 14

End Rhy. Fig. 3

      

3

12

5 5 3

3

    

1

0

Sorgdal

 1

loco                              

14

5 5 3

3 1

D5

3

3 3 3

3

Cadd9

8v a

1/2

P.M.

3

     2

  

5 5 5

7 7



  7 7 5

 0 0

10

Gtr. 3: w/ Rhy. Fig. 3 Gtr. 5









          

                        5

1

1/2

Gtr. 2





1

1

10

13

12

  

  

  

  

7 7 7 5

7 7 7 5

8 7 7 5

7 7 7 5

0

5

1

12

12

5

1

10

12

1

13

10

13

12

10

1

13

12

   



1

10

13

12

  

7 7 7 5

1

10

1

13

12

10

13

12

1

10

13

12

10 12

  

  

 

 

 

7 7 7 5

7 7 7 5

10 X 8

10 X 8

10 X 8



0

                             

C5



5 3

1

13

1

10 13 12

1

10

13

12

3

3

1/2

10

13

10

13

12

   

 



  

5 5 3

5 5 3

3 3

5 5 5 3

12

10

13

10 13 10

   



12

10

13

1

10

10

13 10

13

5 5 5 3



  

   

5 5 5 3

5 5 5 3

8



   

 

8

10 X 8

10 X 8

0





                           3

3

1

1

10 13

13

1

10

10

13

1

10

13

13 10

12

    

  

  

  

3 0 0 2

3 0 0 2

3 0 0 2

3 0 0 2



3



    3 0 0 2

  

10 X 8



Cadd9



1

10

13 10 13

13 10

13 10





3

1

10 12

10

13 10 12

G/B



1/2

10

12

  

3

10 12

   

  

3 0 0 2

3 0 0 2

1

13

13

13

13 10



 

 

 

 

8

10 X 8

10 X 8

10 X 8

10 X 8

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5 Gtr. 5





      



   

1/2

1

10

13

10





  

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5



3





3

G5

A5



  



10

8

10

8

1/2

10

13

13

12

12

12

Gtr. 2 & 3





3

3

13

F5

10

12

10

12

10

8











 

 

 

 

 

 

 

0 0

0 0

0 0

0 0

0 0

3 3

3 3

3 3

5 5

5 5

7 7

7 7

Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)



D5



F5

3. When

F#5 D5 Ab5 A5





D5





C5

you

look,

you

see

D5

 

Ab5 A5

D5

right

through



 

G5

D5

 



F5 F#5



me.

D5



F5

Cut

  

F#5 D5 Ab5 A5

the



D5

C5

rope,

I

fell





      Gtr. 5

 12

D5 Ab5 A5

   

D5

to

my

 

G5

 

D5 F5 F#5



knees.



D5



F5



Born

F#5 D5

 

and

Ab5



A5



blood - ied

D5



 

C5

D5

 

Ab5 A5



D5

 

G5



D5

ev

-

’ry

sin

-

gle



F5 F#5



       12

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D.S. al Coda (take 2nd ending)

D5



C5



time.



Gtr. 5

 

D5

B5

C5







D5

A5

D5



A5

D5

G5

D5

F5







Ab5





F#5

 













 1/2

13

10

12

12

13

10

12

Gtr. 4



 



0

10

12

   

 

 

0 0 0

10 10 10

12 12 12

Gtrs. 2 & 3

 0

  0 0 0

9

12



 9

10

 

 

9 9 9

10 10 10



 0

7

0 0 0

               

 

7 7 7

burns you fast - er

than

     

you’ll

ev

-







 







6 6 6

7 7 7





3 3 0 0 2

      Gtr. 3

3 3 0 0 2

          0 0

  

0 0

6 X 3

6 X 3

6 X 3

6 X 3

3 3 3

4 4 4

End half-time feel





with

3

15

15

15

13

15 13

14 13 12 10

12

              

 

          

3 2 0 0 0

3 2 0

3 2 0

 

  

0 0

0 0 0

0 0



0 0

time

17 16 15 13

15 15

  



 

    3         3    3

1 1/2

     

   

3

 

5 5 5

 1/2

0

 

0 0 0





5

 

This

17

Gtr. 2

0

10

12





  

 

dry. 8v a

Gtr. 5

7

D5





6

0 0 0

   

er



0

 

 

12

12



 Coda

G/B

10

12

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

12 10

3 2 0 14

  

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro Gtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)

D5

F5

  

F#5

Gtr. 5 tacet

D5

Ab5

A5

D5

C5

D5

 

Ab5

A5

D5

G5

D5

me.

Gtr. 4



  

F5

F#5

Ay.

Riff D



12





10

11







9

10

12







13 12





9

10





12

12

12

Gtr. 5

 



12

End Riff D





10

11

F5

F#5



loco

12

Gtr. 4: w/ Riff D (2 times)

D5

F5

F#5

D5

Ab5

  

A5

D5

C5

D5



Ab5

A5

D5



G5

D5



  



Ay.

D5 Gtr. 4





C5



13

D5



12

C5



   

 

 

0 0 0

10 10 10

12 12 12

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

D5



13

12

12

Sorgdal



10

12

Gtrs. 2 & 3

B5



A5



 

0 0 0

10 10 10

9 9 9

  0 0 0

Ab5

A5

  

10 12

    

D5

9

D5



10

12

12

 

       

 

7 7 7

0 0 0

0 0 0

6 6 6

7 7 7

G5



12

D5



12

F5

F#5

 

10

11

D5

µ





12

12

 

     

 

5 5 5

0 0 0

0 0 0

3 3 3

4 4 4







from Velvet Revolver - Contraband

Dirty Little Thing Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Keith Nelson F#5

E5

13

1

Intro Moderately fast q = 168

*E5



  

Gtr. 1 (dist.) (Bass)

G5

A

Bb

  

   

Rhy. Fig. 1

 

 

mf



 

5 5 3

0



6 7 7 5

0

7 8 8 6

0

*Chord symbols reflect implied harmony.

Gtr. 1: w/ Rhy. Fig. 1

A5

G

A

G

E5 G5

A

Bb

A5

G

A

G

End Rhy. Fig. 1 Gtr. 2 (dist.)





8v a

    

 



7 8 8 6

7 7 5

0



  

0

4 5 5 3

  

  

6 7 7 5

** p fdbk.





loco



mf fdbk.

9

4 5 5 3

9 Pitch: E **Vol. swell

E5 G5

A

Bb

A5

G

A

G

E5 G5

A

Bb

A5

E[b5]

Rhy. Fig. 2A



End Rhy. Fig. 2A 3

Gtr. 2



   

   

5 3

7 5

f

0



Gtr. 1



0



0





8 6

         

0

7 5

0

5 3

7 5

5 3

   

   

5 3

7 5

0

0



0





8 6

        

0

7 5

0

9 8 7

Rhy. Fig. 2

   

f

0

5 3

9 8 7

  9 8 7

End Rhy. Fig. 2

   



7 5

0

0



8 6



         

0

7 5

0

5 3

7 5

5 3

   

0

5 3

   



7 5

0

0



8 6



3

           P.M. 0

7 5

0

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, Slash And Cash Publishing, Famous Music Corporation and Lick The Star Music All Rights for Ready Set Go Publishing, Pimp Music and DracSorum Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights for Lick The Star Music Administered by Famous Music Corporation All Rights Reserved Used by Permission

2 0

2 0

2 0

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse 1st time, Gtr. 1: w/ Rhy. Fig. 1 (4 times) 2nd time, Gtr. 1: w/ Rhy. Fill 1 (4 times)

E5 G5

1. Can’t 2. Can’t

  

A

Bb

  

   stop stop

A5

G

     

think - in’, drink - in’,

must I’m

a

A

G

E5 G5

   

been cold,

A

  

trip - pin’ this eve kick - in’ and bleed

-



Bb



A5





     

G

A



My The End Rhy. Fig. 3

   

 

   

5 3

0

 



nin’. in’.

Rhy. Fig. 3

Gtr. 2

G

0

 

7 5

8 6

0

   

        7 5

0

5 3

0

7 5

5 3

   

5 3

0

 

7 5

0

0

       

8 6

0

A

Bb

7 5

5 3

0

7 5

5 3

Gtr. 2: w/ Rhy. Fig. 3



E5

G5

A

Bb

     

 

mind wine

is is

rac - in’ numb - in’

  

de - mons, all feel - in’s and all

Half-time feel



 of of

my my





A5







A5

  

Riff A        





*Gtrs. 1 & 2



E5 G5



 



feel - in’s mem -’ries



are are



  

roll

with my

 

1

  



  

Asus4

4

4

    



in





6

6

6

4

 1

3

3

5

5

7

              

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

X X X

X X X

X X X

X X X

X X X

X X X

       

X X X

7 6 5

7 6 5

7 6 5

7 6 5

7 6 5

7 6 5

 

7 6 5

7 5 5

Rhy. Fill 1 Gtr. 1



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



5

*Composite arrangement

2

End Riff A

End Rhy. Fig. 4

                7 7 5

the

1

1

Rhy. Fig. 4

7 7 5

Sorgdal





     

4

2

G A G

head

1

4

A5

numb. gone.

A[#4]

  

2 4

G

when I

Gtr. 3 (dist.)

1

A

  

Yeah,

f

G

  



  

  



0

0

0

3

5



6



      0

5

0

3

5

3

        1/2 P.M.  7 5 5

4

5

5



4

End half-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 4 Gtr. 3: w/ Riff A

   



A5





wind

 



and

I



 



feel

like

a

A[#4]

  



Asus4

 



of

the...



king

Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Rhy. Fig. 3 (2 times) 2nd time, Gtr. 3: w/ Fill 1

E5 G5

A

  

Dead

E5

 

men

Bb

  

they

had

A

Bb

lit - tle

 Pre-Chorus

   



li - ar

with

C5



 

head

in

the

   

Gtr. 1

A

G

got - ten to - geth - er

A5

              dirt - y

G

E5

with

G

you,

girl.

G

E5

A

       

a

mes - sage





clouds

of

ob - ses - sion





and

your

to





Bb

A5



 

world’s

up

G



A

G

   But you’re a

G5

 

 

A5

A

A



Bb





come.

                       let ring let ring

 

G5

  

        



wish - in’

G5

A5

  



  

    -

side

 

A5

G A G







You

got

your





down.

          

        1/2

1

5 5 3

    Gtr. 2

5 5 3

5 5 3

5 3 3

5 5 3

5

5 5 3

5 5 3

5 5 3

5 3 3

5

7 7 5

     

   

            

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

3

2

1

7 7 5

    

  

             

2 0

5 2 2 0

5 2 2 0

5 2 2 0

7 7 5

7 7

7 7 5

0

7 7 5

5

7 7 5

2 0

7 7 5

7 7

5 5 2

2 2

5 5



7 7 0 0

  2

2

Fill 1

                Gtr. 3    mp

*T

 2424 

                24 24 24 22 20 17 12  24 24 24 22 20 17 12 

Play 7 times

8v a

24 24

24 24

24 24

24 24

24 24

24 24

24 24

*Tap w/ edge of pick.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus Half-time feel E

  

C5add#11

   

  Get

a - way

Rhy. Fig. 5

     



   

 

0 0 1 2 2 0

    

2 2 0

from

 

5 3 3

 

        P.M.

7

11 10 10 8

    

the

life

E5

you’re

liv

 

   

5 5 3 3

5 3 3

-

5 3 3

  

 

2 0



 

 



ing.

 

   

Rhy. Fig. 5A

 

 

 

D5/A

 

3 2 0 0

2 0

        let ring P.M.

 

 

3 2 0 0

3 2 0 0

  

 



0 7

7

E5

7

7

C5add#11

   

 

 

Get

2 2 0

  

    

a - way



   

7



   

0

5 5 3 3

0

from

    

the

7

 

 

that’s

7

 

steal - ing

your

7

 

 

 

 

7

 

Bb

     

 

P.M.

5 5 3 3

5 5 3 3

5 5 3

5 5 3

3 3 1

7

7

7

7

  

  

11 10 10 8

7

A

0

 

P.M.

0

    

  

11 10 10 8

 



 

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

Get

a

C5add#11

 

-

way

  

2 2 0

0 0 X 3

0

  from

  

the

 

 

drugs

you’re

E5

 

 

tak

-

ing.

 

D5/A

2 2 2 0

 

  

P.M.

3 3 3

Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A

E5

  

End Rhy. Fig. 5A

P.M.

7

 

life.

End Rhy. Fig. 5

 

        P.M.

7

G5

 

man

7





7

7 7 5 5



T o Coda

E5





 

 

Get

a

- way

 

  

 

  

from

the





 

 

G5

 

 

 

film

of

sex

in

your

 

 

    

 

P.M.

3 3 0 0 X 3







 

  

P.M.

0 0 X 3

     

End Rhy. Fig. 6

   3 3 3 1

0

Rhy. Fig. 6A Gtr. 2



 

life.

Rhy. Fig. 6 Gtr. 1



End half-time feel F

Bb



  

C5add#11

1.

3 1

  

     3 3 3 1

0

End Rhy. Fig. 6A

P.M.

  

0

1 2 3 3 1

 

3 3 3

Interlude Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Rhy. Fig. 3





E5

G5

A

Bb



A5

G



A

G

E5

G5

A

Bb



Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A



A5



G



A

G

E5

G5

A

Bb



A5

G



A

G

2.

End half-time feel Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A





E5 G5

A





Bb

A5

E(b5)





G5

 

 

 

sex

in

your

  

Gtr. 3



 

 

Bb

 

F







life.



  15

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo

F#5 Gtr. 2































P.M.



Gtr. 3

3

                                      3

3

2



3

4

2

3

4

2

3

2

4

4

2

Gtr. 1



 





 



4 2

4 2

4 2

4 2

P.M.

4 2









2

4



3

4

2

3



 







let ring

2 2





2 5

 

2



let ring

4

 

2 2

2 5

 

2



4

 

2 5

 

2

4

3

4 2

4 2

4 2













P.M.



 

3



4 2

4 2

4 2

4 2

4 2

4 2

4 2









 

4

5

4

4

 

2

4

  



4

6



2

2

4

4

 

 

4

2



4

2

 

 

 

4 2

4 2

4 2

2 2 4 2



2

4



2 2 4 2

2



2 2

 



 

2

3



1

5

4 2

2

             

   

5

4 2

4



1

2 2

2





P.M.

                 

4

 

4 2



2

4







                          

 



  

1

6





6

7

7

9

9

10

10

11

 











4 2

4 2

4 2

4 2

4 2

4 2

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

11

12



12

14

  4 2

14

14



14

16

16

17

17

14

16

17

12 17

 









4 2

4 2

4 2

4 2

4 2



  4 2









  





*                     









P.M.

           







5 3

14

17

1/4

14

17

14

14

16

17

16

14

16

14

16

14

16

14

16

16

16

14

16

14

16

16

*Played behind the beat.

  

 

 

 

 

 

 

 

 

 

 

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2





3



 

14

16

14

     14

16

Gtr. 1: w/ Rhy. Fig. 3 (2 times)

E5

      P.M.         Gtr. 3       3



Gtr. 2

15

14



12

14



12

12

15



15

14



15

14







14



12

15



12



15

14

15



14

12



         3

3

   

3

11

14

 P.M.



 

12

14

11 12 11











14

11

9













10



9

10









9

7

10

 

7

 

9

 

10

9

 

3 1

1

12 12 14

12 12





3

14

12 14 12





11

14



12



11 12 11

14





          

7

9



9

11

12



 

  

9



 

7



      3

3

3

7

1

12 12 14



3

P.M.

          



                   

12





12 12

12 12 14

15 15

14 14

12 12

14 14

12

15

12 12

15 X 15

12

15 15

14 14

12 12

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal















P.M.



























 







   

 

14 14

14 14

12

14

12 12

14

14 14

12 12

14 14

 

 

sex

in

your



Gtr. 3

 

 

 

Bb



  





   



E5









get

a



  





15



      P.M.

7

7

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

7

 -



7

7

7



got

your

15

15



15

15



-





    P.M.

7

7

7

 

  



1





1

7

14

12

17

15

17

15





(’Way,





       1

1

14

12

14

17

15

17



 

5 5

7

C5



 

get

a - way.









1

  



1

14

17

15

17

7

7

5 5

 

 1

12

      P.M. 7

’way.)

14



7







      1

12



way,

Gtr. 2

14

   

C5

1

12





 

7 7 5 5





way,

 

a

E5

1

15





’way,

12



  

D5/A



1





12 12



Get









life.

 



14 14

12

E



15



14 14

Gtr. 1: w/ Rhy. Fig. 5

F



  

G5





Outro

Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A





1

14 14

 Coda



 

1/2

1/2







    

You

        



D.S. al Coda

1.



G5





Gtr. 3



2.









Bb

G5









Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A

A



























3

3

  3







1

12

12

12

12

12

12

12

12

14

14

14

14

14

14

14

14



Gtrs. 1 & 2



    

      

 

P.M.

3 3 0 0 X 3

0

P.M.

3 3 3 1

0

14

  

 



Bb

F5







 









 

1

12 14

14

14







 

2 2 2 0

Free time E



 

















               Gtr. 3







 fdbk.

14

        Gtr. 1

14

     

     

14

   

   

0 0 1 2 2 0



Gtr. 2



 

 





*grad. dive



   

   

0 0 1 2 2 0

0 0 1 2 2 0

   









0 0 1 2 2 0

 



0 2 0

0 *Lower pitch w/ tuning peg.

-2 -4

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Velvet Revolver - Contraband

Loving the Alien Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner C

Cadd9

Am

32 1

32 4

231

D

Dsus4

132

Em

G

12

21

Csus2

134

2

F

34

G/B

34

1

134211

F/A

34

3211

Gtr. 11: Drop D tuning: (low to high) D-A-D-G-B-E

Intro Slowly q = 62

Verse Gtrs. 1 & 2 tacet

** C

C

Cadd9





Rhy. Fig. 1 †Gtr. 3 (acous.)

mp

 



let ring throughout

      





1. Some-times

    

 

    



*Gtr. 1 (elec.)

 *** p

10 13



13





10 13

 



I think I’m scared,

   Riff A

Gtr. 4 (elec.)



mp

mp

13

12

      

w/ clean tone let ring throughout

13

12

12

10

8

8

9

***Vol. swell

  

*Gtr. 2 (elec.)

      

      





mp



5

4

5

4

5

5

5

4

5

4

5

4

*Bkwds. gtr. arr. for regular gtr. **Chord symbols reflect implied harmony.

Am

†Two gtrs. arr. for one.

Em

                  

  7

  5

5



I



 

5 9



some - times I know. Gtr. 4

                 End Rhy. Fig. 1



                   

  

G

9

8

feel like mak - in’ love,

 

some -times I



 

7 9

7

8

don’t.

 



End Riff A

7

Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff A

C

Cadd9

Am

  

I feel like let - tin’ go,

  



may - be not.

        

G







         

        

Em

I feel like giv - in’ up

is all we got.

Pre-Chorus Gtr. 3: w/ Rhy. Fig. 2 (2 times) Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2 (2 times)

F

G

Rhy. Fig. 2

Gtr. 3





Some

-

Riff B1



Gtr. 6 (elec.)



 

 



  



    

is

all

the time,

times



     

       



   

  

F End Rhy. Fig. 2

 

   





and

   

 

  



nev - er

means

End Riff B1







mf w/ slight dist.

8

6

Riff B Gtr. 5 (elec.)









8





7

5

8





6

5

5

7

















End Riff B





mp *w/ slight dist. & wah-wah let ring throughout

6

4

6

4

6

3

6

4

4

3 4

3

3

4

4

4

*Wah-wah used as filter throughout.

   

Rhy. Fig. 3



 

    Gtr. 4

3 3 4 5 5 3



6 5 7

Riff B2 Gtr. 7 (acous.)

 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3 3 4

5

3 4 5

  6 5 7

          7

5 6 5

5 6 7

End Riff B2

        mp 3

2

            

2

0

3

2

0

 3





6 5

may

-



be.

      

 

F

Some - times

is

      

G



     

    

G

all



the time.

Fill 1

Gtr. 8 (elec.)













 

End Fill 1

mf w/ slight dist.

13

          

Gtr. 4

3 3 4

4 5

4 5 5

4 5

3 3

6 5 7





4 5 5



 

 

 

   

6 5

6 5 7

0

Chorus C





  

 

mf



May

-

        

be,

and I’m mov

-



 





in’







15

15

13

13

5 5

5

4 5 5

w/ slight dist.

 0 1 0 2 3

13

15

  0 1 0 2 3

13

12

13

15

13

13



  

  

   





 

13

12

13

15

12

              

12

13

12

15

12

12

12

15

12

13

12

12

13

15 14

     

 

 







               

Rhy. Fig. 5 Gtr. 4

3 3 4

on,

Riff C Gtr. 8



End Rhy. Fig. 3

Em

Rhy. Fig. 4 Gtr. 3

6 5

       

0 0 0 2 2 0

Rhy. Fig. 5A Gtr. 9 (elec.)

  

mp w/ dist.

5 3

  2 0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





 



F







15



13 14

   and I’m



-





in’

on.

          

15 14

mov

   

12 14

15 14

13 14

12

13

15

14







13 12

 

 

3 1

5 3

C

Cadd9







 



(Some



15 12



-



12 12







times

I



15 12









    

13 12

 

feel

a - lone.)

12

13

15

12

13



Em

               



And I’m mov

-

in’

13

   5 3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

15

13

12

13

15

13

13

  





13

12

13

15

12

15

     

 12

 

0 1 0 2 3

13

 

End Rhy. Fig. 4

         

   

on,

              

     

Sorgdal







 

3 1

13





   

3 3 4 5 5 3

  

15



 

   

1 1 2 3 3 1





15

     





12

 







    

G

0 0 0 2 2 0

  2 0

13

 12



15

End Riff C           

12

12

12

15

12

13

12

12

13

15 14

F



Gtr. 3



  

Gtr. 8



 

 











  







and

I’m

mov







   

   -





  



in’



C





 

G







on.

  



















  



1

15

13

15

12

15

13

12

13

15

15

13

15

15

15

14

14

14

14

Gtr. 10 (elec.)

14

14

12

12





12

12









 

*p w/ dist.

mp

1

13

  



let ring

1

Gtr. 9

   3 1

0

 

5 5 3

5 5 3

 

End Rhy. Fig. 5

  

End Rhy. Fig. 5A

(dist. off)

0 0 0 X 3

2

 

  



1 1 2 3 3 1



*Vol. swell



       Gtr. 4



    4 5 5 3

Verse Gtr. 3: w/ Rhy. Fig. 1 (2 times) Gtr. 4: w/ Riff A Gtrs. 8 & 9 tacet

C

2. Some -times

I make be -lieve

Gtr. 10











 

  

when we’re

   



  



14



a - lone.

  

    

Ma -chines have tak - en hold.



1

13

Em





Am



      



 

Cadd9





  Can you

  

1

14

14

13

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 10









  





Em

    

Gtr. 4

      Am

I

still

 

that



9

8

14

 



 

8

  3

8

7

9

7

10

  



man

makes

who



9

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

5

5

G

      you who you want



to

7

  









1

    

7 7

8

7



be?

13

9

 

5

1





14

    

13

     

 



1

8

 14





 

used to see.



14

10

Sorgdal



13



9

you





1

13



       



It’s just the lit - tle things

13



Am

       





a tel - e - phone?

  1

Cadd9



get me to

C



     





  

G





1

13





1

13

13



Pre-Chorus Gtr. 3: w/ Rhy. Fig. 2 (3 times) Gtr. 4: w/ Rhy. Fig. 3A Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2 (3 times)



F



Some

-

 

times

 

Gtr. 10



  







    

all

the

G

is





   

Gtr. 10 tacet

   

    

and

nev

time,



 

F

-

  



er

means





pp

13

 

may

-

   

 

F



be.

Some

-

  

   



times

 

     

all

the

Gtr. 8: w/ Fill 1

G

is



    G



time.

Chorus Gtr. 3: w/ Rhy. Fig. 4 Gtrs. 4 & 9: w/ Rhy. Figs 5 & 5A Gtr. 8: w/ Riff C



 

May - be,

 





and I’m mov - in’

G





  

C

  

  









I

feel



  







F

Gtr. 3





 





   







Cadd9

Gtr. 8





















-





  

in’



C

 

   

  

and I’m mov





Em

  

  

 on.



on,

a - lone.)

   





and I’m mov - in’

And I’m mov - in’ (Some - times

    

F

on,

C

 





Em

 



 



G

 

       



on.



  















  



1

15

13

15

12

15

13

12

13

15

15

13

15 15

14

14

14

14

14

14

12

12

12

12

15

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bridge Gtr. 8 tacet

D Gtr. 3



  





I

  Gtr. 8

Dsus4



D

      

  nev

-

Csus2



                

er

no

-



  



ticed

how





pp 15

        Gtr. 11 (elec.)



mf

w/ slight dist. let ring

7 0

9

7 7

      

  



let ring

7

9

7

7

G/B

                  love - ly

were

the

al

      Gtr. 11

-



  



3 0 0 2

D



D

             I

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

er

7 9 7 X 0

7 9 7

2

4

7

5

5 5

                    were

the

2

al

-

i - ens.

      

0

7

7

9

9

7

9

7

 9

G/B

                                          no

7 9 7 X 0

4

5

Dsus4

Csus2

               7 9 7

2

5

D

3

4

7

7

love - ly

7

-

ticed





how

5 5

love - ly were

the al

           

let ring



7 7 0 0

-

9

5

         5



       

5

    



      

nev



7

i - ens,

4

Dsus4

9



8

5

6

-

i - ens,

       3

let ring

6 5

7 5

5 7 7

8

7

8

8



7

8 10 8

7

D





  

       

  

love

-

ly

were

the

al

  Gtr. 10

   

Guitar Solo D



  

-



       



  



8v a



3



10

10 12



15

                 



17

Csus2

9

7

7

7 7

9





 



1

5 5 3

9

7 7

7 7

17

17



   

 

 

7 7

G/B





   

loco

1



17 15

17

 

 

 

 

0 0

0 0

0 0

0 0

16

        

   

  

 

10

8

3

1

17

17

5 3





0 0



5

15

17

15



   

    

8

          

8v a

15

7

 





7

1

17

Gtr. 11

7



          1

7



i - ens.

f

8



12

15

12

12

12

10

10

 





4 5 2

2

2

8

  

4 5

4 5

4 5

8



 

2

2

10



0 2

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D



 

    

    

                 



  

    

 



*

1

10

8

10

8

7

8

7

5

7

5

8 8

7

5

4

5

4

7

5

7

7



hold bend

1

10

    

 



   

8

8

8

0 0

*Flip toggle switch, simulating re-attack.

 

 

 

0 0

 

0 0

Csus2

  

   

7 7

0 0



      

3

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

0 0

5

8

0 0

3

8

  

5 5

5 5

5 5

0 0

0 0

        

      

6

   

3

3

7 7 7

0 0

7

   

7

7 0 0

0 0

      

          



0 0

   

        6

1

8

         

 

G/B

8 8

 

7 7

0 0

1

8



 



3

1

8

    

 

 

3

8 8

7 7

  

1 hold bend

Sorgdal

  

5 5

1

8 8

8

7

7

1

7

5 7

 1/2

7

7

7

5

7

9

7

9

8





         

    

3

2

4 5 2

4 5 2

4 5 2

4 5 2

4 5

2

4 5 2

2

9

10

Chorus Gtr. 3: w/ Rhy. Fig. 4 (1st 4 meas., 3 times) Gtr. 8: w/ Riff C (1st 4 meas., 3 times) Gtr. 9: w/ Rhy. Fig. 5A (1st 4 meas., 3 times)

Gtr. 8: w/ Fill 1

G

 



         

   



C

 

    



 

And I’m mov - in’

8v a

                      6



          3

6

5



1

8

12 10 13 12

10

13

12

10

13

12 15

18

17 15 19 17

1/2

20

20

 

           

   

 

     

0 0 X 5

0 0 X 5

0 0 X 5

0 0 X 5

0 0 X 5

0 X 5

0 0 X 5

0 0 X 5

0 0 X 5

0 0 X 5

19

19

    

Rhy. Fig. 6

0 0 0

0 0 5



0 0 X 5

19 20

1/2



    

0 0 X 5

on

1 0 2 3

Gtr. 10 tacet



Em



  

  

F





     and I’m mov - in’





G

 



 





   

19

19

8v a





 19

I

feel



a - lone.)

19

  



2 3 X 3



 

 

0 0 2 X 2







Gtr. 11

    



on. (Some - times

Gtr. 10



  

End Rhy. Fig. 6

4 5 X 5

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 11: w/ Rhy. Fig. 6 (2 times)

  

C



 











And I’m mov - in’

G

  





  

 

   







    



on,

(Some - times

Em

  

F





and I’m mov - in’

C

 





Em







I

feel

a





-











And

I’m

mov





 -





in’

on,

lone.)

F





on.



  and

I’m







mov - in’

G



 



on.

Outro-Chorus Gtr. 8: w/ Riff C (1st 4 meas., 2 times)

Gtrs. 3 & 11 tacet

C

Em

Rhy. Fig. 7

Gtr. 7



 

 

   

And I’m mov

   

  

  

Gtr. 3

-

   







ing



   

  

    

on,







pp

 0 1 0 2 3

Gtr. 11





  



1 0 X 3

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

pp



    

Gtr. 1: w/ Rhy. Fig. 7

G

F/A





           

   

 

and I’m mov

Em

 

C

 



-





End Rhy. Fig. 7

            

in’

on.

 



F/A





oh,

 C

Gtr. 8



15

13

13

15

   and

13

12

13

15

13

13

13

12

13

15

 

And I’m mov - in’

              

13

      

13

Gtr. 7

    

  I’m



15

G

  

mov -

 





in’

on,



on.

              

13

13

13

15

13

12

13

15

13

13

13

12

13

15

13

    pp

1 0 2 3

Begin fade Gtr. 8

 



 15 

              

13

13

13

15

13

12

13

15

13

13

13

12

13

15

13



15

Fade out

              

13

13

13

15

13

12

13

15

13

13

13

12

13

15

13

   13

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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