Una Cabeza for Brass Quintet

October 13, 2017 | Author: Geoff Colmer | Category: Brass Instruments, Music Production, Elementary Organology, Music Technology, Hornbostel Sachs
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Short Description

For brass quintet. Parts included...

Description

Por Una Cabeza Tango for brass quintet

Carlos Gardel arr Geoff Colmer

Tempo del Tango e = 102

                             1st Trumpet in Bb       mp

mf

                             2nd Trumpet in Bb         mp mf                Horn in F         mf p                    Trombone     mf p             Tuba       mf p 

 

          



 

Copyright © 2008 Geoff Colmer ([email protected])

6                                     Tpt. 1    

Tpt. 2

Hn.

Tbn.

Tba.

                            

   

     

          

  

          

  

 

           

        



  







   

        

                

 

12                                Tpt. 1           

2

Tpt. 2

Hn.

Tbn.

Tba.

mf

                       

   

         

 





    

  

mf

p

                       

                    

     p      p

   p 

p

                  

    

     

A Dramático y con la pasión                  Tpt. 1  



      



3     

       

3      

19

Tpt. 2

Hn.

Tbn.

Tba.

        

       

f

     

f

3

f

3



f

Hn.

Tbn.

Tba.



3

3      

        

  

3

                        



    



     3



 

3

                 

3

3

3

  

    

    

    

  

3

3

                        f (sub.)



  

3



    

26          Tpt. 1 

Tpt. 2

3

      

     



      



3     

      

3     

     

3

3

3



      3

3

     3

                                            f     

3

   33

Tpt. 1



B           





      

   

  



muted (harmon)



             mp 3 3                      Hn.       p 3 3 3                                       Tbn.   mp                 Tba.                  p    

Tpt. 2

 

  Tpt. 1  

 

39

Tpt. 2

Hn.

Tbn.

Tba.



Tbn.

Tba.

    





   p

       

                                             3 3 3 3 3                                   

   

44

Hn.

p

  

      

  Tpt. 1    Tpt. 2

muted (straight)

    



 

  

 

          

3

 



 

 





          

 

  



    

mp

 

3                       3 3                        

   







 







 



 

3



 

    

3

 

    

3    

 





     

4

  Tpt. 1 



Tpt. 2

      

48

  

    





                   p 3                    3

3

Hn.

Tbn.

Tba.

   



mp

 

 

       Tpt. 1    54

p

       

3



     

       

     

3

Hn.

Tba.

 

 

     

                   

Hn.

Tbn.

Tba.









 

3

3



     

      

     

       3

3

           



     



    



f

3

f

3

3

f

3    



f

                  f (sub.)

3

3

       3

     3

     3

    3



                     f 

      



3

3        

  

    

     

            3              3               





     

C

              

3

     

  open  

    

    

61   Tpt. 1 

Tpt. 2

3

3

3

Tbn.

 

      



3

Tpt. 2

    



 

 

p

mp

 

open

D                   mf

             3

3

mf

     

    

                 

            3

    

  

5

          

  Tpt. 1   

     



Tpt. 2

      

  

68

Hn.

Tbn.

Tba.

  

  

  



  

   

 

     

  

                             mf

3

3

3

3

3

mf

3

3

3

3

3

                                         

   

    

mf

    Tpt. 1   73



 

 

 

    



 

 

    

 

    

           

     

     

 

   



      

 

      

Tpt. 2



Hn.



                          



                                      

Tbn.

Tba.

    

3

3

3

3

78

Tbn.

Tba.

3



 

 

  

f

  

   

f

3

Hn.

 

      

   Tpt. 1  Tpt. 2

  

3

    

3

3

    

 

3

       

   

 

  

3

    

 

3

    

  

    

     

    3

3

                                            

   

   

3



f

            3                       f

 

 

f

3

3



 

 



 

 

3



 

 

3

    

6

E

  Tpt. 1     83

Tpt. 2

Hn.

Tbn.

       3

      3 ff       

    

ff

   

3

ff

    



 

        



3

         3            

 

       



3

           

      

    

 



 



 

                 3       



   3     

   3

    

       3 3

Tpt. 2



     gl  



 

 

3

       3           3      g liss .    

s. glis

3

         

 

  

                  3 p 3 3             tímido

3       



. iss



       



3

De teatro



Tba.

3



3



95    Tpt. 1 

Tbn.

3



3

  Tbn.                   Tba.                   

Hn.

   

                                              ff   

90          Tpt. 1        Tpt. 2   

Hn.

3

3

ff

Tba.

        



       gli ss.    3

   

p

    3

reducción



   

p

  3             

         

p

   

p

     



 

  

        

1st Trumpet in Bb

Por Una Cabeza Tango for brass quintet

Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102

                                              mp

mf

               

7

 

              

                                                  

11

mf

           

18

p

A

Dramatic and with passion               3

f

3

                   3





   



B

 



  



             p

51





3

          mp

3



p

46

          

3



(straight)   muted      

39

3

      

26

34

         





  open      

p

3

 Copyright © 2008 Geoff Colmer ([email protected])

2

1st Trumpet in Bb

C         

     

52

f

3

3

        

3

     



60

                      

3

      



3

   

3

     D                             

66

mf

               

71

 

              

                

75

           

82

E

         3

ff



3

  

97

   

timidly



p



f

      

                     

90

                 

3

            3

         

   

3

molto rall.



 

      3



2nd Trumpet in Bb

Por Una Cabeza Tango for brass quintet

Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102

                    mf



                   

4



 

mp

   

       

                              

8

                                         

12

mf

     

19

A

     

27

3 3              

       

Dramático y con la pasión 3

f

3

3      

      



3

3       



muted (harmon)                                            mp

34



     

p

B

3

3

3            

41

    

    



                                 

44

49



 

mp









 





 

Copyright © 2008 Geoff Colmer ([email protected])



open



2

2nd Trumpet in Bb

C

       

52

3

f

      

3

      

59

3 3               

       

3

        3

3 3         

                                          

66

3

D

mf

                                 

73

                            

78

f

     

83

E

      

 

3

3

ff

91

97

        

 

        

        

3



3

       

 p

3      



3

tímido



3 3                 

reducción







 



Horn in F

Por Una Cabeza Tango for brass quintet

Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102

   

               mf

      

   

7

     p

   

    

   

    

    

                                           p

12

   

19

A

        

3

f

27

34

     

Dramático y con la pasión

B

         3

      

  

3              

        

3

3           

3

                          

p

3

3

3

3

                              

40

3

3

3

3 3 3                                  

43

3

3

      

49

p

3

3

   

     3

   

Copyright © 2008 Geoff Colmer ([email protected])

 





2

Horn in F

52

        

       

C

3

f

66

  

3

      

    

59

        

3

D

  

3 3                  

3          

3

                     mf

3

3

3

71

                             3

3

3

3

75

3

                             3

79

3

3

3

3

3

                             f

83

   

3

E

       

         

3

3

ff

                  

90

3

97

 





3



tímido

 p

3            



          3

reducción

 





 

3    



Trombone

Por Una Cabeza Tango for brass quintet

Carlos Gardel arr Geoff Colmer Tempo del Tango e = 102

               

    

   

mf

7

      

    

p

    

    

    

    

    

12

                                p

19

    

A

Dramático y con la pasión

 f

28

 



             

3

      3

     

3      

3

3



    

    



B                                   

34



 

mp

                              

39

43

                      

49

 



















 



  





mp Copyright © 2008 Geoff Colmer ([email protected])

            





2

Trombone

52

C

3       

  f

60

 

3      



                   

3

      

3

3

    



    



3

66

D           

                     mf

3

3

3

71

                                       3

3

3

3

75

3

                                       3

3

3

79

                                         3

f

3

83

      

E

    

3

3



3

3

  

De teatro 93







gli

ss.





97

 

         

 

3

  



3

 

 3  

tímido



p

glis s

.

 



             ss. gli 

    

3

3

ff

88

       



  

glis s.

3

reducción

 





 gliss.   

 





Tuba

Por Una Cabeza Tango for brass quintet

Carlos Gardel arr Geoff Colmer

Tempo del Tango e = 102

  



        mf



  



p

 

  

7

  



 





 





 





 





 

12

  

  

19

A



  



  



  p 



  



  



Dramático y con la pasión

                                                       f (sub.) 

27



                                              f      

34



B

  

   

                                        p Copyright © 2008 Geoff Colmer ([email protected])

43

     

      

      

  

 

    

    

2

Tuba

49

C

                                         p     f (sub.) 56



  



                                    f   

62



67

      

D

    

     

       mf

    

      

      

    

      

     

      

73

                                              f 83



88



E



     ff  

     

           

     

                                                    

95



tímido

reducción

                                 p 

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