January 31, 2018 | Author: Sopa Quente | Category: N/A
Descripción: tore down house - sheet music...
13/12/2015
Sibelius | Cloud Publishing
from Scott Henderson Tore Down House
Tore Down House Written by Scott Henderson
Cm
Ab9
Am7
Fsus2
F
C/E
5fr 1342
2 314
13111
3 1
3211
2 14
Tune down 1/2 step: (low to high) E bA bD bG bB bE b
Intro 3 Moderately slow q. = 57 ( jq = iq ) ** Ab6#11
Cm/G
Gb6
Aº7
Riff A *Gtrs. 1 & 2
mf
let ring
5
4
4
4
3 3
5
3
let ring
4 3
let ring
3 3
let ring
4
3
4
2
4
5
*Gtr. 1 (elec.) w/ slight dist.; Gtr. 2 (acous.) **Chord symbols reflect implied harmony.
Ebm/Bb
G7
Cm
Ab9
Rhy. Fill 1
Gtr. 2
End Riff A Gtr. 1
let ring
let ring
fi
fi
3
let ring
3
let ring
(Gtr. 2, cont. in slashes)
4
3
4
4 5 5 3
3
6
3
4 5
6 5
6
6
7
6
6
6
7
6
4
6
4
6
6
Verse Gtr. 2 tacet Cm
*** Cm7
G7
End Rhy. Fill 1
†
1. They tore
3
fi
fi
fi
w/ bar
6
1
4
5
3
5
3
3
1
3
9 9
3
10 10
X X
9 9
10 10
10
11
3
10
8
8 8
7 7
***Chord symbols reflect basic harmony. †Sung as straight sixteenthnotes.
© 1997 MANGO PROM MUSIC (BMI)/Administered by BUG MUSIC All Rights Reserved Used by Permission
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Fm7
fi
down the whole
house,
fi
ba
fi
fi
w/ bar
8
10
8
10
8
10
6
6
ain’t
6 8
8
6
8
6 8
X X
5 7
6 8
of
land.
fi
6 8
10 11
8 10
6 8
let ring
8 8
by,
X
Cm7
3
noth ing,
3
fi
noth ing
8 8
X X
7 7
5 6
but
fi
a patch
10
8 8
*
5 6
8 8
8
8
10
11
8 8
10
8
8
10
*Played as straight sixteenthnotes.
Fm7
They
1
3
10
10
fi
8
10
8
X X 10
8
10
8
8
10
tore
w/ bar
w/ bar
8 10
10 8
down
my whole
house,
let ring
9 8
8 10
7
fi
11
8
Cm7
ba
by,
w/ bar
w/ bar
let ring
8 8
X X
6 8
9 8
8
noth ing,
w/ bar
6 9
9 8
ain’t
8 8 10 8
8
9
8 8
8 8 8
7 7
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*
fi
noth ing
but
w/ bar
3
1
11
8 8
10
a patch
of
3
10
8
10
fi
10
8
And you know fi
fi
10 10
8 8
10
8
8
land.
8
10 10
8 8
8
fi
10
8
8
6 6
10
0
8
6
*Sung as straight sixteenth notes.
Gtrs. 1 & 2: w/ Riff A (1st 3 meas.) Ab6#11
Cm/G
Gb6
3
fi
all
3
that’s
left,
ba
Aº7
3
**
by,
is
some
let ters
in
the
mail
box,
**As before
Interlude Gtr. 2: w/ Rhy. Fill 1 Ebm/Bb
G7
Cm
3
ly
Gtr. 1
let ring
in’
let ring
4 4
in
sand.
the
4 5 5 3
3 3
let ring
3
6
Ab9
4 5
8
3
8
8
8
10
9
9
3
9 8
1
8
11
8
8
11
10 ***Played behind the beat.
G7
3
3
2
11
let ring
Cm
***
let ring
5
3
8
8
3
1
11
8
11
8
10
10
8
3 1
1
11
10
8
fi
3
fi
10 10
10 10
steady gliss. 8
10
8
10
10
8 8
8
17
8
9
Verse Cm7
Fm7
2. I
got
a
change of
w/ bar
ad dress,
ba
by,
8 8 8
7 7
7
w/ bar
1/2
8 8
X X 6
8
8
8 8 8 10 8
11 9 10
11 10
13
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Cm7
long,
3
long,
fi
long
and
far
13 12
11 10
8 8
X X
8 8
10
8
1
8 8
8
7 7
w/ bar
a way.
fi
10
8
Fm7
I
3
a
8
8
10
10
change
10
11
X
8
of
ad dress,
w/ bar
ba
8
10
10
fi
8
10
11
w/ bar
10 10 11
10
8 8
8
10
long,
fi
fi
fi
8 8 10
6 8
6 8
fi
w/ bar
X X
10 10
X X
10
10 10
11
10
long
w/ bar
11
8
8
10
X X X
7 7
fi
and, oh,
so
far
8 8
fi
w/ bar
10
10
fi
8 8
5 6
8
8
10
3
long,
8
8 10
Cm7
by,
8
steady gliss.
6 8
1
8
X
w/ bar 1
11
8
rake
1
10
3
fi
got
a way.
fi
8 8
X 8
8
8
10
X 10
8
8
10
1
8
8 8
10
10
8
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Bridge Bb5
Am7
A
Am7
Fsus2
Gtr. 2
let ring
fi
know
I
Well, you
Gtr. 1
8
10
10
8
8 X 6
8
mat
8
7
6
5
had
to
5 5 5
you
fi
fi
8 8
10 10
8 8
5 5 5
no fi
fi
5
5
7
6 7
8 9
6
5
C
6 5
7
7
7
G/B
*
the
5 5 5
leave
cause.
On ly
5 5 5
I
Gtrs. 1 & 2
5 5 5
ev ’ry thing
fi
let ring
5 5 5
what
(cont. in notation)
ter
Fsus2
let ring
Am7
fi
(Gtr. 2, cont. in slashes)
10
F
5 fr
5 5 5
0
3
0
2
0 0
0
0
2
let ring
let ring
1 0
0 2 3
0
0
knew
3 0
0
2
*Sung as straight sixteenthnotes.
Gtr. 2 tacet Bb6
C
in
love
Fsus2
G
was
lost. Gtr. 1
3 0
0
let ring
let ring
1
fi
5
5
0
3 0
5
0
1 0 3
1
fi
fi
fi
fi
8
8
fi
X X
3
4
2
3
5
2
4
3 4
3
4
2
3
5
4
2
w/ bar
let ring
0
10
8 8
fi
3
5
5
2 5
let ring
2 5
3
10
8
8
9
7
10
fi
w/ bar
0
5 3
5
3 2
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Guitar Solo Am7
w/ bar
3
w/ bar
8
7
3
5
3
5
5
8
7
6
8
10
8
fi
10
3
8
10
8
5
1
5
7
7
5
7
5
5
5
8
5
10
8
8 9
0
5
Bb
fi
5
8
fi
X 0
fi
fi
w/ bar
fi
8
10
fi
5
*
fi
5
8
8
5
3
3
5
3
10
10
8
3
5
8
8
3
1/2 10
8
3
1
3 let ring
8
7
10
0
7
1/2
10
10
5
5
grad. release
1
7
1
5
3
5
7
fi
5
7
1
5
7
5
5 0 3
0
1
fi fi
w/ bar
3
3
3 2 5
3 3 2 5
3 2
5
5 4 7
w/ bar
6
6
8
6
6
6
8
6
8
6
6
8
6
6
8
6 6
7
10
5 *Played as straight sixteenthnotes.
5
fi
fi
fi
5
6
5
3
3
5
fi
let ring 1
8
3 3
F
3
5
3 3
3 3
8
5
10
10
8 8
7
5
7
1
8 9
8 7
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Bridge G
Asus2
3 1
1
5
5
had
to
leave
you
*
8
7
7
5
7
9 7 5
7
10 8 X 10
9 7 5
Fmaj7#11
no
5 3 1
5 3 1
10 8 10
X X X
X X X
7 5 X 7
5
7
1
I
know
Fsus2
Well, you
Am11
0
0
*Switch to bridge pickup.
Am11
**
mat ter
what the
X X X
cost.
10 8 X 10
5 3 1
0
On
ly
G/B
ev ’ry thing
X X X
5 3 1
7 5 X 7
X X X
14 14
I
knew
in
let ring
let ring
X X X
9 7 5
9 7 5
C
Fmaj7#11
Fsus2
Asus2
0 2 3
3 0
0
2
love
1
0 2
**Sung behind the beat.
Bb6
C
was
let ring
3 0
0
1
5
fi
Fsus2
0
fi
3
3 0
5
3
Cm/G
1
4
3
3
Gbº7
3
1
3
3
5
3
fi
by,
1
3
5
3
1
ba by,
3
1
let ring
3
let ring
1 1
1 3
let ring
1 1
2
1 2
1
let ring
1 1
ba by.
Riff B
3
G7
3
fi
3
F7
1
Ba
1
5
1
lost.
let ring 5
3 1
3 1
3
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Ab7
Aº7
let ring
Ebm/Bb
4 5
Bb6
Ah,
6
let ring
8
8
8
8 8
Fm9[maj7]
8
6
6
let ring
4
6
5 1
3
6
4
w/ bar
8 9 6 8
let ring
3
**
*
8 9 6 8
End Riff B
3
G7b9
8
4
8
8
8
5
yeah.
let ring
3
Abmaj7
hey,
3
3
let ring
4
5
C7
4
4 4
let ring
4 4
4
let ring
4 4
G7
mf
1
8 9 6 8
11
11
*Switch to neck pickup. **Vol. swell
Guitar Solo ***
Cm7
3 1
8
8
8
11
1
10
10
8
10
8
10
8
fi
3
1
11
10
10
8
8
10
10
8 8
10
***Played as straight sixteenthnotes.
Fm7
fi
10
8
6
8
10
8
†† 3
w/ pick & finger †
8 8
15
12
13 13
15
15
13
16
15
13
11
13
13
†Vibrato top note only.
11
12
13
13 13
12
11
13
††Played as straight sixteenthnotes.
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Cm7
1/2
**
3
15
13
11
13
13
1
11
11
13
11
12
1
10
10
8
10
3
3
1
8
8
8
10
8
*Played behind the beat.
8 10 X
10
10
*
8
10
8
X X X
6
**Played as straight sixteenthnotes.
Fm7
***
fi
3 2 1
11
8
8
8
11
8
8
11
13
1/4
1
11
13
11
13
1/4
1/2
15
13
13
11
13
11
13
12
1
11
11
***As before
grad. bend 2
11
11
11
13
12
1
Cm7
8v a
2
1 1/2
P.H. 1
11
13
12
11
11
11
13
11
11
loco
8v a
fi
††
1
11
11
13
fi
12
12
1/2
1/2
11 12
10
10
8
8
10
†Sustain vibrato while releasing bend.
3
1
11
3
†
11
10
10
10
8 8
8 8
8 8
10
10
8
††Played as straight sixteenthnotes.
Ab6#11
fi
fi
fi
Cm7/G
9
3
3
3 1
X X X
10
8
8
11
8
8
11
8
8
11
8
8
8
8
9
8
8
9
8
8
9
8 8
9
9
8
10
8
10
8
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Gb6
3
fi
Aº7
9 9
11
*
fi
9 11
7 9
8 10
fi
10
13
11 13
3
10
8 8
8
8
8
8 8
10
10
9
11
9
7
11 *Played as straight sixteenthnote.
Ebm/Bb
G7
Cm7
3 1
**
11 13
11 13
11 13
11 13
9 11
10 12
X X
12
1
13
13
13
13
**Switch to bridge pickup.
*** 1 1/2
†
1
1 1/2
13 13
13 13
1 1/2
13
15
X X
***2nd string caught under bend finger. †Played as straight sixteenthnotes.
Ab7
†
Cm7
1 1/2
15
15
15
13
††
fi
1
11
13
12
1
11 12
10
8
8
10
fi
rake
1/2 15
fi
rake
X
8
10
X
1 1/2
10
10
8
X
††Played as straight sixteenth notes, next 9 meas.
G7
1
3
8
10
grad. bend
8
10
10
1
1/2
11 11
fi
1
1/2
11 11
10
fi
fi
1
1/2
fi
11 11
10
1
1/2
11 11
10
1
1/2
11 11
10
1/2
11 11
10
8
10
8
8
Cm7
11 11
8
8
fi
††† 1 1/2
1 1/2
1 11
1
1/2
11 11
fi fi
1
3/4
11 11 11 11
10
Fm7
fi
1
10
Cm7
fi
1 1/2
1 11
1 1/2
1 1/2 1
1 11
11
11 11
11
13
11 11
13
1/4
11 16
†††2nd string caught under bend finger.
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fi
1 1/2 1
10
5
10
10
8
8
8
10
1
10
10
8
***
8
8
11
8 8
8
8
10
3
8
8
8
8
11
10
10
8
10
1 1/2 1
11
11
8
†
1
1
10
8
10
10
3 *
1 1/2
8
**
1
8
Fm7
1 1/2
1
8
8
1/2
11
8
8
11
10 *Switch to neck pickup. **Played as straight sixteenthnotes.
†† 1 1/2 1
Cm7
***Played as straight sixteenthnotes, next 14 meas. †Switch to bridge pickup.
1 1/2 1
1
3
11 11
1
1
3
1
11 11
11 11
3
1 1/2 1
1/2
11
8
11
11
1
8
11
8
8
11
8
10
9
8
11
8
11
8
10
10
10
10
8
10
8
10
††2nd string caught under bend finger.
fi
8
10
8
10
15
6
8
†††
15
15
1 1/2
1 1/2 15
8
15
13
15
1 1/2
1
10
8
6
8
10
10
8
8
9
11
11
Ab6#11
1 1/2
13
8
8
11
8
X X
13
Cm7/G
15
Gb6
2
15
14
13
16
13
16
13
13
11
11 11
13
13 12
15
11 10
12
8 8
10
11 11
13
†††Played behind the beat.
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Aº7
Ebm/Bb
G7
fi
Cm7
let ring 1 1
8 8
11
6 6
8
8
6
6
8
Ab7
8
10
10
8
11 11
10
10
10
8
8 8
10
10
1/2
8
8
10
G7
3
8 8
10
Cm7
1/2
fi
1/2
8
11
10
fi
fi
X X X
9 9 9
10 10 10
*
1
10
10
8
1/2
8
10
10
10
8
10
10
8
10
8 8
10
8
10 X 10
10
10
10 10 10
8 8 8
9 9 9
10 10 10
*Switch to neck pickup.
Verse Cm7
3. They tore
8 8
fi
fi
down
Fm7
my
old
house,
w/ bar
8 8 8
X X X
X X X
7 7 7
ba
fi
by,
fi
–1/4
w/ bar
w/ bar
8 8
let ring
8 8 8
–1/4
X 10
10
8
9 8
8 8
10
6
8
9 8
6
8
Cm7
and
ain’t
noth ing,
w/ bar
–1/4
noth
1
8 8
8 8
6 8 8
8 8
X X
10
fi
1
10
3
–1/4
w/ bar
8 8
it
ing
but
8 8
1/2
10 0
a patch
of
3
10
8 8
10
1
10
8
11
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3
land,
no
it ain’t.
3
3
3
3
3
3
3 3
3
3
1
8 8 8
8 8 8
8 8 8
8
8
10
11
10
8
8
11
8
8
11
11
8
8
11
8
11
8
8
11
8
11
10
8
10
10
8
10
8
10
Fm7
They tore
fi
fi
down
my
old
fi
house,
ba
by,
6 7
6 7
let ring
10 11
10 11
10 11
8
8
8 8 10
10
8
10
noth
6 8
5 6
6 8
X X
X X
7
6 6
6 6
8 5 6
5 6 7
6 5
8 5 6
6 5
a
patch of land.
8 8
8
8
8
X 8
6 X 8
6 X 8
7 8
7 8
7 8
X X
1
1
X X X
6 5
noth ing but
8 5
8 5 6
8
oh,
ing,
let ring
6 6
X X
Cm7
ain’t
8 8
8
10
8
11
8
Gtr. 1: w/ Riff A Bb5
fi
fi
fi
1
8 8
And you know
10
Cm/G
all
3
11
Ab6#11
that’s left,
10
8
10
8 8
10
8
8
10
8
8
10
8
10
8
6
0
8 6
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Gb6
ba
Aº7
by,
is
some
fi
let ters
Cm
3
Ebm/Bb
in
the mail box
fi
12 11 12
13 12 13
13 12 13
15 14 15
15 14 15
fi
ing
in
the
15 14 15
16 15 16
16 15 16
16 15 16
tore
it
down,
9 7
fi
9 7
10 8
fi
9 7
12 11 12
fi
10 8
9 7
10 8
10 8
Ab7
down
with
it.
Cm
9 8
8 7
ly
fi
fi
They
Cm
13 12 13
fi
babe.
fi
Ab7
Ab7
sand, Gtr. 1
G7
13 12 13
13 12 13
fi
15 14 15
15 14 15
13 12 13
fi
15 14 15
16 15 16
16 15 16
16 15 16
Gtr. 1: w/ Riff B Cm
Gb/Bb
Ain’t
fi
7 9 9
8 10 10
8 10 10
fi
8 10 10
10 12 12
10 12 12
F7
fi
fi
noth ing
but
a
patch
Gbº7
of
land,
ba
by.
steady gliss.
11 11 13
Cm/G
11 11 13
11 11 13
12
G7
Ab7
Oh.
Aº7
Oo.
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Ebm/Bb
G7
C7
Bb6
Free time Abmaj7
Oo,
hoo,
G7b9
Fm9(maj7)
3
hoo,
oh,
ah,
yeah.
Outro (jq = jq)
fi
Cm/G
Gbº7
fi
Gtr. 1
3
F7
2
1
let ring
8 9 6 8
8 9 6 8
1 0
E7
3 1
1
5 5 5 X 5
0
3 3
3
8 9
1
1
2
fi
fi
3
10
1 1/2
8
10
1
8
F
7
1
Am9
5
3
w/ bar
0
3
w/ bar
1
1
F
1
Am7
let ring
1
1
5
8
8
5
7
5
5
7
5 5
5
8
8
3 3
5
9
7
7 7
5 5
5 5
5
8
5
7 8
7 7
5 5
5 5
7
5
8
5 5
7
5 5 8
fi
w/ bar
7
8
10
let ring
7
5
8
1
3
0 0 3 1
5
8
8
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C
let ring
G/B
fi
8
8
Bb6
fi
8
10
12
10
10
8
fi
*T
8
let ring
8 8 X 10
w/ bar
8
8
12
8
12 X
12 8
12 8
10 6
6
7
8
8
10
6
*T = Thumb on 6th string
F
fi
fi
3
8
10
10
11
10
8
8
10
8
8
8
10
fi
fi
2
1
1
8
fi
8
2
10
10 10 10
10 10
12
10
1
F/A
fi
fi
w/ bar let ring
10
w/ bar
10
Bb/D
fi
3 3
12
3
3
5
3
3 3
5
fi
fi
w/ bar
6
5
5
3
5
3
3 3
5
6
5
5
3
5
3 3
3
fi
5
6
5
5
3
5
3
3
3
3
5
3
5
3
3
5
3
3
3
3
3 3
1
6
5
5
5
3
5
3
5
6
5
5
3
3
5
5
6
5
3
5
C
3
5
5
5
C/E
Gtr. 3 (elec.)
mf
w/ bar
5
3
5
3
5
3
5
w/ bar
5
3
3
3
w/ clean tone
0 1 0 0 3
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