Theory of Architecture

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NEEDS OF MAN - Physical Needs - Emotional Needs - Intellectual Needs INFLUENCE OF NATURE NATURE - eo!"a#hical -To#o!"a#hical -Climate INFLUENCE OF MAN - Social Conditions - Economic Conditions - Technolo!ical Conditions

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NEEDS OF MAN - Physical Needs - Emotional Needs - Intellectual Needs INFLUENCE OF NATURE NATURE - eo!"a#hical -To#o!"a#hical -Climate INFLUENCE OF MAN - Social Conditions - Economic Conditions - Technolo!ical Conditions

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ACTI$ITIES OF MAN - Desi"e %o" P"ese"&ation - Desi"e %o" Reco!nition - Desi"e %o" Res#onse - Desi"e %o" Sel%-e'#"ession - Desi"e %o" Sel%-actuali(ation

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PRINCIPLES OF ART )P"inci#les o% Com#osition*  Mo&ement Unity $a"iety +alance Em#hasis Cont"ast P"o#o"tion Patte"n,Rhythm

ELEMENTS OF ART S#ace  $alue Sha#e Fo"m Te'tu"e Colo" 

IN$ISI+LE AND $ISI+LE STRUCTURE - Fo"m Mass . $olume A""an!ement o% $olume P"ima"y Sha#es Re!ula" and I""e!ula" Fo"ms T"ans%o"mation o% Fo"ms A"ticulation o% Fo"ms

RED  /ELLO0

"a!e o% #assion health and &itality etc !ayety stimulatin! chee"in! to the la(y u#settin! to the ne"&ous ORANE has stimulatin! e%%ect )small amounts* +RO0N "est%ul and 1a"min! 2ut should 2e com2ined 1ith o"an!e  RA/ cold de#"essin! unless com2ined 1ith 1a"m colo"s 03ITE chee"%ul #u"e and clean PURPLE sedati&e and soothin! su!!est melancholy atmos#he"e co1a"dliness chea#ness +LUE#eace%ul and t"an4uil REEN has coolin! 4uality and act as sedati&e

A5IAL ARRANEMENT EMP3ASIS SECONDAR/ PRINCIPLES - Re#etition - T"ansition - Alte"nation - T"ans%o"mation

SPATIAL PERCEPTION $ISUAL AND OPTICAL ILLUSIONS PERCEPTION OF SPACE DEPT3 AND DISTANCE

CONCEPT FOR CONTE5T ETTIN PROCESS OF CONCEPT ETTIN

3ORI6ONTAL DISPOSITION PRINCIPLES RELATED TO FUNCTION

T3E S/STEM OF SPACE www.dkimages.com

Man orients to ‘objects’ that is, he adapts psycholoically and technoloically to physical thins, he interacts with other people, and he rasp the abstract realities, or meanin which are transmitted throuh !arious lanuaes created "or the purpose o" communication.

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine and Caroline Laffon and orms! S"ace and #rder by rancis D$ C%ing&

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T3E S/STEM OF SPACE www.dkimages.com

Man has created space to express the structure o" his world. #e may call this creation expressi!e or artistic space. $xpressi!e space needs a concept which systemati%es its possible property& this property is aesthetic'

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine and Caroline Laffon and orms! S"ace and #rder by rancis D$ C%ing&

www.axiidesigns.com

T3E S/STEM OF SPACE (s a rejoinder to man’s spatial needs as a result o" oriented actions towards ‘objects’ and as dictated by desires "or sel") preser!ation, sel") actuali%ation, response, reconition, and sel" expression* a process known as space plannin which aims to concreti%e +man’s existential space e!ol!ed.

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 apanhouses.ne

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine and Caroline Laffon and orms! S"ace and #rder by rancis D$ C%ing&

T3E S/STEM OF SPACE (rchitectural space is de-ned as a concreti%ation o" man’s existential space. t has to adopt itsel" to the needs o" oranic action as well as "acilitatin orientation throuh perception.

+(rchitectural space basically depicts +humanity and suests +cultural identity.

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine and Caroline Laffon and orms! S"ace and #rder by rancis D$ C%ing&

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 Wha ti sa‘ SP ACE’ ?

S#ace is the e'tent 1ithin 1hich matte" is #hysically e'tended and o27ects and e&ents ha&e #ositions "elati&e to one anothe" 8

www.living-spaces.co.!a

)sou"ce9 Encyclo#edia +"itannica 1hich 1as ado#ted 2y 1i:i#edia8com*

The in%inite e'tension o% the th"eedimensional "e!ion in 1hich all matte" e'ists8 )Sou"ce9 0e2ste" Dictiona"y*

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 Wha ti sa‘ SP ACE’ ?

An a"ea #"o&ided %o" a #a"ticula" #u"#ose8

www.living-spaces.co.!a

)%"om un:no1n sou"ce*

A 2lan: o" em#ty a"ea8 )Common de%inition*

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The a"ea 2et1een thin!s o" inside o% somethin!8 )Sou"ce9 0o"d Tuto"*

T0O DISTINCT 'T()M*+#L#G*(S,  - P3/SICAL SPACE - ARC3ITECTURAL SPACE

he di0erence o" the architecture o" the past and that o" today is pro"ound and sini-cant& it is the result o" new approaches in desin made possible by social conditions and ad!ances in technoloical conditions. here was no "reedom in plannin since the desiners only think o" super-cial details. uildins then were in2exible.

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

he desiners bean and ended with a study o" the external style, columns, doors, windows. he process o" desin then is a complete re!erse o" the present. ormerly, we rearded buildins as piles o" masonry "or the purpose o" separatin man "rom space.

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

4esin beins with a study o" "undamental principles o" plannin based upon the needs o" people and the resultant architectural "orms. (rchitecture is no loner bound to tradition or style.

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

(rchitecture is space, conditioned to suit human needs. t is enclosed with opa5ue or translucent and transparent materials in a manner that man may exist com"ortably in it but may be spared the oppressi!eness o" hea!y, con-nin walls.

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

he principles o" space orani%ation "or architectural purposes are concerned with6 1. The use of space (utility and function) to serve the occupants. 2. The collaboration of materials permanence and security.

(strength)

3. The contributions of aesthetics (beauty) in architecture. Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

he decision as to what type o" orani%ation to use in a speci-c situation will depend on6 1. The The demand demands s of the the build building ing pr prog ogram ram such such as as functional proximities, hierarchy of spaces, and requirements for access, light or vie. 2. !xterior conditions of the the site that might limit the organi"ation#s form or groth, or that might encourage the organi"ation to address certain features of its site and turn aay from Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

SIMPLE PRORESSION

PREPARATION- SURPRISE

CONSTRICTION-RELIEF

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

PLAN

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

1. Contained space may have different shape from the host space. 2. Contained space may not be centrally located. 3. Contained space may take the shape of the host but may be oriented in different manner PLANS

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

PLAN

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

1. The interlocking portion of the two volumes can be shared by each space. 2. The interlocking portion can be merge with one of the spaces and become integral part of its volume. 3. The interlocking portion can serve as a distinct space and may link the two interlocking volume. PLANS

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

PLANS

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

1. Adjacent spaces may have limited visual or direct access as reinforcement of individuality or differences.

"#$% &#SSI'I(I)I*S #" S*&A%A)I+, &(A+*S

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

2. Adjacent spaces may be separated by a free standing plane.

"#$% &#SSI'I(I)I*S #" S*&A%A)I+, &(A+*S

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

3. Adjacent spaces may just be separated by row of columns by ceiling drapery and even by imposing !difference between te"ture #uality$.

"#$% &#SSI'I(I)I*S #" S*&A%A)I+, &(A+*S

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

%. Adjacent spaces may be separated simply by surface articulation.

"#$% &#SSI'I(I)I*S #" S*&A%A)I+, &(A+*S

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

LIN;IN SPACE

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

PLAN

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

PLAN

Sources: Architectural Theories of Design by George Salvan; A home in the World by Martine

KINESTHETIC - the sensation of  movement or strain in muscles, tendons or joints,

Early JAANESE !A"#EN desi$ner understood the interrelationshi% &et'een the (inesthetic e)%erience of s%ace and the visual e)%erience* Lacking wide-open spaces, and living close together as they do, the Japanese learned to make the most of small spaces.

During the Heian period (7!-""#$%, gardens shifted from solely representing religious &eliefs to &ecoming, 'a place for ceremonies, amusement, and contemplation' (Miller).

Ja%anese are in$enious in stretchin$ visual s%ace &y e)a$$eratin$ (inesthetic involvement*

MO$EMENT T3ROU3 SPACE

 The circulation path can be conceived as the perceptual thread that lin$s the spaces of a building, or any series of interior spaces, together.

8 CONFIURATION OF

PAT3

#$&A+)S

#+V*/#% A+0 I%$(A)I#+ S&A*S1

?8 PAT3-SPACE

RELATIONS3IP

S&A* #++*)#%1

@8 PUR$E/ORS PAT3

#+V*/#%-

8 SPIRAL APPROAC3 -prolongs the se3uence of approach and emphasi!e the three dimensions of the building.

8 RECESSED - also provides shelter and at the same time receive a portion of exterior space into the realm of the building

FLUS3

NATURE OF PAT3S CONFIURATION IS INFLUENCED +/ ORANI6ATIONAL PATTERN IT COULD +E9

% circulation space may be enclosed, open on one side, and even open on both sides

STUD/ OF MEANIN

 The study of meaning is called &!'%T*&, hich is usually thought as the meanings of ords. %+*T!*T-+% &!'%T*& / %+*T!*T-+% '!%0 + &'&'&

Meanin! is not only the %i"st mental entity to come into consciousness 2ut that is also the entity 1hich commonly ins#i"e c"eati&e 1o":s8

PERCEPTION

SIN - I+0*4IA( SI,+ I+0*412 there is existential relation between signifier and signified - I#+I SI,+2 concern a different set of relations between signifier and signified although5 there is always present existential and indexical relationship. - S/6'#(I SI,+2 where conventional relation between signifier and signified

7hing5 "rancis 08. A visual dictionary of architecture. +ew /ork: Van +ostrand %einhold9 iley5 ;??@. 7Salvan5 ,eorge. Architectural theories of design : 6anila : ,oodwill&ublications5 >???.