The Young Person's Guide to the Orchestra

Benjamin Britten The Young

Person's

to the

Guide

Orchestra

Variations

and

Fugue

on a theme of

Purcell

Op. 34

Full

Score

Hawkes & Son (London) Ltd. Sole Selling London

•

New Y o r k

•

Agents

Los Angeles

: Boosey

& Hawkes,

•

•

Sydney

Toronto

Ltd. •

Cape T o w n

•

Paris

The

Young Person's Guide to the Orchestra'' should be performed with the inserted

commentary, spoken by the conductor. The music is arranged so that the orchestra can continue playing at those moments when the conductor is speaking. A separate speaker can be used for the commentary if preferred. In order to facilitate performance, a slightly different version omitting the spoken commentary is included in the score. The version without commentary, cuts or alters, in some instances, some bars between the sections of the theme and between the single variations. These instances are indicated as follows: Bars to be played only in the version with the commentary are bracketed thus 1

: bars marked 2

apply to the version without commentary only.

Notes printed in small type apply only to the version without commentary. There are sometimes cuts marked with "vi-de" which, of course, refer only to the version without commentary. Sometimes there are single bars "repeated ad libitum" so as to allow the speaker sufficient time. These l)ars are only to be played twice in the version without commentary. In addition the conductor will forego many pauses which are bracketed and linger less during the transitions if the commentary is not spoken.

B. & H . 15958

This work is affectionately inscribed to the children of John and Jean Maud Humphrey, Pamela, Caroline and Virginia, for their edification and entertainment

enjamin Britten^ Op. 34

Young Person's Guide to the Orchestra Variations on

a

and

Fugue

of

Purcell

Theme

The commentary written by Eric Crozier

To be spoken before the music starts:

The composer has written this piece of music specially to introduce you to the instruments of the orchestra. There are four teams of players: the STRINGS, the WOODWIND, the BRASS, and the PERCUSSION. Each of these four teams uses instruments which have a family likeness. They make roughly the same kind of sound in the same way. The STRINGS are played with a bow or plucked by the fingers. The WOODWIND are blown by the breath. The BRASS are blown too. The PERCUSSION are banged. First you will hear a Theme by the great English composer, Henry Purcell, played by the whole orchestra and by each one of the four groups of instruments.

B. & H . 15958

Allegro maestoso e largamente THEME A

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Piccolo a2

Flutes I&n

Clarinets in B\> I&ll

W

7-^

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Bassoons I&n

m

I&n Horns in F in &IV Trumpets in C I & II

TT - i

i

Ï & II

i

i

1

i n (Bass) & Tuba (

Timpani Xylo.

Percussion

< ~7

B.D.

SOTIOTO

Harp

f.

V

Allegro maestoso e largamente

V

Violin I Violin I I Viola

r

f

Cello

f Bass Copyright 1947

^a

-e-

A l l rigMs reserved Tous droits r é s e r v é s

i n U . S . A . by H a w k e s & Son ( L o n d o n ) , L t d .

Copyright for all countries

Printed

in

Eiip:land

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Vln.II

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*^ Cut to [2

if commentary is not spoken

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•

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Yin. I I

(CO Yla.

(CO 'Cello

Bass

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H

15958

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THEME C

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Vln. I I

Vla.

'Cello

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r. I &II

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^

^

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B.D.

Harp

sec.

I

CL

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i

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f i i

The P E R C U S S I O N group includes drums, gongs, tambourines and anything else you hit. W h e n you have heard them, the whole orchestra w i l l play the melody again. , ^

°

^

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Vln.II

Via.

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Bass

B.&

H. 15958

144

I

AcOUl

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A I&II

The highe-st voices in the String family are the V I O L I N S . They play in two groups — Firsts and Seconds. Vln.II

Via.

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Bass

if commentary is spoken, Ï2

>

m mf

Play 11

^

a tempo

J Vln.II

A H i

if it is not s p o k e n .

B . & H . 15958

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26

VARIATION E B r i l l a n t e - a l l a polacca a2

Bsns„

I&n

Vln.I

Vln.II

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forza

1

T

Bsns. I &U

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=

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f

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' R e p e a t t h i s b a r only once if c o m m e n t a ry i s not s p o k e n .

V A R I A T I O N C l t s . i n Bb

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F

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I&n

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C l t s . i n Bb I&II

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ra

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espress B.& H . 1 5 9 5 8

C l t s . i n Bb 14 I I

H n . I V in F

Harp

Via.

'Cello

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piu

C l t s . i n Bb I&II

Bsn.I

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(c\)

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sempre piu

p

The DOUBLEBASSES are the grandfathers of the String family, with heavy, grumbling voices., ^

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Via.

ism 'Cello

t^m

piu {CO

P sempre

piu

r "r sempre piu p

-PPP

H. 15958

32

VARIATION H

J

Oboes I&II

Bsns. I&II

Tamb.

Bass

Fits. I&II

Oboes I& I I

Bsns. I&II

Bass

Comminciando lento ma poco a poco accel

Fits. I&II

Oboes I&II

Bsns. i & n

Bass

comminciando lento —»l )

Fits. I&II

ma accel. -zTm

,

W

cresc. Oboes I&II

Bsns. I&II

M

^ KJ)

,

i

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1

cresc.

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1

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i

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PP

cresc. t

h - X U

l

1

>

7

i

1

>

7

^

1

m

Bass

PP

poco

a

poco

}

cresc.

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J.

i U

1 >

7

J) 7

I

j) 7

iLJt f z

veloce Bass

B.&

15958

34

Fits. I&ll

Oboes I & JJ

Bsns. I&n

The H A R P h a s forty-seven strings, a n d seven foot-pedals to alter the pitch of its s t r i n g s . trem,

sul G

vi

Vln.I

trem. Vln.n -~—o

2 Soli

plzz.

Bass *^ Cut t h i s b a r i f c o m m e n t a r y i s not s p o k e n .

VARIATION

I

Maestoso ( J

-.J)

A

Cym. Gong

Harp

Vln.I

Vln.n fmp

.

^ Via.

m\.

kir

sempre

trem. teil

1^1 sempre trem.

.

iK5r

'Cello div.

sempre trem.

sempre^ pizz Bass ^d?v! i?/^

pesante

e

risonante H . 15958

-

de

35 con S05d.

senza sord.

Trpts. i n C

The B r a s s family begins with the HORNS. These are made from brass tubing coiled into a circle.

as b e f o r e

H.15958

36

J

VARIATION J L'istesso tempo

mf

cresc.

I&n aas. In F

^cresc.

in & IV

^

f

S.D. sticks

cresc.

Timp. —

^

^

• • • m PP -

Harp

"—

W

_J.

^

^

^

.__4 #

2 Sole Via.

-t^^

PPP

trem.

pont.

PP espress.

cresc.

2 Sou

'Cello

trem.

pm

pont.

cresc.

espress.

plzz

arco Bass

PPP trem.

pont.

cresc.

PP

I&II

Timp.

^cresc.

-^'^-p—?— Harp

—I—

^

— ?

5

^

cresc.

—.»

M P

• _J

1— f _

Via.

'Cello

Bass

1

_ ^ l z & ^ • -

sempre B.Sc H . 1 5 9 5 8

>

1^

^33=-! #

^

—

37 S4

I&II • Hns. i n F 111 & I V

Ti; Timp.

Harp

—

—

-

—

^

—

—

"

Tutte div. a 2 11*1....

Vla.

#r^OT.

pont.

poco

> trem. pont.

poco

/re»», pont.

poco

Tutti div. a 2

'Gello

arco Bass

I expect you all know the sound of TRUMPETS„ 2 Sole

Vla.

'Cello

Bass

B . & H. 15958

38

J .

VARIATION K Vivace

stacc.

molto

poco

sempre

Trpts. in C < II

S.D.

marcato

a poco

cresc.

S

Vivace Vln.I

Vln. I I

Via.

'Cello

Trpts. i n C<

S.D.

Vln. I

sempre stacc.

f f

dim.

sempre stacc.

m/^

dim.

sempre stacc.

frf

dim.

Vln.II

Via.

'Cello

sempre

stacc.

dim.

mf

Trpts.in C II

S.D.

Vln.I

PIFP Vln.II

cresc. Via.

f

1 ^

Jf:i|? cresc.

'Cello

PPP

mf

cresc B . & H . 15958

39

dim.

Vln.I

dim.

sempre

dim.

dim.

sempre

dim.

dim.

sempre

dim.

dim.

sempre

dim.

Vln.n

Via.

•Cello

Trpts.inC

(senza

PP

cresc.) fe

II

J?P

~m—^5

cresc.)

S.D.

(senza

cresc.)

(senza

cresc.)

(senza

cresc.)

(senza

f—r cresc.)

(senza

cresc.)

Vln.I

f

uf

Vln. II

f

1^

Via.

—st— PPP

w

f

uf

r

W

ypp

'Cello

I repeat ad Hb.^) S

S.D.

1 '

motto

#

3

^ — #

Jl

f

C7VSC.

The T R O M B O N E S have heavy b r a s s y voices. The B A S S T U B A i s heavier still. Vln. I

1^

«o//o

cresc. n

Vln.II

1

molto

1»

cresc.

Via.

™i3

P molto

n 'Cello

PPP •)

as before

molto

cresc. n

ft cresc.

. B.& H . 15958

(attacca subito)

40 VARIATION L Allegro pomposo Picc.

I

Ii ffi

Fits.

I&II

Oboes

I&n

i

Cits, in A I&II

Bsns. I

&

n

I&m Hns. i n F

II&IV

Trpts.inC

I&n

mf a2 a2

I&n

£-

fcfc3»

P

Trombs. I

m f

Tuba

sost.

fa

(aroo) Bass

/ B . & H . 15958

41

Picc.

Fits. I&II

Oboes I&U

Cits, in A I&II

Bsns. I & n

lI|IIIHil« M W il i&ni

Hns. in F

II&IV

11

* it

Trpts. i n C I&II

£

I&II

^

E

1^

^

1» Trombs.

I l l

Tuba

f

-

4

j

Bass

B . & H . 15958

42

4

Ui

J Picc.

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cresc

molto

tti > i M

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cresc

I t * * * *

molto

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cresc

a2 Bsns.

IA II

1^

# ^

^ cresc

molto

f i V

i ^ M ^ F

I d III

F M

T

7-g cresc

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m

, II & I V

1?

cre*c

molto

f

mf-

4%-

Trpts.in C I&U

mf

I&II

espress. Trombs.

III espress.

Tuba hi:

espress.

f

P

I Bass

cresc B . & H . 15958

molto

mf.

f

43

A

—^—m-

te

Picc.

Fits. I&II

i

Oboes I&II

i

É

Clts.in A I&II

É

É

É

Bsns. I& II

-4-

i&in

ft

Hns. in F II&IV

T

-m

É

'rpts.lnC I&II

ê

Tromjbs.

i.ii&m

m

Tuba

dim.

dim.

Bass

Oboes I&II

(/C\)

J a2

L_i

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!

y

y

T

J

!

!

!

!

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f

?

f

f

f

y

f

f

f ^

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?

#

#

T

i:

Bsns. I&II

(c\)

H n s . in F II & IV

T r p t . n in C

te (r\)

Trombs.

i.n&iii

Tuba

There is an enormous number of P E R C U S S I O N instruments. We can't play them all, but here are the most familiar onf.s. ^ Firet the K E T T L E DRUMS-often called TIMPANI. Bass

B . & H . 15958

(^)

44 j

VARIATION M Moderato

(Feit sticks)

Timp. distinto

Pero.

8 6

Vln.I

P

saltando n 3

Vln.II

P

saltando t

f

f

Vla.

^-^—W P

saltando

pizz. 'Cello

P pizz. Bass

Timp.

Cjm. B.D.

The B A S S D R U M and C Y M B A L S Vln.I

Vln.II

Vla.

'Cello

Bass

P

PPP

B.&H. 1 5 9 5 8

45.

^—

Timp.

Cym.

})

*t

1

J

,

Tamb. B.D.

, J.

1

1 - i — 7

7

j31 y

. .

i

7

^ u i —

^_JL_3

1 !

J -r

T-

1 .

j

, d-

•

,

. 7 7 ] ) ,

,

j

The T A M B O U R I N E and T R I A N G L E Vln.I

Vln.II

Vla.

'Cello

Bass

Timp.

PW Tria. Tamb.

The S I D E DRUM and Vln.I

Vln.II

Vla.

'Cello

Bass

B . & H . 15958

46

Timp.

S.D. Ch.Block

Vln.I

Vln. II

Vla.

^ Cello

Bass

Timp.

Xyl.

, rvi rir^frrrrvrrifri r'r?rrr^rrrrPri'f TiiP

Perc.

The XYLOPHONE

Vln.I

Vln.II

Vla.

'Cello

Bass

B . & H . 1 5 9 58

4?

Timp.

Cast.

Vln.I

Vln.II

Vla.

'Cello

Bass

A PPP

Timp.

PPP Gong

-il.

WMp

TN

JL

and before they all play together, the W H I P .

V

arco Vln.I

ar. I f ? s u l pont.

3

3 6

V

Vln.II

PP

s u l pont.

V Vla.

lï •Jf?

s u l pont.

.V

arco 'Cello PP pizz. Bass

PPP B.& H. 15958

sul pont.

_=

Timp. m~m-w—•—• T

i)

!

m^^>-w —

T

7

7

7

. i)

!

i

1

*d 1

—

*

.

I

J

f

~.

. —

^

i

.

1

1

J —

i

^ ,

7

1 ^

1

a

^

TN

ij

^

1

i' 7

^

7

^

u2—

.

- ^ t — ï — « S - j

portamento

^ -zzi^^pp nat.

gat. (pizz.)

JL

J2

1

J ï

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