The Universal Band Collection - Jacob de Haan - Set of Clarinets

THE Universal Band Collection (Jacob de Haan) A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear. 1. Western Girl : A girl from the west of the USA rides her horse across the prairie, dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale. 2.Just a ballad : A ballad in pop style with a rough A-B-A form. First there is the introduction of the main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody, performed tutti with a different rhythm in the drums (A'). 3.Play the Game : An English saying meaning: play fairly. Playful music in up-tempo with a wink to China, where almost all games are manufactured nowadays. Once again an A-B-A structure here. 4.San Diego : A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation, in which the muted trumpets represent the Mexican feeling. 5.Final Dance : Eventually there is a dance with an introduction in renaissance style, followed by a fast dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus, shortened verse, bridge, chorus, chorus.

I. WESTERN GIRL 

Clarinet in B  1 Clarinet in B  2

                

 

   



    

 

            Clarinet in B  3             Clarinet in B  4                          Clarinet in B  5                            Bass Clarinet                                 Cl. 1                  Cl. 2  Cl. 3

Cl. 4

Cl. 5

B. Cl.

                   

    

 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

      

 

Arr. by Gino Gonçals

                    









 



                                       

      

             











 

 





                                            

                

                

©Gino Gonçals

                

        

WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

              



   



    



 

 

      

 

                  

                   



    





    









      

 

 



                                    

      

             



2

 

                    

                  

    



    



      

 

                  

                









 

 

        

    

                                   

      

                                                            

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

WESTERN GIRL

       

     

        

     

        

 

  





  

                                

         

     





   



   

    



 





    





   











                                         

  

     

                                              







     

     

3





      

     

      



20





 



          

     

25 Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

     

 









    

                   

           

 



    





  



  



  

     



30







 



 











   

     

      



    













    



    



                            



                   



WESTERN GIRL





                              

     







 

        



 

                             

4

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

     

    



     





3

   

 



 











       

 



   

3

      

WESTERN GIRL















   

 





 





 

    



                                                          

    





 

35



 

                    



          

            

     

      

   

  

   40



     

5





                                                

             

WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3







    

Cl. 5



Cl. 2

Cl. 3

Cl. 4

Cl. 5

        

      

B. Cl.



                 

                     







    





    



3

3

                                 

45 Cl. 1

     3















Cl. 4

B. Cl.

 

6



    

    



    

    



    







    











   

    

  

      

     



                                 

  

    



                         

 

              















             

WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

                     





 

  

  

     

50

                 





    















 

    

  



                                     

                          

  

   

    



       

 

    



    

55



















  





    



    



















 



     

 

       

    

    

7

                                        

WESTERN GIRL

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

    

                                                       

 

   

             

  

                    

  

8



    





    









    

 

  



60



                              



   

                    

         

  

  

 

   

    

          

                                                     

WESTERN GIRL 65 Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

    

         



3

    



    



3

3



    

                   

                                                

             

       

     

        

   

     

         

          

   

      

   

  

  

  

       

       



 







 

 



 

 





      



 

  

      

        















      

 

 

9

I. WESTERN GIRL

Clarinet 1ºB 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals

                                                                                                                      25       20             

 

  



 



   

          



    



3

   



  



35





30



          







   

                  3        45                            50                            55                                   60           65                         3                             40

©Gino Gonçals



 

I. WESTERN GIRL

Clarinet 2ºB  

                 7                      14                 

     30 28             21

35



    







      3

       

49



50

      

62

    

68



     



             



      

     











        

      

 





20





   

3



       

40

          

 

45                            

     





      

©Gino Gonçals



     

60                                    65 3                                               

         

55



Arr. by Gino Gonçals

                

       

  25            

           

42

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

I. WESTERN GIRL

Clarinet 3ºB  

                            

                     20

 

         

     



  



         

25

     

 

 

   60

30

       



                          35

     



                   

55



     3

      

 



     

       

      

45

                     50

     

      

       

          

                   

                               

40

Arr. by Gino Gonçals

                                                     

           



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)





         

       ©Gino Gonçals

       





     

65

      3

                 

I. WESTERN GIRL

Clarinet 4ºB 

(Cover of Clarinets, Aragón, S.XXI)



 

 

   

Jacob de Haan Arr. by Gino Gonçals

                                                 

                   

                                             20                                              25                                     30                                        35  40                                        45                                                  50                                   55                                60 65                                                                                                    ©Gino Gonçals

I. WESTERN GIRL

Clarinet 5ºB 

  

  

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

                                            

Arr. by Gino Gonçals

                      

         

             



                            



     

        25                          30                              35                            40                                          45 50                                

 





   

60









 

   

55









    

20

               

 

              

          

                                         65                                                            

©Gino Gonçals

Clarinet Bass 

   

I. WESTERN GIRL (Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan

Arr. by Gino Gonçals

                                          10                                                                                                20                                                    25                                                30                                               35                                                        40                                               45                                               50                                                55                                             60                                               65                                                     ©Gino Gonçals

II. JUST A BALLAD (Cover of Clarinets, Aragón, S.XXI)



Clarinet in B  1 Clarinet in B  2 Clarinet in B  3 Clarinet in B  4 Clarinet in B  5

Bass Clarinet

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.



  

  

                         



    

   

   

 



  

   

 



  

  

   







  







  









Arr. by Gino Gonçals

                        

                                                      

5 Cl. 1

                                              

Jacob de Haan





        

                  ©Gino Gonçals





                             

 

           

   















     

 

JUST BALLAD

   

10 Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

    

     

   

    







     

 

   



   



   

                                  

   





  



  



   

 

    

 















   





  

  

  

   

 

  







   

   





     

2

   

 

   



      











 



 

 

 

 

  

 

JUST BALLAD

3                                                                                                                                                      20

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

   

   

          

       

   

         







           













  

  

 

  



  





    









 

  









 



 



  

   

  



 

    

JUST BALLAD

                                   

25 Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

  

                      

     

                      





rit.

     

 

                       











  





4

     

II. JUST A BALLAD

Clarinet 1ºB 

(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan Arr. by Gino Gonçals



                             

                        

5

        

10

        

   

     

25



      



     





    

    20                    

 



   

    

       



                   

©Gino Gonçals





rit.

   





 

II. JUST A BALLAD

Clarinet 2ºB 

(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan Arr. by Gino Gonçals



5





                         













10

                                 

 









 













 

  20                                   

     

25



      



 

   



                     

©Gino Gonçals





rit.

   









II. JUST A BALLAD

Clarinet 3ºB  













Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

        

     

   

         

       















 



Arr. by Gino Gonçals 5

    10



 





    



    



                                   

     

20

25



   



   



©Gino Gonçals



rit.

   









II. JUST A BALLAD

Clarinet 4ºB  





    20



 

            

   







   

   

  

   

   



      







   





       

©Gino Gonçals

Arr. by Gino Gonçals



rit.



5

  





   

     

25

   

       



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



10

  



   

 

   











           



  

II. JUST A BALLAD

Clarinet 5ºB 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

Arr. by Gino Gonçals



    















    

          

   

25





  





    

 







    

   



 



  

   

   

10

   



5



  



      





   



20

   

   





   

©Gino Gonçals



 

rit.

 

   

 

     



II. JUST A BALLAD

Clarinet Bass

(Cover of Clarinets, Aragón, S.XXI)



     

    











 





   

         









   

20                   

   



25



 

  





5



10

    



Jacob de Haan Arr. by Gino Gonçals



   

   

 

   

           

   

                        

©Gino Gonçals



 rit.

   







III. PLAY THE GAME (Cover of Clarinets, Aragón, S.XXI)

                                       

        

        

        

        

  



     



 

      

  



     



 

      



Clarinet in B  1 Clarinet in B  2 Clarinet in B  3 Clarinet in B  4 Clarinet in B  5

Bass Clarinet

5 Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

   

    

Jacob de Haan



         

        

               

                

  

     

       

              

                 

Arr. by Gino Gonçals

     

                ©Gino Gonçals









  



  



         













 

 

  

PLAY THE GAME

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 









      



a la CODA



a la CODA

   

 







      

 



      

  

  

            

       

 

 

 



          

     a la CODA      a la CODA     a la CODA     a la CODA     

16

      

      

         

  

 

 









              



10





                 





     

2

 

         

















           

PLAY THE GAME

Cl.1



Cl.2



Cl.3



Cl.4



Cl.5



B.Cl.



Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



20















                     

     



  

          





  



        

  

          

                

25

  

3

        

                                                     

         

                  



 

 

 

 

                          

                       



   



  



  

       



 

  

PLAY THE GAME

Cl.1

        

Cl.2

    





Cl.3







Cl.4



Cl.5



B.Cl.



30

      







  







  

     

.

loco

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 



 





 







.

.



         

 

 



.

.

.

    

35



                          

   

   

4

                 

  

 

  

                

       

    



       

  

                       

   





  

              

                             

  

                                    

       

Cl.1

Cl.2

Cl.3

    

   

        

   



        

Cl.4



Cl.5



B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



      

     

   

   

PLAY THE GAME

           

   

       CODA         CODA                CODA               CODA                CODA            CODA                     

              

                             

 al Coda    D.C.     D.C. al Coda         D.C. al Coda         D.C. al Coda           D.C. al Coda         D.C. al Coda        

         



                          

                                      

5

      



            

    

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 

    

                

PLAY THE GAME

     



          

          

          

 

    

       

6

























III. PLAY THE GAME

Clarinet 1º B 

(Cover of Clarinets, Aragón, S.XXI)

                                               

Jacob de Haan Arr. by Gino Gonçals



                20  25

   





a la CODA



5

  

10



         16



                                                 30                         . loco 35                                           al Coda               D.C.        

 CODA                







     

     

©Gino Gonçals







  

 

         

III. PLAY THE GAME

Clarinet 2º B 



                

      

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

       

       



Arr. by Gino Gonçals

 

5

   

10

                        25 20                                                  a la CODA

              30

     

35

                

                    CODA                       

  

 

©Gino Gonçals





16

       

     



   



     

 D.C. al Coda   

  

 

          

III. PLAY THE GAME

Clarinet 3º B 

(Cover of Clarinets, Aragón, S.XXI)

Jacob de Haan

Arr. by Gino Gonçals



5                                          10                              a la CODA  16                               20                         25                               30

          





35

  

             CODA                

     

 

       

          

     

 

    

          

      

     

©Gino Gonçals

  





   

  

D.C. al Coda

  



 

          

III. PLAY THE GAME

Clarinet 4º B 

(Cover of Clarinets, Aragón, S.XXI)



    5





           

          

                  10 a la CODA                       16  20                      25                            



30

  

  

                                       CODA                   

 

35

      

     

            

      

        ©Gino Gonçals

 



  

 

          

                

  

     

Jacob de Haan

Arr. by Gino Gonçals

 

 

        D.C. al Coda        



 

         

III. PLAY THE GAME

Clarinet 5º B 

(Cover of Clarinets, Aragón, S.XXI)



    5









 



 



      



 







Jacob de Haan

Arr. by Gino Gonçals

 

   



      

          10 a la CODA                          16 20                      

25

     

   

   

  

  

  

     CODA              

 

      



        

      



     





 

  

  

30

  

   

  

 

35

  





 

©Gino Gonçals

 

   

  

      D.C. al Coda 

      

  

 

   

  



 

       

III. PLAY THE GAME

Clarinet Bass

5



(Cover of Clarinets, Aragón, S.XXI)

                    

                     10                16            

        

     

    

           

         

                CODA                      

   

30

25

   

          



©Gino Gonçals

        

       

35

    



            

  

        



a la CODA



20

          

    

Jacob de Haan Arr. by Gino Gonçals

         

   

      

   

D.C. al Coda

                         

IV. SAN DIEGO

(Cover of Clarinets, Aragón, S.XXI) Clarinet in B  1 Clarinet in B  2

   



   

















              Clarinet in B  4              Clarinet in B  5                Bass Clarinet         6        Cl.1   Clarinet in B  3

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

   

    

                 

                                        

         





3

         

                 

     

                    

                              

Jacob de Haan

Arr. by Gino Gonçals

   







©Gino Gonçals

3

  

           



 

  



  

                     

                 



      

IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

        





   

Cl.4



B.Cl.















 





                    

         

              





16



3

   







3

  

        



        

                 



 

      

       

        

                       



          

(2nd time only)

                                                      

Cl.3

Cl.5







11

2



 

   





   







                       

                 



   







IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 

 

 

   

  

21 Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.



  







  









   





   





3

              

                                  





3

     

                     

        



         









     

 





 

            









3



               

                        

  

   

  

  

                        

IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 

  



 



 







1.





1.

26









                         1.



                          1.                         1.                    

     

     

1.

2.

3

3

 

4

     

                                                         

    













    













                   

                   

  

2.

3

3



2.



2.



2.

2.



                                    

                  









IV SAN DIEGO

Cl.1

Cl.2

Cl.3

Cl.4

Cl.5

B.Cl.

 

 

 



 



3

3

     

  

  

                     

                  

   







                                     

                           

5

IV. SAN DIEGO

Clarinet 1º B 

            

   

  

  



     

3



3





3



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



 











  

26

   

©Gino Gonçals

16



3



 







     







   



   









21

3







    

      

11



3

 

     



   

6

 

  

           



Arr. by Gino Gonçals



 



  

IV. SAN DIEGO

Clarinet 2º B 

   



        

1.





 21      

      





3

      3



         

   

16



  



3

  

©Gino Gonçals



  

        2.



3

11 (2nd time only)

    

Arr. by Gino Gonçals

       

6

    

3

  



        



Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



 

 









    



 

   



    

3

26

 



 

IV. SAN DIEGO

Clarinet 3º B 

               

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

       

Arr. by Gino Gonçals

       

      

6                                                            11                                      



                                                         16

21                                      26                                     1.



                                              2.

  

      

        

©Gino Gonçals



 

   



IV. SAN DIEGO

Clarinet 4º B 

                

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

      

Arr. by Gino Gonçals

      

     

6                                         11                                       16                                      



                                     21



    

2.

  

                            1.

26

                                 

        

©Gino Gonçals



 

   



IV. SAN DIEGO

Clarinet 5º B 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

            

      

Arr. by Gino Gonçals

      

     

6                                        11                                      



16



21

                                                                           

  

2.

 

                            1.

26

                                 

        

©Gino Gonçals



 

  



IV. SAN DIEGO

Clarinet Bass 

    6

     

     

     

    

    

               

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

        

Arr. by Gino Gonçals

        



                 11

    

    

16

    

21

                                  

    

     



           



  

2.





  

     

©Gino Gonçals

  

1.

26

    

    

     

    



 

  



V. FINAL DANCE

(Cover of Clarinets, Aragón, S.XXI) 

                                                                         

Clarinet in B  1 Clarinet in B  2 Clarinet in B  3 Clarinet in B  4 Clarinet in B  5

Bass Clarinet

     

5 Cl. 1



















  

     

        

Cl. 4



        

Cl. 5



    

B. Cl.











 

          

        ©Gino Gonçals



   

  

            

   

A Tempo

rit.

Cl. 3



  

                 





            

     





       



Cl. 2



Jacob de Haan Arr. by Gino Gonçals



                    

   

  

     

FINAL DANCE 9 Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

                  

        

  

    

  

    

Cl. 2

 

  

Cl. 3

 

  

Cl. 4

 

Cl. 5

 

B. Cl.





  

        

      



 



  

 

Cl. 1

    

    



 

                

14

 



   

  

        

2

     

       



  



  





   



  





  





  



                



 

 

     

     

           

               

  

  

  

   

  

   

       

  

 



   

  

    

FINAL DANCE

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

                 

  

    

Cl. 2



Cl. 3

 

Cl. 4

 

B. Cl.

  







 

           



  







  







  





  

     

     

   





                         



  



  

    



       

  

   

Cl. 1

Cl. 5

       

  

  

        





  



  



  

         

        

  

   

  

  





  

  

3

             

                   

  

         

  

   

     

 

    

 

 

 

  

  

  

 

 

 

FINAL DANCE

Cl. 1

 

   

Cl. 2

 

Cl. 3

 

Cl. 4

            

Cl. 5



B. Cl.



      

Cl. 1

 

Cl. 2

 

Cl. 4

Cl. 5

B. Cl.

   

      

29

Cl. 3

   

 

                                

     

       

         

 

   

   

                          

  



   

  

     

  



  

     

   

  

  



 

a la CODA              a la CODA           a la CODA           

  

   a la CODA            a la CODA                 

  

       

  

              

        

     

  

 

             

         

       



4



a la CODA

FINAL DANCE

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

     



34

     



            

      

        

                 



 



 



                     

                



 

  

  

   

  

   

  

  

              

  



  





  







  





      



       

  





39

 

5

  

 



 



 



                     

 a la  y a la CODA   a la  y a la CODA    a la  y a la CODA    a la  y a la CODA    a la  y a la CODA    a la  y a la CODA   

FINAL DANCE

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

 CODA      CODA        CODA         CODA         CODA      CODA       

Cl. 1

 

Cl. 2

 

Cl. 3

Cl. 4

Cl. 5

B. Cl.

              

            

    

                  

         

   

                          

        



   





  

     

  

    

  

  

   

             



   

  

          



  

  

              

        

6

    



   



     

   

  

  

  



 

  

   

     

  

    

  

  

     

  

44

    



  



     

  

  

  

   



 

FINAL DANCE

   

49 Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

Cl. 1

Cl. 2

Cl. 3

Cl. 4

Cl. 5

B. Cl.

 

    

 

    



             



    

        

  

  

    







 

   



             

     





   

 



 



     





   



   



     



   



     

  

     

 

55

   

      

   



  

   



   

      













          

  



 

7

V. FINAL DANCE

Clarinet 1º B 

(Cover of Clarinets, Aragón, S.XXI)



                  rit.

       

Arr. by Gino Gonçals

            

9              

A Tempo

  

Jacob de Haan

5



          

                                                             29                                          34 a la CODA                                     39 a la  y a la CODA                              CODA 44                                 49                                

           

14

      

©Gino Gonçals

   





55

  

V. FINAL DANCE

Clarinet 2ºB  

                 

 



rit.

                        

           

    

9

     

       

14

   

                    

    34            CODA                           



29

Arr. by Gino Gonçals

            

A Tempo

   

             

        

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

5



              



   

          

 

a la CODA                             

      

  

38

 y a la CODA         a la

44                    

  

      

    

©Gino Gonçals







  





49

55

 

    





V. FINAL DANCE

Clarinet 3ºB  

   

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

        

  rit.

   

     

  

 



A Tempo



  

14



9

Arr. by Gino Gonçals

      

  

     

5



  



        

    

                                             29                                               34 a la CODA                                       39 a la  y a CODA CODA                              44                                         

    

  

    



   



  



49





©Gino Gonçals

    





  

55

  

      



V. FINAL DANCE

Clarinet 4º B 

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



   

      

  rit.



   

   

          



14



      



A Tempo

9

 



 



Arr. by Gino Gonçals



    



    

 

     



 

                                                    a la CODA  34                                  

      CODA                   

          





    

  

   

  

      

  

    

©Gino Gonçals

   

  

44

49

    

    



39



    

5

        29

       

    

a la

 y a la CODA   



       





55

  

      

V. FINAL DANCE

Clarinet 5º B  

  



  

       

       

       

        CODA              

   





rit.



29





9

14



 



      



 

      



Arr. by Gino Gonçals

        



A Tempo

             



        





Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)



5



 



   

     

     

                                                34 a la CODA                                 39 a la  y a la CODA                            

  





   

     



  

    

©Gino Gonçals



49

  

  

44

    

  55

      

  

    



V. FINAL DANCE

Clarinet Bass 

 

 

        

           rit.  

         

Jacob de Haan

(Cover of Clarinets, Aragón, S.XXI)

A Tempo

   



        

              

    

9

                

            

        CODA        

     

 

    

                                 

     

 

   

    

     

                      a la CODA                               

5

     

14



Arr. by Gino Gonçals

  

              

  

   

   

  

     ©Gino Gonçals

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       39 a la  y a la CODA          

    

   

         29

    

 

44

   

     

49

   55

  

   

     

 

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