The Official How to Draw Robotech 08

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A m onthly m anualdevoted to teaching how to Iearn to draw the ROBOTECHTM animated cadoon characters and fi ghting craft in an intell igent and easy to understand way. Each issue

willcoverone ormore characters ordevices from each ofthe three majorslorylines that

make up the RO BOTECHTM saga. Each storyline willbe fealured i n rotalion. lssues 1through 4 willfocus on the M ACROSS characlers,issues 5 lhrough 9 willcover 1he SO UTHERN C RO SS characters, and i ssues 10 through 12 will cover1he NEW GENERATION characters. lssues 13 through 24 willrepeatthe rotation exam ining new materialfrom each storyline.

W R TTEN AND rY PILED BY

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RO BERT K M IG ER RO BERT A.HIBBERT

ELAINEA.LaFRANCE

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M AR IE C RYSTA L

A N G ELO DA NTE

RANK: Lieutenant AGE: 20

RANK:SERG EANT AG E: 26

M arie is an ace pilot in the Arm ored TacticaI S pace C orps. Being independent, proud and feisty has m ade herquite a few enem ies buthas al so earned hermany friends.Herbest friend is Dana Sterling.TogetherM arie and Dana lead their squad w ith humanity and hum or through m any trying tim es. M arie's troubles don't really start until she m eets the Cassanova of the 15th Squad- sean Phillips,She im m ediately falls in Iove w ith him ,and the battle against b0th his roguish independence and herow n turns into hertoughestfight.

'tAngie''isa down-to-earth,rustic kind of guy. H e is trustw orthy an d honorable,butis also a chauvinistw ho

delightsin pointing outthefaults (real orimagined)ofwomen.Thisputs him constantly at odds with his superior officer,Dana Sterling.AlthoughAngie is atodds w i th Dana,he is stilla loyal

anddependablesoldier.Having grown up during the initial Earth-zentraedi wars,Angelo Dante is anxious to put an end to the fighting.This vision of intergalactic peace drives him to be a strong trooper.

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Aloha and welcome to this eighth fantastic Issue of How to Draw RO/OTECH'*. lf vou Nave been drawing constantly through the past eightbooks,you're probably noticing im provem ent in your work, It' s only natural. As Iong as you keep

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practicing.yeu'llim prove.

To Nelp you in your further im provem entw e presentin this issue the conclusion of our study In

comqosition. With this knowledge. practdce,and furtherreading from the Reading List. you will have an understanding of how to R t up your drawings form axim um impact.Think

ofit!Notjustdrawingthecharacters, but placing them in actual scenes. Doesn't it send a shiver dow n your spine? Stick with us and you'llgetit, For your drawing pleasurek we also have Marie Cryslaland the reetofthe Southern Cross gang.plus plenty of Bioroid arm or,the Biorold Hokercraft and thearmoroftheROBOTECH'*Sea Squad,Draw.fellow artists,draw!As the w ise and ancient sage halh said

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lnthisissue,1'm goingto dispensewith theusualghostim agestbatIdraw over to show how completed drawings are do ne. Instead, l w il1 d raw the illustrationthesam ewayyouw ould.1'11 draw the skeleton firstand w ork from thatto the finalillustration.Ithinkthat you w ill find it easier to follow m y exam ples if they're closerto the way thatyou draw- withouttracing.

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I also would Iike to rem ind aII you artists outthere thatw e'restillhungry form ore artworkfSo if you wake up one m ofning with a m ad desirelo see yourIetterorcopies ofyourartwork in print'gettoyournearestcopym achine rightaway,and send itto: Blacklhprne Publlllurlg lne. T% Blackthprne Ave.

EICajon,CA 92:2: e/o How to Draw ROBOTECH'M

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To draw lifelike,dynamic,action-packed scenesinvolving yourfavoriteROBOTECH'M characters, i! is essential that you understand the basics of com posltion. G ood com position sNould lead the eye ttlthe m ain focus ofthe picture m ove the eye arourlc the pictureto pick up the supplem entary details,and then Ieadtheeyeoutofthepicture First,Iet's discuss gettlng Into the picture.

ln thisexam ple,we usethezig-zagorZ toform apath fortheeyetofollow .The m ain focus on the road provides you w ith a point of entry.D raw ings w ith deep perspective should be entered w ith the zig-zag m ethod. +

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ln this drawing,the obvious circular com position is a classicalsym bolof unity.O ne circle am plifiestheeffectof the other to create com plete repose and harm ony.

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In angularcom posltlon we willuse triangles,verticalIines and horizontalIinesto replace circularcomposition.Theangularcompositionneverreturnsbackon itself. Angularcomposition isused to replacethe sm00theye movementofthecirclewith the shock orruggedness ofangulareye movem ent.

In this exam ple,w e can see triangular com position at work. A lm ost everything in the picture is composed atan angle which leadsto the pointoffocus.

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In this exam ple of verticalcom position, the strength of vertical form s m oving upward m ust be balanced by horizontalIines.This is because the verticaline is thestrongestIine in any picture. Vertical composition is generally used to draw and paintfigures.

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spots,shadesofcolor,orobjects.

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W ith this exam ple,w e see that horizontalcom position is best suited to Iandscape drawing or painting.The horizontalIine willalways need to be crossed by averticalordiagonalIineto achieve balance.Rem em berthatyou need not use Iines to create vertical orhorizontalimpressions.You canuse

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To draw Angie,startw ith the Double D iam ond:forhis m id-section.Usethe sticks and balls m ethod to draw the arms, legs, and neck. Use an oval shape forthe head.Draw wedges,or any sim ple shapes,forthe hands and feet.Angiestandseightheadstall,w ith thecrotch atthe halfm ark,thechestat the quarterm ark,and the kneesatthe three-quarterm ark. 8

Startturning the sticks into cylinders now. Draw though the ends of the cylindersto turn them into solid form s. M ark offthefeaturesofthe face.W hen draw ing thearm onthe right,be aware of the slight foreshortening of the forearm .

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arelatively Iargejaw,andadddetailto the hands.

It's tracing papertime!Atthis point, i f

ou're happy w ith yoursketch, r edraw a clearnerversiononthetracingpaper.

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As you tighten up your drawing,

visualize itas a three-dimensiona! D person and dràw the costume Iines < mo l vingaroundhisfigureratherthan > aying flat. m 9

Here's Angie w ilh a variety of facial expe ssions and angl es.In each case I show a final draw ing next to an exam ple of the basic construction. If you start each of yourow n drawings with this basi c outline aIIofyourheads willbe solid and consistent.

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Observe how, when Angie's head is tilted,the centerlinesbecom eellipses: Iines w rapped around the curved sudace of the head.This way,aI1of Angie's features w illstay well-related, no m atterhow his head is turned.You should be constantly aware that the

objectthatyou're drawing issolid.

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Here's Angie in a variety of poses designed to build yourskillin drawing the hum an figure.W hen draw ing these figures, rem em ber to use the llne of a c tio n . R e m e m b e r a Iso th at foreshortening w ill be necessary for

some of the body parts due to the figure standing and m oving at an angle.W hen you'refinished with these fourfigures,practiceputting Angie ina few poses ofyourow n.

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Marie'sfigure.IikeAngie's,beginswith the Double Dlam onds. You should notice,however,thatherarm sandIegs are longer than m ost of the other characters'.M arie stands 6-1/2 heads tall,w ithherchestat1-1/2heads,waist at2-1/2 heads,knees at4-1/2 heads, and ankfesat6 heads.The toe on the left is at6 heads,and the toe on the right is at6-1/2 heads.D raw the balls and sticksforherarm s,the wedges for herfeetand hands,and theovalforher head. 14

t Turn the sticks into cylinders.Stad adding hair to Marie's head and outlines to herface to indicate w here herfeatures w illbe.

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Now startroughing inhercostumeand details. Don't be afraid to erase and m ake corrections. Once you have M arie C rystaI draw n to your satisfaction,it's tim e for . ..

tracing paper.Throw a piece of tracing paperoveryourfinished sketch and draw the clean version of M arie Crystal.W hen it'sdone.sendusacopy ofyourdraw ing. . . .

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Here are five differentposesofM arie Crystal'shead.Startwith the basicdrawingthatis nexttt: lM arie' s headand then workto thefinishedversion.Hem em berthatdraw ing any head is sim ply a m atterofdeterm ining how you wantto tiltthe ballthatisused as its

basis.O nce you know how the ballwillbe tilted,you can add the jaw and neck.Attach both ofthese to the verticalcenterline as shown.Attach the eyebrows to the horizontal centerlines and draw the eyes in below.The nose is atthe bottom ofthe circle on the verticalcenterline and the m outh isdraw n below in whatevershape you think a m outh should be in.

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Whendraw ing the head,think aboutthe em otion you wantto conveyand rem em berthat m thetiltOrangleOfthehead cansometim essay morethantheIookonthecharacter'sface.

T0bestconveythecharacter'semotions,youshoulduseboththeexpressionandthe X angle, > m * * *

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General Rolf Emerson stands eight headstall.H ischestisattw o heads,his w aistisatthree headskhis crotch is at fourbeads,his knees are between five and six,hisanklesare atseven,and his toes are ateightheads.Now draw the Double Diamonds for the torso,the ovalfor the head,and the balls and sticks forthe arms and îegs. 18

) Now turn yourcorrectly proportioned stick figure into a three-dim ensional person.Turn the sticks into cylinders and startadding detais and hairto the bead.

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N ow that you have the threedim ension skeleton of General Rolf Emerson correctly drawn, you can throw some clothes on him . Add details to his costume and draw the

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Take a piece of tracing paper and redraw your final version of the General.W hen you're done, send usa copy.

foldsinhisuniform atthejoints.Make aIIthe correotions you need to m ake untilyou're satisfied.

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O n the nextsix pages are fullfigures forthe Bioroids and the RO BO TEC HTM Navy Arm or.Usethe sam e m ethods you've been taughtandeach ofthefigureswillturnoutgreat.Aneasy wayto determ ine the proportions on these figures isto determ ine the heel-to-head heights ofyourfigure.Then divide thatheightby eight.Two and one-third thatheightisthe shoulderw idth.

B IO R O ID IN V ID F IG H T E R

Now rem em berthatone is generally the chin,two is the chest, three is the naveland elbows,fourthe crotch and w rists,five is m id-thigh,six is the knees,seven is m id-shins and eightisthe feet.

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X J N No m atterhow tallthefigure is,these proportionsshould rem ain thesam e.O nceyou haveyourbasicskeleton dow n,you can add anydetailsyou wish.Feetcan becom e hoovesorfins, handscan becom e claw sorclubs,andyou canm akethebody orpartsofthe body thickerorthinner.

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Practice drawing the standard figureoverand overagainso that when you draw the figure in action you willhave an ingrained sense ofthese proporti ons.Use these proportions to setup the figures.

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2 To draw the Hovercraft,start with an ovalforthe generaishape.The steering column is a triangle.M ake sure everything is angled as you see it.

N ow turnthe ovalinto a three-dim ension disk.Draw thesteering colum n as asolid pyram id attached to the rectangularbox atthe bottom.

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It'stime fordetailwork.You can draw whatwe've given you orcustom ize itto your design.There is a lotofdetailso take yourtim e.Erase and redraw ifyou have to.

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O nce you have yourfinalversion drawn you can pullouta sheetoflracing paper and m ake yourclean copy.Rememberthatno m atterhow detailed this mecha

Iooks,it'sstilljustacollectionofsimpleshapes.lfyougetthosepropodionedright, everything else willfallinto line.

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mor. e utdrleœ . R@- m* *at=--''* @*n on# *l'@w #mlte way. YOU LKARN T* DRAW BY DRAW INQI

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B RIDG M AN'S CO M PLETE G UIDE TO LIFE DRAW IN G G eorge B.Bridgm an W eathe- ane n--ks A NIM ATIO N Preston Blair serles vol.#26,W alter T. Foster HO W T0 AN IM ATE FILM CA RTO O N S Preston Blair series vol.#90 W alter T. Foster D RAW ING THE H UM AN FIG UR E Ja+ Ham m G rosset & Dunlap C ARTO O NING THE HU M AN FIG URE JaG Ham m G rosset& Dunlap DRAW

Kurt Hanks and Larry Bejliston

W illiam Kaufman.Inc.

DYNAM IC FIG U RE D RAW INQ Bum e Hx arth W atson-G uptillPubllœ tions HO W TO DRAW C O M ICS THE M A RVEL W AY Stan Lee and John Busœ m a Sim on and Schuster C REATIV E ILLU STRA TIO N Andrew Loom ls Bonanza Books DRAW IN Q TH E H EA D A ND HA N DS Andrew toom ls Bonanza Books FIG U RE DR AW ING FO R A LL IT'S W O RTH Andrew Loom ls Bonanza Books FU N W ITH A PENC IL Andrew Loom ls Bonanza Books THE NATU RAL W A Y TO D RAW Kim on Nicolaldes Houghton M ifflin Co. ATLA S O F H UM AN A N ATO M Y FO R TH E ARTIST Stephen Rogers Peck O xford U niversity Press THE ART O F DRAW ING W illy Pogany Llttlefleld.Adam s Co. HO W -TO -D R A W TIPS FRO M TH E TO P CA RTO O NISTS Donnar Publlœ tions H OW TO US E C REATIV E PERSPECTIVE ErnestW .W atson Van Nostrand Relnho? TH E OFFICIA L H 0W T0 DRAW RO BOTECH IM Issue 1.8 Davld codywelss/sobMlller Blackthorne Publishing

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.5 ? i! t # ; . î E g k . E q j ! i l t ; t i t i l j l il i : . i j r i ô ï iil i E . '' ë l ii r : iiE r z F E i E i b i à i gi ë E ii q i ë ig i C E iq l il i 0 ! ii ë i ë i t i @ i l il i ë i é i l iii d i q t @ ë g d E i !@ E @ t i li èg ! i ë il i l E îi i g f i: i l ié i q i l ë i 22 I E g ? i ë ii:'''::: @ë E ië l E iiië iz ll i ë iî ' id l i ! E : I i l iii @ iq iii j :p ii fi ëf i q ï i f i g iiiô ii j ië i t: ; 1 2 3 4 E ë il i ë i 4 ; . k r i j k i : q iï ë j i : 'E :E i j i î : ' j i ) ( i l ii ) ë I d l iE i) ù ( . ) : i! k j ùi l r ië d ? di : ; 1 () ë ' q r j l g ë t l) q k : E i l i y E ë @ q i ë g E ' i ë l i t ig dk i :. : ;; :.'' .' : EE@ L i g : i E @ ë i g i ë p i k i l ! ë L @ q i é i E ë i é i p g ë i E ë i ë @ . ë @ : ( @ i t l i q @ q ë k E p i d j i i é q p t l i i i l t ë i l' ë r ' : ' : q i j i é k i q i ë i g i j i ' i g ë i q i ë : E q . i j g l i l g i q j l i l g j @ ë i j p @ë i ë i i ë d i l i l k @ ë i p ë t @ à i é k ë l k i r i t @ p t i k j î i i ë p i q :.' . ' sg . ( k 4 i ë g i @ ë T i ë g k j ë y i ( r y i ë i l q ël j i q g l g d j i ë g g r y ë i l p j i ë q j p ë i j i j l i q i p j ë k ! i F ë i ë g ië f r ë ' l r i g é i q i ë g i t i l g ë j i g i l ë t i p i j i l i @ d i l @ i l i l i é î g ë j k i i q i ë é g i @ i ' : g ë i ë q i ë d ë q i i t i q i ( : i ; : E : ' E ! . : ! ë E ( @ i ë g @ d i @ i t @ i i i j i t l i i p q : . : E i : @ # ë @ k @ î ë , : j : ' 1 : î : i é ë . ë i @ i @ 4 ë l ë E ë à @ ë i l ë i q ë l i q i à ë g d i ë i ë g i : q g l ë i t ë i g j j ë i ë i q i i q t i p l i é i à i ë i d ë p k j i l i i t t g i j i i i d @ C j q t i à i k i j i è j p d g i p q ë à p i .j t l j ë j i g i g r ( g ( ë k g tj l i g ë : d l E i l i ' i x ( gj j l ë j i j i i g à g l d . i p g ï ë p i ë: t i i ë i @ i d i d i q ë j y ( ë l ë g i ëg l tg j ë j i g i j i àl g i g ë i ë g ëë gg jë ë i k g d g j g i j ë s g . p j à i p g l i ë à g à t ë i ji j g ë l g i j i j d il i à i tl ëlp j. ' E ll ë î j i j i à j g iëg ij ià gi t ë l : jë g @ g i: ;E j p g î g i è gi ë l ë : g s .j l y i E i l i g t s q ë g ë l ë g i i ë i ë ' ! '(ëki : , I q i @ E. F E il i p q ë ii t ij ï E î iiit qtà i ï @@i @ g j @ @ i @ j i @ë g @ g i l i t i q ! g l ë j i i è i i @ i d i d i : ) I ( i @@ ( g : i à ( ( ë j ( t . ( g : @ i 1 à ë @ @: 1 li i 7 1 @ i ' l i: l:: i ) ! (ji ë : E g j p ji g g j g i g i gi ë l jëgji ë jl i j ë4 j ëg ? ë : ë @ E : E .: r l ë jë j r l tg j j à g. y E j gt p g k ë g à i j ë jgg i g t j L : q l ë E t l jg i g j i pë g l jë gg j( j @ j : g :: @ 4 ( t j (( g @ ë j g gàëy5 . gg q #kE à jjj ë j ë lg g tj l j l g ë k gj g t j l g j ë j ë i ë j t g ë l g y g l . t j k g j ë : i t i i g i i é i i d g ï i à i l p ë l g l E ë l i g ë i j k j g j ) E : ë j g y ë j à j l g g t g j g t . j g j ( : ii f li l j i ë ii k : ; ë g jy ) ( j ( jg g ë j . ( jg ( ,j yy g j g j t i y j jl , . z l E . l ë j . jij i gp ijj @ gy j . j g j g l g j . j t j j y g l g y g t : r g j l j g j p j g k g . g E j g g g à g g j ë g j j g p j j g r g t g g j k g j g g j j y g j t j x : g ë g j g j k z j . j l g q i : z g r g j p j g l g t g j j i . j g j g j g j y j g .: j: j: jg g ë ( ë g é ë 4 @ i @ :ë i i ( i @ ë ! (( . : i . : g : ë g l p g g j j l j g j g p j : j j g k j g r g g j g a j j j j j g j l g g j j k g g g j j g t j t l : ë k j g k g g ( j g j k ë j ë t j l j y r : g : j . ( g j g ( j y g r g p j l g j g j t : . t j g k j j g l ë l g t g g j g j i ë l : i ë j : ( i j l g r g j j g j g l g ë : . j r g j E ë j . i i l i i i q l ë ; . i l i ë ù i y j i : i @i ë @ . ë ( i E : ! . !E:.1.: E : . :: @.; 4g ( ( g j ( g j( q j @ q !g ëi :E!q .ë ëEi ' !!. :@ :i .ë ll i g r k @ i ë i q ë j j ë : ë i i i @ i i @ 4 g i k i j i i i . i : ( i j j y t g t : y g 4 g : g g ( g g j j g j j g j j k j k g j g j g l ë j t p g t g j y , j g , . ë ( : j ( ( g ; ( : g ( g E g q k y t j t j g l g . y j j ë g ë j g l l g k g j g j j t j ë j i : ë ! . 4 ! ë , i à ! r E . i ë @ g . . . t j g . j l j l ë t ë y j :: ë j g îi ë g i d r : i @j E ëg j à j )i : !@ ' ë gy g . jë k à l à l ë ii . l ii r ' r l ië . id i è @ d i' i : '! @@ ' ég ë @i E i l gë é i g i k! ëé # ë à : ëi g it iië i yë E .. :ii i g: éi g ë ?j k jës l ij r l i@ g .'i i p ig pi l g ië j i g il i @i -:: à gé g ï ë l i ëii é i t iié l ëi g q j g @ è i à i d ii ë @ i d ii pi lji kj ë l g ë j ë , ëi j t j j t l a i i j ë i 4 y y ;pë-iëj4ëë j î i k g ë l t l i j j j j lE( , : . é j l i i j 'i y j i rj. . jt j, i j i t j g jj ë t j y j l i j ë l ,i j k j j ë ë j j j j r kji t ëiz.l' i . g ë l ë j l i l à d i i ë ë i l ë q i y j g l jgI E j ii l gj ë j l i l ë y i g k j g j r g r j p g j g j ë j g i g . i ë g i g i g k j ë i l i i .) j ë j g i ë j g i j ë -. s E ë j g . ë -' ' ij yt i ë : . -d ë k i t ië k j iz j gj j gg j l j gt g j ë g j . . j ( k j g j E k ( E g g j y ( ! Eë ( . ! i . -. ë li i ë j ip i . t i ( ë ë ë i g @ g : ë jj jj j g j i j i é j.. -j ( ( g .( l i l i j g 4 t g ë i ë l i i ë g i p i -. j ë i t i i é i l : g i : . ) l i l i g : ! j i . j ( i k j ) r I , 2 j g ë i ! . . g @ g ë i ii @d i k i p ii gj j j g j ë ë j . i g @ i l i ë k j i i ë p i j t g i g jil@ i ( ë ëij g j gj g j g t g j t g( j ggtg pjg j l j g q g j g --g E g ( . y , -! ë . -. j g ( g p . j ( ( E . @ ë E i . j . i ë ( ë ' . @ E . é # @ i E E . i ' l . i ë F ë . i : t @ i g q j i é q â ë ( j 4 i ë i i p ë g ii ë li p ig q l ë@ t t i li j g kg l gë i q i lë (.g i: . @ g ëà i@ gE ë E j ' ië g ; j ! ë ë g k g l i !à k ë t g g y gj g jg jjl ë g j g j i g y i . t g ëF ! . ë k ij i p ë j p. k ëE ë j l ii g i . ! g i-g t g t g j q g l . g j g j g ëj j k p gE -.-.. ''.'.

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