The Official How to Draw Robotech 05

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A monlhly manualdevoled to teaching bow to dearn to draw the BO BOTECHTM animaled cartoon characters and fighling craftin an i nlefligentand easy to understand way. Each iu ue

willcovef one ormore characlers ordevi ces from each ofthe three majorstorylines that make up the RO BOTECHTM saga. Each storyline willbe featured in rotati on. lssues 1 through 4 willfocus on the M A CROSS characters,issues 5 lhrotlgh 9 willcoverth* SO UTHERN CRO SS characters and issues 10 through 12 will coverthe NEW GENERATION characters. Issues 13 through 24 willrepeatthe rotation examining new m aterial from each storyline.

W RIU EN AND COMR LED BY ROBERT A.M ILLER

DANA

S T E R L IN G

Rank: 1st LIEUTENA NT A G E:18

M TW ORK BY HARMO NY GOLD U.S.A.,1NC

Z O R P RIM E Rank: BIO RO ID PILO T

SPY

Age:U ND ET ERM IN ED The child of Max and M iriya Sterling, Dana is a graduate ofthe ROBOTECH M ilitary Acade m y fo unded in the afterm ath of the firstRO BO TECH W ar. Her status as a child ofthe heroes ofthe firstRO BOTECH W arsmakesherchoice of involvem ent in the m ilitary m ore ofa lark than a vocation.She hasa genuine innocence com bined w ith a brilliant m ind.Her Zentredian m other's heritage gives her the ability of pre-cognition concerning the RO BO TEC H MA STERS, their schemes,and the thoughts ofthe renegade clone,ZorPrime.She acts asa catalystto m uch ofthe action during the Earth war against the ROBOTECH M ASTERS.

zoç Prime is the Iast hope of the ROBOTECH M ASTERS to regain the secrets of the protoculture factory and RO BOTECHN OLOG Y.W hile spying for the R O B O TEC'H M A ST ER S , Zo r gradually com es to learn thathe is a clone ofthe fatherof RO B O TEC H N O LO G #;The originaI scientist Zor.Because tbe originalZor disagreed with fellow scientists he hid the RO BO TECH data along w ith the protoculture factory aboard the SDF-I and sentthe battlefortressoutinto space. ZorPrlm é realizes he is being used by the RO BOTEC H M ASTERS and turnss against them . His aclion s lead to his tragic sacrifice, the destruction of the ROBOTEC H MASTERS,andtheinvasion of the Earth by the parasitic Invid.

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TA B LE O F C O N T E N T S IN TR O D U C T IO N .................. 2 EN T ...NG .,.................,....... . .4 DAMOVEM NA STERLI .

FRO NT VIEVV ,......,............. . .. . . .. . . .6 PRO FlLE ..........,...,.. . .. . . . . .. , . . . . . . . .7 EXPRESSIO NS ...............,..,. . , . . . . . . .8 FULL FSG URE ...................... . . . . . . .10 ARMO RED FIGURE ............... . . . . . . . . .12 FIG ZOBA RCK PRI MURE E .................... . . . . , . . . .14 FRO NT VIEW ........................ . . . . . .16 EXPRESSIO NS ........,..,........., . . . . . .17 FU L.L FIG URE ................ . . . . . . . . . . . . .e!8 MO R ED G U RE ............. . . . . . . . . . . .20 H OAR VERC RAF1 FT SID E VIEV# ............,......,. . . . . . . . , . . .22 TO P VIEVQ ........,........... . . . . . . . . . . . . .24 ANG LN EDGVI EVV R EA DI LI ST......,............... . . . . . .26

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W elcom e back m icronians. In this fifth issue of TH E H O W TO D RAW RO BO TEC H 'Mseries w e w ill be dem onstrating how to draw the heroesu villians and m echa of the RO BO TEC HTM anim ated television series. The next four m onths w ill concentrate on the characters and m echa of the Southern C ross Saga,

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By now you know that these books concentrate not on the copy-m e app ro ac h b ut o n con cep t a nd construction. W e w ill teach the

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concept and thinking behind the draw ing of character or m echa and then construct the im age piece by piece, This w ill give you a greater ability at draw ing the characters,first from m em ory and eventually from im agination, in any pose or situation you choose. Construction stepsto finished draw ing w ili be show n on ghost im ages.This w ill allow you to see the foundation f/rm s necessary to m aking sure that the relationships betw een various parts; faces, body or m achines, are alw ays correct.

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SPEC IA L A N N O U N C EM EN TI! W E W A NT YO U R LETT ERS A ND 1)61/th!lI14()11!!!!!!!!!!!!!!1!1!!,!!!!!!!!!!!!!!!!!!!

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D o y o u h a v e a p ile o f RO BO T EC H.. artw ork that your m other is afraid w illfallover and b u ry y o u in yo u r s lee p ? Do your friends enter your room a nd w o n d e r w he re to sit? Are you draw ing RO BOTEC H. in your sleep? W elldon't be shy!W e w antto see and print copies of your best draw ings so start sending in truckloads of RO BOTECH.. art. Youpll need space in your room anyw ay for your future draw ings. Rem em beralso,that ifyou have a .

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gripe,wantto compliment,orjust want to say how dy,then w rite us at:

B lackthorne Publishing 7 8 6 B Ia c kth o rn e A v e n u e

EICajon,Ca.92020

c/o How To Draw RO BO TECH Don'tbe a stranger.

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-m xj gx p figure is pulled down by gravity infigure 1, com presses in figure 2, m $.J andthenuseshisIeg musclesandtheforceofcom pressionto bounce

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The fi bouncing ballaction is seen in w alking, running and jum ping gures.The rythm ofup and down forward m ovem entis created by gravity pulling our body dow n to contact and com pression and w e then use our leg m uscies to recoiland lift up to a standing position .

Practice draw ing these figures in theirw alking, runningandjum ping poses and try draw ing yourfavorite Ro Bo TEc H TMcharacterin any of these poses,

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T For Dana's profiIe draw the eggshape and divide w ith a centerline and eyeline. T he ce n te rIine is tiIted fo rw a rd beecause the head and the neck are tiIted fow ard.

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Phl t a ece satme heey rel s a, ti noonss eha ip ndamo sin uththie nO front view .D raw in the neck Iines. Lightly sketch in the hairand facial details.

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Here are three expressions of Dana Sterling. Each expression has a corresponding ghost im age to show construction technique. l The em phasis here is on drawing

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W o Yo thuerwi exllpn reosts icio entshi attisit nhe thteil ste ofatn hd e head,justasm uchastheface,that m akes a good expression.A good w ay to get the tilt correctly is by draw ing a circle w ith horizontal and vertical center guide-lines GO ING ARO UN D the circle in accordance w ith the tilt you w ant. These Iines w illeventually anchor the eyes, nose, and ears on the head.

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Once you have the circle tilted nq

properlyyoucandraw inajaw Iine x

extending frqm half ofthe Iower Y half of the clrcle The jaw can be long orshort depçnding on the X character and thelr expression rn Rem ember the sphere (a 3 & dimensiùnalcircle.)isthebasisfor & .

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() j v xzâ'. v yy Now rough in your details using the Iines of construction to segm ent the arm or.Rough in the shield using squaresand triangles.

Now place yourtracing paperover yourrotlgh version.Use a ruleron the straight edges of the shield.

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In draw ing Zor Prim e's head you can see the sam e situation you had w ith D ana. Zor's head is tilted to the Ieft so draw your egg ovalat thattilt.N ow m ake yourcenterline for the head at that angle. The neck and shoulder centerline is stilj straight up and dow n. Draw yOUr eyeline and shoulder Iine nOW .

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D raw in Zor's eyeé èenterjng each abo ut h aIfw ay betw ee n th e centerline and the side ofthe head. D raw in the n o se line a n d m outhline.D raw the necklines and rem em ber that Zor's ear on the right is still placed betw een his eyeline and his noseline. U se a

ruler to m ake sure everything is rightand straight.

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Now yougettohave#somerealfun. Rou ghinZor'shair.Ifyouwantto get fancy you can throw in a few extracurves.Rough inZor'seyes and eyebrow s, nose, m outh and c hi oghl IIaight r asndto ad d pupiIs and the eyes. D raw

ll through the neck to find the cylinder shape of the uniform coIIar.

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N ow take som e tracing paperand redraw everything to perfection.

(You know you can.) O n page 8 and 9 w e spoke about how sim ply tilting the head can im part an

exprejsion and we see thatin Zor.

T here's no realexpression on his face yetthe tiltseem s to give him a na ive sense o f w o n de rm ent.

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Start roughing in details on Zor's fa c e , h a ir, a n d c Io th in g .

N ow get a piece of tracing paper overyourrough draw ing and trace yo ur m asterp ie ce fro m yo u r detailed rough.

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Here are shots ofZoqin Mrm or. You'll work with thls plece the same Fay you did wlth Dana Sterling's arm ordraw ings.Except that Zor's head is facing forward w hile his body is angled to the Ieft. Rem em ber this w hen draw ing the skeleton.

A syou draw in the solid m asseson Zor in arm oryou'llnotice another exa m p Ie of pe rspective and forshortening. Notice that Zor is being viewed from a Ievelcloserto the ground.

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squarej,triangles and your ruler on Zor's shield.

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Tracing papertim e.Rem em berto tape your draw ing dow n w ith drafting tape and tape yourtracing paper over it so it wo'nt move. D rafting tape is easier to rem ove than norm al tape so use it for draw ing.

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In draw ing the hovercycle you'llnotice a Iotoftriangles.You'llneed yourruleron this one and otherhovercycle shots.Startby draw ing in the essentialhoverbike triangles.

N ow start connecting the basic triangles w ith the parts of triangles that abound on this draw ing.U se sim ple hines to draw in the handle bar and front Iight assem bly.

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Now startroughing in detailson the bike.G etas sloppy as you need to a nd e ra se w h a t d o e s'n t Io o k rig h t. R e d ra w u n til...

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lt's tim e fortracing paper. lfyou've used yourrulerand tried to keep each piece in proper relation to other pieces then everything should be fine. Dana stands next to her hovercycle to show the size relationship,

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hoverbike from this view overlookirlg it is pretty sim pleq It is m ade up of one c e n tra I re c ta n g le w ith rectangles atthe front and b0th sides of the rear. O nce you have that dow n you can start ro ug h in g in th e handlebars and other details of the hoverbike.

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H ere is a view of the hovercycle as seen from beneath it. The sam e technique used in the last draw ing w ill be used here. D raw one central rectangle w ith one rectangle atthe front and two on the rear.

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Rough in yourdetails and then grab tracing paper and ruler and produce your finished piece. This view is im portant to draw so thatyou can draw the hoverbike com fortably at any angle.Page 26 and 27 are good exam plesof

this.

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Here are som e perspective shots to w ork on.You m ay w ish to save these tw o shots for the discussion of perspective in the upcom ing issues.lfyou choose to w ork on them rem em berto startsim ple and w ork to detail.

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The same simple shapes ar9 still there bqt need to be angled

differently due to how w e are vlew ing them .IfItdoes'ntturn outrlght rem em ber' , KEEP PRACTICING! YO U LEARN TO DRAW BY D RA W IN G !

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The follow ing is a partialIistofbooks lhatw illbe ofinterestand help to you in Iearning more aboutdrawing. Rememborthatbooks can only show you the way. YOU LEARN TO DRAW BY DRAW ING!

BRIDG M AN'S CO M PLETE G UIDE TO LIFE DNA W ING G eorge B.Bridgman W eathervane Books D RAW ING THE HUM A N FIG URE By Jack Ham m

G rosset& Dunlap

D RAW Kurt Hanks and Larry Belliston

W illiam Kaufm an,lnc.

DYNAM IC FIG URE D RAW ING Burne Hogarth

W atson-GuptillPublications

H OW TO DRAW CO M ICS THE MA RVEL W AY Stan Lee and John Buscem a Sim on and Schuster

C REATIVE ILLUSTRATIO N Andrew Loom is

Bonanza Books

DRAW ING TH E HEA D AND HANDS Andrew Loom is

Bonanza Books

C

FIG U RE D RAW ING FO R ALL IT'S W O RTH Andrew Loom is Bonanza Books FU N W ITH A P EN C IL Andrew Loom is THE NATU RA L W A Y TO DRAW Kim on Nicolaides

Bonanza Books

Houghton M ifflin Co.

ATLAS OF HUM A N A NATO M Y FO R THE ARTIST Stephen Rogers Peck O xford University Press TH E ART O F DRAW ING W illy Pogany

Littlefield, Adam s CO.

HOW .TO-DRAW TIPS FROM THE TOP CARTOONISTS Donnar Publications

HOW TO USE CREATIVE PERSPECTIVE ErnestW .W atson Van Nostrand Reinhold

THE OFFICIAL HOW TO DRAW ROBOTECH TM ISSU E 1-4 David Cody W eiss-Bob M iller

Blackthorne Publishing

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