The Getaway - Red Hot Chili Peppers Guitar Tab Songbook
Short Description
The Getaway - Red Hot Chili Peppers Guitar Tab Songbook...
Description
from Red Hot Chili Peppers - The Getaway
Dark Necessities Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton Intro Moderately slow q = 92 **Ab Gtr. 1 (clean)
F5
Riff A
G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp
P.M. throughout
£
10
*Gtr. 2
G
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
Riff A1
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp
£
10
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
*Bass arr. for gtr. **Chord symbols reflect overall harmony.
C5
G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10
G
10
10
10
10
10
10
10
10
10
10
10
10
10
10
Bbsus2
End Riff A
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
End Riff A1
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Gtrs. 1 & 2: w/ Riffs A & A1 (3 times)
Ab
5 : 5 5 5 5 5: 5 5 G ::
Riff B Gtr. 3 (slight dist.)
F5
5 : 5 5 5 5 5: 5 5
C5
Bbsus2
5: 5 5 5 5 5: 5 5
5: 5 B :
let ring
let ring
µ
mp
: 10 :
w/ heavy reverb
8
10
8
10
8
10
8
10
8
10
8
8
8
10
8
10
8
11
10
End Riff B
µ
:: : :
© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission
1
Gtr. 3: w/ Riff B
Ab
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G
Gtr. 4 (clean)
F5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
p
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
C5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
Bbsus2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp 11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
Gtr. 4 tacet
C5 Gtr. 2
G
Ab
Riff C
5
2 2
3
X
mf
5
2 2 2 5
5 5 5
5
X
5
X
X
3
5
2 2
3
X
3
C5
G
5
4
X
5
2 2 2 5
5 5 5
5
X
5
X
X
3
0 1
X
Ab
5
2 2
3
X
5
2 !5 2 5
5 5 5
5
X
5
4
X
3
5
5
End Riff C
2 2
3
X
3
4
5
X
5
2 2 2 5
5 5 5
5
X
5
X
X
3
5
0
X
4
Verse Gtr. 2 tacet
Cm9
G =
5 5 5
1. Com - in’
BB BB G B
Rhy. Fig. 1
*Gtr. 5
on
5 5 5 5
5 5 5 5
to
day,
the light of
55 55 5
55 55 5
we
55 55 5
55 :: 55 :: 5:
Ab,7
=
got
5 5 5 man - y moons
BB B B
5 5 5 5 that are deep
55 5 5
5 5 5 5
at
play.
55 5 5
So
55 5 5
55 :: 5: 5:
mf 10 11 12 13 10 *Piano arr. for gtr.
2
10 11 12 13 10
10 11 12 13 10
8 8 8 6
8 8 8 6
8 8 8 6
I
Cm9
G =
5 5 5 keep
an
eye
5 5 5 5
5 5
5
on
smile
to
the
BB BB G B
sha - dow
55 55 5
55 55 5
10 11 12 13 10
55 :: 55 :: 5:
55 55 5
Fm9
$ 5 5 5
Uh, you and
5 5 5
5 5
I
know
both
B BB G BB
55 5 55
5 see
55 5 55
55 5 55
5 5 5
5 5 5 what
it
has
to
=:
=
8 8 8 6
8 8 8 6
5k 5
$ 5 5 5 ev
55 :: 5: 55::
55 :: 3 55::
55M 5 5
55 5 5
8 8 8 6
Ab
=
5
say.
BB B B
10 11 12 13 10
10 11 12 13 10
G =:
Ab,7
-
BB BB B
’ry
-
5
thing
55 55 5
5
5 5 5 5
must
go
55 55 5
55 55 5
*T
8 8 8 6 8
8 8 8 6 8
8 8 8 6 8
55 :: 55 :: 5: µ 4 4 5 6 X 4
4 4 5 6 X 4
4 4 5 6 X 4
a - way.
*T = Thumb on 6th string
Cm7
G 5
=
4
=:
Gtr. 6 (clean)
G
$ 5 5
5
5
5
Uh, what
do
you
say?
0
?
0
=
5: mp
mf
*w/ delay
µ
10
*Boss DD3, set for 32nd note regeneration.
B BB G B B
Gtr. 5
6 4 3 5 3
5 55 5 5
55 55 5 3 4 3 5 3
55 55 5
5: 55 ::: 5: 5
B BB B B
6 4 3 5 3
6 4 3 5 3
5 55 5 5
55 55 5 3 4 3 5 3
55 55 5
5: 55 ::: 5: 5
End Rhy. Fig. 1
6 4 3 5 3
3
C
Verse Gtr. 5: w/ Rhy. Fig. 1
G :: =
Cm9
5 5 5
5 5 5 5
1. Spin - nin’ knot 2. Stum - ble down 3. Pick you up
G :: 3 5 = Gtr. 6
5 5 5 5 5
that is on my heart to the park - in’ lot like a pa - per - back
Ab,7
5 5 5
=
is like a you got with the
5 5 5 5
5
5
bit of light dark. in a touch of no time for the af - ter - thought. track rec - ord of a ma - ni - ac
5 5 5 5 5 5 3 5 5 5 5 5
5
5
You got They’re like so I
5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5
3
5
5
5
5
mp
w/ wah-wah slight P.M. throughout
: :
3
Cm9
G =
3
5
5
5
5 5
3
5
5
5 5 5 5
sneak at - tack ice cream move it in
G 5 5 5 5
5
from the zo - di for an as and, uh, we
5
5
5
5
5 5 5 - ac, tro - naut. un - pack
5
5
5
5
Ab,7
5
but I Well, that’s it’s the
5 5 5 5 5 5 5 5 5 5
5
5
3
5
5
see me same
your look as
-
fire ing yes -
5
5
5 5
5 5
5
5 5
5
=
5
spark. for we. ter - day.
5 5 5 5 5 5 5 5 5 5 5 5 5 5: *w/ delay
3
5
5
5
5
5
5
5
3
5
5
5
5
5
5
5
3
5
5
5
5
5
5
5
3
5
5
5
5
µ
5
*As before
5
5
Eat Turn An
the
G 5 5 5 5 5
-
5 5 5 breeze the cor y way
5 5
and ner we
Ab
=
5k 5
5 5
4
go and roll,
5
blow by blow find the world ev - ’ry - thing
5 5 5 5 5 3 5 3 5 =
!5k 5
5 and at must
5 5
go your go
5 5 5 5 5 5 5 5 5 5 3 5
a - way com - mand. a - way.
5 5
5
_
Fm9
G 4
1/4
3
5
Cm7
=
G 5 5 =
5
5
5
5
5
3
5
5
=:
4
5
3
$ 5 5 5 5 5 Uh, what do you say? Play - in’ the hand. Uh, what do you say?
5 5 5 5 5 5 5 5 5 5 5 5
5
5
5
5
5
=
/
5
5
5
3
4
5
5
5: w/ delay
5
4
5
3
5
5
5
3
5
5
5
5
5
5
3
3
5
5
5
5
5
5
3
5
5
2
4
5 5 5 5 5 5 5 5 5M
4 3
^
G 5
5
6
Yeah!
µ
Chorus Gtr. 6 tacet
Ab
$ 5 5 5
Uh,
5: G 5: Gtr. 4
Rhy. Fig. 2
you don’t
55
55
5 5 5
5
know
mind.
my
5
5
5
5 5
4
You don’t
55 55::
55
Fm7
55 55
55
55::
55
8 10
10 10
8 10
10 10
55
5
5k 5
5
know
^
G =:
my
kind.
55
55 55::
55
8 10
8 10
8 10
mf w/ chorus let ring throughout
8 10
10 10
8 10
Cm
5 Dark
5 5 5 5 ne - cess
G
-
i
-
8 10
5 5
5
Bb
5
5
5
5 5k 5 5
ties
are
part
of
my
de - sign.
0
?
10 10
5
^
G 4
10 10
And
4
5 5
5 5
3
(Ah,
55 :: G 5: 3 4 5
55 55
55 5
4 5
3 4 5
Gtr. 4: w/ Rhy. Fig. 2
Ab
G 4 G
5 5
¯5
¯5
tell
the
55 5 : 5 5:
55 55 5 5 = 3 4 5
4 5
5k
¯5
¯5
¯5
world
5 5
that
55 5
55 55 55 55 55
6 6 7
6 7
3 4 5
¯5
¯5
¯5
6 7
¯5
4
I’m
6 6 7
6 6
6 7
Fm7
55 55 55 5 5
¯5
¯5
fall - in’
4
5k 5 :
3
5
5 5
5:
¯5
from
4
4
6 6 7
55 55 :: 5 5:
End Rhy. Fig. 2
6 6 7
6 6 7
¯5
¯5
the
sky.
3
ah,
5k 5 : 5
5:
ah,
1.
Cm
G 4
¯5 Dark
G
5 5
5 5
¯5
¯5
¯5
ne - cess
-
4
¯5 i
¯5 -
¯5
¯5
ties
are
3
5k 5 : 5
5:
¯5
¯5
¯5
¯5
part
of
my
de - sign.
Bb
5 5
4
k ¯ 5¯ 5
¯5
¯5
To Coda
¯5
;
?
ah.)
5
Interlude Gtr. 2: w/ Riff C
¯ G 5
C5
4
Ab
?
Gtr. 6
G
C5
0
0
Ab
0
0
?
0
::
0
::
5
4
µ
w/ delay
: :
10
2.
¯5
Cm
G 4
¯5
Dark
G
5: 5:
5 5
¯5
¯5
ne - cess
5 5
-
=
¯5
¯5
i
-
¯5
¯5
ties
¯5
¯5
¯5
¯5
part
of
my
de - sign.
Bb
are
Eb
Db
55 :: 5 5 5 5 : 5 5: 5 5
Fm
5 5 55 5 5 55 = 5
5 5 5 5 5 BB = 55 5 B
55 5: 5 G 5
¯5
4
0
?
Interlude Gtr. 5
k ¯ 5¯ 5
55 :: 5 55:: 5
55 55
Ab
5 5:
w/ pick & fingers
6 8
8
8 8 8
6
9 11 8
9
8
10 11
10
9 11
9
11
10
8 9
11 10
8
9
11 8
11 9 8 10
11 9 8
8
9
9 11
Bridge Gtr. 5 tacet
Eb
Do you want
5
Gtr. 7 (slight dist.)
5
G
this
5
5k 5
Db
5 5 5 5 5
love
5 5 5 5 5
of mine?
5
5
Dark-ness helps
5 5
6
5
Fm
5 55 5 =
all
to shine.
5
5
5
5 5 5 5 5
5 5 5 5 5
Do you want
Do you want
5
it?
k 5 5 5
5
11
9
5
mp w/ heavy reverb 1/2
15
us
5k 5
^
5 55 5 5 G
15
1/2
13
11
13
1
13
11
9
11
11
10
it
Ab
=:
B
now?
$ 5
Eb
5 5
5 5 5 5k 5 5 5 5 5: 5
Uh,
do you
want
'
G
5
5
it
all
5
the time?
5
Db
5 5 5 5 5 5 5 5 5 5 =
^
k G 5 5
But
5
dark - ness helps
5 5
1/2
13
us all
to
shine.
5
5
5
13
11
9
1/2
15
15
13
11
13
D.S. al Coda (take 1st ending)
Fm
Do you
G
5
5 5
5
5 5 5 5
5
want
it?
Do you want
it
5
²²²²²²²²²²²² 5 5 ²²²²²²²²²²²²
1
11
11
B:
5k 5
?
4
now?
2
Ah!
'
5
9
Gtr. 7 tacet
^
k G 5 5 5
Ab
0
11
10
; Coda
Guitar Solo
¯ G 5
Ab
4
55555555
Gtr. 8 (slight dist.)
G
f 11 11 10 10
13 13 11 11
Fm
?
0
55555555 5555 55555555 555 5
0
55555555 11 11 10 10
10 12 12 12 8 10 10 10
Bb
G 5 5 5 5 5 5 5 5 5 5 5 5
8 10 10 10
8 10 10 10 6 8 8 8
8 10 10 10 6 8 8 8
55555555
Ab
5555
11 11 10 10 8 10 10 10
Cm
6 8 8 8
13 13 11 11
13 13 11 11
55555555
10 12 12 12 8 10 10 10
6 8 8 8
Fm
55555555 5555 55555555 10 12 12 12 8 10 10 10
8 10 10 10
8 10 10 10 6 8 8 8
5555
6 8 8 8
7
Cm
Bb
Ab
55555555 Riff D 55555555 5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5k 5 5 5 11 11 10 10
G
13 13 11 11
10 12 12 12 8 10 10 10
8 10 10 10
Fm
8 10 10 10 6
8
8
8
6
8
8
8
3
Cm
3
3
3
3
5
3
3
5
5
3
Bb
0
0
?
4
3
5
5 5 5 5
(Ah,
G
5 5 5 5 5 5 5 5 5
5k 5
3
3
3
3
3
3
3
3
3
5
5 5 5 5
5
End Riff D
5 5 5 5 5 5 5 5 5 5 5 5 5
5
3
5
3
3
3
3
3
3
3
3
5
5
5 5 5 5 5 5 5 5 5 5 5
5
5 3
3
3
3
3
3
3
1
0
1
Gtr. 8: w/ Riff D
Ab
G
5: 5:
5 5 5 5
4
Fm
5k 5 :
B B
5 5:
3
4
ah,
5: 5:
5 5
Gtr. 9 (clean)
G 5:
5 5
5k 5 :
5: 5:
5 5:
ah,
Outro Ab
G
3
Cm
4
3
5k 5 : 3 5 5:
4
B B
5k 5 : 3 5 5:
4
ah.
Ah,
Fm
5k 5 : 5
5 5 5 5
Bb
B B
5:
4
3
ah,
5 5
5 5 5 5 5 5 5
10
10
5k 5 : 5
5:
ah,
5
5:
5 5
5 5 5 5 5 5 5
10
10
10
5
mf
w/ chorus
10
10
10
10
Cm
G
5: 5:
5 5 5 5
5 G 5 5
10
12
12
10
Bb
5k 5 : 3 5 5:
4
12
10
10
B B
5M
0
?
5
5 5 5 5 5 5
10
10
'
1
10
8
10
10
10
9
10
10
10 12 12
12
12
Ab
ah.)
5 5 5 5 !5k 5 5 5 5
10
10
10
8
7
8
10
12
12
from Red Hot Chili Peppers - The Getaway
Detroit
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer Intro Moderately slow q = 91
μ
E5
E 5 G 5
Gtr. 1 (slight dist.)
5 5
5:
f
5 5
5:
5 5
5
22
5
5 5
5:
5 55
5:
5
5 5
5
22
steady gliss.
£
G
E
2
17 17
2
2
0
2
2
0
0
Riff A
5:
X X
0
2
2
2
2
0
2 2
2
0
0
2
X X
0
End Riff A
5 5
5:
5 5
5
5 5
5
22
5 5
5:
5 5
5:
5
5 5
55 5 5 1/2
2
2
2
0
G
E
5:
5 5 2
G
5 5
2
2
5 5
5:
5
2
5 55
X X
0
5 5
55 3
2
2
0
22
2 0
2
X X
0
5 5
0
Riff B
5:
2 0
5:
0
E
2
0
5
2
2
2
0
5:
2
5 5 2
5
0
5 55
5
2
0
0
5 5
2 2
2 0
0
5 5
5:
5:
5
0
0
5
55 2 2
0
End Riff B
5 5
0 0
0
5 5
5 3
2
55
22
2 2
X X
5
5
1/2
2
2
2
0
2 2
2 2
0
0
2
0
2
0
2
2
2 0
0
3
17
Verse Gtr. 1: w/ Riff A (2 times)
E5
G
E 5
1. Find
5
5
5
5
me
in
the
sub
5 -
5 urbs
5k 5
© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS All Rights Administered by KBSK MUSIC All Rights Reserved Used by Permission
and
5
=
5
the
1
G
E
5
5k 5
5
ow
of
de
5k 5 shad
-
B:
5k 5 -
4
cay.
Riff C
E
End Riff C
Gtr. 1
G
5 5
5:
2
5 5
5:
2
2
0
5
5 5
2
0
22
2 0
5
5:
2
X X
0
2
E 5
Roll
G
E
-
5
5
5
5
ing
rings
of
rub
5k 5
5k 5
5
band
be
-
gins
2
Am
E G 5 Can
5
5
5
5
I
on
the
right
5
5
you
see
5
5 5 5
-
5k 5
ber
the
ris
-
5
5
5
5
side
of
the
left
ing
of
5
old
=
5
the
4
5
5
5k E5
side
of
!5k 5 your
5 5
5 5 5
yes - ter - day’s
5
=
E5
brain?
4
5
re - mains?
Riff D
E
5
0 0
0
B:
play.
5 !5
3 2
2
5
and
55
55 5
Gtr. 1: w/ Riff B
to
5
2 0
5
Gtr. 1: w/ Riff A (2 times)
E G 5
2
5
5 5
0
5
5k 5
5
5 5
5:
0
Gtr. 1: w/ Riff A (3 times)
G
5 5
End Riff D
Gtr. 1
G
5:
5 5 2
0
2
5:
2
5 5 2
0
5 5
2
5 2
0
0
22 X X
5
5:
2
5 5 2
0
5:
2
5 55 2
0
5 5
2 2
5
let ring
2 0
0
55 5 0 0
0
µ
Pre-Chorus C
¯ E 5¯ G
¯ ¯5
¯ ¯5
Funk - a
G
E
-
¯ ¯5
del
-
¯k ¯ 5¯ ¯
ic
¯ 5 ¯5
¯ ¯5
said
it
G
D
¯ ¯5
A
¯ ¯5
E5
I
think
best,
¯ ¯5
4
5
5
E5
¯¯ ¯¯ ¯¯ 5 5 5
you
know
the
=
4
rest.
55 55
55 55
55 55
55 55
22 22
22 22
55 55 55
22 22 22
55 5 5
55 5 5
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
X X X X
X X X X
3 3 0 0 2 3
X X X X X X
2 3 2 0
2 3 2 0
Bkgd. Voc.: w/ Voc. Fig. 1
¯ E ¯5 G
¯ ¯5
¯ ¯5
¯ ¯5
don’t
stand
a
C
Time
E G 5555 :::: 1 0 2 3
¯k ¯ 5¯ ¯
22 22 22
55 5 5
55 5 5
1 0 2 3
X X X X
3 3 0 0 2 3
X X X X X X
2 3 2 0
2 3 2 0
1 0 2 3
1 0 2 3
Bm
X X X X
Don’t
5k 5
you
0
A
5
wor
-
E55 55 2 2 2 0
5k 5
ry,
ba
2
¯ ¯5
¯¯ 5
2
5
5:
0
0
0
¯¯ 5
mo - tor
-
5 5
0
E5
55 55 55 55 55 5 D55 55 !55 55 55
55 55 55
2
5 5
-
0 0
=
5 5
2
2
0 0
4
2
=
2 0
5:
5
I’m
5
5 5 0
5
by,
2
ness.
5:
5
3 5 5 5 5
μ
0
5
5
0
¯¯ ¯¯ ¯¯ 5 5 5
mad
2
5
5:
0
¯ ¯5
5 5
^
5k 5
5:
this
55 55 55
5 5 2
a - gainst
22 22
E 5k 5 E 5 5
¯ ¯ ¯ ¯5 ¯5 ¯5 D
chance
5
2 2 2 0
55 55 55 22 55 55 55 22
C Chorus
*Gtrs. 1 & 2
¯ ¯5
G
5
E55 5 5
End Voc. Fig. 1
4
B:
E G 555 5
G
¯ 5¯
Voc. Fig. 1
(Ah.)
G
¯¯ 5
like
55 55 55 55 55 55 55 55 55 5 D55 55 !55 55 55
55
mf w/ chorus
7 9
1/4
1/4
7 9
7 9
7 9
7 9
7 9
7 9
9 9
9 9
9 9
9
9
9 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
9 9
9 9 9 9
9 9
9 9
7 9
*Gtr. 2: w/ slight dist. Composite arrangement Riff E Gtr. 3 (clean)
G
E
5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5
5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
9
9
9
mf w/ chorus
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
3
2nd time, Gtrs. 1 & 2: w/ Fill 1
5k !5
G 4
5k E5
De
E 5 G 5 Gtr. 1
-
troit,
5
5k 5
I’m
cra
5
-
55 55 55 55 55 5 D55 55 !55 55 55 55
55 55 55
5:
D
E5
zy.
55 :: 5:
=
4
^
E
Bb
55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
1/4
7 8
7 8
E G 55 Gtr. 2
7 8
7 8
7 8
7 8
7 8
9 8
9 8
9 8
9
8
9 8
0 0
55 :: 5:
55 55 55 55 55 5 D55 55 !55 55 5 5 5 5
55 55 55
7 7 7
7 7 7
0 0
7 8
7 8
7 8
7 8
7 8
7 8
9 8
9 8
9 8
9
8
9 8
0 0
7 7 7
0 0
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
7 7
0
0 0 0
55 55 5 5 5 5 55 55 55 55 55 !55 5 5 5 5 5 5 5 5 5 5 5 5 5 µ let ring
1/4
7 8
7 7 7
!55 5 5
7 7 7
7 7 7
9 X 0
9 7
9 7
7 7 7
7 7 7
9 7
7 7 7
7 7 7
7 7 7
X 0
0 0 0
End Riff E
E G 5 Gtr. 3
8
5 5 5 5 5 5 5 5 5
5 5 5 5 2
5
5 5 5 5 5 5 5 5 5 5 5 5 =
8
8
7
7
8
8
8
8
8
8
8
8
8
8
8
X
7
7
7
7
7
7
7
7
7
7
7
Gtr. 3 tacet
F#m
5k 5
Don’t
you
Rhy. Fig. 1 Gtrs. 1 & 2
G
E
5
E 55 E5 55
let ring
9
5k 5
11
9 10 11 11
µ
wor
55 55 5
5
5
-
ry,
5k
5:
Gmaj7
5 ba
-
55 55 5
55 55 5
22 22 2
55 55 5
55 55 5
55 55 5
55 55 5
55 55 5
55 55 5
55 55 5
22 22 2
22 22 2
9 10 11 11 9
9 10 11 11 9
X X X X X
9 9 9 10 10 10 11 11 11 11 11 11 9 9 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
X X X X X
X X X X X
5
5
5
by,
5
I’m
^
G
E 5k 5
like
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
2 22 2
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
14 12 12 12
X X X X
Gtr. 3: w/ Riff E
Bm
E G 55
De
Rhy. Fig. 2
55 55 55
5 5 5k 5
5k 5
5 -
troit,
I’m
5
cra
55 55 55 55 55 5 D55 55 !55 55 55
5
-
5
zy.
5:
5
I’m
^
E G 4
like
55 55 55 55 55 55 55 55 55 55 55 5 D55 55 !55 55 55
End Rhy. Fig. 2
1/4
7 9
4
7 9
7 9
7 9
7 9
7 9
7 9
9 9
9 9
9
9
End Rhy. Fig. 1
1/4
9 9
9 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
9 9
9 9
9
9
9 9
9 9
7 9
2nd time, Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A
5k 5
5
G 4
De
E 5 G 5 Gtrs. 1 & 2
-
5k !5
5k 5
I’m
cra
troit,
-
55 55 55 55 55 5 D55 55 !55 55 55
55 55 55
5:
D
5
5
zy.
7 8
7 8
7 8
7 8
7 8
7 8
9 8
9 8
End Fill 1
55 5
1/4
9 8
9
8
9 8
7 7 7
7 7 7
0 0
4
55 55 55 5 5 5 D5 !5 5 5 5 5 5 5 5 2 !5 5 5 5 5 5 5 5 5 5 5 5 5 2 5 5
Fill 1
1/4
7 8
=
^
E
Bb
7 7 7
7 7 7
9 7
9 7
1
9
9
7
9 7
9 9 7 7
9
7 7
X X
0 0 0
To Coda Gtrs. 1 & 2: w/ Rhy. Fig. 1
F#m
G
E 5k 5
5k 5
Don’t
5k 5
you
5
5
-
ry,
wor
5k
;
Gmaj7
5 ba
-
5
5
5
by,
5
5
I’m
E5
5
=
5
like...
Interlude Gtr. 1: w/ Riff A
G
E
Gtr. 1: w/ Riff B
E5
?
0
4
2. The
Verse Gtr. 1: w/ Riff A (3 times)
E5
G
E 5
Stoog
-
5
5
es
and
Gtr. 1: w/ Riff C
5 5 J
Dil
5 5
-
5k 5
la,
yeah,
=
5
5
they
5k 5
tore
5 5k 5
5k 5
5 this
town
a - part.
B
5 = 4
Rhy. Fill 1
E 55 G 5
Gtr. 1
55 5 5 5 !5 5 5 5 5
55 3 55 55 5 55 3 55 55 5 55
1/2
7 7 7
7 7 7
9 7
9 7
1/2
9 7
9
7
7 7
7 9 7 7
9 7
9 7
0 0 0
Rhy. Fill 1A
E 55 G 5
Gtr. 2
55 55 55 5 !5 5 5 5 5
55 3 E555 555 555 555 555 555 5 55
1/2
7 7 7
7 7 7
7 7 7
7 7 7
9
7
9 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
0 0 0
5
G
E 5 Put
E
5
5
5
me
back
5
5
to - geth
5k 5
5
-
er,
well,
=
5
5 I
Gtr. 1
G
5 5
5:
5 5
5:
5
5 5
22
5
5 5
5:
5 5
5:
5
5 5
5 55 5 1/2
2
2
2
0
G
E
5k 5
E
2 0
that’s
5 5
5:
2
5
5
0
0
an
5 5
2
2
0
2
2
2
2
0
0
B
0
0
5
4
5
5
5
0
0
2
X X
0
2
2
=
Hit!
22
2 0
2
art.
5
5 5
2 0
5k 5
5
quite
2
X X
0
5k 5
5
guess
G
2
0
5 5
2
5 5
5:
2
2
5
5 5
2
0
5
5
5
2 0
0
2
8
0
Interlude Em
G
E
5M
5 5 2 2 5 5 2 2 5 5 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5
5
X X
0
X X
5
5
X X
X X
5
5
X X
5
5
X X
X X
5
5
X X
X X
E G 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 2 2 2 2 2 2 2 2 5
6
X X
X X
5
5
X X
X X
5
5
X X
X X
5
5
X X
X X
5
5
X X
X X
5
5
5
5
X X
X X
5
5
X X
X X
5
5
X X
X X
5
5
X X
X X
5
5
X X
X X
5
2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 2 2 2 2 2 2 2 2 5 X X X X
5
5
X X X X
5
5
X X X X
5
5
X X X X
5
5
X X X X
5
5 0
Verse Gtr. 1: w/ Riff A (2 times)
E5
E G 5
3. Hen
-
5
5
5
5
ry
won
the
war,
5
5
5
5
5
5
5k 5:
you
see,
but
not
with
pen
or
5
Gtr. 1: w/ Riff B
E G 5
5
5
5
5
did
it
with
the
lit - tle
5
=:
E5
$ 5
sword.
He
Gtr. 1: w/ Riff D
5:
5
!5
5
thing,
I
think
¯ ¯5
E5
I
think
5
5
5
it’s
called
a
5
4
5
Ford.
Pre-Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
¯ E ¯5 G C
¯ ¯5
¯ ¯5
Funk - a
¯ ¯5
¯k ¯ ¯5 ¯ 5
¯ ¯5
G
-
del
-
ic
said
¯ ¯5
D
it
¯ ¯5 best,
E G 555 5
55 55
55 55
55 55
55 55
22 22
22 22
55 55 55
22 22 22
55 5 5
55 5 5
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
X X X X
X X X X
3 3 0 0 2 3
X X X X X X
2 3 2 0
2 3 2 0
¯ E 5¯ G
¯ ¯5
¯ ¯5
¯ ¯ ¯ ¯5 ¯5 ¯5
Gtr. 1
C
Time don’t
¯ ¯5
stand
a
¯k ¯ 5¯ ¯
5 chance
E
D
¯ ¯5
E55 :: 55 ::
a - gainst
¯ 5¯
you
know
5 5
5:
2 2 2 0
A
¯¯ 5
2
the
5
5 5
5
0
=
4
5 5
5 k 5
rest.
2
0
¯ 5
¯¯ 5¯¯ 5¯¯ 5
2
2
0
5
5
5
mo - tor
5
0
5
0 0
0
0
3
7
0
D.S. al Coda μ
5
this
55
2
Em
5 5 5
mad
=
-
=
4
ness.
4
^
G
¯ ¯5
G
A
?
(Oo.)
E G 555 5
55 55
55 55
55 55
55 55
22 22
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
X X X X
22 22
55 55 55
22 22 22
55 5 5
55 5 5
X X X X
3 3 0 0 2 3
X X X X X X
2 3 2 0
2 3 2 0
E55 5 5 2 2 2 0
5
5 5
5:
2 0
55 55 55 55 55 55 55 5 5 5 5 5 5 5
5:
12 12 12
2
0
12 12 12 12 12 12 12 12 12
=
12 12 12 12 12 12 12 12 12
0
; Coda
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff E
Bm
5k ¯5
5k ¯5
¯
De
¯
-
troit,
5¯¯ I’m
5k ¯5
¯
cra
¯5¯
-
¯5¯ zy.
¯5¯
I’m
¯5¯
¯5¯ :::
^
E G 4
like
7
!¯ ¯ 5
Bb
E G 4
5k 5¯
De
-
¯
¯5 ¯
troit,
I’m
5¯¯
¯5¯ ¯5¯ ::: D
cra
-
D
?
zy.
55 55 55 55 55 55 55 55 55 5 D55 55 !55 55 55
End Rhy. Fig. 3
Rhy. Fig. 3 Gtrs. 1 & 2
E G 55
Dsus4
55 5
55 55 55 55 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5
7 7 7
7 7 7
!55 5 5
1/4
7 8
7 8
7 8
7 8
7 8
7 8
7 8
7 8
9 8
9 8
9 8
9
8
9 8
7 8
7 7 7
7 7 7
7 7 7
8 7 7
8 7 7
8 7 7
8 7 7
8 7 7
8 7 7
8 7 7
7 7 7
0 0 0
0
Gtrs. 1 & 2: w/ Rhy. Fig. 1
F#m
Ev
5k 5 -
5k 5
’ry
-
5
thing’s
E
Gtr. 4 (dist.)
G
5
5k
so
Gmaj7
5 ha
-
5
5
5
zy.
I’m
?
0
5:
5
^
G
E 5k 5
4
=
like
5 mf w/ wah-wah
7
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff E
Bm
5k 5
5 De
-
troit,
E k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 = G 55 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
7
8
9
9
5
5
5
5
5k 5
I’m
cra
5
5 -
9
5
zy.
I’m
²²²²²²²²²²²²²²²²²²²²² 5 5
5k 5
9 7
9
9
5:
E5
like
5
5
²²²²²²²²²²²²²²²²²²²²²
1
7
5
^
E G 4
5
5
5
5
5
9
7
1
9
9
9
10
Gtrs. 1 & 2: w/ Rhy. Fig. 3
G
E
5k E5
!5
4
De
E
troit,
D
I’m
cra
-
5
²²²²²² !5 5 5 !5 5 E5 5 5 5 5 5 25
5k 5 :
²²²²²²
8
7
-
8
1/2
X
8
5:
5
5k 5
9
7
5 5 5 55 5 55 1
7
9
7
9
7
9
D
E5
=
5 2 5
5k 5
zy.
1
9
Dsus4
4
^
G
Bb
5
1
1
7
7
9
5 5 5 5
14
16
14
15
17
17
X
9
16
Gtr. 1 & 2: w/ Rhy. Fig. 1
F#m
G
E 5k 5
5k 5
Ev
G
-
5k 5
’ry
-
²²²²²²²²²²²²²²² 2 E E5 ²²²²²²²²²²²²²²²
14
55
X
14
5
thing’s
so
14
16
13
5
5
5
-
5k 5
5
zy,
55 E 5 5
let ring
²²²²²²²²²²²²
14
Gmaj7
ha
5 5 E 5k ²²²²²²²²²²²² 5:
5k E 5
0 0
5
5k
1
17
14
1
1/2
!5
µ
B
I...
55 ::
5
1
17
55 55
5
55 ::
1
1
14
14
17
5
14
17
14
17
17
Outro Gtr. 4 tacet
E5
E G 5
4
^
=
E
?
0
Gtr. 1
G
5 5
5:
chorus off
5 5
5:
5 3
5 5
5 5
2
2
2
2
2
0
0
2
0
2
E 5 5²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 55 55 55 55 55 55 55 55 55 5 G 5 µ let ring ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 0 5
5
5
0
0
5 5
5
5 5
22 22
1/2
0
3 X 0
5 5
5:
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0
2
0
2
2
2 0
X X
0
X X
μ
55 5 5 let ring
0 0 0
µ
5
5
5 55
5:
5 5
5 5
5
=
0 2 0
0
2 2
2 0
2
2 0
0
9
from Red Hot Chili Peppers - The Getaway
Dreams of a Samurai Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer Gtrs. 3 & 4: Drop D tuning: (low to high) D-A-D-G-B-E
Intro Slow q = 71 ** Dm['9]
D5
*Gtr. 1
5 G 5 5
5
5
mp
5
G5
5:
5
5
5
5
5
5
5:
5
w/ fingers let ring throughout
£
5
3
3 0
3
5
5
3
0
0
3
0 3
*Piano arr. for gtr. **Chord symbols reflect overall harmony.
Play 4 times
Dm(add9)
G5
5 G :: 5
mf
: :
5
5
5
5
5
5
5
3
3
3
5
3
5
0
5 G 5
5 5
5
5
5
5
5
3 3
0
5
55
5
3
3
5
Bb
G
3
0
5 5:
B:
7 6
5
5
3
0
0
0 3
3
0
5
5 5
5
3 0
5
5 5
3
3 0
0
5
5 5
5
3 0
C
5 5
5
5
3 0
3
3
:: : :
5 5 3 0
0
5:
0
3
3
Ebadd9
B
5:
=
Female: (Ah.
5 G 5
5
G5
5
5
5
5
3
0 0
5
Dm(add9)
5
55 5
5
B :
5
Ah.)
55 8 8
5
5
5
6
7 6
5
6
5 5 5 5 5 5 5 5 5
5
5
8 9 8
8
10
10
9 10
10
10
5 5 5 11
10 11
© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS All Rights Administered by KBSK MUSIC All Rights Reserved Used by Permission
5
5 5 5
13
13
11
12 13
5
5
13 11
1
Gtr. 1 tacet
Gm
G
C'9
B
5 G 5
5
10
Dm7
5 5
5
5
G5
G ?
4
B
Dm7
= 3 22 22 = :
22 22 = :
=:
4
G5
w/ wah-wah & delay
X X X X
X X X X
Dm7
G5
5 5k 5 5 5 5 5 5
5k 5
$ 22 )))))) = : 2 )))
string noise
string noise
X X X
)))))) )))
X X X
0
Dm7
5
5k 5
G5
$ 22 ))))))= $ 3 4 2 ))) 5
*Delay set for eighth-note regeneration w/ 4 repeats.
G 4
0
0
mp
Verse Dm7
5
10
8
Dm7
5
'
10
12
10
Gtr. 2 (clean)
5
8
11
5
B:
G5
=
1. Stand - ing na - ked in your kitch - en,
)))))) )))
X X X
)))))) )))
5 5k 5 5 5 5 5 5 5 5
feel - ing
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 G 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
µ
4
G5
5k 5
4
3 2$))) = ? 22 ))))) )
free
that I could be a - live.
5
=
22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22
delay off
X X
X X
Dm7
X X
X X
X X
X X
X X
X X
X X
X X
X X
G5
5 5k 5 5 5 5 5 5
5k 5
G 4
X X
Clear - ly
I’m
X X
X X
X X
X X
X X
X X
X X
=:
Dm7
5
5k 5
X X
=
a con - tra - dic - tion,
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
5 5 5 5k 5:
$ 5k 5 5
too young
to be
X X
X X
X X
2
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X X X X X X X X X X X X X X X X X
X X
X X
X X
!5
my
X X
X X
X X
X X
X X
X X
X X
G5
4
wife.
G 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 3 = 5 X X
X X
X X 0
5 5 322 steady gliss. µ X X 18
13
G =:
Dm7
5
$ 5
A
G5
5k 5
5
peace - ful
5
5
storm
5
is
5
5
nev - er
hec
5
5k 5 -
=
tic,
5 5 5 2 2 2 2 5 5 2 2 2 2 5 5 5 2 2 2 5 5 5 5 2 2 2 5 5 5 5 5 2 2 5 2 5 2 5 2 G 5 5
7
7
7
X
X
X
G =:
X
5
7
X
X
X
X
5
Dm7
$ 5
5
her
7
7
mel - low
X
X
5
7
7
7
X
X
X
5
5
5
7
7
X
X
5
X
7
X
5
X
G5
5k 5
5
X
5
voice
5
5
5
5
that
I
could
be
5
5
5
with - in.
=
5 2 2 5 5 5 5 5 2 2 2 2 5 5 2 5 2 2 5 5 5 2 2 2 5 5 5 2 2 2 5 + 3 5 2 G 5 5 5 5
7
7
7
X
X
X
G =:
X
5
7
X
7
X
X
Dm7
5
$ 5
The
u
7
ni
-
7
X
X
X
5
7
7
X
X
X
5
G5
5k 5
5 -
5
5
form
5
5
is
an
-
o
-
X
rex
-
0
6
0
X
5
5k 5
5
5
7
X
7
7
7
X
X
X
5
5
7
X
X
X
X
5
7
7
X
X
X
5
7
7
7
X
X
5
=
ic,
5 5 5 2 2 2 5 5 5 2 2 2 2 5 5 5 2 2 2 5 5 5 5 2 2 2 2 5 5 5 5 2 2 5 5 5 2 G 5 5
5
X
X
5
7
7
7
X
X
5
7
7
2
5
X
X 0
G =:
Dm7
5
$ 5 a
5
5
jeal - ous
5
G5
5k 5:
choice
!5
won’t
5
=
win.
5
Met
5 5 5 2 2 2 2 5 5 5 5 2 2 5 5 5 2 2 2 2 2 5 5 5 5 5 5 5 5 !55 55 55 5 D55 G 5 5
!5
D55
-
!5
D55
a
!5
1/4
5
7
7
7
X
X
X
X
5
7
7
7
X
X
5
7
7
X
X
X
X
X
0
7
7
7
7
7
7
7
7
0 7
0 7
0 0 7 7
0 7
0 7
D55
-
55
0 7
0 0
3
Pre-Chorus Gtr. 2 tacet
Dm7
mor
5 5 55 5 5 5 55 = 5 5 -
pho - sis sam - u - rai.
You got a
lit - tle
5k 5 lord
*Gtrs. 3 & 4 (dist.)
G ' ' '
fish and I
55 :: 5:
55 5
mf
5 5 5 5
5
5
don’t know
5 5 5 5 =
5 5
^
k
G 5 5
why
I got
55 55 55 55 55 55 55 55 55 5 5 5 5
a
met - a -
55 55 55 55 55 55 55 55 55 55 55 55 µ
**w/ wah-wah & heavy reverb let ring
0 0
0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0
0 2 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Composite arrangement **Wah-wah used as filter.
k 5
5
G 5
mor
-
pho
sis
sam
-
u
-
5
= 4
5:
B
rai.
5 5 5 5 5 5 5 5 5 5k 5 5 E5 5 5 5 5 5 5 !5 5 5 E 5 5 5 5 5 5 5 55 ' ' 5 E5 5 5 5 5 5 5 5 ' µ w/ bar
55 5 2
0
-
5k 5
5
3
G 5k 5
0 0 0
5k 5
5
0
3
2
0
3
3
3
3
3
-1
-1
5
5k
5 5 5
5 5 5
5 5 5 -1/2
-1/2
3
5 5 5
3
55 5
0 0 0
-1/2
Verse Gtrs. 3 & 4 tacet
Dm7
G 4
5 2. Paint
Gtr. 2
G =
22 X X
4
your
G5
5
5
face
5
5
5
5
’cause
I’m
a
black
5
5k 5
=
foot,
5 5 5 5 2 2 5 5 5 2 2 2 5 5 5 5 2 2 2 2 5 5 5 2 2 2 5 5 5 2 2 2 5
7
7
7
X
X
5
5
7
X
X
X
5
7
7
7
X
X
X
X
7
7
7
X
X
X
5
7
7
X
X
X
G =:
Dm7
$ 5 I
5
5
5
5
5
5
5
5
5
thought
I
count
-
ed
up
the
fire
-
5 5 5 2 2 2 2 5 5 5 5 G 5
5
7
7
7
X
X
X
G5
5k
X
5
7
7
5
5
=
flies.
2 5 5 5 2 2 2 5 5 5 5 5 2 2 2 2 2 2 2 2 2 5 5 5 2 2 2
5
7
X
5
5
7
X
X
X
5
7
7
7
7
X
X
X
X
X
X
X
X
X
5
7
7
X
X
X
0
Dm7
G 4
5
5
Close
e
G5
5k 5 -
5
nough
5
5
5
5
to
get
a
good
5k 5
4
look,
5 2 5 2 2 5 2 5 2 2 5 2 5 5 5 2 2 5 5 5 5 2 2 2 2 2 5 2 5 2 2 5 2 5 2 2 G 5 5 5
7
X
5
X
X
5
X
Dm7
G 4
5
X
X
5
X
5
7
7
X
0
X
5
5
5
5
5
5k 5:
time
to
mo
-
bi
7
7
7
X
X
G5
X
X
X
7
X
5
X
X
5
!5 -
X
=
lize.
7
7
7
X
X
0 0
0 0
5
7
7
7
X
X
5
7
7
X
X
X
7
7
7
7
7
X
X
5 5 Met - a -
5 5 5 2 2 5 5 5 5 2 2 5 5 5 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 G 5 55 :: 55 55 5: 5
5
7
7
7
7
7
7
7
0 0 0
55 5 0 0 0
5
Pre-Chorus Gtr. 2 tacet
Dm7
k
G 5 5
mor
-
5 5
5 5
pho - sis
sam - u
-
5 5 5 5 5 =
5 5
rai.
lit - tle
You got a
5k 5
5 5 5 5
lord
5
5 5 5 5 5 =
fish and I don’t know
why
I got a
met - a -
Riff A
End Riff A
Gtr. 1
5 5 5 G 5 5 5 5 5 5 5 5
5 5
3 5
*Gtrs. 3 & 4
5 G 55 55 3 2 0 0 0
5
3
3
3
0
5 5
5
5 5
3
0
0
0
5 55 5
5 55 5
5 55 5
55 55
55 55
3 2 0 0 0
2 0 0 0
2 0 0 0
2 0 0 0
0 0 0 0
0 0 0 0
55 55
5
5
3
3 3
5
3
55 :: 55 :: 5:
5 5 5 5 5 5 5
5
3
0
5
5
5 5
5 5 3 0
5 5 3 0
3
55 55
55 55
55 55
55 55 5
55 55 5
5 55 5
5 55 5
55 55
0 0 0 0
0 0 0 0
0 0 0 0
3 2 0 0 0
3 2 0 0 0
2 0 0 0
2 0 0 0
0 0 0 0
55 :: 55 ::
E5 5
6
6
*Composite arrangement
Gtr. 1: w/ Riff A
k 5
5
G 5
mor
-
pho - sis
Gtrs. 3 & 4
G 5
5
E5
%5 5
5k 5 sam
5 !5 :
let ring 1/2
1/2
-
u
5 5: µ
1/4
6
6
6
X X 0
5k 5
5 -
5
B
7
7
5
rai.
5 5 5 5
' ' '
1/2
6
B
7
5
0 0 0
55 5
Chorus
Bb
G 4
5 I’m
G
5 5 5 a
5 5 5
lone
-
ly
5k 5 C
5
lad,
I’ve
lost
Voc. Fig. 1
5
5
5k 5
my - self
out
on
5
the
5
range.
5 :: 55 :
B BB
' ''
5 5
=
Male: (Ah. Riff B Gtr. 5 (dist.)
G 5
5
5
3
6
5
55 5
55 55 5 5
55 5
55 5
55 5
55 55 55 55 55 5 5 5 5 5
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5
5
5
5
End Riff B
5
mf 3
3
8
5
5
Rhy. Fig. 1 Gtrs. 3 & 4
G 55 5
55 5
55 5
55 55 55 55 55 5 5 5 5 5
3 3 1
3 3 1
3 3 1
3 3 1
Eb
G =:
$ 5 5 I
don’t
3 3 1
3 3 1
3 3 1
5 5 5 re - mem
3 3 1
5 5 5 -
ber
3 3 1
so
don’t
5 5 3
5 5 3
Gm
5k 5
5
much,
5 5 3
C
55 55 55 55 5 5 5 5 5 5 3
5 5 3
5
5
5
5
5
ask
me.
I’ve
gone
in
5 5 3
5 -
5 5 3
5 5 3
5
sane. End Voc. Fig. 1
G
B BB
' ' '
!BB B
Ah.)
G
5
5
5
5
5
5:
5
5 5
1
11
13
11
12
G 5 55
55 5
55 5
55 55 55 55 55 5 5 5 5 5
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
10
55 55 55 55 5 5 5 5 1 1 1
1 1 1
1 1 1
1 1 1
11
13
55 5
55 5
55 5
55 55 55 5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 3
13
End Rhy. Fig. 1
55 55 55 55 55 5 5 5 5 5 5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7
Verse Gtr. 1: w/ Riff A (4 times) Gtrs. 3, 4 & 5 tacet
Dm7
G 5 =
G5
5 5k 5 5 5 5 5 5
5k 5
3. Tak - ing
Dm7
5 5k 5
5k 5
G 4
ac
Ev - ’ry
G =:
-
$ 5
The
in
5k 5
I
try
5
5
day
they
to play
5 5k 5 5 5 5 5 5 5 5
steal - ing
5
5k 5
5 5 5 5 5
G5
5k 5
4
a grave - yard,
G5
day
Dm7
id
Dm7
5 =
Dm7
=
5k 5
4
hard,
food
5
found
5
5
5
5
you
on
a
tour
5 5k 5:
with
G5
5k 5
to keep the night a - live.
5 5
e - ven
4
G5
!5
my
4
lies.
5
5k 5
=
bus
Riff C Gtr. 2
G 5 5 5 5 2 2 2 2 5 5 2 2 2 2 5 5 2 2 2 2 5 2 2 5 2 2 2 2 5 2 2 2 2 2 5 5 2 2 2 2 5
7
7
7
X
X
G =:
Dm7
X
X
$ 5
the
7
7
X
5
5
news
was
X
X
X
5
7
X
X
X
X
5
X
X
7
X
X
X
X
7
X
X
X
G5
5k 5 bar
5
5
5
5
5
-
ren
as
a
de - sert
5
X
X
5
7
5
5
bone.
X
X
X
X
=
5 5 5 2 2 2 2 5 5 2 2 2 2 5 5 2 2 2 2 5 5 5 5 2 2 2 5 2 2 5 2 2 5 2 2 5 2 2 2 G 5 5
7
7
7
X
X
G =:
X
X
Dm7
5
7
5
$ 5
The
X
X
X
X
5
7
tab - loids
X
X
X
5
7
7
7
X
X
X
5
G5
5k 5
5
X
5
made
5
5
5
5
a
kind
of
small
X
X
5
X
X
4
X
X
5
5k 5
5
X
X
X
=
fuss,
2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 2 G 5
End Riff C
5
8
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
5
X
X
X
G =:
Dm7
5
$ 5 a
cou
-
5
5 5
ple
pic
G5
5k 5:
-
!5
tures
5
shown.
=
2 2 5 2 2 2 2 2 2 2 2 5 2 5 5 5 G 5 5 2 2 55 22 22 55 22 22 22 55 55 55 55 5 2 2 5 2 2 2 5 5 5 5 5
X
X
7
X
X
X
X
X
X
X
X
5
6
X
5
5
0
X
X
X X X X
X X X X
0 0 X 3
0 0 X 3
X X X X
X X X X
X X X X
0 0 X 3
0 0 X 3
0 0 X 3
0 0 X 3
Interlude Gtr. 1: w/ Riff A (2 times) Gtr. 2 tacet
Dm7 Gtr. 3
55 :: 5:
G 5 5 5
5 5 ¦5 5 5 5 5 5
5 E5 5 : w/ bar
¦
w/ bar
5 5 ¦5 5 : !5 5k 5 5 E5 5 5 E5 5 5 _1
_ 1 /4
5
!5
µ
w/ bar
_ 1 /4
0
0 0 0
0
2
5
5
5
5
5
5
-1/2
G
¦ ¦
_ 1/2
15
_ 1/2
_ 1/2
¦ ¦ ¦
w/ bar
6
6
7
8
8
9
10
10
13
0
?
5 ¦ 5 ¦ 5 5 ¦ 5 ¦ 5 ¦ 5 5 ¦ 5 ¦ 5: _ 1/2
5
13
13
0
-1/2
0 _ 1/2
¦
w/ bar
_1
0 -1/2
G
5
!5
_ 1/2
µ ¦ ¦
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
15
15
15
15
15
15
15
5 ¦ 5 5 5
5 5 5 %5 !5
_ 1/2
15
15
¦
5
¦
w/ bar
15
15
_1
w/ bar
_ 1/2
15
2 )))) string noise
_1
15
55 5
Female: (Ah.)
¦5 B
_ 1/2
µ
w/ bar
55 5
?
15
X -1/4
))))
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 3 & 4: w/ Rhy. Fig. 1 Gtr. 5: w/ Riff B
Bb
4 G '' '
5
5
5
I’m
a
lone
5 -
5
5
ly
lad,
5
5 I’ve
5k 5 C
lost
5 my -
5
5
5k 5
5
5
self
out
on
the
range.
5 9
Eb
G =: Gtr. 5
G
$ 5 5
5
I
re - mem
don’t
5
5
5
5 -
5
ber
5
5
much,
so
C
don’t
5
5
5
Gm
5k 5
5
5
5
5
5
ask
me.
I’ve
gone
in
5
5
5
5
5
5 -
11
11
12
10
11
11
5
5
1
11
11
Interlude Gtr. 1: w/ Riff A
Dm7
G 5
4
?
5 5 5: G
5:
Gtr. 5
0
4 55 55 55 55 55 55
5M =:
4
?
4
1
10
13
Gtr. 3
G B B B
10 10 10 10 10 10 10 10 10 10 10 10
13
55 55 55 55 55 55 5 5 5 5 5 5
' ' '
55 :: 5:
0 0 0
0 0 0
Gtr. 4
G 4
0 0 0
0 0 0
0 0 0
5 5 5 5 5M
= = 55 5
55 5
0 0 0
0 0 0
3
55 5
0 0 0
4
55 22 22 22 22 55 55 22 22 5 2 2 2 2 5 5 2 2
12 12 10 12 10
0 0 0
0 0 0
X X X
X X X
X X X
X X X
0 0 0
X X X
X X X
22 22 55 55 55 2 2 =: X X X
4
X 10 10 10 X 10 10 10 X
Verse Gtr. 1: w/ Riff A (4 times) Gtr. 2: w/ Riff C Gtrs. 3, 4 & 5 tacet
Dm7
G 4
5k 5
5 5k 5 5 5 5 5 5
4. Slow - ly turn
10
G5
-
ing
5k 5
in - to drift - wood,
5 =
Dm7
4
5k 5 no
G5
5 5k 5 5 5 5 5 5 5 5
one ev
-
er wants to
die
sane.
1
13
5
a - lone.
= 5
Gtr. 2: w/ Riff C (last meas.)
Dm7
5 5k 5
5k 5
G 4
Think - ing
Dm7
that
Dirt
G
-
pret - ty
gift
5
5k 5
y
sneak
Dm7
=
4
5
could
5 5
make
G5
5 5k 5:
you
less
un
5
5
5
5
-
ers
on
the
pave
-
-
!5
4
known.
5
5k 5
5
G5
=
ment,
22
22
5
2 2 2 2 22
5
2
5
5 5 22
22
5 5 2 2 2 2 5
2 22
X X
X X
12
X
X X
12
X
10
10
X X
10
X
G =:
Dm7
X
$ 5
5k 5
10
12
X
X
5
the
G
a
5
5k 5
5 5 5 5 5
5k 5
G 4 Gtr. 2
G5
5
bril
-
X X
12
X
X
X
X
10
G5
5k 5
5
fea
-
liant
12
5
5
5
tures
of
a
5
5
com - mon
5
X X
man.
=
22 55 2 2 5 2 2 5 2 2 2 2 2 5 5 5 5 2 2 2 2 5 2 2 5 + 2 2 2 !55 55 5 5 5 10
12
10
12
X
X
X
X
10
X
X
0
X X
10 10
X
X
10
X
X
10
X
X
X X
10
X X
X X
X X
0
5
5
22
22 22
0 0 0
X X
X X
Gtr. 2: w/ Riff C (last 2 meas.)
Dm7
G 4
5k 5
5 5k 5
See
the mir
G5
5 5 5 5 5 5k 5 5 = -
Gtr. 3
a - cle of your
4
life,
0
G
Dm7
5 5 5
5 5k 5:
no
-
one ev
BB B
G5
!5
er
55 5
can.
=
55 55 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 0 0 0
0 0 0
5
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.) Gtrs. 3 & 4: w/ Rhy. Fig. 1 (1st 2 meas.) Gtr. 5: w/ Riff B
Bb
G 4
C
5
5
5
I’m
a
lone
5 -
5
5
ly
lad,
5
5 I’ve
5k 5 lost
5 my -
5
5
5k 5
5
5
self
out
on
the
range.
5 11
Eb
G 5
Gm
3 5 5 I
don’t
5 5 5 re - mem
5 5 -
ber
5
5k 5
5
much,
so
don’t
F
5
5
5
5
5
ask
me.
I’ve
gone
in
-
sane.
5: 5: 55::
B B BB
'
' G ''
5 5:
=
Ah.)
Gtr. 5
G
5
5
5
5
5
5
5
5
5
5
5 5 5
1
11
13
11
12
10
11
13
13
13
13
13
11
*Gtrs. 3 & 4
G 5 55 1 1 1
55 55 55 5 5 5 1 1 1
1 1 1
1 1 1
55 55 55 55 55 5 5 5 5 5 1 1 1
1 1 1
1 1 1
1 1 1
55 5
55 55 5 5
1 1 1
1 1 1
1 1 1
1 1 1
55 5
55 5
55 5
55 55 5 5 5 55
55 55 55 22 22 22 5 5 5 2 2 2
5 5 5
5 5 5
5 5 5
5 5 5
3 3 3
3 3 3
5 5 5
3 3 3
3 3 3
X X X
X X X
X X X
*Composite arrangement
Bkgd. Voc.: w/ Voc. Fig. 1
Bb
5k 5
G 4
See
G 5
8
G 55 5 3 3 1
12
5 5 the
world
5 5 5
8
8
5
8
5 5 5
5 5k 5
go
the chang
5
5
5
-
es
that
we
en
5
7
7
10
9
55 55 55 55 5 5 5 5
55 5
55 55 55 5 5 5
3 3 1
5 5 3
5 5 3
55 55 55 5 5 5
3 3 1
3 3 1
3 3 1
3 3 1
5
5 5
55 55 5 5
3 3 1
5
5:
55 55 55 5 5 5 3 3 1
by,
C
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5
10
5 5 3
5 5 3
5 5 5 -
ter - tain.
5
5
9
9
5
13
55 55 55 55 55 55 55 55 22 22 5 5 5 5 5 5 5 5 2 2 5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
X X X
Eb
3 5 5
G 5
I
G
don’t
5
5 5 5
5 5 5
5 5k 5
re - call
it
Re - mem
all.
5
5
5
Gm
C
5
5
5
5
5
5
-
ber,
I
have
gone
in
5
5
5
5 5: -
sane.
5
5
5 5 5
1
11
11
12
G 5 5 5
13
55 55 55 5 5 5
55 55 55 55 55 5 5 5 5 5
10
55 5
55 5
55 55 5 5
11
13
55 55 55 5 5 5
22 22 55 2 2 5
13
13
55 5
5
5:
11
5 5
w/ bar +1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
5 5 5
1 1 1
5 5 5
5 5 5
X X X
5 5 5
X X X
5 5 3
5 5 3
5
5
Interlude Gtr. 1: w/ Riff A (2 times)
Dm7
G 5
Gtrs. 3 & 4 tacet
4
G5
?
Dm7
4
G5
?
=
5 5 5 55
(Do, do, do, do,
¥ G
¦ 5 5
¦ 5
5:
¦ 5 5 ¦ 5
*
_ 1/2
_ 1/2
_ 1/2
¦ 5
_ 1/2
¦ 5
_ 1/2
_ 1/2
¦ 5
¦ 5 ¦ 5
_ 1/2
_1/2
_ 1/2
¥
3
¦
w/ bar
¥10
¦
¦
¦
¦
¦
¦
¦ ¦
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_1/2
_ 1/2
10
10
10
10
10
10
10
10
10
5 ¦ 5 ¦ 5 ¦ 5 _ 1/2
5
5 5 5 5 5 5 5 5 5 5
w/ bar +1 1/2
5
5
5 5 5 5 5 E5 5 5 5
+1 1/2
5
5
+1/2
5
¥10
-2
5k 5 5
_ 1/2
_ 1/2
_ 1/2
10
10
10
22 )))) 2 )))) 2 ))))) 22 )))))))) = 4 string noise µ X X X
55
4
)))))) X )))))) )))))) XX )))))) 0
w/ bar
+1/2
5 0
-2 1/2
µ
3
_ 1/2
µ ¦ ¦ ¦
*Played behind the beat.
G 5 5
_ 1/2
-2
0
0
0 -1/2
5
6
3
3
-1/2
13
G
Dm7
G5
5
=
5
5
do,
do.
5
5
5
Do,
do,
do,
5
5
do,
22 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 + + 2 2 2 5 3 2 2 2 5 2 2 2 5 5 5 2 2 5 5 5 5 5
Gtr. 2
G =
*w/ delay P.M.
P.M.
X X
X X
X X
X X
X X
X X
X X
X X
X X
10
X
X
X
12
X
X
X
10
X
µ
P.M.
X
X
10
10
P.M.
10
X
X
10
10
10
10
10
*Set for eighth-note regeneration w/ 1 repeat.
G
Dm7
G5
5
5
=
5
do,
5
5
do.
Do,
5
do,
5
do,
do.
G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ?
5 5 5 5
=
delay off P.M.
10
10
10
Outro Dm7
G
10
12
12
12
G5
Do, do, do,
55 = 4
12
12
12
Dm7
5 = 55 55 555 555 5 5 5
55 55 55 5 5 5
G 4
12
12
12
12
12
Dm7
5 = 55 55 555 555 5
Do, do, do,
5 = 4
12
G5
55 55 55 5 5 5
do, do, do, do.
12
=
55 55 55 5 5 5
do, do, do, do.
Do, do, do,
G5
5
55 55 55 5 5 5
do. Do, do, do,
0
=
Dm7
12
12
G5
=
5
55 55 55 5 5 5
do.
Do, do, do,
0
12
µ
5
55 55 5 5
do.
Do, do,
0
**w/ delay
5 3
6
**Set for eighth-note regeneration w/ multiple repeats.
G
Dm7
55 5
do,
=
G5
55 55 55 5 5 5
5 do.
Do, do, do,
G
=
5 do.
Dm7
55 55 5 5
5k
BB B
= 555 555
***
5 6
4
6 7 7 5
4
555 5 6 7 7 5
4
6 7 7
555 5 6 7 7 5
4
4
5 5
†
7 5
***Delay set for eighth-note regeneration w/ 4 repeats.
55 G 55
BB B
?
5 5 4 5 let ring µ
55 5 5
Do, do, do.)
BB
0
' ' '
555 5 6 7 7 5
4
7 5
7
4
6 7 7 5
†Delay set for eighth-note regeneration w/ 3 repeats.
555 5 6 7 7 5
4 delay off
BBB B
††w/ delay
6 7 7 5 ††Set for eighth-note regeneration w/ 7 repeats.
14
from Red Hot Chili Peppers - The Getaway
Encore
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately q = 105 **Asus2
Gsus2
Rhy. Fig. 1 *Gtr. 1 (clean)
G
5 5
5
5 5
5
mf
5 5
5
5 5 5 5
5
5
5 5
5 5
5
5
5 5
5 5
5
5 5 5 5
5
5
5 5
w/ fingers let ring throughout
£
9 7
5
9 7
5
9 7
5
9 7
5
5
9 7
7 5
3
7 5
3
7 5
3
7 5
3
3
7 5
*Bass arr. for gtr. **Chord symbols reflect overall harmony.
Fsus2
G
End Rhy. Fig. 1
5 5
5
5 3
1
5 5
5
5 3
1
5 5
5
5 3
1
5 5
5
5 5
5 5 5
5 3
1
5 3
1
5 5
5
5 3
1
5 5
5
5 3
1
5 5
5
5 3
1
5 5 5
5 5
5
5 3
1
1
5 5 5 3
Gtr. 1: w/ Rhy. Fig. 1
Asus2
Gsus2
Fsus2
Riff A Gtr. 2 (clean)
5 5 5 5 5 5 5 5 5 5 5: 5 5 2 2 5 5 5 5: 5 5 2 2 : : G : :
mf
End Riff A
5 5:
B
:: µ
'
let ring
: :
***w/ reverb & delay
14
14 16
14
14 16
14 X X
14 16
14
14 16
14 16
14
14 X X
16 15
***Electro-Harmonix Cathedral reverb, set for infinite hold, w/ EarthQuaker Devices Afterneath.
Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Riff A (4 times)
Asus2
G 5
5 5
1. Lis - ten
G 5
to
4
5 5 5
5 5
5 5
the Beat
les
the
?
-
and
Gsus2
5
sound
5 5 of
5
5
laugh - ing
Ed
5
5
5
Mc - Mahon, we
Asus2
5 5 5 5 5 5 5 5
5
Ed - u - cat
so
-
ed
by
a world
Fsus2
5 5
got
Gsus2
5 5 5
full of self
© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS All Rights Administered by KBSK MUSIC All Rights Reserved Used by Permission
5 B high.
5 5 5 5 5 and
lost
in
space, too
1
B:
Fsus2
G
5k 5 much
Gsus2
5 5 5
G 5
5
jug - gl - ing
Asus2
G 5
5
Ev
- ’ry
5
the
5 now
5 5 5 5 5 5 5
4
pride.
5
Cos - mo - nauts
Fsus2
5
5
jug - ger - naut,
5
Asus2
B:
5k 5
So
5
-
5k 5
5
vi - et
5
5
5
5
and
then
when
I
: G B
Fsus2
Gsus2
5 re
4
5
5
5
mem - ber
to
5 -
thoughts
are
?
5
5
5
be - friend
5
5
the
lit - tle
B:
5k 5
in
dirt - y
Spy.
5
5k 5
B
and
5 5
5
5
5k 5 things
4
life.
Chorus
Dm
G
5k B
5
Hey,
Gtr. 3 (clean)
G =
55 55
5k 5 5
B
=
fine.
55 55 55
5k
mf
Rhy. Fig. 2 Gtr. 4 (clean)
2
55
F
5k 5
you’re
15 14
G
5k 5
5 5 5 let ring
15 14
13 14
13
14
15
13 14
15 14
13 14
10
14
13 13
µ
=
55
5k 5 ::
5
13 13 15 13 13
5
5 5
I
wan - na
5 5 5 5 13
C
5
5 5 5 5 5
lis - ten
=
' '
' '
' '
15 14
13 14
13 12
the
ra - di - o
5 5 5 5 5 5 5 5 5 5 12 X 12
15 14
to
12 X 12
10 X 12
5 5k 5
12 X 12
10 X 12
driv -
5 5 5 5 12 X 12
10 X 12
G
5 5 5 5
G
-
G
ing down Ca
5 5 5
5k
5 5 -
lex - i
5k 5 : Dm
5 = -
co
5
high
5k 5
55 =
5 3 55 55 55
F
-
16
15 15
15 15
15
15
17
15 15
way.
And now
17 16
15 14
15 14
13
13 14
µ
5k
5 5 5
15 14
13 14
15 14
13 14
9
' '
' '
12 12
15 14
13 14
Am
G 5 5:
4
C
5 5 for
5 5:
!5
' '
12 13
12 13
12 12 13 13 13 13 13 14 14 14
12 13
5k B
?
5 2 5 55 222 5 22 55 55 5 3 5 3 2
let ring
12 13
13 14
13 13
14
5
13 13 15 13 13 14
5
Hold
5k
5k 5 ::
Dm
sure.
55 55 5 5 55 55 5 55 5 5 5 5 5 G =
5 5
µ
X
13 X 14
15 X 15
X X X
13 X 14
X X X
15 X 15
=
17
' '
' '
13 12
15 14
signs
5 5 5 5 13
15 14
5k 5
5
my
hand,
5 55 55 55 55 55 55 55
14
17
5
know the
µ
13 13
14
I
55 5 =
let ring
' '
G
G
= 5 5 5
55 55 55 5 55 55 55 55 = let ring
12
B
15 14
13 14
15 15 13 14 14 14
15 14
13 14
3
F
B
G
= 5 I
5
want
to
0
G
G
5
E5k
5
! 55
let ring
11
G
14
13 13
µ
55 5 =
C
5 5 5 5
share it
5k
all with
5 Mar -
G
5
5 5k 5
y.
Re - sults
5 5 5 5 are gon - na
55 :
55 55
55
B
B
5k
B
13 13
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 =
5k
5 5 5
12 X 12
15 14
12 X 12
10 10 12 12 10 X X X X X 12 12 12 12 12
12 X 12
10 X 12
12
16
' '
' '
' '
13 14
13 12
12 12
k 5 :
-
y
B
µ
let ring
13 13 15 13 13 14 14
var
Voc. Fig. 1
(Oo.
5k 5 ::
5 5 5
15 15
55 5 =
5k 5
let ring
15 15 16
15
17
µ
5 555 5 5 5 3
15 X 16
15 17 15
16
16
Fmaj7
5
G5
0
B
now.
G
End Voc. Fig. 1
4
5 55 Ah.)
G 5
3
5
5
5k
BB B
5
5:
5
5
5
'
Fill 1
5
5
5:
5
5:
5
5
End Fill 1
5
let ring
5 7
G
4
5
5 5
5
5 5
5
5 5
BB
BB
BB
BB
13 14
13 14
13 14
13 14
5
5
End Rhy. Fig. 2
Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Riff A (4 times)
Gtr. 3 tacet
Asus2
Gsus2
G 5 5 5 5 5 5 5 5 5 5 2. Lat - er
on
I’ll
read
Gtr. 4
to
you
5
the
5 5 5 5 5 5 5 5
things that I’ve
5
=
0
G
Fsus2
been need - ing
5
to
5 5
5
say
5
µ
let ring
5
5
5
7
Gtr. 3
G '
-
5
bye.
5 5
5 5
5
let ring
12
12
12
9
7
0
µ
let ring
good
5 5
mp 5
5 B
5 5
12
12
12
9
0
5
Asus2
?
G B
Walk
Gtr. 4
G
5
5 5
5
Gsus2
5 5 5 5 5 5 5 5 5k 5
5 5 5 5 5 5 5 5 5 5
5 5
5
5
a - way
5
from mom and dad
5 5
5
5
5
to
5
find
the love
5 5
5
you
5
nev - er
5 5
had,
tell
5 5
5
let ring
12 9
12
12 9
B:
Fsus2
G
12
12
9
5k 5 5k 5 no
G
5
5 5
5
5 5
5
12
12
9
12
12
12
9
Asus2
B:
4
Car
5
5
5 5
5 5 5 5k 5 5 µ
12
12
9
12
12
12
9
5 5 5 5 5 5 5 5 5
5
lies.
5
12 9
-
5 5:
ry
on
and write
5
a
5 5
song
that
5 5k 5
mf let ring
12 9
12
12 9
12
12 9
12
12 9
12
9
9
7
7
9
9
7
9
9
7
7
9
5
Gsus2
G 5 says
5 5 5 it
Fsus2
5
all
5
and shows
G B 9
Asus2
G 5 Take
5
5
5
it
off
’fore
5:
5 5
5
9
10
12
5
5
5
5
5
a
lit
-
tle
breath
B
G
5
you
5
4
5
?
die.
5:
B
B
5
10
5
5
5 B
5
5
5
=
5k
5
5k 5
9
7
7
9
5
5
5
5
5
5
5
5
5k 5
you
catch
an
ear
-
ly
death,
there
is
so
5
B
5
5
5
5
be - fore
5
Gsus2
5
5:
5
9
10
1
9
7
B:
Fsus2
G
5k 5
9
C
5
4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
p
mp
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
Chorus Gtr. 4: w/ Rhy. Fig. 2
5k B
5
Hey,
G =
5k 5
F
5k 5
B
you’re
fine.
55 55 55 55 55 55 55
E5k
=
!5 5 5 let ring
15 14
6
9
sky.
5 5 5 5 5 5 5 5 5
Dm
G
B:
5k 5
much
G 5
9
7
15 14
13 14
15 14
13 14
15 14
13 14
11
14
13 13
= µ
55 13 13
5k 5 ::
13
13
5
5 5
I
wan - na
5
55 55 5 5
15
13 13
15 14
C
5 5 5 5 5 5 5 5k 5
lis - ten
=
to
the
ra - di - o
driv -
5 5 5 5 5 5 5 5 5 5 5 5 5 5 12 X 12
12 X 12
10 X 12
12 X 12
10 X 12
12 X 12
10 X 12
G
5 5 5 5
G
-
G
5k
ing down Ca
5 5 5
55 =
15 15
15 15
5 5 -
5k 5
lex - i
5k 5 : Dm
5 = -
co
5 5 55 55 55
F
5 B
high
-
= 5 5 5
way.
And now
55 55 55 55 55 55 55
=
5 5 5
5k
16
12
15
17 16
15 15
17 16
15 14
Am
G 5 G =
4
5: 55
55
55
12 13
12 13
12 13
55
55
55
12 13
12 13
5
5
for
sure.
55
55
15 14
13 14
15 14
13 14
C
5
55
5k
15 14
13 14
k ° 5¯ B
G
Hold
G =
55M
13 14
k ¯ 5¯ 5
¯5
Dm
13 14
5
55
55
55
55
5
2
5 5
13
X
13 X 14
55
55
µ
15 14
13 14
15 14
¯5
¯5
¯5
¯5
¯5
share
it
all
with
Mar
5 5
5 5
5 5
Bkgd. Voc.: w/ Voc. Fig. 1
C
G
13 14
G =
5 5
5 5
13 14
-
13 14
¯5
¯5
y.
Re
5 5
5 5
15 14
15 14
55
E5k
13 14
k ¯ 5¯ 5 -
11
¯5
G
sults
5 5
5k
5
12 X 12
10 X 12
10 X 12
12 X 12
10 X 12
12 X 12
10 X 12
12
16
13
13
5k 5
13
5
! 55
µ
13 13
¯5
¯5
are
gon
55
15 15
55 55 5 5
15
13 13
= µ
-
55
=
13 13
¯5
¯5
na
var
55 5
15 14
13
13
15 17 15
15 X 15
17 17
want
to
¯5
¯5
-
y
17 16
X X X
I
13 13
55
55
15 14
=
55
5
17 16
15
µ
5 5
5
15
3
5 5
5 55
5555 5
22 2
5
5
let ring
15 15 16
3
13 X 14
15
5k 5 ::
14
signs
5
5 5
3
=
let ring
12 X 12
13 13
F
let ring
15 14
13 13
°B
hand,
55
14
know the
?
14
¯5
my
55
12
10
5:
let ring
12 13
13 14
5
5k 5 ::
I
55 = µ
let ring 15
5 5
5
5
16
16
7
5k 5 :
Fmaj7
G
5
5
5
3
5
5:
5
5
5
5
5
5
5
5:
5
5
5
5
µ
let ring
5
Interlude μ Dm
G =
5
5
w/ chorus let ring
10 X 8
10
10
µ
5k
10
5:
Gtr. 5 (clean)
G =
5
5
5
C
5 5
Gtr. 3
5
5
7
5 5
5:
5 5
5
5 5
let ring
9 X 7
8
8
Eb
=
µ
5
5
5
5
G
5 55
5
5
µ
9 X 7
8 8 8
6
B:
6
5
! 55 5
5:
5k
let ring
B
5
55 5 5k !5
55 5
let ring
12 12 12
10
6
12
14
12 12 12
5
*w/ granular delay
17
15
17
*Red Panda Particle Granular delay pedal.
F
55 5 3 5 G 5 5
55M
let ring
10
G
10
12
10 10 10
5 5 5 55 55 5 55
5 5
µ let ring
10 10
12
5:
5 5
B
17
17
15
8 8 8
10
10
8 8 8
G
µ
=
5
55 5 5
F
5
let ring
10
12 12 12 10
µ
10
B
5k
5:
55 55 5 5
let ring
10
5: 8
10 10 10
5 5
17
Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Riff A (2 times) Gtrs. 3 & 5 tacet
Asus2
G 5 5 5 3. Skin - ny brains
8
5 5 5 5 and
lit - tle stains
;
0
B
now.
G
To Coda
2nd time, Gtr. 3: w/ Fill 1
Gsus2
5 up
5 5 5 5 5 5 5 5 5
-
on
your face.
Teen - age
re - mains
tell
Fsus2
5 5
me
5 B more.
5 µ 8
55 5 10 10 10
µ
G 5 =
4
5 5 5 5 5 5 5 5:
Asus2
?
Lift - ed
the fif
-
ties when
5 5 5 5
you
re - al - ly
ra
5 5k 5
5 5 5 -
ther drift - ed through time,
D.S. al Coda
B:
Fsus2
G
in
5
Gsus2
5k 5
B:
5k 5
let’s
4
soar.
; Coda
Outro Gtr. 2: w/ Riff A (till fade)
²²²²²²²²²²²²²²²²²²²²²²² k 5 5 G B:
²²²²²²²²²²²²²² 5 = 5 B =
Asus2
Gsus2
Gtr. 3
²²²²²²²²²²²²²²²²²²²²²²² 5
7
Gtr. 1
²²²²²²²²²²²²²²
9
0
G
8
7
²²²²²²²²²²²²²²²²²²²²²²²²²²²²² B: 5 555 5= 5 5 1 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 1
Fsus2
5
9
9
7
= 5:
0
B
7
5
7
'
10
Begin fade Gtr. 1: w/ Rhy. Fig. 1 (till fade)
²²²²²²²²²²²²²²²²²²² B 5k 5 :
Asus2 Gtr. 3
G
Gsus2
B
5
5
5
5
5k 5
G 8
10
7
5 5 5 5
²²²²²²²²²²²²²²²²²²²
1
7
Fsus2
5
7
5
7
4
4
5
5
Gsus2
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
10
7
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5: B
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
1/2
5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² Asus2 5: B 5k 5 5
5
7
2 5 5
5
5
5
5
5
5
5
5
5
5
5
5
X
9
9
9
9
9
9
9
9
9
9
9
9
9
9
Fade out
Fsus2
G
5
5
5
5
5
5
5
5
5
5
E5k
5
5
5
5
5
5
let ring
9
9
9
9
9
9
9
9
9
9
8
9
9
9
8
10
9
µ
5
5
8
10
9
from Red Hot Chili Peppers - The Getaway
Feasting on the Flowers Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton Intro Moderately slow q = 82 * C#m
B
Rhy. Fig. 1
55M 22 5 55 55 5M 5M 3 5 2
EEEE 2 5 5 222 M 2 5 5 5 5 G 5 5 5 2 5 5 5 Gtr. 1 (slight dist.)
mf
£
11
9
11
X
X
12
11
11
9
X
11
11
X X X
13
X X X
7 7 8
9
0
7 7 8
5 22 55M 222 222 555 555 222 222 5
5
7 7 8
X X
8 X 9
0
12
X X X
X X X
5 6
X X X
X X X
5 5 6
5 5 6
*Chord symbols reflect overall harmony.
End Rhy. Fig. 1 5M 5 M5 M 5 2 2 2 2 5 5 22 22 55 2 22 555 555 22 5 5 2 5M
C#m
B
E EE 5 5 5 3 5 5 5 3 5 5 5 3 G E 5 5 5 2 9 11
A
9
11
8
X
9
11
11
9
9
8
A
7 7 8
9
7 7 8
7 7 8
X X
X
X X
X X
9
9
X
X X
17 14 14
17 X 14
11
X X
X X
Verse
C#m
E EE G E =
5 5 5
5 5
5 5
1. I was walk - ing through
EE 5 5 5 5 G EE 5 5 5 5 Riff A
5
the
5
5 5
streets,
5 5 5
5k 5
I
5 3 5 5 µ
11
9
11
9 11
11
9 11
11
11
9 11
11
A
5 5 5k 5
5 5
could
dist. off let ring
11
B
not
hear
5k 5
my
5 5
5 5
best
friend
=
call.
End Riff A
5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 µ let ring
let ring
9 9
8
9
9
9
8 7
µ
6
7
7
6
7
7
7
6
Gtr. 1: w/ Riff A
C#m
E EE G E 3
5
5 5 5
Uh, he
5 5 5 5
was feel - ing
in
-
com
5k
5 5 5 -
plete,
a
-
5 bout
B
5 5 to
5 5 5 take
his
A
5k 5
5
fi
-
© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission
5 5 5 nal
=
fall.
1
C#m
E EE 5 G E
Last
B
5
5
5 5 5 5:
5
5 5k 5
thing
I
re - mem - ber,
there
were tears
5
5 5 5 5 5 E EE 3 G E 5 5 5 5 5 5 5 5 5 5 Gtr. 1
11
11
13 11
11
13 11
11
13 11
11
13
11
11
5 5 5 of blood
and
5 5 5 5 5
µ
let ring
A
5 5k 5
5
let ring
13
8
9
9
just
not
5
=
mine.
5 5 5 3 5 5 5 5 5 5 µ let ring µ
8
9
9
5k 5
5 5
6
7
7
6
7
7
7
7
6
Gtr. 1 tacet
C#m
E EE G E 3
5
5 !5k 5 5
5 5 5
Uh, an - y
oth
-
er
5 5 5 5
day
and
I
5k E5
would
save
μ
5
5
5
you
from
5 5k 5 5 this
cold
5 5 5 5 5 E EE 3 G E 5 5 5 5 5 5 5 5 5 5
11
11
13 11
11
13 11
11
13 11
13
11
11
11
C Chorus
G
EEEE
E
5k 5
EEEE 55k BB G (Oo,
E EE G E
Gtr. 2 (clean)
13
-
4
’ry
-
5 5 5
5
thing
a
55k
55
was
!55
5 5 5 5 5 5 5 5k 5 5 5 com - ing un - done.
BB
oo,
!' ' ' !'
w/ amp tremolo
2
a
life
su
4
-
3
5
preme.
5 I
5 5
!55
End Rhy. Fig. 2
mp 0 0 1 2 2 0
It’s
5
oo,
Rhy. Fig. 2
' ' ' ' ' '
de - cline.
D
5 5 5 5 5 5 5 5 5
Ev - ’ry - thing they said a - bout ev
5k 5
0
µ
let ring
5
2 3 2 0
E EE G E 5k 5 5 5 5 5 5 5 5 5 5 5 5 5 5k 5 : F#m
do and
E EE G E
I
don’t,
well, I
do
and
B B
I
don’t.
5:
Oh
5 5
4
C#m
5 5
5 5 5:
yeah,
5 5
3 4
yeah.
B B
?
?
4
oo.
EE G EE
Gtr. 3 (clean)
0
5 5
5
=
mf
w/ wah-wah as filter *w/ octaver & amp tremolo 1
11
11
*Octaver set for one octave below.
EE G EE Gtr. 2
' ' ' ' '
' ' ' '
2 2 2 4 4
5 6 6 4
Gtr. 2: w/ Rhy. Fig. 2
E EE ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ G E 5k ¯5 5¯ ¯5 5¯ ¯5 5¯ ¯5 5¯ ¯5 5¯
¯ ¯5
E
Feast - ing on the flow - ers, so
fast
and
E E 5k BB G EE5
¯ ¯ ¯ k ¯ ¯5 ¯5 5¯ 5¯ ¯5
young. k 55
4
Oo,
It’s a
55
!55
¯ ¯ ¯5 ¯5
D
light
so
¯ ¯ ¯ ¯ k ¯¯ ¯¯ ¯ ¯5 ¯5 ¯5 ¯5 5¯ 5 5 ¯5
¯ ¯5
bright
tongue.
that I
bite
BB
my
E EE 5 G E
5
5:
5 5 3 5
5
12
12
3 ¯¯ 5 I
!55
4
oo,
Gtr. 3
¯ 5¯
5 5
oo,
5
5 5 5 5 B
5
5 5
9
10
10
9
1
11
11
E EE 5 5 5 5 G E 555 555 555 555 Gtr. 4 (clean)
mf
55 55
55 55
55 55
55 55
55 55
55 55
55 55
55 55
*w/ wah-wah
$ 55 = : 55
9
9
11
!55 55 55 55 55 55 55 55 55 55 55 55 !55 55 55 55 55 55 55 55 55 55 55 55
$ 55 = : 55
T T T T T T
T T
T
T T T
5 4 6 7
5 4 6 7
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
5 4 6 7
5 4 6 7
5 4 6 7
5 4 6 7
5 4 6 7
5 4 6 7
5 4 6 7
*Wah-wah indications: + = closed (toe down):
5 4 6 7
5 4 6 7
5 4 6 7
5 4 6 7
T= open (toe up)
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
11
3
To Coda 2 ;
do and
E EE G E
I
don’t,
well, I
do
B B
and
I
G#7
don’t. Oh
5k
4
¯ ¯: : ¯ E5 ¯5 ¯5 : E¯
¯:
E¯5 ::
F#m
yeah,
5 5
=
^ ^^
EEEE ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯¯k ¯¯ ::: 5 G 5k 5 5 5 5 5 5 5 5 5 5 5 5 55
To Coda 1 ;
yeah.
Voc. Fill 1
End Voc. Fill 1
B EB
?
oo.)
E EE 5 5 5 : G E
11
9
5 5 5
5
Gtr. 3
10
11
9
E E 55 55 55 55 55 55 55 55 55 55 55 55 55 G E E 55 55 55 55 55 55 55 55 55 55 55 55 55 = : T T T T T T Gtr. 4
10 11 11 9
E EE G E Gtr. 2
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
11
13
' ' ' ' '
2 E5 5
5 5 5 5
X
13
13
Rhy. Fill 1A
13
14
13
End Rhy. Fill 1A
55 55 55 55 55 55 55 55 55 55 55 55 55 : E55 55 55 55 55 55 55 55 55 55 55 55 55 = T T T T T T 9 11 10 11
9 11 10 11
Rhy. Fill 1
2 2 2 4 4
4
10 11 11 9
11
5k 5:
'E' ' ' 9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
End Rhy. Fill 1
Interlude Gtr. 2: w/ Rhy. Fill 1
E EE G E =:
Gtr. 1: w/ Rhy. Fig. 1 Gtrs. 3 & 4 tacet
5 5 The next
di - men
-
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5: 5 EEEE G Fill 1
sion,
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
5 5k 5 5
show
5
Gtr. 3
C#m
!5k 5
5 5 5 5:
16
13
5
E EE 55 G E E55
55 55
55 55
55 55
55 55
55 55
55 55
55 55
55 55
55 55
T
T
T
T
T
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
9 11 10 11
Gtr. 4
B
EE G EE
0
A
16
13
?
End Fill 1
let ring
16
4
me in.
5
5
=
3
µ
0
13
55 5 : 55 = µ letT ring
55 55 9 11 10 11
9 11 10 11
0
11
C#m
B
0
A
0
Verse Gtr. 1: w/ Riff A (2 times)
C#m
E EE G E 3
5
5 5 5
5 5 5 5
2. Uh, we were mov - ing
C#m
EE G EE 3 5 5 5 5 A force of
in
the
5 5 5 5
na - ture
on
the
5
5 5
world,
5 verge,
B
5k 5
ex - pand
5 5
5k 5
com - mand
5 5
5 5 5k 5
-
your
ing
re
B
A
5k 5 -
5 5
5 5
al
-
i
-
=
ties.
A
5 5
5 5 5
-
ab
ing
-
5k 5
nor - mal
5 5 -
i
5 5 -
ties.
3 5 Uh,
5
E EE ¯5 G E
C#m
last
¯5
¯5 ¯5 ¯5 ¯5
¯5 ¯5 ¯5
thing
I
re - mem - ber
there
5: 5:
=
B
3
was
ring
5 55 5 5 5 5 5
5 5
Voc. Fig. 1
¯5 ¯5 ¯5 5¯k ¯5
k 5¯ ¯5 -
ing
in
k 5¯ ¯5
my
5 5
5 5
¯5 ¯5
A
self
-
¯5
ish
ears.
5 5 5 5 5 5 5 5
¯5
= End Voc. Fig. 1
4
^^
EE G EE
¯5
(Ah.) Riff B
5 5 5 5 5 E EE 3 G E 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
Gtr. 1
µ
let ring
11
11
13 11
11
13 11
11
13 11
11
13
11
11
3
let ring
13 9
8
9
11
8 9
5 5 5 5 5 5 5 5 5
µ let ring
8
9
End Riff B
3
7
7
6
9
6
6
7
7
µ
7
D.S. al Coda 1 Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1: w/ Riff B
¯5 ¯5 ¯5 E EE G E 3 5 C#m
Uh, twen - ty - six,
¯5 ¯5 ¯5 ¯5
¯5 ¯5 ¯5
a
much
num
-
ber
; Coda 1
k 5¯ ¯5
too
B
¯5
small
¯5 for
¯5
¯5
A
k 5¯ ¯5
¯5
some - one’s gold
¯5 -
k ¯ 5¯ 5
en
years.
Interlude Gtrs. 2 & 4: w/ Rhy. Fills 1 & 1A Gtr. 3: w/ Fill 1
E EE 5 5 5 5 5: G E = : 5
5k 5
5 5k 5
C#m
5
The next di - men - sion, show me in.
=:
E EE GE ? Gtr. 5 (clean)
5555
?
5 5 5 ²²²²²²²²²²²²²²² 5 5 5: 5 5 5
1
*w/ octaver
12
12
11 13 11
4
Riff C
55
mf
=
G#
13
²²²²²²²²²²²²²²²
13
5
5
0
5 5 5 ²²²²²²²²²²²²²² 5 5 5: 5 5 5
1 14
11 13 11
14
5
²²²²²²²²²²²²²²
13
5 1/2
16
11 13 11
*Set for one octave above.
5 5 5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5: 5 5 5 EEEE F#m
G
16
6
16
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
14
12
14
12
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 B 5: 5 5 5 E
5k
11
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
13
11
End Riff C
5
5 1
12
13
11
Bridge Gtr. 5: w/ Riff C (1 1/2 times)
C#m
5k 5
E EE 5 5 5 5 5 5 5 5 G E 3 5 You get
a
5
5
5
5
Like
she
al
-
ways
F#m
a
F#m
G
5
don’t
lit - tle
look
bit
for your broth - er’s
kind.
5
5
back,
just,
5
5
uh, look
5k 5
5 a
-
5 5 5 5 5 5
5
re - mem - ber
E
5
5
the
song
5
5
of
5:
5
head.”
G#
you
5
5
a
^
EEEE
5 5 5
when
5 5
5k !5 5k 5
5 5 your old
best
5 5:
5k 5
5 5 5 5
friend.
5 5 5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5: 5 5 5 5 5k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 B: Like
Gtr. 5
“Oh,
5 5 5 5
strong - er
5
^
5
bit
5
said,
give
E
^
E EE G E 4
lit - tle
5
you
^
You sing
5
when
^
C#m
E EE G E 3 5 5 5 5 E5 5
time
^
5
E EE G E 4
more this
^
bit
5 5 5 5
5 5 5 5 5
5
^
lit - tle
G#
5 5
11
11
she
al
-
ways
said,
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
14
12
14
“Oh,
12
14
don’t
look
back,
just, uh, look
a
-
head.”
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
11
13
D.S. al Coda 2 Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 5 tacet
E EE G E
C#m
B
0
; Coda 2
A
0
C#m
B
0
0
A
Bkgd. Vocs.: w/ Voc. Fill 1 Gtrs. 2 & 4: w/ Rhy. Fills 1 & 1A
G#7
E¯ ¯ ¯ : E¯5 ¯5 ¯5 ::
yeah,
EEEE 5k 5: G Gtr. 3
11
13
0
=
^ ^^
E E ¯: G E E E¯5 ::
yeah.
2 E 5 5:
5 5 5 5 5
5:
X
13
16
13
13
13
14
13
3 4
?
7
from Red Hot Chili Peppers - The Getaway
The Getaway Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton Intro Moderately q = 115
G
(Hi-hat)
μ
Play 3 times
G 5 5 5 5 5 5 5 5 3 2 5 5 5 5 5 5 :: 5 5 5 5 5 5 5 5 3 2 5 5 5 5 5 5 :: Riff A
Gtr. 1 (clean)
End Riff A
µ
mf
*w/ delay P.M.
£
7
7
5
5
7
7
5
7
X
5
5
7
7
5
5
*Lastgasp MistyCave pedal Gtr. 1: w/ Riff A (4 times) **Am
Em
7
7
5
5
7
7
5
7
X
5
5
7
7
5
5
: :
G
0
G
: :
0
0
0
**Chord symbols reflect implied harmony.
Verse Gtr. 1: w/ Riff A (8 times)
Am
5 5k 5 5 =
G = 5 5 1. That’s right,
you’re right.
Am
G = 5 5 It’s
Am
5
time,
5k 5
G =
5k 5
You
G
5 5:
5 5 5 5 5 5 5 5 5
We will do our thing to - night,
al
-
Em
you’re fine,
just
an - oth
-
told
col - or
cod - ed
=
5
my
friend
=
5
5 5
but
5:
5
4
=
crime,
Em
5k 5
5
er
4
right,
G
5 5 5 5 5 5 5 5 5
5
5
Em
take me through the
5k 5 in
5
5 5 5
fu - ture.
5
5 5 5 5 5 -
ci - sion and
a
5
5
5
5 5 5
5
5
we
would
get
it
no
mat
on
su - ture.
5 -
ter
Voc. Fig. 1
G
!5:
5
B
B
5:
5
(Oo. Gtr. 1
G
5 5 5 5 5 5 5 5
3
2 5 5 5 5 5 5
Riff B
5 5 5 5 5 5 5 5
X
14
2 5 5 5 5 5 5
End Riff B
3
µ
P.M.
14
14
12
12
14
14
12
14
12
12
14
14
12
12
14
12
12
14
14
12
14
X
12
© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission
12
14
14
12
12
1
Gtr. 1: w/ Riff B (6 times)
G
5:
G 5
Am
4
=
when,
a
B
5
5
su - per - cav - i
-
ta
-
5k 5
=
5
5
5
5
tion.
Let‘s
5
go,
!5:
5
0
?
^
G
E 5k 5
5
5
5
you
show
=
B
Oo.)
Em
G
5
G 5 me
5
5 5 5
some - thing
no
one
will
F6
k 5 5
oth
-
5
5
er
lone
ly
su
B
G
=
5
know,
5
Riff C
*Gtr. 2 (clean)
4
5
a
5
love
5
5
5
hal - lu - ci - na
-
5
3 5
tion.
An End Voc. Fig. 1
5 5 5 -
5 5:
5
ev - er
5:
C Chorus G
5
B
5
5
-
per
5
5
-
5 5
star
to
Em7
5
5
get
5
0
?
^
B
G
5
a
5 5 5
5 -
way
in - side
5
5
your
car,
5k 5
B
= 5k 5
5
mf w/ chorus, reverb & delay
13
15
12
12
13
13
15
17
*Pickup selector set to neck pickup. Riff D
Gtr. 1
5 5 5 5 5 5 5 5 =
G
End Riff D
5 5 5 5 5 5
5 5 5 5 5 5 5 5 =
5 5 5 5 5 5
5
7
5
µ
P.M.
7
7
5
5
7
7
5
7
5
7
7
5
5
Gtr. 1: w/ Riff D (7 times)
Dm7
G 5 5
5
take
much
Gtr. 2
G =
2
it
5
5
15
15
= 5
5k 5
5
5
too
far.
5
5
13
=
15
B
7
5
=:
4
$ 5 Sur
B
5
5 13
=
5 13
5
7
F6
5k 5 -
7
5
7
5
7
7
5
5
5
5 5 5
5
ren - der
to
the
in - side,
a
5
5
B
brave
5
15
5
5
5 5
12
lov -
Em7
G G
5
5
5
-
er
that
Dm7
5 5 5
5
5
an - oth
er
tried.
-
B
5k 5
12
12
=
13
5
5
5
13
15
F6
5
Take
it,
5 = have
5 5 =
5
to
keep
5
=
5 5 =
5
too
B
Em7
G 5 5 You don’t
5
5
if
5
my
ride.
5
5
13
15
B
?
B
5
5
=
13
13
5
5 5
it’s
mine.
5 5:
?
Voc. Fig. 2
G
5
Dm7
5 =
it
5 5 5:
End Voc. Fig. 2
BB :: B:
5 55
' !' '
' ''
(Ah.)
G
Voc. Fig. 3
0
?
=:
4
$ 5
5k 5
*(An
G
B
5 5
5
13
15
12
5k 5
B
12
=
13
5
13
5k
5
15
17
5
- oth - er
5
5 5 5
lone - ly
su
5:
=
5
-
5
per - star
5 5
15
=
13
5 5
to
get
5 15
*Bkgd. vocs.: Anna Waronker Bkgd. Voc.: w/ Voc. Fig. 2
F6
G ?
4
=
5
5 5 =
An - oth - er
G
5
5
5
a - way
G
5 5 5
in - side
5
5
your
car.
B
5 5
15
13
=
Em7
5 5 5 5 5 5 place,
may
-
be
0
=
5 5: ?
5 5 5 5 =
5 5
an - oth
time.
-
er
4
=:
$ 5
Sur -
5 13
B
5 5
5
15
12
B
5 = 13
5 5
13
15
3
T o Coda
Dm7
G 5 5:
?
;
Verse Gtr. 1: w/ Riff A (8 times)
Am
! =
0
5k 5
5 5 =
=
5
2. Com - plete
G
End Voc. Fig. 3
5k 5
5
5
ren - der
5 5
to
5
the brave
5
in - side
B
5 5
15
13
G
5
5
5
5
-
er
that
5
B
a
=
lov
5
5 5
an - oth
5 -
=
5
er
!
0
tried.)
5 5
15
5
=
'
!
12
13
Gtr. 2 tacet
Em
G
sit - ting in
your car and
B
Am
5 5:
G 5 5 5 5 5 5 5 5 5 G
5 5
on your
re - peat,
4
=
5
street,
uh,
lost
in
= 5 5
5
5 5 5 5 5
Cal - i - for - nia.
5 5 5
Let’s steal
this wheel,
End Riff C
?
0
0
0
12
Em
a
spin
to
find out how we
Em
G 5 5 5 = 5 5 5 5 5 turn
Em
G 5 find
it up
5
out
that
5 5 5
5
the
is
trick
4
=
5
feel,
G
5:
5
and, no, we can’t be
5
Am
5 5:
G 5 5 5 5 5 5 5 5 5 take
Gtr. 1: w/ Riff B (8 times) Bkgd. Voc.: w/ Voc. Fig. 1
G
uh,
4
=
found,
5
5
nev - er
a - round the
cor - ner.
¯ 5
¯ ¯ ¯ ¯ 5 5 5 5¯ 5
5
the
5 5:
just
bod - y
4
=
cheap,
= 5k 5 5
5
5 5 5 5 5
Slow down
¯ 5
¯ 5 a
for sound,
Am
= 5 5 = = 5 5 =
that we tran - scend.
G
5 5 5
¯ 5
A - sleep,
¯ 5
¯ 5
mel - an - cho - ly
you weep,
¯ 5
¯ 5
D.S. al Coda
girl - friend.
3 5 An -
; Coda
Interlude Gtr. 2: w/ Riff C (last 2 meas.)
Am
G! 4
0
C
0
Am
Em
0
0
G
Verse Gtr. 1: w/ Riff A (4 times)
Am
G = 5k 5
= 5k 5
5
3. That’s right,
Am
5k 5
5 5 5
G = 5 It’s
time,
We will do
our thing to - night,
Em
just an - oth
-
er
al
G
5
5 5 5 5 5 5 5 5 5
you’re fine,
G
5 5 5 5 5 5 5 5 5
you’re right.
Gtr. 1: w/ Riff B (4 times) Bkgd. Voc.: w/ Voc. Fig. 1 (1st 3 meas.)
5 5:
Em
5 =
col - or cod - ed
-
right,
5:
4
?
5
5 5 5 5 5
drive the con - stel - la - tion.
5
=
crime,
5 3 5
5 5 5 5 5
the
song is
fas - ci - na - tion.
An - -
Chorus Gtr. 2: w/ Riff C Bkgd. Voc.: w/ Voc. Fig. 2
G
F6
Em7
5k 5
Dm7
oth - er lone - ly su
-
per - star to get
a - way in - side
5 = 5k 5 5 5
5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = your car,
take it
much
too
= : !5
4
B
far.
Sur -
Bkgd. Voc.: w/ Voc. Fig. 2
G
F6
5k 5
Em7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
ren - der to the brave
in - side the lov
Gtr. 1: w/ Riff D (4 times) Bkgd. Voc.: w/ Voc. Fig. 2
F6
G 5 5
-
er that an - oth
-
er
tried.
5 5 = 5 5 5 5 5: 5 B
Take it,
too
my
4
=
5
ride.
A
Bkgd. Voc.: w/ Voc. Fig. 3
Em7
ber
Dm7
= 5 = 5 5 5
5 5 5 5 5
May De - cem
-
Dm7
might
not
be
5 5:
5 5
so
?
?
4
=
smart.
5 Ar -
Bkgd. Voc.: w/ Voc. Fig. 2
F6
G 5 5 ri - vals
that
we
Outro
¯k °B :: Don’t
Riff E Gtr. 3 (dist.)
G
B
mf
be
5 5 =
would
not
de
¯5
’cause you’re my
sav
B:
¯5
-
¯k ¯ 55
¯5 ¯5
B°
C
late
5
Dm7
5 5:
5 5 = 5 = 5 = 5 5
wish
¯ k 5k 5 5¯ ¯5
Bb
G
Em7
5 = 5 5 5 5
3
?
0
part.
B° ::
Dm7
-
0
ior.
555
5 5 5M 5M 5M 5
5
5
3
5 5 5 5 5 5M 5M 5M 5
End Riff E
4
w/ slap-back delay
6
8
5
BB
55 55 =
55
8 9
6 7
Gtr. 4 (dist.)
G
mf 6 7
55
55 55 5 = 5 6 7
5 5
6 7
4
5
5
' '
5
8
6
5
5
5
5
5
7
5
8
6
5
7
' '
6 7
5
Bb
G
C
5¯¯
°: ¯k B : ¯ °:
Make
G
G
it
¯k 5¯ 5¯ ¯
5 5
5
6
8
5
BB
55 55 =
55
¯: 5¯¯ 5¯ ::
¯ 5¯¯ 5¯¯ 5¯ 5¯¯
B°°
great
B
Dm7
what - ev - er
B
: B°° ::
stays.
5
5
5
55 55 5 = 5 4
5
8
6
5
¯
0
End Voc. Fig. 4
¯
¯
(Ah.)
5 5 5 5 5M 5M 5M 5
5:
55
¯
Voc. Fig. 4
=
5 5 5 5 5M 5M 5M 5 5
5
5
5
7
8
6
5
55 ::
' '
4
7
55 55 = 5 let ring
6 7
8 9
6 7
6 7
5 5
6 7
5 6
6 7
Gtr. 3: w/ Riff E
k ° : 5¯ °B :: ¯ °: Gold
Gtr. 4
G
¯¯ 5¯ -
55 55 =
55
6 7
8 9
6 7
¯¯ 5¯
Gtr. 3
Hold
my
G
Gtr. 4
G
6
¯¯ 5¯
° B°°
gate,
BB
k ° : 5¯ °B :: ¯ °:
C
¯¯k ¯ 5¯ ¯5 ¯
en
Bb
G
7
Bkgd. Voc.: w/ Voc. Fig. 4
Bb
G
5 6
¯¯k ¯ 5¯ ¯5 ¯
55
5 5
5
6
8
5
BB
55 55 =
55
6 7
8 9
6 7
¯¯ 5¯
my
re - ar
-
rang -
55 4
' '
6 7
6 7
6 7
5 5
°: B°° :::
0
er.
BB
55 22 22 22 = X X
Gtr. 3 tacet
C
° B°°
¯¯ 5¯
¯¯ 5¯
¯¯ 5¯
in - side
¯¯ 5¯ your
Dm7
¯¯k ¯¯ ¯¯k ¯¯ E 5¯ 5 5 ¯ ¯ 5¯
5
5
5
55 55 =
55
6 7
6 7
5 5
5
¯¯k ¯¯ 5¯ 5 ¯
¯¯k ¯¯ 5¯ 5 ¯
¯¯k ¯¯ E 5¯ 5 ¯
X X
X X
μ
5k 5
5k 5
5k 5
rays.
5 5 5 5 5
B
55
¯¯k ¯¯ 5 ¯ ¯
¯¯ 5¯
55 55 =
name
B
¯¯ 5¯
Dm7
0
0
5
4
' ' 6 7
BB ::
4
=
µ
from Red Hot Chili Peppers - The Getaway
Go Robot
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Intro Moderately fast q = 133 * Cm
Fm7
::
G 4
(Drums & bass)
0
0
0
::
0
*Chord symbols reflect implied harmony.
Verse
Cm
G =
5 1. I
5 G
5
5
called the
5
5
5
teach - er ’cause
5
5
5
5
5
want - ed
to
5 I
Fm7
5
5
con - fess
5
5
it
now.
5 5 5
=
Can
5
I make the
5
5
5
5
time
for
me
to
5 5
5
5
Cm
5
5
5
5
come and
get
it blessed some - how?
5
5
=
5
She spoke
5
5 5
to
me
in
5
5
such
a
5
5
5
sim - ple
and
5
de - ci - sive
tone.
Pre-Chorus
Fm7
G = !5
5
Her sweet
G 5
5
5
5
ad - mis - sion
5
5
left
me
5
5
5
5
5
5
5
feel - ing
in
po - si - tion from.
Bb
=
5
=
5
per
5 -
5
=
5 5
5
son - al
5 5
5
5
I
don’t
=
5 5
an - y - more,
=
5
=
5 5
5
5
5 =
5
5
5
take
5
5
these
things
5
an - y - more.
Bb
I
5
Ab
so
G 5
5
Ab
5 don’t
=
5
think
=
5 it’s
5 ir
-
5
5 5 5
5 re
-
vers
-
5
5
5
=
i - ble
© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS All Rights Administered by KBSK MUSIC All Rights Reserved Used by Permission
5
5
5
5
an - y - more.
1
C C Verse
^
G 5 5 5 5 5 5 5 =
Cm
=
5 5 5 5 5 5 5
2. Some - bod - y hoot - ed 3. I’m kiss - in’ high and Gtr. 1 (clean)
G
0
5 5
and they low, our
' ' '
5 5 5 5 5
hol - lered, “Can bod - y’s like
5:
I buy a vow - el?” two dom - i - noes.
' ' '
mf *w/ filter, pitch shifter & reverb
11 13 12
£
*Ibanez Autofilter & Boss PS3
Fm7
G =
5
5 5 5 5 5 5
Don’t let her catch you in the Can I come and get you when I
5 5 5 5 5 5 5 act hit
' ' ' G £
of throw - ing you in your
in the par - ty
Cm
5
=
tow - el. clothes?
' ' '
5 5 5 5 5 5 5 And when it’s Let’s turn this
not cos
as -
it ap play
' ' ' 11 13 12
13 13 13
5 5 5 G 5 5 5 5 5
Fm7
=
pears to be, the fla - grant foul. hol - i - day, what we o - bey.
Can I put my fin - gers in And now we’re wel - com - ing
' ' ' G
' ' '
11 13 12
13 13 13
Gtr. 1
5 5 5 5 5 5 5 5 your each
5 5 5 5 5 5 5 = mouth be - fore oth - er to
BB B
you start to growl? this cab - a - ret.
55 :: 5:
! 55
15 15
Fill 1 **Gtr. 2 (clean)
G
0
0
?
End Fill 1
4
=
5
***
mf
15 **Pickup selector set to neck pickup.
2
***Played 1st time only.
C Pre-Chorus
3rd time, Gtr. 2: w/ Fill 2
!¯ G ¯5 5 Bb
1., 3. I don’t 2. I don’t
G
¯5 = ¯5 = ¯5
think think
that that
55::
BB
¯5 ¯5 5¯ ¯5 ¯5 ¯5
¯5 ! ¯5
it’s it’s
so so
55
ter per
-
18 18
15 15
ri - ble son - al
15 15
' G
5 5
5
Bb
G
¯5 ! ¯5
I don’t I don’t
G
' '
15
5 5 !5 5 µ
¯5 = ¯5 = ¯5
think think
that it’s
it’s ir
¯5 ! ¯5
13
55::
12
12
-
55
55 55 55 ! 55 =
'
55 =
11
12
Ab
= ¯5 ¯5 ¯5 ¯5 ! ¯5 ¯5 ¯5 ' '
15 15
5 5 5 5 =
5:
an - y - more. an - y - more. loco
16 17
17 18
a - ble a - ble
55
8va
55 ::
an - y - more. an - y - more.
13
¯5 ¯5 ¯5 ¯5 ¯5 ¯5
un - bear re - vers
-
15
¯5 ! ¯5 ¯5 ¯5 5 5 5 = 55 ::
5 5
5 = steady gliss.
18 18
15 15
G
12
' '
= ¯5 ¯5 ¯5 ¯5 ! ¯5 ¯5 =
16 17
let ring
15
an - y - more, an - y - more,
55 =
!loco 55
BB
8va
= ¯5 ¯5 ¯5 ¯5 ! ¯5 ¯5 5
Abmaj7
'
5:
16 17
5 5 5 5
5
15
'
5:
!5
15
5 5
12
5 =
1/2
11
12
15
12
13
12
12
Fill 2
' G
Gtr. 2
15
3
Chorus Gtrs. 1 & 2 tacet
Fm
Abadd9
5
¯5
me
now,
!¯
G B° :: Tell
55 :: 5:
Gtr. 3 (clean)
G 4
55M
55 22 5 2
22
°B
¯5
4
I
55 5
25M ! 25M
25M
22
55 5
8va
loco
¯ !¯ G 5 5
¯ 5
know
2 22
=
Bbadd9
¯5
! ¯ 5k ¯ 5 5
that
55 :: 5:
55 22 5 2
22 2
13 13 13
13 13 13
X X X
X X X
it
just
55 5
8va
=
1/2
13 13 13
X X X
13 13
16 16 15
X X
¯ ¯ = 5 5
won’t
° B
Fm7/Eb
25 ! 5
mf 13 13 13
E ¯k ¯ 55
X X
4
stop.
55M 5
B BB G 8va
5 ! 25 5 ! 25
loco
3
25
X 13
X 15
X 15
X X X
X 13
°: B:
!¯
You
will
5
55 ::: 5
55 5
13 13 13
13 13 13
M 55
=
Abadd9
find
E ¯k ¯ 55
your
55 5
flow
55M ! 22 22 25 25 22 25 5 loco
BB B
8va
=
¯5
°: B:
¯ 5 5
Fm
18 18 17
1/2
18 18 17
18 18 17
° G B
¯ 5
Fm7/Eb
G 4
G 5 you
BBB G 8va
15
X 15
X
X 13
15
¯ ¯ ¯k ! ¯ 5 55 5
Dbmaj13
when you
55 :: 5:
55 22 22 55M 2 5 2 2 5 2
13 13 13
13 13 13
X X X
13 13 13
X X X
5 5 5 5 up - on your sil
X X
go
¯ ¯ 5 5 ro
55 5
-
=
! 25 52 25 55 5 = X 15
Fm7/Eb
ver skin.
X 15
4
22 55 :: 2 5: = loco
5
5 5 5k 5
5
don’t
care
55 22 22 55M 5 2 2 5
5
where
5 = 55 8va
want
55 :: 5:
13 13 13
X 13
Bbadd9
Ro - bots
! 22 22 22M 8va5 5 5 !5 25
5 5 5
loco
5 5
X X
X X
X 15
X 15
X 13
5 5 5 5
to
thank you
55 2 5 2
55 5
13 13 13
13 13 13
X X
and spank
55 5
8va
=
16 16 15
5 = 5k 5 B I’ve
BB B
X X
Abadd9
I
bot.
18 18 17
loco
16 16 15
Fm
¯ ? 5
BB B
8va
5 5 = -
15
16 16 15
13 13
been.
22 ! 25 25 3 55 = loco
1/2
16 16 15
4
X X
X X
X X
18 X 15
X 13
X X X
13 13 13
13 13 13
X X X
X X X
13 13 13
18 18 17
X X
X X 15 15
13 13
Fm
G =
5
5
5
5
5
5
You’ve
got
55 :: 5:
to
choose
it
to
G 4
13 13 13
Fm7/Eb
G 5
Ro
G
22 2
13 13 13
5 -
22 2
55 :: 5:
X X X
13 13 13
bots
X X X
55 5
22 2
55M 5
X X X
13 13 13
5
are
Abadd9
5
5
5
5
5
5
5
5
use
it,
so
let
me
plug
it
in.
55 5
55 5
8va
=
55 :: 5:
16 16 15
5
5
5
55 5
22 2
22 2
13 13 13
X X X
X X X
To Coda 1 ; Dbmaj13
5
X X X
!loco 22 22 X X
X X
5k 5
=
of
55 5
25
25
22
25
X 15
X 15
X X
X 13
;
4
5
kin.
' ' '
8va
=
X X X
5
next
55M 5
22 2
To Coda 2
5k 5
my
22 2
=
18 18 17
13 13 13
Interlude Gtr. 3 tacet
G
Cm
0
Fm7
0
0
0
Verse
Cm
G =
5
5
3. Some - times
5
5
5
5
5
I
feel
like
I’m
a
5
5
5
5
sen - ti - men - tal
' ' ' G
5 5: troop
-
Fm7
5 er.
' ' '
' ' '
Gtr. 1
D.S. al Coda 1 Gtr. 2: w/ Fill 1
looked
BB B G 13 13 13
5
5
She cried
so
5
5
5
5
hard, you know she
13 13 13
11 13 12
5 G
5
=
5
like
5
5
Al - ice
5 55 :: 5:
Coo
5 -
=
; Coda 1
G 5
per.
5
=
of
! 55 15 15
55 G 5 Gtr. 3
8va
18 18 17
5k 5
5
4
55M 5
55M 5
55M 5
18 18 17
18 18 17
kin.
55M 5
55 55 55 55 5 5 5 5
18 18 17
18 18 17
18 18 17
18 18 17
18 18 17
18 18 17
=
5
Interlude Gtr. 3 tacet
Cm7
F5/C
Eb5/C
Cm7
55M G
55M
55 55 22 22 55 22 22 55 22 22 22 555
13 12
13 12
11 12
Rhy. Fig. 1
Gtr. 1
End Rhy. Fig. 1
13 12
X X
X X
13 13
X X
X X
11 11
X X
X X
X X
13 13 12
F5/C
Eb5/C
Cm7
22 5 22 22 5 5 22 22 55 22 22 55 22 22 22 55 5 5 5 5 Rhy. Fig. 2
X X
End Rhy. Fig. 2
X X
13 12
X X
11 12
X X
13 12
X X
13 13
X X
X X
11 11
X X
X X
13 13 12
X X
Gtr. 1: w/ Rhy. Fig. 2 (5 times)
F5/C Eb5/C Cm7
G
F5/C Eb5/C Cm7/F
0
22
Gtr. 1
G
55
X X
13 12
22
22
X X
X X
F5 Eb5/F Cm7/F
0
55
55
11 12
13 12
F5 Eb5/F Cm7/F
0
F5 Eb5/F Cm7/F
0
0
22
22
F5
55
22
22
Eb5/F
55
22
22
22
X X
X X
13 13
X X
X X
11 11
X X
X X
X X
D.S.S. al Coda 2
22 X X
; Coda 2
Outro
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3 tacet
G
Cm7
F5/C
0
Eb5/C
F5/C Eb5/C Gtr. 4 (dist.)
G ?
4
Gtr. 1: w/ Rhy. Fig. 2 (11 times)
Cm7
F5
0
Cm7
=
Eb5/C
F5/C Eb5/C
3
Cm7
'
!2 2
Cm7
0
G '
Cm7
10
10
F5/C
Eb5/C
5 5 5 5 5
5:
10
Cm7
F5/C Eb5/C
G '
10
F5/C Eb5/C
Cm7
10
10
= !5 :
F5/C
5:
'
6
Eb5/C
7
6
13
6
Cm7
5 7
13
²²²²²²²
!B
!5
7
4
5
13
8
Eb5/C
Cm7
5 !5
1
8
8
5
Fade out
Gtr. 4 tacet
1
5
5
²²²²²²² F5/C 5 5 5 5
Cm7
1/2
8
Cm7
²²²²²²²²²
Begin fade
F5/C Eb5/C
Cm7
F5/C Eb5/C
w/ wah-wah
X
Eb5/C
²²²²²²²²² 5 5 5 5 5
mf
X
F5
0
from Red Hot Chili Peppers - The Getaway
Goodbye Angels Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Intro Moderately slow q = 86 *Am
D
Riff A Gtr. 1 (clean)
G
5
5
5
5
mp
5
5
5
5
5
5
5k
5
C
E5
5
5
5
5
5k
F
5
5
5
5
5
5
5
5
5
5
5k
5
5
5
5
5
5
let ring throughout w/ fingers
£
5
5
5
5
5
5
5
5
5
5
k 5
10
11
10
9
10
9
8
10
C
5
5
5
5
4
5
5
4
3
1
5
11
9
8
9
8
9
8
8
2
2
1
8
2
1
1
*Chord symbols reflect overall harmony.
G
G
11
5
5
4
3
5
5
4
3
5k
F
5
5
4
3
5
5
9
3
9
8
3
End Riff A
5
5
G
5k
5
5
9
8
5
5
2
8
5
2
1
8
5
5
2
1
5
5
2
1
1
5
5
5
2
k 5
5
5
2
1
1
5
5
0
0 1
3
3
Verse Gtr. 1: w/ Riff A
Am
1. Su - i - cide
a
5 5 5 5 5
5
month
be - fore
G
I
met
you.
C
Some - how
Am
your
way
to
my
dec - ade.
D
5 5 5
5 5 5 5 5 5 5
In the sun,
I
see
5
5
I
nev
-
er could for - get
5 5
5 5 5 5 5
5
Ay - o,
ay - o,
ay - o,
my
C
5 5 5
=
down.
you.
G
5 5
5
you with your guard
re - grets,
F
^
G =
you made
5 5 5 5 5
Deep
5
5
Num - ber one,
ay - o,
F
5 5 5k 5
5 5 5
you’re mov
-
ing
to
5
^
5 5
5 5 5 5 5 5 5k 5
^
G 5 5
F
5 5 5
=
^
5 5
C
^
5 5 5
G =
D
girl.
5
a hard
town.
Riff B Gtr. 1
G
5
5
5
5 5
5
5
5 5
5
5
5 5
5
5
5 5
5
5k
5
5 5
E5
5
11 5
10
5
5
11 10
5
5k
5
11 10
5
5
9 10
8
5
5
9 8
5
5
9 8
5
5
9 8
© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS All Rights Administered by KBSK MUSIC All Rights Reserved Used by Permission
5
5k
5
9 8
5
5
2 8
1
5
5
2 1
5 2
1
1
G
C
5 5 5 5 5 5 5
5
5 5
5 5
5 5 5 5 5
5
5
dis - miss
the prom -
me.
Ay - o,
ay - o,
ay - o,
my
time.
k 5
5
5
5
5
4
5
4
3
1
5
5
5
5
5
4 3
you took
5
5
5
5
8
3
5
5
5k
5
5
5
5
5
5
5
5
4
3
5
5 5
2
10
5
5 5
5
4
5k
4 3
5
5
5
-
5
5 5
5k
5 5
10
5
9
5
5
9
8
5
5
5k
5
5
9
8
8
5
9
5
5
C
5k
5
5
5
9 10
8
5
5
2
2 1
5
5
black
light.
5
2
k 5
5
5
0
2
5 5 5k 5
5
to
in
5
5
9 8
F
you
5
5k
5
9 8
1
the court - yard.
5
5
2 8
1
5 0
5 5 5 5 kiss
1
5
3
5
1
5
3
9 8
5
5
1
a friend
9 8
5
1
5
ay - o,
5
2
5 5 5
=
11 10
2
Just
5
5
5
1
card.
5
5
1
8
5
5
5
2
8
5
5
G
5
9
11 10
5k
5
1
F
5
spilled.
2
1
8
ay - o,
5
5
2
ay - o,
5
5
5 0
5 5 5k 5
1
’ry - thing that you
9
8
0
F
Ay - o,
11 5
5
5
5
3
now.
8
E5
5
-
5
5
3
right
8
5
is
ev
k 5
1
5 5 5 5 5
der your re - port
5
1
5 5
5 5 5 5 5 5 5 to mur
1
5 2
5 5
9 3
1
2
5
5
5
2
5
5
D
5 5
5
know
2
5
On the sheet
8
10
5
5
5 5 5 5
9
^
5
5
to
3
Come a - gain
5
5
3
5 5 5
G =
5
4
3
Am
you want
5
5
5 5 5 5
11
10
5 5 5 5 5
the ones
4
G
11
5k
5
1
=
5
5
2
1
8
C
5
5
2
8
5
5
ay - o,
^
5 5
5
pill.
5
10
5
5
9
C
We are
1
E5
5k
5
11
5
5
8
5
5
9
an - oth - er red
5
5
G 5 5
k 5
5
9
G
G
5
5 5 5 5 5 5 5
5
5
5k
5
D
5
5
4
that you made
^
5
5
5
3
O - ver - kill,
G
5
3
5 5 5
G =
5
4
3
Am
5
ise
^
G
G
5 5
G 5 5 Do not
F
5
5
2 1
5 2
1
G
C
G 5 5
5 5
5 5 5 5 5
You are
the one
I
G
k 5
5
5
5
4 3
1
5
5
4 3
5
5
4 3
want
5
to
5
4 3
be
5
5k
5
4 3
5
w/ pick
5
5 5
5
5
5 5
5
5
5 5
5
5
5 5
5
5k
5
5
E5
5
5
k ° : 5¯ B :
k 5
5
10
5
5
5
5
4 3
5
5
4 3
5
5
4 3
5
5k
5
4
5
5
5
5
5
5k
8
3
3
8
D
k E¯ 5¯ 5 to
5
2
2
1
8
5
1
5
5
2 1
5
5
2 1
5
5
5
2
5
big
fight.
k 5
5
2
1
5
5
3
1
5 f 0
0
1
°B::
3
F
4
some,
55
5
55
End Riff C
5k
5
5
11 12 10
5
9 10
5
5
9
8
8
5
5
9 8
5
5
9 8
5
5k
5
5
9 8
5
2 1
8
5
5
2 1
°B:: F
5 2
1
G
4
young.
5
5
9
8
5
5
C
11 12
5
5
9
k ¯ 5¯ 5
5
ay - o,
5
End Riff B
5
5k
5
9 8
5
5
2 8
C
5 5 5 5 5 5 k 5 5 5 5 5 5 5 5 5 55
2
1
k E¯ 5¯ 5
5
1
¯5::
2 1
1
°B
2 1
^^
^
Slave
ay - o,
9
Gtr. 1: w/ Riff C
Am
G
ay - o,
too
3
k ° : 5¯ B:
Ay - o,
10
C
4 1
with.
11
way
G
stuck
vor
G
G
5 5 5 5 5
k E¯ 5¯ 5
-
5
5 5
8
D
Riff C
G
5 5
^^
k ° : 5¯ B: Fa
5
8
8
3
G
5
9
Pre-Chorus Am
G
5
F
1
2 1
1
2 1
1
0
0 1
3
3
F
4
none,
3
k ° : 5¯ B : G
G
¯5
°B::
too
young.
C
way
F
5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 3 5 5 3 5 3 5
G =
4
5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5
8va
*Gtr. 2 (dist.)
G
5 5 5 5 5 5 5 5
5 5
mp **w/ phaser effect
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 17 X X X X 19 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
*Two gtrs. arr. for one. **Red Panda Particle pedal Gtr. 3 (dist.)
0
G
=
5
5 5 55 55 55 5 5 55 55 55 5
5
mp
5 5 5 5 5 5 5 5 5k 5
1 1/2
2
Gtr. 1
G
k 5
5
5
5
4 3
1
5
5
4 3
5
5
5
4 3
5
5
4
5k
5
3
55
5
8 9
4
3
55
3
5
8 9
8
8
55
5k
5
8 9 8
5
2
5
2 8
1
2
5
2
5
2 1
2
5
2
5
2 1
2
5
2
5
2 1
2
5
2
5
5
2 1
2
2
2
2
5
5
2
5
5
2
1
2
2
3
3
C Chorus
1st time, Gtr. 1 tacet 2nd time, Gtr. 4 tacet
Am
G 4
Say
C
5 5 5 5 good - bye,
F
5 5
=
^
5
my
love.
Gtr. 2
5 5 5 5 5 5 5 E22 5 5 3 5 5 G 5 3 5 5 5 3 5 5 5 3 2 5 3 5 8va
5k 5
5
5
I
can
see
5 5 it
5 5k 5 :
in
G7
5
your
soul.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 3 5 5 5
mf 17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
X X X X
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
Rhy. Fig. 1 Gtr. 3
17 X X 19
End Rhy. Fig. 1
G 555 5
55 55 5
55 55 5
55 55 5
1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
55 55 5
55 55 5
55 55 5
55 55 5
55 555
55 555
55 555
55 555
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
55 55 5
55 55 5
55 55 5
55 55 5
55 55 5
55 55 5
1 1 2 3 X 1
1 1 2 3 X 1
1 1 2 3 X 1
1 1 2 3 X 1
1 1 2 3 X 1
1 1 2 3 X 1
**T
**T = Thumb on 6th string.
4
17 X X 19
55 55 5
55 55 5
55 55 5
1 1 2 3 X 1
1 1 2 3 X 1
55 55 5 µ 1 1 2 3 X 1
5 55 555
5 55 555
5 55 555
5 55 555
1 0 0 0 2 3
1 0 0 0 2 3
1 0 0 0 2 3
1 0 0 0 2 3
Gtr. 3: w/ Rhy. Fig. 1 (3 times)
Am
=
5 Say
good - bye,
5
C
5
F
5
my
G7
5k 5
=
^
G 5
5 5k 5
love.
Thought
5
5
5
5
that
I
could
make
5 5k 5 5 5 5 you
whole.
Gtr. 2 8va
5 5 5 5 5 5 5 5 5 5 5 5 G 5 3 5 5 5 3 5 5 5 5 5 5 3 5 3 5 17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
5 5 17
5
15
5 5 15
5
13
17
5 5 13
12
15
5 5
5
12
5 5
5
10
14
10
5
8
12
10
To Coda
Am
G 5k 5
Let
5
5
your
lov
-
¯5
C
5k 5 er
°B:: F
5 5 5 5 5 5 5 2 5 5 5 E 2 3 3 3 3 3 2 5 5 5 5 5 5 5 5 5 5 G 17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
Am
G
k ¯ 5¯ 5
5¯
Death
was
17 X X 19
k ¯ 5¯ 5
X X X X
17 X X 19
17 X X 19
C
made
to
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
X X X X
17 X X 19
5 5 5 3 5 k 5 5
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
17
18
G7
¯5::
°B
¯5 ¯5
fail.
5 5 5 5 5 5 5 2 5 5 5 5 G 5 3 5 5 5 3 5 5 5 3 E22 5 3 5 5 5 17 X X 19
5 5 5 5 5 5 5 5 3 5 5 5 3 5 5 5 =
F
¯k ¯ 55
¯5
5¯
17 X X 19
8va
17 X X 19
4
sail.
8va
17 X X 19
G7
;
17 X X 19
17 X X 19
17 X X 19
5 5 17
5
15
5 5 15
17
5
13
5 5 13
15
5
12
5 5 12
14
5 !5 5
loco
5
10
10 12
8 10
5
Verse Gtr. 1: w/ Riff A
Gtr. 2 tacet
D
5 5 5 2. Stick - y
5 G
5 5 5 5 5 5 5
fin - gers
=
find
the
4
way
to
take
C
5
=
^
¯ G 5
Am
her.
F
5 5 5
5 5 5 5 5 5 5k 5
Crum - ple
an - oth
up
-
er
piece of
5
pa - per.
0
?
19
G
C
G !5 5
5 5
I
your days
know
5 5 5 5 are num
-
F
5 5 5
bered when
it comes
G
5
5 5
E5 5
to,
ay - o,
ay - o,
!5 5 5 5 5 ay - o,
Fill 1 Gtr. 4 (clean)
G
5
this
life.
5 5 5
=:
?
0
ay - o,
5
End Fill 1
5k 5
mf *
12
12
12
14
*w/ Red Panda Particle pedal
Gtr. 1: w/ Riff B
Am
5 5 5
G =
G
5 5:
14
Gtr. 4 tacet
Slip
a - way
D
5 5 5 5 5 5 5 in - to
the
so - lar
C
5
sys - tem.
B
5 5 5
=
Straight - er
rays,
F
5 5 5 5 5 5 5k 5 you
find
a
way
to
twist
5 them.
0
4
13
Gtr. 4: w/ Fill 1
G
G 5 5 Some like
6
C
5 5 it
dark
5 5 5 5 5 and
now
I
know
F
G
5
5
5 5
5 5
5 5 5 5 5
where
to,
ay - o,
ay - o,
ay - o,
ay - o,
5
5
find
you.
G =
Ser - pen - tine,
5 5:
Riff D Gtr. 4
G
¯5 ¯5 5¯ ¯5 5¯ ¯5 ¯5 I
think
she was
5:
5
an Aus
Give up
¯5 ¯5 5¯ ¯5 ¯5
¯5
the ghost
be - fore
un
5 G
you
C
go
5:
5
17
¯5 ¯5 5:
8va
Blood - y
5
G =
Kick - ing hard
-
¯5
mon ka - mi - ka
ing
for
5
a
17
-
ze.
5
5 5
1
hold bend
der.
Ay - o,
ay - o,
5¯ 5¯ 5¯ !5¯ 5¯ ay - o,
²²²²²²²²²²²²²²² 5 5 5: ²²²²²²²²²²²²²²
13
=
res - cue.
¯5
ay - o,
¯5
won
-
der.
5k 5
5 5 5
loco
µ
12
13
12
12
¯5 ¯5 ¯5 ¯5 ¯5 ¯5 5k ¯5 was
nev
-
er
to
14
¯5
F
Watch me starve,
5
15
G
5:
¯5 ¯5 ¯5
C
5
15
15
F
¯5
D
-
-
5:
E¯5 5¯
15
¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 and look
com
5:
^
¯5 ¯5 ¯5
a
¯5 ¯ 5
hold bend
15
Gtr. 4: w/ Riff D
Am
hell,
¯5
let ring
15
5
17
5
55 5
1
15
¯5 ¯5 ¯5 ¯5 ¯5 ¯5 5k 5¯ F
hold bend
17
¯ G ¯5 5
=
sie.
5 5
5 E5
13
G
-
¯5 ¯5 ¯5
C
End Riff D 8va
1
14
¯5
D
^
¯5 ¯5 ¯5
Am
im - press
you.
D.S. al Coda
¯ G ¯5 5 G
I would
Gtr. 4
G
5
¯5 ¯5 have killed
5
¯5 ¯5 ¯5 ¯5 ¯5 5¯ ¯5 C
the
part
of
5:
me
to have
¯5
¯5 ¯ 5
E¯5 5¯
you.
Ay - o,
ay - o,
F
5 5 55 5 3
15
15
5
5
5
5
ay - o,
5
1
1 hold bend
15
5
!5¯ 5¯ ¯5 ¯5 ¯5
15
15
15
15
15
5
¯5
ay - o,
5
¯5
G
sto - ry.
²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 55 55 55
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
15
15
15
15
7
; Coda
Am7
G
k ¯ 5¯ 5
5¯
Death
was
k ¯ 5¯ 5
¯k ¯ 55
C5
¯5
5¯
made
to
5 5 5 5 5 5 5 2 5 5 5 5 E 2 3 3 3 3 5 5 5 5 5 5 5 2 5 5 5 5 G 17 X X 19
17 X X 19
17 X X 19
17 X X 19
17 X X 19
X X X X
17 X X 19
17 X X 19
17 X X 19
G7
¯5 ¯5
fail.
5 5
Gtr. 2 8va
17 X X 19
¯5::
°B
F5
17 X X 19
17 X X 19
17
5
15
5 5 15
5 5
5
13
13
17
5
12
15
5 5 12
5 !5
5
10
14
10
5 5
8
12
10
14
Interlude Gtr. 2 tacet
G6
Dm
Voc. Fig. 1
5
B:
G
4
B:
(Ah.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Riff E Gtr. 1
G
End Riff E
w/ pick
12
12
12 12
12
12 12
12
12 12
12
12 12
12
10 12
10
10
10
10
10
10 10
10
10 10
10
10
10
10
10
12
Gtr. 1: w/ Riff E
G6 5k
G
Dm End Voc. Fig. 1
5
B:
4
B:
Ah.)
Bridge Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1: w/ Riff E
G6
G 5k 5
5
Babe,
I
G6
G 5k 5
G
5
5
5k 5
to
5
die
3
5
5
5
love
is
a
5
12
12 12
12
12 12
12
12 12
5
5
in
the
e
-
12
10
12 12
12
3 5 5
5
Dm
5
12
3
fun - ny
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
12
8
Dm
know
5
born Gtr. 1
5k 5
5
ter
-
5
4
5
4
thing,
5
5
nal
spring.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
10
10
10 10
10
10 10
10
10 10
10
10 10
10
10
Verse Gtr. 1: w/ Riff B (last 8 meas.)
Am
5
5 5 5 5 5 5 5
3. Your flick - er - ing
G
Pick
the
than just
a
5 5 5 5 5
stick,
it’s
time
to
get
small
hit
with,
ay - o,
ay - o,
are
-
er
gon - na
C
5 5
5 5 5 5 5
the
I
one
want
to
know
C
5 5 5
=
^
G 5 5
^
is
save
you.
When
G ::
G
555 6
17 17 17 14 14 14
G
5k
555
17 17 17
555
6
555 6
14 14 14
Ay - o,
ay - o,
ay - o,
F
I
ay - o,
C
:: 4
5
5
my
bat.
5
came
too.
G
5
5
kiss
this.
G
555
3
= 32 2 2 2
< < loco 6 22 22 22 22 22 22 22 22 3
mf fdbk.
X X
0
X X
X X
X X
X X
X X
X X
X X
X X
X X
F
555 555555555555 555552 2 55555 555
End Riff F
6
17 17 17
555
6
15 15 15
6
17 17 17 15 15 15 17 17 17
6
6
16 16 16 17 17 X X 12 12 14 14 14
555 555555 555555555552 555 555555 C
17 17 17 14 14 14
G
6
6 17 17 17
14 14 14
F
8va
G
14 14 14
17 17 17 14 14 14
be - cause
now.
17 17 17
555
was
right
6
14 14 14
17 17 17 12
it
C
6
14 14 14
Am
cried,
5 5 5 5 5
G
555
555
6
game.
5 5 5 5 5 5 5k 5
: :
555
ball
F
5 5
0
555
a
ay - o,
5 5
*Two gtrs. arr. for one.
555
I
ay - o,
5
: :
Riff F
it’s
2.
0
Outro Am
ty,
5
C
*Gtr. 5 (dist.)
-
!5 5 5 5 5
F
1.
Interlude Am
par
5
G
E5 5
5
the
F
5 5
Su - i - cide
nev
Wel - come to
5
5 5 5 5 5 5 5
G
flame.
D
5 5 5 5 5 5 5k 5
5 5 5
=
5
5 5 5
G =
You
more
C
5 5
up
Am
is
F
^
G 5 5
5
^
5 5 5
C
^
G 3
D
15 15 15
6
17 17 17 15 15 15 17 17 17
F
6
6
16 16 16 17 17 X 12 12 12 14 14 14
9
Gtr. 5: w/ Riff F (5 times)
μ *Gtr. 6 (dist.)
0
G
?
4
4
$ 55
3
3
mf
*w/ octaver
0 0 *Bass arr. for gtr.
*Set for one octave below.
Am
C
G
F
Riff G
End Riff G
22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 55 55 55 55 55 55 555
Gtr. 1 8va
G
w/ pick
6
6
6
6
6
X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17
6
6
6
X X X 15 15 15 X X X 15 15 15 X X X 15 15 15 15 15 15 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 17 17 17 17 17 17 17 17 17
Riff G1
End Riff G1
Gtr. 6
G
6
6
6
555555555555555555555555 555555555555555555555555 6
5
5
5
6
5
5
5
5
5
5
6
5
5
5
5
5
5
5
5
5
5
5
5
3
3
5
7
7
7
7
5
3
3
3
3
6
6
3
3
0
2
2
2
2
2
2
1
1
1
3
3
3
Gtr. 1: w/ Riff G (3 times)
Am
C
G
F
Gtr. 6
G
6
6
6
55555 55555 555555 555555555555555555555555 5 5 555555 6
5
5
5
6
5
5
5
5
5
5
6
5
5
5
5
5
5
5
5
5
5
5
5
3
3
5
7
7
7
7
7
0
3
3
3
6
3
3
0
2
2
2
6
2
2
Gtr. 6: w/ Riff G1 (1 1/2 times)
Am
C
0
G C
0
G
G
F
Am
F
0
A5
μ
Gtr. 6
6
6 6 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7
10
7
7
6
7
5
3
3
3
3
3
3
0
2
2
2
2
2
2
1
1
1
3
3
3
5
5
5
5
4
?
2
3
3
3
3
3
3
from Red Hot Chili Peppers - The Getaway
The Hunter
Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton
FF FF FF
Intro 3 Very Slow q. = 37 # # = # # *μ
Bbm
5: G
5
Gtr. 1 (clean)
Bbm7/Ab
Eb
5 5 5:
F
5:
Bbm
5
5
mf
Bbm7/Ab
B:
5 5
Eb
F
5:
5 5
w/ reverb & **delay
£
6
6
6
6
18
18
18
6
6
*Chord symbols reflect overall harmony. **Boss DD-6 on warp setting.
Verse
G ::
Bbm
Bbm7/Ab
5k 5 5k 5 5k 5 5k 5 5k 5
1. Woke still
G :: : :
up like
this to
morn - ing laugh when
like I
F
4:
5 5 5
I
Bbm
5k 5
al - ways do. make a joke.
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
4: F
4:
=
=
Gb
=:
6
Gbmaj7/F
Db
gets has
its
5:
just just
5 5
5:
5 5
14
13
16
14
5
Time Time
0
5:
5 5
5k 5 like like
5k 5
Bbm7/Ab
to to
5k 5
=
think think
5 5 that 3 I’m that there’s
B:
5 5
Eb
5
Still still
I
18
new. hope.
G
5 5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² B:
Eb
G 5
Eb
6
18
Eb
5k 5
5 5
4:
way; say;
its
5k
B:
14
16
© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission
1
Gb
Gbmaj7/F
Db
Bbm
5k 5
5
5
5
straw - ber - ries straw - ber - ries
left left
to to
de de
G 5k 5 G
5
5:
5 5
14
13
Verse Bbm
G
Eb
5k 5
5k 5
can’t 4. Struck
find by
5:
16
5k 5 my the
5 5
14
5k 5
-
5k 5
5k 5
or of
my
5 5 5 5:
5 5 5
5
B:
5k 5 5 5 G G
14
Eb
5 5 5
an
4: F
=
Gb
5:
bank ac - count. emp - ty hall.
Don’t Don’t
5:
0
14
Gb
4:
5k 5
Gbmaj7/F
16
5 5
14
13
! 5¯ ¯5 5¯ ¯5 5¯ ¯5 5 5 5 5 5 5 G ¯ ¯ ¯ ¯ ¯ ¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ 5
G
5 5 5 5
5 5
be your
Eb
Db
5
5
start start
to to
be be
16
5 5
Eb
you
slip fade
you
5 5 13
5 5
14
14
5k 5 : -
tray. tray.
14
11
King of each and ev - ’ry
16
a a
16
11
fa - ther.
16
5
5 5
5
¯ !5
5:
Db
5:
5:
Bb
=
18
16
18
*Set for eighth-note regeneration w/ 15 repeats.
18
-
5 5
5:
=
3 5 5
End Riff A
6
Ab
¯5 5¯ ¯5 5¯ ¯5 ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯¯
5 ¯¯ 5¯ = 4 : ¯
5k 5:
5
5 5 5 5
Eb
5 5
5
Bbm
5 5:
Gbmaj7/F
6
5k 5
6
5¯ ¯
5k 5 ¯ ¯ ¯
Sun - set
5 5
Mar -
5 5
*w/ delay
18
2
that that
5:
Ab
E - ven though you raised me, I will nev - er
5k 5
5
Voic - es Voic - es
B:
Riff B
=:
6
Riff A
Chorus Bb
$ 3 5
4
11
way. way.
5k
=
4:
18
Eb
F
2. I
B:
G
Eb
cay. cay.
14
Bbm7/Ab
pants sight
5k 5 :
Bbm7/Ab
6
6
18
16
18
16
Eb
5¯ = G ¯
Bb
¯ !5
4:
=
E - ven though you’re cra - zy, you will nev - er
5k 5:
16
5:
18
5
5 5 6
6
5 5 5
5
18
18
16
1.
Gb
5 G
you’re
G
5
5
my
Old
5k 5 Man
5
5
in
the
F7
5:
18
4
Sea.
14
a
5k 5:
16
16
3. I
4:
5¯ = ¯
both - er;
5 5
$ 3 5 ::
5:
5:
5
18
2.
5
F7
5k 5:
4:
5
End Riff B
14
13
5
4
5
=
Sea.
::
5 5 delay off
13
be
5¯ ¯
(Oo.
5:
5k 5:
Eb
¯5 5¯ ¯5 5¯ ¯5 5¯ 5¯ 5¯ 5¯ 5¯ 5¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯
¯
quis.
G
Ab
16
13
6
: :
6
5:
5
5 8va5 18
13
Interlude
G
Bbm
B:
Eb
0
Bbm
5
Eb
5
05
Bbm
5
5
B:
Eb
0
Bbm
5
oo,
Gtr. 1
B:
G
B:
18
Gtr. 2 (clean)
G
=
0
5
5
5
oo.)
B:
8va
Eb
B:
18
0
0
0
4:
=:
55 !55 55 mf *w/ delay
6 6
5 5
6 6
*Delay set for eighth-note regeneration w/ 12 repeats.
3
Verse
Gtr. 2 tacet
Bbm
G
4
B:
3
Bbm7/Ab
5 5k 5
$ 5 5 = 5
5. The hunt - er Gtr. 1
G
Eb
F
5 5
gets hunt
-
BB ::: BB:
Bbm
3 = 4:
Bbm7/Ab
$5 5 3 5
4
ed.
We all
BB ::: BB:
5 5k 5
get con-front
BB ::: BB:
6 6 8 8
Eb
F
5 5:
-
= 4:
ed.
BB ::: BB:
6 6 8 8
BB :: G
Gtr. 2
0
0
0
6 6
Gtr. 1: w/ Riff A
Gb Gbmaj7/F Eb
5 G
Don’t
Db
Eb
5k 5
5 5 = 5
just slip
a
Chorus Bb
-
4:
5 5
E - ven though you raised me, I
Gb
you’re
Gtr. 1
G
5k 5:
13
4
14
5 ¯¯
5¯ = ¯
that start
5
my
Old
be
Man
5
5
in
the
5 5 5
16
18
F7
5k 5: Sea.
B: 13
-
5 5 5 5 =
tray.
¯5 5¯ ¯5 5¯ ¯ ¯ ¯ ¯ ¯
fa - ther.
5
5k 5 :
¯ !5
4:
Ab
k 5 ¯5 5 ¯¯ ¯¯
5¯ ¯
King of each and ev - ’ry Sun - set
¯5 5¯ ¯5 5¯ ¯5 5¯ 5 5¯ 5 5¯ 5 ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯¯ ¯ ¯¯ ¯ ¯¯
5k 5
Bbm
Bb
E - ven though you’re cra - zy, you will nev - er
5
to
Ab
!5 ¯
quis.
k 5 G 5
be your
Bb
4:
=
will nev - er
Eb
Db
5 5k 5 5 5 5
Voic - es
! 5¯ ¯5 5¯ ¯5 5¯ ¯5 5 5 5 5 5 5 G ¯ ¯ ¯ ¯ ¯ ¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯ ¯¯
5 G ¯
5k 5
way.
Ab
Eb
Gb Gbmaj7/F Eb
be
a
Eb
5 ¯¯
5¯ = ¯
both - er;
0
= B:
4:
=
5k 5 ¯ ¯ ¯ Mar -
from Red Hot Chili Peppers - The Getaway
The Longest Wave Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Intro Moderately slow q = 75 * Eb
Gm
5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 55
Bbmaj7
Eb
5 55 5 k 55 55 5 5 55 5 5 5 5 5 5 55 5 5 5 5
Gtr. 1 (clean)
3
mf
let ring throughout **T
£
3
3
4
5
4
3
5
6
7
5
7
5
6
7
0 X 6
7
5 7
7
6 6
6
8
8 8 6
8
8 8
10
8 10 8 8 8 10
5 5 5 5 55 5 5 5 5 5 5
5 5 5 2
Cm
5 5 5 5 5 5 5 5 =
GGGGGGG
Gm
Bb
5 5 B 5
5:
w/ pick & fingers
8
8
7
6 8
7
11 8
10
6
8
12
10
12
12
11 11 X 13 13 12 12 10 10
10
GGGGGGG
T
7
8
**T=Thumb on 6th string
3
5
8
*Chord symbols reflect basic harmony.
Bb
G
5
6
X
11
5
10
8
10
3
Verse
Eb
Db
G 5 5 5 5 5 1. Throw me
G 5
all
a - round
5 5 5 5 5 like
5
a
boom - er - ang
5
5 5
6
6
Eb
G
5 6
5
tall
then
5
5k
5
8
What - ev - er
5
say
5
5:
The
6
4
5k 5
do,
don’t
tell
me
5
5
5 5
4
8 6
5:
Gm
5
5
5
is
here.
5
5
11 4
10
10
8
© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS All Rights Administered by KBSK MUSIC All Rights Reserved Used by Permission
5 5
4
=
8
=:
6
$ 5
2. A
!5
10 12
why.
4
5 5k !5 5 5
=
5
6
F
wave
6 6
5
6
5 3 5 5k 5
bye - bye.
you
5
5
6 4
5k 5
5
5 5
4
=
5
5
^
Pop - pies grow
5
sky.
Db
5 5 5
6
Db
5
3
5
5
4
8
G 5 5 5
Eb
5
5
10
10
5 5 2
6
1
Verse
Eb
Db
G 5 5 5 5 5 seam - less
G
lit - tle team
5
5
6
Eb
5k 5
5 and
then
5 5 5
5
8
8
5
we
tanked.
tip
of
my
5 G
5
6
tongue,
but
5
5k 5
5 5
we blanked.
5
5
4 6
6
guess
we’re
not
so
5
8
8
5
The
5 5
6 4
6
The
5:
Gm
5 5k !5 5 is
5
5
6
=
5
!5 3 5
5
10 12
10
4
here,
11 4
6
F
wave
5:
4
3
5
5 5:
8
8
8
5k 5
sac - ro - sanct.
5 5 5 5 5 5
5 5k 5
5 =
5
then
8
5
6
Db
5
5
6 4
5
5
^
G 5 5 5
5
5 5
6
Eb
5 I
5
4
6
3
5
Db
10
5
5 !5
10
8
8
5
Interlude
Dm
G 5 5 5 5 5 wait - ing
on
the
wind
5
5 G
Eb
5 5 5 to
5
5
6
Bb
tell
5 8
6
5 5k
my
=
Eb
5 side.
5 5
5: 5:
7
7
6
6
5
5
=
5
5
Db
4
?
5 5
*w/ delay
6
5 4
8
6
6
5
5 5:
6
4
4
*Set for dotted sixteenth-note regeneration w/ 1 repeat.
Verse
G G
Eb
Db
Eb
0 5 6
5
8
5 5 8
5 5 5
5 5: 8
3. Read - y,
5k 5
5
6
set,
5
delay off
6
6 4
2
Db
5 jet,
5 5 5 5 5 but
she
5 5
nev - er
5 4
8 6
4
5
gets
far.
5
5
6
4
= 5M
5k
5
4
6
6
Eb
Db
5 5 5 5 5k 5
G 5 5 5 5 5 Lis - ten
G
to
5
your skin
3 5
6
from the seat
5 3 5 5
3
8
8
8
of
3
my
5
6
Eb
5
Two
5 5 4
Gm
-
G
5
5
5
=
^
5 5k !5 est
wave,
3
!5 5 5 10
12
12
5
5
5
4
5 !5 µ
8
8
in
5
5
one
glass
jar.
5
5
4 6
Bb
5
5
5
5
5
wait - ing
on
the
wind
to
tell
5
5
5
5
5
5 5k
5 =
8 6
5
The long -
5
5: 4
4
5
5 5k 5
6
Eb
6
10
5k 5
8
6
5
5 5
5
5 5
Dm
let ring
11
5 6
4
F
5
5k
5 5
cen - ti - pedes stuck
6
4
G 5:
5k 5
5
car.
Db
10
5
my
side.
5 5
5 5
7
7
6
6
=
Pre-Chorus
Cm
G 5
=
5 G 5
5:
Bb
5
5
What - cha
5 B
w/ pick & finger
4
3
3
5
5 Do
5:
5 you
5
3 2
5 5 B
X
5
5:
-
cha
5 5 5
5 5 5 4
3
Bb
G 4
3
5
1
Cm
4
4
What
5 5
5
Bb
5
want?
Rhy. Fig. 1
5 G 5
Cm
3
6
need?
5 5
=
4
3
3
5
=
3
1
5
4
love?
B
End Rhy. Fig. 1
5
5
1
1
5 1
55 3 3
55
5
5 5
2 2
1
3 1
X X
3
C
Chorus Gtr. 1 tacet
Ab
G 5 5 5 5 5 May - be I’m the right Riff A
Gtr. 2 (slight dist.)
G
5
5
Eb
5
Bbm
5 5 5 5 5
one,
=
5
5
5
Rhy. Fig. 2 Gtr. 1
G
11
10
10
8
8
10
8
55 55 5 5
55 55 5 5
22 22 2 2
22 22 2 2
55 55
55 55
22 22
22 22
55 55 5 5
4 4 5 6 6 4
4 4 5 6 6 4
X X X X X X
X X X X X X
8 8 8 6
8 8 8 6
X X X X
X X X X
6 6 6 8 8 6
w/ pick
Ab
G 5
Eb
=
5
5
5k 5
5
5k 5
Time
to
call
it
a
5
5
Fill 1
G 5
5
5
5k
5
pi
-
²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²
1
11
the
rate and the pap - il - lon. End Riff A
w/ heavy reverb
11
Just an - oth - er play,
²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 5k 5 5 5 5k B
mf 1
Fm
5 5 5 !5 5 5 5 5 5 5
5 5 5 5 5
may - be I’m the wrong.
5 5 5
Eb
5
5
8
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 8
10
55 5 55 3 555 3 55 5 5 5 5
55 55
6 6 6 8 8 6
9 10 10 8
8 8 8 6
9 10 10 8
B:
8
Rhy. Fill 1
G
6
8
8
8
10
5
55 55 5 5
55 55 5 5
22 22 2 2
22 55 22 5 2 5 2
55 5 5
4 4 5 6 6 4
4 4 5 6 6 4
X X X X X X
X X X X X X
8 8 8 6
8 8 8 6
5
End Fill 1
5 5 5 5 5
May - be you’re my last
4
5
X X X X
5 5 5 5 5 5 5
5
5
5
5 5
1
8
10
8
6
8
6
8
6
6
22 22 2 2 2 2
55 55 5 5
55 ::: 55 : 5: 5:
55 55 5 5
55 55 5 5
55 55 5 5
55 55 5 5
55 55 5 5
55 55 5 5
55 55 5 5
22 22 2 2
22 22 2 2
X X X X
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
X X X X X X
X X X X X X
End Rhy. Fill 1
X X X X
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Riff A
G
X X X X
day.
To Coda
Ab
22 22
4
8
8
22 22
Bbm
1
6
End Rhy. Fig. 2
Eb
5 5 5 5 5
love, may - be you’re my first.
; Bbm
=
5 5 5 5 5 Just an - oth - er way
Eb
Fm
5 5 5 5 5 5 5 5 5 5
to
play
in - side the
u - ni - verse.
Ab
G 5
Eb
5
5
5k 5
Now
I
know
5
5
=
Gtr. 2
G 5
5
5k
5
5
5k 5
why
5
5
B:
Bb
5
we
came.
5
5
5 5 5 5 5 5 5
5
5
5
1
6
6
8
Rhy. Fig. 3 Gtr. 1
G
8
8
10
8
5 5
1
8
8
4
8
55 555 5
55 555 5
22 222 2
22 222 2
55 55
55 55
22 22
22 22
5 !555 55
4 4 5 6 6 4
4 4 5 6 6 4
X X X X X X
X X X X X X
8 8 8 6
8 8 8 6
X X X X
X X X X
6 6 7 8 8 6
10
8
6
8
6
8
6
6
55 :: 55 :: 55::
55 55 55
55 55 55
55 55 55
55 55 55
55 55 55
55 55 55
6 6 7 8 8 6
6 6 7 8 8 6
6 6 7 8 8 6
6 6 7 8 8 6
6 6 7 8 8 6
6 6 7 8 8 6
6 6 7 8 8 6
End Rhy. Fig. 3
55 55 3 55
6 6 7 8 8 6
Verse Gtr. 2 tacet
Eb
G 5 5 5 5 5 5 5 4. Ster - ile
as
the
bar - rel
of
Db
5 5k 5 an
Gtr. 2
G B
old
5
Eb
5:
3
twelve gauge.
5k 5
Db
5 5
Un - der
my
5
5
5
skin
and
half
5k 5 my
5
=
age.
0
?
6
5 5
5
5 5
5 5
5
5 5
GGGGGGG
G
5
5 5
5
5
5 5 5 3 5 5 5
5
5
5 5
w/ pick & fingers
6 6
4
8 6
6
4
6
6
GGGGGGG
Gtr. 1
4
4
4
6
8 6
8
6
4
6
6 4
4
6
5
Eb
5
5
than the wax
on
a
sax
5 G
5
Gtr. 1
5
5
5
6
8
6
5
5
8
8 6
6
G 5¯ 5¯ 5¯ 5¯ ¯5 on
5 G 5
i - frage.
¯5 ¯5 ¯5
the wind
to
5 :
5
5
¯ 5k 5
-
5
5
est
my
page.
5 5
5: 5:
7
7
6
6
=
5
5
5
10 12
10
5
5 !5
8
8
10
8
5
Interlude
¯5
=
5
5
Eb
5
Db
4
? 5
5 5
w/ delay
6
6
4
wave,
5:
5
10
¯5
¯5
Bb
8
5
F
11
turn
5
Gm
The long
4
Eb
5
6
-
6
Dm
wait - ing
5
¯5
5 5 =
¯5 k ¯ ¯ 5¯ !5 5
¯5 ::
k ¯ 5¯ 5
^^
Hot - ter
Db
5 5k
G 5k 5 5 5 5 5
5
4
8
6
6
5
5 5
6
4
4
6
Verse
G G
Eb
5
0 5
5 5 5
6
8
Db
Eb
5 5 5
5
5 5
5k
sails
5 =
5 5 5 5 5
5. Stead - y
your
5
5
5 5 5
8
8
3
5
5
Db
for
the
but - ter - fly
What -
5
5 5
6
6
delay off
8
8
4
6
6
4
Eb
G 5 5 5 G
6
Db
5k 5
5
ev - er you
do,
don’t
5
5 5 5 5 5 5 5 3 5 5
5
5
close
that
6
8
6
8
6
8
6
6
Eb
5
I’m
5k
5
5k 5
5
6
Db
5 5 5 5 5 5 5 5k 5
dream - ing
6 8 4
6
5 5
4
gap.
3
4
6
5 =
5
6
5
flap.
of
5
8
a wom - an, but she’s just
5 5 8
5
5
8
6
5 my
6
5 3 ¯5 nap.
Your
5 :
5
4
10
¯5 k ¯ ¯ 5¯ !5 5
k ¯ : G 5¯ 5 : Gm
F
is
5
G
4
^^
ship
5
in,
wait - ing
5
3 5
5
5
10
11 12
5¯ 5¯ 5¯ 5¯ ¯5
10
5
5 !5
8
the
tide
so
k ¯ 5¯ 5
I
5
5
5
6 8
on
Eb
5
5
10
8
¯5 ¯5 ¯5
Dm
=
¯5
can
swim.
5 5
5: 5:
7
7
6
6
8
5
¯5
Bb
6
5 3
Pre-Chorus
D.S. al Coda
Gtr. 1: w/ Rhy. Fig. 1
¯5 ¯ ¯5 ¯5 °B G 5 = Cm
Bb
¯5 ¯5 ¯5 °B
Cm
Bb
4
What - cha want?
What - cha need?
an - oth - er
Eb
°: G B :
Eb
way
to
Fm
in - side the
Cm
Db
4
4
¯k ¯ 55 Now
Gtr. 2
G 5
5 5 5 5 5 5 5
5
5 5 1
8
Gtr. 1
G
8
10
8
6
8
6
8
6
6
4
Gtr. 1: w/ Rhy. Fill 1 Gtr. 2: w/ Fill 1
Fm
play
¯5
Do you love?
¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ 5 5 5 5 5 5 5 5 5 5
¯ ¯ ¯ 5 ¯ 5 ¯ 5 5 5 G Bbm
Bbm
Bb
4
; Coda
Just
¯ ¯ ¯5 ¯5 5 5 ¯5 ::
Cm
Ab
¯ 5
=
u - ni - verse.
¯ 5
¯k ¯ 55
I
know why we
Fm
¯ ¯ 5 5
¯ 5
¯ 5
¯ 5
¯k ¯ 55
Now
I
know
Eb
¯5 why
° B
Eb
¯ ¯k ¯ 5k 5 5 we
came.
Db
° B
came.
²²²²²²²²²²²²² ²²²²²²²²² ²²²²²²²² ²²²²²²²²²²²²²²²²²²²² 3 5: 55 5 5 5 5 5 5 5 5 5 5 B 1 ²²²²²²²²²²²²² ²²²²²²²²² ²²²²²²²² ²²²²²²²²²²²²²²²²²²²² 4
4
4
3
3
4
3
1
1
1
3
1
4
55 55 55
55 55 55
55 5 55 55 3 55 3 5 55 5 5
22 2 2
22 2 2
55 55 55
55 55 55
55 55 55
22 22 22
22 22 22
55 5 5
55 5 5
22 2 2
22 2 2
55 5 5
55 5 5
22 2 2
22 2 2
55 55
55 55
22 22
22 22
6 6 6 8 8 6
6 6 6 8 8 6
6 6 6 8 8 6
X X X X
8 X 8 X 8 X 10 X 10 8
9 9 10 11 11 9
9 9 10 11 11 9
X X X X X X
X X X X X X
9 10 10 8
9 10 10 8
X X X X
X X X X
8 8 8 6
8 8 8 6
X X X X
X X X X
6 6 6 4
6 6 6 4
X X X X
X X X X
8 8 8 6
9 10 10 8
7
Gtr. 1: w/ Rhy. Fig. 3
Ab
Eb
G =
5
5
5
Bb
5
5
Now
I
Gtr. 2
G 5
5k !5
5
5k
5
5
4
5
5
?
know.
5
5
5
5
5
5
5
5
5
5
5
1
6
6
8
8
8
10
8
5
5:
5
1
8
8
8
8
8
10
8
6
8
8
Outro Gtr. 2 tacet
Eb
Gm
5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5
5 5: 5 5 5 5 5 3 555 ::: 5: 5
Bbmaj7
Gtr. 1
Eb
55 k 55 5 5 5 5
T
3
4
3
5
4
3
5
6
5
6
7
5
8
7
5
7
0
5
6
7
7
8 8 8 6 6
7
6
Gtr. 2
B G
?
8 8
8
0
8
Bb
Cm
5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5
5
GGGGGGG
G
Gm
3
Gtr. 1
rit.
7
8
7
8
7
11 8
10
8
10
12
12
11 12
11 X 12 10
GGGGGGG
8
8
=
5 5: 5 w/ pick & fingers
T
6
Bb
13
11 12
10 8
11
B
10
8 8
10
8
from Red Hot Chili Peppers - The Getaway
Sick Love
Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer, Elton John and Bernie Taupin
Intro Slow q = 74
E G
22 22 55M E E 55k 55 ::: 55 22 !555 555 555 555 555 555 k 5 5 5 2 2 5 2 2 5E 5 5 5 2 5 = 5 22 55 3 5 5 5 5 22 22 5 5 5 5 2
**Am7
(Drums)
D
Gmaj7
Cmaj7
*Gtr. 1 (slight dist.)
0
mf
£
5 5
7
X X X
5 5
7
9
7 7
X X X
D
Em
E 5 5 2 2 5k 5 5 52 3 G !222 222 55 5 222 !55 222 5 5 5 22 22 2
C
7 7
X X X
7
9
X X X
7 7 7
6 6 6
7 7 7
7 7 7
7 8 9
7 8 9
X X X
10 8 9
7 8 9
7 8 9
7 8 9
*Pickup selector set to neck pickup. **Chord symbols reflect implied harmony.
Am7
X X X
X7 9 X7 X
X X X
5 5
7
5 5 5 5 5 5 5 5 5 5 5 5 µ
let ring ***w/ vibrato
7
5 5 5
X X X
5
5
X X X
7 7
9
7
X X X
X 7 9 X X X
7
9 X
8
9 0
7
7
8
9
8
9
9
***Boss VB-2, set for latch mode
Verse 2nd time, Gtr. 2 tacet
Am7
E G =
D
5 5 5 5 5 5 5 5 5 5 5 5 5k 5 5
1. Say good - bye 3. Peo - ple talk
E
Gtr. 1
G =
to and
Oz tell
and ev - ’ry - thing you you what you wan - na
Gmaj7
5
own. hear.
Cmaj7
5 5 !5 5 !5 5 5 !5 5 !5 5 5 5 Cal - i - for - ’na dream Do you real - ly need
55 3 55 22 22 5k 55 55 5 555 2 55 5 22 5 2 2 5 5
22M 2
55M 5
X X X
7 7 7
E 5k E E 55
in’ is a an - oth - er
Pet - ti - bon. sou - ve - nir?
55 :: 5:
55 22 22 55 55 55 55 55 55 5 2 2 !5 5 5 5 5 5
7 7 7
7 7 7
vibrato off
5 5
7
X X X
5 5 5
7
9
7 7
X X X
X 7 9 X 7 X
7 7
9
7 7 7
6 6 6
X X X
X X X
7 8 9
7 8 9
10 8 9
© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS, HST PUBLISHING LTD. and COW DOG MUSIC, INC. All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC All Rights for HST PUBLISHING LTD. and COW DOG MUSIC, INC. in the U.S. and Canada Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. All Rights Reserved Used by Permission
7 8 9
7 8 9
7 8 9
1
G
E
$ 5 =:
Am7
D
5 5 3 5 5 L. - A.’s he - roes
Su - per
G
E
in’, to
-
B:
5 5 3 5k 5
5
scream tend
2nd time, Gtr. 1: w/ Rhy. Fill 1
Em
“Your my dis
home.” ap - pear.
5 5 5
5 2 2 5k 5 5 55 5 !222 !55 222 5 5 5 22 22 5 5 5
=
4
5
5
let ring
5 5
Am7
7
X X X
5 5
7
X X X
7 7
9
X 7 9 X 7 X
D
E G =
E G 222
vibrato off
X X X
is blast - ed, but it’s rare - ly a trick, you see an emp - ty
5
X X X
7
5 5
X X X
7
9
2nd time, Gtr. 1: w/ Rhy. Fill 2
Am7
E G =
5 5 5 3 5k 5
5
Got a lot of Chase your tail, my
E G !222 222 55
X X X
7 7
X X X
D
5
9 7
=
fair. glass.
7 7
X X X
7 7
5 5 5 5 5
friends, ba
by,
but is it - ’ll
8
5 5 5 5 5 5 5 5 5 5
I could smell the Pro Leave you feel - ing thirs
55 ::: 5
-
55 22 5 2
7 7 7
7 7 7
X X X
X X X
E 5k E 5 E 5
7 7 7
6 6 6
zac in your pret - ty ty and so ver - y
7 8 9
7 8 9
7 8 9
10 8 9
Em
X X X
5 5
Rhy. Fill 1
E
5 5
5 5 let ring
7
7 7
9
X X X
X X X
vibrato on
7
0
X X X
5 5 5 5 5 5 5 5 5 5
Gtr. 1
G
X X X
7
9 7
7 7
4
there? last.
5 5 5 5 5 5 5 5
5 5
5
vibrato on
µvibrato off
7
8
7
8
8
9
7
8
X X X
5 5
7
X X X
Rhy. Fill 2
E 5 2 2 2 5M 5 G 222 222 55 5 222 !55 222 5 5 5 2 2 2 5 5 Gtr. 1
3
9
5 5
5 5
5 5
7
9
7 7
7 7
7 7
7 9 7 7 9
2
X X X
5 5
7
X X X
5 5
X X X
7
9
7 7
X X
X X
X X
9 7
µ
let ring
7 8
7 7 0
0
7 7
55 55 5 5 5 5 5 5 5 5 5 vibrato on
X X X
8
5 3 55 55 55 5 5 5 55 3 22 22 5 2 5 5 2 2 5 5 22 5 5 5 5 5 3 let ring µ X X X
7
0
9
X
7
8
0
5
7 8 9
7 8 9
let ring
X X X
hair. fast.
5 !555 555 55 555 555 555
B:
5k 5
an - y - one be your
Cmaj7
5 5 5
5 2 2 5 5 5 5 22 22 5 5 2 3
2 !5 2 5 22 5 22 5
7
8
0
22 22 55M 2 2 5
55
9
µ
9
Gmaj7
5
55 22 22 55 55 5 2 55 2 2 2 5 5 22 5 22 5 5
5
9 0
5 5k 5
5 5 5 5 5 5 5 5 5 5 5 Va - ni - ty Fame is just
7 7
5
vibrato on
7 X X X
5 5 5:
8
7
8
7 9
8 9
µ
9
Pre-Chorus Gtr. 1 tacet
G
Am
¯5 ¯5 ¯5 ¯5 ¯5 5¯
E
G 4
I
E G =
*Gtr. 2 (clean)
5
w/ pick & fingers let ring
12
µ
12
=:
¯5 ¯5
it’s been
12
12
12
10
12
12
12
10
said,
your heart is strong - er
than
D/F#
¯ 5 5
your
¯ 5
head,
5 5 5 5 5 3 5 5 5 5 5 5 5 3 5 5 5
²²²²²²²²²²²²²
µ
let ring
10 10
¯k ¯
G
²²²²²²²²²²²²² 5 5 5 5 5 5 5 55 55 =
don’t know, but
5 5 5 5
mf
$ ¯ ¯ ¯ ¯ ¯5 ¯5 ¯5 ¯5 5 5 5 5
D
10
10
11
12
let ring
10 12
12
12
12
12
12
12
12
10
8
*Two gtrs. arr. for one.
G
E ¯
3 ¯ ¯5 5
- / this and
G
E 5 5
5 5 5
lo
10
9
8
ca
-
¯ 5
tion
is
my
home.
55 5
5 5 5 5 5 5 5 3 55 5 µ
let ring
9
9
10
11
11
12
T o Coda
¯ ¯ ¯ ¯ ¯: 5 5 5 5 5:
¯ 5
Em
5 5 5
5 5 5 5 5 5 5
7
7
;
5
let ring chorus on
7 7 7
GGGGG
9
-
µ
let ring
8
¯k ¯ 55 D
¯ 5
¯k ¯ : 5 5:
¯ 5
GGGG
C
9 9
8
9
7
8
8
9
µ
8
Verse Gtr. 2 tacet
Am7
E G =
D
5 5 5 5 5 5 5 5 5 5 5
2. Stick ’n’
E
Gtr. 1
G = chorus off
move,
55 55 222 5 5
E
7 7
Am7
X X X
you’re liv
-
ing
in
a quick
55 22 22 5k 55 55:: 55 22 5 2 2 2 5
Gmaj7
5
Cmaj7
5 5 !5 5 !5 3 5 5 5 5 5 5 5
5
world.
Got
55
a
heav - y laugh
55M E 5k 55 :: 5 E E 55 5 :
5
for such
5 5
Born in
X X X
-
7
9
5k 5
D
7 7
5
to
X X X
X 7 9 X 7 X
7 7
7 9
5
5
5
it,
that’s
for
5 55 5 222 !55 222 222 5 5 5M
5 5 22 5 5
5k 5
7 7 7
9
7 7 7
6 6 6
7 7 7
X X X
X X X
5 5
7
girl.
5 5 5 5 55 55 55 55
7 8 9
B:
5 5
X X X
X X X
7
9
7 7
9 7
7 7
X X
7 8 9
7 8 9
10 8 9
7 8 9
Em
4
sure.
22
5
5 5 5 55 555
5 5 5 5 5 5 5 5 5 55 55 55 55 55 µ
vibrato on
X X X
ti - ny
55 22 22 55 5 2 2 !5
let ring
X X X
a
3
5 5 3
G 4 E G !222
5k 5
8 9 9
X X
7
8 9 9
8
7
8
9
7 8 9
7 8 9
7 8 9
7 8 9
7 8 9
0
3
Chorus Gtr. 1 tacet
Am
G
E ¯5
Riv
¯5
¯5 ¯5 ¯5
ers
get
con - nect
-
5 5 5 5 E 5 5 3 5 5 55 55
Gtr. 2
G
¯5
¯5
D
Rhy. Fig. 1
-
ed,
so
13 14
13 14
Am
E G ¯5
sick
13 14
¯5
¯5
love
comes
12 12
12 12
much strong
55 55 5 5 55 55M 10 11
10
10 11
10
10 11
¯5 ¯5 5¯ to
wash
12 12
5¯
k 5¯ 5¯ !5¯
us
a
-
5 5 5 55M 5 5 5 5 5 5 E 5 5 3 5 5 55 55 55 55 G 13 14
13 14
13 14
13 14
12 12
12 12
10 11
10
10 11
10
10 11
¯5 ¯5 5¯
er
than
ex - pect
5¯ =
5¯ -
ed.
Well,
12 12
12 12
12 12
10 11
10 11
8 9
8
8 9
8
8 9
=
8 9
Em
¯5 ::
=
5¯ 5¯ 5¯ 5¯ 5¯
way. End Rhy. Fig. 1
=
µ
let ring
¯5
C
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8
8
8
8
8
8
*T = Thumb on 6th string
5 5 5
5
best for
friend my
$ 5 5 5 5
=:
C5
5
8
8
4
8
8
?
Flea. bride.
=: $ 4 $ 5 5 5 5 5 5 5 5
End Riff B
10
8
8
8
8
8
8
8
6
6
6
6
6
6
6
6
8
8
8
8
8
8
8
8
Chorus 2nd time, Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2 tacet
¯5 G
Eb
This We Gtr. 1
G
BB M
8va
MM
20 20
¯5
= 5¯
¯5
¯5
Ti are
-
-
der just
con all
55:: M MM
20 20
¯5 -
o sol
55 M MM
18 19
¯5
Bb
-
55 :: MM MM
18 19
¯5
¯5
ga diers
is in
55 M MM
20 19
¯5 55 M MM
20 19
¯5
¯5
an this
55 MM MM
18 19
¯5
¯5
el ep
-
e ic
55 M
BB M
55:: M
16 17
16 17
MM
16 17
Ab
MM
¯5 -
ment lov
¯5 -
MM
¯5 that ing
¯5 shines. fight.
5
18
3
¯ G 5
2nd time, Gtr. 1: w/ Fill 2
G
¯5::
¯5
¯5
=
¯5
5
18
16
5
5
20
18
5
by that
5
BB M
55:: M
19
20 20
20 20
5 16
¯5
5¯
Con - nect - ed And no one
5
8va
4
Eb
M
¯5
¯5
the I
great know
¯5
Bb
55 :: MM
55 M
M
M
un has
M
18 19
¯5
¯5
known ev -
be er
55 M
55 MM
55 M
18 19
16 17
¯5
¯5 -
55 M
M
18 19
M
20 19
20 19
To Coda 2
¯5
-
;
tween real -
M
M
Bridge Slower q = 92
¯5 G
Ab
¯5
¯5
us
there
¯5
¯5
¯5
are
lines.
Gtr. 1 tacet
°B
Cm
? 3
Gtr. 3 (dist.)
G
?
0
5
5
Yes,
I
=
4
5
5
told
B
5
5
Fm7
5
Riff D
5
5
her
that,
5
5
5
13
15
mf w/ rotary speaker effect
13
13
16
15
Gtr. 1
55:: M
8va
B G MB MM
16 17
Bb
5 5: G 15
the
old
0
delay off
15 15
Eb
I’m
55
18
k G = 5 5 5 5 5 5 5 5 = Gtr. 3
loco
1
MM
16 17
B:
5 3
-
er
5
5 5 5
13 15
cat.
13
Ab
D7
2 2 2
2
5 5:
Can
k 2k 2 ! 2k 2 2 2
I scratch your back all
5
day?
I
15
13
B
16
8va
5 5 G
5
5
5
5
5
1 hold bend
18
4
18
18
18
it
=
2
an - y oth - er way. Well,
5
!5
16
Fill 2 Gtr. 1
G7/F
2 2 2 2 2 !2 2 !2 2
would not have
5 5 !5
13
15
3 2
G
5 5
16
13
Cm
G =
B
G
Fm7
5 5
Bb
much
to
5
5 5:
me.
Can you
5 5 5 13
15
G
all
Gtr. 1 divisi
the
5
we?
What are
2 2: we
ev - er gon - na do when
2 2 2 2 2 !2
End Riff D 5 5 5 5 5 5 5
I
want to
be
2
2
is
next
13
15
G7/F
G !2 2 2 2 2 G
see
2 2
D7
=
5
5
16
16
1
13
Gtr. 3
Ab
5 5 5k 5 5 5 5 5 =
=
5 5 5 5
means so
Eb
4
?
2
!2
to
you.
=
4 =:
G ?
Gtr. 3
G ?
12
13
12
10
5
5
4
3
13
8va
Gtr. 1
²²²²²²
f
?
5 5 3
²²²²²² 5 5 5 5 5 =
*Gtr. 4 (dist.)
° G B
55 5
16
16
13 15
15
; Coda 1
D.S. al Coda 1 C5
μ
M 5
!B
13
15
5 G
5
15
16
12
5
5
5
16
5
loco
5:
5 ! 55
1
18
delay off
18
0 0 0
*Pickup selector set to neck pickup.
Bridge Slower q = 92 Gtr. 1 tacet Gtr. 3: w/ Riff D
Cm
G =
5 5 It’s
G
of
2
your love
Ab
!2 G
You
5 G Gtr. 3
15
2
2 5k 5 : and
15
17
2
Bb
=
5 5 5 5 fa
-
2 I’ll
2
vor - ite,
G7/F
2k 2
take
!2
2
so
2
2 2 !2 5
re - pent
5
16
I’ll
Cm
for
5 5 5 5 3 2
sa
-
!2
μ
2
5
sit - ting
!5
16
2 on
4
vor
it.
I
Fm7
5
there’s no
G
2
Eb
5k 5
5
=
ten quarts. Well,
D7
you would not
5 5
^
!2 G
my
Fm7
5
5
5
to
this,
= !2 2 2
my
must
=
2
5 13
2
5M 5
16
2
re - port
5
5
D7
2 2k
that
life
2
2
is
short,
Cm
=
5k 5
B
5 5 am
I
3 !2 so
Eb
5 5
don’t pre - tend
el - e - phant. And
=
2 2
Bb
end
2k 2
Ab
5
5
to
miss.
=
Fm7
5 5 5 5 cra
-
5
zy
to
5 5 5
13 15
13
15
5
Bb
Eb
Ab
join
the
la
5 5: G
-
2 2 2 !2 2 2k 2 !2
zoo?
All
these hu - man but - ter - flies and
5 5 5
5
5:
5
G7/F
!2 2 2 !2 2
2
zy
5
G
cac - tus flow - ers, swol
5 5 !5
-
2
2
len
eyes.
M 5 ! 5 ! 55 5 55
B
1
13
15
15
Cm
G
=
13
15
Bb
5 5 5 5 5 5 5
55
5
13 16
13
want the
dev - il’s
55
55
13
15
Fm7
I
G
13
of
5 5 5
5
5
you,
5:
I
Ab
15
1
13
14
16
do
de - clare.
5
5 5 5
!2 2 2 2 2 2 !2
2
A - gain
I’m
ask - ing, can
I
do
when
55 5 :
5 5 55 :: 1
13
16
13
55
D7
1
15
5
14
5 5 5 5 5 5 5 3 2
share
And
1
11
12
16
Eb
=
2
^
k G = 5 5 5 5 5 5 5 5 =
D7
13
15
15
15
16
15
D.S.S. al Coda 2 Gtr. 3 tacet
G
μ
!2 2 2 2 2 !2
G
=
= 2
all these an - i - mals want
! 5 ! 55 = 4 G Gtr. 3
to
2
4
be
2
=
2 2k
4
just
like
4
Gtr. 1
0
?
=
= 2
C5
you?
=:
$ 55 5
1
12
5 5 3
14
Gtr. 4
G
?
²²²²² 5 5 5 5 5 = ²²²²²
12 13 12 10 12
6
Gtr. 4 ²²²²² M M = 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 =: Gtr. 2 4 divisi ²²²²²
12 13 12 10 12
10 11 10
8
10
8
11
8
10 11 10
8
8
; Coda 2
¯5 G
Ab
-
¯5
¯5
ly
done
¯5
¯5
it
right.
55:: MM
8va
Gtr. 1
¯5
B G MB M
°B
16 17
Gtr. 2
G
5
5
5
5
5
5
Done
it
right.
5
5
loco
2 ! 22
1
M
M
16 17
5
5
3
=
55 5
55 5
55 5
delay off
18
18
18
18
X X X
0
C5
?
0 0 0
0 0 0
=:
4
5 5 3
$ 5
8
Outro Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times) Gtr. 2: w/ Riff B
C5
G 5
4
?
Bb5
?
=
5 5 5 Done
it
C5
5
4
?
?
=
right.
5 5 5 Done
it
Bb5
5 G
5
=
?
?
G ?
=
5
5
5
Done
it
right.
C5
5
5
5
5
4
μ
!2
8va
0
^
4
right.
Whoa! Gtr. 1
G 55 5
55 5
55 5
5 5 3
5 5 3
5 5 3
5
5
5
8
8
8
Gtr. 2
G
=:
=:
$ 55 5
55 5
55 5
55 5
5 5 3
5 5 3
5 5 3
5 5 3
$ 5
5
5
5
8
8
8
8
=:
=:
$ 55 5
55 5
55 5
55 5
5 5 3
5 5 3
5 5 3
5 5 3
$ 5
5
5
5
8
8
8
8
4
?
4
?
7
from Red Hot Chili Peppers - The Getaway
We Turn Red
Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton Intro Moderately slow q = 82
μ
* C5 Fill 1
Gtr. 1 (elec.)
G
0
(Drums)
?
End Fill 1
=:
4
$ 5
mf
w/ clean tone
£
G
8 *Chord symbols reflect implied harmony.
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
μ
=:
Riff A
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
6
6
8
8
8
6
8
8
8
6
8
8
8
6
8
8
8
8
8
8
6
8
8
8
6
8
8
C5 End Riff A
$ 5
8
8
Chorus Gtr. 1: w/ Riff A (2 times)
Bb5 C5
5 G
5
We
got
Bb5 C5
5 G
We
Bb5 C5
Bb5
5
large
and
5
turn
red
Bb5
5 5 5 5
Bb5 C5
5
C5
we
5 5 5 5 5
got
Bb5
small.
C5
we
We
got
Bb5 C5
5 5 5 5 and
C5
5 5
turn
green.
a
5 5 It’s
the
Bb5 C5
5
Bb5 C5
5
pool
C5
and
a
Bb5 C5
5 5 5
C5
μ
5 5 5 5
5
swim - ming
Bb5
Bb5
5
5
cra - zi - est
thing
I’ve
Bb5 C5
Bb5 C5
5 5
can - non
Bb5 C5
5
ev
-
-
ball.
μ
C5
5 5 5 er
=
C5
seen.
Interlude
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
μ
Fill 2
End Fill 2
Gtr. 1
G
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
6
6
8
8
8
6
8
8
8
6
8
8
8
6
8
8
8
8
8
8
6
8
8
8
6
8
© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission
8
4
8
1
Verse Gtr. 1 tacet
G
μ
F5
G5
1. Lost
my
mind
5
5
F5 G5
5
5 5 5 5 ’cause I’m
F5 G5
5 5
on
5 3
the plas
-
G
G5
Who
knew
5
=
tic.
Gtr. 2 (slight dist.) Riff B
F5
C5
5
5 5 5 5 it’s
so
Bb5
5 5
damn,
5
uh, dras
-
tic? End Riff B
5 5 3 5 3 2 5 5 !5 2 2 5 3 5 3 2 2
3 2 5 3 5 3 2 2 5 5 3 5 3 2 5 5 mf
1/2
*w/ filter
X
3
3
5
X
X
3
5
5
X
3
5
X
X
3
5
F5
G5
X
5
X
5
5
X
3
3
*Brain-Freeze MS-20 w/ expression pedal, and Ibanez Auto Filter
F5
G5
F5 G5
5
5
5 5 5 5
55 5
me
what
it
be - lieve
5 G Show
is
F5 G5
k
you
5 in.
Riff C
3
5
X
X
3
5
5
X
3
F5
G5
F5
5 5 5 5 5
Do
you want
to
G5
5 5 5 5
go
fish - ing
in
5k 5
-
5 5
5 5 5 5
ly
she
sinks
Bb5
all
5
your teeth
in. End Riff C
2 2 5 3 5 3 2 3 5 5 2 5 3 2 5 5
5
X
X
Gtr. 2: w/ Riff C
G =
5
Slow
G 3 2 5 3 5 3 2 2 5 5 3 5 3 2 5 5 X
5
=
C5
F5 G5
5
3
5
5
X
5
X
5
X
3
¯5 5¯ 5 5 5 5 5 5 5 5 5k 5
F5
=
New Or - leans?
Do
G5
C5
you want
to
get
up
ear - ly
in
3
Bb5
5
the morn - ing?
Gtr. 2: w/ Riff B
F5
G5
F5
G5
5 5 5 5 5 5 5 5 5 5 5 5 5k 5 G Take me
to
the
riv - er where we
do
the
F5 G5
F5
5
=
lit - tle storm - ing.
G5
C5
5 E5 5
3 5 5 5 5k !5
5
Hal - le - lu -
Bb5
jah,
I
feel
it
5
warm - ing.
Pre-Chorus Gtr. 2: w/ Riff C
Gm7
G 5
Gm6
5
Sit - ting
BB B G
Rhy. Fig. 1
**Gtr. 3
5
5
5
5
5
here
I
count
the
moons.
55 5
5
5 The
55 55 5 5
55 5
13 11 12
13 11 12
mf 13 11 12
**Elec. piano arr. for gtr.
2
5
5
or - ders
3
! BB B 12 11 12
5k 5
5 5 we
o
-
=
5:
beyed.
55 5
55 55 5 5
55 5
12 11 12
12 11 12
3
Gm7
Gm6
G 3
5 5 5
5
5 5 5
Uh, ev - ’ry night
’fore we go
B BB G
5 5 5
5
5
to
I
watch
bed
5 55
Gtr. 3
5 5 5 55 55 55 13 11 12
13 11 12
3
13 11 12
5k 5
5 5 5 5 while the oth - ers
=
5:
pray.
!' ' '
End Rhy. Fig. 1
12 11 12
Fill 3 Gtr. 2
G 3 2 5 3 5 3 2 5 5 5 3 5 3 2 5 5
X
3
5
X
3
3
5
5
X
3
5
5 5 3 5 3 2 5 5 2 2 5 3 5 3 2 2
X
X
3
5
X
X
5
5
5
X
3
3
Chorus Gtr. 3 tacet
Bb
G =
Gtr. 2 tacet
5 5k
5 5
Send it
off
Riff D Gtr. 4 (acous.)
G
5
5 5 5
mp
5
5k 5
5 through
Del
5 5 5
5
5 5 5 -
5
a - ware.
5 5 5
Gm
=
Just
5
5 3 5
make it
5
5
5 5
fair
5
5 5
5 5 5
5 5 5
for the
5
5 5
le
5
-
5
gion - naires.
5 5
5
5
=
5
5
3
let ring throughout
3 1
3
3
3 1
3
3
3 1
3
3
3 1
3
11 10
12
11
12 10
12
11
12 10
12
11
12 10
12
End Fill 3 Gtr. 2
G '
0
3
3
Dm
G 5k 5
Paint
5
5
a
sim
5 5k 5 5 -
ple por
Am
5k 5 -
trait
5
5
of
my
5k 5
5 5 5 5 5 5 5 3 5 5 5 G 5 5 5 5 5 7
5
6
7
7
5
Bb
G 3 5 5 5 5 Per - mis - sion to
G
5 5 5
5
3 1
Dm
-
Gtr. 4
G
5
5
5
Gtr. 5 (elec.)
G
bombs.
3
5
ing
up
the sto
5 5
5
5
5
5
6
7 5
7
-
5 5
0
1
5
-
the wait -
11
11 10
5
ries
of
my
5
5
5 5 5 3
8 7
6
11 10
12
5
=
5 5
5
3
11
12 10
5 5 !5 :
5
5
5 5
2 0
ress moms
5 5
12
12
C
5k 5
5 5
5 5
12
12
10
and
1
2
5 5
ed
Hate
3 0
5 5
5 5
3
0
5 5 5 5
5 5
3
5
5
Plat
3
2
2
0
5k 5
5 3 5
5k 5
5
5
Gold
1
5
8
5
3
3
1
5
5
5 5 5
3
5 5k 5
6 7
the heart - less
3
2
0
1
2
Gm
5
5
7
5
5 5k 5 5 5
3
1
G 5k !5
serv
5
5 5 5 5 5 !5 5 5 5 ! 5 5 5 5 5 5 5
6
7
7
5
5 5 5
3
3
6
7
=
kind.
Gtr. 4
6
5:
5
5
12
5
=
mind. End Riff D
5 !5
5 5 1
5 3
?
2
5 5
5
5
1
0 3
2
5
3
!5
5 5
0
3 3
3
4
5 5 5 5
2
=
1
0
2
22 22
mf
w/ dist.
X X
4
X X
Verse Gtr. 2: w/ Riff B Gtr. 4 tacet
μ
F5
5 G
2. Mex
Gtr. 5
5
-
5 5 5 5:
G5
F5 G5
5
i
-
co,
you are
F5 G5
5k 5
my
5 3
neigh -
F5
G5
5
5 5 5 5:
Home
of
the
5
=
bor.
C5
let’s
Bb5
5k 5
be
5 3
brav
-
End Rhy. Fig. 2
Rhy. Fig. 2
G 2 2 5 3 55 3 22 22 5 55 3 55 3 22 5 55 2 2 5 5 5 X X
X X
3 3
5 5
X X
X X
3 3
5 5
5 5
X X
3 3
5 5
er.
22 22 55 3 55 3 22 22 55 55 3 55 3 22 55 55 µ *w/ delay X X
X X
3 3
5 5
X X
5 5
X X
5 5
5 5
X X
3 3
3 3
*Set for eighth-note regeneration w/ 1 repeat.
Gtr. 2: w/ Riff C (2 times) Gtr. 5: w/ Rhy. Fig. 2 (2 times)
F5
5 G
G5
5
Give
me
5
5
all
your
¯5 5¯
F5
G =
Do
F5
5
5
5 5 5
you want
5
and
your
tired
5 5 5 5
5k 5
F5
to
go
G5
danc - ing
in
F5 G5
5k 5
5
sick
G5
G5
5
F5
=
rac
F5 G5
5
Chi - ca -
G5
5
-
5
5
5
es
that
we
F5
G5
go?
Trin - i - dad’s
5
5 5 5 got
it
-
5 5
bad
for
Bb5
5k 5
ad
C5
5 5 5
=
5:
C5
5
mire.
Bb5
5k 5
5
To - ba -
go.
Gtr. 2: w/ Riff B
F5
G5
F5 G5
F5 G5
k G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Take me
to the lake, uh, where we do the Av - o - ca
5
-
3 3
5 5
X X
X X
3 3
5 5
5 5
X X
=
Hal - le - lu
G 2 2 5 3 55 3 22 22 5 55 3 55 3 22 5 55 2 2 5 5 5 X X
3 3
G5
5 5 5
do.
Gtr. 5
X X
F5
5 5
C5
5 -
3 5 5
jah,
a
Bb5
5 5k 5
5
des - pe - ra
-
do.
5 2 5 5 22 22 55 3 55 3 22 22 5 5 3 5 3 2 55 55 w/ delay
X X
X X
3 3
5 5
X X
X X
5 5
5 5
5 5
X X
3 3
3 3
Pre-Chorus Gtr. 2: w/ Riff C (1 1/2 times) Gtr. 3: w/ Rhy. Fig. 1
Gm7
G 5
Gm6
5
Sit - ting
G ' ' 3 3
5
5
5
here
I
count
5 5 the
moons.
5
5 The
5
5
5k 5
5 5
or - ders
we
55
55 ::
o
-
=
5:
beyed.
55
55 55 3 55 3 22 5 5 5 5
delay off
w/ delay
0 0
5 5
5 5
5 5
X X
3 3
3 3
5
Gtr. 2: w/ Fill 3
Gm7
G 3 5 5 5 5
5 5 5
Uh, ev - ’ry night ’fore we
go
5 5 5
5
to
I
bed
Gm6
5
5 5 5 5
watch while the
G ' '
oth - ers
55 ::
55
5k 5
=
5:
pray.
55 55 55 3 55 3 22 55 55 5 5 delay w/ delay off
3 3
0 0
5 5
5 5
5 5
X X
3 3 1
3 3 1
Chorus Gtr. 4: w/ Riff D
Bb
G =
¯5 ¯5 ¯5 5k Send
it
¯5
off
through
k ¯ 5¯ 5 Del
¯5 ¯5 -
¯5
¯5
a - ware.
¯5 ¯5 ¯5
Gm
=
Just
make
G ' ' '
it
fair
¯5 ¯ 5
¯5 ¯5 ¯5 for
the
le - gion - naires.
¯5
=
' ' '
3 3 1
k G 5¯ ¯5
Dm
Paint
G ' ' ' 3 3 1
6
¯5
¯5
a
sim
-
¯5
k ¯ 5¯ 5
5¯
ple
por
-
k 5¯ 5¯ trait
5¯
5¯
of
my
Gtr. 5 tacet
k ¯ 5¯ 5
Am
5¯
5¯ ::
¯ 5
kind.
0
=
¯ ¯ ¯ G 3 ¯5 5 5 5
¯5
Bb
Per - mis - sion
k G 5¯ ¯5
to
k ¯ 5¯ 5
the heart
¯5
¯5
¯5
k ¯ 5¯ 5
serv - ing
up
the
sto
Dm
Gtr. 6 (elec.)
G
¯5 ¯5
¯5
-
bombs.
less
¯5
¯5
k ¯ 5¯ 5
Gold
Plat - ed
k ¯ 5¯ 5
5¯
k 5¯ 5¯
5¯
5¯
-
ries
of
my
Hate
and
5¯
C
¯5 ¯ 5
¯5 ¯5
¯5 ¯5 ¯5 ¯5
Gm
the wait - ress
¯ 5
¯5
=
moms
5¯ 5¯ !5¯ ::
5¯
=
4
5
5
mind.
0
?
mf w/ clean tone, slide & heavy reverb
3
¯5 ¯5 5¯k ¯5
¯5 ¯5 ¯5 5k
Bb
G =
Com - ing down
from the de
¯5 ¯5 -
B: G 6
*Gtrs. 4 & 7
5 5 5 5 5 5 5 5 5 5 5 5 3 1
3
3
3 1
3
3
3 1
3
¯5
serts where
Gtr. 6
G
¯5
¯5 ¯ ¯ 5 5
=
B:
5
5
11
11
11
Gm
=
you
5
5
6
6
5 3 5 5
5
5
3
3 1
3
3
¯5 ¯5 ¯5
¯5 ¯5 ¯5
caught a glimpse
of the bil
5 5
11 10
12
5
5
5 5
11
12 10
12
5
-
5
lion - aire.
5 5 5 5 5
11
12 10
12
12
11
12
3
11
*Gtr. 7 (elec.) w/ clean tone & chorus, played mf Composite arrangement
7
k G 5¯ ¯5
¯5
¯5
me
I’m
Dm
Tell
G
¯5 5¯k ¯5 the
5¯
k 5¯ 5¯
5¯
5¯
one
for
the
right
B:
5k
5
15
13
15
Am
7
5
Bb
G =
G
6
7
7
5
6
7
B
7
5
15
¯5 ¯5 ¯5
¯5
k ¯ 5¯ 5
Pa - per signs
out
on
¯5 ¯5 ¯5 the
B:
5
10
3 1
8
¯ 5
5
5 5 5
3
5
5 5 5 3
3 1
3
5
5 5 5 3
3 1
3
!5
5
5 3 5
0
Gm
=
1
3
5
5
2
2
¯5
Gold
minds
5 !5
1
3
5
17
17
5
3 0
1
2
2
¯5 ¯ 5
¯5 ¯5 ¯5
5 5 5
5
0
2
0
¯5
5
5
¯5
=
and the price - less pawns.
B:
5 5
5
18
18
15
5
5
3
3
5 5 1
lawns.
13
G
5
7
5
=
5
6
7
¯ 5¯ :: 5
ride.
5 5 5 5 5 5 5 3 5 5 5 G 5 5 5 5 5 6
5¯
k ¯ 5¯ 5
5 5
11 10
12
5
5
5 5
11
12 10
12
5
5
5 5
11
12 10
12
5
17
5
5 5
11
12 10
12
12
Gtr. 4: w/ Riff D (last 2 meas.)
k G 5¯ ¯5
¯5
¯5
your
can
Dm
Does
15
7
5
5
7
5
5 5
6
8
-
pen
5 !5
16
17
17
5
5k
15
15
5 5 5 3 6
!5
5
5
5k
B
17
17
18
15
17
5 5
5 5 5 55
5 !5
5 5 1
5
7
5¯ 5¯ !5¯ ::
¯ 5
5¯
=
wide?
5
8 5
E 5k
5
7
5
5
o
5¯
k ¯ 5¯ 5
5¯
5¯
al - ly
5
5 5
5
6 5
-
17
Gtr. 7
5
yon re
5:
5 G Gtr. 6
G
-
¯5 5¯k ¯5 5¯ 5¯ 5¯k ¯ 5
Gtr. 1: w/ Fill 1
C
3
1
0
2
3
0 2 3
0
2
55 55 55 55 55 5 3 5 5 5 5 5 0 2 3
0 2 3
0 2 3
0 2 3
0 2 3
0
Interlude Gtr. 1: w/ Riff A Gtrs. 6 & 7 tacet
G
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
0
Bb5 C5
Bb5 C5
Bb5 C5
μ
0
C5
Chorus Gtr. 1: w/ Riff A (2 times)
Bb5 C5
5 G
5
We
got
Bb5 C5
5 G
We
5 turn
Bb5 C5
Bb5
5
large
5 5 5 5 and
Bb5 C5
we
got
Bb5
5
red
C5
C5
5 5 5 5 and
we
turn
5
Bb5
5 5 5 5
small.
5
C5
We
Bb5 C5
5
green.
got
a
5 5 It’s
the
Bb5 C5
5
5
swim - ming
Bb5
C5
5 5 5
cra - zi - est
Bb5 C5
5
pool
Bb5
C5
μ
5 5 5 5 and
Bb5 C5
a
5
5
thing
I’ve
can - non
Bb5 C5
5
ev
-
5 5 -
ball.
μ
5 5 5 er
=
C5
C5
seen.
Outro Gtr. 1: w/ Riff A (1 1/2 times)
G
Bb5 C5
Bb5 C5
G
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
Bb5 C5
0
Bb5 C5
Bb5 C5
Bb5 C5
0
μ
C5
Gtr. 1: w/ Fill 2
0
Bb5 C5
Bb5 C5
Bb5 C5
0
μ
9
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