The Complete Stone Roses
November 10, 2022 | Author: Anonymous | Category: N/A
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ROSES Ta:,, ii.ltv lii ;i'.:i.iU 54
SoYoung 2 Tell Me 8 Sally Ginnamon 16 Here It Comes 26 All Across The Sands s2 Elephant Stone 21 Full Fathom Five* The Hardest Thing ln The World 38 Made Of Stone 44 Going Down 56 She Bangs The Drums 4s Mersey Paradise 60 Standing Here 64 I Wanna Be Adored Ts Waterfall rB 'l Am The Resurrection 81 Where Angels Play 86 - Fools Gold e6 What The World ls Waiting For e1 One Something Love 110Burning 104
Guitar Tablature Explained
Translations i :,.1 FATHOM FIVE IS A
1 18
-:.E-BEVERSED REMIX OF ELEPHANT STONE
1fi WHICH HAVE NOT BEEN ELEMENTAL CHLOR NE 3-':: -:: THIS PULP IS FROM FARMED SUSTAINABL: :::::': AND WAS PFODUCED WITH SPEC AL FEC:=: :- : I": THE ENVIRONT,4ENT, THROUGHOUT, THE PF tr :" :: . BINDING HAVE BEEN PLANNED TO ENSUFE "-'.J ATTRACTIVE PUBLICATION WHICH SHOULD G .: .:::: OF ENJOYMENT, IF YOUR COPY FAILS TO I.'::' ^.: HIGH STANDARDS, PLEASE INFCFI.',: 1" WE WILL GLADLY ÊÊ'.::: MUSIC SALES' COI\,,IPLETE CATALOGUE DÊS : = =: : THOUSANDS OF TITLES AND IS AVAILABLE 1N FU.. :: -: -: SECTIONS BY SUBJÊCT. DIRECT FROI\4 MUSIC SALES - '.' '::
THIS PUBLICATION IS NOT FOR SALE IN THE UNITED STATES AUTHOFiS'] OF AMEF C:
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ZOMBA MUSIC PUBLISHERS LIMITED
SoYoung
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE
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12_12_12_
2
Cflm
+ Gtr. 2: w/heavy flanging fx ad lib.
Full
Full
12_12_12-12-12-12-12 2_1 2_1 2_1 2_1 2_1 2_
1
1
2
.\ -
=
Verse
cf5
G#m
Where Where
there's there's
lifelife-
there's there's
nd and
where where
be be
c#s
Gfl5
Es
na na
there's there's
a a
willwill-
there's there's
One man's A-mid di
a a
Gfl5
ls
SIONS
you're
an
oth
er SO
['ve
vou know ['ve
got got -
ta ta
get get
out_ out-
to
to
hope hope
-
Gflm
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5-4-5-4-5-4-5-4---:-5-4-5-4-5-4-5-4
Gflm
Cflm
UHM
Cflm
C#m
Gfim
Tell Me
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE
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-2-2
cilm
(elec.) Gtr.2
4-4-4 5-4-4
(rd *)
(cfim)
(ss)
(p #s)
x-x-9-9-1l-X x-x-9-9-1l-X x-x-9-9-11-X (Implied harmony)
(Bs)
x-x-g-x-x-9-x X-X-9-X -X-9-X
O COPYRIGHT 1985 ZOMBA MUSIC PUBLISHERS LIMITED, 165.167 HIGH ROAD, LONDON NW-IO ALL BIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED.
11-9--11 11-9-11
(f
761
)
you-
You can't There's on
can't
sug - gest what
71" only
Gtr.2
(elec.)
B
U 2
Gtr. 2 plays ad lib. feedback
Bass atr. for Gtr.
2_2_0_2_
2_2_2_ Ir.
(F#)
can't am
tell
the
rne
an
ga - rage
\tJ
(c#m) I
v
flow
me,-
love
I
love-
on
Gtr,2 (elec.)
Bass arr. for Gtr.
2_2 2_2_2_2
Gtr. 2: tacet
_4_4_4
2_2_2_2 I 12. rp# )
thing.Gtr.2
(elec.) B
0
(cflm )
Bass arr. for Gtr
Gtr. 1: ad lib. w/feedback
C#m
tell
Gtrs. 1+2
me,
-
Gtr'. l: w/dist.
you
11-11
11-I1
11-11
You can't-
tell
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fim
you
won't-
tell,
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thing.-
tell
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11 11
10
1
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1
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1
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ly
3. I love on - ly me,-
I've got
me.
the
Tit Bass arr. for Gtr. Gtrs. l+2: tacet
2_2_2_2_2 (c#m)
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an
0
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I
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11
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place for me an
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63
Standing Here
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE
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ALL BIGHTS RESEBVED. INTEBNATIONAL COPYRIGHT SECURED.
,ry
A
,77,-
B
on
through
(Verse 3 (T6) see block lyric)
11-11-9
1
hun
swing
-
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ing
miles
from
from a
11-11-9-9-
home.Z tree.
(l'Gtr. I doubles Gtr.2)
--..
12-11
10
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the but
light
sur
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rounds-
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11.11->-11
mg,me,_
9 11
9-9-9-
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65
you me
--=-----
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to
show AS
round.-'l -_=--
me
you
speak.
ly don't think you could
a
J
know that I'm
hea
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,l
when
you
q; Y2
4_4
It.
2_0_2
E
2. l'm
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1_1 0-0
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A
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v
tr,
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J
11-9-11-9-11-9
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tt
v
2-2-2-2 2-2-2-2 2-2-2-2 4-4-4-4
66
real -
where,-
ly don't think you could
_2_4_4 4_4 4-4
that I'm
hea - ven
2_2_2_4_4_4 4-4
No mat- ter
smile.
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hard-
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n2n2-2-2,-2
me
2-2?2"
the
2_4_
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let
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I've
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2_4-2-4-
67
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Solo
,-
Gtr.2
ff
w/neck pick up 11
ffis-tt
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11
/13_13\11
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EB
1->---,
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11-11
11-11-9-9
0_0_0 7-0 D.l§. al Coda
i 0-0-0 0-0-0-7-7-7-O
2-2-2-2-2-22_2_2_2_2_2_2_4 2-2-2-2-2-20-0-0-0__0-0-
Basscue
10 .--. 11_11_9
-l
Bass cue
2-4-2-0
----.1
4-2-O
68
§ Coda Chorus
think you could
real - ly
know
2-2 4_4_4_42-2
1_1 2_2
that
I'm
in
0_0_0_0
0_0-2-2
4_4_4
- ven
4-4 4-4
0_0
I
I'm stand - ing
0-0-0-0 0-0-0-0 -1-1-1 2-2-2-2
hea
2_o_2_
real-ly don't think you could
1_1 2_2
2-0-2
you
when
2-24-4-4-4-2-2-
A know that I'm
2_4_4
hea - ven
when
But I'm
you
0-0-0-0 _1_1_1_1
_4
4_4_4 4-4-4 2-2
2-2-2-2
2-O-2
ev
ry
2-
E5* think you could know that I'm
hea-ven when vou
4 0-0 1-1 2-2
V2
2_2_2_2 4_4_4_4
2_2_ 2_2_2_4_4_4 o_o_2_2
2-o-2
l,r
But I don't think-you think like
69
No mat - ter
2--za-
al - ways
thought- I'd
have-
6\4-2
an
the
Gtr.2: w/Fill4
ae
2-2-2
Fill 4
A
Gtr.2
T
ffig Èt T
-9-
I
I
9-9-9-9-
o000670-
70
Aadde
AIGil
A/F#
B/Ffl
BIGfr
could
.
park-
__
ï-+-
t-+-
A/G#
B/A
AIFfr
{-our_
(Vocal tctcet 3")
B
IGil
B/F#
And
AIGil
feel
mouth.
AIFfr
the
4_
when you
I
shout.
rn
A/Gil
safe
should
for
BIFl I
vour
A/Ffi
- ev
B IGI
B/A
A/E
A/Ffl
AIGil
B/Ffl
B/Gil
B/A
B/A
AIE,
Verse 3 (f§):
['m looking through Your window I might just have the keY Over me my free-fall babY You hear me as
You
sPeak.
B IG..
should
B
lF1
Repeat to fade
I Wanna
BeAdored
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE
Intro.
IGI
Gtr. l*
J
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J=108
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lo'r
ooo
x
o o
[p']
7_7_7_7_ 0-
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3-3-3-3 *
EmC
ffiffiffiffiffi
G
Bass arr. fbr Gtr.
D-
E5
-T
w/distortion
2-2-2-0 0-0-0-0
0-0-02-2-23-3-3Gtr.3 /
2-2-2-O 0-0-0-
0-0-02-2-2-3-3
42-2-2-2-2-2-2-2 _4_2_ 0-0-0-0-0-0-0-0
2-2-2-2-2-2-2-20-0-0-0-0-0-0-0-
(
E'
G
widistortion & octaver
9-7-g_7______z_9_7
I
don't
-
have-
to
my
mf ct .2wtFig.1
O COPYRIGHT 1989 ZOMBA MUSiC PUBLISHERS LIMITED, 165-167 HIGH ROAD, LONDON NWlO
soul,
7-5-7-5-7-5 7-5-7-5 ^ 7-4-7*9-
he's
-
al-rea-dy
ALL RIGHTS RESERVED. INÏERNATIONAL COPYRIGHT SECURED.
73
7_7\
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En-r
t
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9_7
74
12.
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...endFig.2
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0-2-2-
2-0-0 3-0-1-3-1-00-
3_3
0_ 2_0-0-
Gtr.5 (elec.)
-3-3-3-3-1
-3-3.-----2-5-5-3
\
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lQ- 12->->-
9-11_11_11_11-g-X-X 11_11_g_x_x
w/crunch dist, chorus
Start fade out ...
Full
2-4-
4-2-4-2
s) Gtr.1 B
14-
14-
12- 12- > ->->->->-
.l_ Z-
2 4-4-4-2-4-2
10
14_17_14\12_14_
,-\ ,^. /12_12_ 14-14- 12-14\12-12-10
(r'flm
)
116
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