The City Beautiful Movement

November 25, 2018 | Author: Kristine Mae Torres Palao | Category: Environmental Design, Urban Geography, Land Management, Urban Planning
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Presentation report of The City Beautiful Movement...

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THE CITY BEAUTIFUL MOVEMENT ESPIÑA, RITA MAY PALAO, KRISTINE MAE DORIA, JAYSON JAYSON DOYOHOY DOYOHO Y, ALDRIN CONSING, EMMANUEL

The City Beautiful Movement  American urban-planning urban-planning movement led by architects, landscape architects, and reformers that flourished between the 1890s and the 1920s with the intent of introducing beautification and monumental grandeur in cities.  ts influence was most prominent in cities such as !leveland, !hicago, and "ashington, #.!.  the !ity $eautiful %ovement lin&ed morality and social progress with life in beautiful, spacious, par& filled, and clean towns or cities.  n its style it focused on grandeur in building design and arrangement, casual-seeming but highly artificial landscapes, the re-design of cities for beauty's sa&e, and the treatment of cities as if they were giant wor&s of art. 

The City Beautiful Movement  American urban-planning urban-planning movement led by architects, landscape architects, and reformers that flourished between the 1890s and the 1920s with the intent of introducing beautification and monumental grandeur in cities.  ts influence was most prominent in cities such as !leveland, !hicago, and "ashington, #.!.  the !ity $eautiful %ovement lin&ed morality and social progress with life in beautiful, spacious, par& filled, and clean towns or cities.  n its style it focused on grandeur in building design and arrangement, casual-seeming but highly artificial landscapes, the re-design of cities for beauty's sa&e, and the treatment of cities as if they were giant wor&s of art. 

History  





(he movement began in the )nited *tates in response to crowding in tenement districts, a conse+uence of high birth rates, increased immigration and consolidation of rural populations into cities. (he particular architectural style of the movement borrowed mainly from the contemporary $eau Arts and neoclassical architectures, which emphasied the necessity of order, dignity, and harmony. (he cole des $eau-Arts in /aris emphasied the principles of compositional unity and symmetry, the relationship of the elements of a building within itself and to other buildings, and the continuity of history, manifesting most fre+uently in reco-oman evivalism.

 World's Columbian  World's Columbian was a "orlds 3air held in !hicago in 1894 to Exposition 





celebrate the 500th anniversary of !hristopher !olumbuss arrival in the 6ew "orld in 1592 (he position was an influential social and cultural event and had a profound effect on architecture, sanitation, the arts, !hicagos selfimage, and American industrial optimism. (he layout of the fairgrounds was created by 3rederic& 7aw lmsted, and the $eau-Arts architecture of the buildings was under the direction of #aniel $urnham, #irector of "or&s for the fair.

 World's  W orld's Columbian Exposition 







hibited an idealied urban setting of white classical architecture in a formal symmetrical arrangement with canals and lagoons (he eposition displayed a model city of grand scale, &nown as the "hite !ity, with modern transport systems and no poverty visible. (he position introduced the concept that city beautification was a thing and that city design could be an organied, orderly, planned process. t also furnished a demonstration of the process at wor&. %any people who attended the fair returned to their hometowns with a new vision of urban beautification.

White City  





s the area at the !ourt of :onor  (he buildings were clad in white stucco. t was also called the "hite !ity because of the etensive use of street lights, which made the boulevards and buildings usable at night. (he "hite !ity as it came to be &nown served as the model for numerous prospective and actualied civic plans that followed clear across 6orth America and into Australia.

White City 

t included such buildings as;

 Administration $uilding

%anufactures and 7iberal Arts $uilding

 Agricultural $uilding

%ines and %ining $uilding

White City

lectricity $uilding

"omans $uilding

%achinery $uilding

(ransportation $uilding

White City: Role in the City Beautiful (he "hite !ity is largely credited for ushering in the !ity Movement $eautiful movement and planting the seeds of modern 





city planning. (he highly integrated design of the landscapes, promenades, and structures provided a vision of what is possible when planners, landscape architects, and architects wor& together on a comprehensive design scheme. (he "hite !ity inspired cities to focus on the beautification of the components of the city in which municipal government had control< streets, municipal art, public buildings and public spaces.

Role in the City Beautiful Movement (he designs of the !ity $eautiful %ovement are 

identifiable by their classical architecture, plan symmetry, pictures+ue views, aial plans, as well as their magnificent scale. 

(he "hite !ity of the "orlds !olumbian position inspired the %erchants !lub of !hicago to commission #aniel $urnham to create the /lan of !hicago in 1909, which became the first modern comprehensive city plan in America.

Louisiana Purchase Exposition was an international eposition held in *t. 7ouis, %issouri, in 1905.  









(his eposition was the largest yet held, featuring some 1,=00 buildings organied in an orderly fashion by eorge >essler. #uty as the !hief of #esign fell to mmanuel 7ouis %as+ueray, who chose the $eau-Arts style for the epositions ma?or buildings. (he 7ouisiana /urchase position transformed the western half of the par& into a fairyland of white palaces surrounded by lagoons and artistic landscaping. (he fair possessed broad, curved boulevards, spacious plaas with lagoons, sun&en gardens and beautiful, shady open spaces. (he main palaces of the fair featured the 6eo-!lassical elements and observed rules of composition taught at the /aris cole des $eau Arts, emphasiing symmetry, large-scale planning, and elaborate ornamentation.

(he /alace of Agriculture

overnment $uilding

/alace of lectricity

/alace of Arts

/alace of @aried ndustries

/alace of %ines and %etallurgy %issouri *tate $uilding

/alace of 7iberal Arts

/alace of @aried ndustries

/alace of :orticulture

llinois *tate $uilding

ast ndia $uilding

rand 7agoon

%achinery $uilding

!ascade ardens

rand 3estival :all

Goals And Obe!tives 

 



(o introduce beautification and monumental grandeur in cities. (o sweep away social ills (o have a cultural resemblance with their uropean competitors through the use of $eau-Arts dioms. (o prevent upper classes bac& to live, but to wor& and spend money in the urban one.

"#O$EE% TH#$&E% (aniel Burnham)*+,-.*/*01 





was an American architect and urban designer  :e was the #irector of "or&s for the "orlds !olumbian position in !hicago. $urnham too& a leading role in the creation of master plans for the development of a number of cities, including !hicago, %anila and downtown "ashington, #.!.

Works 

/lan of !hicago 







(he 1909 /lan of !hicago was the city's first comprehensive plan. (he $urnham /lan is a popular name for the 1909 /lan of !hicago, co-authored by #aniel $urnham and dward :. $ennett. t recommended an integrated series of pro?ects including new and widened streets, par&s, new railroad and harbor facilities, and civic buildings. (hough only portions of the plan were realied, the document reshaped !hicagos central area and was an important influence on the new field of city planning.

/lan of the complete system of street circulation< railway stations< par&s, boulevards circuits and radial arteries< public recreation piers, yacht harbor, and pleasure-boat priers< treatment of rant /ar&< the main

 6 Maor Elements !f "he Plan mprovement of the la&efront   A regional highway system  mprovement of railway terminals  6ew outer par&s  *ystematic arrangement of streets  !ivic and cultural centers 

Works 

 /lan of *an 3rancisco 



#aniel $urnham's *an 3rancisco /lan emerged directly from (he Association of the mprovement and the Adornment of *an 3rancisco, formed Banuary 1=, 1905. $urnham's plan, completed in *eptember 190=, proposed to change the city completely. :is 185page report, with 40 large photographs and 24 maps and plans, included broad new boulevards and circular traffic ways, par&s, and municipal facilities.

Works 

(he %c%illan /lan 



mar&ed one of the !ity $eautiful %ovements greatest successes. !haired by *enator Bames %c%illan chaired by *enator %c%illan and including $urnham alongside architect !harles 3. %c>im, landscaper 3rederic& 7aw lmstead Br., and sculptor Augustus *aint-audens, all of whom distinguished themselves with the "orlds !olumbian position.



/lan of %anila 





#aniel :. $urnham's assignment i n the /hilippines was principally the result of his increasing renown as an architect and his long friendship with ". !ameron 3orbes. $urnham's tas& was, first of all , to create a pl an for the physical redevelopment of %anila. n $urnhams plan, there were sites allotted for national and municipal buildings near ntramuros, hospitals, and colleges. *paces were also set for a world‐class hotel, city and country clubs, a casino, boat clubs, public baths, and the new residence for the overnor eneral.



(he plan states that it aims to provide; 



  

#evelopment of water front and location of par&s and par&ways so as to give proper means of recreation to every +uarter of the city. (he street system securing direct and easy communication from every part of the city to every other part. 7ocation of building sites for various activities. #evelopment of waterways for transportation. *ummer resorts



(he plan of %anila included;  A civic center; a grouping of cultural and governmental institutions located near the bay and south of the old walled inner city  %a?or public buildings 6( in the neoclassical style, but formally arranged  *pecial considerations due to the tropical climate  fforts to accommodate the Cmanana ambience of the *panish /hilippine tradi tionD  *pace along the river and seashore for private clubs, a luury hotel , and public use 

mproved public facilities, low rent housing   Abundant foliage, fountains of water, and a continuous par&way along the waterfront  /reservation of the system of canals, or esteros  *treets conforming to the natural contours of the land   A street system with diagonal streets radiating out from the civic center to outlying parts of the city 



/lan of $aguio 





$urnham was commissioned by the American overnor 7u&e . "right to develop a pl an for a Chealth resort where American soldiers and civilian employees could find respite from the sweltering lowland heat.D (his plan Cgreatly altered the original mountain settlement and provided the first physical framewor& plan for the !ity. (he physical framewor& as embodied i n the $urnham /lan integrates a road and par& system into one. t envisioned evolving in a compact garden city for 2=,000 to 40,000 people.



(hree fundamental elements of their plan; 

*treet *ystems 



/lacement of mportant nstitutions 



"hile the closely built sections of the city should have a regular geometric street system, the rest should have ungeometrical streets that mimic the contours of the valley. (he plan notes that the hills surrounding the $aguio plain are perfect for schools, churches, hospital s, and the li&e, but does not attempt to determine the precise location of any particular group, ecept for the official residences of the overnor eneral of the islands, and the %a?or eneral !ommanding the #epartment.

ecreational Areas 

ecreational fields would be located on the west side of town where enclosing hill s form a natural hollow.

Charles Mulford %obinson )*+-/2*/*31 



was a ?ournalist and a writer who became famous as a pioneering )rban /lanning theorist. :e was the first /rofessor for !ivic #esign at )niversity of llinois at )rbana!hampaign, which was only one of two universities offering courses in )rban /lanning at the time, the other being :arvard.



(he guiding principle of the !ity $eautiful %ovement was a belief in aesthetics as a moral philosophy. $eautiful environments, they maintained, would inspire civic pride and moral uprightness as citiens strove to live up to the standards of the architecture and city planning surrounding them.

Works :e wrote etensively for newspapers and periodicals and was a fre+uent contributor on the sub?ects of Ccivic improvementD and Ccity planningD in such ?ournals as The  Architectural Record, Harper’s Monthly, The National Municipal Review and The Survey .  :e was the author of eight boo&s, with the most planning-oriented being; The Improvement of Towns and Cities E1901F, Modern Civic Art E1904F and City lannin! E191GF. 

#re$erick La% !lmste$ &r' was an American ()*++ ,)-./0landscape architect, 

 ?ournalist, social critic, and public administrator.  :e is popularly considered to be the father of  American landscape architecture.  lmsted was famous for codesigning many well&nown urban par&s with his senior partner !alvert @au, including !entral /ar& and /rospect /ar& in 6ew Hor& !ity, as well as lm /ar& E"orcester, %assachusettsF, considered by many to be the first municipal par& in America.

Works lmsted had a significant career in  ?ournalism. n 18=0 he travelled to ngland to visit public gardens, where he was greatly impressed by Boseph /atons $ir&enhead /ar&.  :e subse+uently wrote and published "al#s and Tal#s of an American $armer in %n!land in 18=2.  :is better-&nown pro?ects included plans for metropolitan par& systems and greenways across the country. 

"homas 1ayton Ma%son ()*6),)-//0 was an nglish landscape architect and town 



planner. A strong and elo+uent proponent of the !ity $eautiful %ovement, he made four 6orth American tours and promoted town planning schemes for a number of !anadian cities. n 1910, he came to 6orth America on a lecture tour of several universities, including :arvard, !ornell, and Hale.

Works 

%awson /lan %awson's plan offered etensive suggestions on improving !algary which it delivered with a strong dose of flattery.  %awson also wanted the new par&s to use local foliage that would survive !algary's weather, instead of fragile eotic plants.  %awson's report called for the epansion of !algary's public transit system while there was still reasonably affordable land to build on and purchase for future use.   Although %awson's plan was never implemented in !algary, parts of the city do show his influence. 

Elements of the City Beautiful Movement 2treets 

 Ais and cross-ais 



*uch streets offered an unobstructed view or were terminated by a vista, usually a public building or a special feature of the city Ee.g. A par&F. (he intersection normally the site of civic centre.

#iagonal streets 

(hese were the main element of any $urnham plan and would radiate outwards from the civic center.



!ircumferential streets 



(his concept first appeared in the *an 3rancisco /lan with the recommendation that all ma?or streets terminate in an encircling shoreline drive

$oulevards 

$oulevards made up of second road system. 7in&ing together the various par&s, boulevards were green pleasure drives and were to be considered part of the par& system.

Civic Centre 

$urnhams earliest civic centre plans E"ashington and !levelandF borrowed heavily from the !ourt of :onor at the fair while his later plans adapted elements of the civic centre to the needs of traffic.

!ourt of :onor 

!hicago

!leveland

Common Civic Centre Elements 

 Ais and cross-ais 



n "ashington the main ais etends from the !apitol to the 7incoln %emorial and the cross ais from the "hite :ouse to the /otomac. (heir intersection was to be mar&ed by fountains and sculpture as well as the already eisting "ashington %onument.

 A CmallD or open space 

(he malls were to be created along the main ais. !leveland's mall was to be par&-li&e and was offered as a contrast to the city artificiality.



$uildings 



n all cases the public buildings were to be monumental in scale and classical in design. (hey were to be of similar height, mass and treatment. n fact, two of !leveland's buildings were to be nearly identical.

ateway 

t was felt that every city should have an impressive gateway, and $urnham usually included a railroad station as part of or ad?acent to the civic centre.

Parks 

$urnham considered par&s as second only to streets in importance. /ar& systems were recommended in all $urnham's plans, including the one for !leveland despite the fact that its scope was to be confined to a civic centre.

!ther Elements of Burnham3s Park 2ystem 

3orest reserves n the !hicago /lan, $urnham incorporated the proposals of *pecial /ar& !ommission's 1905 report in recommending the continued ac+uisition of Cforest reservesD.  :e saw such reserves as conserving both public health and natural resources, providing relief from the city, increasing lad values and attracting tourists.   Any landscaping was to be CnaturalD and only a few country roads would be allowed to intrude. 



7arge urban par&s 





(hese were the par&s that were commonly called the city's lungs. t was felt they opened up space to light and air and provided healthy recreation opportunities for urban residents. (he large urban par&s might also be located according to city's special features. n *an 3rancisco, those hills that were unsuitable for buildings were to be transformed into par&s containing abundant greenery amidst a formal framewor& of terraces, colonnades and statues.



*mall par&s and playgrounds 

(hese were to be distributed according to population density. ntended to be much more that  ?ust Cbreathing spacesD, they were to contain a variety of recreation facilities including playing fields, playground e+uipment, swimming pools, baths, gymnasiums, clubhouses, auditoriums and libraries.

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