Tenchijin (Photocopy)

BUJINKAN DO JO DR. MASAAKI HATSUMI’S SCHOOL FOR BUJINKAN NINPO TAIJUTSU EASTERN CULTURE FOR BODY AND MIND

COPYRIGHT TEN CHI JIM RYAKU NO MAKl BUJINKAN HUMBO DOJO NODA, NODA-CH1 JAPAN 278 EDITED TO ENGLISH STAN SKRABUT, SHIDOSHI-HO MARIETTE VAN DER VLIET, SH1DOSHI BERNADETTE VAN DER VLIET BUJINKAN NINPO TAIJUTSU

FO RW O RD What you sou now ir, not a now book about Ninjutsu. it is actually the translation from tho TEN CHi JIN riVAKU NO MAKl, tho book ol Hoavon, Earth and Man. This forms tho basis of the 3 U JIN K A N N IN PO T A IJU T S U system, bettor known as Ninjutsu. W o compiled a variety of articles and combined it with the T E N CHI JIN R Y A K U NO MAKl. W o didn't use our own ‘imagination’ to create something new, because we thought why writo down techniques/ movements which havo already been written down (or such a long time? That would bo quite arrogant. Ninjutsu as an an and philosophy is almost one thousand years old and until a short while ago. only known to a few. Now this knowledge is available for everyone. Thanks to Dr. Masaaki Haisurni, the Soka or Grandmaster of S ancient schools, the door has been 'opened* for thoso outsido of Japan. W hat we can learn from Dr. Hatsumi and his teachings is the use of natural movement. In order to be able to do that, we must practice the basics from the Bujinkan system; these basics can be found written In the books of Heaven, Earth and Wan. The best way to learn ninjutsu is to read Hatsumi So n se fs books, watch his videos, and train with him and his senior instructors both in and out of Jap an . This will help you understand what nir.jutsu roaily is, as practiced in Jap an for almost a miiiennium. Although this manual is an invaluable addition to anyones ninjutsu library because of the material it contains, it Is very Important to realize that you can't leam ninjutsu just by reading this manual. You also need to study with a real instructor, someone who has been properly trained In this Jap an ese art and is capable of conveying tho fooling and spirit of the art.An instructor can also clarify or show you the techniques that are difficult to visualize In this manual. This manual is not a total composition of all there is to know about ninjutsu, in fact, it is only a microscopic part. Although, it presents basics necessary to build upon, it does not teach or show adaptability; this is something that can be oniy shown by a reai instructor. Use this manual as a tool towards better understanding, but please due not treat it as-a '8ible* or a linal word, it isn't. It's just the beginning to future understanding. As a bonus, we added somo articles from tho Shihans and fragments of Sensei’s books, which we thought wore important to Increased understanding about the an and its philosophy. W e liko to thank Svenoric Bogsater, 9th dan, Shinan, for ail his help ana' support in describing the techniques and compiling the data found in this manual. W e hope you enjoy it, as much as, we enjoyed putting it together. Tho nine ryu the B U JIN K A N System is built on are: • T O G A K U R t R Y U N tN JU T S U G Y O K K O R Y U K G SH 1 JU T S U .

KUKJSH1NDEN R Y U H A P P O H IK E N JU T S U S H IN D E N FU D O R Y U D A K E N T A IJU T S U G Y O K U S H IN R Y U N IN JU T S U G IKAN R Y U K Q P P O T A IJU T S U KO TO R Y U K O P P O JU T S U ' TAGAK! Y O S H IN R Y U JU T A IJU T S U K U M O G A K U R E R Y U N IN JU T S U

S ian Skrabut Marietta van dor Vliat

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Tori crosses his wrists and grabs uke's right lapel with the right hand and led lapel with the lelt hand. xj (Ton’s palms face uke’s body, and the thumbs are-inside uke's; lapeis.‘*.To-apply the choke, .tori o: 1 applies a scissors action, twisting his knuckles down into the sides of uke’s neck.* n o ! .cnr-rt )to! M ' r‘:.‘ < V- ; bnc/l. chj ri G Y A K U J I M E (reverse choke) 't v . Tori grabs uke as in HON JIM E , but with the palms lacing out and the fingers inside uke's lapels. Tori applies a scissors action, twisting his knuckles up into the sides of uke's neck. M

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I T A M I J I M E (painful choke) •jfa .^0*WgJ}n* iti TO JtuCi br«;l3\>*

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Tori grabs uke's lapels with both hands, the nght to the'left lapel and the left to the right lapel, with ' r:? r< palms down. Tori then pulls forward while pushing back and inward with the tips or extended middle knuckles of his thumbs, on both sides of uke's neck. te‘ 1.* ■ ; ; ....

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S A N K Y A K U J I M E (3 leg choke)

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From behind uke, tori reaches around with his left arm and bars his left forearm across uke's throat. Torf then grabs his left wrist with Ws right hand, pushes Into the back of uke’s neck with his forehead, and applies the choke by lowering his hips while pulling back on the loft forearm and pushing forward with his forehead.

■ D O J I M E (body choke)'■

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Tori wraps his legs or arms around uke's ribs/locks'his ankles or wrists, and squeezes uke's body v with a ^rushing grip. The body crush could break bones or prevent the attacker from breathing.

40 • '*'

•to h o d o k l - K a ta ta - ry c to -1di h o d g

ki

-oya g o r o s h l -ko g o r o s h l -ko shf k u d a k f - hap p o keri •korl ku d a k l ■ken k u d a k l •henka k u d a k l

5 Kyu

(foursiJversiars)

to rlta k lh o n d o ri n o k a ta •om oto g y 3 k u -ura g y a k u

suwart gala

o /_ <

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-Ichl gokl •osai k o m a h a p p o korl h e n k a -su ku i keri -korl su k u i ■ashl d o m e -hi to *happ! •jum onji -kom pl

4 K yu

(crno gold star) Oj’*V

g y a k u gl •take or! ■omoto

gyaku

•ura g y a k u •hon g y a k u -om ote o n lk u d a k i •ura o m k u d a k f •m usha d o ri •m uso d o ri • o h g ya k u

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o ? ^

LJ,

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3 Kyu

(two silver stars) shlme waza 1^0

nags kata -gansakl nags -haral goshl •gyaku naga •takl otoshl -osoto gake -uchlmala uchl gake -hanel goshi nage -Itaml naga

ryu sul kl •tomos nags -tachl nage •yoko nagare -temakura -kuruma

2 Kyu

-hon Jlnns

-gyaku jimo -Itaml Jims -sankyaku jims -do Jims suw arl gala

-Ichl gekl -osal koma -ude orl

£^.0 kanashlbarl tangu dorl ketsu mlyaku tal jlms

(three gold stars)

chi gyoku otoshl kerl nl talshlte ko to ku ko nage kaeshl -okyo -zu dorl -fu kan -koyoku -ho tekl -ate nage -settoh •hisakku -hi toh -sel on -yume makura

-ryote gake -fudo -gokuraku otoshl -tel ken -setsu yaku -musan -ge kan -kata makl -ko kl -ugarl -shlzen

58

Kyu

(four gold stars)

h3 ib u y o ri -shl s a l • sa k k e tsu •kin k u d a k l h lb a rl ko ta o t o s h i s h l ho d ori ir.o g u ri d o ri koku ron yo r a n s e ts u g y a k u n a g a ro k a s a sagi ko s o to h •''m utod o ri g e d a n -kon n a g a ro s o to to n k o n o k a ta

lk

l' \

za n to to n k o n o kata -kata u d e t o n s o no kata - s a y u t o n s o n o kata • k u b isu g ! to n s o n o k a la - ate k o m i to n s o n o k a ta -koto u c h l to n s o g a ta - ko sel k ir lg a k u r o n o ko ta • happ o k ir lg a k u r o n o k a ta

T H E JA P A N E S E G R A D U A T IO N D IP L O M A

KYU OR DAN GRADE P ER SO N NAMED TO THE RIGHT GRA ND M A STER OF SCH O O LS S H O W A G O JU ROKKU NEM (DATE/MONTH. YEAR) HATSUMI'S

HATSUMI’S STAM P

/

NIN PO TAI JU T S U

B U JIN K A N DO JO KYOj (AUTHORIZATION) KYU TA RU MONO NARI {THIS PER SO N IS C A PA BLE OF) NAME OF THE GRADED PER SO N

60

GLOSSARY Jo -w an • upper arm Ju jlro (intorsocticn) front o! shouioer

A Ana do - Lcih sides A sag asum I (morning mist) jus; under chin (or tho chin itself) A sh l • leg

Ju m o n jl - cross K Kaiten • rolling Kaku ■knee Kam ao - forms (mental)

B Bonkal • inside of shinbone B u tsu m ctsu (day iho buddha cied) ribs under

Kasum ! (ioa'mist) temple Kenkotsu (healthy bone) < points on skull

chest muscles, front and back C

K ihon * lundamental

D

K ikakuken • head strikes Daimon (big gate) middle of shoulder joint

K inketsu (tabu hoie) stornum

Dome • '.o s ic ?

Kiri - ncck Kitenken • shuto strike from Gyokko ryu

Dori - capture

Ko g o ro sh i ♦pinky break

E Fu • wind

Koppo • bone K o sei (power of the tiger) groin

G acsh i • rolling, turn over, or throw

toone at side

G anm on • face G aram i • to entangle, entwine

Ko te - wrist K o tsu - bone

G alam o • to tighten G o rin (live rings) around tho stomach

K ub isujl - napo ol neck

F

K o sh itsu b o (hip pot) inside upper hip

G

K ud akl - to crush, smash, batter Kujiki - to wrench, sprain

G yaku • to reverse

Kurr.on - cnost

H Hadomo (end ol teeth) djrecli/ below ear. end

K urum a - vehicle, ride

ol toothline Haibu Yori • Irom behind

K uzushl • to break; in Budo. breaking

Happa (eight leaves) clapping the ears

K yo ku - emptiness

Hara oshi • hip throw

K yokel (strong tendons) top ol the loot

H e n k a •chango Hichfbatsu (voice) sido ol hip

just above the toes K y u sh o to Klai - w eak points

tho adversary's baiance

Hicho * Hying bird

L

Hldarl - lelt HikI ■lo puil Hijl • elbow Hira • Hal Hiryuran (Hying dragon confuser) eyebalis

M Mao - forward direction MakI - book, volume Matsu Kazo (pinetreo wind) just above and below tho ends of the clavicles M aw ashl • to rotate

Hisoken - secret spear fist

Men • head Menbu (face) bridge ol the nose Mio'gi - right Mimi jimo - ear choke Mura S a m e (village rain) notch borweon

Hodokl - escape Hon • true. principal, main, regular Ho or Po - way. rule H oshlzaw a (cliff of siars) elbow joint I

clavicles

ichim onji • lelt to right In (shadow) inside the swell of the cheekbone Iri • !o enter

H N agare - flowing N agc - tnrow rg technique

J Jak k o tsu / Jak k in (weak bone/weak muscle) attack upper arm from inside or outside

0 O • big. groat

berwoen bone and bicep Jim e - lo constrict

O m ote - outside Onl - devil

Jin - iow Jln c h u (cunier of the human) base of tne nose

Ori - lo break O sae • to press down

Ji n ju • upper lip

O toshi • to drop

61

Oyagoroshl •thumb break Cl

Ukoml * passive dolence Uko (door of the rain) side of iho neck Ura - inside Ura Klmon (outside devil opening) ribs under poctorials Ushlro - rear, back, roar direction Uzumakl •to twist or turn

O CC

Ry#ku - rough outline Ryo • both R y u • d rag on or style/tradition

Ryu Fu (willow wind) above and below adam's a ppJe Ryumon (dragon gale) jusl under clavicle near point of shoulder

V W Wakitsubo (side of the body) ribs under tho armpit

Sal (leg) inside and outside of upper leg Sanshltanken •three finger fist Sel (star} directly up into armpit Seol - to carry on one's back Shako kon * claw strike Sh! • middle Sh in chu (center of heart) middle of chest Shlnden * esoteric Shlshln •little finger Shishlnken • finger needle strike Shishlran (tiger confuser) stomach Shltanken • fingertip fist S W lo * thumb Shukl •elbow Shuklken • elbow strike Sokk] ken ♦knee strike Soku - icg Soku gyaku ken • toe strike Soku yaku ken •heel strike

Yaku ( ) inside mid calf Yaku - jump Yoko - side Yoko nagaro • sidoway flowing waior Yubltsubo (finger pot) base of tho thumb Yugasuml (evening mist) softspot below bone behind oar Zon-wan ♦loroarm

Soto - outer Suigetsu •ryphoid process Suzu - groin Tagakl yoshln ryu •study of weak points Tai * big Taoshl - to throw down To-hand Ten - high Tenmon (heaven's gate) ridge of the eye socket Ten To (top of head) soft spot at the lop of head ToW • top of foot Tokotsu (independent bone) adam's apple Tomoe - stomach Tori •defender Torlde - counter grabbing Torite - hand lock Tsukl • thrust Tsuke • to attach or fix Tsuyugasuml (drop of mist) underneath jaw at rear UchI - to strike Uke - attacker

62

T e c h n iq u e

Cross

R eference

Tho following cross reference may holp you in your training. The listing shows a technique and shows whal techniques in this manual also use iho technique listod. So if you wanted lo work on O M O T O N IK UD AKI. you could look op tho technique and also find that you could also do K E T S U M IYA K U and S E T S U YAKU. 7hr, sfiouUJ hob give vanory to your training plan. h'ON JIM E G Y A K U JIM E

B O S H IK E N ATE: KOMI T O N S O NO K

HO N JIM E UGARI

F U NO KATA HI 3A K KU HU KO IC H IM O N JI NO KAM AE

KANA S H IB A R I T E N G L DORI

JU M O N JI JU M O N JI NO KAM AE KATA MAKI KO Kl

A Shi I CO M c r U NO KATA

KO KU

GYAKU NAGARE H A P P O K ER !

OKYO SE1 ON 5 ET T O H

H A P P A K E R I H EN K A H E N K A KUDAKi HICH O NO KAM AE

DO J.I/ E

H1TO

HI S A K K U

HU KO JCHi GEK1 KASA SAGI K E R I KUDAKI K b Rt Nl TAISH I !~E K O I

ATE NAGE FU KAN

KER! SUKUI KO KU

H E N K A KUDAKI HU KO JU M O N JI

KU N O KATA O SA I KOMA RcJNYO

K EN KUDAKI K E R I KUDAKI

SU K U : KER!

OKYO K ER I KA ESH I

SETTO H

GYAKU NAGARE

YU M E M AKURA ZU D ORI

KA SA SAGI KOKU REN YO

TEI KAN K1KAKU K E N G AN SEKi NAGE

KANA SH1SARI

G A N SEKI NAGE H IB A R I

K C P P O K EN KANA S H ld A R l

M O G U R I D O Ri SAKKETSU

M U SH A D ORI KATA MAKI

H APPAKEN

M U SH A D CRI M U S O D O RI G O K U R A K U O TO SH I HO N G Y A K U

M U S O OORI

G3

OHGYAKU O HGYAKU

ATE NAGE FU D O

S H IH O D O RI

KATA U D E T O N S O NO KATA O M O T E TAKI O RI S A Y U T O N S O MO KATA U R A T A K E O RI

OM OTE GYAKU GYAKU NAGARE K ASA SAG! KEN N AGARE O M O TE GYAKU

TEM A KU RA

O M O T E G Y A K U D O RI O M O TE GYAKU TSUKI

TEM A KU RA Y U M E M A KU RA

T O R IT E KIH O N D O RI N O KATA URA GYAKU O M O T E O N IK U D A Ki

HO N G Y A K U

K E T S U M IYAK U

K U 0 IS U G I T O N SO NO KATA O S A I KO M A R E N YO

O M O T E O N IK U D A KI S E T S U YA K U

•SHI S A I O M O TE SHUTO

T O R IT E KIH O N D O RI NO KATA URA GYAKU

IC H IM O N J! NO K A M A E K EN KUDAKI

U R A G Y A K U D ORI

KOKU S U I NO KATA

U R A ONI KU D AK I S H IH O D O RI

O SO TO GAKE

U R A O N IK U D A KI

H O TEKI KOYOKU O SO TO GAKE UGARl

URA SHUTO G YAKU NAGARE H IC H O N O KAM AE HI N O KATA

SH A K O KEN

ICHI G E K I ITAMI N A G E

KAPP1

K ET A O SH I

K O M PI

M U SA N

REN YO S H IH O D O RI

Z U D O RI S H IK A N K E N

YOKO N AGARE UGARl

KASA SAGI KEN N AG ARE

YO KO N AGARE

M O G U R t DOR! S H IH O D ORI S H IT A N K E N

SH U KI KEN KET A O SH I S O K U GYAKU H IC H O NO K A M A E OHGYAKU SO K U YAKU F U N O KATA TAI K E N K E R I Nl T A IS H IT E KO TO

64

IN D E X .v;h; d o m e . 3.; . 6 J

-hori gyaku, 37. 63. 64

auikom l lunso no kata. 6 i . 63

•o;no(e onikudaki, 33 -ura onikudaki. 32, 64

ate lu g e , 44, 63. 64 backw ard, '6 , 17

•m usha dori. 3S. 63 •m uso dorl, 38, 63 -ohgyaku, 39. 64 gyaku jiine, 40. 63

-jumping. 17 -koho. 10. 17 •rol::n,-;, 4o b asics. 30

gyaku nagare, 48. 63. 64 gyaku nage. 39

broalhing techniques. S e c shin kokyo

gyokko ryu ko shljulsu. 5, 2S

snnnden

g y o ku sh in ryu ninjutsu. 5

buddhism , 10 budo, 53. 54

halbu yori, 47

bulu-ikkan, 53

-shl sai. 47, 64

bujinkan, 11, 53. 54, 55. 5o

-sakkelsu, 47. 63

business, 53

•kin kudakl. *17

chi gyoku otoshl. 43

ha jutsu hyu ho. 34 -happo kerl, 34, 63

ch! no kata, 29

-henka kudakl. 35. 03 -ken kudaxi, 35, 63, 64

choking techniques. Soe r.hmio w a:a clim bing techniques, S e e shoicn no jutsu

-kert kudakl. 34. 63 -ko go roshl. 34 -koshl kudaki, 34

co um crin g throw techniques, S e c nage kaeshi dnikom yo, 10

•oya goroshi, 34

d akentaijuisu. 23 diploma, 60

- 1a I ho d o k i. 34 -te ho dokl. 34 hanci goshl nage, 3S

do jimc, 40, *15, 63 doko no kamae, 21.51 escap ing techniq ues. S e e zanto tonko no ka;a, alr.o :,oe ha juisu hyo ho

happl. 36, 64 happo kerl, 34, 63 happo ko:i henka, 36. 63

elem ents. 27

-ash! aorne.36,63

falling, 1 1 flexibility. 11.54

•happl. 36, 64

forward, 16, 17 •jumping, 17 •mao, 16, 17 •rolling, 16

•jumonjl, 36, 63 •kerl sukul. 36, 63 -kompl, 36. 64 •sukul kerl, 36. 63

■ukerr.l. 16 fudo. 45, 64

happo klrlgakuro no kata, 51

(udoza no kamae, 20. 42

haram itsu. 10 harm ony, 10, 18

•hlto, 35. 63. 64

harai goshl. 39

fu kan. 4 4, 63

Haisuir.i, 5, 10. 19. 23, 30 heart, 30 henka kudaki, 34. S3

g a e s n 1. 16

-mac, 15

hioarl, 47. 63 hicho no kam ac. 21,31. 63. 64 hi no kata, 29. 64

-ushlro, IS •yoko, 16 g a n s e k i n a g e . 32, 3s. 63 go k a r ., 4 6

h irj ichim onjl no kamae, 21

gikan ryu koppo taijutsu. 5 godai, 27

hira no k3mae, 32

gokuraku otoshl, 45. 63 grading system , 55

hito, 36. 53, 64 hi t o h . 45

gyaku sL 37 -lake or!, 37

•boshl ken, 24

hi sakku, 45. 63

ho ken |u roppo, 24

•omote gyaku. 37, 64

•luclo ken. 24

-ura gyaku. 37, 64

•happo ken, 24

65

•kikaku ken. 24 •klten ken. 24 -kongo ken. 24 •koppo ken. 24 -shako ken. 24 -shlkan kon. 24 •shlshin ken. 24 •shitan ken. 24 •shito ken, 24 •shizen ken. 24 •shuki ken. 24 •shuto ken, 24 •sokkl ken. 24 •sokugyaku ken. 24 •sokuyaku ken, 24 •tai ken. 24 •zu tsuki. 24 hoko no kamae. 22 hoko no jutsu, 17 hon gyaku. 37.63.64 honjim e. 40.63 ho tekl. 44.64 huko.44.63 Ichi gekl. 35. 42. 63. 64 . Ichlmonji no kamae. 20.29. 31. 32. 42. 47, 63.64 In/yo. 10 inashi gata. 23 llam ljlm e.40 itami nage. 39. 64 Japan. 53 jln ryaku no maki. 41 Jumonji. 36.63 jum onjlno kamae, 22,31,32.63 Jumping, 17 •directional, 17 -shl ho ten chi tobl, 17 kaften, 16 •koho. 16 -sokuho, 16 •zenpo, 16 kamaes, 19 -doko no kamae, 21 •fudoza no kamae. 20 •hicho no kamae, 21 •hlra Ichlmonji no kamae, 21 •hoko no kamae, 22 •Ichlmonji no kamae. 20 •jumonji no kamae. 22 •kosel no kamae, 22 . •shoshln no kamae. 29 •shizen no kamae. 20 kana shibarl. 42. 63

ken nagaro, 49, 64 ken tai Ichi Jo. 18 keri kudakl. 34.63 keri ni taishite ko to, 43, 63, 64 keri sukui, 36, 63 keta oshl, 47. 64 ■ketsu mlyaku, 43, 64 kihon happo, 28, 30 kihon happo kata. 31 kin kudaki, 47 ko, 48 ko goroshi. 34 . ko kl, 46. 63 kokoro.30 koku, 48. 63, 64 kompl, 36.64 koppojutsu. 23 kosel klrlgakure no kata, 51 kosel no kamae, 22,47 koshljutsu. 23 koshi kihon sanpo. 31 -hicho no kamae. 31,63. 64 ♦Ichlmonji no kamao, 31. 64 •jumonji no kamae, 31; 63 koshl kudakl, 34 koto ryu koppojutsu, 5 kote uchi tonso kata, 51 koyoku. 44. 64 kublsugl tonso no kata. 51, 64 kukishlnden ryu happo hiken ju tsu ,5 kumogakure ryu ninjutsu,'5 ku no kata, 29, 63 ku no kumite kata, 29 ■ ’ kuruma, 40 ■ light, 10 1 mae gaeshi, 16 • mogurl dorl, 47, 63,64 movement. 18,54 ■ ■-body. 18, 23 -energy, 18 •harmonious, 18 musan, 46, 64 musha dori, 32, 38.63 muso dori, 38.63 mulodor! gata, 49 -ken nagare, 49, 64 nagare. 16 nage kaeshl. 44 •ate nage, 44, 63, 64 •fudo, 45. 64 •fu kan, 44. 63 -ge kan, 46

kasasagi, 48,63,64 katam akf.46,63 kata ude tonso no kata, 51,64 ken kudakl, 35,63,64

-gokuraku otoshi, 45,63 •hi sakku, 45,63 •hi toh, 45 •ho lekl, 44. 64

66

-kata makl, 46, 53 -ko ki. 46, 63

-gyokushln ryu ninjutsu, 5 -koto ryu koppojutsu. 5

•koyoku. 44. 64 -musan. 46. 64 •okyo, 44, 03 • ryotc gako. 45 •sel on. 45, 63

•kuklshinden ryu happo hiken jutsu, 5 •kumcgakuro ryu nlnjutsu, 5 ■shlncan fudo ryu dakeniaijutsu, 5 •lagakl yo sh in ryu jutaijutsu. 5 -togakure ryu ninjutsu, 5

•setsu yaku, 46, 64 -sotloh, 44. 63

ryu sul Ik!. 40 •kuruma, 40

•shlzen. 46 •ugarl. 46, 63, 64

-tachl nage, 40

-lei ken, 45, 63 •yume makura,