Ten Chi Jin Ryaku No Maki

BUJINKAN DOJO SHINDEN KIHON GATA

TENCHIJIN RYAKU NO MAKI

DIVINE TRANSMISSION OF THE BASIC FORMS OF THE BUJINKAN DOJO

THE PRINCIPLES OF HEAVEN, EARTH, AND MAN

TEN RYAKU NO MAKI The principles of man Ukemi Gata Taihenjutsu is to be performed from the nine Kamae KUHEN NO KATA 1.

TAIHEN UKEMI GATA

MAE GAESHI (Forward somersault) ZENPO KAITEN (Forwards roll) a) B) c) d)

Ryote Zenpo Kaiten Katate Zenpo Kaiten Mute Zenpo Kaiten Hicho Kaiten Kuten front) Katate Kuten front) Oten Katate Oten Kaiten e) Shizen 2.

(2 hands) (1 hand - left and right) (No hands) (Flying roll - two hands) (Air turn - 2 hands to (Air

turn

-

1

hand

the

to the

(Side turn - 2 hand cartwheel) (Side turn - 1 hand) (Leaping roll) (Natural rolling)

YOKO GAESHI (A.K.A. Ohen) - Side roll

Rolls to left and right a) b) c) d)

e)

Sokuho Kaiten (sideways roll) with both hands touching Sokuho Kaiten with one hand touching Sokuho Kaiten with no hands touching Hicho Kaiten Kuten Oten Kaiten Shizen

3.

USHIRO GAESHI - Backwards movement

KOHO KAITEN - Backwards rolling a) b) c) d)

Ryote Kaiten with both hands touching Katate Kaiten with one hand touching Mute Kaiten with no hands touching Hicho Kaiten Kuten Oten Kaiten

4.

ZENPO UKEMI - Forward passive defence (Front breakfall)

a) b) c) d) e)

Kneeling One hand Standing Punch or Shizen.

Zenpo Ukemi 2 handed Zenpo Ukemi. position, Zenpo Ukemi both hands Kick with Ukemi.

5. RYUSUI Flowing water a) Suiryu vertically) b) Hidari Ryusui c) Migi Ryusui d) Tomoe Gaeshi e) Kuruma Gaeshi f) Shizen no Te

(While standing let it flow past (Left side drop) (Right side drop) (Crescent drop to the rear) (Rolling drop to the rear) (Natural hands and methods)

6. SHIHO TENCHI TOBI 4 way Heaven and Earth jumps Do not jump high - jump low and far, and in four directions Tenchi Ten is high, and has a sideways body Chi is opposite There is Marutobi (Circular leaps) - this means to practice to change with the target.

Variations of Shizen Junishi-Gyo (12 animals in the oriental calendar.

7. SHOTEN NO JUTSU Climbing to the heavens This means running up trees, pillars, fences, and human bodies. 8. HOKOJUTSU Methods of walking a) b) c)

SOKU SHIN SO SOKU HO - Sideways crab like walking HYO JO HO KO - Running on ice and slippery surfaces NU ON NO HO - Silent running

9. SHIZEN GYOUN RYUSUI Moving in harmony with force How is it possible to add on Shizen Gyoun Rysui? It is because the Taihen Ukemi Gata in 1 - 8 are natural Ukemi does not refer to the ‘we must avoid any injuries!’ feeling Judo and Aikido. You should understand it as a body which receives and remains standing, a Ukemi of self protection. In other words, it is possible to grasp the true nature of Ukemi. Ukemi are self defence. It is important to purse the essence of Ukemi by examining the natural form of true combat, where self protection includes both evasive counters and methods of attack. Kuhen no kata is a name for an infinite, natural form, and could probably be called natural Ukemi taihen jutsu for the sake of survival. KEN TAI NO ICHI JO The body and fist as one The entire body movement and energy is used behind a punch. Just moving the body makes the punch more devastating. There is no need to rely on muscle tension. SOSHIN GO-KEI GO GYO NO KATA Fundamental training routines of the 5 elemental manifestations Shoshin Go-kei Go Gyo no Kata is based on the five elements of Sanshin no Kata (Chi, Sui, Ka, Fu, and Ku). It is either

more This year year

commonly known as Sanshin no kata or Soshin no kata. is a three step movement done with the heart of a three old child. The Japanese believe that we keep this three old heart until we are 100 years old.

For Sanshin, Hatsumi uses the Kanji for 3 hearts, Takamatsu used the Kanji for 3 fingers. SANSHIN NO KATA Form of the three hearts Gyokko Ryu Soshin go kei go gyo no kata - Fundamental training routines of the 5 elemental manifestations Sho Shi Go-kei Go-gyo no kata is based on the five elements of the Godai. It is more commonly called either the "Sanshin no kata" or "The Godai". This is a three step movement done with the heart of a three year old child. This because the Japanese keep the 3 year heart until you are one hundred. 1.

CHI NO KATA - Earth form

Tori steps back to Soshin no kamae. Dropping his weight slightly on the right leg, Tori steps forward with the right foot, and brings the right hand up in Sanshitan ken. NOTE: The hand must not alter course, but the feet must change direction. 2.

SUI NO KATA

- Water form

Tori steps back to Soshin no kamae, and steps back to the right 45 degrees with a left Jodan Uke. Stepping forward with the right foot, Tori strikes with Omote Shuto to Uko. 3.

KA NO KATA - Fire form

Tori steps back to Soshin no kamae, and steps back to the right 45 degrees with a left Jodan Uke. Stepping forward with the right foot, Tori strikes with Ura Shuto to Uko. 4.

FU NO KATA

- Wind form

Tori steps back to Shoshin no kamae, and steps back to the right 45 degrees with a left Gedan Uke. Stepping forward

with the right foot, Tori strikes with a Gedan Shito Ken to Koe. 5.

KU NO KATA - Sky form

Tori steps back a little with the right foot, and does a left Gedan Uke. At the same time Tori lifts the right hand (open) above the head. Tori then does a right Sokuyaku Keri.

KIHON HAPPO Eight basics Kosshi "Kihon you do right.

Kihon Sanpo, and the Hoshu Goho together are called Happo". You must train in these techniques well. If the Kihon Happo correctly, everything is going to be Knowing the Kihon Happo can make everything work.

Their is no right and no wrong way to do the Kihon Happo. KOSSHI KIHON SANPO Ki Gata Kosshijutsu's three fundamental ways

1.

ICHIMONJI NO KAMAE

- Figure one posture

Uke, and Tori are both in Ichimonji no kamae. Uke does a Jodan Tsuki to Men. Tori steps back 45 degrees to the right, with a left Jodan Uke. Tori then steps forwards with the right foot, and strikes with a right Omote Shuto to the neck (Uko) 2.

HICHO NO KAMAE

- Crane posture

Tori is in Hicho no kamae, and Uke is in Ichimonji no kamae. Uke strikes with a Chuden Tsuki to Suigetsu. Tori drops his weight by bending his knee of the supporting leg. Tori then does a Gedan Uke. As Tori lifts his body weight, he kicks to Butsumetsu with the sole of the left foot. Tori then drops the left foot to the ground, and steps forward with the right foot, and strikes with a right Ura Shuto to Uko. 3.

JUMONJI NO KAMAE

- Cross posture

Tori is in Jumonji no kamae, and Uke is in Ichimonji no kamae. Uke strikes with a right Jodan Tsuki. Tori steps back to the right 45 degrees, and blocks with a left Jodan Uke (Tori keeps the arm straight). Tori the turning from the hips up clockwise, strikes with a left Shito Ken to Kimon (keep the arm straight). Uke then steps forward with the left foot, and a left Jodan Tsuki. Tori steps back 45 degrees to the left, lifting the left hand up to the level of Ukes eyes, and strikes with a right Jodan Uke (keep the arm straight). Tori then turns from the hips up anti clockwise, and strikes with a right Shito Ken to Kimon. Tori then steps back with the right foot, to Jumonji no kamae

HONSHU GOHO Torite Kihon Goho Torite Kihon Gata Five methods of grappling 4.

OMOTE GYAKU

- Outside twist

Uke steps forward and takes hold of Toris lapel with the right hand. Tori take hold of Ukes hand, bends the knees, and steps back with the right foot. Tori then pulls Uke hand away from the lapel (Toris arm is straight). Tori then steps forward with the right foot, the right hand joins the left hand. Tori then steps back with the left foot, and applies a Omote Gyaku to Ukes wrist, and throws him. NOTE: Tori takes hold of Ukes hand the same way as Omote Gyaku lock 5.

OMOTE GYAKU HENKA

- Outside twist variation

Uke steps forward and takes hold of Toris lapel with the right hand. Tori takes hold of Ukes hand with the left hand. Uke then steps forward with the left foot, and strikes at Toris Men with a left Jodan Tsuki. Tori steps back to the left dropping the body weight, and blocks with a right Jodan Uke. Tori pulls Ukes hand from the lapel. The left hand joins the right hand, and Tori applies a Omote Gyaku to throw Uke. 6.

URA GYAKU

- Inside twist

Uke grabs the lapel with the right hand. Toris right hand comes across and takes hold of Uke hand. Tori steps back with the left foot, and pulls Uke hand front he lapel. Toris left hand joins his right, and he applies a Ura Gyaku to throw Uke. 7.

MUSHA DORI

- Warrior capture

Uke step forward and takes hold of Toris sleeve with the right hand. Tori steps back with the left foot, and lift the left forearm up vertical on the inside of Ukes arm. Tori then steps back in with the left foot, and back, and across to the left with the right foot. Toris left arm goes over the top to the outside of Ukes arm, and under. Tori lifts his left arm up, and takes hold of his left hand with the right hand. Tori applies a Musha Dori lock, and drops Uke. NOTE: For the arm lock, Toris arm must be just above Ukes elbow. Do not interlink the fingers, as this is dangerous to Tori. Cup the hands

8. GANSEKI NAGE - Rock throw Shindenfudo Ryu Dakentaijutsu Uke grabs Toris right sleeve, with the left hand. Tori steps back with the right foot, and pulls Uke off balance. Tori steps back in with the right foot in between Ukes legs (back is to Uke). The right arm at the same time comes up under Toris arm (on the outside) lifting Ukes arm so that it rests on top of Toris shoulder. Toris right arm looks as if he is saluting, barring Ukes am Tori turns to the left from the Torso up, and throws Uke to the left. TAIJUTSU NO KAMAE Fighting postures 1. FUDOZA (A.K.A. Za Kamae) Shindenfudo Ryu Jutaijutsu Sit on the heel of the left foot, and have the sole of the right foot, tucked into the calf of the left leg. a) b)

Hidari Kamae Migi Kamae

c) d) e) f)

Taihenjutsu Do the motion of Goshin (Satori) Kihon Happo Honshu Kihon Gata, Kosshi Kihon Gata Henka

2. SHIZEN NO KAMAE - Natural posture Shindenfudo Ryu Jutaijutsu Feet shoulder width against the hips. a) b) c) d) e) f)

apart,

with

both

hands,

palms

back

Relax the upper body. Let the lower body remain free Roppo no Kamae, Jodan, Chudan, Gedan no kamae. Also called Roku, San, and Juhachi Kata Taihenjutsu Do the motion of Goshin (Satori) Kihon Happo Honshu Kihon Gata, Kosshi Kihon Gata Henka

3. HIRA ICHIMONJI NO KAMAE - Flat number one posture Kukishinden Ryu Dakentaijutsu, Shindenfudo Ryu Jutaijutsu The body is the same as Hira no Kamae. The arms are out stretched to the side of the body. a) Roppo no kamae b) Taka no mai c) Taihenjutsu d) Do the motion of Goshin (Satori) e) Kihon Happo f) Honshu Kihon Gata, Kosshi Kihon Gata Henka 4. ICHIMONJI NO KAMAE - Figure number one posture Koto Ryu Koppojutsu The left leg is forward, and slightly bent. The left arm is straight out pointing at Uke, and the hand is open. The right hand is in Shuto, and is held above the left bicep with the palm face towards the face. a) b)

Point at the opponents heart Sayu (left and right) no Kamae, Jodan, Chudan, Gedan. Jodan is standing up. Chudan is like Ichimonji, Gedan is to put the right or left knee on the ground.

c) d) e) f)

Taihenjutsu Do the motion of Goshin (Satori) Kihon Happo Honshu Kihon Gata, Kosshi Kihon Gata Henka

5. DOKO NO KAMAE - Angry Tiger posture Togakure Ryu Ninpo Taijutsu Similar to Ichimonji no Kamae, except the body does not lean backwards, and the right hand is held above the head, and the right hand is in Fudo Ken. a) b) c) d) e) f)

Point at the opponents heart Jodan, Chudan, Gedan. Taihenjutsu Do the motion of Goshin (Satori) Kihon Happo Honshu Kihon Gata, Kosshi Kihon Gata Henka

6. HICHO NO KAMAE - Crane posture Gyokko Ryu Kosshijutsu The left hand is held out in front of the body in the direction of Uke. The right hand is clenched in Boshi Ken, is placed slightly hidden on the inside of the left elbow. The sole of the left foot rests on the top of the right calf muscle. The left knee faces Uke. a) b) c) d) e) f)

Left and Right Make the opponents techniques fail to work, use the front leg to follow. Train sweeping Taihenjutsu Do the motion of Goshin (Satori) Kihon Happo Honshu Kihon Gata, Kosshi Kihon Gata Henka

7. HOKO NO KAMAE - Bear receiving posture Koto Ryu Koppojutsu The left foot is slightly forwards, and the body is very upright. The hands are held above the head, in Shako Ken. The whole posture looks as though you are holding a large ball. The weight ratio is 70/30 forwards. Make yourself look big.

a) b) c) d)

Roppo (six ways) Juhachi kata no kamae Taihenjutsu, walk sideways, called kaniyuki Do the Goshin motion. Step in with both legs.

8. KOSEI NO KAMAE - Offensive posture Kukishinden Ryu Dakentaijutsu The left hand is open above the eyes. The right hand is by the heart in Shikan Ken. a) b) c) d) e) f)

Left and right Jodan, Chudan, and Gedan Taihenjutsu Do the motion of Goshin (Satori) Kihon Happo Honshu Kihon Gata, Kosshi Kihon Gata Henka

9. JUMONJI NO KAMAE - Cross posture Gyokko Ryu Kosshijutsu The left foot is slightly in front of the right foot. The arms are crossed at the wrists with the left in front, at chest height. The hands are in extended Boshi Ken. a) Left and right b) Jodan, Chudan, and Gedan c) Taihenjutsu d) Do the motion of Goshin (Satori) e) Kihon Happo f) Honshu Kihon Gata, Kosshi Kihon Gata Henka It is also important to practice, Hira no kamae, Seigan no kamae and Seiza. TAIHENJUTSU MUTODORI NO KATA (Gyokko Ryu Kosshijutsu) 1.

HIRA NO KAMAE

- Flat stance

Uke is in Daijodan with a Katana. Tori faces him in Hira no Kamae 3 feet from Uke.. Uke cuts with Jodan Kiri. Tori steps back from Hira, to Ichimonji no kamae to avoid the cut. Tori

turns a little from the hips up to the left, and rolls to the right on the right shoulder. 2.

ICHIMONJI NO KAMAE - Letter One stance

Uke is in Daijodan with a Katana. Tori faces him in Ichimonji no kamae. Uke cuts with Jodan Kiri. Tori rolls forwards to the right 45 degrees, on the right shoulder. Uke turns to face Tori, with the Katana in Daijodan. Tori is on one knee, and as Uke strikes with Jodan Kiri, Tori moves in and strikes with Shito Ken to Suigetsu. 3.

JUMONJI NO KAMAE

- Cross stance

Uke is In Daijodan with a Katana. Tori faces Uke in Jumonji no kamae. Tori jumps to the rear to avoid the cut, and promptly jumps back in striking with Omote Shuto to Uko, and Omote or Ura Shuto to either Uko or Kote. NOTE: This can be done both inside and out side of the Jodan Kiri

HOKEN JUROPPO (A.K.A. Tatara Ken Juroppo) The sixteen secret fists 1.

KIKAKU KEN, or ZU TSUKI - Demon horn strike

Using the thick bone on the forehead, sides, and the back of the head, in a smashing butting action. 2.

SHUKI KEN

- Waking up elbow strike

Use the bone points of the elbow to strike close to the target. Women must use this a lot to help them escape. 3.

FUDO KEN, or KONGO KEN - Immovable fist

Use the clenched fist for punching, and striking. Knuckles of little, and ring finger together called Nio Ken. 4.

SHUTO

or KITEN KEN - Wake up rolling strike

Use the sides of the hands, with the hand open approx 60 Degrees. Snap the hand open on impact. The strike is used a lot) Shuto - Koto Ryu 5.

Kiten - Gyokko Ryu (Kiten means wisdom)

SHI SHIN KEN - Finger needle strike

Using the fingertip for striking or pressure. Mainly the little finger. Takamatsu Sensei once broke a small stone in half with this strike. 6.

SHITAN KEN - Finger tip strike

3, or 4 fingertips in a stabbing strike. Use mainly the ends of the fingers for striking. When three fingers are used to strike together. this can be called Hosen Ken (Bee sting strike). 7.

SHAKO KEN - Claw strike

Use the palm, and the finger tips to strike and rake. Then change this into a fist. 8.

BOSHI KEN or SHITO KEN - Thumb drive fist

Use an extended thumb that is supported by a fist to jab, and strike muscle areas, and nerve endings. This can also be called Hiso ken (Secret spear fist) Boshi ken - Koto Ryu 9.

Shito ken - Gyokko Ryu Shitojutsu

SHIKAN KEN - Extended knuckle Fist

Use the bones of the middle knuckles of half folded fingers to strike the target. Also can be with just the middle knuckle extended. 10.

KOPPO KEN or KO KEN - Bone strike

Use the middle knuckle of a bent thumb, that is braced against the clenched fist. Use to strike or apply pressure. This can be used as an alternative to Boshi ken.

11.

HAPPA KEN or HACHIYO KEN - 8 leaves fist

Use the open hands, as slapping strike. Use more Nio Ken then Hachiyo ken. Practice using Hachiyo ken. A.K.A.....

12.

the

Nio

Ken,

then

opening

the

hand

into

Happa no Kyusho, Hae Taki. Ryu Sode - ear leaves with both sleeves

SOKUYAKU KERI - Sole of foot

Use the bottom ball, heel (sole) of the foot, to shove into the target. The heel contacts first. 13.

SOKKI KEN or HICHO GERI - Waking up knee strike

Use the bone points of the knee to strike close targets.

14.

SOKUGYAKU KERI - Toe reverse strike

Use the tips of the toes to strike, or jab the target. Sometimes it is best to first use Hicho then the Geri, then Sokugyaku keri. This can also be called Soku Shin To (Toe sword) 15.

TAI KEN - Body fist

Use the hips, shoulders etc to strike pressure. This is a Satori attack

(slam) or apply

Also sometimes called Tai Atari 16.

SHIZEN KEN or KI KEN - Natural fist

Use the nails and teeth, etc to attack close targets.

This is also called To-ate (distant strike), or Shinki-fudo ken (Gods mind immobile strike). This is a good technique for women to use against the groin.

CHI RYAKU NO MAKI The principles of Earth HAJUTSU KYU HO Nine methods of overpowering an attacker 1.

TEHODOKI - wrist grab escape

KATATE - One hand Single handed escapes. Pivot the body to release the grab. The thumb, and fore finger on Ukes hand is the weak point. RYOTE - Two hand

Two hand escape grabs. Move the body to force the release from the grab. "strength is not required" 2.

TAIHODOKI - Near body escapes

Use the body to escape the hold applied by Uke. Use the hands, feet, head, nails etc. 3.

OYA GOROSHI - Kill the parent

Free yourself from grabs by applying pressure to the thumb, or by bending back the thumb. 4.

KO GOROSHI

- Kill the child

Free yourself from grabs by bending the little finger back, on itself, crushing, or breaking the knuckles. NOTE This is sometimes also called "Ko-jadori" (Catch a strong man) Three main techniques exist in Oya and Ko Goroshi, 1. 2. 3.

Medori (attacking eyes) Hachiyo Dori (attacking ears) Yubi Dori (attacking fingers)

5. KERI KUDAKI - Kick break Over powering a kick Using mainly the hands and the feet to attack Ukes kicks. Shift the body to the outside, and the inside of the kick, and counter. Strike with Fudo Ken to under the thigh (Fudo Ke Yaku Ate), and strike the knee to drop him. 1. Kicking punch, or kicking base leg or groin Uke does a right punch. Move to the left and kick the punch. Uke does a right kick. Kick it up with the right leg. Uke does a right kick. Yoko Aruki to the left and kick groin. Uke does a right kick. Block to the left side and break leg. 2.

Catch the kick, and knee strike to the caught leg

Uke does a right kick. Move to the left and catch the leg in the left hand. Place the right hand on top of the leg. Kick the other knee, to break it, and to take Uke down. 3.

Punch kicking leg - lower leg

Uke does a right kick. Move to the left, and punch the weak joint of the right leg, to break it. When striking to the leg with Fudo ken, it is called "Fudo ke Yaku ate". 6.

KOSSHI KUDAKI - Throw counter

To prevent being thrown by a attacker, who has grabbed you. Drop the body weight, and the centre of gravity by crouching. It is also important to relax. Hit the weak points, and kick. 7. HAPPO GERI - Eight ways of kicking Kick series counters for body, and arm grabs. 1. Migi Sokyaku Suihei Ken (Horizontal position kick) Yoko Aruki to the right, then kick with the right heel to Ukes left thigh. 2. Hidari Sokuyaku Suihei Ken Yoko Aruki to the left, then kick with the left heel to Ukes right thigh. 3. Migi Sokuyaku Harai Ken (Leg kick sweep) Yoko Aruki to the right then kick with a right inward swinging heel kick to the left thigh. 4. Hidari Sokuyaku Harai Ken Yoko Aruki to the left then kick with a left inward swinging heel kick to the right thigh. 5. Migi Sokuyaku Suzu Ken Yoko Aruki to the right then kick to the groin with the right inside edge. 6. Hidari Sokuyaku Suzu Ken Yoko Aruki to the left then kick to the groin with t h e left inside edge. 7. Migi Sokuyaku Henka Keri Do any kick with the right foot to cause pain. 8. Hidari Sokuyaku Henka Keri Do any kick with the left foot to cause pain. 8.

KEN KUDAKI - Punch destroying

Uke strikes. Tori does a left Jodan Uke, and immediately follows with either a Shuto or a Fudo ken, to the same area

that the Jodan Uke was applied. This can be done to either the inside or the outside of the attack. NOTE Use the body and knees to apply the body angle 9.

HENKA KUDAKI

- Variations of the destroyer

This is the same as Ken Kudaki, but attacking the elbow followed by a kick instead of the Shuto. This can be used within other techniques. TORITE KIHON DORI NO KATA (Hand lock disabling form) 1.

OMOTE GYAKU - Outside wrist twist

1. The wrist is twisted, forcing Uke to the ground on his back 2. Ukes right elbow is barred with Tori's right knee. 3. Body leverage is added to help the technique. 2.

URA GYAKU - Inside wrist twist

1. The wrist is twisted, forcing Uke to the ground on his front. 2. Ukes upper right arm is pinned by Tori's knee. 3. Ukes wrist is driven against the forearm for leverage. 4. A counter downward pull is added for better control. 5. Ko Goroshi is used to aid the lock.

SUWARI GATA Seated techniques 1.

ICHI GEKI

- one rage

Tori and Uke are both in Fudoza no kamae. As Uke comes up on one foot, and grabs Toris jacket with the right hand. Tori grabs Ukes arm with the left hand. Tori leans back and kick Ukes in Suigetsu with the right foot. Tori releases his grip on Ukes hand, and knocks it away, with the left hand striking the wrist. Tori stands stepping back with the right foot into Ichimonji no kamae.

2.

OSAE KOMI - Pin down

Tori and Uke are both in Fudoza. Uke comes up on the right foot, and grabs Toris jacket with his right hand. With his right hand Tori applies Ura Gyaku to Ukes grabbing hand, and kicks Ukes left leg away with the right foot. Uke falls to Toris right side. Tori places his right knee onto Ukes right arm, and places his left hand in the middle of Ukes back to pin him down. HAPPO KERI HENKA (Eight variation changing kicks) SUKUI KERI - Scooping or lifting kicks 1. Right inside edge of the foot. 2. Left inside edge of the foot. 3. Migi Byo Ken Right heel hook kick to the outside of the thigh. 4. Hidari Byo Ken Left heel hook kick to the outside of the thigh. 5. Right foot traps a foot, the left kicks. 6. Left foot traps a foot, the right kicks. 7. Migi Ashi Barai Right, low Leg sweep 8. Hidari Ashi Barai Left, low leg sweep NOTE Byo Ken (Tack strike) this is a variation of Mawashi Keri.

HITO - Flying fall Koto Ryu Koppojutsu. Chuden no kata. Uke strikes Tori in the chest below the collar bone with Shitan Ken, causing Uke to slump from the pain. Uke then leaps into the air, and does Ryote Sokuyaku Ken to the Chest. Uke then lands on the ground on his feet. NOTE If when Uke lands on the ground but not on his feet, he must roll back wards to cushion the fall, and must then come up into Kamae.

KAPPI - Lively jump Koto Ryu Koppojutsu. Chuden no kata. Uke, and Tori walk towards one another. Just as they pass on the right side, Uke strikes Tori with a right Ura Shuto to Tori bicep, and immediately strikes again with a right Ura Shuto to Toris neck. Uke then leaps to the left in Hicho Tobi and escapes. KOMPI - Surrounding jump Koto Ryu Koppojutsu. Okuden no kata. Uke strikes Tori with a Shikan ken. Tori steps to the left to avoid the strike, but moves back in with a right Ura Shuto to the neck, then jumps to the left in Hicho Tobi. NOTE Practice jumping in any direction up to 1.5m. JUMONJI - Cross Tori is in Jumonji no kamae. Uke does a right Jodan Tsuki. Tori steps back and blocks with a left Jodan Uke, followed by a right Fudo Ken using a Ken Kudaki style movement. Immediately Tori does a left Boshi Ken into Ukes right Butsumetsu (Tori's left) with no step forwards. Tori then does a right Boshi ken into Butsumetsu with a right step forwards. KERI SUKUI Uke moves in with a right roundhouse kick. Tori ducks forward, and to the right to tackle Ukes supporting left leg, and throwing Uke onto his back.

ASHI DOME Uke does a right kick, Tori moves to the left, and does a right Gedan Uke. Tori takes the left leg, or punches the left leg. NOTE This is also called "Moguri Gata" (Ashi Sabaki).

GYAKU WAZA Locking techniques 1. OMOTE TAKE ORI - Outside break the Bamboo Togakure Ryu Ninpo Taijutsu The back of Ukes hand is gripped. Toris hand circles the underside of Ukes wrist, with the thumb, and middle finger, and folds the wrist towards the inside of the forearm. When you catch the wrist with the body it is called "Take Ori - Tai Ori" NOTE When Take Ori has been done properly the wrist will be broken. Just like bamboo, it will splinter, and never repair properly again. 2. URA TAKE ORI - Inside break the Bamboo Togakure Ryu Ninpo Taijutsu The palm of Ukes hand is gripped by either of Toris hands. Toris thumb, and middle finger encircle the back of Ukes hand. Ukes wrist is then pulled to fold against the inside of the forearm. 3. OMOTE GYAKU - Outside twist Gyokko Ryu Kosshijutsu Ukes left hand is held by both of Toris hands, with the palm facing Uke, and the fingers vertical. Tori steps back with the right foot, and twists Ukes hand clockwise locking the wrist to drop Uke. 4. URA GYAKU - Inside twist Gyokko Ryu Kosshijutsu Tori holds the back of Ukes right hand with his own right hand. Tori turns Ukes hand over so that Ukes palm face to Toris left. Toro steps back with the right foot, and twists the hand clockwise, locking it, and dropping Uke to the ground. 5. HON GYAKU - Straight lock Ukes left hand is held in Ura Gyaku. Tori holds the hand close to his chest. The right foot is moved forward, and

Tori bends over from the hips, and applies extreme pressure to Ukes wrist. NOTE If you pull down on the elbow then place the knee on it. It is called Gozen Dori (before god capture) 6. OMOTE ONI KUDAKI Outside break the devil Kukishinden Ryu Dakentaijutsu Uke extends his right arm. Tori places the back of his left hand against Ukes inside wrist. Tori then place his right arm under Ukes upper arm. Tori then pushes his left hand to meet his right hand. As this is done Ukes arm bends locking him. Do not interlock the fingers this is dangerous. 7. URA ONI KUDAKI Insode break the Devil Kukishinden Ryu Dakentaijutsu Uke extends his right arm. Tori places his inside wrist of his left hand against the inside of Ukes right wrist. Tori places his right arm over the top of Ukes upper arm. Tori then grabs hold of his own left forearm to lock Uke (the left hand has taken hold of Ukes wrist). 8. MUSHA DORI - Warrior catch Gyokko Ryu Kosshijutsu. Torite Kihon Gata Tori places his left arm over the top of Ukes extended right arm, at the elbow. Tori wraps his arm around Ukes, and grasps his right hand. Ukes arm is bent, and his is leaning backwards. 9.

MUSO DORI

- Catch a strong man

Uke takes hold of Tori sleeve. Tori steps out, and bends his arm in so that his hand is next to his chest, trapping Ukes arm. Tori then places his other hand on Ukes elbow locking him up. Apply pressure to take him down. NOTE This is best done when wearing armour

10.

O-GYAKU

With Uke laid flat on his stomach. Pin the shoulder down, and fold his arm over and across his shoulders. NAGE KATA 1. GANSEKI NAGE - Big rock throw Shindenfudo Ryu Dakentaijutsu Put your left arm under Ukes right arm, and put it on the shoulder. Put the left foot in front of Ukes right foot, and throw. It will change from Ganseki Otoshi to Ganseki Oshi to Ganseki Ori. 2.

HARAI GOSHI - Sweeping hip throw

Put the right hip against Ukes right hip. Take the Ukes right hand with your left hand, and grab his left collar with your right hand. Use the hip and throw 3.

GYAKU NAGE - Reverse throw

Put Uke right arm on your left shoulder, turn palm up and throw over your shoulder. Also called Gyaku Seoi. 4.

TAKI OTOSHI

Throw with body motion. When the opponent is still in the air, move out and let the opponent fall to the ground. Do this with .. A) B) 5.

Seoi Nage Koshi Nage OSOTO NAGE - Basic throwing knee motion

Move to the opponents right side. Put the right leg behind the Ukes right leg and throw. Uke avoids the throw, use the left leg. 6. UCHIMATA UCHIGAKE - Kick outside

inside

of

leg, sweep from

Sweep the Ukes inside left thigh with a right kick, turn the body after sweeping up, and throw Uke down. 7. HANE NAGE - Jumping throw

Tori stand with his back to Ukes chest. Uke grabs Tori from over the right shoulder. Tori holds the grab, and kicks back with the right leg, to the knee, or the calf, and also pull on the arm to throw him. NOTE This is similar to the Judo Hane Nage, but kick to the groin, or upper thigh were possible. A) B) C) 8.

SHUKEN SOKUKEN TAIKEN ITAMI NAGE - Painful throw

Grab both Butsumetsu and step back with the left throwing Uke. It is important to include the throw.

foot

During any part of a throw Tori grabs Ukes body with Shako ken to aid the Nage. A) B) C)

SHUKEN SOKUKEN TAIKEN

9.

RYUSUI IKI - Going with the flowing water

a)

TOMOE NAGE (Throwing in a circle)

Tori grabs Ukes lapels, drops onto his backside, and places the sole of one of the feet into the stomach. Tori then rolls back throwing Ukes overhead. NOTE When doing this technique kick as if kicking a kick back (or a sack full of rice). b)

TACHI NAGE (A.K.A. Tachi Nagare) - Standing throw

Tori grabs Ukes lapels, drops to his backside, and slides on of the legs straight out between Ukes legs (The other is sole of the foot down with the knee bent vertical). Tori the pulls on the collars and throws Uke overhead.

c)

YOKO NAGARE - Side flow

Tori grabs Ukes lapels. Then does the Yoko Nagare roll, pulling on the lapels as he rolls throwing Uke forwards. d)

TEMAKURE - Hand pillow

Toris left hand grabs Ukes right wrist, and the right arm hooks up from behind Ukes upper left arm. Tori braces the arm against his own chest. Tori then drops onto his backside pulling Uke with him. Uke falls onto his face. e)

KURUMA NAGE

- Water wheel

Tori grabs Ukes lapels, and drops onto his backside swinging the foot up into Ukes groin throwing him backwards. Tori continues the rolling motion, and finishes sitting on Ukes chest. SHIME WAZA GO GATA Five methods of choking In Togakure Ryu a choke, means a choke, and makes Uke pass out, or choke, and break. 1. HON JIME - Principle choke Takagi Yoshin Ryu. Eri Shime Gata Uke grabs the right lapel with the right hand, and the left with the left hand (the wrists are crossed. The palms face towards the body, with the thumbs inside the jacket. Uke applies a scissor action to apply the choke, twisting the knuckles into the sides of the neck. 2. GYAKU JIME - Reverse choke Takagi Yoshin Ryu. Eri Shime Gata

Uke grabs the same as Hon Jime, but the palms face out, with the fingers inside the jacket. Uke does the scissor action to choke. 3. ITAMI Jime - Painful choke Takagi Yoshin Ryu. Eri Shime Gata

Tori does Ryote Mune Dori, with the palms down. Tori then pulls forward while pushing back and inward with the tips of the knuckles or Boshi ken on both sides of the neck. 4.

SANKYAKU JIME - Triangle choke

Uke is sitting. From the floor, hold one inch (2.5cm) from Ukes neck on the shoulder with the right hand, and pull. Jump in from the right side, and choke. 5.

DO JIME (A.K.A. Tai Jime)

- Body choke

Restrain the legs, arms, or the legs. This techniques is also called "Karada Jime"

JIN RYAKU NO MAKI The principles of man ICHI GEKI

- one rage

Tori and Uke are both in Fudoza no kamae. As Uke comes up on one foot, and grabs Toris jacket with the right hand. Tori grabs Ukes arm with the left hand. Tori leans back and kick Ukes in Suigetsu with the right foot. Tori releases his grip on Ukes hand, and knocks it away, with the left hand striking the wrist. Tori stands stepping back with the right foot into Ichimonji no kamae. OSAE KOMI - Pin down Tori and Uke are both in Fudoza. Uke comes up on the right foot, and grabs Toris jacket with his right hand. With his right hand Tori applies Ura Gyaku to Ukes grabbing hand, and kicks Ukes left leg away with the right foot. Uke falls to Toris right side. Tori places his right knee onto Ukes right arm, and places his left hand in the middle of Ukes back to pin him down. UDE ORI - Arm break Shindenfudo Ryu Jutaijutsu. Shoden no kata. Uke and Tori are both in Za Kamae. Uke comes up on the right foot, and strikes with a right Tsuki. Tori leans to the left, and grabs Uke wrist with the right hand, and then leans back to the right, and raising the right knee, and applies pressure to Ukes elbow by using his knee. Tori rolls to the left and continues the pressure. KANA SHIBARI - Iron grip This is used against clothing grabs and rough situations. Tori grabs the collar or the shoulders with the hands and applies a Koppo Ken into the sides of the neck with excess pressure (use Hadome), and applies a Kikaku Ken to the face,

pulling Uke towards him with the grab. Can finish with a Suzuki washi Dori - attack to the testicles.

TENGU DORI - Capture the demon Takagi Yoshin Ryu Jutaijutsu. Ura Shoden no Kata. If Uke applies a technique similar to kana Shibari, Tori defends with a Ryote Happa ken to the ears, or Boshi Ken to the sides of the nose, or pressing Hadome, or straight on to the nose NOTE For the Ken use Fudo ken, Happa ken, or Shuto. KETSU MIYAKU - Squeeze the wrist Gyokko Ryu Kosshijutsu. Jo Ryaku no Maki. Uke is behind Tori, and applies a Sankaku Jime to Tori (right hand to front of the neck). Tori turns his chin to the right into the pit of the elbow, and drops his body weight (do these together). Place the thumb (of the right hand), into the Kyusho point above the inside of Ukes right elbow. Toris left hand takes Uke right hand, and pulls the right arm out from the body (keep it straight. Tori turns to the right bending Ukes arm, until the are side by side facing the same direction. Tori then applies a lock to the arm, and does a left kick to the Ukes right calf muscle. TAI JIME (A.K.A Karada Jime) - Body squeeze Once Uke is on the ground, Tori places the foot next to the ribs, and leans forward to apply pressure to the ribs with the shin. If Uke attempts to slip away, Tori steps over Uke with the free leg, and applies pressure to the opposite side of the body. JIGOKU OTOSHI

- Hell plunge

Uke steps forward with a right Jodan Tsuki. Tori steps back to the right 45 degrees, and does a left Jodan Uke, and grabs the wrist with the left hand, and pulls the arm so that it is straight. Moving around the arm, and switching

the grip from the left to the right hand, Tori places his left knee against the elbow, and forces Uke to the ground. A variation is called Jigoku Dori (Hell grab)

NAGE KAESHI Counter throwing techniques KOKO (A.K.A Okyo) - False push Uke attempts to throw with Seio Nage, Tori drops his hips, and strikes with a left Boshi Ken to the Shichibatsu (Kidneys), and a right Fudo Ken to Suigetsu. This is done form Ukes right side Shichibatsu means "Seven days taken", meaning you will not be able to stand for seven days. HUKO 1

- The Tiger lays down #1

Uke steps forward with a right Chudan Keri. Tori steps back 45 degrees to the left, and does a right Gedan Uke. Tori then steps forward with the left foot, and strikes with a left Shitan Ken to the groin from under the right leg. NOTE To be able to do the final strike, you must move in fast after the Gedan Uke. HUKO 2

- The Tiger lays down #2

Uke steps forward with a right Chudan Keri. Tori steps back 45 degrees to the right, and does a left Gedan Uke, and catches the leg with the left hand. Then rocking back in Tori strikes with a right Fudo Ken to the inside of Ukes leg above the ankle bone. ATAMI DORI (A.K.A. Zu Dori)

- Capture the hand

Uke attempts at throw. Tori drops his hips, and strikes from Ukes right side with a right Fudo ken to the face, and at

the same time, grabs the hair with the left hand to drag him back to the ground. Tori then strikes with a Shako Ken to the face. Twisting Ukes head helps with the take down. This is called Kubi Saka Dori (Neck twist grab) FU KAN - Wind turning Shindenfudo Ryu Dakentaijutsu. Shizen Shikoku no kata. Uke attempts a Seionage. Tori punches Uke in the face with a right Fudo Ken, and grabs the back of Ukes belt with the left hand. Tori the leans forward, and rolls, taking Uke with him. When they land Tori continues his roll to finish on top of Uke.

KOYOKU - Rival scoop Koto Ryu Koppojutsu. Shoden no kata. TRNT P. 223 Uke strikes with a Jodan Tsuki. Tori steps back to the right 45 degrees, and does a left Jodan Uke. Then without moving the legs, Tori turns from the hips upwards to the left, and strikes with a Boshi Ken to Uke Butsumetsu. Keeping the left arm with Ukes striking arm, Tori steps forward with the right foot, and Yoko Aruki's with the left foot, across the front of Uke. At the same time as the Yoko Aruki, Tori drops the left arm under Ukes arm, and throws with either Ogoshi, or Ganseki Nage. HOTE KI - Release and throw Koto Ryu Koppojutsu. Shoden no kata. Uke grabs Tori's lapel with the right hand. Tori checks Ukes hand with his left hand. Uke steps in with a left Jodan Tsuki. Tori shifts to the left inside of the Jodan Tsuki and strikes with a right Omote Shuto to the bicep area of Ukes grabbing arm. Tori then pulls the grab from the lapel, uses Kosshijutsu to Ukes arm with his right hand, turns to the left, and throws with Seio Nage. ATE NAGE - Place the throw Takagi Yoshin Ryu Jutaijutsu. Chuden no Sabaki Gata. Uke grabs Toris lapel with the left hand. Tori take hold of the hand with his right hand in Gyaku Te Take Ori, and strikes with a left Fudo Ken to Butsumetsu, striking under

the arm. Tori turns to the right going under Ukes left arm, and grabs Ukes left shoulder with the left hand. Tori then kicks Ukes supporting leg out, and throws him. KERI NI TAISHITE (Against the kick) KYOTO

- False push

Tori is in Seiza. Uke attacks with a right Zenpo Keri. Tori steps to the left and catches the kick on the shoulder. Tori then grabs Ukes supporting leg, pulls from under Uke dropping him to the ground. This is called Ashi Jigoku Dori (leg rotation with Hell grab) NOTE Blocking the kick with the shoulder body strike, is called Kata Tai ken.

SETTO - Break and drop Koto Ryu Koppojutsu. Shoden no kata. Uke grabs Toris lapel with the right hand. Tori checks this with the left hand. With a left step to the left Tori strikes with a right Omote Shuto to the inside of Ukes right bicep area. Tori then strikes with a right horizontal Boshi ken Butsumetsu. NOTE If after the Shuto he still holds on, Lift the arm, and strike with Fudo Ken to Jakkin to break the elbow. The Boshi Ken is so that it goes between the ribs. HISAKU - Fly and squeeze Koto Ryu Koppojutsu. Chuden no kata. Uke grabs with a Ryote Mune Dori. Tori strikes with a Ryote Boshi ken into the side of Ukes throat. Then grabbing the tops of the shoulders, Tori jumps up, and wraps his legs around Ukes waist. Squeezing the legs together to knock the wind from Uke, Tori releases his hold on the shoulders, and drops to the ground. Then taking hold of the ankles he pulls Uke to the ground. A right Kagato keri to the chest, Tori then rolls with Koho kaiten.

HITO - Flying fall Koto Ryu Koppojutsu. Chuden no kata. Uke strikes Tori in the chest below the collar bone with Shitan Ken, causing Uke to slump from the pain. Uke then leaps into the air, and does Ryote Sokuyaku Ken to the Chest. Uke then lands on the ground on his feet. NOTE If when Uke lands on the ground but not on his feet, he must roll back wards to cushion the fall, and must then come up into Kamae. SEION - Living sound Kukishinden Ryu Dakentaijutsu. Shoden no kata. Uke holds Tori in Kumi Uchi. Tori hold the collar, and the elbow. The right thumb, presses into the nerve in the side of the neck, and the thumb of the left hand, presses into the nerve in the elbow. Tori shifts the left foot to the left, and places the right foot, against the hip. Pressing the nerves, pushing out the foot, and turning Anti clockwise Tori throws Uke onto his back.

YUME MAKURA - Dream pillow Kukishinden Ryu Dakentaijutsu. Sabaki Gata. Uke does a right Jodan Tsuki, Left Jodan Tsuki, right Zenpo Keri, right Jodan Tsuki. Tori responds with a left Jodan Uke, right Jodan Uke, left Gedan Uke, and finally with a right Jumonji Dori. Tori's left hand takes hold of Ukes right wrist, and the left hand takes Ukes elbow.. Tori steps back and brings the arm into a form of Oni Kudaki. Tori then changes the grab from backwards to forwards, and pushes on the elbow, and pulls on the wrist so that his arm opens straight. Tori holds Ukes straight arm against his chest, and falls backwards taking Ukes arm with him. Tori then rolls over Ukes back, and holds him in O Gyaku RYOTE KAKE - Two hand trap Takagi Yoshin Ryu Jutaijutsu. Chuden no Tai no kata. Uke does a double hand choke to Toris neck. Tori drops his hips, and steps back with the left foot, and pushes up on the underside of Ukes elbows. Tori then suddenly pivots to

the right dropping to the right knee, and pushes up with the left hand, and pulls down with the right hand. This flips Ukes onto his back. NOTE All these movements are done in one movement. FUDO - Motionless Shindenfudo Ryu Dakentaijutsu. Shizen Shikoku no kata. Uke grabs with the left hand, and punches with the right hand. Tori steps to the right, and does a Left Jodan Uke. Tori grabs Ukes hand with the right hand, and applies Take Ori. Tori then grabs the left shoulder with the left hand, at the same time moving across to the left. Tori maintains the Take Ori, while pulling Uke forward by the shoulder to throw Uke to the ground. Tori steps back with his right foot, and throws him. GOKURAKU OTOSHI - Let fall to heaven Shindenfudo Ryu Jutaijutsu. Shoden no kata. Uke holds Tori in Kumi Uchi. Tori steps back to the right with the right palm under Ukes elbow. Tori then steps back in with the right, rolling the elbow over as he steps in, pulling Ukes back a little. Uke tries to regain his balance, Tori places his left hand on Ukes right hand, drops to the left knee, and pushes Uke to Tori's left pulling him over.

TEI KEN - Squeeze strike Gyokko Ryu Kosshijutsu. Jo Ryaku no Maki Uke grabs Tori from behind in Tai Jime. Tori drops his body weight, and does a short step to the left, grabbing Ukes hands as he moves, and pulling them apart in to a Hira Ichimonji position. Tori steps back to the left with the right foot. Tori then strikes with a right Fudo Ken to Men, drops the right arm down the up under Ukes left arm, and finishes with Ganseki Otoshi. SETSU YAKU - Dancing snow Shindenfudo Ryu Dakentaijutsu. Ten no kata.

Uke does a right punch (Shindenfudo Ryu Style). Tori then shifts to the right, and takes hold of Ukes right wrist with his left hand (the palm is down and on top of the hand). Tori steps in with the right foot, across to Ukes right foot. At the same time twist Ukes hand out as in a Gyaku Omote Gyaku. Toris right hand comes up under Ukes right arm, and grabs the shoulder, and then barr's the arm. Tori then steps through with the right foot, and turns a little clockwise, turning the arm in to Oni Kudaki, and drop him the floor. NOTE If Uke will not let you turn clockwise, and do the Oni Kudaki, turn instead anti clockwise, and throw Uke with Gyaku Nage. MUSAN - Scattered frog Shindenfudo Ryu Dakentaijutsu. Ten no kata. Uke strikes with a right Fudo Ken (Shindenfudo Ryu Style). Tori steps back, and across the left so the punch passes by his chest. At the same time as stepping Tori drops his body weight, and takes hold of Ukes wrist with the left hand. The right hand comes up under Ukes arm, with a Shako Ken to the face or a Fudo Ken to the chest. Tori then steps back with the right foot to face Uke, and turns the grabbed hand so is similar to Take Ori. Tori then passes under the arm anti clockwise, keeping it straight. When Tori has passed under it completely, he stands at the side of Uke with the arm still straight (in a straight line with the opposite shoulder). With a right Shuto Tori strikes the upper arm muscles dropping Uke. NOTE When doing the final Shuto, if the body weight is dropped at the point of contact, the Shuto will deliver more impact, and be a more devastating attack to the muscle.

GEKKAN - Moon Liver Shindenfudo Ryu Dakentaijutsu. Ten no kata. Both are in Shizen. Uke steps forward, and punches Shindenfudo Ryu style. Tori does a slight right step, and lifts the left hand to take hold of Ukes wrists (he does not grab). Tori the shifts back to the left, and takes hold of

Uke right shoulder (Toris left), and kicks with Sokuyaku to Suigetsu. Without stepping back to the ground Tori drops straight out the right knee, at the same time he lifts the left hand, and pulls the right hand with him. Tori drops Uke on his stomach on the ground to his right side. Tori finishes with O-Gyaku. KATAMAKI - One side wrap Koto Ryu Koppojutsu. Shoden no kata. Uke does a right Jodan Tsuki. Tori steps to the right, and does a left Jodan Uke. Uke strikes with a left Jodan Tsuki, Tori slides the right foot back, and does a Jodan Uke, dropping this into a Musha Dori to his left arm. Tori then steps in with the left foot, applies a lock, and strikes with a left Boshi Ken to Butsumetsu. KO NO KI - Strike the demon Koto Ryu Koppojutsu. Okuden no kata. Uke strikes Tori with a Ryote Happa Ken to the ears. He then jumps up in front of Tori, and strikes with a Ryote Sokuyaku Keri. U GARI - Reap the Quail Shindenfudo Ryu Dakentaijutsu. Shizen Shikoku no kata. Uke attempts Osoto Gake. Tori lets Uke throw him, but does a Yoko Nagare to a seated position. Tori then pulls Uke over his head or Shoulder, and continues the rolling motion to end up sitting astride the prone Uke. Finish with a Hon Jime. NOTE With the Yoko Nagare, Tori keeps hold of Uke. The whole technique is done with a continuous flow. SHIZEN - Natural Shindenfudo Ryu Dakentaijutsu. Shizen Shikoku no kata. Uke does Ryote Mune Dori, and starts to shove Uke. Tori lowers his hips, and strikes with a Fudo Ken to the stomach. If Uke then pulls Tori does a Kick to the groin in a Sanshin Motion. HAIBU YORI (Attacks from behind)

SHI SAI

- Finger break

Uke grabs the back of Tori's collar, with the right hand. Tori reaches back with the right hand, and grabs the hand. Tori then leans forward to straighten Ukes arm. Tori turns to the left, and swings his left fist into Ukes ribs. Tori then twists Ukes hand from the Collar, with a right Ura Gyaku. Tori then steps back with the left foot, using the left hand to apply pressure to Ukes right elbow. Tori kneel on his left knee, and pulls Uke to the ground, and kicks Ukes chin with the right foot. SAKKETSU - Killer squeeze Gyokko Ryu Kosshijutsu. Jo Ryaku no Maki. Uke attacks Tori from behind with Tai Jime (bear Hug). Tori drops his body weight, and leans a little forward, and grabs both of Ukes arms, and pulls the out to the sides (same as Hira Ichimonji). Tori then does Yoko Aruki to the right, keeping hold of Ukes arms, and keeps walking to drop him to the ground. KIN KUDAKI

- Destroy the Gold

Uke is behind Tori, and grabs the Collar, and pulls him. Tori shifts to the side, and grabs Ukes groin with the hand, and then stamps on the foot, with the heel. A Kikaku Ken can be used to finish the technique. HIBARI (A.K.A. Un Jaku) - Skylark Shindenfudo Ryu Dakentaijutsu. Ten no kata. Uke and Tori are both in Shizen. Uke steps forward with the right foot, and strikes with the right hand (Shindenfudo Ryu_ Style). Tori drops to his left knee to avoid the punch. Toris left hand is at Ukes knee, as a cover, with the left elbow at shoulder height. Tori then stands up fast, and brings a right Fudo Ken up under Asagasumi. This knocks Uke backwards. Tori then pivots anti clockwise, so he is standing next to Ukes left side (both face front), and with his right leg crossed over Ukes left leg. Tori takes hold of the skin, and sleeve of Ukes left arm, and pushes his arm forward, knocking Uke over his leg onto the ground.

KATA OTOSHI

- Drop the soul

Uke steps forward with a right Zenpo keri. Tori move the left so that he is on the outside of Ukes leg. Then with a Sokugyaku, Tori kicks under Ukes leg to the groin. Tori then drops down on the right foot, and applies a Shuki Ken to the top of the thigh. Tori then strikes with a Ryote Shako Ken to the Butsumetsu to knock Uke to the left. NOTE Master Sankenitto no Kiryukuken SHIHO DORI - Four way capture Kukishinden Ryu Dakentaijutsu. Shoden no kata. Uke strikes with a right Jodan Tsuki, Tori does a left Jodan Uke to the wrist. Uke then grabs Tori's collar with the left hand. Toris left arm comes up in front of his body, and with the right arm applies Oni Kudaki to the grabbing arm. Tori then does Yoko Aruki to the left, and moves the right foot, behind Ukes left leg. Then stepping back with the right leg, and straightening Ukes arm, Tori bring Uke to the ground. NOTE For the take down walk in the direction his left leg points.. If the Oni Kudaki fails change to Omote Gyaku, if he tries to escape, change the technique to Yume Makura. MOGURI NAGE - Diving capture Takagi Yoshin Ryu Jutaijutsu. Moguri Gata. Uke grabs the collar with the left hand, and does a right Jodan Tsuki. Tori checks the grab, and does a left Jodan Uke. Uke kicks with a right Zenpo Keri, Tori does a left Gedan Uke. Tori then changes the grab from his right hand to the left hand and applies a Ura Oni Kudaki on the left arm. Tori then kicks with a heel kick to the back of Ukes left thigh, and steps back, and down onto the right knee. NOTE Keep a good balance, do not get in a position where Uke can punch you with his right hand.

KOKU - Empty sky Gyokko Ryu Kosshijutsu. Jo Ryaku no Maki. Uke, and Tori are in Ichimonji no kamae. Uke strikes with Jodan Tsuki. Tori steps back to the right 45 degrees, and blocks with a left Jodan Uke. Tori then does Ken Kudaki. Uke follows with a right keri. Tori steps out to the left, and does a right Keri Kaeshi. As Uke turns to his left Tori steps in with the left foot, and does a left Shito Ken to Butsumetsu. NOTE When Uke kicks, Tori can either steps to the left, and Keri Kaeshi, or he can step to the left with Yoko Aruki, and kick with either left or right foot. RENYO - Giving a Ride Gyokko Ryu Kosshijutsu. Jo Ryaku no Maki Uke and Tori are both in Ichimonji no kamae. Uke strikes with a Jodan Tsuki. Tori steps back to the right 45 degrees, and does a left Jodan Uke, followed by Ken Kudaki. Uke does a right keri to Suigetsu. Tori does a right Keri Kaeshi. Uke spins around from a result of the keri kaeshi, and comes back to face Tori, and takes hold of his lapel with the right hand. Tori steps back with the left foot, taking Ukes hand in Ura Gyaku with the right hand. Tori applies the Ura Gyaku so that Uke is bent over at the waist. Tori kicks up to Ukes stomach with the right foot. As the foot comes back to the ground Tori steps around Ukes arm, turning it in to Omote Gyaku, and throwing Uke. NOTE This is a mix of Koku (the start), and two parts of the Torite Kihon Gata). A good flow is needed to keep control of Uke. SAKA NAGARE (A.K.A Gyaku Nagare) - Reverse flow Gyokko Ryu Kosshijutsu. Jo Ryaku no Maki. Both Uke, and Tori are in Ichimonji no kamae. Uke strikes with a right Jodan Tsuki. Tori shifts to the left, and blocks with a right Jodan Uke to the back of Ukes hand, and

promptly takes hold of the wrist with the right hand.. Uke then kicks with the right foot, to Gorin. Tori does a keri kaeshi, and changes the grip form the right to the left hand. Uke then attempts to strike with a left Fudo Ken to Suigetsu, Tori blocks with a right Gedan Uke, and then steps in with a right Ura Shuto to Uko

KASASAGI - Magpie Takagi Yoshin Ryu Jutaijutsu. Chuden no Tai no Kata. Uke steps forward with a right Jodan Tsuki. Tori steps back to the left 45 degree, and strikes with a right Jodan Uke, and takes hold of the wrist. Uke then does a right Zenpo keri. Tori stops the kick by pulling down on the wrist. Tori then does a right Keri Kaeshi to the out side of Ukes leg (pull the hand down a little further). Tori then strikes with a left Shikan ken to the right ribs. Tori lifts the arm up, and steps under it clockwise, and applies an exaggerated Omote Gyaku to pull Uke to the ground, or throw him on his back with a flip. KO (A.K.A. Hanetsurube) Gyokko Ryu Kosshijutsu. Chu Ryaku no Maki. Uke strikes with a Jodan Tsuki, Tori in a left Ichimonji no kamae, steps to the right inside of Uke. Uke then does a right keri, Tori steps to the left and does Gedan Uke, while pushing back Ukes left arm, and lowering the hand, lifting his leg up while twisting his body to take Uke down. SOTO - Hold and fall Koto Ryu Koppojutsu. Okuden no kata. Uke walks towards Tori. Tori applies Ryote Shako Ken to Ryumon, and pushes down. As Ukes head comes close to Ukes head, Tori strikes with Kikaku Ken to Men, and steps between Ukes legs with the left foot. The right foot does Sokuyaku Keri to Gorin. Tori then applies Tomoe Nage. Tori continues the roll finishing astride Uke. Finish with Kikaku Ken. NOTE The final movement by Tori is called Futari Kaiten (two person roll)

RANSETSU - Crazy snow Koto Ryu Koppojutsu. Okuden no kata Uke walks towards Tori. Tori steps right, and applies Ryote Shako Ken to the Do. Tori then steps between Ukes legs with both feet, and drops backwards pulling Uke with him. As they fall Tori turns Uke to the left or the right. This is called Nagasu (let flow).

MUTO DORI NO KATA Unarmed defence against a blade Train Muto Dori using all techniques with weapons. It's not too much to say that Muto Dori is the basis of Taijutsu. By mastering Muto Dori you can handle weapons, and you can the be a sword, Bo, Yari, and Ku. KEN NAGARE - Flowing Strike Takagi Yoshin Ryu Jutaijutsu. Uke steps forward with a right hand Knife thrust (Chudan Tsuki) to the stomach. Tori steps forward with his left foot. Tori pivots on the left foot, turning clockwise, so he is side on to the blade. Tori's left hand takes hold of Ukes knife hand (wrist). Tori then strikes with a right Shikan Ken to the back of Ukes knife hand, making him release the grip. Tori then steps back with the left foot, and applies an Omote Gyaku. SOTO TONKO NO KATA Practice form of the escaping Rat Put a pocket inside your Gi jacket, and place Metsubushi powders inside it. Place nine Senban Shuriken inside another pocket. Then master Moku, Ka, Kin, Do, Sui. The secrets of Goton no Tonkei, at the same time, become Ku, and master the true Taijutsu. This is the secret of Bu. Realise the natural movement. Become Ku yourself. To successfully use the strategies of Heaven, Earth, and mankind (Tenchijin), the Ninja must become one with all things in the Universe, and embody the spirit of the

flowers, and the Bamboo. You must know when to bend with the wind, and know their is no need too bend when their is no wind. You must be able to become the void itself, in order to master the secrets of using the scheme of totality, to accomplish your will. If you ask if their is truly such a thing as the fundamental techniques of Ninjutsu, we will say No. If you ask if you are practising the fundamentals correctly, we will tell you their is no right, and no wrong way. These moves which we call fundamental sare only a means for the attainment of the natural ever appropriate responsive movement that comes with personal enlightenment.

SANTO TONKO KATA Escape practice forms Togakure Ryu Ninpo Taijutsu. MIGI KATA UDE TONSO KATA - One hand escape practice form Uke uses his right hand to grab Tori's right wrist. Tori, and Uke, both go into Hachimonji no Kamae. Uke pulls Tori, backwards three times in a shuffle step. On the second step, Tori lifts Ukes hand up into Take Ori. On the third step Tori, kicks Uke in the groin with the right foot, lifts Ukes right arm up with the Take Ori, and turns under the arm anti clockwise. Tori then throws (Katate Nage) Uke to the ground by the wrist, and then scatters Metsubushi into his face. Tori then escapes with Chi Tobi. HIDARI KATA UDE TONSO KATA - Right - left escape practice form Uke grabs Toris left wrist with his right hand. Both then move into Hachimonji no kamae. Uke then pulls Tori with three short shuffle steps. On the second step, Tori moves his hand so that he hold Ukes wrist. On the third step Tori lifts Ukes grabbing hand up in Take Ori. Tori grabs Ukes right shoulder with his right hand, kicks to the groin with

his right foot, and stepping straight back drops to his right knee, bringing Uke with him. Tori then scatters Metsubushi, and escapes with Chi Tobi. MIGI TE KUBISUGI TONSO KATA - Rear escape practice form Uke is behind Tori, and grabs the back of his collar with the right hand. Uke the pulls Tori back with three short shuffle steps. On the third step, grabs Ukes right hand with his right hand. Tori drops his body weight, turns to the left, and strikes Uke in Butsumetsu with a left Shuki ken. The left hand the takes hold of Ukes bicep, and the right hand lifts Ukes right hand from the collar. With a rolling motion of the left hand (Ura Gyaku) Tori throws Uke. Tori the scatters Metsubushi, and escapes with Chi Tobi. ATEKOMI TONSO KATA - Strike, and escape practice form Uke has a Katana in Daijodan, and cuts with Jodan Kiri. Tori is in Doko no kamae. As the sword comes down, Tori rushes in under the sword, and strikes with Boshi ken to Gorin. Tori then leaps back to the left and escapes with Ukemi.

KOTE UCHI TONSO KATA - Arm strike escape practice form Uke is in Daijodan, and cuts with Jodan Kiri. Tori is in Doko no kamae, and moves to the left, and strikes down with a right Shuto to the top of Ukes right forearm. As Uke drops the sword, Tori turns the hips to the left, and strikes with a left Shikan Ken to Butsumetsu (drops to the left knee). Tori then rises and moves to the right so that he faces Uke on the right side, and scatters Metsubushi. Tori then escapes. the arms MIGI UCHI TONSO GATA - Right strike escape practice form Tori is in Happogakure no kamae. Uke is in Chudan no kamae, and strikes with Chudan Tsuki. Tori shifts to the right, brings the left hand down, and grabs the handle of the sword. The right hand follows, and strikes with Shuto to Ukes left forearm. Tori pulls the Katana away from Uke, Tori

then jumps backwards, takes the Metsubushi, and scatters it in Ukes face and escapes. SAYU KUMOGAKURE KATA - Two handed cloud form Two Uke face Tori in Daijodan. Tori is in front of them with Metsubushi in each hand. As the Uke prepare to move in, Tori lifts his hands above his head, steps forward, and throws the Metsubushi into the their faces. As he throws the Metsubushi, Tori drops low, and passes between the Uke, striking them both in Butsumetsu with Boshi Ken. Tori then does Ukemi, and escapes. KOSEI KIRIGAKURE KATA - Attacking fog form Several Uke surround Tori with the Katana held high, or in Chudan no kamae. Tori assumes Tonso no kamae. Then turning randomly to each Uke, Tori scatters several Metsubushi in all directions to develop a screen. Then Tori starts to throw Shuriken at the startled Uke, and escapes in the confusion HAPPO KIRIGAKURE KATA - Disappearing into the fog in all directions When Tori is surrounded by many Uke, he throws Shuriken to the front then Metsubushi to the rear. Tori then drops to one knee, and throw Shuriken in all directions, and escapes using Ukemi.