Techniques To Manipulate and Expand Jazz Vocabulary

April 21, 2017 | Author: eddierich | Category: N/A
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Short Description

This sheet presents one very basic ii-V line and shows a number of ways to manipulate it....

Description

Different ways to Manipulate lines to Expand Vocabulary Eddie Rich

Original Line

4

D -7

&4 œ

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G7

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Œ

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Augmentation - This takes the original line and extends (in this case doubles) the rhythmic value of notes in the phrase. D -7 G7



2

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Ó

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Diminution - The opposite of augmentation. The rhythmic value of notes is shortened. D -7 G7



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4

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Œ

Changing rhtyhms without changing any notes from the original line. D -7 G7



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5

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3

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Œ

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Augmentation plus adding notes to create a common three-note phrase within the original line. D -7 G7



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6

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G7

Œ

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Ó

Adding a note

D -7

8



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The beginning and end of the phrase are the same with two 4-note enclosures added

D -7

9



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enclosure #1

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G7

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enclosure #2

© 2013 Eddie Rich

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2 Maintains the shape of the original line, but all pitches are moved up a chord tone (1 to 3, 3 to 5, etc.). D -7 G7

11

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Addition of scale tones, Enclosure, and chromatic passing tones (CPT).

D -7



12

G7

enclosure

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scale tones

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œ #œ

A b = CPT

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j ‰ œ

Œ

Changing rhtyhms without changes any notes from the original line.

D -7

&‰

j œ

14

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G7

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3

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Œ

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Notes are added to the end of the original line to extend it.

D -7



15

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G7

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D -7

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G7

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