Suzuki+-+volume+1

Bass School Volume

1

Bass Part Revised Edition

@ 2002, 1999 Dr. Shinichi Suzuki Sole publisher for the entire world except Japan: Summy-Birchard Inc. exclusively distributed by Warner Bros. Publications 15800 N.W. 48th Avenue, Miami, Florida 33014 All rishts reserved Printed in U.S.A.

ISBN 0-87487-370-3 The Suzuki name, logo and wheel devrce are trademarks of Dr. Shinichi Suzuki used under exclusive license by Summy-Birchard, Inc. Any duplication, adaptation or anangement of the compoitions contained in this collection requires tlìe written consent of the Publìsher No part of this book may be phottropied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.

FOREWORI) This volume of Suzuki Bass School is the product of years of research conducted by various double bass teachers of the Suzuki Association of the Americas.

In the past few decades, a significant number of teachers of young bassists have chosen to initiate leffhand instruction at the neck block. Many other teachers prefer the more traditional method of beginning instruction at the first position. This revised version of Suzuki Bass School, Volume 1, is designed to accommodate both approaches. The optional repertoire marked A-F is presented for those who wish to begin the lefr hand pedagogy at the neck block. For those who prefer the traditional approach and for those who have completed the optional unit, instruction should begin or continue with the "Twinkle Variations" in first position.

-The

Bass Committee of the Suzuki Association of the Americas

INTRODUCTION FORTHE STUDENT: This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition, there are piano accompaniment books that go along with this material. teacher, a great deal of ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short-term programs and long-tenn programs. You are also encouraged to

FORTHE TEACHER.. In order to be an effective Suzuki

join the International Suzuki Association. FOR THE PARENT: Credentials are essential for any teacher you choose. We recommend you ask your teacher for his or her credentials, especially those relating to training in the Suzuki Method. The Suzuki Method experience should be a positive one. where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance. In order to obtain more information about the Suzuki Method, please contact your country's Suzuki Association; the International Suzuki Association at 3-10-15 Fukashi, Matsumoto City 390, Japan; The Suzuki Association of the Americas, P.O. Box 17310, Boulder, Colorado 80308; or Summy-Birchard Inc., c/o Warner Bros. Publications, 15800 N.W. 48th Avenue, Miami, Florida 33014, for current Associations' addresses.

CONTENTS Introduction........... E tr tr E tr E LU A E E tr tr A E tr m m M E

TWinkle, Ttvinkle, Little Star Variations, S.

....

Suzuki

.................... 4

Lightly Row, FoIk Song

6

Song May Song, Folk \ong........ Song of the Wind, Fotk Song O Come, Little Children, Fotk Song Go Tell Aunt Rhody, Folk

TWinkle, Tkinkle, Little Star Variations, S.

2

.................. 6

..........

7 8

g

Suzuki

Song Go Telt Aunt Rhody, FoIk Song Chatter With the Angets,5piritua1............... Song of the Wind, Fotk Song May Song , Folk iong........ French Folk Song, Folk Song ....... O Come, Little Children, Fotk Song Lament, Bohemian Fotk Song Perpetual Motion, S. Suzuki.. A[egretto, S. Suzuki A[egro, S. Suzuki The Little Fiddle, German Folk Song

.................. l0

Lightly Row, Fotk

12

lz 13

14 15

16 17

.. D ...

Z0

.................. Zl

..... 22 23

Twinkle, Twinkle,

tr Little Star Variations S.

Moderato 0

A 4th Pos

10

4

lv

nYn

\/rv

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FY

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4th Pos.

lr,:

Folk Song

tr.i tigh tly Row Folk Song

Moderato 1

IÀ tl

r4th

Pos.

mf

1

tl I

13

Itl

4

pl Go Tell Aunt Rhody Moderato 4

n r4th Pos.

mf ol

p 1

Tonalization

D May Song Allegro moderato

Folk Song

0

r4th Pos.

f

4141

onf

P

poco ritard. second time only

E

Song o frh e Wind Moderato 0

l'l

, 4th Pos.

onf

Folk Song 4

O Con€r Little Children

nf

10

tr TWinkle, Twinkle, Lir tle Star Variations Moderato

S.

0

A 1st Pos.

0

0

10

4

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r.,

:

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Suzuki

17

Theme Folk Song

,

Lst Pos.

mf

0

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1

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a tightly Row Folk Song

Moderato 1

01

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0l40

1st Pos.

mf

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Go Tell Aunt Rhody Moderato 4

10

n ,1st Pos

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0

01

104

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,4th

Pos.

IA

Chatter With the Angels Moderato

Spiritual

0

l.l

D.C. al Fine

t4

tr

Song o frh eWind Folk Song

Moderato 0

l.,l

4 1

r4th Pos. rl,st Pos.

mf

r

1st Pos.

15

Él

May S ong Allegro moderato

,1st Pos.

f

Folk Song

,4th Pos.

'1

mf

,1st Pos.

41

__P

r

Lst Pos.

poco ritard. second time only

I6

a French Fol k Song Folk Song

r

3rd Pos.

onf

r21l2Pos.

_

r

3rd Pos.

I

n , Lst Pos.

U

l.l

p

l?

I

n onf

r

3rd

Pos.

-

t7

tr

O Corl€r Lifit e Children Andante 1

VN mf

n

410

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-

Pos.

18

Bowing preparation for Lament 410

r

1--04

10140

1st Pos.

mf

10'1

410

-04

Preparation for uneven bowing

Al r

Lst Pos.

40

19

L9_]

ament Moderato

Bohemian Folk Song

tl

'-o

ho

2

rLst Pos.

rnf

cresc. -

dim.--

--'p

rit.

20

m

Perpetual Motion S.

rlst

Pos.

'-împal r

3rd Pos.

27l2Pos.

r3rd Pos.

rlst

Pos.

Variation n

Zl,nPot.

r

1st Pos

,1st Pos.

Suzuki

21

Allegretto

o*.A i:

1 1

Variation

4-_

1

s

22

tu

Allegro

3rd Pos.

F

,3rd

Pos.

Pos.

'1st

23

tg

The Little Fiddle

rLst

mf

Pos.

r3rd Pos

2 7l2Pos.

r

1st Pos.

r3rd Pos.r 2 1/2 Pos. r 3rd Pos.

r

r

2nd Pos.

r

1st Pos.

r3rd Pos.

?

onf

3rd

r2nd Pos.

r3rd Pos. t2ll?Pos. r3rd Pos.

Pos.