The VIRTUOSO EMBOCHURE METHOD FOR TRUMPET AND BRASS
About the Author
Jerome Callet, for the first twenty five years of his life, was a frustrated embouchure failure. The more avidly he sought to develop his embouchure, using the best teachers and most accepted methods of the time, the worse he performed. In utter frustration, he decided to devote his life to finding out why no one could teach him how to develop a good embouchure, and indeed, whether it is even possible to develop a good embouchure. Perhaps he thought one has a good embouchure as a result of natural capability, body development etc. His first assault on the problem was to study the chops of great players in photos of these artists while they were performing. He noticed that most of the great players were positioning their chops on the mouthpiece in direct contradiction to all the accepted embouchure methods! More amazing, he found out that none of the world's greatest trumpet players could teach their children to play!! The reason for this is that while they believed what was being taught to beginners was correct, they themselves played differently. As a result, none of these artists, probably because they could not describe the "feel" that a proper embou
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