Soprano Arias
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OPERATIC .ANTHOLOGY qr
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CELEBRA.TED ARIAS
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Selected from ~
OPERAS
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by
Old and Modem
Composers TEditedby
Max Spicker
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Vol. !.-Soprano Vol. Il.Alto
Vol.Œ.Tenor · Vol. N.Baritone Vol.Y.Bass.
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~~INewYork G.Schirmerl~~ ·~~
Copyright. 190~. by G. Schirmer, Inc. Copyright renewal uaigned, 1930, to G. Schirmer, Inc.
Printed in the U. S. A.
NOTE lt will be noticed, that nrioua notable Arlu are not found ln this Volume. The1 were, however, lntentionall7 omltted, as ~hey had alread1 appeared ln the "Prima Donna Album," and the Publlshen deslred to aTOtd duplication.
l N.D E X No.
1.·
a
AC AN T .HE T C É PH l SE (RA llE A U) Cb&HQns de nos plaisirs 1
.a. ACIS AND GALATHEA (HANDEL, As ·whea the do..e
3. A 1 DA ( 'l'J ER D 1) L 'insana parola
3 ia
4. A L C E S T E ( G L U C lC) Ah 1 malgr• moi (Les Adieux)
20
5.- C A R .M E N ( B 1 Z ET) Je dis. que rien ae m'•pouyaa.te 6. CID,
al
LE (MASSENET) Pleurez, me• yeux 36
7. C 1 D, L E (JI Â SS ENET) Pl.us de tourments 42
J. CL·EMENZA Dl TITO, L.A (MOZART) Non pià di fiori
47
9. DEUX AVARES, LES (GRÉTRY> Plus dè d•pit, plus de tristesse · · 62 10.
D 1 N 1 T R 1 (J 0 N CI ÈRES} -Plies •toiles 66
11.
D0 N
12.
É T 1 E N N E M A R C E L ( S Â l NT - S Â Ë N S) 0 beaus rêves ••anoui• 77
13. F É E
( 'fJ ER D /) 0 doa fatale 70
CA R L 0
A U X. R 0 S E S,
L A. ( H Â L É V Y)
En dormant c•est l moi 14.
Sa
FIANCÉE D•ABYDOS, LA (BARTHE) 0 nuit qui me couvre 8.6
15. FIDELIO (BEETHOVEN) AbscheuHcher l wo eilat du hin 1 16.
91
F L 1 E GE ND E H 0 L LANDER, DER (WAGNER) Traft ihr das SchUF (Ballad) 101
17. FORZA DEL DESTINO, LA Madre, pietosa Vergine 111
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English version by Dr. Th.Baker.
Carmen . (1875) - 'Xw. ...->>-
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16361
Hui! _ _ _ __ Hui! _ _ _ __
,,Die An "Un - furl
ker the
109
Yo-ho--hey !
Hui! _ __ Hui! _ __
110
Molto più lento. ( ~\.Hs.)
mû eh might
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111
La Forza del destino. (1862.)
"M . t osa \,..ergme.,, . ! a dre, pie English versio11 hy Dr. Tlt. Buker.
Aria.
GUIS EPPE VRRDI. (181:-J-1901.)
Allegro agitato, e presto. - >
~
tut ti _dob - bia - m-0, tut-ti dob - bia-mo,dobbia-mo~amar!tut-ti dobb1a-mo~aAll _ _ have_ to fall in love, all haveto fall_ in love,haveto fall_ in
16361
142
pp - - - - - - ------mar! love!
tut-ti dobbiamo amar! AllhP.ve to fall in""' love!
mar! a all! ________________
tut- ti dobbia--mo~amar! All have to fall in love!
a-mar! in love!
\~~~f&~~~~~§
(i-.-..-:-+--~~-~----1 un poco ritard.
~ll~g·ro agitato.(~=.----:----. rno)
w:nu
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Salto a piacere. •
legg:
ah! _ _ _ ····-- - - ·· ah! _________"·--
a full_"
in
mar! love!
144
e tu ne' so - gni miei rie-di,o PeAnd in mydreams re-turn hith-er, 0
r ------~~~--------~----------
All
have to fall
in
love!
ah
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yes!
We
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16361
145
bia - mo,_dob-bia an_ have to fall - - - -
mo, dob-bia- mo amar! tut-ti dobbia-mo ain love, to fall
in~ love, all have to fall
in~
i46
Hérodiade. (1881J
((Il est doux, il est bon.» JULES MASSENET.
English version by Arthur H. \ïvian.
(Born HM2J
plÛ 'lltOSSO
~~::=:===::::t--7j-;---t---------=--~-it----f ?·~_-+-------+--+---+---~~ Andante cantabile. (J = 63) Il est doux, He is
, a tempo
Copyright, 1885,by G. Schirmer. IMHil
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147
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Prophète bien ai-mé~puis-je 0 Prophet lovd o'er all! can I >> >
a tempo) (.POCO pzû 71WSSO) ~
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sert _ __ waste_ __
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149
poco
maze
f:l,
poco appassionato
A - vait sui - vi ses pas, Had roi - low'd him for days,
Qu"il m~ac-cueil He re - ceivli
poco a poco appassionato .
~~------~~~~+-----1 ?~~~~~~~ 16361
150
pas-se sans bruit; list to his strain;
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Ah! when will he re-turn?
d/111.
~~~------------~~~----------------~ (~~~~~~~~
En t\ - ('outant sa Yoix mt:-10 - di(:'USP Pt ten In lisfning to his voice_ ten
dre,Moneœurs~est
cal-
der, My heart found sweet
\~~~~~~~~ (~~~~......-+--+-~----th:'T
151
Prophè- te bien ai - mé1puis-je 0 Pro-phet lovd o~er all, can I ::::>-
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Ah !quand re-vwndra-t-il? Ah! when will he re-turn?
quand pourrai je When, 0 when shall I ::>
i52
Les Huguenots. (1863.)
aNobles Seigneurs.·
Cavatina. GIACOMO MEYERBEER. (1791-1864.)
gneurs, _ _ _ _ saKnights, I
seiI
16361
153
ge, _ _
sa la -
dy
M'achar-gé
fair, __
e ce mes-
She confides this let - ter
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154
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no,
no, no,
non, no,
non,_ non,_ ,ja no,_ no,_ no,
~~~~-----~---------------.J
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155
no, no,
no, no, no,
no,
no, __
no,
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sa - lut! _ _ que Dieu_ pro a - dieu.,-- and Heav'n_ de -
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156
ge, _________ you,
que
Dieu
and
heav'n
pro - tè - ge de - fend you
-------~---------------voscom-
------·---------------~inyour
16361
157
Jeanne d'Arc. (1881J
«Adieu, forêts.» Recitative and Aria. Eng.1.isb version by Dr. Th.Baker.
PETER ILJITSCH TSCHAIKOWSKY. ( 1840-1893)
non troppo.
f Oui, So
16361
Copyright, 1899, by• G.Schirmer, Inc.
Dieu will
158
Allegro moderato.
Pour- quoi_
fré
Why fails
my
~
â - me! trem - ble?
~~+---+-------~~~~~ t~~~~~~::::t:=::=j
~~-~~~~~~~~~~ (~~r,,;-r----r--.--:-~~~~----1 Andantino. CAlla breve)
16361
159
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poço erese.
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Jeanne au -jour - d'hui
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dit_ vous a - mong·ye
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a _ dieu! Fare - well !
et ye
mes
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om -
shad - ow - haunt - ed
160
Vous
fleu - ri - rez
_______ Ah, when I am gone,
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pour d'au-tres que still so fair
ye
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et pour ja and nev - er -
16361
161
ri'ten.
pour see
ja - mais. ye.
ou that
Et And
16361
mes ye,
·' . Jal we
a- gneaux, my lambs,
con - nu la have . known to
dans dis -
1B2
perse
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prai - ri ver - tes yon - der heath o'er
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je dois this flock
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ves, er
cueil - lir les pal-mes sanOn far - off, gor - y
163
tes de la vie the fields of
toi war!
re!
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gneur, _ _ _ _ __ don
16361
vousvoy _ ez au fond de mon à - me! Thou know- est all my as-pi - ra - tion!
164
rlkn.
Moncœur se bri - se. Thou see'st my trem- blin'g,
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Et vous,pai - si bles val ye smil- ing val - leys,fare ye
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Jean-ne au.jour -d'hui No long - er now
vous a -
165
Oui, I
Più mosso •
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chers shad
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pour dau-tres que pour moi. ye still so fair w ill be!
16361
fan for
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AFare-
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re, tains,
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piacere
Ah! re - ce and nev- er,
Tempo I. nel _________
a - dieu! ye!
FI. _________
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-
167
La Juive. (1835)
English ·1Jersion by J. Wrey Mo11ld.
JACQUES F. HALÉVY.
Romance.
(1799-1862)
Il va ve - nir ! He will be here !
je me sens fré-niir! is a-thrill in fear;
ppp
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non...... de plai-sir! Et ce-pendant, __ mad - ly ca-reer ,Forwellit knows ,_
The
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si
ce-penwell it
ce, lence
169
ra tem
qui s 1a - van pest~ vio ge
ce lence,
Aug - men Aug -
animato poco a poco
Il va ve-nir ! He will be here !
f636f
170
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pp
16861
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1
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pu trom- per I may es cape
near;
..'1
--
me fait tres - sail seems a foot - fall
pas
pulse
171
·je le
oui, flight
dois,
be my choice,
je veux still is
p
dant i l _ va_ pause, for_ he_
col canto
ve is_
nir 1 here! _ _ _ _ _ _ _~
p
dant _ _ __ pause 1 _ __
va for
he
veis
a tempo
va for
1636t
he
ve is
172
Il va ve - nir! for he is here !
c1·esc.
il for
Lohengrin.
173
(1850~
,, Einsam in trüben Tagen:' Elsa's Dream. Elsa's Tr aum .
'
t~~-----t----l--T---r-~+--1":iaol---~----l
Laut
so kla- ge - voll, der zu ge-
hec1v - y heart and sore, II o -ing a
~~~~----H-~~~--Y------i
~~.-----+---!Pr-+~~~----+--t-+--;rl---F---t-----1 ritard.
c er Rei in - clin
t636t
-
ne ich ing With _
•~
•
r'
176
Re
-
-
cke werth, .
lj~ h~-~l~~
~
~ll
des_ My_
guar -
~
ritard.
mit
His
ne tra-_ge tome~
~~
178
will If
Lento. ssen, g1eb' me, l11
ich ihm, give him
er in
Ge- mahl mich bis heart -he'll
poco a poco pzû lento
was ieh ail I ~
•
16361
179
Mignon. (1866~
"Je suis Titania.» English 7Jersion hy Dr. Th. Bakn.
Polonaise.
AMBROISE THOlIAS. (1Sl1 -1896.)
je suis rei ne_ des fé I am queen __ of_ the rev -
e8 !
Voi-
els.
Be-
~·
Cop_i•right, 1.
16361
181
16361
182
Ti - ta - ni - a, fil Ti - ta - nia,daughter
~ïtt----~~-r-~~~~~~
(~~~~~~~~~ Je_
I_
16361
183
poco r#. I~
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1 , ._
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a tempo
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col canto
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Vl - de Plus - ry, Than swal-lowswift-er
monmer,:;;;:
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que
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th an light- ning bold - er !':\. -:;;;-;
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184
ah! ah! ah! ah!
t6i'-161
185
ah! _ _ __
ah! _ _ _ _ _ _ _ _ __ ah!--~-------
16a6J
186
Mireille. (1864)
English version hy Dr. Th. Baker.
«Mon cœur ne peut changer.)> Aria.
CHARLES GOUNOD.
AllegTo.
(1818 - 1893J
vraiment, e Shall I my
cent!_
Quand pas - se When
le
bon -
Hap- pi - ness goes
--
CopJ·right,
lllfJ3, ~y
G. Schirmu, /ne.
ver - y
rea
son
s'il n'est· seize her
-le!_ ish!_
187
16361
188
189
f6361
190
Allegro moderato.
191
192
16il61
193
â - me! daim thee,
16361
suis My own
toi mon My soul doth
194
ta 1
195
Le N ozze di Figaro. (1786.)
"Deh vieni,non tardar.,, W. A. MOZART.
Recitative and Aria.
Allegro vivace assai.
( 17ilfH79t .)
""
..··-."1, ...
'\.
Recit tranqui'llo ed espress
-
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f6361
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trem-bling . or
1
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196
con anùna
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l'a- me - ni - tà del fo - CO sha-dow, seems to my long-ing -
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197
16361
in- co - rotowreathethy
16Zl6t
f99
Le N ozze di Figaro . (1786)
"y· 01, che sapet e.,, Aria. Andante con moto.
W. A. MOZART. ( 1756-1791)
co-sa è
a-
shad - ows_
o .. ver
16361
200
Don Twi
ve -
de
de te,_ scend - ing--'-
S'io Steals
1
1 ho_neL o - ver
pro vo, moun - tain..;
cresc.
Cool
1.6361
per me sil - v'ry
nuo -
vo,
f oun - tains
pir Fall_ soft
nol and
~01
ch'o - n!...,è mar Watch the bright b~
Val- ma av-vam deep_
thoughts
)~~~~---------..--------------------! ~~~~~~~~
E,_)n Spells,
Ri Friends
1
un mo at whose
men pow -
to_
Tor
er_
Pale
no sor -
ge-
di
~··~~~~~~~
Î~~~~~~~~~~~~· 16361
202
SO
CO -
feat - ures
~~~~~~t::::==:=:t========l (~-+---t--+--+--+~~~~~
~
ge-mo • en- a o - 1er; pal-pi-to_e tearful 1Yield to its charm, Heartsthatare
~
che
sa - pe
lent - ly
16361
h
tre-mo Sen-za safearful, Own the soft
blend
te ing,
203
Don Twi
Don - ne, ve Twi - light d~
de
te,_
scend - ing_
)~~~~~~~~
~~~~~~~~~üU
16361
~04
Oberon. (1826.)
,, Ozean! Du Ungeheuer!" Scene and Aria.
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111' ..
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a green ser- pent round a-bout the WGrld!
a tempo
1 l k
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du, wenn friedlich in des an
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a\v-ful sight,When calm- ly sleep-ing in the morn-ing
poco
Doch wenn in \V.uth du dieh er - hebst, But when thou ris - est in thy wrath,
fp
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(178o-t8~o.)
f'I':\ pomposo
t)
l
CARL MARIA von WEBER.
agitato
o :Meer! as now,
und And
1 1
1
.205
nif agitato Xoch Still
seh' ich I see
die thy
206
-
len
to -
- ben,
dur ch _ __ Through _ _
207
calando
espress.
wie des l\lor- gens blas - ses Like a se
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rz:ten.
poco
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16361
zer - riss' some shat
ne Wim tertl flag
pel is
208
assai.
ge-s ill- ter Zorn wogt nur And the broad wave but
pants
~~=+--~-~----------f---------H
(1--41"'-"'=•""-1----~--'----~----+--l~---4----·~~~~-··~~~----~--+~~~~~~~~--H ma con moto. ·w'"ol Cloud
16361
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209
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a
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accel. >-
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on,zum lT fer her- bei,_ zum U - fer heron!haste down _ to the shore, haste down to the
212
on,zum U on,haste down_ to the
schnell die-sen
Hü-on~
Hu-on,
t6H61
213
Hü
Hu
-
Hü-on!
on!
Hü on, Hu- on,
16361
Hü- on!
on!
Ret-tung naht! we are sav'd,
214
Mein Hü - on, mein ~ly
hus - band,my_
~
16361
~'
215
Orfeo. (1792.)
"D e1 m10 . core.,, Recitative and Aria.
English version hy Dr. Th. Baker.
JOSEPH HAYDN. (173:?.:. JHOH.)
Do-ve, Oh where,
l'a - ma - to
be - ne?
thou, well - be - lov- ed?
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Osteria. (1840.)
"Domani, o me felice .., English version by
GIUSEPPE LILLO.
NATHAN HASKELL DOLE.
(t!-i14 -l~H3.)
con grazia.
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Philémon et Baucis.
English version by Dr. Th. Baker.
(1860.)
«Ah! si je redevenais.»
Moderat~ Roman__ce_._ __
re my charms
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hie-ing
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Tannhauser. (1845.)
English version hy Nafolia l~facfarren.
,,Allmacht'ge Jungfrau." RICHARD WAGNER. (IRIH-188:1.)
dùn.
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276
Tristan und Isolde. (1865.)
Isold'e's Liebestod. RICHARD WAGNER.
Sehr massig beginnend.
(IAl3- IA83.)
Molto rnoderato cornùwiare.
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~~~~~~~~m Sehr massig beginnend. Molto moderato co1nùwi'are
277
ter, eth
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10361
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Fühlt Hear
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281
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~~~~~~~~~~ 16361
282
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16861
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283
te?
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~~~~~~~~~
~~~~~~~~~m 16361
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285
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10361
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