Songbook Birdy

January 14, 2018 | Author: Jeroen_TheBoss | Category: All Rights Reserved, Copyright Law, Musicians, Leisure
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67-page PDF with sheet music for popular Birdy songs...

Description

1901 Words & Music by Thomas Croquet, Frederic Moulin, Christian Mazzalai & Laurent Mazzalai

q = 135 F“2

   

  



  

    

F“2

A‹

    



  

 

     

    

        

 

    

 

    

 



  

C

    

 

    

       

   

 

    

 

C

A‹7

  

A‹7

 

 

 

FŒ„Š7

Sorgdal

 

C

A‹7

   



    

 

FŒ„Š7

   

A‹

  

A‹7

       

   

       

C

    

 

 

    

 

© Copyright 2009 Ghettoblaster, France. Kobalt Music Publishing Limited. All Rights Reserved. International Copyright Secured.

   

    



G“4/D



A‹

    

 

C

 



1. Coun -ting all diff -’rent i - deas drift -ing a - way. Girl friend, oh your girl friend’s drift -ing a - way. 2.

         

       

  

            

 



A‹7

Past and Past and

     

A‹

  



  



Watch her Watch them

mov - ing, el - lip - ti - cal build up a ma - te - ri - al

    

 

  

 

C'9/D

       

 

  



      

min -ute though, I

     



 C

   

     

could -n’t tell

 

             





out. one.

   

 

         A‹7

 

         

pat - tern. Think it’s not what you say.What you say is way too com -pli -ca ted. tow - er. Think it’s not gon - na stay. An - y - way, I think it’s o - ver -ra -ted.

A‹7

  

        

             

           For a

   



C

pre - sent they don’t mat - ter. Now the fu - ture’s sort - ed pre - sent, eight -een fif - ty - five, nine -teen - o -

F“2

      

     

   

C'9/D

      

Sorgdal

    



  

A‹7

 

       

 

C

  

how to fall

       

 2

 

out.

   

       







        

              



FŒ„Š7

 





   

It’s twen - ty

                



“Hey,

F/G

        

      

an - y - thing you ask

        







    

  

   all

  

   







  



    



G

down, you know it’s eas

   

  

sum - mer

 

 





long.







 

     

 

     

 

   

-

y

    



   3







   

And I’ll

         

go - ing “Hey,



 

FŒ„Š7

and more,

    



Lie

it





G

did



call - ing

A‹/G

      

  

    

G





A‹/G





F/G

like we



Sorgdal

   



call,

hey.”



G

 



  

   

    



last

   

hey, hey,

   



se - conds till the

      

hey,

  

      

  

be



       hey,

      

hey, hey,

hey.”

    



F/G



G

A‹/G



 

It’s not

        



   





let you think

              

 

Sorgdal

  



it,

we need

-

 





  

so.

 

   

Fold





it,

fold

    

fold

   it,

    

fold



it.

   

       

it,

fold

    

it.

       





    

   



       



  

fold

FŒ„Š7

    

   



it,

C



I

      

        

       

     

   

and no,



A‹7

  



ed,

    

   

A‹/G

A‹7





A‹7

     

mi - ra - cle

C

         

a

G





FŒ„Š7

     

 

F/G

    

      

G

would -n’t

G

 Fold



it,

    

 fold

        A‹7/C

  

       4



     



    

      

 

  

 

C

           

      

            FŒ„Š7

A‹7

  



     

                                            

Fold

  it,

    

    it,

2.

 

C

 

fold

1.

fold

    

fold

   

it.

 



A‹7

         it,

 

    

    

     

                  FŒ„Š7

 



     

A‹7

Fold



it,

 fold

  



it,

C



   

fold

   it,

    

fold

  it.

   

A‹7/C

      





    



    

                                C

      

Sorgdal

          

           

    

    

Play 4 times



                      5

   

Fire And Rain Words & Music by James Taylor





q = 80 C

Bb

F

                                  

C

Bb

F

                                  C

Bb

F

C

                     



1. Just yes - ter - day morn - ing (2.) look down up - on me, Je sus?

         





    

 E‹/B

Su - sanne, the You’ve just got

plans to see

 





Bb

         

       

Sorgdal

they let me know that you You’ve got to help me make



they made put an end me through an - oth

    

were gone. a stand.

 

    -

   

to er



      

you. day.

          

© Copyright 1969 EMI Blackwood Music Incorporated/Country Road Music Incorporated, USA. EMI Songs Limited. All Rights Reserved. International Copyright Secured.

C

Bb

F

C

                     



I walked My bod -

    

out this morn y’s ach



-

-

 



ing ing

and I wrote and my time

  





just can’t re - mem - ber I won’t make it

F

 



C/E

Well, I’ve

       F

who to an - y

send oth

 D‹

seen

fire

    C/E





  D‹

to. way.

   

C



     

Sorgdal

sun - ny days

  



  



 

that I



    



       C



                  

C

-

 



2



rain,

thought would nev

 



C“2

seen

   G

-



G

and I’ve

it er

C“2

                    seen

    



 

 

  

        





song. hand

 

    



this at

Bb

                   

 



E‹/B

I and

down is



 

er

C



end,



                 

F

C/E

D‹

       



seen lone - ly

F/A

C

   

    

times

           Bb

G

when I

        G‹7

not





find





 

a

C“2

C





3fr

      

  

C



a - gain.

      

Bb/C

but

 

2. Won’t you

          F/C



C





C“2

C





          



     

ing my mind



to



an

eas

-

y time,

 



with my back

 



CŒ„Š7

 





Sorgdal



       



wind





sun.



    

Bb/C

                    Lord knows,when the cold



C

turned to -wards the



 

3. I’ve been walk-

                       -

I

2.

C

al -ways thought that I’d see you

friend,

            

1.

           



could

  

 



blows

it - ’ll

  3



turn your head a - round.

     

     

  

Well,there’s hours



C

Bb/C

F/C

C

                    



-

of time

     

  

   

to

talk





     

 

F

 

C/E



ing ma - chines



in

   

fire

   

  

 

 

C/E

and I’ve



es

on

sun - ny days

   

seen

        Sorgdal

 



  





                      

  

C

thought would nev

-

 



 

            



rain,

G

that I

ground.

C

C“2

                    seen

the





 

 

D‹

-

 

G



      

piec

 



D‹

seen

    

Bb/C

        

Well, I’ve

F

-

come.

   

 

3           

Sweet dreams and fly

a - bout things to

  

CŒ„Š7

 



on the tel - e - phone line



4

 

C



er end,



                   

F

C/E

D‹

G

C

            



seen lone - ly

times

           Bb

F/A

when I

     





C

C“2

find



 

 

G‹7

not

C

a



  

  friend,

but

           

Bb

F/A

G‹7

      



 

 



           

Yes, I

al -ways thought that I’d see you

            



 

Bb





a - gain.

     

C



3fr

      

al - ways thought that I’d see you

I



3fr

  



could

    

 

a - gain.

      

F





                                    C

Bb

F

C

                                    Sorgdal

5

   

I’ll Never Forget You Words & Music by Francis Farewell Starlite

G“4

C'9/E

q = 70

G‹7



                        C'9/E



1. Eigh - ty - six, Char -lie 2. Eigh - ty - six, Char -lie

G‹7

-

    

Sorgdal



vour, ver,

  

G‹7

G‹7

G“4

  

  G“4



  

ver. back.

  

C'9/E

     

   

came o he came



          

3fr

3fr

   



  



F5'%

F5'%



  

F5'%

                      

C'9/E

3fr



  

G“4

G“4 3fr

    



F5'%

 

He asked me for a fa Said he’d been thinking it o -

   

 

C'9/E

  

  

F5'%

 

G‹7

      

3fr



asked me a ques - tion. says he’s had a change of heart.

 

  

          

 

© Copyright 2007 Copyright Control. All Rights Reserved. International Copyright Secured.

  

 

  

    

1. G“4

 



C'9/E

F5'%



     

 



cep - tion. mis - take.



C'9/E

  



 

Ooh,

But



 

G“4 3fr

             

Asked me to make an ex He thinks he’s made a grave

 

G‹7





 





 



 

   

2. F5'%

G‹7

G“4

C'9/E

F5'%

G‹7

3fr

 

3fr

  







ooh.

 

  

         

F“2

D‹

     you.



Bb

Sorgdal

 

A‹

            

               

F“2

I’ll nev -er

 

 

Bb

I,

I’ll nev -er

          

       



           

F“2

F“2

for -get

you.

  

  2

 

 

 

F“2

Bb

        You make things

         

 

 

for -get

 

   

so

 

F“2

D‹

F“2

eas - y.

I’ll nev -er

                G“4

  



C'9/E

you.

 

Sat

G‹7

  

  came

back,

 

 

  

F5'%

-

     he

came

back.

 G“4

G‹7

G“4 3fr

        made

     

up

 

his





mind.

 

said he’s fin - ’ly

        

   C'9/E



C'9/E

   



and for the last time

 

    

  

G‹7

ble,

  

 



  3fr

F5'%

down at the ta

  

 

 

           

      

Sorgdal



F5'%

he

  

µ

3fr

 



C

  

 

 

        

for -get

 

C'9/E

     



   

3. Eight - y - six, Char - lie

G“4

F“2

            

     



Bb

F5'%

 

G‹7

                 3fr

He won - ders if

    

   3

 

it’s

not

too late. It’s not

too late

  

 

 

 

be -

F“2

 



- cause...

Bb

           I’ll nev - er

      

  F“2

 

F“2





 

 

 

Bb5'%

F/A

3fr

 

  

  

 

 

µ

  



        



     

Bb5'%

4

  

  

C

 

    



 

 

 

D‹

an - gry.

you.



G‹

so

 

    

 

 

for - get



me

for - get

 

F“2

 

           

 

      

F“2

nev - er

       

 

Bb

 

Bb

  

 

     

  

          

Sorgdal



You made

     





Bb

I’ll nev - er

 

A‹

I’ll



F“2

  

you.

F“2

D‹

you.

 

 

 

       



for - get

 

   



F“2

F/A

 

   

G‹ 3fr

    

People Help The People Words & Music by Simon Aldred

Original key F# major

Tempo rubato q = 72 F

Am

 





  



     

  



 





  









   



  





 

8vb throughout 1. God knows what 2. God knows what

   





     

      





    

Am





 



F

   

Sorgdal



a tempo q = 72

   



     

Am

     

 





Con pedale

F





is is









hid - ing hid - ing

in in

those this















weak and drunk - en world of lit - tle

  









© Copyright 2007 Sony/ATV Music Publishing (UK) Limited. All Rights Reserved. International Copyright Secured.



hearts. con



-



 

Guess he kissed se - quence. Be -



 

G

F

 



 



















  





cry. Those lies a







 

hard - faced queens thou - sand slow -



 







of ly













is is

hid - ing hid - ing

in in

those those

weak weak

and and

sunk - en drunk - en



















 

G



   

mis - ad - ven dy - ing sun -



ture. sets.









  

  

$











of mu - ted an - gels li - ness came knock - ing.

-











F

 peo

 







eyes. hearts.



 

Fier - y Guess the





throngs lone -

 

F

  

 



giv - ing No one

love needs





 



 but to







Am

-

ple

help the peo









get - ting no - thing be a - lone. Oh,













back. Oh, sing - ing,







 

G

        

               

Sorgdal







 

God knows what God knows what

  







Am

 





the girls and made them the tears, in - side the

- hind

  





        -

ple.

And if you’re

 

     

home - sick

give me your hand and I’ll

                     2







F

 







hold

 



it.

Peo

-

-

                      

Am





  



Dm



ple.







C

F





I

had

   



    





 

Dm



 

 



oh, and

if

  

F

    

rich

   

you





F

   





 

I

had

 

a

as



 



the fool

that





3



down.

Oh, and

if









    I’d be

 

cold

 E7





turned

all

those







 

brain





 





C

the peo -

To Coda Ø





Dm

   

a stone and

 







 C

as

   

  











brain,



Dm

drag

help

  





Noth - ing will





 



 

ple

G

  





a





   

Sorgdal

-

  

Tempo rubato





 



  



 

  

 

 



 

good hearts

     

a - way.



1. a tempo q = 72 F

 

















                             





2. a tempo q = 72 F

  













                                     F

    



  

Am









(Ooh,

 







ooh,







ooh,

                                       G6

  



F

Play 3 times ad lib.











   ooh.)





D.S. al Coda





 

                                   

Sorgdal

4

Ø Coda

                        Dm

C

I

had

 





   

rich

as

  



brain

 



the fool

that







turned











all

those



 



 



  

 

 3







 

 



  

   Sorgdal

    

5

 

a - way.



F

 

 

good hearts

    

 



cold

E7

 

I’d be

 

rit. Dm

   

a stone and

a

 

F

  

had



  

 

I

F



  

if



C

as

oh, and

C





brain,



Dm

Dm



  



 

a





   

F

  

Shelter Words by Romy Madley Croft Music by Romy Madley Croft, Oliver Sim, Baria Qureshi & Jamie Smith

Original key Eb minor

q = 80 E‹

CŒ„Š7

  





3 3 3 3   3   3  3   3                    

   E‹



















CŒ„Š7













sim.





                             3



3







E‹

    

shel - ter (2.) be,

3

3

3

3

3





  

 





C



1. I find

3



 



E‹





in this way, was I there?

    



un - der co - ver, It felt so crys - tal

  hide in

athe

                                      Sorgdal



  



 

© Copyright 2009 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.





 

C

E‹



 







- way. air.

    

Can you I still want

C



hear to drown



  



when I say when - ev - er you leave.



  I have Please teach me

                                                  

  



1.

E‹

C





µ           

                                nev - er gent - ly

how

felt this to

A‹

May - be I

had

 



      

said

some -thing that was

                  

E‹

          



way?



G

       

     

                                               wrong.

bet - ter

with the lights turned on?

A‹

      

        

Sorgdal

it

C

   



Can I make

said

some - thing that was



May -be I

had

E‹



wrong.

      Can I

make

it

  bet - ter

      with the lights turned on?

                                             2

G

CŒ„Š7



   







A‹



    



    

Oh,

 

oh,

oh,

                                             2. CŒ„Š7

A‹



  



C

D

            ooh.

                

       

                     2. Can I

E‹

breathe.

C

And I’ll

         

A‹

 

                                





                 cross o -ceans

E‹



  



like nev - er be





Sorgdal

fore

so you can

               

feel, oh,

               

        the way I feel

it

C

                   

                         too.

-

And I’ll

                                  send im - ag - es

3

back at

you

so you can

A‹

E‹

E‹



               





                                see

the way I feel

it

too.

C

A‹

 





      



some - thing that was

     



wrong.

Can I

G



      May - be

I



had

 

A‹



  

Sorgdal



E‹

     

            wrong.

Can I

make

it



 

 

 

  bet - ter

      with the lights turned on?

                       some - thing that

was

                

 

G

        

bet - ter

had

           

said

               

make it

C

     

May - be I

E‹

                                         said

     

with the lights turned on?



 

  Oh,

                                       

 

4

 

CŒ„Š7

   

A‹



   







oh,



    



 







 

   

 











 



 

 

   

    





ooh.

     



Oh,

 

 



           

 

E‹

CŒ„Š7

3  3   3          





 

A‹

                    



2.

A‹



oh,

 

 

 

1. CŒ„Š7





3 3 3              3

3







 

E‹











CŒ„Š7



 sim.

3 3 3 3  3  3   3                        



 Sorgdal

3











5





Skinny Love Words & Music by Justin Vernon

q = 76 C#m

   









  



  

    

Con pedale

E

1. Come on

   skin - ny



love,



 





just

last

  the

year.



C#m

A







  

 





E

             4fr

Pour

      

Sorgdal

 



  





 



4fr

   



E



A

   



A 4fr

C#m

 

C#m



         

E





A 4fr

a

lit - tle

salt,

we were nev - er

  

here.

   



 

  



© Copyright 2008 April Base Publishing, USA. Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.

    

My

my



my,



C#m

A

E

                          my my my, my my my my my. Star - ing at the                              4fr



F#m7

C#m

  



4fr



sink

of

    



blood





and crushed



 





ven - eer.







 

    



C#m

  





A

E

B/D#

4fr

 

  

2. Tell my

   

  



C#m

 

  

love

to



wreck

 



 it







A

   











 B/D#

4fr

   

Cut out

  

Sorgdal



 

E

                 





all.







all



the

 

ropes



 

and

let



me



fall.

 2



 

     My

       

my

 

my,



C#m

A

E

                          my my my, my my my my my. Right at the mo                             4fr



F#m7

C#m

   



 

-

ment

this





you to

be

pa -

 

 



 

and

I

  





E

told you to



      

 

bal

-





anced



 C#m

      

told

you to

be

 





fine.



 

And I

   



 



B/D#

be

I

4fr

tient





And

B/D#

         

Sorgdal





      



tall.

E

told







         



 



or - der’s



    

$

 

 



4fr

C#m 4fr

  

  

and I



3

      

told you to

  

be



kind.





And in the

$ And now

    

  

 

E

B/D#

         



morn - ing I’ll all your love

      

4fr



be with you, is wast - ed,

 

    

 



hold - ing all break - ing at

 

 

and you’ll be and at the

  

    

 



To Coda Ø



B/D#



the fines. your lines.

 



      A

4fr

           

3. Come on

   



  

 

C#m

own - ing all ends of all



                 

  

 

’Cause I’ll be ’Cause now I’m

          



E



4fr

the tick - ets the brit - ches

 

Sorgdal



C#m

  



B/D#

 







E

      



      

  

but it will be a dif - f’rent kind. then who the hell was I?

         



C#m

 

skin - ny

  

C#m

love, what hap - pened here?

 



 



A 4fr



           



Suc - kle

           

 



 4

on



the

 

hope



in

 

lite



bras - siere.





E

B/D#

    



  



                 



My













my,



my my my

 



 





my my.



C#m

             

E





full,

     Who will love you?

so slow on

 

  

the split.





C#m

  

  





And I





E







       

And who will      

Who will fight?



  

fall

rit.



  

be - hind?

     

D.S. al Coda

4fr

4fr







C#m

far



  

         



   

is

B/D#



B/D#

  

Sorgdal

   



Sul - len load

         





my my

4fr

Ø Coda

 

my,

F#m7

               



my



E

 

A 4fr

      

  

C#m





5







 

 

 

 



a tempo C#m

A

E

         

B/D#

C#m

4fr



     

Come on

E

B/D#





C#m

A

        



E

My

B/D#

my



         

my,



my my

   





C#m

my,



my my my







A

my my.



E

 B/D#

4fr

                   





              



4fr

               



                                 

  





skin - ny love.

  

    

A 4fr

C#m

A

My

my my,

  

my my my, my my my

     

E





B/D#

4fr

my my.

  rit. A

C#m 4fr









          





E

 

                                                

Sorgdal



 

6

Terrible Love Words & Music by Matt Berninger & Aaron Dessner

q = 80 D

G

   





   

                                       D

G

 









 

It’s a

                                        D

       

G

       

Sorgdal



     

ter - ri -ble love and I’m walk -ing with spi

   

D



- ders.

     



          

It’s a

    





© Copyright 2010 ABD 13 Music/Val Jester Music, USA. Bug Music Ltd. All Rights Reserved. International Copyright Secured.

 

ter -ri -ble love and I’m walk -ing

    

in...

     



G

     

D









It’s











 



G

     

 

a

ter - ri - ble









 





ders.





     

It’s a

 





 



ter - ri -ble love and I’m walk -ing

    

   





                 







1. D

 



   

 

in

 

its qui - et com - pan - y,









   





 

com - pan

 

 

  

  

qui - et







-

 

y.



G











 







It’s a

               

   Sorgdal

spi -

        

G





with

G

its

    

and I’m walk - ing

 



D

  

love

D

   -

            







 2



  



 



 



2. D

  

G





D

  

                        Its qui -et

  







 

com - pan

 

G

  

  

- y.



 

D





I

A

           



 

Sorgdal

 

It takes a while to set -tle

with -out a

lit

G

    



B‹

down.

My shi -vered bones

                       3



 

   -

tle

 

help.

           

            





D

     



can’t fall a - sleep

             



              

G

    

 

And

                                

 



 

 



G



B‹



             

  



    

wait till the pa -

         

D

 



A



  

  

                 -

nic’s

 

 

        



Sorgdal



 

           A

break.

 

Com -pan - y,

 

   

D



- cean not to

   

   



   

    





break.

        

 

 

 

       

G







   its qui - et

                       G



cean not to

1.

D

 

    

   

           It takes an o

G

-

G

2.

       

 

         

break.

    

 

       

It takes an o

D





         



out.

G

    



D

  

com -pan

-

  y.



              D

   its qui -et

  

com -pan

                                        4

   -



y.

  





                      

G

D

 



 







D

I

        

G

D

     

     

won’t fol -low you

    

    

A

        

B‹'2

I said I would

             

B‹

saw

                              

me



 

A

   

 

 

 

     

    

  

 

  5

 

    

hole.

      

G

    

they did - n’t want

                     



to.

 

bit

your shi -vered bones:

D

        

-

     



but then I

 

Sorgdal

  



 

in - to the rab

           

    

           





                                      



  



A

And

                



G



 

It’s

 

  

 

   

  

   

 

a

B‹'2

   Sorgdal



B‹

G

D

            ter -ri -ble love and I’m walk -ing with spi

        

 

A“4



        



 

 



It’s a

ter - ri - ble love

 

 

ter - ri - ble love and I’m walk -ing

  

 

 

 

in...



 

 

 

 

-

ders.

 

 

 

    



 

              6

 



It’s a

 

 

 

 

It takes an o - cean not to

 

- cean not to

 

 

 

 

         A“4

 

 



        



           

It takes an o

 

B‹'2

A

           



 

            

DŒ„Š7

break.

 

in...

GŒ„Š7

A

  

    

GŒ„Š7

    

 

   

 

 

 

ter -ri -ble love and I’m walk -ing

and I’m walk - ing with spi

A“4

        

 

    

     

           

 

 

It’s a

         

DŒ„Š7

 

 

     

B‹'2



 

 

ders.



            

A

 

 

 

 

-



 

break.

 

  

 

            

B‹'2

GŒ„Š7

DŒ„Š7

            



break.

 

 

 

 

A



  

It takes an o - cean not to

   

A“4

 

 

 

 

 

 



 



 

 

                     B‹'2

     

GŒ„Š7



 

 



   

 

B‹'2

 

 

 

 





 



GŒ„Š7

 





  

          

                        

DŒ„Š7

   

A“4

A

               

       Sorgdal

 



                           A

 

DŒ„Š7



  

 

 

   

   7

 



  

B‹'4

 

   

2fr

    

The A Team Words & Music by Ed Sheeran

q = 65 D

A/C#

   



                      B‹



                

G

 

D









                           



                

D

         

A/C#



1. White 2. Ripped



       Sorgdal

    lips, gloves,

pale rain

    

 

   



face, coat,

-





  

 

breath -ing tried to

  in swim

             

© Copyright 2010 Sony ATV Music Publishing Limited. All Rights Reserved. International Copyright Secured.





snow - flakes, and stay a - float



 

 

B‹

G

D

            burnt lungs, Dry house,

sour wet

taste. clothes.

                          A/C#

  

Light’s gone, Loose change,

                     

B‹

G

                        

                    

   they

   

  say



she’s

   

 



in

  



  

the

Class

strange men. no phone.





A

team,



    

  

      



 



D

         

        And                  

  

in

  

    

stuck

her

 day -

 

A



    

                        -

day’s end, bank notes,

G

      



Long nights, call girl,

$ E‹

  



rent. throat,

    

D

         

strug -gl - ing to pay wear - y - eyed, dry

 



           



Sorgdal



dream.

Been

this

way



  



   

                   

since

eight

2

-

teen.

But

late

-

ly

her

E‹

G

  

 

    face



seems

   

  

slow - ly

   

  





sink - ing,



wast

-



    

-

     tries.



And they

 

scream.

                B‹

       



The

worst things in

   

crum - bl

- ing

      



like

 



  

          

                  

hand

and go

G

mad

for

a

cou - ple

grams.

D

                                       go

us. ’Cause we’re

G





to

to

     

       

        

And she don’t want

come free

E‹

un - der the up - per

 

life

   

        

B‹

Sorgdal

 

     

   

D

     just

 

A

     

      

 



  

ing,



D

pas



out - side

3





to

       

-

       

                  night.

And in

a

B‹

 

D

E‹

          



             pipe

 

she flies

to

B‹

        



out - side

G

 

for an

 

         B‹

   



D

     

To Coda Ø

-



                  

     

                     

Sorgdal

Ooh.

D“2

G



man.

                   

4



 

 

an - gels to fly.

 

             

D



   

    

D

   



  

gels to fly,

    



an - oth - er

B‹

  3                                             

to

D

3

It’s too cold

or sells love



G

          

                   

the Moth - er - land,

 



G



  



               



 

 



       

    

               

B‹

G

   



D





D.S. al Coda

     

                                   Ooh.

Ø Coda

B‹

 



 

 









B‹



 

   

And

              



for an

 

-

D“2



  



gels to fly,

                                     G



  

 



 

   

 

fly,

                         

D“2

D





                     Sorgdal



  

  

to

                 



D



D“2

D

                    

G

               



D“2



  

for

   

   

an

D

-

     gels

to

die.

                           5

 

The District Sleeps Alone Tonight Words & Music by Jimmy Tamborello & Ben Gibbard

q = 75 C

  

C

    

D‹11

 

      



 

C

   C

 

D‹11

sim.

 



  



A‹7

 



  

 



 



  D‹11

 



 



 

 



 





A‹7



  

D‹11

 



 

  

 



 



 



 

A‹7



  



 

   

 

  

 

 

 

  

 

A‹7

 

                                       Sorgdal

© Copyright 2003 Where I'm Calling From Music/Dying Songs, USA. Kobalt Music Publishing Limited. All Rights Reserved. International Copyright Secured.

C

D‹11

 



Smeared

    

 



    

Sorgdal

  

 

 





 



 

    

 

ash







-

en





last

 de

  

  



 

 

  

-

 

ly lis

-

 

ten - ing

                

 



 -

mands.

   

  

 

 

 

  



 



 

A‹7

  







I’m star - ing at the as - phalt won - der -ing





 

and I’m bare

D‹11





 

A‹7

 





A‹7

is





  

D‹11

C

 







ink,

 

face

to

 



 

C

  



 

 

 





your

 



D‹11

 

  

  black

C

 

A‹7



  

what’s bur

  2

 





-

 

ied un





-

 



der -neath





where



A‹

FŒ„Š7

 

 



G

I

     

      





Sorgdal

    



am.

       



 









                                     

D‹11

A‹7

 









my

 



 

 

C

badge,

 

  

D‹11

  

 



vi - nyl stick - er with big

 



 

block



   

 



 

 

 



 

A‹7



a





              



I

I’ll wear

C

  



      



      

  

 

F

 



where



FŒ„Š7



 

        

 

    

 





am,

G

 





 

A‹

 

let - ters

  

        

ad - he - rent

   

3

 

 



 

 

to

my



 

chest.

 



  

  

C

D‹11

  

 





Tells

    



 

 

C

  

  



your

new

 

  



am

vi

    



  

 



   

C

  

-









si - tor

 



here.

I

 

  

 



C

Sorgdal

  

-



ing





 

-

ly thing

 







 

   

 



D‹11

  

not

per - ma - nent.

A‹7

 

 



   

 

     

   

A‹7

               keep

am

                             

the on

  

                



               And



 

         

D‹11

 



A‹7

 

a





friends

D‹11

I

 





 

     



A‹7



me







  

4

 

dry

 

  

  is

 

  





     

  

 

where

  



A‹



 

FŒ„Š7

G

     

   

I so out

(You seem



              am,

of con - text

in this gau - dy a - part - ment

                     A‹

FŒ„Š7

           (A

stran

-

I ger with

  

   

where plex.)

           

G

 

com -



  

    

ex - plain - ing that I’m

just vis - it - ing.)

am. your door

 

where

key,

                             A‹

FŒ„Š7

G

  

    

   

   (And

I

I am fin - ’ly

 

          

am.

see - ing

why I

was the one

worth

leav

-

                                           FŒ„Š7

 



-

 





ing.)



        

(Why I

was the one

worth

leav

-

                                               

Sorgdal

5

C



 





-



ing.)

                             A‹7

CŒ„Š7

  D.





  

 



C.

 



 

 

CŒ„Š7

 



  

  

A‹7

F





 

C.



sleeps



  

 



  

 

a - lone

 



  

to - night.



  





 





  





sleeps









  



    

a - lone

Sorgdal

A‹

  







  

 

to - night.

Where

                                                     





 

FŒ„Š7

 

D.



FŒ„Š7

 (You

   seem

 

I so out

G



           



am,

of con - text

in this gau - dy a - part - ment

                  6

 

com

-

 

where plex.)

        

A‹

 

FŒ„Š7

G

           (A

stran

-

 

I ger with

   

        

    

ex - plain - ing that I’m

where just vis - it - ing.)

am. your door

key

                                   A‹

FŒ„Š7

G

  

    

   

   (And

I

I am fin

 

am. -

’ly see - ing

             why I

was the one

                          

  





-

ing.)









leav

-

            

FŒ„Š7

 

worth

  

(Why I

was the one worth

leav

-

                                        C

 

Sorgdal



CŒ„Š7

-





C



ing.)

                                7

A‹7

G

     

 



FŒ„Š7

The dis - trict

 

sleeps

 

a - lone



to - night

         af

-

ter the bars

turn

out

their

lights

                                              



A‹7

FŒ„Š7

     



and leave

 

 A‹7

-

 

tos swerv

 

  -

   

And I

 

am fin



in

 

 

 

  

 



the one

worth

        

 





-

   

   

-

ning.

   

 



-



  

’ly see - ing



why I

 

 

was

   

   



 

 



 



the one

worth

leav

-

   

 





ing,









why I

was

 leav

-

                

  

Sorgdal

 

to the lone - li - est eve

FŒ„Š7

  

 

-



G

                        

         

ing

FŒ„Š7

 



au

       

     

the

G

 

 

 

  

8

 

 

 



C

 









 

 



the one

worth



                             -

ing,

why I

was

leav

-

                         FŒ„Š7

 





-



ing,











why I

was

 



the one

worth

 leav

-

                

   

 

 

 

    

C

 



 

 

 









                 -

  



FŒ„Š7

      

Sorgdal

  









ing.

  

F6

G'4/F

 

 

  9





 C

  









White Winter Hymnal Words & Music by Robin Pecknold

q = 68 Bb

C‹

Eb 3fr

  

F 6fr





                                                Bb

C‹

Eb 3fr

 

F 6fr









                                                        Bb

     I

     

was fol - low -ing the, I

           

Sorgdal

 

 

     

was fol - low -ing the,

    

 

 

I

     

was fol - low -ing the, I

    

 

© Copyright 2008 Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.

 

    

was fol - low -ing the,

    

 

 

          



I

was fol -low -ing the pack, all

           

 

swal -lowed in their coats,

      

       

     

to keep their lit - tle heads





 





from fall - in’ in the snow.

  

      

red

tied ’round their









throats

 

 

 



 Bb/D

6fr



And,Mi - chael, you would fall and turn the white

 

       

           I

was fol -low -ing the pack, all

            

 

         

And I turned ’round

 



Eb

          

Sorgdal

        



            



with scarves of

C‹/Bb

  



              



 

 



and





C‹

there



you

go.



 



Bb 3fr

           snow red

as straw -ber -ries

in the sum -mer -time.

                     

   

 

              

swal -lowed in their coats,

      

with scarves of red

         

  2

tied ’round their









 

 

throats

C‹/Bb

  



     

to keep their lit - tle heads

              Eb

  



6fr



      And, Mi - chael, you would fall

 

and



there

you





go.



     



C‹

3fr

   

    

and turn the white

snow red

as

       straw - ber - ries

                     





And I turned ’round

Bb/D



sum -mer - time.

        

      

I

              

  

 

swal -lowed in their

     

 

the

   

was fol - low - ing the pack, all

     

in





 



C‹

   

coats,

         

with scarves of

                

Sorgdal



        

 

         

       



Bb

    



from fall - ing in the snow.

      



             



     

red

tied ’round their



 





   

throats

   3



3fr

     

to keep their lit - tle heads

     

  

 

    

from fall - ing in the

     

  

 

Eb

          

  



               snow.

And I turned ’round and

 





you



go.

C‹

       as



in

 

sum -mer - time.



  

 

    

 

    

   



ooh,



 



 

     

2.

Bb

Bb

6fr

   ooh.

            

        

1. Eb



3fr

Ooh,

                             

Sorgdal

the





C‹

                               



    

Bb

straw - ber - ries

Bb

     

 

and turn the white

     

 

         

    





   

3fr

                             snow red

And, Mi - chael, you would fall

     

  

     

Bb/D



there

     

6fr



   



                                             4



Without A Word Words & Music by Jasmine Van Den Bogaerde

q = 80 G

GŒ„Š7

  

G

GŒ„Š7





                             G



 

GŒ„Š7



 

G



 

 

GŒ„Š7

G





 

    1. Hey, you



can tell

                                

 

 

B‹/F#

     

    Sorgdal

 

 



   





 

C





the world the world



that you’re leav - ing. that you’re ti - red.

                    (2.)



 

 







             

© Copyright 2011 Good Soldier Songs Limited. Warner/Chappell Music Publishing Limited. All Rights Reserved. International Copyright Secured.







G



 



B‹/F#

    



  

And you can pack But your ex - cu -



C



your bags ses, they won’t work

     

and spread your wings. ’cause I’ll know that you’re ly -

                                      



G

 





   





them all your face

                      

I



no

-



    

that it’s o tice all

        

-

ver. the



suf -fer - ing.

              

 



G

 

B‹/F#

 

       

Sorgdal

 

C

 



     And you can tell Every time that I see

 



 

B‹/F#

- ing.

             

  

But Just

      while turn

     

you to

wave my



   

em

good - bye, brace.

-





 

 2





           



C

C6



 





 

   

 



get - ting come to





  

Stand

  

there

E‹

E‹7







         

  



E‹

  





         

and

and



E‹7





look

   

    

     



   

  

eyes

  

     

           

tell



      

me

E‹7





my

    

 

E‹7

       

             

in - to

E‹



  



ser.





               





G

               

Sorgdal

ing.

-

E‹

                      

clo noth

 





     



q = 95 G

   



      

oh, I’ll be I won’t let you





poco rit.

E7“2

                        





3

         

that

all



  

            

we

had

were

lies.



  

G

     

             Show

me

 



     

 

E‹

   



    

                       that

you



stay



   here

 



       



      

E‹7



              

             



C“2





       

and I’ll



 





                    

if you pre - fer.



  



        

          



 

 







GŒ„Š7

 

   

    

    

            

Yes, I’ll



leave



  

               you



          

          

with -out a word,

 

 

  

1. q = 80 G

C'9

C“2

C







                        

Sorgdal

       care

  

E‹7

E‹

              





E‹

G

  



don’t

E‹7

                    

 

with -out a word.

 

4

 

 



   

             2. And you







can tell

2. q = 80 G





 



GŒ„Š7

G







                                 CŒ„Š9



 











 





    

word,









                







  

a word,

with -out

                    

                  

G





a word,

                 

     with -out

   

GŒ„Š7









a word.

          

Sorgdal

a

CŒ„Š9

         



With -out

G

with -out

                   





      

                 5





     

Young Blood Words & Music by Thom Powers, Aaron Short & Alisa Xayalith

q = 100 Bb

F

Bb

  

                  



   

Bb

D‹/Bb





             



 

    

C/Bb

Bb

    

   D‹/Bb

C/Bb

  





    



1. We’re all



Bb

D‹/Bb

   



skill.

   





young and na - ïve

still.

We re - quire



 



  



    

C/Bb

Bb

D‹/Bb



 

   







           



Sorgdal

   



D‹

 

cer -tain

     C/Bb

          

        



The mo -tive chan -ges likethe wind,

    

hard to con -trol when it be -gins.



 



  



    

© Copyright 2010 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

   

Bb

F

 





    





 



 

 

 

Bb

 



    



 

  

 

 

 

F



    

    

  



Sorgdal

 

bit - ter - sweet

    

love

e - ven - tu’l - ly.

    

   

the

in - be -tween,

    

  



  



teeth



    



    

 

  

       

C

        

             

2

my

   

 

D‹

 



Bb

Bb

fall back in

bet - ween

 

    

    

try - ing to find

              



The

 

C

F

    

 

         



    

 



    

Yeah,

yeah,

 

    

yeah.

  

Bb

D‹/Bb





     

Bb

D‹/Bb

walls.



 



   



     Sorgdal





   

Feel it start to per - me - ate.

  

C/Bb

be - neath the stars at

C/Bb

      

es - cape.

         We lie

D‹/Bb

    

    

D‹/Bb



    

Bb

 

    

Claw my way out through these



One tem -po -ra - ry

Bb

 

        



         

C/Bb

           

C/Bb



       

   



D‹/Bb

2. Can’t help my -self but count the flaws.

   

Bb

           

   



C/Bb

  

 

    

   

Bb







night,





       



  



3



   

D‹/Bb

C/Bb

Bb

              our hands grip -ping each oth - er

   





You keep my se - crets, hope to

         



  



   

   

C/Bb

Prom - is - es, swear them to

            



   

F

  

Bb

      Sorgdal

 

bet -ween my teeth

    

   

 



 

       

           

sky.

F

               The bit -ter -sweet

the

 





Bb

      



die.



        



tight.

D‹/Bb



C/Bb



Bb

 

D‹/Bb



         

                  

  4

C

    

try - ing to find

the in - be -tween,

     

    

  

Bb

  

F

Bb

            



fall back in love                  

  

     

       

 



     

D‹

     

       

  

 

     

  D‹

 

   

 



brit -tle it shakes.

  

 

  

D‹

  

       

C

            

 



  

       

  





Can you whis - per

 

         

  

as it crum -bles and breaks?

              

5

  

C

      

C

  

      

Bb

F

As it wi - thers,

Yeah, yeah, yeah.                

 

  

C

        



Bb

      

      

Sorgdal



D‹

Bb

       

e -ven - tu’l -ly.

       

 

Bb

       

D‹

 

F

C

 

  



As you shi - ver,

         

D‹

         count

    

up all

your mis - takes.

 

     Pair of

for - giv

 -

ers,

          

Bb

D‹

           let

go

be - fore it’s too





late.

  

Can you whis

 -

per?

                               

Bb



       

 

C





Bb

  

       

 

F









Can you whis - per?

                                    Sorgdal

       

 

  6

 

 

  

Bb

F

Bb

        



The                    

    

       

F

C

bit -ter - sweet

 



  

  

       

 

       

Sorgdal

 

C

D‹

C

e - ven - tu’l - ly.

    

   





Bb

                     

      

love

2.

Yeah, yeah,                 

  

  

          



 

the in - be - tween,

D‹



    

F

1. Bb

teeth

fall back in                

try - ing to find

 

   

 

Bb

                 



            

be -tween my

   



yeah.

  

          7

Yeah,

yeah, yeah.

    

       

  

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