Songbook - Birdy, "Birdy"

April 28, 2017 | Author: Liane Silva | Category: N/A
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Short Description

Songbook for Birdy's first self-titled album, with piano, vocals and chords....

Description

Birdy

Songbook

1901 Words & Music by Thomas Croquet, Frederic Moulin, Christian Mazzalai & Laurent Mazzalai

q = 135 F“2

   

  



  

Sorgdal

  

F“2

A‹

     

    

       

        

    

 

 

    

 



  

C

    

 

    

       

    

   

C

A‹7

  

A‹7

 

 

 

 

C

A‹7

FŒ„Š7



 

 

    

    

 

FŒ„Š7

   

A‹

   

  

A‹7

       

   

       

C

    

 

 

    

  © Copyright 2009 Ghettoblaster, France. Kobalt Music Publishing Limited. All Rights Reserved. International Copyright Secured.

   

    



G“4/D

A‹

    

 

C

 



    



  

A‹7

1. Coun -ting all diff -’rent i - deas drift -ing a - way. Girl friend, oh your girl friend’s drift -ing a - way. 2.

         

       

  

            



 

   

C'9/D



     

A‹

  

mov - ing, el - lip - ti - cal build up a ma - te - ri - al

    



 

  

Watch her Watch them

 

  

       

  



 

C'9/D

C

      

 Sorgdal

     



 





        

 

A‹7

 

         

pat - tern. Think it’s not what you say.What you say is way too com -pli -ca ted. tow - er. Think it’s not gon - na stay. An - y - way, I think it’s o - ver -ra -ted.

     

could -n’t tell

  

             

             

           min -ute though, I

out. one.

   



       

   

A‹7

For a

        

C

pre - sent they don’t mat - ter. Now the fu - ture’s sort - ed pre - sent, eight -een fif - ty - five, nine -teen - o -

F“2

      

   

A‹7

Past and Past and

      

     



   

       



C

  

how to fall

       

 2

  out.

   





        

              



FŒ„Š7

 



    It’s twen - ty

              



  “Hey,

         F/G

   



   



 



like we



        



      

     an - y - thing you ask



    

Lie

down, you know it’s eas





did

it

G

   

all

  

   

  





  

sum - mer

 

 





long.



    



 

 

y

    









 

         3







    And I’ll

      

  

go - ing “Hey,

   

 

-

FŒ„Š7

  

   





    

and more,





G

 

        





      

 

call - ing

A‹/G





A‹/G



G



call,

hey.”



G

 

Sorgdal

  

   





last

F/G

hey, hey,



se - conds till the

       hey,

  

      

  

be



       hey,

      

hey, hey,

hey.”

    



F/G

G

A‹/G



 

   



It’s not



        



a

mi - ra - cle

  

let you think

              



  



    





Sorgdal





so.

Fold

  

 

   





it,

it,

fold

   it,

    

fold

 it.

       

it,

fold

    

it.

        

    

 Fold



        

   

FŒ„Š7

C



fold

  

    





fold

    



     

I

      

       



       

A‹7

it,

 

   

and no,

    

   



ed,

A‹7

        



-

A‹/G

A‹7





C



we need

G





FŒ„Š7

     

 

F/G

    

      

G

would -n’t

G

   



it,

    

 fold

        A‹7/C

  

          

4



     

           

  

  

 

C

           

      

            FŒ„Š7

 Fold

     

2.

                                            

A‹7

  

1.

 

C

 

        

it,

it,

it,

    

fold

   

    

fold

it.

   

 



A‹7

  fold

 

    

      

   

                  FŒ„Š7

 

A‹7

 Fold

     



it,

 fold

  

C





it,

fold

   

   it,

    

fold

  it.

   

A‹7/C

      

    





    



                                C

      

Sorgdal

          

           

    

    

Play 4 times



                      5

   

Fire And Rain Words & Music by James Taylor

q = 80 C

Bb

F

                                  

 C

Bb

F

                                 



C

Bb

F

C

                      Just yes - ter - day morn - ing 1. (2.) look down up - on me, Je sus?

       





they let me know that you You’ve got to help me make

    

 E‹/B

 

       

 Sorgdal

plans to see





they made put an end me through an - oth

    

were gone. a stand.

 



Bb

          Su - sanne, the You’ve just got

 

    -

   

to er



      

you. day.

          

© Copyright 1969 EMI Blackwood Music Incorporated/Country Road Music Incorporated, USA. EMI Songs Limited. All Rights Reserved. International Copyright Secured.

C

Bb

F

C

                      I walked My bod -

    

out this morn y’s ach





-

-

 



ing ing

and I wrote and my time

  





F

 

C/E

Well, I’ve

      

send oth

     D‹

seen

fire

C/E





  D‹

C

     

 Sorgdal

sun - ny days

  



  



 

that I



    



       C



                  

C

-

 

   2



rain,

thought would nev

 



C“2

seen

   G

   



G

and I’ve

-

to. way.

C“2

                    seen

    



 

it er

  



   



F

who to an - y

 



        





song. hand

Bb

just can’t re - mem - ber I won’t make it



this at



                   

 



E‹/B

I and

down is



er

C



end,



                 

F

C/E

D‹

        seen lone - ly

   

    

when I

       



F/A

C

times

           Bb

G

G‹7

could

not





find





 

a

 

  

friend,

but

I

            

1.

2.

C

C“2

C





C

C“2

C





3fr

            al -ways thought that I’d see you

      





C

a - gain.

      

 



Bb/C

 

2. Won’t you







3. I’ve been walk-

          

          F/C

     



ing my mind



to



an

eas

-

y time,

 



with my back

 



CŒ„Š7

turned to -wards the



 





       

 Sorgdal



wind





sun.



    

Bb/C

                    Lord knows,when the cold



C

                       -

 



blows

it - ’ll

 

turn your head a - round.

      3



     

  

Well,there’s hours



C

Bb/C

F/C

C

                     -

of time

     

on the tel - e - phone line

  

   



to

talk

  





     

 



F

 

C/E

ing ma - chines



in

 



D‹



   

seen

fire

   

  

 

 

C/E

and I’ve



es

on

sun - ny days

   

seen

        Sorgdal

 



  





                      

  

C

thought would nev

-

 



 

            



rain,

G

that I

ground.

C

C“2

                    seen

the





 

 

D‹

-

 

G



      

piec

        

Well, I’ve

F

-

    

Bb/C

3            Sweet dreams and fly

come.

   

 

CŒ„Š7

 

a - bout things to



  4

C



er end,



                   

F

C/E

D‹

G

C

             seen lone - ly

times

          

   



Bb

F/A

when I

 

    

could





C

C“2

find



 

 

G‹7

not

C

a



 

  

friend,

but

            

Bb

F/A

G‹7

3fr

         





 

 



           

Yes, I

al -ways thought that I’d see you

            



 

Bb





a - gain.

     

C



3fr

      

al - ways thought that I’d see you

I

 

a - gain.

      

F





                                    C

Bb

F

C

                                    Sorgdal

5

  



I’ll Never Forget You Words & Music by Francis Farewell Starlite

G“4

C'9/E

F5'%

G‹7

q = 70

    



                       



C'9/E

1. Eigh - ty - six, Char -lie 2. Eigh - ty - six, Char -lie



  



F5'%

G‹7

-

    

 Sorgdal

G‹7



vour, ver,

  



          

G‹7

G“4

  

  

C'9/E

3fr

   

came o he came

  

  G“4

3fr

   

F5'%



  

F5'%

                      

C'9/E

3fr



  

G“4

G“4 3fr



     

ver. back.

 

He asked me for a fa Said he’d been thinking it o -

   

 

C'9/E

  

  

F5'%

 

G‹7

      

3fr



asked me a ques - tion. says he’s had a change of heart.

 

  

          

 

© Copyright 2007 Copyright Control. All Rights Reserved. International Copyright Secured.

  

 

  

    

1. G“4

 

C'9/E



F5'%



     

 



cep - tion. mis - take.



C'9/E

  



 

Ooh, But



 

G“4 3fr

             

Asked me to make an ex He thinks he’s made a grave

 

G‹7







 

 





 

   

2. F5'%

G‹7

G“4

C'9/E

F5'%

G‹7

3fr

 

F“2 3fr

  







ooh.

 

  

         

F“2

D‹

    



Bb

                Sorgdal

F“2

I’ll nev -er

 

 

 

for -get

 

2

I’ll nev -er

       



A‹

            

you.

           I,

           

F“2

Bb

  

 

for -get

 

 

F“2

Bb

       

you.

You make things

         

 

 

 

 

 

so

 

F“2

D‹

F“2

Bb

eas - y.

I’ll nev -er

               

   



G“4

for -get

 

 

G“4

  

 

 



  G‹7

  

  he

  

C'9/E

 

3fr

3. Eight - y - six, Char - lie





F5'%

       



µ

you.

  

 

C'9/E

     

C

            

     

  

F“2

came

back,

 

  F5'%

     he

came

back.

    

  



G‹7

G“4

C'9/E

3fr

 

            Sat

      



down at the ta

  

F5'%

-

ble,

  

  G‹7



   

and for the last time

        

  

 

G“4

said he’s fin - ’ly

C'9/E

F5'%

G‹7

3fr

        made

     

 Sorgdal

up

 

his

3fr







mind.

 

 

                

He won - ders if

    

   3

 

it’s

not

too late. It’s not

too late

  

 

 

 

be -

F“2

 

Bb

          

- cause...

I’ll nev - er

     





F“2

for - get

   

  F“2

F“2





Bb

F“2

 



 

 





Bb5'%

for - get

 Sorgdal

 

  

  



an - gry.

 

 

  

    

  µ

  

 

 

G‹

    

4

      



      

Bb5'% 3fr

          

so

 

 

F/A

me

 

D‹

  

you.





 

for - get

C

          

     

 

 

F“2

nev - er

 

F“2

 

 

Bb

I’ll

       

 

      

     

 

  

 

You made

  





  

you.

       



Bb

I’ll nev - er

 

A‹

   

F“2

you.

 

 

D‹

F/A

 

   

G‹ 3fr

    

People Help The People Words & Music by Simon Aldred

Original key F# major

Tempo rubato q = 72 F

Am

 



  





     

  





 







     







Con pedale

F

Am





    

     

 



  

 



  

 



     

      





    

a tempo q = 72 F

   

Am





 

8vb throughout 1. God knows what 2. God knows what

   



   

Sorgdal





is is









hid - ing hid - ing

in in

those this

 





 





weak and drunk - en world of lit - tle













© Copyright 2007 Sony/ATV Music Publishing (UK) Limited. All Rights Reserved. International Copyright Secured.



hearts. con



-



 

Guess he kissed se - quence. Be -



 

G

F

 

 











the girls and made them the tears, in - side the

- hind

  























 

hard - faced queens thou - sand slow -

cry. Those lies a







 







of ly





   

mis - ad - ven dy - ing sun -



ture. sets.









Am

 





God knows what God knows what

  



  















hid - ing hid - ing

in in

those those

weak weak

and and

sunk - en drunk - en









  is is











 

G



  

$















 

F

 peo

Sorgdal

 



giv - ing No one

love needs





 



 but to

 



Am





eyes. hearts.



 

Fier - y Guess the





throngs lone -

 

-

ple

help the peo









get - ting no - thing be a - lone. Oh,















back. Oh, sing - ing,





 

G

        

               





of mu - ted an - gels li - ness came knock - ing.

  





F

   -



        -

ple.

And if you’re

 

     

home - sick

give me your hand and I’ll

                     2







F

 





hold

 



it.

Peo

-

-

                   



   



  



  

-



   ple.







  



Noth - ing will

drag





   

 

Tempo rubato Dm







   

I

had

Sorgdal

 

if

       

   

 

I

had

 

a

as



 



the fool

that





3

Oh, and

if











    I’d be

cold

 E7



turned

all

those







down.

 







brain

Dm

    rich





F

a stone and





 C

as

oh, and

 



   



  To Coda Ø



F

the peo -









brain,





C







 

you





    

 



Dm



a

Dm













F



   

C

  





 

help

 

G

 

 

ple

  

 

Am

  

 

 



 

good hearts

     

a - way.



1. a tempo q = 72 F

  











                              



 

2. a tempo q = 72 F

  













                                     F

       

Am









(Ooh,

 







ooh,







ooh,



                                       G6

  

F

Play 3 times ad lib.











   ooh.)







D.S. al Coda





 

                                   

Sorgdal

4

Ø Coda

Dm

C

F

Dm

C

F

                        I

had





 





Dm



C

   

a stone and

  

   

  



rich

I

had

  



a

brain

 

as

  

 



the fool

that







turned











all

those



 



 



  

 

 3







 

 



  

   Sorgdal

    

5

 

a - way.



F

 

 

good hearts

    

 



cold

E7





I’d be

 

rit. Dm

F

   as

if





 

oh, and





  

brain,



   

a

  

Shelter Words by Romy Madley Croft Music by Romy Madley Croft, Oliver Sim, Baria Qureshi & Jamie Smith

Original key Eb minor

q = 80 E‹

CŒ„Š7

  





3 3 3 3   3   3  3   3                    

   E‹



















CŒ„Š7













sim.





                             3



3







E‹

    

3

3

3

3

3





C





shel - ter (2.) be,

  

1. I find

3



   





E‹





in this way, was I there?

    



un - der co - ver, It felt so crys - tal

  hide in

athe

                                     

Sorgdal



  



 

© Copyright 2009 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.





 

C

E‹



 





- way. air.

    

Can you I still want

C



hear to drown



  



when I say when - ev - er you leave.



  I have Please teach me

                                                 



1. E‹



  

C





µ           

                                nev - er gent - ly

how

felt this to

way?

May - be I

had



A‹



      

said

some -thing that was

                  

E‹

          



G

 

       

     

                                               wrong.

Can I make

it

bet - ter

with the lights turned on?

May -be I

had



C

A‹

   

      

         said

 Sorgdal

some - thing that was



E‹



wrong.

      Can I

make

it

  bet - ter

      with the lights turned on?

                                             2

G

CŒ„Š7



   





A‹



    



    

Oh,

 

oh,

oh,

                                            



2. CŒ„Š7

A‹



  

C

D

            ooh.

                



2. Can I

       

breathe.

And I’ll

                    

E‹

C

         

A‹

 



                                                  cross o -ceans

like nev - er be



E‹



  





 Sorgdal

fore

so you can

               

feel, oh,

               

the way I feel

it

        C

                   

                         too.

-

And I’ll

send im - ag - es

back at

you

so you can

                                  3

A‹

E‹

E‹



               



                                see

the way I feel

it

too.

May - be I

C

A‹



      



some - thing that was

     



wrong.

Can I

make it



G

C

      

      May - be

I



had

A‹

  

 Sorgdal

with the lights turned on?

                       some - thing that

      Can I

make

it

was

              

E‹

            wrong.



bet - ter

     

 

 



 

 

said

               

 

E‹

                                         said

had

           



 

     

 

G

 

        

bet - ter

with the lights turned on?



 

  Oh,

                                       

 

4

 

CŒ„Š7

   

A‹







 oh,

   





 



    





 

 









oh,

 





 





 

 

   

    





  

      Oh,

                   

 



           

 

E‹

CŒ„Š7

3  3   3          





 

A‹

ooh.

  



3 3 3              3

3







 

E‹



 





CŒ„Š7



 sim.

3 3 3 3  3  3   3                        



 Sorgdal

3



 

2.

A‹





 

1. CŒ„Š7









 5





Skinny Love Words & Music by Justin Vernon

q = 76 C#m

   

A

E

A







  

 



  







 







   





  

    

Con pedale

C#m

A

   

E

4fr

     



C#m

4fr

E

4fr

1. Come on

   



 

   skin - ny



love,



 





just

last

  the

year.



C#m

A







  

 





E

             4fr

Pour

   



  

Sorgdal

a

lit - tle

salt,

we were nev - er

  

   



here.

    

My

 



© Copyright 2008 April Base Publishing, USA. Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.

  

my



my,



C#m

A

E

                          my my my, my my my my my. Star - ing at the                              4fr



F#m7

C#m

  

4fr

sink

  



 





of

blood







and crushed



 



ven - eer.





 



    



C#m

  



A

E

B/D#

4fr

 

  

2. Tell my

   



  



 

  

love

to



 



C#m

wreck







it

all.







A



   

   









E



 B/D#

                  4fr

   

Cut out



  

Sorgdal

all



the

 

ropes



 

and

let



me



fall.

 2



     My

 

       

my

 

my,



C#m

A

E

                          my my my, my my my my my. Right at the mo                             4fr



F#m7

C#m

     

-



 

ment

this



$

 

 



or - der’s



    

4fr



 



      



be

pa -

 



  and

I

  





E

told you to

      

Sorgdal

be

 

bal

-





I



C#m

       told

you to

be

 





fine.



  And I

   



 



B/D#

         

And

4fr

tient







B/D#

you to

 



         





tall.

E

told





C#m 4fr

  

anced

  

and I



3

       told you to

  

be



kind.





And in the

$ And now

    

  

 

E

B/D#

          morn - ing I’ll all your love

      



4fr



be with you, is wast - ed,

 

C#m

but it will be a dif - f’rent kind. then who the hell was I?

    

 







E



hold - ing all break - ing at

      



 

    

           and you’ll be and at the

  

own - ing all ends of all

 



 



  



  

Sorgdal

B/D#

A

               





     

4fr

3. Come on

                 



the fines. your lines.

 



To Coda Ø





E

 

C#m

C#m

 

 

4fr

the tick - ets the brit - ches

 



’Cause I’ll be ’Cause now I’m

B/D#

         

  



      

  

 

skin - ny

  

love, what hap - pened here?

 



 



C#m

A 4fr



           



Suc - kle

           

 



 4

on



the

 

hope



in

 

lite



bras - siere.





E

B/D#

       



                 



      

my





 





my my my

 





my my.



C#m 4fr







            



Ø Coda







E





B/D#

  



full,

     Who will love you?

so slow on

 

  

the split.





C#m





 And I





E

 

  







       

And who will      

Who will fight?



  

fall

rit.



   be - hind?

     

D.S. al Coda

4fr

4fr







C#m

far



  

         



   

is

B/D#



         

Sorgdal

my,

F#m7

               



my my

   



Sul - len load

 

my,



E

 

A 4fr

My

  

C#m





5







 

 

 

 



a tempo C#m

A

E

         

B/D#

C#m

4fr

     

Come on





B/D#

  

C#m

A 4fr

        



             

My



E

B/D#

my



         

my,



my my

   





C#m

my,



my my my







A

my my.



E

 B/D#

4fr

                   





            



C#m

 



                                 

E

 



skin - ny love.

  

    

A 4fr

A

My

my my,

  

my my my, my my my

     

E



 B/D#

4fr

my my.

  rit. A

C#m 4fr









          





E

 

                                                  

Sorgdal





6

Terrible Love Words & Music by Matt Berninger & Aaron Dessner

q = 80 D

G

   





   

                                       D

G

 









 

It’s a

                                        D

       

G

       

Sorgdal



     

ter - ri -ble love and I’m walk -ing with spi

   

D



- ders.

     

          

It’s a







ter -ri -ble love and I’m walk -ing

   

    

© Copyright 2010 ABD 13 Music/Val Jester Music, USA. Bug Music Ltd. All Rights Reserved. International Copyright Secured.

 



in...

     



G

     

D









It’s



 





   









ders.

 

ter - ri - ble





 

and I’m walk - ing

 

 



  



spi -

   

ter - ri -ble love and I’m walk -ing

    

   

 

        

in

 

its qui - et com - pan - y,







 

 

  

G







   

its

                

  

with

G

     

It’s a



 



D

  

love

D

   -

a



 

G

 

            









qui - et

 



 

  

com - pan

 

-

y.

  



1. D

   













 



It’s a

               

   Sorgdal

G







 2



  



 



  





2. D

  

G





D

  

                        Its qui -et

  







 

com - pan

 

G

  

  

- y.



 

D



I



A

             

It takes a while to set -tle

with -out a

lit

   -

    



down.

My shi -vered bones

                       3



 

tle

  help.

            G

B‹





D

            

 Sorgdal

 

     



can’t fall a - sleep

             



              

G

    

 

And

                                

 



 

 



G



B‹



             

  



     wait till the pa -

         

D

 

A

  



  

                 -

D

nic’s

         



out.



It takes an o

         

G

       



        

break.

It takes an o

 

 

          



   

   

G

          



 

   

cean not to

1.

D

    

-

- cean not to

   

   





break.

        

 

 



 

       

2. G

A

            

break.



 

 



 

  

Com -pan - y,

 

 

   

D

 

D

G







  

com -pan

  -

y.



              D

   its qui -et

  

com -pan

                                       

 Sorgdal

its qui - et

                       G



  



4

   -



y.

  





                      

G

D

   







   I

        



    

G

D

     

     

won’t fol -low you

in - to the rab

    

  



        

B‹'2

           



I said I would

saw

             



but then I

B‹

           

 

A

 

 

  

 

me

to.

 

 

    

  

    

hole.

      

G

    

your shi -vered bones:

D

        

     

 

bit

     

                

 

  -

           

    

A

Sorgdal



                                      



D



A

And

                



G

they did - n’t want

                     





 

It’s

 

  5

 

 

  

 

   

  

   

 

a

B‹'2

B‹

G

D

            ter -ri -ble love and I’m walk -ing with spi

        



 

A“4



        



 

 



It’s a

ter - ri - ble love and I’m walk -ing

 





 

ter - ri - ble love

 

 



 

Sorgdal

in...

    

GŒ„Š7

break.

 

 

and I’m walk - ing with spi

 

 



 

 

-

ders.

 

 

 

 

 

 

    



              6

It’s a

 

 

 

 

It takes an o - cean not to

 

- cean not to

 

 

 

 

         A“4

 

 



        



           

It takes an o

 



B‹'2

A

           

  

 

in...

            

DŒ„Š7

    

ter -ri -ble love and I’m walk -ing

   

A

    

 

GŒ„Š7

A“4

        

 

    

     

           

 

 

It’s a

         

DŒ„Š7

 

 

     

B‹'2



 

 

ders.



            

A

 



 

 

 

-



 

break.

 

  

 

            

B‹'2

GŒ„Š7

DŒ„Š7

            



break.

 

 

 

 

A



  

It takes an o - cean not to

   

A“4

 

 

 

 

 

 



 



 

 

                     B‹'2

     

GŒ„Š7



 

 



   

 

B‹'2

 

 

 

 





 



GŒ„Š7

 





 

          

                        

DŒ„Š7

   

A“4

A

               

       Sorgdal

 



                           A

 

DŒ„Š7



  

 

 

   

   7

 



  

B‹'4

 

   

2fr

    

The A Team Words & Music by Ed Sheeran

q = 65 D

A/C#

   





                      B‹

                

G

 

D









                           



                

D

         

A/C#

1. White 2. Ripped

lips, gloves,







pale rain

   



      

Sorgdal

   





   

face, coat,

-





  

  breath -ing tried to

  in swim

             

© Copyright 2010 Sony ATV Music Publishing Limited. All Rights Reserved. International Copyright Secured.





snow - flakes, and stay a - float



 

 

B‹

G

D

           

  

                         

                     

burnt lungs, Dry house,

sour wet

taste. clothes.

A/C#

G

rent. throat,

Long nights, call girl,

$ E‹

   they



   

  say



she’s

   

         

        And                 

 



in

  



  

the

Class





A

team,



    

      



 



  



  

in

  

    

stuck

her

 day -

 

A

      



    

                        dream.

Been

this

way

since

eight

-

   teen.

But

 late

-

    ly

her

                    

 Sorgdal

day’s end, bank notes,

G

D

-

strange men. no phone.

                    



    

 

D

         

                           



Light’s gone, Loose change,

B‹

            strug -gl - ing to pay wear - y - eyed, dry



2

E‹

G

  

 

    face



seems

   

  

slow - ly

   

  





sink - ing,



wast

-



    

-

     tries.



And they

 

scream.

                B‹

       



The

worst things in

   

crum - bl

- ing

      



like

 



  

          

                  

hand

and go

G

mad

for

a

cou - ple

grams.

D

                                       go

us. ’Cause we’re

G





to

to

     

       

        

And she don’t want

come free

E‹

un - der the up - per

 

life

   

        

B‹

Sorgdal

 

     

   

D

     just

 

A

     

      

 



  

ing,



D

pas



out - side

3



       

 to

       

-

                  night.

And in

a

B‹

 

D

E‹

          



 

she flies

to

the Moth - er - land,

B‹

G

        



out - side

G

To Coda Ø

 

for an

 

D

 

         B‹

   

   

-

gels to fly,

G

                      Ooh.

 Sorgdal

man.

     

                    4

 

an - gels to fly.

 

             

D

   

    

D

   



 



                   



  

D“2

    



an - oth - er

B‹

  3                                             

to

D

3

It’s too cold

or sells love



 



          

                   

             pipe

G



  



               





 

 



       

    

               

B‹

G

   

D D.S. al Coda





     

                                   Ooh.



Ø Coda

B‹

 



 

 









B‹



 

   

And

              



for an

 

-

D“2



  



gels to fly,

                                     G



  

 



 

   

 

fly,

                         

D“2

D





                     Sorgdal



  

  

to

                 



D



D“2

D

                    

G

               



D“2



  

for

   

   

an

D

-

     gels

to

die.

                           5

 

The District Sleeps Alone Tonight Words & Music by Jimmy Tamborello & Ben Gibbard

q = 75 C

  

D‹11

 

     C

    

 



 

C

   C

 



 



  

  



 

   D‹11

 



 



 

 



 





A‹7

 



  

D‹11

 



 

D‹11

sim.

 



A‹7

  

 



 



 



 

A‹7



  



 

   

 

  

 

 

 

  

 

A‹7

 

                                       Sorgdal

© Copyright 2003 Where I'm Calling From Music/Dying Songs, USA. Kobalt Music Publishing Limited. All Rights Reserved. International Copyright Secured.

C

D‹11

 

 

Smeared

 



  

 



      





to



 



 

C

 

   is

  



  

 

ash







-

en



last



 

 



 -

mands.



  

Sorgdal





  

   

  

D‹11





 

 

-

 

 

ly lis

-

ten - ing

                

de



  

and I’m bare

 

 

 

  



 



 

A‹7

  







I’m star - ing at the as - phalt won - der -ing

 



 

A‹7

 





 

 

D‹11

 

  



A‹7

face

C

 

 



ink,

 

 

your





 





D‹11

 

  



black

C

 

A‹7



   what’s bur

 

2

 





-

 

ied un





  -



der -neath





where



A‹

FŒ„Š7

 

 

G

    



       

where

    





   





 

 

C





       

 











 



  

   

 



vi - nyl stick - er with big



 



block



   

 





 

 



 

A‹7

                





badge,

D‹11

a

Sorgdal

am.

A‹7

my



I

                                     

D‹11

 

  



I’ll wear

C



 

      



      

  



 

        

 

    

 



FŒ„Š7

F

 





am,

G





 

I



A‹

 

let - ters

  

        

ad - he - rent

   

3

 

 



 

 

to

my



 

chest.

 



  

  

C

D‹11

  

 

A‹7



Tells

 



  



 



 

 

C

I



  



your

new

 

  



am

vi

    



  

 



   

C

  

-









si - tor

 



here.

I



   C

  

 

-



ly thing







  

Sorgdal

-



ing



  

per - ma - nent.



 







 

   

         

  



A‹7

 

               keep

    



D‹11

 

not

A‹7



 

am

                             

the on

 

                



               And



 

         

D‹11

 



A‹7

 

a



 friends

D‹11

       

  

 

me





  

4

 

dry

 

  

 

is

 



     

  

 

where

  



A‹

FŒ„Š7

   

      I so out

(You seem



am, of con - text

in this gau - dy a - part - ment

FŒ„Š7

           (A

stran

-

I ger with

  

   

where plex.)

           

G

 

com -



  

    

ex - plain - ing that I’m

just vis - it - ing.)

where

am. your door

 

key,

                             A‹

FŒ„Š7

G

  

    

   

   (And





             

                     A‹



G

I

I am fin - ’ly

 

          

am. see - ing

why I

was the one

worth

leav

-

                                           FŒ„Š7

 

  -





ing.)



        

(Why I

was the one

worth

leav

-

                                               

 Sorgdal

5

C

 







-



ing.)

                             A‹7

CŒ„Š7

  D.





 

  

   

A‹7

F

  



C.

sleeps

 



 

  CŒ„Š7





D.

 

C.



a - lone

 

  



to - night.



 

  





 



 







   



sleeps







  



    

a - lone

A‹

  

to - night.

Sorgdal



FŒ„Š7

 (You







  

Where

                                                     





  



 

 

FŒ„Š7

 

 



 

   seem

 

I so out

G



           



am,

of con - text

in this gau - dy a - part - ment

                  6

 

com

-

 

where plex.)

        

A‹

FŒ„Š7

G

           (A

stran

-

 

I ger with

   

        

    

ex - plain - ing that I’m

where just vis - it - ing.)

am. your door

key

                                  



A‹

FŒ„Š7

G

  

    

   

   (And

I

I am fin

 

            

am. -

’ly see - ing

why I

was the one

                          

  

FŒ„Š7

 -







ing.)



leav

-

            



 

worth

  

(Why I

was the one worth

leav

-

                                       



C

 

CŒ„Š7

-





C



ing.)

                               

 Sorgdal

7

A‹7

 

FŒ„Š7

G

     

The dis - trict

 

 

sleeps

a - lone



to - night

        

af

-

ter the bars

turn

out

their

lights

                                             



A‹7





FŒ„Š7

     

and leave



au

 

 A‹7

 

  -

tos swerv

       

     

the

G

 

-

in

 

 

 

  

 



the one

worth

        

 

   

And I

 

am fin



 



 

-

to the lone - li - est eve

   

   

 -

ning.

   

 



G

-



  

’ly see - ing



why I

                        

         

ing

FŒ„Š7

 



 

 

was

   

   



 

 



 



the one

worth

leav

-

   

 



FŒ„Š7

 

 -







ing,



why I

was

 leav

-

                

  

Sorgdal





 

 

 

   8

 

 

 



C

 









 

 



the one

worth



                           -

ing,

why I

was

leav

-

                         FŒ„Š7

 

 -











ing,





why I

was

 



the one

worth

 leav

-

                

   

 

 

 

    

C

 



 

 

 









                 ing.

-

   FŒ„Š7

   



  

Sorgdal

  









  

F6

G'4/F

 

 

 





 C

  

9









White Winter Hymnal Words & Music by Robin Pecknold

q = 68 Bb

C‹

Eb 3fr

  

F 6fr





                                                Bb

C‹

Eb 3fr

 

F 6fr









                                                        Bb

     I

Sorgdal

     

was fol - low -ing the, I

     

was fol - low -ing the,

I

     

was fol - low -ing the, I

    

was fol - low -ing the,

       



   



   



   



   















 

 

 

© Copyright 2008 Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.

 

           I

              

was fol -low -ing the pack, all

           



 

swal -lowed in their coats,

      

with scarves of

        

 

red

tied ’round their









throats

 

 

C‹/Bb

  

     

   



   

to keep their lit - tle heads





 



from fall - in’ in the snow.

  

      



 



Eb

 Bb/D

And,Mi - chael, you would fall and turn the white

          



 

       

           I

was fol -low -ing the pack, all

            

 Sorgdal

 

And I turned ’round

 

6fr

            

          

 

 



and





C‹

there



you

go.



 



Bb 3fr

           snow red

as straw -ber -ries

in the sum -mer -time.

                     

   

 

              

swal -lowed in their coats,

      

with scarves of red

         

  2

tied ’round their









 

 

throats

C‹/Bb

  

     

     

to keep their lit - tle heads

             



from fall - ing in the snow.

      

 

And I turned ’round

       

 

Eb

  

           

Bb/D

and







go.

 

C‹

3fr

      And, Mi - chael, you would fall

             



   

    

and turn the white

        

 

    





snow red

as

       straw - ber - ries

                     

Bb



sum -mer - time.



you

     

6fr

        

there

      

I

              

  

 

swal -lowed in their

     

 

the

   

was fol - low - ing the pack, all

     

in





 



C‹

   

coats,

3fr

         

with scarves of

                

 Sorgdal

red

tied ’round their



 





   

throats



     

to keep their lit - tle heads

     

   3

  

 

    

from fall - ing in the

     

  

 

Eb 6fr

  

          

               snow.

And I turned ’round and



 



there



you



C‹

       as



and turn the white

     

 

 

        

Bb 3fr

         

                             snow red

And, Mi - chael, you would fall

     

  

     

Bb/D

go.

     

straw - ber - ries

in



the

Bb

sum -mer - time.



  







 

            

    

C‹

    



 

   

3fr

   

                               



Ooh,

ooh,





        

 

1. Eb



 



 

     

2.

Bb

Bb

6fr

     

  

                              ooh.

 Sorgdal



   



                                             4



Without A Word Words & Music by Jasmine Van Den Bogaerde

q = 80 G

GŒ„Š7

  

G

GŒ„Š7





                             G



 

GŒ„Š7



 

G



 

 

GŒ„Š7

G





 

    1. Hey, you



can tell

                                

 

 

B‹/F#

     

   

Sorgdal

 

 



   





 

C





the world the world



that you’re leav - ing. that you’re ti - red.

                    (2.)



 

 





             



© Copyright 2011 Good Soldier Songs Limited. Warner/Chappell Music Publishing Limited. All Rights Reserved. International Copyright Secured.







G



 

B‹/F#

    



  

And you can pack But your ex - cu -



C



your bags ses, they won’t work

     

and spread your wings. ’cause I’ll know that you’re ly -

                                     





G

 







   





them all your face

                      

I



no

-



    

that it’s o tice all

        

-

ver. the

 

suf -fer - ing.

              

 



G



B‹/F#

 

       

Sorgdal

 

C

 



     And you can tell Every time that I see

 



 

B‹/F#

- ing.

             

  

But Just

      while turn

     

you to

wave my



   

em

good - bye, brace.

-





 

 2





           



C

C6



 



 



      

oh, I’ll be I won’t let you



   

 



get - ting come to



  

  

                      Stand

there



E‹

E‹7







  



E‹

  



         

and

and



E‹7



Sorgdal

    

   



 



   

  

eyes

  

     

tell

      

me

           

E‹7





my

    

 

E‹7



       

             

in - to

E‹



                       





3

         

that

E7“2



               



look

   



  



ser.



               





G

        



ing.

-

E‹

   



clo noth

 





     



q = 95 G





poco rit.



  

            

lies.

     



all

we

had

were



  

G

Show

            

me

 

     

 

E‹

   

    

                       that

you

don’t



E‹7

  

        care

 

E‹



stay

       



             



   here





      

E‹7

          

    



   

            

Yes, I’ll





leave



  

               you



  



        

          



 

 







           

          

with -out a word,

 

 

  

1. q = 80 G

C'9

C“2

C







                        





 

GŒ„Š7

C“2

Sorgdal

                    

    





if you pre - fer.

 





   

and I’ll

E‹

              

  

   



G

  

E‹7

                    

 

with -out a word.

 

4

 

 



    2. And you







can tell

            

2. q = 80 G





 

GŒ„Š7

G







                                



CŒ„Š9



 



With -out

a

word,











G









     with -out



                   

      

a word,

                 

                

CŒ„Š9



 



     with -out

         









  

a word,

with -out

                    

                  

G

    

GŒ„Š7



Sorgdal



a word.

          







                 5





     

Young Blood Words & Music by Thom Powers, Aaron Short & Alisa Xayalith

q = 100 Bb

F

Bb

  

                  



   

Bb

D‹/Bb

   









    

Bb

D‹/Bb

   





Sorgdal





 

     Bb

young and na - ïve

still.

    

 



C/Bb

We re - quire

 



  



    

Bb

D‹/Bb

  cer -tain

     C/Bb

        

The mo -tive chan -ges likethe wind,





   



C/Bb



    

   D‹/Bb

          

skill.

  

             

           

  







C/Bb

1. We’re all







D‹

hard to con -trol when it be -gins.



 



  



    

© Copyright 2010 Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

   

Bb

F

 



   









 



 

 

 

Bb

      





 

  

 

 

 

F



    

    

  

 Sorgdal

 

bit - ter - sweet

    

love

e - ven - tu’l - ly.

    

   

the

in - be -tween,

    

 

  

   



 



teeth

   

    



  

       

C

        

             

2

my

    

D‹

 



Bb

Bb

fall back in

bet - ween

 

    

    

try - ing to find

              



The

 

C

F

    

 

         



    

 



    

Yeah,

yeah,

 

    

yeah.

  

Bb

D‹/Bb

C/Bb

Bb

D‹/Bb

           

   

        



2. Can’t help my -self but count the flaws.

  









     

Bb

D‹/Bb

walls.





 



   

One tem -po -ra - ry





     Sorgdal





   

Feel it start to per - me - ate.

      

C/Bb

be - neath the stars at

C/Bb

      

es - cape.

         We lie

D‹/Bb

    

    

D‹/Bb



    

Bb

 

    

Bb

 

         

C/Bb

           

Claw my way out through these



       

   

C/Bb

  

 

    

   

Bb







night,





       



  



3



   

D‹/Bb

C/Bb

Bb

              our hands grip -ping each oth - er

   





You keep my se - crets, hope to

         



  



   

   

C/Bb

Prom - is - es, swear them to

            



   

F

      Sorgdal

 

    

   



           

  4

       

C

         

                  



sky.

F

               bet -ween my teeth

 

 

  

Bb

The bit -ter -sweet

the

 





Bb

      



die.



        



tight.

D‹/Bb



C/Bb



Bb

 

D‹/Bb

    

try - ing to find

the in - be -tween,

     

    

  

Bb

  

F

Bb

            



fall back in love                  

  

     

 

Bb

       



       

 

     

D‹

     

       

  

 

     

 

   

 



 

  D‹

brit -tle it shakes.

  

  

  

D‹

          

C

            

 



  

       

  





Can you whis - per

 

         

   as it crum -bles and breaks?

              

5

  

C

      

C

  

      

Bb

F

      

Yeah, yeah, yeah.                

Bb



C

        



 

       

      

As it wi - thers,

Sorgdal

e -ven - tu’l -ly.

D‹

Bb

       

D‹

 

F

C

 

  



As you shi - ver,

         

D‹

         count

    

up all

your mis - takes.

 

     Pair of

for - giv

 -

ers,

          

Bb

D‹

           let

go

be - fore it’s too





late.

  

Can you whis

 -

per?

                               

 

Bb



C





       

Bb

  

 

       

F









Can you whis - per?

                                    Sorgdal

       

 

  6

 

 

Bb

F

  

Bb

        



The                    

    

       

F

C

bit -ter - sweet

 

    

 

the in - be - tween,

    

       

  

D‹



Sorgdal

    

 

       

 

love

e - ven - tu’l - ly.

    

   





2. C

D‹

C

Bb

                     

      

  

          



fall back in                

Yeah, yeah,                 

  

teeth

F

1. Bb

   

 

Bb

              try - ing to find



            

be -tween my

   



yeah.

  

          7

Yeah,

yeah, yeah.

    

       

  

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