Sonata IV for Trombone & Piano

September 10, 2017 | Author: Geoff Colmer | Category: Unrest, Classical Music, Entertainment (General)
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Short Description

Descripción: Sonata IV. Originally cello then violin etc. Have now added trombone to this medolic work....

Description

PIANO

Sonata for Trombone & Piano IV

César Franck (b. 1822 d. 1890) arr. Geoff Colmer

Allegretto poco mosso h = 84 (approx.) Soloist

  









    dolce cantabile          

mf

            

Piano



mp

Soloist

dolce cantabile

          

7

 





13



Soloist

 

  





 

Soloist

 

 





sempre legato

   

 



        

 

    





 



 

 



         

  

           

    

p

  



  

         



  

  

         poco rit.           







   



     

                       

cresc.

   

 



 

f





 

mf

f

            



          

            

mp

   

19

 

                               

   

          



         

     

               

    



 

             

 

    

dim.

 

Copyright © 2006 G Colmer ([email protected])

  

mp



                 

2 24

Soloist

 

      

    

 

          

   



 



31

Soloist



     

 

  

 





 



    

   





 

 

   



   

Soloist

 

  

  

 

rall.

     

ff

   

 

     

 

                                      

Tempo II (h = 72 approx.)

delicato





p



 

  







 



 

dolce cantabile

       

   





  

ff

f

p

42

 





molto cresc.

                            

                   

Soloist

 

   

              

f

                    

37

  



molto cresc.

 

             

 



     



 

  

 

       

       

 



 



 



 



       

   

3 46

Soloist

 



      

  

    



 



 



cresc.

    

Soloist

 

  



 

   



mp



            

Soloist

 

 

dim.

 

 

        

espress.

       



    



dolce

 

              

 

     

           

  

   mf

      

   

   

   



 



      

               

pp

pp





         

p

           

   

 





       









                

delicato e legato

 



                        







sempre cantabile molto dolce

63



   

     

sempre legato

                    

 

p



p

   

     

 

      



 Soloist

  



     

dolce cantabile

       

57



Tempo II (h = 72 approx.)

51

 

       dim.





rall.

mf

cresc.

 

espress.





    

 





  

4 68

Soloist

 





















                                     



    

73

Soloist

 









cresc.

espress.

77

Soloist

 











 

  





 













                         dim. espress.                   



     





                  

 









mp













 

molto cantabile e poco più f

                                                                                      



molto cantabile e poco più f

82

Soloist

 



  

  



 cresc.







  







  

 brilliante                             cresc. f               

                 



   

   

  

brilliante

87

Soloist

 



 f

   

 

 Soloist

 

  

 



    ff

     

 Soloist

 

 p

    

 

   subito

p subito

       

                                             

                            

  





       

    

         



      

sempre cresc.

  





 



 

 





  

    

  



ff



  

                                            

               

                             

99

5

sempre cresc.

   

93

 

  

    

  

               

  

          

    

  

  

         

               

                                

103

Soloist

 

  

 

 

 



    

  

    

     

  

                                                        



                                

6

  

107

Soloist

 

     

    

     





                                                           



sempre pp

dim.

                    





 





111

Soloist

 











                                        



     

    

Soloist

 







 Soloist

 













  

  





p

                 

120





  



sempre dolciss.



116



  





  

                         

sempre pp

 















  





 







  











cresc.

mf

                                      



  



 

 

cresc.





 

 



 

 





124

Soloist

 























7







p

                                 



pp

 

128

Soloist

 











   



 







           

      

f

molto cresc.









              ff

                                 



      





molto cresc.







 



  



   

 

f

   

133

Soloist

  





      



 





  

     







               



                    





      

                  

138

Soloist

    



   





      

 



 





   



 

     





 



 

   

 

     

    

8

141

Soloist

 



  





   

cresc.



143

Soloist



 

 





 

 





 



 

 

 

Tempo III (h = 58 approx.)





 

 



poco rall.

 

 







    

 



 





 

  

    3                                                   3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 3                      ff



147

Soloist



 















                                    3 3 3 3 3 3 3 3 3 3 3 3                



150

Soloist

 



  



 





           3

3

 

Tempo II (h = 72 approx.)



3



3

   



 più f

 





   

    

 

   

   









        

    





 

9

154

Soloist

 



   

    

  





     

   



     

   

 









   



         

   



157

Soloist

 



   

  





  

     

   

   

Soloist

 





                    

 

   



   

Tempo III (h = 58 approx.)

161



      





                    

 



 

 

 

     



       3                                                  ff



 

165

Soloist

 

grandioso

3

3

3

 

3

sempre ff grandioso

 







 

3

   

3

3

3

3



 



 

3

3

3

  

3

    

3

3



                                     3 3 3 3 3 3 3 3 3 3 3   3              



10

168

Soloist

 



   



 

Soloist

    3

3

  

   





 

     

Soloist



3

3



    

175

   







 3  3    3  3  3               

 

3

3



 

 

 

 

 

 

 

3







dim.

 





 

 

3  3  3    3  3 3 3 3 3                                                           3

 

ff





 



  



3





  



171

più mosso (h = 64 approx.)

 







(f)



 



 

          3

3

  



 





(mf)

                                  



     

dim.

 



 



      poco rit..

180

Soloist

   









    





mp

mp



    





             

 

 pp



  

       











  

        

11

poco rit..



183

Soloist

   









p

    





 



    

  

  



 





 







 

 

 



mp







Tempo primo (h = 84 approx.) 185

Soloist

 



 mf



   

       

191

Soloist

 

dolce cantabile





   

  





197

Soloist

 





    



  

            

          

 

 

   

    

              



 

 

mp

p

     

        

     

            



 

molto dolce

          





 





  



                        



        

 



         

            

  

           

      

         



 







   

poco a poco cresc.

    

             poco a poco cresc.

           

12 203

Soloist

 



         poco rit.





  

Soloist

 

   

   



f



 



 

      

 

mf

                  

208



              

 



     dim.

 

     



  





                 



     





   

sempre cresc.

    

 

           

   



 



215

Soloist

 

 

  



 

 



    

     

 Soloist









  



    

  

       

  





   rall.

  



  

      

                            ff

f

poco animato



  

               

ff

                     

  

f

                      

221

 

             

  

   

    

  

 





 

ff

                                                  

     

    

 

    

 

 

 

      

             

13 227

Soloist

 



             

              

 

 

  





  

 

   

 

                           



    

 

232

Soloist

  

 

   

  

     

           

                237

Soloist

 





       



240

Soloist

   



 

  

 



   

 

     

f

     

   



  





     

   

  





   

 



     

     

 

       

   

     

   



 

 

    

   

 

 

     

 

fff         

            

 

    





    

(lip trill)

    



   





       

   



            

   

       

 

  



                        

  

    

            



fff





   

 

  



 

Soloist

Sonata for Trombone & Piano IV

César Franck (b. 1822 d. 1890) arr. Geoff Colmer

Allegretto poco mosso h = 84 (approx.)

    8

 

14

 

     dolce cantabile           





     



mf

     



  

       

 

mp

    



     

         



     



poco rit.

20

     

 

35

 





   

mf

f

27

       

      

                      



f

molto cresc.

rall.      Tempo II (h = 72 approx.)                       

     

p

ff

delicato

40

                                 

44

         

       

        cresc.

          mf

espress.

rall.

47

       

dim.

Copyright © 2006 G Colmer ([email protected])

      

p

2

Soloist 50

 

 

Tempo II (h = 72 approx.)



                 mp



       



dolce cantabile

    

58

       

     

mf

66

   75

  





  



      



espress.

    



     

     

pp

  







molto cantabile e poco più f

p

 



    



      



mp

83

   

  

sempre cantabile molto dolce

      

                           f

cresc.

brilliante

sempre cresc.

                                                   

91

ff

                                          

98

p subito

103

                                

107

                      sempre dolciss.

     

117

123

 

  



mf

   







    p

  



p



              cresc.











 









 

Soloist

3

                             

128

  

f

molto cresc.

132

             ff

142

poco rall.

 





 





Tempo III (h = 58 approx.)     



  

 









ff 149



  

Tempo II (h = 72 approx.)









Tempo III (h = 58 approx.)   161       

 

        



    

  

grandioso

ff 168







174

    



  

più mosso (h = 64 approx.)





 



  







 



dim.

  

 



(f)





mp

mp



  

(mf)

poco rit..

poco rit..



 

ff

180

   

  



   





p



   



Tempo primo (h = 84 approx.) 185

   192

 

       

        

      



mf molto dolce

     



  

       

  mp

4

Soloist

198

 

    

         



     





poco a poco cresc.

poco rit.

     

204

        

f

211

 

                        

 

   

 rall.      

ff



f

sempre cresc.

219

    

mf

      



       

                

 

poco animato ff

                                                 

226

232

 













 

  

236

   

240

 

 



  





f



   





 

  







       



 fff

 

 

  

(lip trill)



Soloist (Bb, treble)

Sonata for Trombone & Piano IV

César Franck (b. 1822 d. 1890) arr. Geoff Colmer

Allegretto poco mosso h = 84 (approx.)

  8



dolce cantabile                



mf

     

    

14



poco rit.

    

20

f

27

  

35





  

            

               mf

      

      







mp

     

       



    

                               



f

molto cresc.

     



rall.

      Tempo II (h = 72 approx.)                 p

ff

delicato

40

                                

44

                 

47

mf

       

       

cresc.

        dim.

Copyright © 2006 G Colmer ([email protected])



espress.

rall.

     

p

2

Soloist (Bb, treble)

   

Tempo II (h = 72 approx.)

50



                     mp dolce cantabile    

58

      

66

 

75

 

83

 



mf

  



                cresc.



        

espress.

    





      

sempre cantabile molto dolce

        



pp

mp

molto cantabile e poco più f







      





p

 



   

      

                        brilliante sempre cresc. f

                                           ff

91

                                        p subito

98

103

                               

107

                    dolciss.   sempre     

117

   

123



 mf



p

 





p

   

   





 



            cresc.

 









 

Soloist (Bb, treble)

                           

  

128

f

molto cresc.

            ff  

132

 



  



poco rall.



ff

 



149



 





 





 

 

       



ff

    

174







        









 





più mosso (h = 64 approx.) ff



  

     (f)



dim.

 



 









mp

   

Tempo primo (h = 84 approx.)

 

mf molto dolce

     







 

  

  



(mf)

 

  

poco rit..







        

  

  



poco rit..

    mp



  

   

180

192



grandioso

    

168

 

 

Tempo II (h = 72 approx.)

Tempo III (h = 58 approx.)

   

161

 



Tempo III (h = 58 approx.)

142

185

3



p





 



     

            









mp



4

Soloist (Bb, treble)

    

198



             f

211



219



        

        

mf

    



f

sempre cresc.

    



                               

      



     



poco a poco cresc.

poco rit.

204

        

 rall.      poco animato                                  ff

ff

                                              

226

232











 

236

   240







  







f





 

   

 





 

 





       



 fff



 



(lip trill)



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