Snarky Puppy - Ready Wednesday.pdf
April 10, 2018 | Author: Dani HDZ | Category: N/A
Short Description
Download Snarky Puppy - Ready Wednesday.pdf...
Description
^ [\ Z]ZZ
MUSIC FROM THE FOLLOWING RELEASES: groundUP tell your friends bring us the bright the world is getting smaller the only constant
Notes from Michael “Ready Wednesday” written by Bill Laurance, arranged by Bill Laurance and Michael League transcribed by Chris McQueen recorded on Tell Your Friends, Ropeadope Records 2010
Bill, our London-‐bred keyboard prodigy (and also possibly the nicest human being on earth), always seems to bring tunes to the table that require a more orchestral, dynamic, and dare I say “sensitive” musical approach from the band. I heard this tune for the first time back in 2005, when Billy first visited the USA. It was the same week that Snarky Puppy recorded our very first album, “The Only Constant.” We had just finished tracking the record when Bill proposed the idea of going back into the same studio as a trio (with then-‐drummer Ross Pederson) and recording some songs he had written over the last year. Both “Ready Wednesday” and “The Good Man Deliver and the Best is Blessed” were among them, and we laid them down on piano, acoustic bass, and drums. I still really enjoy this little mini-‐ album we made (which never saw the light of day), and I thought it was a crime to keep Billy’s ingenious little ditties under the radar. In addition to completely changing the feel of the tune (adding a half-‐time backbeat, for one), I wrote a long, lyrical melody (letter C) to provide contrast with the staccato horn/piano parts preceding it. At about 5am on the morning of the Tell Your Friends recording, I blew out Bill’s piano part on the orchestral sections for string trio. The biggest challenge with this one is making the ultra-‐staccato, ultra-‐ syncopated horn/piano stabs in the “verses” as tight as humanly possible. Try it really slowly with a metronome, then gradually speed it up. I remember doing this for about 20 consecutive minutes the day before tracking it. Although it isn’t on the Tell Your Friends version, there is a really interesting outro that Bill attached to the initial version on the tune. We recently resurrected it, as can be seen on the YouTube video cited below. Off-‐the-‐page stuff to try: 1) Treat the tune just like a lead sheet. Try different grooves/styles underneath the melody and harmony, and see what feels good. We’ve been doing it with an afro-‐beat groove, snare and bass on beats 1 and 2. Search “Ready Wednesday Jefferson Center” on YouTube to check it out (with the great Little John Roberts on drums). 2) Mess around with the form of the song. Play certain sections twice, flip the B and C sections around, etc. It’s a very flexible piece of music, as long as you use the orchestral sections as anchor points. 3) Remove the intro and start the tune directly with the rhythmic piano figure.
Ready Wednesday
B flat melody q = 126 Piano Intro
14
A Piano Bass Line starts
In B Band E‹^9
A13 staccato
16
A13 E‹^9
Bill Laurance Arr. Michael League, Bill Laurance
A13 E‹^9
3x
A13 E‹^9
A13 E‹^9
18
A13
E‹^9
D13 A‹9 D13 A‹9
22
A13 E‹^9 A13 E‹^9
24
D13 A‹9
26
30
Band Back In E‹^9
A‹9 D13 A13
© 2010 Mikalimusic (SESAC)
B“ Piano Break
2 33
A13 E‹^9
39
E‹
A7
46
E‹
E‹
A7
A7
E‹
69
E‹ A7
E‹ A7
legato, any octave
A7
A‹ D7
E‹
A7
E‹
A7
E‹ A7
A‹ D7 D7
A‹
D7 A‹
A13
E‹^9
staccato
A13
A7
E‹^9
61
B flat melody
51
E‹
C
Break D B“
E‹^9
D13 A‹9
75
legato tremolo
p
(8)
A13
(4)
D13 E‹^9 A13 E‹^9 A13 A‹9
E
Synth Solo
Solo Backgrounds
E‹^9 A13
Break B“
77
E‹^9
80
F
p
A13
D13
A‹9
(4)
A‹9
D13
(8)
90
G
(12)
e.=e A‹('9)
C^7(#11)
G©‹
H
109
I
E©Ø7
r=e Tempo I, Busy 7/8 Groove
E^7
C‹^7
103 Build B6/F©
A‹('9)
98
3
B flat melody
p
D©“ To Coda G©Ø7/D
sfz
J
Organ Solo
A‹
K
Open
116
A‹9
D13
A‹9
D13
C‹9
F13
120
C‹9
124
A‹9
L
F13
D©‹9
G©13
D13
134
A‹9
D13
F©‹9
M Break
rit.
B13
Piano Cadenza
A‹9
D13
D.S. al Coda
fff
Ready Wednesday
C melody q = 126 Piano Intro
14
A Piano Bass Line starts
B Band In D‹^9
G13
D‹^9
Bill Laurance Arr. Michael League, Bill Laurance 3x
G13
staccato
D‹^9 G13
16
D‹^9
G13
D‹^9
G13 C13 G‹9
19
23
G‹9
25
D‹^9
28
Piano Break
G13
D‹^9
C13 D‹^9 G13 G13
C13 G‹9 C13 A“ G‹9
Band Back In D‹^9
G13
© 2010 Mikalimusic (SESAC)
2
C melody
33
D‹^9
G13
39
D‹ G7
46
D‹
G7
D‹
G13
70
D‹ G7
G7
G‹ C7
D‹^9
D‹
G7
tremolo
G13
D‹ G7
G‹
G‹ C7 C7
C7 G‹
G13
staccato
legato
p
G7
D‹^9
Break D A“
(8)
D‹
legato, any octave
G7
D‹^9
61
D‹
D‹ G7
G7
51
D‹
C
(4)
D‹^9 G13 D‹^9 G13 G‹9 C13 Synth Solo
E
Solo Backgrounds
75
G‹9 C13 D‹^9 G13
77
D‹^9
G13
79
G‹9
C13
C13
G‹9
Break F A“
p
(4)
3
C melody
84
92
G e.=e
G‹('9)
98
H Build
A6/E
116
B¨^7(#11)
F©‹
109
103
(8)
I
D©Ø7
C©“
To Coda F©Ø7/C
sfz
p
D^7
B¨‹^7
G‹('9)
(12)
G‹
Tempo I, Busy 7/8 Groove r=e
J
Organ Solo
C13 G‹9 C13 B¨‹9 E¨13 G‹9
K
Open
F©13 E‹9 A13 G‹9 C13 C©‹9
120
124
B¨‹9
E¨13
L
M Break
G‹9
134
C13
G‹9
C13
rit.
Piano Cadenza
D.S. al Coda
fff
Ready Wednesday
Guitar q = 126
A Piano Bass Line starts
14
B
D‹^9
G13
D‹^9
G13
52
(4)
31
46
3x
G‹9
D‹
G7
D‹
G7
D‹
G7
D‹
G7
D‹
G‹9
G7
D‹
C13
A“
G7
D‹
D‹
G7
G7
D‹
C7
G‹
G‹
G7
C7
G‹
G‹9
C7
C13
D‹^9 p
tremolo
G13
(4)
© 2010 Mikalimusic (SESAC)
D‹
C13
G7
C7
Break
A“
cues: melody, legato
64
G‹
G‹9
G13
G7
G7
D‹
Band Back In D‹^9
cues: melody, legato, any octave
D
C D‹
C13
(4)
G‹9
C13
(8)
Piano Break
Band In
23
39
Piano Intro
Bill Laurance Arr. Michael League, Bill Laurance
(8)
2
D‹^9 G13
72
77
mf
D‹^9
97
G13
G13
A6/E
G‹9
e.=e
G G‹('9)
D©Ø7
C13
cues: melody
D^7
G‹9
p
C©“
G‹('9)
C13
C13
B¨^7(#11)
F©‹
D‹^9
G‹9
C13
7/8 Groove I Tempo I, Busy J
109
G‹9
B¨‹^7
Build
H
103
D‹^9
F
80
Guitar
Funky single notes
Synth Solo
E
F©Ø7/C
Break A“
To Coda
G13
sfz
r=e
Organ Solo
G‹
C13 G‹9 C13 B¨‹9 E¨13 G‹9
K
Open
116
F©13 E‹9 A13 G‹9 C13 C©‹9
120
124
B¨‹9
E¨13
L
G‹9
C13
134
G‹9
C13
M Break
rit.
Piano Cadenza
D.S. al Coda
fff
Ready Wednesday
Piano
q = 126 Piano Intro
A Piano Bass Line starts
ad lib in D minor staccato unless noted
Bill Laurance Arr. Michael League, Bill Laurance
6
9
11
3x
13
B
Band In D‹^9
G13
© 2010 Mikalimusic (SESAC)
V.S.
2
15
Piano
D‹^9
G13
D‹^9
G13
17
D‹^9 G13
D‹^9
G13
21
D‹^9
23
G‹9
G13
G‹9 C13
C13
D‹^9
G13
25
D‹^9
27
G13
G‹9 C13
G‹9
C13
A“
Piano Break
30
3
Piano
Band Back In D‹^9
G13
33
D‹^9
G13
D‹
G7
D‹ G7
(4)
37
49
52
D
G7
G‹9
D‹ G7
D‹ G7
D‹
G7
D‹
G7
(8)
(4)
C13
G7
(4) D‹
melody legato
C7 G‹ C7 D‹
G7
G‹ C7 G‹
43
C D‹
D‹
G7
G‹
C7
D‹ G7
G‹9
D‹
G7
C13
Break A“
Ped.
V.S.
4
Piano
55
62
67
(8)
D‹^9
G13
(4)
D‹^9
G13
G13
D‹^9
G13
D‹^9
G13
D‹^9
D‹^9 G13
p
D‹^9
(4)
G13
D‹^9
G13
(8)
mf E
72
75
Synth Solo
D‹^9
G‹9
G13
D‹^9
C13
G13
G‹9
D‹^9
C13
G13
77
G13
D‹^9
C13 G‹9
79
5
Piano
G‹9
Break F A“
C13
82
Ped.
87
(4)
(8)
93
G
e.=e G‹('9)
6
6
6
6
B¨^7(#11)
6 6 6 6 6 6 6
95
G‹('9)
6 6 6 6 6 6 6
B¨‹^7
97
6
6
6
6
6
6
6
6
6
99
Piano
F©‹
6
6
6 6 6 6 6 6
101
p
6
6
6 6 6 6 6 6
H Build
D©Ø7 A6/E 6 6 6 6 6 6 6 6
103
D^7
105
6
6
6
C©“ 6
To Coda
6 6 6 6
F©Ø7/C
107
sfz
6
6
6
6
6
6
6
6
r=e I Tempo I, Busy 7/8 Groove G‹
Piano
109
7
J
113
Organ Solo
Open
G‹
ad lib in same style
G‹9 C13 G‹9 C13 B¨‹9 E¨13 B¨‹9 E¨13
K
117
121
L
A13 G‹9 C13 G‹9 C13 G‹9 C13 C©‹9 F©13 E‹9
M Break
126
129
Ped.
132
D.S. al Coda
V.S.
8
Piano
134
135
136
6
3
3
6
3
3
rit.
6
3
6 3
3
Piano Cadenza
fff
Pno.
Pno.
ad lib in D minor
$
$$ % *
$
) ( * (+ ) ( * (+ ) ( * (+ ) ( * (+ ( ( ( (
$
$
$
$
'
$
$
$
$
'
$
$
$
Bill Laurance Arr. Michael League, Bill Laurance
3x
// ) ( ,( ( ((((((( (((((((((((( ((( $$ + * * (+ + * 0 1 0 * (+ & ( ( © 2010 Mikalimusic (SESAC)
) ) ( ,( ( ( #( ( (((( ( ( ( -$ ((( & $$ * * + + * * + + + %# + + * * ( ( ) (* ( ( ( ( ( (
10
" " % $$ *
!
6
$$ % ) ) ( ( #( ( ( ( ( -$ ( ( ( ,( ( ( ( ( ( . . & % $$ + * * + + * * + * * (+ ) ( * (+ ) ( * (+ ) ( * (+ ) ( * (+ ) ( * (+ $$ + ( ( # ( ( ( ( ( & ( ( (
"% !
!
& ! %!
! staccato unless noted
$
"% !
!
$
A Piano Bass Line starts $
"% !
!
" !
" " % $$ *
!
C melody
Piano
Guitar
B flat melody
#!
q = 126
Piano Intro
Ready Wednesday
C mel.
Pno.
Gtr.
B flat
C mel.
Pno.
Gtr.
B flat
2
!
%
D‹^9
(
staccato
2) ) ) * ( (( , (( # (( ( (
G13
)
G13
)
'
)
)
D‹^9
)
)
'
)
G13
)
D‹^9
G13
2) ) ) * 2) ) ) * (( (( (( ( (( , (( # (( ( ( ( ( (
!
D‹^9
'
(4)
G13
'
3/ 3/ D‹^9 G13 % ) ) ) ) ) ) ) ) ) ) ) " # ((( ((( , ((( ((( ( ( # ((( ((( , ((( ((( ((( ((( ( ( ( ( ( ( ( & ) ( * (+ ) (0 ) ( * (+ ) ( * (+ % ( ( ( ( 3/ 3/ D‹^9 D‹^9 G13 G13 2 2 2 " % * ( ) ) ( ) ( * ( ) ( ( * ( ) ) ( ) ( * (2 ) ) ( ) ( # (( (( , (( (( # (( (( , (( (( (( ((
"%
17
)
)
D‹^9
)
)
' G13
' ' '
' '
'
'
'
'
'
D‹^9
2) ) ) (( (( (( ( ( (
'
(8)
)
)
)
G13
A13 33 2) ) ) * 2 ) / / # ((( ((( # ((( ((( (( (( ((
3 3/ )/ ( (( # (( (( ( ( ( ( ( , (( ( (( ( (( ) ( * (+ ) ( ( /( ( ( D‹^9 G13 3/ 3/ 2 2 * ( ) ) () ( * ( ) ( # (( (( , (( (( (( ( (( )
D‹^9
*
E‹^9
G13
2) ) ) * 2) ) ) * (( (( (( ( (( , (( # (( ( ( ( ( (
3/ 3/ E‹^9 A13 A13 #E‹^9 2 2 2 * ) ) ) * ) * ) ) ) * (2 ) ) ( ) ( (( " ( ( ( ( ( ( ( # (( (( # (( (( # (( (( # (( (( (( ((
"% *
&
)
'
G13
) ) ) ((( , ((( ((( ((( ((( ( ( ( ( ( ( ( ( ( ( ( (( #( ( ( #( ( ( ( ( ( ( ( ( , (( ( (( ( (( ( ( ( ( ( , (( ( (( ( (( ( ) ( * (+ ) ( * (+ ) ( * (+ ) ( * (+ ) ( * (+ ) ( * (+ ( ( ( ( (
)
'
staccato
# (( ( (
D‹^9
'
"% )
"%
D‹^9
B Band In 14 A13 E‹^9 A13 E‹^9 A13 #E‹^9 2 2 2 2 2 * ) ) ) * ) ) ) * ) ) ) * ) ) ) * ) ) ) * (2 ) ) ( ) ( " ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( # (( (( # (( # (( (( # (( # (( (( # (( (( (( (( (( (( (( (( (( ((
C mel.
Pno.
Gtr.
B flat
C mel.
Pno.
Gtr.
B flat
!
'
C13
'
(() (() (() ( (( (( ( ( ) * ( 4 C13 2 ((* (() ) (() ( ( (
'
C13
G‹9
(( ) (( ) (( ) ( (( (( ( ) * ( ( 4 G‹9 2 (( * (( ) ) (( ) ( ( (
C13
D‹^9
'
'
(() (() (() ( ) ( ) ( ( ( ( ( # (( #( ( ( ( ( )(* ( ) * (+ ( C13 D‹^9 2 ((* (() ) (() ( * (2 ) ) ( ( ( # (( # ((
'
D‹^9
D‹^9
G13
$
$
Piano Break
*
G13
(( , (( ( (
)
G13
$
$
2) ) ) (( (( (( ( ( (
'
) ) ) (( , (( (( (( (( ( ( (( (( ( + + ( ( ( ) * (
)
'
G13
2 (( ) ) (( ) (( ( ( (
G‹9 C13 G‹9 C13 A“ 5 3/ 3/ " % ) # (( ) (( ) ( ) ( ) ( ( ) ((( ) ((( ) ((() ((() ((() ((( ) ((( ) ((( ) ((() ((() (((* ' ' ' ' ' ' ' ' ( ( ( ( ( ( ( ( ( ( , (( ( (( ( (( ( ( & ) ( * (+ ) ( ( /( ) (* ( ( ) (* ( ) (* ( ( ) (0 % ' ' ' ' ' ' ' ' ( ( 4 4 ( 4 ( D‹^9 G13 C13 2 G‹9 2 C13 2 A“2 3/ 3/ G‹9 2 2 2 $ $ " % * ( ) ) ( ) ( * ( ) ( ( * ((( ) ) ((( ) (((* ((() ) ((() ((( * ((( ) ) ((( ) (((* ((() ) (((* # (( (( , (( (( ( ( ((
!
25
A13 D13 2 A‹9 2 D13 2 B“ 3/ 3/ A‹9 2 2 #E‹^9 2 2 " * # (( ) ) (( ) ( * ( ) ( ( * ((( ) ) () (( (((* ((() ) ((() ((( * ((( ) ) () (( (((* ((() ) (((* ( ( # (( (( (( (( G‹9 C13 G‹9 C13 A“ 5 % ) ' ' ' ' ' ' ' ' '6 * "
(( ) (( ) (( (( ( & % ( ) * (4 G‹9 2 % " * ((( ) ) ((( )
G‹9
'
"% )
"%
G‹9
D13 A‹9 D13 E‹^9 A13 2 2 2 # A‹9 2 2 * ( ) ) ( ) ( * ( ) ) ( ) ( * ( ) ) ( ) ( * ( ) ) ( ) * ) ) ) " (( (( (( (( (( (( (( # (( * (( (( (( (( (( # ((( # ((( ( (
22
3
C mel.
Pno.
Gtr.
B flat
C mel.
Pno.
Gtr.
B flat
4
D‹^9
'
)
'
)
)
G13
'
G13
A13
)
'
)
D‹
G7
D‹
D‹
G7
( ( G7 (
A7
(
( D‹ G7
.
D‹ G7
E‹ A7
G7
D‹
G7
D‹ G7
"% 0 ( ( ( ( ( ( ( . (
D‹
( ( ( ( ( ( ( (( . % 0 " ( ( ( ( ( (( . (4) &% ' ' '
!
"%
G7
E‹
( ( ( ( ( ( (( .
A7
( 0 ( (
D‹
# E‹ " 0
36
.
.
G7
'
D‹
D‹
( ( D‹
E‹
'
(8)
(
G7
A7
((
G7
( ( 0 ( ( ( ( ( #(
D‹ G7 D‹
'
. .
)
)
G13
)
*
.
G‹
0
C7
.
( C7(
A‹
(
( ( C7( G‹
((
D7 ( ( ( ( ( (
.
'
D‹ G7
. .
G7
D‹ G7
D‹
.
.
E‹ A7
'
G‹ C7 C7 ( ( 0 ( ( ( ( ((
'
(4)
( C7( G‹( ( C7 ( ( 0 ( ( ( ( ( ( (( (( G‹ C7 G‹
'
. .
0
G‹
G‹ C7 G‹
C7
( D7(
legato, any octave
.
D‹
G‹
C7
G7
G7
) ( * (+ ) ( * (+ ( (
melody legato
. .
D‹
C7
.
G7
cues: melody, legato, any octave
.
D‹
A‹ D7 A‹
.
A7
legato, any octave
.
C E‹
D7
2* (( (
( ( ) * (() * ( ( 4 4
. .
G‹
.
G‹
.
A‹
G13
2) ) ) * 2 ) ) ( # (( ((( , ((( (((
G7 ( ( ( ( (( ( ( # ( 0 ( (( #((( (
G7
G7
0 #( ( (
D‹
D‹ G7 D‹
.
D‹ G7
)
'
(4)
2) ) ) * 2 ) ) 2 * ( # (( ((( # ((( ((( (((
A13
( ( # (( (( ( ( ( ( ( , (( ( (( ( (( ) ( * (+ ) ( * (+ (
( D‹^9 *
)
D‹^9
*
E‹^9
( ( ( ( ( ( #( (
A7
'
' 0
'
'
E‹
'
'
'
'
'
'
E‹ A7
( ( (( # (( (( ( ( ( ( ( , (( ( (( ( (( ( & ) ( * (+ ) ( * (+ % ( ( D‹^9 G13 2 % * ) ) ) * 2)) ) " ( ( ( # (( (( , (( ((( ((( (((
"% )
!
"%
D‹^9
Band Back In #E‹^9
" * # ((2 ) ) (( ) ( * (2 ) ) ( ) (( ( ( # (( (( (( (
30
D‹
D‹
C mel.
Pno.
Ped.
$
$
.
' D‹ G7
. .
D‹ G7
.
D‹ G7
.
E‹ A7
$
$
$
'
G7
D‹
$
'
(4)
G7
G7
' ' ' '
D‹
$
' ' ' ' ' ' ' '
D‹
G7
' ' ' '
D‹
$ '
staccato
' G‹9
G‹9
7 8 ' ' C13
'
C13
A“
) '5 6
A“
$
$
staccato
$
$
cues: melody, legato
(
legato $
-$
-$
($
-$
9: 9;
9: 9;
9: 9;
G13 2 D‹^9 2 G13 2 A“2 2 9: * (( ) ) (( ) ((* (() ) (() (( 87 * (( ) ) (( ) ((* (() ) (( 9; ( ( ( ( ( ( ( ( ( ( (
D‹^9
C13
'
C13
) (( ) (( ) ( ) ( ) ( ) (( 87 ) (( ) (( ) ( ) ( ) ( ( ( ( (( ( (( ( (( ( ( ( ( ( (( ( (( ( ( ( ( ( ( ) * ( ( ) * ( 87 ) * ( ( ) * ( ( 4 4 4
G‹9
'
G‹9
E‹^9
A13 2 E‹^9 2 A13 2 2 7 * (( ) ) () ( * ( ) ) ( ) ( * ( ) ) () ( * ( ) ) ( 9: ( (( (( (( (( (( 8 (( (( (( (( (( 9;
5
" % 9;
9:
$
$
$
$
legato
-$
' ( ((( ((( ((( (( ( ((( ((( ((( (( ( ((( ((( ((( (( ( ((( ((( ((( (( ( ((( ((( ((( (( 3 3 & 9: $ $ $ $ $ % 9; " -$
" % 9;
!
Gtr.
9:
9: " % 9;
D # 9:
" 9;
52
G7
G7
G7
A7
+ + % ) (* ( ( ) (* ( (
"% .
&
. "% .
!
"%
.
D‹
B flat
C mel.
Pno.
Gtr.
B flat
# E‹ " .
46
Break B“ 2
C mel.
Pno.
Gtr.
B flat
C mel.
Pno.
Gtr.
B flat
6
'
'
'
'
%
"%
&
G13
"% ' ' ' '
D‹^9
#
"%
!
"
70
-$
-$
3 "% -$
"% -$
'
"% '
"%
!
($
($
(4)
-$
#
" -$
58
'
(8)
'
(8)
-$
3 -$
'
($
-$
-$
3 -$
'
($
-$
'
(8)
'
(8)
G13
!
(
p
#. . .
"$ #$'
D‹^9
'
G13
'
G13
'
'
. ,. .
G13
(
G13
G13 ) ,))
. #. .
A13
'
D‹^9
'
D‹^9
'
D‹^9
'
E‹^9
) (* (+
'
'
'
'
G13
'
G13
'
G13
'
'
'
'
G13
'
A13
D‹^9
'
(4)
'
D‹^9
'
'
D‹^9
'
'
$$ % ' &
'
'
'
'
'
G13
'
C13
C13 $$ * (( ) ) (( ) ( * (2 ) ) ( ) (( & ( ( (( (( (( (
Solo Backgrounds G‹9 % 2
G‹9
G‹9
C13
'
'
G13
D13 $$ * (( ) ) (( ) ( * (2 ) ) ( ) (( & ( ( (( (( (( (
Solo Backgrounds A‹9 2 %
'
(4)
'
(4)
G13
' ' ' ' ' ' ' ' ' ' ' ' ' ' ' '
'
'
'
. . .
D‹^9 G13 D‹^9
'
'
(4)
$$ % ) ( ) ( ) ( ) ( ) ( ) ( ' ' ' ' ' ' ' ( ( ( ( ( ( ( (( ( (( ( (( ( mf ( ( $$ ) ( * + ) ( * + ( * + ) ( * + $$ ) ) * ( ) * ( ( (( ( (( ( & ( # ( 4 4 ( mf D‹^9
G13
'
A13
" $Funky single notes ' ' #$'
D‹^9
E E‹^9Synth Solo "$ ' #$'
p tremolo
< #. .
tremolo
tremolo
) (* (+
D‹^9
! D‹^9 - $
View more...
Comments
