SHOW BOAT vocal score

January 12, 2018 | Author: Doug Stotter | Category: Vocal Music, Pop Culture, Elements Of Music, Performing Arts, Music Theory
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JEROME KERN

To B. HARMS COMPANY RKO BLOC.

ROCKEFELLER CENTER

N. 1.10, N. Y.

SHOW BOAT A MUSICAL PLAY Adaped fiPm Edna Fakr's novd of the same name

MUSIC BY

JEROME KERN BOOK AND LYRICS BY

0 -

HAMMERSTEIN 2nd Vocal Score

....

Price $6.00

T, B, HARMS COMPANY RKO DL-.

ROCIICILLIR C I N l 8 R

ALL RIGHTS REbERVSD

RLnradi0hU.SA.

N. Y. 20, N. Y.

SYNOPSIS OF SCENES

ACT I The Levee at Natchez on the Mississippi-in

the late E2'ghteen-kghties.

Kitchen Pantry of the " Cotton Blossom "--a Half Hour Later. Outside a Waterfront Gambling Saloon-Simultaneous with Scene 2 . Auditorium and Stage of the " Cotton Blossom "-One

Hour Later.

Box-office, on ~bredeckof the '' Cotton Blossom "--Three Weeks Later. Auditorium and Stage of the " Cotton Blossom "-During " The Parson's Bride "-That Evening.

the Third Act of

The Top Deck of the " Cotton Blossom " -Later that Night. \

The Levee-Next

Morning.

ACT I1 SCENEI . A Midway Plaisance, Chicago World's Fair, 1893. SCENE2. A Room on Ontario Street, 1904.

SCENE3. Rehearsal Room of the Trocadero Music Hall-About SCENE 4. Trocadero Music Hall-New

Year's Eve,

I I .30,

5 p.m.

194.

SCENE 5. In front of the Office of" The Natchez Evening Democrat," 1927. SCENE6. Top Deck of the new " Cotton Blossom," 1927.

SCENE7. Levee at Natchez-the

Next Night.

TABLE OF CONTENTS v . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..: ...

Ovnntnr

ACT I

NO.

IOreJnso-(a)

CaougD

............

CUORUS

-

...............

(b) Cap- Aldy's Emmma ASD BALLY-HOO (e)S~~a(Roornd) Where's the h t c for me ? D u a r ( R a w d d M ~ a ) ** UICie-Brlim " -0

......

... ......

u#)M D M# I1

C o x a m n ~NuOmNlNG scma I11 SONQ(&.U~C)ANDGUU Sawa (Rarxml)AND M w

.

IV

...... ......

...... ......

......

v

0-scmm

...... ......

hrrr(Eldi.dFr.a))

......

RULT-HOO (-air)

CHORUS

AND

VI DANCH

omxNt3-sa.h

S ' NIALL IV

......

.........

...... D u a r ( ~ d M ~ a...) Oranno--SQNI VIII FINALnB~R'ACII . . . . . . . . . . . . Omhmro--scmm VII

** 01' M.n R i v a "

--

............... .................. ... (Life on rhe wicked stage) ......

** Lift on tbe T i e d Stage "

Till good luck annes my way "

...

......

... ..r

.............

Onu3m+scmn I11 ruo Sowo (Julie!

1V (a) CqClOi.A&'s (b) (

ENTRANCE 4

m e man who ventures with act)

............... ............... .................. mightfal fall back on you" ... (Linle girl, you arc safe with me) ... . . . . . . . . . . . . . . . (Hey I where yo' think yo' goin' ?) ... ...............

............... ................ .................. ** You are Lave " ...... ( O n e a wand'* ne'er-do-well) ...

. . . . . . . . . . . . . . . (Oh, tell ,me,did you m r ?) ...... ................ A C T I1

............. ......

scml I1

"... ....... (Onlym8kebeliewIbvepou) ... ...... (Dee's an 01' man alled de Missirdppi) .................. (Fish got to swim, m d birds got to fly)

nwr,

R n r u ~AND l oHNmo--. (a: AT w WOUD'S FAIR (b) FATUU'S I)nwa (c) Dmmm as P u n n (a)F A ~ ' Smco~n, s Dirwca Euarotls

... ...

de Mislsippi) (Csptain Andy. Ca&n Andy) (Whocamif mybatgocr up-strum?) (Nipgar dl work on

. . .

... (When we tell them about it dl) ............... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Whenthesportsofg8yChiago) ... ............... .................. **whydo1love you?" ... (I'm waking on the d a r ) ... ... "DdKmlq" . . . . . . . . . (Dyunga Doe! Oyuap Doe 0 . . . . . . . . . . . . . . . . . . ................ 8ir,

............ ** C.a't &lp lovin*&t man " ... I4

Bilk "

(I wd to d r a m that I would dircoocr) (Fish got to swim, md birds got to fly)

..................

(A linle rmiden climbed)

......

(01' man Riva, &t ol',Man R i v a l

...

... Blouam) ... .........

(You taught me to u e oae truth)

scPn VII (a) RPIZII , . . . . . . . . . . ... (b! Sara (Kim)AND CHORUS FINALE

...............

(ConoPBlossom.

Co-

(Muaic in the air)

..................

PAGE

5

OVERTURE JEROME KERN

Strings

/

2967%

-

-

Copyright 1928 by T. B. Harms Company, New York, N. Y. International Copyright Secured Made in U. S. A. ALL RIGHTS RESERVED including public performance for profit Any arrangement or adaptation of this cornpodtion without the consent of the owner is an infringement of cop#t

Str. & Mr.W.

O Ben sostenuto

Brass

>

I

Cymb.

12

Opening Act I

No. 1

The Levee At Natchez On The Mississippi Music by JEROME KERN

Lyrics by OSCAR HAMMERSTEIN IInd

IN

Andante e mesto (.

. . 'cl la barnbmde)

Curtain

t

Colored

Mcn

t

t

* t # t t t t

I

ij Colored

white

men

play

Load

-

ill?

hy

b6ats

wid

de

Colored Chorus

s

5 Colored Chorus

i

- long,

Hey!

-

Mis- sis sip- pi,

Nig-gers all work on de

1

1

1

Nig-gers dl workwhilede white folks play

r

'

I

Load-in'

ipboats wid

de

1

I

I

Chorus

s 51

bales of

cot

- ton,

-

Git tin' no

rest

judg - ment

till de

day.

a

C

P Colored

I

I"

Colored Chorus

c o t - ton

I

&ow- in'

P)

-

b ~ o s &om,

I

tree.

I

en I 1

IA

-

cot - ton bYos Em,

I I

w

I

pack you

When dey

pack you

I

n

A

1

I .

d6y

I I

I J

I I

I.

w

Ke

l e v - ee

de

lev

n

si

I

&ow-

k9 free.

on

-

ee

I

E 0

Colored Chorus

18

Lo stesso ternno

id

Colored Chorus

colored Chorus

Z

8

Nig- gers

'

all

work

on

de

Mis

-

-

sis

sip

-

pi

Colored Ch o r n Calared Chorus

I

.

lev

lee-

Nig-gers all work while de white man play.-

works r

r

Load-ing up boats wid de

z

$ Colored Chorus

c

f

I

bales of

6ot - ton

kt-ting no

rest till he

Judg - ment day.

Colored Chorus

Co:orzd Chorus

Calored Chorus

Love

to

ske

you

Canriccioso

-

.-

(Cross ove.r)

stacc.

I

I

Vigoroso A

I

.

EtcC~~u?dot. of gown beaux

f

Girls

BOP .

Girls

Boys

Girls

I_"

You will f h d

-

act ing thus

Girls

n Boys

-

I*

lot

we

These ire not the davs Af

know!

old.

Boys

See!

Bbys

Oobcd

Women

The showboat!Tl&t's old cLP-t&n A n - V b o t - ton ~10s-somFill you Y>?

GIBLS I I

Boys

I

'Twill

-

-

/

I I I

I

I

I

I

1

I

r,

b

a

m

I

I

r

1 I

be

de

I

I

I

-

light

-

I

ful,

I

Colored

Women

Girls

I

1

.Colored

I

Women

I

I

I

I

I

I

I

I

Girls

I'

-

'get per mis-sion fiom I% - - pa.

i

4

3

s

Colored

l

:

I

1

+

i

25

Lo stesso tempo 1-

Girls &

Boys

' Colored Chorus

m42 poco a p o c o

Girls &

Boys

I

1,

Colored

Chorus

I

great - est I

I

of diarn-mers and

jol I

-

ly co-me - dies,

~te-phenBa - Ger, the rqrU poco a poco

Girls &

Boys

hand-som-est

l&d - ing

man And beau - ii

- ful

Ju

-

lie L a -verne as

Coked Chorus

Girls &

Boys

Col3red Chorus

I

I

"Cot-ton ~oioasom;' cap-tain An-dfs

Cot-ton blos-som, a tmtpo.

cot-ton blos-som,

Love to see you

&at

- ing

show!

grow-in' free,

Girls &

Boys

I-

Thrills and laugh-ter,

n dey pack you

solored Chorus

-

con-cert af ter,

on de lev- ee

Ev- 'ry - bo-dyk

You're a heav-y

sure

to

go.

load to

me.

Girls &

Boys

-

float ing show!

Cdored chorus

1

Cot-ton blos-som, cot-ton blos-som

Love to

see you

-

grow in' wild.

Girls 6 Boys

I

. . Thrills and laugh-ter,

Con-cert aft- er,

Get your girl and

go.

P a r t h y Ann UppeUr8. '54ndy K a r k s ! D r a t t h a t mart, Be'# never around!" L

I

I

The band appears, led by Captain Andy Gith a couple of town girls on each a r m .

30

A

I-

Allegretto

GIRLS &BOYS

cap-tain An-dy, cap-tain An-dy, we've been hear -lhg all

-

a -bout your dm-dy -

Captain Andy's Bally - Hoo Moderato

L o stesso tempo

I"

1 I

1

I

show sound dan - dy.

Frank and

El

-

lie,

chon I

CAPT. ANDY

let's I

show

them

.

Dancettc ELLIE & FRANK.

Pete attd Stere struggle. Rva......................................................... -.-.-..--.-.-.

I

Th'rills i n d 1iugh-ier,

con-cert i f - fer,

at

iour i i r l and

go!

A

G'locoso

PARTHY :"~'llhczremore fo s o y to you lafer.f"(Parfhy e x i f )

Dolce e moderato

1

- - - - - - - #he dmps her h a t r d k d i g l

Broad

i

Andante moderato

i

I

Andante moderato

I-

gale

bids me

go

with the

riv

- er's

flow?-

Pinpro of

i'

etage. Raarnal l i s t e n s , amused a t t h e

poor r e n d i t i o n .

A

..

NagnoCin~a p p e a r s on u p p e r deck o ~ " ~ o f t oBlossom" n a n d sees Rnrenal.

I

thank my

I

- k i d 0th- er

luck

-

Y

1

stars

times

I won-der where& the mate?

MAGNOLIA

He1

r my

y

-

lo!

heart

is

free,

RAVENAL

4

I Viola

Animato

Moderato armonioso

I

Deliberato

A

-n-

Make - Believe (Ravenal and Magnolia)

- lieve

- -

5

that you love

me.

0th

-

ers

I"

tend,

h u do n t of

- -- 3 5

- fend

lov

-

erk

part

.

t

Allegretto

1"

fi r,

I-

TLe game of- just ;up-

pas-ing-

is {he sweet-est-game1

know;-

RAVENAL

And if the things we dream a

- bout ciodt

hap- pen

to be

so,-

Poco animato

1"

Pi and

Qb,

1f

we put o'ur thbughtsin

I"

1"

yrac

-

tice,

V

make be-hew--

We canban-ishall r e

I

love

you,-

- gret

\.Ve

-

-

c&ld make bk lieve - .

or two, or I

three.

- Might I

as

w ~ l l make \

1

be -

i

Ravenal

Magnolia.

tell Ravenal .

the truih,-

do.

01' Man River

No. 3

(Joe and Male Chorus)

Lento VOICE

Piano

Con sentimento

I

01' man Xiv

- er,

He

jes keeps

1

- fin

a

-

lon'.

-

-

You

I

1

Bod

"Lift

-y

dat

all

-

ach in9 an'

bale!"

ail'

me

rachd wid

Git

a

we

sweat

pain.

iit

"Tote

-

t'le

ar.'

dat

drunk

strain,

barge!I7

an'

you'll

-

4;:

fi

8 . II

II

I

v

wI I r

IuI

r

jes' keeps rol- lin'

I

I I

II I

I

I

-

lon'.

work

on

a

III 1 L. *m

L

II

'

.r

II A

I1 2

w

Moderato

Nig

- gers

all

de

Mis

-

sis

-

sip

-

pi,

( ~ v r t a i n sclosr i n

1

~ i j g - i e r sall work while de

white folks play

h l - l!n' dose boats, from he

I

Don't

I

white

look

boss

up,

an'

frown.

don't

look

down,

B inti

You

r

your

don't

dast

knees

make

de

68

a tempo.

s

-

sis

-

sip

i iet

r

me

r

go

r 'way

r

from

r de

whte

r

man

I

boss.

-

pi,

Lo stesso tempo I

Colored Male Chorus

01'

man

-

er,

dat,

01'

man

I

.

Riv

-

er,

&e

1

I

I

I

Joe

Colored Male ' Chorus

Riv

I

I

I I

Joe

I

#

must

know

;urnp

- in',

dut

don+

say

noth

-

id,

He

-

Joe

1

I I

I

Colored Male Chorus

Joe

a

4;: f

c

I

I

Lon:

Colored Male Chorus

I

* - P a II

r

old riv

I

r

- er

-C: I I

I I I I

for

I

-

I

II I1

r

ev

a I I

V r

- er

I

I I I

I I I

I

C

-

I

I

I I I I

I

m- D

/

keeps rol lin'

on.

DO& plant 'ta

lon'.

II -

' I (

I

I

r2

Y

I

I

I

.

I

I

- ters,

he 1

w

1

I

Colored Male Chorus

L

I I

v

Joe.

I

F

1)

-

-

don't plant cot ton .my dem dat plants 'ern

J

I

I I

is

I

soon for - got-ten; But

Joe

I Colored Malc Chorus

~ b n p01' riv-

er

bps

Joe

You

hear- in' dat song..

Colored Male Chorus L\.

-

an9

me,

we

sweat

an9

strain,

(Humming)

1-

I

u

_I . I

1

J

1

0

I

V

Joe

I Colored Male Chorus

Bod

-y

all

-

ach in9 and racked wid

pain.,

"Tote

&t

barge!"

an'

I

~ i f t

dat

bale!"

We

pits

a

fit

-

tiedrunk

an'

Colored Male

Chorus

Colored Male Chorus

Ah gits wear- y

an'

sick

of

try - in',

we

CTesc I

I

Joe

Colored Male Chorus

1 L \ 1 1

v

-*

Colored Male Chorus

I

I

I I

I I

I

Id

I

I

I .

1

tired

of

liv - in9 an9 scared of

If

tired

of

liv

I

Joe

,

* +

m

n

I

- in9

an7 scared of

*

4 v

U

r

I

CI v r

+ I

R w I

JJp I I

I

I 1

I

I

1 I

I

R U

I

r

dy

-i4

But

01' man Riv

- er

he

dy

- in',

But

01' man Riv

-

he

--

/

f

+

II II

w

e

I

1

I I

I

I

jes9

keeps

rol

-

lin9 a

-

14.

1)

jes9

keeps

rol

-

lin9 a

-

lon?.

4 I I

er

* I

L

v W.

I

Scene I1

No. 4

Kitchen Pantry of the "Cotton Blossom" Aliegro con brio

Piano

I Curtain

I

as

Andantino

Btttrr Quee/tce foilorred by Julie.

( h Z &Solo l ~ ~Violin )

v

1

Andante esoress.

I

I

I

Can't Help Lovin9 Da t

No. 6

.

Man

(Julie, Queenie, Magnolia, Joe and Mixed Quartet)

VOICE

Piano

mine.

No.

5

Can't Help Lovin9 D a t

,

Man

(Julie, Queenie, Magnolia, Joe and Mixed Quartet)

Moderato VOICE

Piano

an till

I

diej-

-

in' dat man-

of

- m'

I

Oh, lis-ten, sis - ter,

dat man -

'I love my Mis-ter

man

and

1

can't-

I*

I Can't

help

lov

- in'

dat man-

of

mine.

I

I

And d e n

he

comes

4 -d

st:.

I

1

when dere

is work to

do.

Queenie

R

when -

He's nev-er roun' me

dere's work

-

in' t o

do.

Joe

Queenie

I

Joe

I

I

I I

I

I

Queenie

II

But he don9-

w

He can be hap-py

seem to care,-

Joe

Queenie

Joe

Why

II

r

Ah gin?

7

-

-

ev- en loveshim when his kis

- ses got

you

gin.

dl

thk 'bout

Julie with Soprano

Fishgot to s w i m and birds got to fly,-

I got to love-

Fish got to swim- and birds got to fly,-

I got to love- one

Fish got to swim- and birds got to fly,

I got to love- one

one

Queenie

Alto

Joe

- -

-

While

de

birds

fly

till.

While

de

birds

fly

till

birds

fly u p in de

I Solo Bass 1

While

Y

I

sky

de

Ju 1 ie w~th Soprano

man till I die,-

Can't

help

lov-in' dat man

of mine.

man till I

die,-

Can't

help

lov-in'datman-

of mine.

man till I

die,-

Can't

he1p

lov- in' dat man - of mine.

dies

1'11

love

dat

gal

of mine or else she

d y - in'

I'll

love

dat

gal

of mine

Alto

Joe

world

1 Baritone

world

is

I

gal

loves

me; dat's why she's- true g a l

I

of mine. She

Julie with

Soprano

Tell me he's la

-

zy, tell me he's slowr

Tell me he's la

-

zy,

tell me he& slowr

Tell me he's la

-

zy,

tell me he's slow,.

Queenie

Alto

Joe

ain't my gal. she's

la

-

zY

and

slow,

1a

-

ZY

and

slow,

la

-

ZY

and

t

I Baritone

may

be

slow as cold mo

-

Jnlie with Sopranc

tell me I& era

-

zy,

may-be

I know,-

can't

help

Queenie

tell me

Ib

cra

-

zy,

may-be I

know,-

can't

help

tell me

Ih

era

-

zy,

-be

I

know,-

can't

help

Alto

Joe -

- -

-

-.-

know.

can't

help

her so

can't

help

I Baritone

era

-

ZY,

lov

-

in'

-

I Solo

Bass

I

r1

I

las

-

ses

I

I I ) .

I

I

r2

know,

can't help - lov- in9-

.

Julie with Soprano

- in' dat man - of mine!

When he goes a -

-

lov- in' dat man-

of mine!

When he goes a

lov - in' dat man-

of mine!

When he goes a -

Alto

.

Joe

I! :

Vr

I I

lw -

in'

I 1

a-

I !

a 1

I. 1

u

a

F I

dat gal, she's jes'as

l

r . ) r

l

I

I

1

1

I

I 1

I

I

I I

I

1

cra- z y 'bout me When I goes a

When F. goes a

-

-.

I Solo Bas0

I

dat

a

gal

of

mine!

When I goes a -

Julie

aft&

Soprano

Way7 -

Dat's

day, -

Ao'when he comes

Way,

at's a rain- y

day,

An'when he comes

Way7

~ a t ha r a i n - y

day,

An'when he comes

All d e r a i n - y

day,

An,when I comes

Ways

All de rain- y

day,

Ankhen I comes

way,Dat's lov-in'

All de rain--y

da); dat's lov-in'

An'yhen I comes

a rain-y

Queenie

Alto

IBaritone.

I Solo Base

Julie

with

Soprano

back dat day is

fine .--The

backdat day is

fine --

back dat day is

fine -- The sunwill shineyes sis-ter, He cancomehome- as

backdat day is

fine.

Yes,sis-ter, She cancomehome- as

back dat day is

fine. -

Yes, sis-ter, She cancomehome- as

back dat day is

fine.-

Yes,sis-ter, She cancomehome- as

sun will shine.

He cancome home- 2s

Qaetnie

Y

The sunwill shine,Yes sis-ter, He cancome home- as

Alto

1I Joe

I Baritone

I I Solo Bass

late a s can be,-

Homewikut him- aidt no hometo me,-

can't

help

late as can be7-

Homewitli-out him-ain't

nohome to mer

can't

help

late as can be,-

Honiewith-out him- ain't

no home to me,-

can't

help

late as can be,

Homewith-out her- ain't

no home to me,-

can't

help

late as can b e ,

home with-out her- ain't no home to me,-

Can't

help

late as can be,-

Home witkout her- ain't

can't

help

Qbeenie

Alto

Joe

[ Baritone

I

I Solo Bass

no home to me,-

I

II

Julie with Soprano

in'&t man-

of mine! -

lov-in'dat' man-

of mine! -

lov-in' &t gal-

of mine l-

Queenie

Alto

Joe

mine! \

I Bariton

lov-in7&t gal-

I

of mine!-

mine!

(Fur encore

see

top

of

ynac 7.5.)

86

*

Life On The Wicked Stage

No. 7

(Ellie and Girls) ELLIE Y

I

T'OICE

a n U

I

I1

I1

A

k

11

-

on

L II

m-.

dl.

'

Life up

/ -

.

a tempo I

I I I

the wick- ed

Piano

1

I

I

/

ri

I I

I

stage Ain't

gems

n

II

I

L

s

IT

II

U

L

I

1

m

. U 11 I

-0

ev

-

er what a

ro

-

I

I I I I

& I I -I

-

girl

bs.

1

I

I I

d

sup

I

-

When you

1 I

I

I

--

A

I

pos

let

-

es;

a fel

-

ler

ru

- in- mg

ycjur

re

-

jewels and

sab

-

les

On

-

ly

live

in

Ae

-

sop's Fa

a tempo. -

I

Girls

I I

I

I1

A

mi? I

L \

I 1

- bles.

m

a

a

1 1 I J

I 1

1 1

I 1

I I

m I

I

I

Thoughweb lis-tenb to you

Ellie

Y

Life up -on thewick-ed stage is no-thing for a

-

girl!

GIRLS

A

1"

I V .

r

I

I

I

I

I

I

-

moan and grieve, You

d

r

t;Lilk~inwiat I

I

must dar don us

-

1 I 1 4 1

1

ain't,

if we

I

I

I

I I

r And

r

r

I like

I I

do

I I I

I

I

I

r to play a

be - lieve you,

not

I

I

I

I

1

I

I

I

de

- mi morid - y

rble

Life

Ask the h e - ro does he

with soul!

up

-

-

on

Y---

-

the wick ed

stage ain't

ev

-

like &c way I lure

er what a

girl

d-

sup

-

I a tempo.

I -"

stage ain't

no

-

thin' for

a

girl. You'd be back the

sea - son I

af

-

ter!

94

No. 8

Till Good Luck Comes My Way

~

(Ravenal and Men)

A1legro moderato

Piano

I I

I I

I

That

Y

'

Ah- &-wise is

I-

I='

l o t - have their fate se-cure in a guard-edspot of the world,

-

They're

wel-cbme to their drab

ca

-

reer.

Poco lneno It

i s all well e '

- nough to

be grin-ning

while your win- nings

be grin-ning

while your stack is

Men

I-

I

MCI~

grow

-

ing,

But when for

-

tune

turns

-

her spin ning,

life

is

not

a

-

glow

-

ing,

That

life

is

not

a

-

glow

-

ing,

That

why we like to

see

somedne who can be

is

Ravenal

Men

II

-

like

you.

A

, Moderato

-

While

there's

a

game o n

I

bf

I

turn

m

I

I

a

wheel

-

-

If

I

the

I

I I 1

I

I

1

I

I 1

1

guide.

1-

or

I

walk

or

of

4

1

1

I

lct

I

-

fate

card

a

I

I

F

I

I

flip

I

niy

I

I

I

de

-

\

cide

Why

ride,

and

as

kill

sit

a -

-

mur

-

row

I

can

1"

- row

Un

-

ti1

the

day when

God

-

luck

comes

I

way. - '

Nev-er

-V

ven-ture, nsv-er

-

L

I

I

Men

plain.

,

I

I

w

F

-

gain; Men of

I I

I I

I

cau-tion, it

I 1

I

I

I

is

I

Havenal

Live

plain.

Men

Men

1

For-tune

will

change like .

an

Ap

-

in

ril day,

vain, so

I

will

So we will

Scene IV

Auditorium And Stage Of The "Cotton Blossomm

1I

No. 9

j

I

ANDY MAGNOLl A

"Prompt her, Nola" YHamilfon,my own!" "P~pal Cook at Julie!"

Moderato misterioso

Piano

1c-,"

L":

2

I

I

I

I

F

I

Andante moderato

Men

Up - on my

poor 01' back

With-in

a

liv-'ry hack

Women

Men

H

Withnorno' rum, Oh,de

rnis-e-ryhdone

come!

Andantino

Piu mosso

I

Lento assai

I

w

Moderato

(enter Gterd

I

Em't Juk'e and H e v e

Lento

-

4:: I

I

,. -

ppjo~ f r o m upper i

\I

I

1

I

I

I

A

L\ 1 1

I

bfx 1 I

L I\ I 1 I

01' nian R i v - er, Dat

don't say noth- in:

He

dodt plant 'ta - ters, He

II I I

I I

1

9

I

I

A

I

II I

K I I II I

01' man Riv

- er,

I I

r

I 1 I

I

1

n

I I

I J

I I I

1

keeps on

I I

v

- ton, in'

dem

rol

- lin'

I

L

v

must know sump-in',

He

jes keeps rol - lin: h e

don? plant cot

II 1

A

n

~ u

a

dat plants 'em

-

is

1t

- -

soon for got b n j But

r

01'

man Riv- er

he

01'

man Riv

- Cr

just keeps roll-in' a

-

he

lon?

-

jes keeps roll in

a

-

114

Scene V

No. 10

In Front Of The Box-office, On ForedeckOf ~ h e " ~ o t t oBlossom" n

Piano

I

116

No. 11

VOICE

Piano

I Might Fall Back On You (Ellie and Frank)

GIRLS One grou9 of airls(to Frank)

I

I

M

-

- ter

I.

I

'

have looked a

Then, per- haps, I -

- round

r

r

the world for

might fall back on

you!

a

mate,

I

I I I '

Then

L

I\

I I

w

1 1 I I

I

I might

I I

I I

de

-

I I I

I 1

..

I 1

I I

I ' Pl *I I cide a t you w7ll

I'

H I 1

I .

I

I I

I

A V

/

1

No. 12

Queenie's Bally

- Hoo

(Queenia and Colored Chorus)

VOICE

Piano

Chorus

Chorus

-

Chorus

Queenie

,

.

Dance. Vivo

.

,

. .

. . . .

. . . . 1

1

1

,

Moderato P o e h ~tt.,,rp~) t I

I

130

No.13

Scene VI

Auditorium And Stage Of ~ h e " ~ o t t oBlossom" n During the Thiid Act of "The Parsoh Bride" Incidental Music, played on the Stage during the presentation of ''Th Pars6n's Bride"

VIOLIN

Small Organ

I

132

Villain's Dance

No. 14

(Ftank's specialty dance )

Moderato

Piano

Scene VII

134

The Upper Deck Of The4'Cotton blossom^

No. 15

Il~troductionAnd Duet "You Are Love:' Andante Cclored Male

Chorus

1

1 - 1

curtain

r

r

~r

iuaw,~dircovarr>a~

watedaz

Valse moderato

SOPRANOS

NO.16 [81

Tempo di Valse

You A r e Love (Ravenal and Magnolia) I

I

Chorus.

I

v

I

1

1

F

I I I

w

I

I

I 1

-

Ravenal.

I

went

way.

1'

tell

Like a lone- ly Punch-i

1*

gay. -'

~ u It knew the

Life was just

- nel - lo

My

joke was aim

role

- less,'

a joke to

was

~frne

-

ing;

I

Hkp-py

..

tde

tf

-

way

olia and Havenal

Ensemble

r

the bride

-

And may the great est

Ensemble

- y-one

I

charm-ing as

of

-

hap - pi ness,

Colored Women

I

Miss

Magnolia

Colored Women

I

Mag

- no1- ia,

we

a1

-

I

ways

T

I

I

tol' ya, we

I

I

knowed you(d

Moderato I

I I

Maguolik

II

1

I

I

1

I

I

you?

I Ensemble

Ensemble.

Ensemble.

-

got to love-

one

Y nsemble

BUCK & WING

A

.

Trpts.

,

Ensemble

Ensemble I

n

r \

TI

r~

I

-

-

\I

I

I

1

crescencio b o c o a pocw

I

Ensemble.

r

Ensemble

Ensemble

11

r

Y-I

Can't

hklp

lbv- in' that m d -

of

.

.

V Y Y

Entr9Acte No. 3 8

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