Sex Games

ANNE HOOPER

A Dorling Kindersley Book

•

Dorling

00:00 Kindersley

LO!'t!D0:-.1. XEW YO RK. SYDl'EY,I>EUil, PARIS. MUNICH :aM JOHAN!'-IESBURC Od~ und

Nu«t by

CONTENTS Introduction 6

f«us Publi$11UJ& XniOt M,uu.ging An Eduor Senior M.1n.t,png EdnOt Smtoc-An&bcor Projccc Ednor DTl' Ptodvt games art low-key and promote the growth or acctpu.n(e and trusr. Tht'SC art followed at various pomiS rhtOu,~:hom

the rcxc b)' .. Sctnarios... Scenarios are sexual Mones

that you might like

tO act out

with your Jo,·tr or quitt simpl)'

read out loud in bed on a warm summer·s afternoon. The later

8

-

9

'

THE RULES OF THE

§Cli/W \Virhour rules there can be no game. This doesn't mean that you are forced to stare the rules formally between the two of you. However, it docs mean that you must establish the limits of a game clearly to yourself, must be prepared to stick to them whatever happens, and must nor hesitate ro talk them through with your partner when it is clcarl)• necessary.

it-IF. AIM OP T il t. GA Mii

THE~ §Cl/Jlb

YOUR AIMS What you wa111 to promote • Your panner's rrust.

• Your panner's excnemem.

*•

o( a Carnes :llas raken to extrcmt•s in order w

- hur

feel so small th:H the)' C:lll rektx. purring rhemsckes torally in

1hi ... :· you might say. as rou continue with

the versatile hands of rhc Gaml":.. ;\ lacoter/).lisrress.

1lOI

~o

rh:u he can :.1lmost touch you

quite ... ! .. I'd hct you'd likt- w do

\Our sel(·stimulatiOil ... Oh. rhat feclco good:' • If C\"Cil more ~eH·a hotscmnce you choose ro

• When he is slT.,ppcd up in aco provocative a tn~Hlner as

..h:.ll our m him.

possiblr (you might wind the ties :uound his

genitals), rrll him: .. So you dwught you were going ro get all kinds of sexual favors

,J[ft,9N(II'C( Assess )'Our panner carefully before trying

for agreeing to this. You poor fool.

out vetbal domination. With the wrong

You really fell for it. didn"t you?

partner. this game could be distressing.

What a stupid man you arc!"

84

85

PLAYING W I TH

PROP~

THE S I C STICK

THE BIG

SAFE INSTRUMENTS

Jtid

Carpet beaters. paddles, spawlas, whisks, and sofr flails do ~OT

hun. Crops, rulers. and canes DO

1hem

~paringly.

hurr~

so only use

Caning and spanking may sound like painful experiences ro some, but to many people a lighr slip of the hand or a pl:.1yful blow with a carpet beater brings the blood

pleas..1nrl~·

ro the

surface, ringling, and warming the skin- all precursors of erotic arousal. This degree of spanki1lg or caning stmgs. hut ir does not hurt. If your partner•s administrations begin lO cause pain, call a halt. Pretend pain is one thing, real rorrure is rorallr Ul\acceprable.

GAME - WHE RE WOULD YOU LI KE IT ? • Jn this game you offer your pttrtner light spanking or ~aning-

whichever will be most acceptable.

• You ask '"\'\fhere would you like it? Here or there?'' \'\1hen

your panner says "Here," then spa1lk or cane

,omewhere else.

• When your parmer protests, then do it somewhere dse again. The idea is to tease and tantalize. Of course, sometimes you will spank in the desired place. Sur the aim is ro frustra re your partner as much as ro satisf)' them. But why frustrate yot•r partner? Because it rouses people.

TORTURE I' ROPS Domittation clothing and props will euhat~ce caumg.

-\nd any arous.al increases sexual curn·on.

L

{ ct/oll

ttjJ

Don ·r forger ro agree on a safet)' code word first.

87

A KIN [)INCi

PLA\'11\G \'\' ITH rROr\

thresholds.. You ddibt-rattl)·

A BIND I 'G

4~eat Sp.~nking ttJm~ .uc

.1bout pro\ldmg tht rn.·1r1tnt \\1th they arc .1lso humomu .. c.uctully. PlonC\1 un. •. p plt:asuuhlt nor

tU!tt

ep•sodc-.... mc.:c the~ depend on the conundrum ot rhe "~mc.l'" and thr ··double hmd." These douhle b1nd') c.m he produ~rJ h' arr~111gmg the g'· If he has a foreskin, .J•~,Ic It

THE GA~IE

down and measure the penis size. Slide

De-cide which of you is to be the doctor and which the nurse.

,1ur finge r around the head and across the rop

rf you want m don a white coat (as the doctor). then feel free. But don't horher if this isn't rea II}' )'Our

· Jus penis. Hold and nte3sure rhe weight o f his

+

~t1dcs

. r" een res rides arld base of penis.

scene. \'\fhcn )' Ou are properly in character. 3sk your patient to hop up on m a table {suitabl)' padded), havialg first removed their underwear.

and stroke down the connection

+

•K F.)$ TO KILL

Jnm 0, with • rmt{its and

r 'f

If the patient is female. ask her to sprc3d her legs wide open and thea\ insert a surgically gloved finger into her vagina and prtss on diffcrem areas around the entrance. Be gemle as you do this. but m.um.1in th(' professional air of the doctor.

98

~~~· props.

ask her

P LAY I NG

l'l.AYING W I TH PROP'

~T RJJ)

11 01.:1 R

• .. ull ll ou~c - chrt'C' of onC'

number otnd rwo of anothtr. for c-.mplt. rhrtt Ss and

t\\o 6s • A Tt~plt - rhrcc o( a kind

FH·ryoo~ l.nmu dw.• old-fash1oncd ''a' ol

pl.\> mg

;:and t\\0 unconnected cards

cJrd game. For C\CT~ lo.... dur.nJt ~ou rcmo,·c an ucm of dothlll)t. It

1h1~

the ~.am~.

• r•Jih- two pairs. for

c\amplc:. t\\O ls and two Js

you nrc pia~ •ng wilh a bunch of fncnth.

•

'

1h1~ .:.111

.uld one unconnected card • On~ p.1ir- plus thre~

be .a d;uing experunent. But "hat

;1hOut ,l pnv:ne game between 1w0 ltwe,...?

tlnconnc:cccd C,lrds • ll•~thrsr o i :.1 bad har1d. i'\o rurh, no pa1rs - just rhc highesl

Couldn'c we drc.un up sonlcthmg a linle more imunatr? I lcrc\ a '-Cxicr \'Cnion of the game for onlr two pl..,~·('r,,

rd o( oil.

THE GA ~If

0.. G>mes ~b"C)' th('

101

WIIHlCr\ instrUCtion-..

PLAYI NG WITH PROPS

i• t. A YI NC S'rR I I' P OKE R

• subj('('ring rhe loser to inrercourse hur for a few minutes only. The stop·sran stimulation that the loser will experience with rhis method is maddening ,tnd provocative. h heightens hoth .uousal and impatience.

TAKING POSSESS ION OF T li t WINNII\GS

RF..\ 111\ DE R

The winner subjccrs the loser to SCX\Ia l forfeits. To make rhe

Oon 't forget that people often feel more

game more interest ing. you might start with lighter sorts of

'ulnerable whe11 011l)' a few of their clothes have been removed

couch, carried out on t he less sexuall)' significan t pa rrs of the

:h.ut if all have been casr to the winds. Jf your partner is sh)',

body. From there 0 11 the winner cashes in their stakes by

~t·.t~o~>ure them

subjecting the loser ro i1tcreasingly blatant sexual forfeirs!

11! part of a heightening o f sexual tension th:Jt can lead

rhat 1he slow process of removing their clothes is tO

n..:rediblc lovemaking.

TIJes· mmd!

104

the kty.

1\.'nt l

fo r p.-~\t{Ul

,lu·s LJmt•lll tmm ll1Jo \c·,erts h~ J>un.:C'II, ~ung '''C' ~orm.1n

.,

11l.trd

(or C\.~tatic

Cohen\ ).1:: l'obce

,, \(JUr \l.m - trom th< CD

J

I'm )Qur .\l.m - tor dtftllllt'h

105

·~

PLA Y I NG WI T H

SEX Y SNA P ~Ii OT~ AND I• H OTOCR Arli S

r ~OPS

lot With you, )'Ou won·, be pita~

wuh 3 full frontal

>~ew.

\\ htrr one of rou is Stimulating 'ountlf dortetlr to the eame...

An •mage hk~ this ~~~·es to the Imagination. Th~ n~ht way is to st't rhc

Th~ sophis.ticattd Games ~lotsttr or

norhm~t

\hscr('SS knows thcu a camera can Clptur~ erotic moments. (( rou \\ -'nt t () rtcolltc."t 'our naked man standing half 10 shadow. look•ng Ctt'fJIO

ar you with un.tshamed desire, rhc nexr best thin~ to rt"alitr is w keep his celluloid alter ego in your wallet.

camera on automattc. then pos~, \ nh your partner, in an extremely compromising position, •.,·hind t he clouded glass shower door. You wo n'c be able to t\'erything in rhe resuhin~ picture. Bur you' ll offer some • r\ tempting glimpses.

·d'

One woman sent her man a sencs of gorgeous snapshots (Shot with a rtmOH~ camera mtchanism) where she posed a~: • an ofd..f:ash•oncd Edw.ndLan pin-up in full penod costume • a domanatrix compltte \\ith thtg.h-htgh shin)

'"' tht orhet hand. a lot of guys odort the full·fro ntallook so, •.. t

rule of rhe game. assess ) 'OUr pan-nc-r's ptrsonal r.a.stes!

boots and a whip • a dish at a banquet • a sultry houri. THE S:-.JAPSHOTS Work out rhe idea that you want to

he 3d\'ctnrage of dign01l ame-nts IS that rhe pictures will not • '" to lx processed 3t tht photo lob. Tht d•sad\'antage is .,Jt you might find compromosong shots of yourself lxamed

'"clund the planer by emml v1a rhe internet.

transmit. If the imagination count~ for .1 106

107

PLAYI~C \'\' ITH J•ROI'\

WRITI NG

Follow this up by dressing tht- part a•ld

$~ J\10-t&S ~

/ .h

£/ ~

4 •

,

.

WR I T I NG I.OVt. NOTES

The whole ponn of a love note is ro remind rhe

other pcn,on of rour existence and to ~how them that vou care. The hcst wtl\'• ro do thi.; is ro •

catch their attemion with something that excites. inu·igucs. or

waumg at a

b:~.r

pt')%essing .:;ome kind of a

..exual rc.>putarion. h is imporranr always to fulfill any ~xual or other promise that \OU

might make in a IO\'C' note.

• Or if ~·ou are a man: "Young tr.tnS\'CStitc urgent!~· st'cks moral rdonner.

~teet

me at

~;fadame

Fifi'.:;."

up in full drag. ;1nd remember.

stimlllates them. You might man:.1ge this h>• making them

D rl'$S

laugh, wonder, or by directly turning them on.

don't forger the t•yc shadow. An the r .trt ped i1l shi11y paper- when the most she was hoping for was Valentine chocolates- will probably inspire her to run a mile in four minute-s.

low, give:

At the very begimri11g of

\Vherr the frieml5hip is heating ,.p, give:

• sentimental cards

• silk boxers

• interesting books

• sexy books

• flowers

• suggestive cards

• c hocolates.

• etoric pictures. 1 10

,\1Ak1 NC A

I' I. A\'IN(; \\I r 11 I'K0 1' '

TA~E

MAKIN G A

Jex~)'8

• erotic short stont~ • S and .\ t commands

the.> tdt.1 of thtll' 0\\ n ~ounc.l 1'\'\:ottl•nJ.t \tut!m. H"t'\ J,;hl\. '"' tl. IU\t

Jc)\\ nloldm~t

• an endless list of sexual pr;usc • comm3nds or comcrs.1non hf:.r,,·«n two

b4: .:a

~t.tmn~ pomt tur thO\C oh·\()·'f''' ntdlt\ m.

And at

\OU.\C.O

rt.1c.ltht rr('UC)U\

rJg~

em tht trOll(

PG''er of ~und. ~ou'llloo" wh.u I'm t.tlkm~ot .thom .

The dedicartd Gamt'\ hOWC\-('f.

.\l:~ .. tcr/ '!\ll'ilte"'\' j:tClC'\ one ~u~p lunhcr.

The ~UI.:UOn Of mU\1~

I\ flOC'

thmt:• .,Ut tht

J'(l\\tf

o f }'OUI' 0\\ n \ 'OICt I~ quut .lnmhc.:r. )0\1 \JO fJpt··r~orc.l

.til

kmds of sexy bl.tndt:,hmtnh. ThC"C' nu~ht run trmn ~·' mg \Our girlfriend a fr is\on a~ 'ihl' plu~t' m hcr r.u.lto on thC' w.n to worl, all the war rhrouj.:h to rhnllut~ ht'r, '"~hC'Il 'he\ lnnd~

wuhout >·ou or1e 1t1~hr. \\Uh ·' \\'\.\ tc,ldmJt c-•( ~'" unu;u,11l~ "'roue )horr lOiur} that 5hc ~.:an l! .. tcn w 111 the pmJ~} other m \ n ~othll" four·p'. l,tkc.•

·' lnol..

.11

1he end of th1'i hook for lll'lllr,Uion. 112

\Otc~. ~that

parmtr gets tht idc01 that there arc two o( ~·ou m the room.

(:OIIt,:flnJ: anc.l

'our t.l\ Ontl' tunt") ~.m

TALES

You might t?~ord:

Tho~ ot u\ '' ho JN:' llC.'\\•tc.~hnul'• wlm:h you proiMbly Inn enjo~·cd as a ch1ld. :"o"clry comes m manr sh~tpes and forms. If. oc-c.u&onall}. ~vu nlJtct :wmcthmg d&Uerr:nc mro }·our se-xual cxpcncnce. rhr: whole ol )OUr~' lolr becomes enhanced.

patterns of bfe prob-abh mtJn ne'' patterns of Jo,·nnaking. rhJ.ps in ano(hcr hundred \t:.lf'\ \\ht'n we ha'e coloni-zed 1he

't"\\

o.t('roid bth. "t "&II t'IX'flC'~C -,c, ot\ Oym.g. stncc we may bt

,mt. 11 in condiuon!. "here cherc t\ no gr3\lt~. Tekphone sex

SFX FVOLUTIO:-. \\'e n~ change 111 ordtr co remam fiC"xible~ w(' nccd chan~e 1n order co de,·elop as human bC'mgs. and wt n«d change so char \\t

~.m keep pact3nct'S around )OU as ,fsuall} crou~ a~

pos(•blt.

• l~e natur.1l wnh rour mteracrive partllcr. I( )'Ou are shy or The imernet offers the ne't h•~t leap in our lnq.• hve'). Howe\'cr.

although it is \tf)" pn tho b.ld1' 1\ G W I TH A D I FFERENCE

GAM

GAME(; fOR COU RMI:..tE '

FO R

~

co h.a,-e dh\·ays gone hand '" hand. Ottc:rut ,ol1fi,31'tfltl' food IS an acr of C'3ring. and u pia\) J ' .tnd eoums

)('('nl

b1~ part 111 \:Ourbh&p.

Burmg or cooking a meal for a p.umcr

rem;un., a tr,tdmon.ll offcrmg of love. imimoH;y, and romance, and one that often pr«:cdc-s sexual intimacy. !>laying wirh food, fmdm~

lmle ~o:,.HIH.:~for lo\'ers. fuels cro1ic feelings. In 1his linlc

manual

"l"

t.t

(ood .Htd sex rhose few sreps further, showing

lnu,l•s essenually a nunurinp. acuviry. food- t' \: J!•Hn in aduh· hood can rake on an>' rone you w.uw childish. ~1lh . nHuna,te.

you mlnr~l· .l~h ~c'y gounne1 experiences and S''''"S you &dC'J , •I th11~"' to do wuh food rhat will blow \' Our nund!

ou1 ragcous. prO\'OC'ali\'C, romanm:, lustful. or sex). fk m,·emi,·e and amaginari"e- stan lookm~t at food m rcrms of ib erolh.

f \'0\IX

poremial. Go ro rhe suprrmarlct .-nd bu' cxouc fort-t~n tcx'kh that will gh·e rou frt"Sh tcfcas for frOliC caung.

D1J ou t\ er rhmk o t ~o:ombmmg sex and caung? Boch nt '-

J

Accordmg to folklore. women m Turkish harems were forb1ddcn cucumbers

1unle-ss rher wtrr fully )llc:tc.l first. 16.1

Dl.!';I NC W ITI-i A

OIFFERE!'\CE

FEED!. G EACH .J

H :. t-. J'>INC EACH OT HE R

THE ST.HTER

&lzer-

Choose foods that you c~tn pick up in ~our finger • ,uch as bah~ mushrooms. aspar;tgus. or :~rrichokc prcp:.1r.: KY

PANI..:'t'

vour picnic hy 'iprcadmJ.t out food. Jde;~Jiy.

!£icaic :\l.lkc surc th;.u thc ~ttln)t tor

It

J hu~c:

I'I CN I ~

\hfct. Then unpack the.·

>houJd L'Oilf,.Uil \A:Unc." of tht' lt('m) h>tf'd ~-:tht

tdC'al )hoppm~ list on tht' orp.hUt r-'f:on·r worry about

pt...~nl..:- IS ~luded. Tht" IJ.,t thm~ 'ou w.mr t) J !troup of hiktr\ \tumhlmJ.t

~hoosmg sweet ft>O1 hh

pl.x:c your wet hand around hts IM'"'~ hue up a,p.amst )·our

rt'"''' '' \Uu.utd. h\ J bu hlc mAnf!Jn,t a

ltps so rhat 11 f~l( tO h1m a~ tf ~-our ~~~ ha,-e t'XIC'ndtd

guuar """~·And""""'"" ted h)N

.md compiC'td~· C'ncl~ h1s

mouJth flk:llllft. U"\ humm•n~ Tht

hummmp. \t~rJtc."\ ht~ etutrt f't'Ot~ 3nd t'\M tmw \ 'OU ~h.ln,.:t tht rot~ or rhe pudlof 1h< huon h< t'pcn. \Ql HZI R

:fftin

Hnldmg the rm•~ upn~h1 \\ nh une h.and. scmh- rub the rllm of tM other hand

.h:rCh\

the top of the head.

There arc some amazmf. g('n11.11 lllJ"·'~c' for men th:.H

THF JUICFR

offer such explosivr vari~uion ul \C'Ih.u•on that you begm

llold rhe pems Ut)ri~ht wnh ont ho111d a nd. shaping the

ro wonder wh} anyone buthcl" \\'tth 'traightforw.ud

f111~er' of ~our mhL·r h,111d \O rh;.tt

ime rc:our~.

m a kind of ~op1der !lh.lpc. llj.:htl\ Jtr.t'Op the he.-d of ttl< ('COI!t \nth thl-!1 "'~p1dcr• .and t\\1.,1 ~our

Tlif METRO"O~IE

rher point downw:.rd

hnp:rr, b.1churd dnd ton\.trd around rhr

llus an be- done \\ lth a rJniJih "-t)h

J"Ctll\.

In II. ,·oo prop

~.1d as if you

\\Crc IUt(tllJt .l (('n\C>n.

the ~nes up "ith on h1rrhd.1~ h~

f.uml)'· \X'e tC1ld not ro use sex for thc)C cnmh,

w ,1 trJnsscxual mJ:htdub. ht.• will mu't llkel~

bt\:au~

(x.

mo)t of u~ feel 1hJt )C\, ro be ~-tood

Jnd to fe·tl -real.- ought m

~

spontJnWU\.

rhnlled. On tht llt\1

ft\\

"''t't'f'Hiljol.

him off

rJ~('' I ..~ ...~U>>

wmc of the more: ~IJZ.nrh~Jnl ,tnnl\l'r..Jrlr"\. the

ones that we 'ck-br.ttc "'en m.t>-.c'" .tnd 'WKnt \X hat

\H'

~mttunts lost s•tthl of I) th.at "r

otu:n ~pend hours thmkmg .about

\C'\,

rhJI Jrt mort ptrsoeul.

runnmJ:.

u through our ht-.tds m fant.l)\, \\'h,u hJJ')('If'O\

ac cht tnd of ch•> prOrrare hm1 wuh ,1 fan~ach C01tdom a rating.

:stimulate hio; penico with your hands and

KEEP Tll ~..\1 HAi':I)Y

dad him in it

~our p~t rtner ,,,

t on~u