Sally's+Phone
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BIBLIOTECA
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SALLY'S
PHONE
Do you have a phone? Who do you cal!? Who calls you? an you live without
your phone?
Sally has a phone, and a busy life. She gets many phone calls - mostly from her boyfriend,
Andrew. Andrew likes
telling Sally what to do - and what to wear. Sally and Andrew your blue skirt',
are going to a party
tonight.
'Wear
says Andrew. But Sally can't wear it -
it's dirty, so she has to go shopping
for a new one.
But when Sally goes shopping
she gets more than just
a new skirt - she gets something
that will change her life.
OXFORD
BOOKWORMS
LIBRARY
Human Interest
Sally's Phone Starter (250 headwords)
CHRISTINE
LINDOP
Sally's Phone
Illustrated by Gavin Reece
Generailtit da catalunya Oepartament d'Educació Escola Oficia' d'diomeS Barcelona IV -la Pau BIBUOTECA
OXFORD
UNIVERSITY
PRESS
CONTENTS
OXFORD UNIVERSITY
PRESS
Great Clarendon Street, Oxford
OX2 6DP
Oxford University Press is a department of the University ofOxford. lt furthers the University's objective of excellence in research, scholarshíp, and education by publishing worldwide in
STORY INTRODUCTION
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1 Morning
1
2 Lunchrime
7
3 Afternoon
10
4 Evening
18
and OXPORD ENGLI$H are registered trade marks of Oxford University Press in the UKand in certaín other countries OXFORD
This edition © Oxford University Press 2008 The moral rights ofthe author have been asserted Database right Oxford University Press (rnaker)
First published in Oxford Bookworms photocopying
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford Universiry Press, 01' as expressly permitted by law, 01' under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the ELTRights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on anyacquirer Any websites referred to in this publication are in the public dornaín and theír addresses are provided by Oxford University Press for inforrnatíon only. Oxford University Press disclaims any responsibility for the content ISBN: 978
o 19
423426
9
A complete recording of'this Bookworms edition of Sally's Phone is available on audio CD. ISBN 978 O 194234085 Printed in Hong Kong Word count (main text):
ACTIVITIES:
Before Reading
29
ACTIVITIES:
While Reading
30
ACTIVITIES:
After Reading
32
2003
2 4 6 8 10 9 7 5 3 1
No unauthorized
25
GLOSSARY
1400
For more information on the Oxford Bookworms Library, visit www.oup.comfeltfbookworms
ABOUT
THE AUTHOR
ABOUT
THE BOOKWORMS
34 LIBRARY
35
1 Morning
1
It is Thursday morning. SalIy is in bed. Suddenly - Ring ring! Her phone is ringing - but where is it? SalIy gets out of bed and looks in her bag. No phone. She looks under the bed. No phone. Then she looks behind the door. There is her phone. SalIy picks up her phone and answers it.
1
Sally's Phone
Sally is having breakfast with her mother and her brother Jack. 'I'm going out tonight,'
Sally tells her mother. 'Andrew
and I are meeting his new boss.' 'Andrew?' Jack says. 'Huh!' 'Oh be quiet, Jack,' Sally says. 'Andrew is very nice to me.' 'Nice?' Jack says. 'Huh! "Yes, Andrew."
"Sally, I want a sandwich."
"Sally, I don't
like your hair."
"No,
Andrew, sorry Andrew." "Sally-'" But then Sally stands
up, and J ack runs out of the
room.
'Hello Sally, it's Andrew.' Andrew is Sally's boyfriend. He has got a lot of money and a beautiful and expensive car. 'Andrew, it's only seven o'clock-' 'Don't
forget, Sally - we're meeting Michael tonighr.
It's an important
evening,
beca use Michael's
my new
boss. Wear your blue skirt, Sally, I like that skirt. I must go now. See you at half past six. Bye.' 'But Andrew ...
Bye.'
'1 can't wear the blue skirt,'
Sally thinks,
'It's diny.
What can I wear?' 2
3
Sallv's Phone
Sally gets on the train. There are a lot of people on the train. Most of them are talking on their phones. 'John? John! Get up and go to work. It's late!' 'Have you got my money? 1 need it today. 1 must have it today.' 'Remember
- go to the supermarket
tonight.
Don't
forget!' And Sally is listening to Andrew. 'Sally, meet me at six o'clock, not at half past six. OK?' 'OK Andrew - but my blue skirt-' '1 must go, Sally - bye.'
Then the train goes into a tunnel. The people on the train can not talk on their phones. They must talk to the other people on the train. 'Hello, Max! How are you?' 'Oh, hello Graham! I'm very well.' 'Where are you working now, Lucy?' 'I'm in a new office in Bank Street.' 'Those are nice shoes, J ane.' . 'Thank you, Mary.' After three minutes, the train comes out of the tunnel. Everyone talks on their phones again. 'Hello? John? Are you out of bed now?' 4
5
[2
Lunrhtime
J
It is one o'clock. Sally and Claire are looking at skirts. 'Do you like this one, Sally?' Claire says. 'Yes, it's beautiful,
but 1 never wear red.'
'Do you like red?' Claire asks. 'Yes, 1 do - but Andrew doesn't.' 'Well,' Claire says, 'it's a beautiful What do you want to do?' Sally buys the skirt.
Now Sally is at work. She is talking to her friend Claire, and she tells her about Andrew, Michael,
and the blue
skirt. 'It's OK, Sally,' Claire says. 'Let's go out at lunchtime. We can find a new skirt. You can wear it tonight.' Later, Claire and Sally are having coffee with Louise. She works with them. Ring ring! It is Andrew again. 'Hi, Sally. Look, meet me at the Bar Bogart, not the Cosmo Bar - OK? The Bar Bogart is nearer. Bye.' 'Bar Bogart,'
Claire says. 'Mmm - that's nice.'
'Huh!' Louise says. 'Forget him, Sally. Who needs men? "Do this, do that, go there, don't go there." Huh!' 6
7
skirt. You like red.
Sally's Phone
Next to Sally, Paul is finishing his coffee. He phones his [riend and ralks to him. Then he stands up. The bag with rhe red skirt falls on rhe floor. 'Oh! I'm sorry,' Paul says. He puts down his phone and picks up the bag. 'Here's your bag.' 'That's
OK,' Sally says. 'Thank you.' She smiles.
'What a nice smile!' Paul thinks. Paul picks up his phone and goes out of rhe café. Sally finishes her coffee. She picks up her bag and her phone, 11 nd
goes back to work.
Claire goes back to work, but Sally wants a coffee. She goes into a café. She buys a coffee and sits down. Then she phones her mother. 'Hi, Mum. I've got a new skirt - it's beautiful'
I want
to wear it tonight.' 'What colour is it?' 'It's red.' 'That's
nice. Red is a good colour for you,' says her
mother. 8
9
[ 3 Afternoon
1
Paul is in his office. Ring ring! 'What's
that
noise?'
Paul thinks.
He answers
the
phone. It is Andrew. 'Hello, Sally?' 'It's not Sally, it's Paul.' 'Paul? Paul who? Where's Sally?' 'Who's Sally? There's no Sally here.' 'Huh!' Andrew finishes the callo
Paul wants to phone his mother. He finds 'Mum'
on the
I hone, and presses the button. 'Hello, Mum. It's Paul.' 'Paul? Who's Paul? I'm not Paul's Mum.
I'm Sally's
Mum and Jack's Mum.' 'What's happening?'
Paul thinks.
'What number is that?' he asks. -'It's 0783 491839.' 'I'm very sorry,' Paul says. 'It's the wrong number.' 'That's OK,' Sally's Mum says. 'What a nice voice!' she thinks. 10
11
Sally's Phone
SnIly talks to Claire and Louise. 'l've got a message for Paul - but who's Paul? Do you know a Paul, Claire?' she asks. 'No. What's the message?' Claire asks. 'It's his sister Katharine's
birthday, and she's having a
party tonight. Do you think it's a wrong number?' 'Yes, I think it is,' Claire says. 'Hey, Sally!' Louise says. 'Put on your red skirt and go lO
the party. Forget Andrew!'
Sally is at work. Ring ring! 'What's that
noise?'
Sally thinks.
She answers
the
phone. 'Hello, is Paul there?' 'No, I'm sorry, this-' 'Can
you give a message
Katharine.
to him? This is his sister
There's a party at my house tonight.
It's my
birthday.' 'But I-' '8 o'clock - OK? Bye.'
12
13
Sally's Phone
Paul talks to a friend at work. 'This is Sally's phone - and Sally's got my phone.' 'But who is Sally?' '1 don't know,' says Paul. 'Why don't you phone her?' 'What's
my number?'
Paul asks. '1 don't
know
my
number.' 'Why not?' 'Because I never call my number!'
P;l
ul phones his mother. Mum, what's the number of my phone?' 'Why do you want your phone number, Paul?' 'Beca use Sally's got my phone.' 'Who's Sally?' his mother asks. '1 don't know, but she's got my phone, and I've got her
phone.' '1 don't understand.' '1 know, , says Paul. 'It doesn't matter. Have you got my uurnber?'
'Here it is. 0781 644834.' 'Thanks, 14
MUl11.'
15
Sally's Phone
Pau) phones Sally. 'Hello, Sally - this is Paul.' 'Paul-
are you Katharine's
brother?' Sally asks.
'Yes, that's right. And I've got your phone.' 'My phone? Oh - wait a minute. The Café Cuba at lunchtime? The bag on the f1oor?' 'Yes, that's right. Well, we need to change phones.'
'0«
- where are you now, Paul?'
'In College Road. 1 work there.' 'I work in Manchester
Street. Can we meet in Queen's
Square?' Sally asks. 'OK. What time do you finish work?' 'At half past five.' 'Let's meet in Queen's Square at a quarter l'aul, 'Phone me then.' 'OK, Paul,' says Sally.
16
17
to six,' says
Sally's Phone
[ 4 Evening lhcre are lots of people in Queen's Square, and many of 11ll'1l1
are talking on phones.
Which is Paul? Sally can not remember.
It is half past five. Sally puts on her new skirt.
l'uul.
'Do you like it, Louise?' she asks. 'Oh yeso It's very nice.'
'Paul+
It is twenty to six. Paul arrives in Queen's Square. He
'No, I haven't.'
looks for Sally. Is that Sally? He can not remember.
She phones
He
have you got black hair?'
, ;ood!' Sally thinks. 'Have you got a book in your hand?' asks Sally.
phones Sally. 'Hello, Sally. It's Paul. I'm in Queen's Square.'
'No, I haven't.'
'Hello, Paul. I'm coming.'
, ~ood!' Sally thinks.
18
19
Sally's Phone
Sally can not find Paul. 'Where are you, Paul?' 'I'm near the trees.' Sally goes across the square to the trees. 'Are you Paul?' Sally says. Paullooks
at Sally. 'She's beautiful!'
he thinks.
'Yes, I'm Paul.' 'He's nice!' Sally thinks. 'I'm Sally. So - we meet again.'
"'111
sorry about your phone, Sally. Here ir is.'
"I'hat's OK. Here's your phone, Paul.' 'Sally - would you like a drink? I want to say sorry.' 'OK, but I haven't got much time.'
l'nul Iooks for a bar. 'Ler's go to the Blue Moon. We can have a drink there.'
20
21
Sally's Phone
Paul and Sally are at the Blue Moon. Sally sits down at a table. Paul brings their drinks. 'Here's your drink, Sally. And I am sorry about your phone.' 'Forget
it, Paul - it doesn't
matter.
Oh, I've got a
message for you. It's from your sister Katharine.' 'From Katharine? What is it?' 'She says that it's her birthday
today, and there's
a
party at her house.'
( )11no!' Paul says. 'I always forget birthdays.
What can I
dllr' .rlly I oks across the square. clliu
ear the trees a woman
flowers.
'BlIy some flowers for your sister, and take thern to the
I .11 I
she says to Paul.
"
'(). '.1111 lO
curse!
That's
the answer. Look, Sally - do you
come to the party with me? Katharine
••••d parties.' •W -11,I .. .' Sally says.
22
23
always has
Sally's Phone
L
'Oh, I must tell you,' Paul says. 'I've got a message for you from Andrew. He says-' 'It doesn't matter, Paul,' says Sally. '1 don't want the message. I would like to go to the party with you. But I must do something before we go.' Sally takes her phone out of her bag and turns it off. In the Bar Bogart, Andrew phones Sally. Sally does not answer. 'Sally?' says Andrew. 'Sally? Answer me!' Sally and Paulleave
1
Sally smiles at him.
,1
pl.ln' wh .r pcople can buy and have drinks
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the Blue Moon.
'That's a nice skirt,' says Paul. '1 like red.'
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34
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THE OXFORD BOOKWORMS LIBRARY GRADING AND SAMPLE EXTRACTS
"
1IIIIIIIIJli\IlWORI .111 1" 11•• 1 IIIIIIIIIIIIIII~ lO 1111 1 ,11111
STARTER
• 250
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pasr perfect-
111.11i'IIH:IIIS
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HEAD\"X70RDS
presenr simple - present continuous - imperarivecanlcannot, must - going to (future) - simple gerunds ...
Her phone is ringing - but where is it? Sally gets out of bed and looks in her bag. No phone. She looks under the bed. No phone.
tI!
Then she looks
11
behind the door. There is her phone. Sally picks up her phone and answers it. STAGE
I
Sally's Phone • 400
'1
111
... pasr simple - coordination with and, but, orsubordination with before, a.[ter, when, because, so .,.
1 knew him in Persia. He was a famous
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IV' (infinirives, gerunds) - advanced moda] meanings-
clauses of concession, condition
what to do. 1 must try to escape. 1 shall try to get down
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while 1 was writing these words in my diary, 1 decided
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the wall outside. The window is high above the ground,
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not for long. when he came to Paris, 1 came after him to watch
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worked with him rhere. For a time 1 was his friend, but 1 wanted
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I II'PP'd up to the piano, 1 was confident. Ir was as if 1 rh . prodigy side of me really did existo And when 1
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1 was so caughr up in how lovely 1 looked that how 1 would sound.
37
TheJoy
Luck Club
BOOK\XIORMS
. HUMAN
INTEREST
. STARTER
1111111· \'(/I)I(M~·
Star Reporter JOHN
ESCOTT
1'1111111'
bad to worse.
I
INTEREST
11 /1111\11
111 111
1'1'
111111'
. STARTER
38
IILJRROWS
AND
MARK
FOSTER
t h 'y mcct an orca - a kil!er whale - one of the most
in the sea. And life
MS . THRILLER
gers
a little too exciting.
& ADVENTURE
. STARTER
Th Fifteenth Character
BROOKE
You are in a smal! plane, going across the Rocky Mountains. Suddenly, the engine starts to make strange noises ... Soon you are alone, in the snow, at the top of a mountain, and it is very, very cold. Can you find your way out of the mountain?
,
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Survive! HELEN
STARTER
.tucl h '1' friends decide to sai/ around the world they I',dl ill!!, things and visit exciting places.
11111 11111 .Id 1111
. HUMAN
& ADVENTURE·
Orca
'There's a new girl in town,' says Joe, and soon Steve is out looking for her. Marietta is easy to find in a small town, but every time he sees her sornething goes wrong ... and his day goes from
BOOK\XIORMS
'l'IIRILLER
ROSEMARY 11
111 11111'1'
111/11111,1\ 111111111\, 111t11l1l1l1
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BORDER
,~ting job,' says Sally about her work at Happy Hills. :1 very exciting day beca use Zapp the famous singer
lwcrybody is having a wonderful .s wrong - very wrong.
J'O
39
time. But suddenly
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