Runestad - The Hope of Loving
Short Description
Descripción: The Hope of Loving...
Description
JR0053
Jake Jake Runest Runestad ad
THE HOPE OF LOV LOV ING SATB choir (divisi), soloists, & string quartet
Music jakerunestad.com
Performance Performance Time c. 17:00
About the Work Work The commissioning of this work by Seraphic Fire, Patrick Dupré Quigley, artistic director, was made possible by the support of the Ann Stookey Fund for New Music.
Performance Notes Though this a multi-movement work, there should never be a feeling of the music ending. Please do not insert long breaks between movements – the work should feel like a cohesive whole and continuous experience. Soloists are encouraged to step out from the ensemble and may do so during musical transitions.
About the Composer Considered “highly imaginative…with big ideas” (Baltimore Sun) and “stirring and uplifting” (Miami Herald), award-winning composer Jake Runestad (b. 1986) has received commissions and performances from leading ensembles and organizations such as Washington National Opera, the Netherlands Radio Choir, the Louisiana Philharmonic Orchestra, the Cincinnati Vocal Arts Ensemble, Seraphic Fire, the Dayton Philharmonic Orchestra, the Virginia Arts Festival, the Santa Fe Desert Chorale, and Craig Hella Johnson and Conspirare. Dubbed a “choral rockstar” by American Public Media, Jake is one of the of the most frequently performed frequently performed composers in the U.S.A. Jake Runestad holds a Mast er’s degree in composition from the Peabody Conservatory of the Johns Hopkins University where he studied studie d wit h Pulitzer Prize-winning composer Kevin Puts. He has a lso studied extensively with acclaimed composer Libby Larsen. A native of Rockford, IL, Mr. Runestad currently lives in Minneapolis, MN and his music is published published by Bo osey & Hawkes and JR Music. Find out more at: JakeRunestad.com
Rental Information
The string quartet parts are available from the publisher, JR Music. Please visit jakerunestad.com/store for more information.
Performance Performance Time c. 17:00
About the Work Work The commissioning of this work by Seraphic Fire, Patrick Dupré Quigley, artistic director, was made possible by the support of the Ann Stookey Fund for New Music.
Performance Notes Though this a multi-movement work, there should never be a feeling of the music ending. Please do not insert long breaks between movements – the work should feel like a cohesive whole and continuous experience. Soloists are encouraged to step out from the ensemble and may do so during musical transitions.
About the Composer Considered “highly imaginative…with big ideas” (Baltimore Sun) and “stirring and uplifting” (Miami Herald), award-winning composer Jake Runestad (b. 1986) has received commissions and performances from leading ensembles and organizations such as Washington National Opera, the Netherlands Radio Choir, the Louisiana Philharmonic Orchestra, the Cincinnati Vocal Arts Ensemble, Seraphic Fire, the Dayton Philharmonic Orchestra, the Virginia Arts Festival, the Santa Fe Desert Chorale, and Craig Hella Johnson and Conspirare. Dubbed a “choral rockstar” by American Public Media, Jake is one of the of the most frequently performed frequently performed composers in the U.S.A. Jake Runestad holds a Mast er’s degree in composition from the Peabody Conservatory of the Johns Hopkins University where he studied studie d wit h Pulitzer Prize-winning composer Kevin Puts. He has a lso studied extensively with acclaimed composer Libby Larsen. A native of Rockford, IL, Mr. Runestad currently lives in Minneapolis, MN and his music is published published by Bo osey & Hawkes and JR Music. Find out more at: JakeRunestad.com
Rental Information
The string quartet parts are available from the publisher, JR Music. Please visit jakerunestad.com/store for more information.
Text I. Yield to Love (Rabia) I know about love t he way t he fields know about light, light, the way the forest shelters us. We We are vulnerable like an infant. We We need each ot her’s care or we will suffer. How will you ever find pe ace unless you yield to love?
II. Wild Forces Forces (St. Francis of Assisi) Assisi) There are beautif ul, wild forces within us. Let t hem turn millstones millstones inside inside filling bushels that reach to the sky.
III. Wondrous Creatures (Hafiz) O wondrous creatures, by what strange miracle do you so often not smile?
IV. IV. The Heart’s Veil
(string (str ing quartet)
V. V. My Soul Is a Candle (St. John of the Cross) My soul is a candle that burned away the veil; only the glorious duties of light I now have. The soul is a candle that will burn away the darkness; only the glorious duties of love we will have. Tenderly, I now touch all things, knowing one day we will part.
VI. T he Hope of Loving Lov ing (Meister Eckhart) What keeps us alive, what a llows us to endure? It is the hope of loving, of being loved. We We weep when light does not reach our hear ts. We We wither wit her like fields if someone close does not rain their kindness upon us. My soul has a purpose, it is to love. [Text [Text adapted fr om Love Poems from God: Twelve Sacred Voices from the East and West by Daniel Ladinsky.]
The commissioning of this work by Seraphic Fire, Patrick Dupré Quigley, artistic director, was made possible by the support of the Ann Stookey Fund for New Music.
THE HOPE OF LOVING Various Poets Translations by Daniel Ladinsky
Jake Runestad (b. 1986)
I. YIELD TO LOVE RABIA
Slowly =52
Violin I
Violin II
Viola
Violoncello
accel. 5
Vln. I
s r e d l o m d i n W 1 k c i r t a P rit.
Vln. II
Vla.
Vc. 5
Copyright © 2015 by Jake Runestad & JR Music (ASCAP). Ver. 12.12.15 Text from "Love Poems from God" © 2002 by Daniel Ladinsky. Used with permission of the author. All rights reserved. International copyright secured.
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
2
A 10
SA
I
know
a-bout love
the
way the fields know a -bout light,
the way the
IV Vln. I
sul pont., non vib. blend to harmonic timbre Vln. II
IV Vla.
IV Vc. 10
17
SA
for - est
shel-ters us.
We are
vul-ner- a- ble like an in - fant.
We
We are
vul-ner- a- ble like an in - fant.
We
TB
Vln. I ord. Vln. II
Vla.
Vc. 17
sul pont., non vib.
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3
rit.
a tempo
22
SA
need
each oth - er's
care
or
we will
suf - fer.
need
each oth - er's
care
or
we will
suf - fer.
TB
Vln. I
Vln. II
Vla.
Vc. 22
26
SA
How will you e - ver find peace
un -less you yield
to
love?
To
love?
How will you e - ver find peace
un -less you yield
to
love?
To
love?
TB
Vln. I
Vln. II
Vla. sul pont., non vib. Vc. 26
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4
II. WILD FORCES ST. FRANCIS OF ASSISI
B
Energetic, Buoyant .=120
31
SA
TB
Vln. I
ord. Vln. II
Vla.
ord. Vc. 31
34
SA
TB
Vln. I
Vln. II
Vla.
Vc. 34
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5 36
with energy
SA
Wild! with energy TB
Wild!
Vln. I
Vln. II
Vla.
Vc. 36
38
div.
SA
Wild!
div. TB
Wild!
Vln. I
Vln. II
Vla.
Vc. 38
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6
40
S.
There
are
There
are
There
are
There
are
A.
T.
B.
Vln. I
Vln. II
pizz. Vla.
Vc. 40
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7
C 42
S.
beau - ti - ful *wi
- ld forc
-
es
with - in
us!
beau - ti - ful *wi
- ld forc
-
es
with - in
us!
beau - ti - ful *wi
- ld forc
-
es
with - in
us!
beau - ti - ful *wi
- ld forc
-
es
with - in
us!
A.
T.
B.
Vln. I
Vln. II
arco Vla.
Vc. 42
*"Wild," although technically one syllable, should be pronounced as two for the sake of clarity.
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8
44
S.
There
are
There
are
There
are
There
are
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc. 44
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9
46
S.
beau-ti - ful wi - ld forc - es
with - in
us.
beau-ti - ful wi - ld forc - es
with - in
us.
beau-ti - ful wi - ld forc - es
with - in
us.
beau-ti - ful wi - ld forc - es
with - in
us.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc. 46
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10
D 49
cresc. poco a poco
S.
Let them turn mill-stones in - side,
fil - ling bush -els that reach to the
sky.
fil - ling bush -els that reach to the
sky.
fil - ling bush -els that reach to the
sky.
fil - ling bush -els that reach to the
sky.
cresc. poco a poco A.
Let them turn mill-stones in - side,
cresc. poco a poco T.
Let them turn mill-stones in - side,
cresc. poco a poco B.
Let them turn mill-stones in - side,
spiccato Vln. I
cresc. poco a poco
spiccato Vln. II
cresc. poco a poco spiccato Vla.
cresc. poco a poco spiccato Vc. 49
cresc. poco a poco
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11
53
div.
S.
Wild!
div.
unis.
A.
Wild! div. T.
Wild! div. unis. B.
Wild!
ord. Vln. I
ord. Vln. II
ord. Vla.
Vc. 53
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12
E 57
sub.
S.
There
are
beau
-
ti
-
ful,
wild
are
beau
-
ti
-
ful,
wild
sub. A.
There
sub.
sim.
T.
*rr
ee slowly open
rr
slowly close
sub.
sim.
B.
*rr
ee slowly open
pizz. Vln. I
pizz. Vln. II
pizz. Vla.
pizz. Vc. 57
*Overtone singing.
rr slowly close
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13
61
S.
forc
-
es.
There
are
beau
-
ti
-
ful,
forc
-
es.
There
are
beau
-
ti
-
ful,
A.
T.
ee
rr
ee
ee
rr
ee
B.
Vln. I
Vln. II
Vla.
Vc. 61
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14
64
S.
wild
forc
-
es.
wild
forc
-
es.
rr
forc
-
es.
rr
forc
-
es.
A.
T.
B.
arco
pizz.
arco
arco
pizz.
arco
arco
pizz.
arco
arco
pizz.
arco
Vln. I
Vln. II
Vla.
Vc. 64
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15
F 67
sotto voce
S.
Let them turn mill-stones in - side,
fil - ling bush - els
that
reach to the sky.
that
reach to the sky.
A.
ah
ah
sotto voce T.
Let them turn mill- stones in - side,
fil - ling bush - els
B.
ah
ah
Vln. I
poco
Vln. II
poco
Vla.
poco
Vc. 67
poco
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16
69
S.
ah
ah sotto voce
A.
Let them turn mill -stones in - side,
fil - ling bush - els
that
reach to
the sky.
that
reach to
the sky.
T.
ah
ah sotto voce
B.
Let them turn mill -stones in - side,
Vln. I
Vln. II
Vla.
Vc. 69
fil - ling bush - els
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17
sub. cresc. poco a poco
71
S.
Beau - ti - ful wi
-
ld
forc
-
es,
beau - ti - ful wi
-
ld
-
ld
sub. cresc. poco a poco A.
Beau - ti - ful wi - ld forc
-
es,
beau - ti - ful wi
-
ld forc
-
es,
sub. cresc. poco a poco T.
Beau - ti - ful wi
-
ld
forc
-
es,
beau - ti - ful wi
sub. cresc. poco a poco B.
Beau - ti - ful wi - ld forc
Vln. I
sub. cresc. poco a poco
Vln. II
sub. cresc. poco a poco
Vla.
sub. cresc. poco a poco
Vc. 71
sub. cresc. poco a poco
-
es,
beau - ti - ful wi
-
ld forc
-
es,
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18
73
S.
forc
-
es,
beau - ti - ful
wi
-
ld
forc
-
es.
A.
beau - ti - ful
wi
-
ld
forc
-
es,
beau - ti - ful
wi
-
ld
forc -
es.
wi
-
ld
forc -
es.
T.
forc
-
es,
beau - ti - ful
wi
-
ld
forc
-
es.
B.
beau - ti - ful
Vln. I
Vln. II
Vla.
Vc. 73
wi
-
ld
forc
-
es,
beau - ti - ful
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19
75
S.
There are beau - ti - ful, wi - ld forc - es
with-
There are beau - ti - ful, wi - ld forc - es
with-
There are beau - ti - ful, wi - ld forc - es
with-
There are beau - ti - ful, wi - ld forc - es
with-
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc. 75
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20
79
S.
in
us.
in
us.
in
us.
in
us.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc. 79
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21
81
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc. 81
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22
III. WONDROUS CREATURES HAFIZ
G Freely, ad lib. (
.=120)
accel.
84
Vln. I
espress.
Vln. II
Vla.
Vc. 84
molto rit. 89
Vln. I
Vln. II
Vla.
Vc. 89
a tempo
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23 lightly with energy 95
Solo
T.
Oh
won
-
-
Vln. I
Vln. II
Vla.
Vc. 95
100
T.
-
Vln. I
Vln. II
Vla.
Vc. 100
-
-
-
-
-
-
drous
crea
-
tures,
Oh
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24 104
T.
won
-
drous crea - tures,
by what
strange
mir - a - cle,
by
Vln. I
Vln. II
Vla.
pizz. Vc. 104
H
109
T.
what strange
mir -a - cle
do
Vln. I
Vln. II
Vla.
arco Vc. 109
you,
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25 115
T.
do
you
Vln. I
Vln. II
Vla.
Vc. 115
119
T.
so
of - ten
not
smile? (make two syllables)
pizz. Vln. I
pizz. Vln. II
pizz. Vla.
pizz. Vc. 119
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26
IV. THE HEART'S VEIL 124
I
Dark, Heavy =54
Vla.
arco Vc. 124
espress.
129
arco
Vln. II arco Vla.
espress.
Vc. 129
133
Vln. II
Vla.
Vc. 133
arco 137
Vln. I
espress. Vln. II
Vla.
Vc. 137
espress.
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27
J 141
Vln. I
Vln. II
Vla.
Vc. 141
molto rit.
a tempo
accel.
144
Vln. I
espress., freely Vln. II
Vla.
Vc. 144
149
Vln. I
Vln. II
Vla.
Vc. 149
intense, freely
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28 153
Vln. I
Vln. II
Vla.
Vc. 153
rit. 157
Vln. I
Vln. II
Vla.
Vc. 157
162
Vln. I
Vln. II
Vla.
espress. Vc. 162
Tempo I ( =54)
K
Brightly, with hope
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29
V. MY SOUL IS A CANDLE ST. JOHN OF THE CROSS
L
Slowly =54 Solo
168
espress.
S.
My
soul is a can- dle
that burned a -way the
veil,
my
Vln. I
Vln. II
Vla.
Vc. 168
176
S.
soul
Vln. I
Vln. II
Vla.
Vc. 176
is a can - dle
that burned
a -way the
veil,
on - ly
the
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
30 181
S.
glo - ri - ous du - ties of
light
I
now
have,
on - ly
the
sul tasto, no vib.
Vln. I sul tasto, no vib. Vln. II sul tasto, no vib. Vla. sul tasto, no vib. Vc. 181
M 184
S.
glo - ri - ous du-ties of light
I
now
have.
The espress. Solo
B.
The
soul
ord. Vln. I
ord. Vln. II
ord. Vla.
ord. Vc. 184
is
a can - dle
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31 188
S.
soul is
a
can - dle
that
will
burn
a - way.
B.
that
will
burn
a - way
the
dark - ness.
The
Vln. I
Vln. II
Vla.
Vc. 188
191
S.
The soul
is a can
-
dle
that will burn
the dark - ness.
B.
soul
Vln. I
Vln. II
Vla.
Vc. 191
is a can - dle
that will burn
a - way
the dark - ness.
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32
poco rit.
accel.
195
S.
On - ly the
glo - ri - ous
du - ties
of
love
On - ly the
glo - ri - ous
du - ties
of
love
we
will have,
on - ly
the
on - ly
the
B.
we
will
have,
Vln. I
Vln. II
Vla.
Vc. 195
a tempo 197
S.
glo
- ri - ous
du - ties
of
love
we
will
have,
my
glo
- ri - ous
du - ties
of
love
we
will
have,
my
B.
Vln. I
Vln. II
Vla.
Vc. 197
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33
N
More motion =66
rit.
199
S.
love.
my
love,
my
B.
cresc. poco a poco S.
mm cresc. poco a poco A.
mm cresc. poco a poco T.
mm cresc. poco a poco B.
mm
Vln. I
cresc. poco a poco
Vln. II
cresc. poco a poco
Vla.
cresc. poco a poco
Vc. 199
cresc. poco a poco
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34
=50
accel.
202
S.
love,
my
love,
love,
my
love,
B.
S.
Love,
my
Love,
my
A.
T.
Love,
my
B.
Love,
Vln. I
Vln. II
Vla.
Vc. 202
my,
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O
35
Soaring =72
205
S.
my
love.
ah
my
love.
ah
B.
S.
love.
ah
A.
love.
ah
T.
love.
B.
my love.
Vln. I
espress.
Vln. II
espress.
Vla.
poco
poco
poco
poco
Vc. 205
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
36 209
S.
ah
B.
ah
S.
ah
A.
T.
ah
B.
ah
Vln. I
Vln. II
Vla.
poco
Vc. 209
poco
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
37
rit. 213
S.
B.
(gradually close to "oo") S.
ah
(gradually close to "oo") A.
ah (gradually close to "oo") T.
ah (gradually close to "oo") B.
ah
Vln. I
Vln. II
Vla.
Vc. 213
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
38
217
S.
oo
A.
oo
T.
oo
B.
oo
Vln. I
Vln. II
Vla.
Vc. 217
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
39
P
Slowly, freely =56
220
Solo
softly, sweetly
B.
Ten - der - ly,
I
now touch all
things
no vib. Vln. I
no vib. Vln. II
no vib. Vla.
no vib. Vc. 220
225
Solo
S.
We will
part.
B.
we will
Vln. I
Vln. II
Vla.
Vc. 225
part,
we will
part.
know -ing one
day
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
40
VI. THE HOPE OF LOVING MEISTER ECKHART
Q 231
Introspectively =56
rit.
Tutti
SA
What keeps us
a - live,
what
al - lows us
to en - dure?
It
is
the
a - live,
what
al - lows us
to en - dure?
It
is
the
Tutti TB
What keeps us
231
rit.
a tempo 235
hope
of lov - ing
div.
SA
hope
of
lov - ing,
of
be - ing
loved.
We
div. TB 235
hope
R
of
lov - ing,
of
be - ing
loved.
a tempo ( =52)
239
S.
weep
when
light does not reach
our
hearts.
We
weep
when
light does not reach
our
hearts.
We
A.
T.
We
weep
when
light does
not reach
our
hearts.
We
weep
when
light does
not reach
our
hearts.
B.
ord. Vln. I
ord. Vln. II
ord. Vc. 239
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41
rit. 241
S.
with - er like fields
if
some - one
close does not
rain
their
kind - ness
up - on
with - er like fields
if
some - one
close does not
rain
their
kind - ness
up - on
A.
T.
Rain
up - on
Rain
up - on
B.
Vln. I
Vln. II
Vla.
Vc. 241
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
42
a tempo 243
S.
us.
mm
us.
mm
us.
mm
us.
mm
A.
T.
B.
Vln. I
Vln. II
ord. Vla.
Vc. 243
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
43
S 247
S.
A.
My
soul
has a pur - pose,
it
is
to
love.
My
soul
has a pur - pose,
it
is
to
love.
T.
B.
Vln. I
no vib. Vln. II
no vib. Vla.
Vc. 247
Digital Edition licensed May 30, 2017 for 1 copy for the sole use of Patrick Windmolders, Deurne, Belgium. Further dissemination of this copyrighted work is ILLEGAL. Please purchase scores at: jakerunestad.com/store.
44
252
S.
poco A.
mm
T.
poco B.
mm
Vln. I
espress. ord. Vln. II
espress.
Vla.
Vc. 252
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