Robert W Ottman - Elementary HARMONY Theory and Practice

September 21, 2017 | Author: lapicitosdecolores | Category: N/A
Share Embed Donate


Short Description

Download Robert W Ottman - Elementary HARMONY Theory and Practice...

Description

the melodic line (II)

223

few notes, an eight-measure phrase may be considered regular. T h e extremely rapid tempo of Figure 16.9 (one beat to the measure) produces a phrase of only eight beats in eight measures, comparable in sound to four measures of two beats each. Fig. 16.9. Beethoven, Sonata for Piano, Op. 2, No. 3, "Scherzo" Allegro (J.=104)

±dE=k

±

±

rr^ r-rr

pf^p

phrase, 8 measures-

fW

s

9 f

P^PF (cadence)

b) When the tempo is very slow or when each measure contains many notes, a two-measure phrase may be considered regular. In melody 219 12 from Music for Sight Singing, two measures of . meter suffice to constitute a phrase. In Figure 16.10, the extremely slow tempo allows the completion of a phrase in a two-measure span. Fig. 16.10. Schubert, Winterreise, Op. 89, "Das Wirtshaus'

Sehr langsam P.

^ftj>iJ>. J»p J> J

j? j> iJ>- J ^ y J

Auf ei - nenTo-ten- ak - ker hat I reached at length a grave - yard by

mich meinWeg-ge-bracht. which my path-way led,

4 FffW n 9Ve^

T

V
View more...

Comments

Copyright ©2017 KUPDF Inc.
SUPPORT KUPDF