Rihanna Take a Bow

TAKE A BOW Words and Music by MIKKEL ERIKSEN, TOR ERIK HERMANSEN and SHAFFER SMITH ( = 80) E

.

I

B

' I I I I PP ;

C m

A

= . . . ?. ... . . . ' I I I I PP > .0 . . . . . . . . . . . . . . ( I I I I PP ' IIII

E

' IIII > ( IIII I ' IIII . ' IIII . ( IIII ' IIII =

oh,

how ’bout a round

I

B

C m

A

of

E

ap - plause;

B

= > ./ . > F ‡1 . . . . . . = = > ./ . . . . . . . . . . . . . . . > . .0 . .0 ... yeah,

C m

E

How

a stand - ing o - va

A

E

-

tion.

Oo

B

; . . . . . F . . . . = . ./ . ./ . . . . . . . > .0 . . . . . . G ,,, G, whoa,

yeah,

yeah,

I

B

C m

yeah, yeah,

A

; . . . . . . ' IIII > / . . . . . . . . . . . . .. F . . ( IIII You look so dumb right

now

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yeah.

E

B

= . . . . . . > /. . . . . . . Stand-ing out - side my

house

Eriksen – Take a Bow (Page 2 of 5)

' IIII

I

C m

( IIII

;

E

B/D

( IIII

.. /. .

Try - ing to

I

I

C m

B

. ..

I

C m

just cut

b

D

out

A

' IIII = ' IIII . . . . . ( IIII not,

E

it

A

... ..... .. .. . . . . . . . . .. F . . -

a - pol - o - gize;

= ; > ./ . . . . ‡ > / . . . . . G ,, . . , G, -

Please,

' IIII

E

. . . . . . .. F . . > -

' IIII

' IIII

A

E

you’re so

ug - ly when you cry.

E

B

. . . . . . . . > /. . . . . . . -

Don’t tell

me you're sor - ry ’cause you’re

B

D

= . . . . . . . . . . . . .. .. F . . > ./ . . . . . . G ,, GG , , ba - by,when I

know you’re on - ly

I

C m

B

sor - ry you got

A

caught.

E

But you

B

' IIII . . . . . > ./ . . . . . . ? . . . . F . . = ' IIII . . . . .. .. .. .. .. . . .. .. .. .. ( IIII put

on quite a show;

you

real - ly

had me

2

go - ing.

But now it’s time

to go,

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Eriksen – Take a Bow (Page 3 of 5)

I

C m

A

E

I

B

C m

I

A

F m7

E

' IIII . . . . . ./ > . . . . . = . . . . . . = . . . . . ' IIII . . . . . ... .. .. .. .. .. .. .. .. -- .. . . ( IIII --- -I c I ' I I I . . .; .. . . / > ... / > . . . . . . . . . . = . . . . . . .. . =' IIII .- . . . 0.. . F . . , , ( IIII , -G, , -I ' IIII = . . . . . . -= . . ?. .. .. .. .. .. ... > F .1 . . . . . . . cur - tain’s fi - n’lly clos - ing.

That was quite a show,

ver - y en - ter - tain - ing,

to

E/G

A

Go on and

(but it’s

E

o - ver

take

a

but it’s o - ver now,

D

bow

Whoa

now)

B

C m

Grab your clothes and get

E

A

gone,

you bet - ter hur - ry up

B

be - fore the sprink - lers come on.

(get gone)

' IIII > / . . .. . . . . . . . . .. F . . ( IIII I ' IIII .. ... ...= =. . . . . . . . . . ..= . . ' IIII . . . . . .. F . . > ./ . .. .. . . ( IIII C m

A

B

E

> / .. . .. . . I

C m

A

.. . ....

Talk - in’’bout, “Girl, I love you; you’re the one.”

This just looks like the re - run

3

. . . . . . .. F . . -

(come on)

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Eriksen – Take a Bow (Page 4 of 5)

' IIII

E

B/D

I

> / ‡ . . . . -= > ..0 ;.. ' IIII > / . . . . . . . G ,,, ( IIII G, Please!

What else

is

' IIII .F ' IIII .. FF ( IIII , , ' IIII . ' IIII .. FF ( IIII . And

Bsus

./ . /. . .. the

. .. a

-

al Coda

.. .. ..

on?

(Huh,

B

b

D.S.

Dadd2

Whoa)

' IIII

I

B

.F .. FF

./ . /. . ..

/ / / F . . . ... / .. .. FF .. .. ... best

line

goes

be - lieve

D

that you

for mak - ing

me

.. ..

I

. . . . . ./ > . .. .. FF ../ .. .. . .F . . . . . . . .. could be

E

ow.

you

. ..

C m7

faith

B

' I I I I ./ . / . . = ? . . ... . ... ' IIII > .0 . . . ,, G ( IIII G, hear your speech,

. = . .. FF ../ .. -- FF

to

B

. . ./ > ../ .. .....

I

F m7

,,

,,

A

C m7

the

Oh

. -. F .0 . . . ( IIII G,

Bsus

for

> ./ . .

-

' IIII

B

ward

D

. ... .. FF ../ ..

-

ful

to

me.

. =

Let’s

...

, I

C m

A

= ; . . . . . . ... . . . . . . -

How ’bout a round of ap - plause;

4

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Eriksen – Take a Bow (Page 5 of 5)

E

B

D

E

B

' IIII = >F 1 = > /. . . . . . . . . .. .. . . . ' I I I I > .0 . . . . . . G ,,, .. .. .. .. ( IIII . . -. . G, I I ' IIII . . . . . . ?. . ... ... . = . . . . . . ' IIII .. .. .. . .. . .. .. .. .. . . . . . ... ( IIII -- I I I ' IIII . . . . . = . . . . . . = . . . . . -= .. .. ;.. .. .. ' IIII .. .. .. .. .. .. .. .. -- .. . . . - . FF . . ( IIII -- ,, - - -I I I E ' IIII . = = ; . . . . . .= . . . . . . . . . . . . . . . . .. ' IIII E . = . . . . . . . . . . .- . 0. . F . . , / E > F F > . . . F . , ( IIII GG . F 0 . .F š A stand-ing o - va

C m

-

A

real - ly had me go

E

tion.

E

-

B

ing.

That was quite a show

put

B

But now it’s time

C m

But you

A

ver - y en - ter-tain - ing

a show;

C m

to go,

F m7

on quite

you

A

cur - tain’s fi - n’lly clos - ing.

E/G

But it’s o

A

-

ver now

(but it’s o - ver now)

E/G

Go on and take

F m

D

a

bow

E/G

A

But it’s o - ver now.

5

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