Repertoire Level 3 Celebration Series the Piano Odyssey

CELEBRATION SERIES®

THE PIANO ODYSSEY@

PIANO

REPERTOIRE

3

© Copyright 2001 The Frederick Harris Music Co., Limited All Rights Reserved

ISBN 0-88797-734-0

FREDERICK HARRIS MUSIC

CELEBRATION SERIES®

THE PIANO ODYSSEY®

The Celebration Series" was originally published in 1987 to international acclaim. In 1994, a second edition was released and received with heightened enthusiasm. Launched in 2001 and building on the success of previous editions, the Celebration Series", The Piano Odyssey" takes advantage of the wealth of new repertoire and the changing interests and needs of teachers. The series is breathtaking in its scope, presenting a true musical odyssey through the ages and their respective musical styles. The albums are graded from late elementary to early intermediate (albums Introductory to 3) through intermediate (albums 4 to 8) to advanced and concert repertoire (albums 9 and 10). Each volume of repertoire comprises a carefully selected grouping of pieces from the Baroque, Classical, Romantic, and 20th-century style periods. Studies/Etudes albums present compositions especially suited for building technique as well as musicality relevant to the repertoire of each level. Student Workbooks and recordings are available to assist in the study and enjoyment of the music. In addition, the comprehensive Handbook for Teachers is an invaluable pedagogical resource.

A Note on Editing and Performance Practice Most Baroque and early Classical composers wrote few dynamics, articulation, or other performance indications in their scores. Interpretation was left up to the performer, with the expectation that the performance practice was understood. In this edition, therefore, most of the dynamics and tempo indications in the Baroque and early Classical pieces have been added by the editors. These editorial markings, including fingering and the execution of ornaments, are intended to be helpful rather than definitive. The keyboard instruments of the 17th and early 18th centuries lacked the sustaining power of the modern piano. Consequently, the usual keyboard touch was detached rather than legato. The pianist should assume that a lightly detached touch is appropriate for Baroque and early Classical music, unless a different approach is indicated by the style of the music. Even into the 19th century, composers' scores could vary from copy to copy or edition to edition. Thus, the editors of the Celebration Series" have also made editorial choices in much of the Classical and Romantic repertoire presented in the series. This edition follows the policy that the bar line cancels accidentals. In accordance with current practice, cautionary accidentals are added only in cases of possible ambiguity. Teachers and students should refer to the companion guides - the Student Workbooks and the Handbook for Teachers - for further discussion of style and pedagogical elements. For examination requirements of The Royal Conservatory of Music, please refer to the current Piano Syllabus.

Dr. Trish Sauerbrei Editor-in-Chief

Contents

Gavotte in G Major, HWV 491

Christian Petzold Christian Petzold Henry Purcell attr. Johann Sebastian Bach attr. Johann Sebastian Bach George Frideric Handel

Sonatina in C Major, op. 36, no. 1

Muzio Clementi

12 12 14 16

Ludwig van Beethoven

Johann Anton Andre

18 18 19 20

Sonatina in C Major, op. 36, no. 20

Alexander Gedike

22

Morning Prayer, op. 39, no. 1 Horse and Rider, op. 98, no. 5

Pyotr II'yich Tchaikovsky Alexandr T. Grechaninov Alexandr T. Grechaninov Dmitri Kabalevsky Robert Fuchs Bela Bartok Boris Berlin Yoshinao Nakada William Lea Petr Eben Seymour Bernstein Ruth Watson Henderson Nancy Telfer Christopher Norton

23 24

Minuet in G Major, BWV Anh. 114 Minuet in G Minor, BWV Anh. 115 Hornpipe in B flat Major, Z T683 Musette in D Major, BWV Anh. 126 Polonaise in G Minor, BWV Anh. 119

First Movement Second Movement Third Movement

Sonatina in G Major First Movement Second Movement: Romanze

Sonatina in A Minor

4 6 8 9

10 11

Third Movement: Rondo

After the Ball, op. 98, no. 13 Clowns, op. 39, no. 20 Timid Little Heart, op. 47, no. 5 Play The Haunted Castle The Song of Twilight Snoopy Bird on the Windowsill The Elegant Toreador Lullaby in Black and White The Sleeping Dragon Coconut Rag

26 27 28 29 30 31 32 33 34 36 38 40

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Lullaby in Black and White

Ruth Watson Henderson Gently

(1932 -

J. =50-72

5

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