Reflections in D Bill Evans Piano Solo

Reflections in D Duke Ellington

Arr. Bill Evans

     

Freely

Piano





     



12

Pno.



 

       





  

         







 

   

  







  



                  

         

2

  

         

1

 

   

                          

17

Pno.

 

 

               

7

Pno.

              

     

4

Pno.

     

       



 

    

Rubato

 

        

A

 

    

        

a tempo



          

  





  

transc. Moises Sol 2009 © Http://jazzpianotranscriptions.blogspot.com/

 

Reflections in D/http://jazzpianotranscriptions.blogspot.com

2 22

Pno.



                      





26

Pno.



 

             



   

   



  



Pno.







     

   

     

   

Rall

       

37

3

                          

      

   

            

  

         

34

Pno.



         

30

Pno.

              

   

  

                

            

                       

A Tempo

 



      

                      

   

    



Reflections in D/http://jazzpianotranscriptions.blogspot.com

41



 

        

 





  



Pno.

  

            3

3

  

3                                   3                          

44





Pno.

     

3

largo

    

48

Pno.



   



6







Presto

6

 



6

Dmaj7

           F.

           5                         6 

52

 

Pno.

                          

Dmaj7 G.

50

Pno.

  

3



6

  

E.7

F.

Eb. E. D.7

               

Eb.7

  

                      

 

 





C.7

                            C#.7 D.7 B.7

 

Reflections in D/http://jazzpianotranscriptions.blogspot.com

4

55

 

Pno.

      

       

faster

 

59

 

Pno.

          3

        

    

Rall

 

  



63

  



  

Pno.

    

 3



    







 

    3



     

 



        



3





3

   



          

3



 

     

 5           



65

    

3 

A Tempo



  



Rall

 

Pno.

3

    

   





 

3  

    

       

Reflections in D/http://jazzpianotranscriptions.blogspot.com

5

     

       6

Piano

    3

    

    3

      

69

Pno.



                                                      

71

Pno.



74

Pno.

       

    

 R.H.    L.H.                                              3

R.H.  5 4 3                           3 L.H. p 1 3  1 4     5               

pp

77

Pno.

 

  

3

 



 

    



 



 

3   3  3                                mf  5 3 

ff

5



Reflections in D/http://jazzpianotranscriptions.blogspot.com Reflections in D/http://jazzpianotranscriptions.blogspot.com

6

          3

Pno.

  



   

83

  

Pno.

 85

Pno.



 

Pno.





 





3    

  



 3



  3   3

   

     





   





 3                3         91                           3

 

     3

 





                    

88

Pno.





 3



80

rubato

 

  

    

   

  



            

 3              3     3

   

3

3

3

Reflections in D/http://jazzpianotranscriptions.blogspot.com

 6                    7  

94

  

Pno.





7

   

                            

95

Pno.

6

6

5

5

   

96

  

   

 

                    6

6

5

Pno.

     

 

  97         Pno.

   



 

         

                