Reader's Digest Unforgettable Music Memories

A Reader'sDigestSongbook ',

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Editor: William L. Simon Music arranged and edited by Dan Fox Editorial Associates:Mary Kelleher and Natalie Moreda Music Associate:ElizabethMead Art Editor: Nicholas Calabrese Art Associate: Larissa Lawrynenko Annotators: stanley Green, Barrymore Laurence scherer, George T. simon and Richard M. Sudhalter THE READER'S DIGEST ASSOCIATTON,tNC. Pleasantville,New york/Montreal Copyright o 1984 The Reader's Digest Association, Inc. copyright o 1gB4 The Reader's Digest Association (canada) Ltd. copyright o 1984 Reader's Digest Association Far East Ltd. _ Philippine Copyright 1984 Readerb Digest Association Far East Ltd. All rights reserved' Unauthorized reproduction, in any manner, is prohibited. tsBN 0_89577_178_0 Reader's Digest and the pegasus corophon are registered trademarks of The Reader's Digest Association, Inc. Printed in the United States of America

Introduction fn all childhood, there is no moment quite I like the cliscoveryof the past. A f,rmily attic, an olcl trunk or chest firll of photographs and nrernories trnd scents of times gone lry t'notrgh tcl awaken imagination, form tr ltond, rrniting a new generaticlnwith all those now cle'ptrrted.They live trgain, filrever young, uncler tonrorn)w's gaze. S

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DavIn-

Dai Out \\brds by Johnny Mercer -\Iusic by Rube Bloom

" D u A In - D u g Out," brJ R ube B l oont uaho ytlaged Ttiano uith the jttzz g,reats u n d J o h n n q M e rcer w ho song ui th them, became ,so ytopulur in lS)39, purtiullg becuuse of recordings by Tommy Dorsett (w i th o a o c a l b U Jack Leonurd) and A rti e Shau, (oocal bg Helen Forrest), that it remuined 0n Yotrr Hit Parrade fu, 10 consecutioe ueeks, reoching the tlot,eted M r. I s p o t i n Se Tttember.

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SKYLARK Iohnnr \Iercer Hoagr Carrnichael

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"Skylurk" uith it,s unique chortl progre,\t;iortstort,soriginullg o mo oi e theme bg H ougg Ourmi chuel , uho proudl g admi tte d t he influences of jazzrnun Bix Beiclerbecke's melodies antl cornet imTtroui,sation,s. lt became a full-flerlged song in 1942 r.ohenJohnnq Mercer uddecl lgric,s und turned into u big hit, thartks in part to recorrlings bt1 Wooclu Herntun, EarI Hine,s uith Billy Eckstine, Hurnl Jume,srcith Helen Forrest und (]ene Knrytu roith Anitu O'Du11.

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( ) r t ' t r i u l l q i t t L ' u . t. 's t r i c t l g o R u b e h I r l i t r i> tr u n t e r r t u l p i e c e c a l l e t l ) i i , ., r: r t - L u , " B u t t l t c t t , i t t 1 9 4 0 , ' i .', r ir y. \ f t . r c t , rudc l e d ,s o n tel g ri c s to r'. .,,t|. 'uddt'rtlU "Fctols Rush ln" : . .,t ' t t ( .u big f ut o ri te u n to n { 4 th e : , " : . \ r i r t g c ' r ' , 5t' r. t i l d r e d B u i l e g ,rdt , d if . S r . rt lid R a q E b e rl e u i tl t

(]l enn Mi l l er, D i ck H ag m es u, it lt H urr11 Juntes, C i nng S i mm s uit lt K ug K g,serond l l onng Fran k Sinut r u uithTontmg Dorseg.lt hit the l,lo.l ,s7toton Yotrr Hit Parade in JulU o.f thut gear. Toduu si ngers uho lot c Iiterute lgric,s ,still relish the ,sotrs ubout " rD hereangel .sfear t o t r eut l. "

FOOLS RUSH IN

\Vords by Johnny Mercer

Musi c by R ube B l oom

Slorv and steadv

g u i t 0 r chords

Fools

tlll

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Where an - gels fear to

rush in

pedol till indicated

t read

And

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you,

my love,

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S w i ngi n' the D retrnt, d 1939 B roacl uug rntrsicul flo7t based on ShukesTteore'sA Midsummer Night's Drerrm, presented three top jaz'z ,stars, Loui s A rmstrong, B enng C l oodman and Maxine S ul l i uan, but j ust one hi t tune, thi s tttuchi ng bul l acl , u;hi ch Mi ,s,sS ul l i xan song i n the shou ; '

Music by Jimmy Van Heusen

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say tift

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each night, your eyes ;

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love high

me and you a - bove the

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"l hold moon

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But Then

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oh, oh,

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can't un - der - stand that

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Darn that dream

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With- out that dream,I nev-er would have you;

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cANightingale Sang in$erkeley Square "A llightingule Sang in BerkelegIpronouncetlBurkleu] Square" uus uritten for u British reDue,New Fllces,bq Eric Maschuitz anclMuniing Sheru;irt,u l'leroYorkerliaing in Lonclon,The songbecanreu hit oDerlrcre in 1940,7turtlybecuu'sc uffection for Englund.-ulreudg of the country's cleeTt of experiencinguir attoc(i from Gennung,untl_portlgbe-c:uuse recorcling,s bg Bing Cro,sitgund Kate Smith,lrut mostlq becuuseof u Glenn Miller recorclingthut w_usbeautfulltl ,scttrccl bu Rug Eberle' bu Bill Finegan und,sungsgmTtutheticallu Words and Music by Eric Maschwitz and Manning Sherwin

Slorvly

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u cer - tain night, The night we There was m a g - i c met, was, How sweet and strange, There was nev - er strange it

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YOU'LL NEVERKNOW from Hello

Frisco Hello

"You'lI lleoer Knou)," the 1943Academg Ataarcl.lLoirtrtitrg sottg, wos usritten for u Tuentieth Centurtl-Fox nrusicul, Hello F risco Hello, in which it wus introclucetl blt Alice Fuye from the stuge of u turn-ofthe-centurg San Fruncisco beer hall. While the ,tong wos uppropriate for both the ,sceneund the periocl, compo,ter Harrg Wurren once ,saiclthut he ul,sotounted the bullud to be on expre,ssiott, thut coulcl applu to the lonelines,sfelt bu both ,solcliersancl ciuilians d u ri n gW orl dW ar l l because thei r l oaed ones u)erefur aw u y.

Words bv Mack Gordon: Music bv Harrv Warren Slowly, with sentiment F

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Yourll nev - er mP r to--/i -4 |

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know just |l--3---

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how

i

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You?ll nev - er

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if I tried, { Y o u said good-bye,

lana

49

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hide sky

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have - n't no fun

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.\MhoCares? from Of Thee I Sing ( )fr lT h e e I S i n g w a s u s t r i k i n g l g . ; " . , t ) l p r r t 6 l 1 1 1 ' [ iO , . . , . ' , i B r o u c l r c u Um u s i c a l . l n u t l d i t i t t n t o p o k i n g , ii nrlof : - ' . " . . I P r t ' > i c l c n i i t ipl o l i t i c . s ,i f d i d s o i n t h e m u n n e r o f u , , - j , r t t i r t r /S t r l l i c u t rc o m i c O p e r o , u ' i t h u l l t l t e n n r s i c o l . . . , ' 1 , ,r-' ) ( ' r ' ( ) / Li r t g r t t t t u r a l l uf r o m t h e p l o t . T h u s u ' h e n , - : r - 1 r ; rr l t t t , . s t i i t r t ePf lr e , s i r l e nJt o h n P . W i n t e r g r e e n ( W i l l i u m ' , . r , : r i t t l ' t o r trtt g i r l h e ' c l i i l t e d , W i n t e r g r e e n o n c l h i s w i f e ', ' l,'", L o is \ f ut r t t i) ex Ttre ,s s eth d e i r l o o e i n " Wh o Cure' sP "bg .. ,. tri r ir rt lif f er enc e t o c u l u mi ti e s ,s u c ha s th e s kl lfal l i ng ' i , i - . r r r, t , , ' r il r u n k ' sf u i l i n g i n Y o n k e r s . :'. \ \ l rrd s b v I r a G er s hw i n ; Mu s i c b y Ge o rg e G ershw i n

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0nforgettableHits of the '3Os

[Covcr the M/atcrfromt i 'littrtq()reen'slife inmusic got off to afust,sturt:us rr .r,ttlertt ut Huraard, he clasheddff u litahtlittle tune, ' (' t11uette," , thut becunleu mtjor hit.lttot longq ofter, in : ,;r'trtar,slipwitl'r Iuricist Ed Heumon,he turiecl ottt B,tduunclSoul" und "Out of llowhere," troo rill-time 1 , rr,l c ' ro . fA m e r i L ' u np o p u l u i s o n g .B U 1 9 3 3 r, c h e nt h e

next Creen-Hegmun gent, "l Couer the Wuterfront," uTtpeared,Greenuus ri di nghi gh: he had hi s o un bund, an offer for his oun ruclio show, tt contruct to urite music for the ntooies. Thi.s song,proaecl un unexpected hi t for Loui s A rmstrong, uhose urgent Tthrusingund gruuel l g aoi ce l ent i t un eurnest, huunti ng q uulit q.

Words by Edward Heyman; Musi c by Johnny Green

FreeIy G

)

Ve r s e

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un - known;

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I Cover the Waterfront

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make it

on

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to

141

'ffemTfere QTes One recent night in a Munhuttun nig,ht sytrtt,u tJottttg singer unnounced this hullou,,ecl 1930 stanclurcl, tlrcrt rt'nt into u rnte-perfect reproduction of Billie Holiday's funtt'd recording. Asked luter whether she realiz.eclhorc fur fronr Muceo P'i'nkard'sorigirtrtl melodtl the Holidtry ueisioi ltrtrl ,straged,she expresseclastonishment. She'tI thouglft titt' st,rt,: went thut taag! ln its ttnultered form, "Thern There Eyes i s u catchu l i ttl e dtttu bg the ntun w l to corttri butetl ,vuchullti me ,standurd,s(rs " S rueet ()eorgi u B rttun," " S ugur" uttd "(]irnnte a Little Kiss, Will Yu Huh?" to Artericurt |trt7t music. lt remuin,s u perennial fuurtrite.

':t,,,.{\'

Words and Music by Maceo Pinkard, William

Tracy and Doris Tauber

j\Iedium bounce

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fell in love with vou

first time I looked in - to

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there

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Thern There Eves

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TRYALITTLE TENDERNESS

"Trll u Little Tenclentess" uppeured in 1932 und ,struck a resTtonsiuechord in Deytre,ssionweortt l'Jorth Americuns. Morale uas lou, ntoneu and j obs scurce. l n ntuny co,ees,ul l thut a nton und uontun hutl uas euch other. A ,song urgi ng them to be ki nd and l oui rtg to one unother was o meclicine for the meluncholy of those ti nte,s- ttntlfi ti ortr,\ (/,suel l .

Words and Music by Harry Woods, Jimmy Campbell and Reg. Connelly Slowlv

F r e eI y -- - - _ a

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Thatold Feeling 5 r r nr r rtr1I . ' uir tc u n l u 1 1j u s t c l u i n t to b e i n g rnnong the l rt ' r f ir r c l lc u, s t k n o ra n o f ttl l th a g re u t A ' n teri c.utt rr r n. ( r L' r it er , H s 't'. ru n k ,si a i th Iru i n g B e rl i n rtnd H rtrrtl \\ ir ' r ' r , r r ir r , s lt e e rn u n i l te r,so f l u s ti rtg h i t,s-. " W hen i l i t k c 7 h 1 S u g u r t o T e o , " " I e ( t n D r . ( u r n ,C u n ' t l ? , " "l'll Be SccirtgYou," "secret L o L e " t t n t ld o z . c t r .t\n o r ( , (i nt ( ) ngt lt ant . \ ' e t ,s o n rc l x ttoth e p u b l i r; tl o e ,srt' ttl t rcrtt1,s, i i r t k lt i. slt it . sr ci th h i ,s n a m e . " D i tl h e rc ri ta trutt. too' 1" i : t t . l' r t , r luer t t l yu ;s k e dq u e s ti o tt. l t' ,sc e rtrti n l l l trrrt:o.l t l t i \ r ( t n i r t d e r o J ' e n t l u r i n g l o c e , u c o l l t i l t o r u ' t i o r tt o i i l t L , . ' u' Rr oLc nJ ' or tl rc n to x i c V o g u c s o f' l 9 3 tJ. \\ br ds nnd N{ u s i c b y L e w B ro w n a n d S ammv Fai n

Slorv and sentimental (-

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s a w you last night and got that very smoothl

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I felt a

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C o p y r i g h t t 1 9 3 7 L e o F e i s t , i n c C o p y r i g h t r e n e w e d 1 9 6 5 L c r r f e s l 1 n c l n t e r n a t l o n aC l opyright secured At ngnts reservorj Used by permrsston

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still .

l'Iy heart stood

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sebmed to feel that

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ne w ro - mance for

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Please Don't Talk About Me When I'm Gone

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pennedthe theme thut heralds tlrc :urtt1 cartoon exTtloitsof Bugs Bunng.

urccr as a songuriter. Leuinson, u;ho t't'rttuallgbec am e Li o i n g s to n , u )e n t o n to

Words by Marty Symesand Al. J. Neiburg; Music by Jerry Livingston Slowly and rather freelv F/A

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t\

Copyrighto 1933by SantlyBros.,Inc Copyrightassigned1938to Joy Music,Inc. Renewalcopyrightassigned1961to WorldMusic,Inc , New York,N.Y.International Copyrightsecured.All rightsreserved.

157

It'. the Talk of the Town

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T he c a r ee rs of B in g C r o sb g u n d hi5 7ti-an o - 7tIu g i tt'g, s0 n {1u)r it i tt51 's.turtirrg pul 'withHorrq Btirris cirtmplemented euch-other frtr lleurs, thiir time tog4e:therus two of Puul Whiteman',s threc Buriis wrote u succi.ssion of songs thut u;ere Rhgthm Bctt1,s. bt1the C rosbtl uoi ce: " l t L4 ust Be t ui netl i nto' al l -ti me cl ctssi c,s "Wrtryt Dreums," "At Your Cornntund" ii Trttubles Yortr True," ancl this int'e1secleclurution of lttoe borclering on obses'sirttt'

Dcar

Words by Gordon Clifford; Music by Harry Barris t /

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by perrr ss:copyrighto 193.1by MillsMusic,Inc. copyrightrenewed All rightsreservedused

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Lee Hill) such choracters as "Olcl Fol ks," bel oaed bu al l i n h t s sm all hometoun. l{o composer, suDeperhaTts Hrtug,gCormichael and Johnng Mercer at tine,s, hus cuptured this Ttart of the A meri can past as oi ai dl g as Robi, son.

0tD FOTKS

-\l i s . s r irr ir bont Wi l l a rd R o b i s o n u )u :; u sittgulttr kincl of songu;riter. He wrote (,_t t ' ot r nt r g liie , s m ' u l l -to u s n ,e c e n e s r c n l e r n b er e d childhood: f rom tlrurt:croppers, itinerunt Ttreachers, I t t t r t e s t , su n d ( w i t h a I y r i c b g D e d e t t e

Words by Dedette Lee Hill; Music by Willard Robison q-Jr

Slow and bluesv

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TNE DESEKTSOTYG

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from The Desert Song

_

()ttt oJ- tlrc box-o.ffic'esmu,slrc,yof 1926, Signtttnd l l e u r E u , ; t . A n o n g t h e g e n t sf r o m t l r c t l t r i l l i t t g \ ( ' ( ) t ' ( . R or r t bc r g' , sc lu, s ,s i cT h e r D e s e rt S rx rq rentui rt,su ure the,sti rri ng " R i .ff S orrg,"the moxi ttg l xtl l ut l "( ) r r r l ) ( ' r ( nt r iul J ' t r uo ri tc o f p e r.fo rn te rs u tttl u udi enr:c,s A l o n e " u r t d t h i . sc l r e u n u lt i t l e n u m b e r . l n 1 9 J 9 . T h t u lik e. I t , s ex ot ic ,s e tti rtgi n o l d Ii re ttc h L [o ro cr:ogoL,c I ) e s e r t S o n g l t e c u n t et l r cf i r , s t u l l - t u l k i n g , u l l - , s i r r g l r r g t l t t ' ( - ' o t n p o s c re n o T t p o r t u n i t q n o t o n l y t o u ; r i t e , t c r c e no p e r c t t u , u ; i t h J o h n R o l e , su t r c lO u r l o t t u K l r i i ' l,ttt,lq wultz,es und rontuntir: bullucl,sirt the u s t l r c l o c e r , s .D c n n i , s M o r g u n u r r c ll r u t e J l u n r i i r i t r t t d i t i o t t u l a e i n b u t u l s o t o i n t r o t l u r : c n r c l o d i c , y ,sturretl i tt thc 1943 rentuke, fol l oued l tu ( ) Lt r d, , r t l tut lt c c l in t he , s u l trq c o l o rs o f' l l o rth Af' ri t' u untl the LIttcR ue urul K utl trgn ()ruuson 10 qeur,sl u t cr .

Words by Otto Harbach and Oscar Hammerstein; Music by Sigmund Romberg

Freely, but without dragging

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r vit i- r

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The Desert Song

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arynfonrt sonn 6e f from The Vagabond King

5core. D enni s K i ng creuted the ti tl e rttl e o J'F'r ur t . 't t i' Villon, the beg,gur-poet u;l'to defencls metlietul Puri' aguinst the for:ces of- the ,Dttke if Burgundg.^\l'ht'rt lt, trrrrS gthi s i ti rri ng number, i t rD u,shurd f or t t t ( t t t t i Ii steners not trt ru.shonto the stuge unclj oi n thc clt or u'

\ t-rrll- bloodc d ope re ttu i n th e g ,ru n d m u n n e r, The \ .t,'.rl r < r nc K ling br ou g h t c l o u ;rtth e l r,o u s ea t i ts p r enti ere :r, 1 9 2. j. t t ' it h s uc h mo g n i fi c e n t n u n tb e r,su s " OnIg u H ,.t'." "Sonte Dut1," "Huguette Wultz" on(l "Loue Me I' rti !. lt t . " nt ut t ll c orts i d e r i t to b e R u c l o l f F ri n i l ' ,s.fi nest

Words by Brian Hooker; Music by Rudolf Friml

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from The Chocolate Soldier

,i j ,, tl'rrlit ' iou, s Cl- r oc o l trteS o l c l i e r, u d u T tte dfro m George B ernurd . i, ,.1,- I 59J cometlg Anns trnd the Mrtn, is the best knotan of Oscur * r',r'r, \ ( ) / r c r eft o, s ,r c h i c h u Is o i n c l u d e A W a l tz D retrm ancl The Lust ' ,\ ,1 tz . S rf c u, suic , sund e n i u b l y V i e n n e s e to th e c o re!)The ti tl e refers ' ,lir. rtp(,t^(,ttti,s hero, u peoce-lot,ingt,soldier u;ho Ttrefer,trontunce . ' . , / , h , , r ' o l u t e st o t t ) u r - r u t h e r a s e n . s i b l ec h a 7 t .T h i s l o u e l q s o t t g . ., ,;1 rr ' 4r l!bec n t he f u u o ri te n u m l te r i n th e s c o re, und, i ncl eed, i ts . ' i t t r L ! .e. m o t i o n u l m e l o d q m u k e s i t t t j o u t o , s i n g '

\\brds by Stanislaus Stange; Music by Oscar Straus Snrootir altd f lowing C

C

# w-{

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FTFi-H

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I

have a true

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ble lov - er;

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.

I

I

He is my sweet-heart ,

my o!vn.

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ffi +'l

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on earth

who

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mine-

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i

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\\te pledgrd our

troth

ffi

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the

each

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o.1909WarnerBros Inc copyrightsrenewed All rightsrese'''l copyrighto 1g0BLudwigDoblinger(BernhardHermansky)copyright

Am

G

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A Kissinthe Dark

from Orange Blossoms

\- ictor Herbert once rausu,skedtohq he didn't write unttther u'riltz like "Kis,s Me ASqoin"(.from the 1905 Mlle. N{odiste). (J 922),he ( rttsheclbU the recentfailure rf Orange Blos-soms public gttod,but the s as wultz,e taritten he'd tl"tat sudlu raplied "A Kiss them. The Ttubliccertuinlg recog,nized tlirln'trecog,nize in the Durk," howeoer,especialluafter it was interTtolatedirt F lorenz Zieg,fetd'sFollies of 1923,ior ul'tich Herltert su.pplied ntrrsic.Since then, it hos been a-ccluimedos Herbert'sfinal u'tiltz classic.(He diecl in 1924.)And uith good reasrtntort!

Words by B. G. DeSylva; Music by Victor Herbert

Moderately l_++tl

FrHt-l Verse

[' mad

rewas

I That

ffi

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all

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a a

I

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with land

ro of

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mancg. dreams

he we

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a

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r'

told part

a

a

ff

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of in

my charm s the d a w n ;

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hr r

I

ffi

I

Trem - bling the In

night , ing hour

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stroll sweet

a

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love day

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Copyrighto 1922WarnerBros lnc. Copyrightrenewed All rightsreserved

I

T

175

\ Kiss in the Dark \n

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arms , on

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oh, oh,

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Bot-tom ! " Bot -tom ! "

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RAMONA .l u z ,z fu n .src l to bought P uul W l ti tenun' ,s l 92B recortl oJ' " Lonel u Mekt clU"f or u .feu; bor,so.l'Bix Bcidarber:ke',shot contet ,scarcelgheeded tlrc "8" ,sitle,u rctilt: c u l l e tl " R o n t onu." B ut tl rc recortl i ng ecl netl on uc' hi et,antentunTtrccedent et lir t th e te c h n o l o gl l oJ' the cru: Ji l m ,sturD ol rtre,sD el R i o hud sung " R untonu" on t lt c ru d i o i n H o l l rytuood rchi l e W hi tctrturr' s orchc,stru uccomTtuni edher in ( r \ i( , r t ' Yo rk ,s tu d i o :3,000mi l e,sutD e!| .For rucl i o, u l urrcl nturk.

Words by L. Wolfe Gilbert; Music by Mabel Wayne

Atlegretto (not fast) 3

p delicately

J

G7

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xooo

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hear the mis - sion

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mon- a,

bells a

theyrre

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ffi -

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press you,

C1

c &- r e s s y o u

and

B7

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ffi

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cless the day

3

y o u t a u g h t me to

t

220

care ,

* These melody notes zre played by the Left hond.

al - wavs

re - m e m - b e r

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r

C o p y r i g h t i 1 9 2 7 L e o F e i s t I n c C o p y r i g h t r e n e w e d 1 9 5 5 L e o F e i s t I n c l n t e r n a t i o n aC l opyright secured. All rights reserved.Used by permissron

C

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slower

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vou

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SweetSue-

JustYiu

Wordsbv Will J. Harris; Music by Victor Young

Moderate ly

Ev -f ry

mf

ffi

ffi

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++

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a

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I

star

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Sweet

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I

one

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C o p y r i g h t ' 1 9 2 8 , r e n e w e d b y S h a p i r o B e r n s t e l n& C o , l n c . N e w Y o r k N Y

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live

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223

SLEtrPYTIMEGAL to knor.otl rc exuct , st or y1, lt t t t W h q .fo u r conq)o,\ersfor ona ,\ongl Ml onc ,\aent,s Lt t r e t t : - t , n u t,s to c (:outtt,s,strggi ,sttl rut uuttcl ct,i l l i un A l cl en und ,si nger-pi t t r r i, st p rc s e n tc rl the son{I i deu to rt pul i l i ,sher,roho tuntetl i t orer to R i ch ur t l Wlt it ir r , : of the' -20s.'I 'heur or kt 'd rtn c lR ru l nrotrdl i gort,oneof tl tc toTtsottgtori ti ttgtcunr,s tlrcir nurgic - rnrcl rrcltlcr{"SIecpg Tintc Gul" to rt string o.f hit,s thut irtclutlt'tl "Ain't We C)'tttFutt|" "7.11e Jt1tttnase Srtntlmtm," "l'ill Wc ilIeet Agtttitt" otrcl

\\brds by JosephR. Alden and RaymondB. Egan; Music by Ange Lorenzo and Richard A Whiting

LazrIy, but with a lilt (J-l played u, !-'T

)

c6/B nfr

nbz/sb Dz/A

;ri. rtf]E 4ir. EffFE 3ir.

H+# H+H H+H :u

a

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S l e e p- y t i m e

Yourre turn

-

ing

night in - to

day.

E,I J

D7

ffi'n' a

l'

Yourve danced the

Sleep-y time gal,-

GmajT

rfz

G7

F7

E7

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224

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a

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fore

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each

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tt-fq sil - ver-y

star-

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r Copyrightsecured All rightsreservedUsed by permrsslor CopyrightGr1925Leo Feist,Inc Copyrightrenewed1953Leo Feist,Inc International

A7

ffisr'. Ffi-I-H

l'fr+

sight ,

give

Please

me

D7 N .C .

mrn" 'l

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Then

let us

whis - per rrGood

It?s get-tin'

night .rl

7

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late

r

and,

dear, your

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pil - low's wait - in'

nfi /nb

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time

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a_

fr"r t--1.---1.-

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lr

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tp

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225

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226

a

stay-at-home,

play-at-home.

A{yCutey's Due -todvo Words and Music by Leo Robin and Albert Von Tilzer

With a litt (, J to be played as

G/R

B bdinr

\-erse ffi tley there

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Bunilterger',s, the greut oltl lletaurk, l'Jeu Jer.sey,depurtrrtuit ,store, u;tt,sut leu,st Tturtlq resTtortsiblefor thi,s futorite - urid it'ir t t for l rrunt' hi ngLeo R obi n on u l ottg ttntl -prothrt' ti t' e. r ( ) ngrr{. cureer. It rcas 1926, und R ol ti n w us fre,sh i n from Pit t , sbur s. lt . Iooking for u;ork. "l got un offer of $50 to write a lgric _for tltt' tltircl unniuer,surg of Bumlterger's bosentent," lrc rec'ullccl. "T'lrcq teumerl nte uith Albert Von Tilzer, wln rco,t u targ bit c l e u lu t t h e t i r n e , u n d w e w r o t e a t h i n g c a l l e c l ' O u r B u b q ' . sT h r t ' t Y eurs Ol d.' l t di d the j ob." The tu;o col l uborutecl uguir t 5o( ) r i ufter, this titne on "L[y Cuteg's Due." I.he .tong, u:u,sre('ordt'd 'ledWeents' bu orchestru and becume Robin'.sf,r,st untortg sut lt errcl uri nghi t,stt.s" Thunks for the Memort1," " Loui ,s e, " "Rt , Ut t r t d the B Iue H ori z.ott" und " Loue i n B l oont."

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'',,','1 ( /or t e o. l' t lr c nr o s t tn tc l e ru T tp re c i u te tl o f u l l trtrtj or ',,/i (rc rit ar , s nr t r , s tlr c C u l i fo n ti u -b o n t J o ,s e p h N [eqer. \l rrn l t o . f his ef f or t , s b e c u n te u n tl rc n rs o .f th e ' 2 0 ,s uncl ; ( ) \ . 7 ' l t c g i r t c l u d e " ( ) u l i f o n i u , L I e r eI C o n t e , " " l f ' ] t ' o t r N rrl rr.'S rr.sic, " " () rtt :r1 Rl til tl t nt" rr ncl thi.slS)22,strt nil uil,

lis fir,st hit. lt'.s becrt u fut,orite of older-gurcrutiort jrtz,z.men it,s.flotoittg clrcrcl o.t'' tltrouglt tlrc rycursltecuu,se ,\equcncc rccordingbryBirryq untl rhrytltmicnrclodq.'1.|rc: Cro.slx1, but'kedbry7'1rclvlills IJrotlrcr,surrcltha Dor,sey Brothers Orclrc,vtru,i,s u londmurk irtjttzz, hi,storg.

Words by Herman Ruby; Music by Joseph Meyer

L ive ly

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C o p y r i g h t ' s r1 9 2 2 M i l l s M u s i c , I n c C o p y r i g h t r e n e w e d a n d a s s i g n e d t o J o R o M u s i c C o r p o r a t i o n ,N e w Y o r k . N Y a n d t o M i l l s M u s i c . I n c , N e w Y o r k , N Y T h i s a r r a n g e m e n t C o p y r i g h t c r 1 9 8 4 J o R o M u s i c C o r p o r a t i o na n d M r l l sM u s i c . I n c

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TheJapanese Sand^an Words by Raymond

Music by RichardA. Whiting

B. Egan

i' ; rtl \\- lt it c nt ur t ' . sor c l te s tru , fe u tu ri n g , :1,, rrttrtcd tnnnpet of Henry Busse, -' , .;r. 1r'i rtli tis 1920c lu, s s i ci ts fi r,s t ttn tl n to s t l . f h n t c - a n c l i n u u ; t t t to b , s c u r e d .. trttc beuutrl. Whitemun took the ' rt:.f-us t .ir t t lr c nunn te r o f th e tk tg .l ' e t . :litrtt'e rft Ru11Egun',i rcorcl,s turcl Hi , /i u rd\ I ' lt it ir r g' , sm e l o d g re a e u l s th a t .[ltt' . l u 1 t u n e s eS u n t l r n u n " i s u l u l k f u g , , , 't Ttl u qc cunt l l s ung ,s o ftl ua n tl g c n tl g .

It w u,sone of ,seaerulhi ts f or t he t t 'r t r r r of Egan incl Whitirtg-. Whifing', duughter,Murguret,hushutl u long urtd u u r i e d c o r e e r o s o p o p u k t r , s i r t g c ru t t d c keeTt ir t gnt unt t hu,sbeert resTtort,si l tl Jor of her futl ter' ,s gqreute,stlt it , s, "Tlr , J u T t t t n e , s eS u n t l n t u n " u t t r o n g t l t t ' r r r . uliue. lt i,s ,still recorded urid Tterformecl, uncl ,sound,su,sfra.s'lt urttl ,sw eettocl uq us i t di d i n 1 920.

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. t.urd pluyer,s objectetl: tha ttoo gtt11s ut tlrc piurto irt . r-o t'nc t uer ' e nt uk ittg to o tttu c h tto i ,s cttn tl tl i ,sturbi ng , :(n n c. Rut us or r c of tl te c u l T tri ts r{ ,(/,rq u i t' k to remurk, '. r/r /ri ,sr't lt ur t nr ent un d l rc ' d tl o rc l ru t l rc u u n te d to i rt i t. ,1 :o l t t ' did. lt t ook l e ,s ,s th u n h u l J -u n l n u r J l tr t he tu;o rr. lqrici,st lrcing Cue.srtruntl contposer ()corge r . ' / r r ri n , t o p r o t l u c c t h i , s, s i t r t p l ee, n d u r i n g , s t u n c l u r du, ' t',trtl t( gr eut A I . lol, s o rti n h i ,y 1 9 1 9,s l to rcS i n b a c l .bi tr ul l r ' ' / r r l i l r ' . r l u t e r s u c L : e , \ , \ e , s" S , r o r tn e e " l t a c t t t t t t : h i , s . , t t t ' : t c o t n n t e r L ' i u lt r i u m p h u n c l r o u , s u n t i l e s t o n t : i r t .,rn \ lottg ctreer us rcell.

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