Quando

October 4, 2017 | Author: Sergarale | Category: N/A
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Short Description

quando score...

Description

Male Vocal Based on recording by Michael Bublé....

Quando, Quando, Quando 



Medium Bossa (q=116)

   

Tony Renis Transcribed and arranged by Matt Amy





Tell

           quan -

17

 



 





  













27



Ev - ry day

   show

  

seems a life

35

 





you the

way.





Ev - 'ry

 I

di - vine, to me,



a - gain. me when.

 

mom - ents a day,





-

 

time.

  

Let me

        

tp







 

mine

do

a love pi - ness

-

        



quan -



me wait please tell

say yes to me?

be

    

do



 

you

      

 

2.            

1.

When will you

  

 

Please don't make Oh my love



-

We can share You mean hap





  

me quan



do

 will

 

 Tell



me when

9







 

a

can't wait

joy



be - yond com pare,

 a



 

mom - ent

more,

2 Quando, Quando, Quando

43

 

Male Vocal





  

  

quan -

51

 



59

 







Just say it's













show

  

 



you the

way.





         Oo



        

83



 

ad - ore





mom

seems a life



that your

Ev - 'ry

Ev - ry day



me when.





quan - do,



      



67

    

do,

me

and then dar - ling tell

75

  

me quan -

   

do,



  

 

 Tell

Tenor Solo

  



-

 -

ents



time.

  a

day,

  

Let me

        

tp

a

joy

be - yond com pare,

         I

can't wait

a

mom - ent



Quando, Quando, Quando

3

Male Vocal

91



 



  

more.

   99

quan -

Tell me

  





do,

Say



 

   

play 3 times







when

107









Ad lib

Oo

   

    

 

quan

-

 

it's

me

do



  

  

And

-

then darl

ing

quan

 

that

you

-

do

 

ad - ore,

    tell

me

  

  

   

Oh

-

ling

tell

  



    rit.

my

dar

 

me

  

1st Flute Based on recording by Michael Bublé....

Quando, Quando, Quando Tony Renis Transcribed and arranged by Matt Amy

Medium Bossa (q=116)



   

  Flute             



mf

     



  

     

9 2nd X only





17

   1. 

Flute



27

  

35

    

 

          43

    







mp



  

   















3     

 



 



 



  2.        



mf

 











 



  

 

  



    



mf

  mp



2 Quando, Quando, Quando

Flute

51

        



mf

      

        mf

59



Tenor Solo

 



75

 

83

     

   







   

99 





  All times          play 3 times

 

mp







 

  



 

 

 

         mp





mf



  

67











  

91 

107



  





 









mf

       

6







    

 rit.



  p

  

2nd Flute Based on recording by Michael Bublé....

Quando, Quando, Quando    

Medium Bossa (q=116)



     

9 2nd X only



17

1. 

Flute





 

35

                



 



    





43

mf



  

3

    

 





 

    











  2.        



mp



27













      



  





   

Tony Renis Transcribed and arranged by Matt Amy

 

       

mf

          



  mp



2 Quando, Quando, Quando

Flute

51

         



mf

         mf 59

 



Tenor Solo



 

     



  



 

 





mf



      



  



6

 





mf

99

  





All times            play 3 times

 











67





  



   





  

91 

107

   

      

75

83

 

 

  

 

         mp

mp







       

 rit.



  p

  

Clarinet Based on recording by Michael Bublé....

Quando, Quando, Quando    

Medium Bossa (q=116)



    



17

 

35

  



  



 

43

        



   

 



        



mf

51

  



   

 

 



mf

 

  

  







   

              mf



  





2.

Clarinet

  

  







mf



1.



27

 





9

Tony Renis Transcribed and arranged by Matt Amy





mp







  





2 Quando, Quando, Quando

59

Clarinet



Tenor Solo

   

83

  



  









 













6

      



 

mf



 



 









mf

99





    

91







75

 

67



 play 3 times

     107



 

  

3rd tme only



mp

    

mp

 

   







 





rit.







    p

  

2nd Tenor Sax Based on recording by Michael Bublé....

Quando, Quando, Quando Tony Renis Transcribed and arranged by Matt Amy

Medium Bossa (q=116)

   





   





51





B^7

      67 C#-7(sus)

           

 

Solo B^7

   



2.

35

Tenor Solo

C#-7(sus)       

B^7



  



1.



 

59



17

27

 



mp

9

43

             sub-tone





F#7

   

   

   

   

F#7

   

B^7

   

   









    D#-7

D-7

       

G#-7

G+7

   

2 Quando, Quando, Quando

2nd Tenor Sax

Light fills under vox

75 F#-7

     

   

E^7

     



C#9

    F#-11

  



   

   

   

B7

   

83 G#-7



B7

   







   

G#-7

C#9

   





C7

   







Light fills behind vox

91 E-11



 

G#-7



 

99 C#-11



 

 



A7



C#7

 

        

 

 





E-11



G#-7

 

 



play 3 times







   

107





F#7











C#7









rit.



 

Clarinet Based on recording by Michael Bublé....

Quando, Quando, Quando    

Medium Bossa (q=116)



     



9

 

17

  

       

  

   

   



     

43

mf

 

51

         mf



  



mf

 Clarinet 

 







  



   



  



   

               



2.

mf



 

  



 

35



1.



27

Tony Renis Transcribed and arranged by Matt Amy





mp







  



2 Quando, Quando, Quando

59

 

Clarinet



Tenor Solo

 

83

  



  















 



mf











 6

       

  





mf

99





  

91







75

 

67





   

play 3 times

107



 

  

3rd tme only



mp

    

mp

 

   







 





rit.







    p

  

1st Trumpet/Flugel Based on recording by Michael Bublé....

Quando, Quando, Quando    

Medium Bossa (q=116)





    

9 2nd X only

 



 

35

              



mp

3







 



mp



mp





 





     





 

     

 





2.         

Flugel

27

43









1. 



     



17

 





  

Tony Renis Transcribed and arranged by Matt Amy



 

 

 

  





  3  



2 Quando, Quando, Quando

1st Trumpet/Flugel



51

 

                 mf



Tenor Solo

59

 







p



  



p

75

  



mp

  

  

 

   



83

  

mp

       

play 3 times



 















67

107



 

3rd tme only



mp

 

     

mp



  







91







 







 

 rit.







 p





99









 

  

2nd Trumpet/Flugel Based on recording by Michael Bublé....

Quando, Quando, Quando Tony Renis Transcribed and arranged by Matt Amy

   

Medium Bossa (q=116)





             

With w.w

    



 

     

 



 

1.  27

 







  



3

     

 





 2.       











mp

35

 



        



mp



43

  











      



mp

9 2nd X only

17



 



mp







  









 

 



  

   3  



2 Quando, Quando, Quando

2nd Trumpet/Flugel



51

 

                  mf



59

Tenor Solo

 







p



  



p

75

  



mp

   83

  

  

 

  





  

3rd tme only



 



  







91



  











mp

play 3 times

107















67

 





mp

 

 

     

mp







 









99

rit.







 p



 

  

3rd Trumpet/Flugel Based on recording by Michael Bublé....

Quando, Quando, Quando Medium Bossa (q=116)



   

    

Tony Renis Transcribed and arranged by Matt Amy





9 2nd X only

   

1.



Flugel





27

 

43

  



mp

   51

 

















mp







3



 





 



     



17

 











35



 



 

  

                 mf







    



 2.       











 3   

2 Quando, Quando, Quando

3rd Trumpet/Flugel

Tenor Solo



59

 







p





67

  



p

75

  

  



107



 



play 3 times

 

3rd tme only



mp

 

     

mp







 

  



 

83





91

   



     



mp

  









 







99







rit.







p



4th Trumpet/Flugel Based on recording by Michael Bublé....

Quando, Quando, Quando    

Medium Bossa (q=116)

     



Tony Renis Transcribed and arranged by Matt Amy





9 2nd X only







       



        

1.

    









2.              











 

 

 



35

  

                     mf



Flugel





mp



mp

43



 





27

51



        

17

3

  







 3   

2 Quando, Quando, Quando

4th Trumpet/Flugel



59

Tenor Solo

 







p





67

  



p

75

  

  



play 3 times

     

 

 

3rd tme only



mp

 

     

mp

83







91

107



     



mp

  









 











rit.







 

  



99







 p



 

1st Trombone Based on recording by Michael Bublé....

Quando, Quando, Quando Medium Bossa (q=116)

     

9









 17

 

2nd X only

















p

  2.   



1.



27

Tony Renis Transcribed and arranged by Matt Amy









 mp

35





43



51





















  



   





  





mp



     







2 Quando, Quando, Quando

59

1st Trombone



Tenor Solo



 

67



           



75





91 









83



  

99





  





 





p

 







 



mp

 





    









                  



 

 mf







play 3 times

    107





2nd + 3rd time only















All times

  rit.

mp

  p

  

2nd Trombone Based on recording by Michael Bublé....

Quando, Quando, Quando Medium Bossa (q=116)

     

9







 

Tony Renis Transcribed and arranged by Matt Amy

17



2nd X only







 2.    



1.









p



27









 mp

35

  43

  51

 





   













 

   





mp



    









2 Quando, Quando, Quando

59

2nd Trombone



Tenor Solo



   67

        





 

 







75







p





 



mp

83



  91







   

99

  

    











                



     107

  

 

All times

 

mf







play 3 times

2nd + 3rd time only





  rit.





mp

  p

  

3rd Trombone Based on recording by Michael Bublé....

Quando, Quando, Quando Medium Bossa (q=116)



     

9





 

Tony Renis Transcribed and arranged by Matt Amy

17



2nd X only







 2.     



1.







p



27





 



 mp

35

  43

  51

 







 





    

 





 

 

mp



    









2 Quando, Quando, Quando

59

3rd Trombone



Tenor Solo



   67

         



 





75





 





p







 



mp

83

 







 







mf

91



  

  

99

 







              



   

2nd + 3rd time only

  





All times











play 3 times

107

 

 rit.







mp

  p

  

Bass Trombone Based on recording by Michael Bublé....

Quando, Quando, Quando Medium Bossa (q=116)

     

9













p





27





 2.     



1.





17

2nd X only

 

Tony Renis Transcribed and arranged by Matt Amy













mp

35

 







43

 



 







  



 



 

51

 











mp

   



2 Quando, Quando, Quando

Bass Trombone



59

Tenor Solo





  









 









p



75

67

      

 













mp

83

 



91



        

    



 





99









     107

  

 

All times

 rit.



  

          

 



mf



play 3 times

2nd + 3rd time only





 



mp

 

p

  

Acoustic Guitar (Nylon) Based on recording by Michael Bublé....

Quando, Quando, Quando Tony Renis Transcribed and arranged by Matt Amy

Medium Bossa (q=116)

                 

                   

As Written

     

       

   

Similar laid back groove (with vox)

          9 B-7(sus)

A^7

  







17 B-7(sus)

            27 E-7

  

D^7

  

 

 

    





   

 

 

 

          



E7

   





E7

    1.



   





    C#-7



   

            2.

A^7

F#-7

 

 

   

A7

 

 

 







A7





C7





A^7

   

F#-7

F+7

    







Bb7





2 Quando, Quando, Quando

35 F#-7

  

E-11

  

 

43 B-7(sus)

  

A^7

  





51 B-7(sus)

Acoustic Guitar (Nylon)





  





A^7





  

Tenor Solo

59 B-7(sus)

  

A^7

  





67 B-7(sus)

  

A^7

  







 

  

B9



   

  



 

 



  

 

  

  



E7

 

C#-7







E7







 



 E7









E7

 



















 





B-7(sus)

 



F#-7



B9





 





















F#-7



















































C#-7





C7







E7



















 





F#-7



F+7

 



Quando, Quando, Quando

75 E-7

  

D^7

  



83 F#-7

  





E-11

  

91 D-11

 

F#-7

 

99 B-11

 



 



 

 

3

Acoustic Guitar (Nylon)







B9

 



 

B7

 

 



 

G7













 

  

 

A7













F#-7









D-11



F#-7





 













A7





Bb7







B9







E7















 



  







E7











B7









E7(add13)





play 3 times

       A^9

107 A^9

    

       

E7sus

   

E7sus

   

    rit.



A^9

 

p

  

Piano Based on recording by Michael Bublé....

Quando, Quando, Quando Tony Renis Transcribed and arranged by Matt Amy

Medium Bossa (q=116)



   





   B-7(sus)      A^7







17 B-7(sus)

            27 E-7

  

D^7

  

35 F#-7

  

E-11

  

   

   











B9







 







C#-7



          

   

2.

A^7



A7











F#-7





E7









  



   

   

F#-7

    



   

1.





   

E7

   



E7

    

   



Very light fills behind vox

9

  

   Solo  







C7





A^7

   

   

F#-7

F+7









A7





Bb7







B9













2 Quando, Quando, Quando

43 B-7(sus)

  

A^7

  





51 B-7(sus)

Piano

 

  





A^7





  

  





B-7(sus)













 

 



E7



C#-7







E7































F#-7









































Tenor Solo

59 B-7(sus)

  

A^7

  





67 B-7(sus)

  

A^7

  





  

  

 

   

   

   



E7















C#-7





C7







E7



















 





F#-7



F+7

 



Quando, Quando, Quando

75 E-7

  



D^7

  





83 F#-7

     

91 D-11

 

F#-7

 



99 B-11

 



 







E-11

3

Piano







B9

 

 G7



 





 



B7







 













 

  

A7















F#-7



 













A7





Bb7







B9







E7







D-11





F#-7













 



  







E7











B7









E7(add13)





play 3 times

       A^9

107 A^9

    

       

E7sus

   

E7sus

   

    rit.



A^9

 

p

  

Double Bass Based on recording by Michael Bublé....

Quando, Quando, Quando Tony Renis Transcribed and arranged by Matt Amy

Medium Bossa (q=116)

   











      

    

    

    



  





  

9

 

     



     

        

                          17

    27





  

     





     

  

2.                  

1.

 

  



       

     





      

       

2 Quando, Quando, Quando

35

Double Bass

  



  

  



        

  

  

  

  



  

  

  

   

           

  

  



  

  

   





 

  

    

  

  



  

       

 

   

43

51

  59

  

Tenor Solo

  

  

 

  

67

  

  

 

  

 

  



  



  



  

   

 







 

          

  





    

     



  

  

  



 



 

      



       

 

Quando, Quando, Quando

75

 

  

  

  

83





  91

  



    

  

 

         

     

play 3 times

107





  

  

  



       



  

   

  

  

99

3

Double Bass

        

       

  





  







  

     

  

       



  









          

       

  



                 

  



    

rit.



     

p

  

Drums Based on recording by Michael Bublé....

Quando, Quando, Quando Tony Renis Transcribed and arranged by Matt Amy

Medium Bossa (q=116)

   

 

    



    



9 Steady bossa

 













 

17

          (6)

27

   

   

(2)

 



(6)

 



(2)

(6)

 



       

 











 











(2)

(6)















   

(2)

1.

       



    (4)





 

 

    (4)

            (8)

 

 

2.

 

 

 

 

 



(4)







(8)





    (8)

    

(4)







(8)





2 Quando, Quando, Quando 35

    43







Drums







  



 

 











 











 











 



51

59

 



Tenor Solo



(2)



(2)





    









 











  









(4)

















 

(8)

















(2)

















(4)



(6)

(2)





















 











(2)

 











(6)

67

(6)



(8)

(6)



 



(4)

(6)



 

 



(8)

















(4)

























(8)

















(4)

















(8)





Quando, Quando, Quando

75

 











 





















83

   



91



 



 











 





























99

     

play 3 times

107



3

Drums

    

(2)











































(8)

(2)

















(4)

 

(6)

(2)



(6)

(6)

(2)

(2)

 

     





  



 

(8)





(4)





(8)



















































 

    (2)



(4)

   

rit.

    (4)

(4)



(4)

 

 

  

Based on recording by Michael Bublé....

Quando, Quando, Quando Male Vocal



  

Medium Bossa (q=116)

 









     

Tony Renis Transcribed and arranged by Matt Amy

  





   



Tell



me





when

 will



you

    









    









     









    

















    

















    

















    









    

















      

















 

















2nd Trombone



 

















3rd Trombone



 



















 

















  

     

   

 





  





  

  

Flute

Flute

Clarinet

2nd Tenor Sax

Clarinet

1st Trumpet/Flugel



2nd Trumpet/Flugel

3rd Trumpet/Flugel

4th Trumpet/Flugel

1st Trombone

Bass Trombone

Acoustic Guitar (Nylon)

Piano

Double Bass

Drums









As Written

   

   

 

   

   





(2)







 

  











Flute

mf

     sub-tone

mp

   

With w.w

mp

    

  













(4)

  



  

Solo  

  

  





 

  

  









   



 





   







   

   

 



   

 



  

   





             

  (6)

 



mine





   





 

be

   

   



2

        9

Voice

A. Sax.



Tell

me

quan

 



-

do

     quan -









 











2nd X only



do

quan

-

  



Tbn.

-

a pi



love ness

-







  

  



3    







  

  



   

3





    

















     



















   2nd X only    











































     



     

         

Tbn.



 



   



B-7(sus) Very light fills behind vox

      



 









  

  



   





  

  



   





  

  



   





  

  



   

3

3



 

   

p

 



p

2nd X only







2nd X only





 



p

2nd X only







2nd X only









3

 

di - vine, to me,



 p











E7

















A^7

























C#-7





C7















E7















A^7























C#-7



C7





  





  

Steady bossa









3





















      







   





B-7(sus) Similar laid back groove (with vox)

Dr.







A. Bass







Pno.







A. Gtr.





Tbn.

B. Tbn.



We can share You mean hap

2nd X only

Tpt.



do



2nd X only

Tpt.

 



2nd X only

2nd X only

Tpt.





T. Sax.

Tpt.



    

T. Sax.

B. Sax.



        

A. Sax.







   

(2)





  

 







  

  

   

(4)





  

 







  

 





(6)





 

  

 



 





(8)





3

Voice

A. Sax.



  



































    

 



    

 

 

When will



 

you

say



yes

 

Flute



to



Flute



2.      

mp





Ev

- 'ry

      



 

       

me?

mp

 mom

 -

ents



















  























  

















 







           

  















 











Tbn.



















Tbn.

Dr.



a - gain. me when.







A. Bass



wait tell

1.







  

Pno.

me please





 

A. Gtr.

  



Tpt.

B. Tbn.

Please don't make Oh my love

  



Tpt.

Tbn.

 



T. Sax.

Tpt.



  

T. Sax.

Tpt.

17

  

A. Sax.

B. Sax.

  





























    

 





    

 





    

 





    

 



















       

Flugel







mp



      





mp

      

Flugel











mp

             

Flugel



mp



















    









     

B-7(sus)

 

 

 

E7

















A^7

















 

 

F#-7







B-7(sus)

 

 

 

E7















A^7















 

 

F#-7





  





  











   







 

  

 

    

   (2)

 



     

   



  

 



(4)



   



  

 





(6)



 

 

    

   

 



 

(8)





   

A^7

   

A^7

       

















    

  



  a



  









F#-7



 

F+7









F#-7

 

F+7







  

   

day,





 

(8)

 

  

4

Voice

A. Sax.





 Ev

  





-





ry

day



  



 

seems

a

life



-

-

-



-







time.









you

the







me show

































mf

 Clarinet 







mf











  















  Clarinet 





mf

  

















  

















   

















 































Tpt.



mf





  

Let



Tpt.

Tbn.



  

T. Sax.

Tpt.



  

T. Sax.

Tpt.

27

  

A. Sax.

B. Sax.

  

  





 mp



Tbn.





















mp



Tbn.



















 mp

B. Tbn.

A. Gtr.

Pno.

A. Bass

Dr.









  

E-7









 





E-7







 





 







   







 

 

A7









 





A7







 



   (2)







 

 





 

 

 













D^7

























A7





Bb7



D^7























A7



Bb7

   (4)







 

  

 









     (6)



  

 

  

 







mp

 

    

  







(8)



  

5

Voice

A. Sax.



T. Sax.

Tpt.

Tpt.

Tpt.

 way.



  



  

    

  

  

  

T. Sax.

Tpt.

35

  

A. Sax.

B. Sax.

  

       















 

tp



a

joy

 





















   







  







  





I



can't





wait

 a









  









  

















 











  





  





  



   











































Tbn.



Tbn.











B. Tbn.

 



















  











  











  











 



mp







mp





mp







mp

  

F#-7









B9









F#-7









B9











E-11















E7









F#-7







B9







F#-7







B9









E-11















E7









  







  



 





    

  

 











 



(2)





 

 







 









 



(4)







   



 

 

 

(6)

    



 



mom - ent









  



mp









Dr.



 pare,





A. Bass

 com -





Pno.

 yond



   Tbn.

A. Gtr.

-





mp

 be



  

    



 

  





   



  

 

(8)

 



more,

6

Voice

A. Sax.





A. Gtr.

Pno.

A. Bass

Dr.



  

  



  

  



mf

mf

mf

  

  

mf



 



Tell

me quan



  



   







  











-

    

do,

quan

 



 

do,



mp



mp















































 







  

 









  

 

 









  

do,

  



mp





-







 

quan

mp



  

-







  

  

  

  

Just say

it's







me



that

your

   









  



ad -

 













  



 



















  



 





















  



 













  























 













 





























 





























 









 

















   



  







  

Tbn.

  





    

Tbn.

B. Tbn.

     

Tpt.





  

Tpt.

Tbn.

   

  

T. Sax.

Tpt.



  

T. Sax.

Tpt.

43

   

A. Sax.

B. Sax.

  

mp

mp

mp

mp



3



3



3

 

















E7

















A^7









B-7(sus)







C#-7









F#-7









B-7(sus)















E7















A^7







B-7(sus)







C#-7







F#-7













  









 

  



3

B-7(sus)

    







   

     





   (2)





  

  

   



  

  

 



(4)





  

 

 



 

   

(6)





  

  

 







  

 



(8)







ore

7

Voice

A. Sax.



 

  

T. Sax.







  

  





   

  



 

mf

  



mf

mf

  



  

  

mf





   





   



  



  









and

then



  

  

dar

-

tell















   











   











 















Tbn.











Tbn.











 







Pno.

A. Bass

Dr.

 



A. Gtr.

 



   

  

  

  

mf

mf

  

mf



  



 

     



  

mf

  

mf

  

mf

   

mf

  

mf





  

   

 





  

   

 





  

 



  











  

B. Tbn.

 when.





  

 me



Tpt.

Tbn.

ling





  





Tpt.

Tpt.

  



   

T. Sax.

Tpt.

51

  

A. Sax.

B. Sax.

  



  

  



  

   

  

  



  

   

  

  



  

   

  

  



  

   

  

  



  

   

   



Solo B^7













 





 





 





 





































B-7(sus)

















E7

















A^7





























B-7(sus)















E7















A^7

























  





  





  



































    

     



   

(2)





  

 







  

 



(4)



   



 

   





  

 



(6)



(8)



8

Voice

A. Sax.



A. Sax.

T. Sax.

  

59 Tenor Solo



67

































  

































  

































F#7

B^7

           

 

 

   

  









   









 









   Tbn.















































        

















     

Pno.

A. Bass

Dr.





































p

p

           

B-7(sus)

E7

           

      



p

   

          

            (2)

A^7

   

  

   (6)

   

   





   

G#-7

G+7

   

   

   













































































p

   p

p

C#-7

   

B^7



       

   

   

B^7



p

p

F#7



p

p

A^7

            (4)

   

p

   





E7

            





p

B-7(sus)

              



C#-7(sus)



A. Gtr.



D-7







   

D#-7



B. Tbn.

 





Tbn.



mom - ents a day,



  

Tbn.

 





Tpt.







Tpt.







Tpt.





  







Tpt.



  

C#-7(sus)

B. Sax.



Ev - 'ry

             

T. Sax.





        





















         















 













 

    

    



C7

 

B-7(sus)

   

E7

   

   

A^7

   

   

F#-7

F+7

C#-7

C7

B-7(sus)

   

E7

   

A^7

   

   

   

F#-7

F+7



   

  

  

         

   

   

   

   

 

 

(8)

 

            

   

   

                          (2)

   

    (4)

   

(6)

       

(8)

   

 

9

75

Voice

A. Sax.



   



  







B. Sax.

Tpt.



Tbn.

day



seems







a

life

-

-

-





 







-

-







time.



Let





  

 









B7









 













 

E^7

















me

show

you

the





























 



B7







mf

C7







































































































































































mp

  







mp

  





mp

    





mp

  

Tpt.

Tpt.



 

Tpt.

ry

 



mf

  









F#-7 Light fills under vox

T. Sax.

-



mf

  

T. Sax.

 Ev

  

A. Sax.

















mf









mp



Tbn.





















mp



Tbn.





















mp

B. Tbn.

A. Gtr.

Pno.

A. Bass

Dr.











   

E-7













E-7















 

 

 

   











A7

















A7













   

(2)







 

 





 

 





 



(4)















D^7

























A7





Bb7



D^7























A7



Bb7





 

  

 









  (6)

  



  

 

  

 









mp







   

  



(8)



 

  

10

  

Voice

83

















  









    

  

     

A. Sax.

T. Sax.

B. Sax.

Tpt.

    



A. Gtr.

Pno.

A. Bass

Dr.



   















  

mp

  





 

a



 

be

-

yond





Oo

















 







 

a

mom





 -

ent



       6







     







      









6



 



6

6

      









































  











 









B9









F#-7









B9











F#-7







B9







F#-7







B9









  









    

   





   

(2)











  

 















 mf











mf



















 mf















  











 wait











can't









I



F#-7





   















   









  























  







  















F#-11





















       

com - pare,





C#9

 

C#9



G#-7

joy





mp

    

Tbn.

B. Tbn.

   

 

Tbn.

   

  

Tpt.

Tbn.



  

Tpt.

Tpt.

tp



G#-7

T. Sax.



  

way.

A. Sax.

 

  





(4)













mf

   

E-11















E7









E-11















E7







  







   



 

 

 

(6)

    



  

  

(8)

 





11

91 Voice

A. Sax.







 



Tpt.



Tpt.



Tpt.



 Tbn. Tbn.

Tbn.



quan

-



do

quan

-





 





A7



  

 









E-11







 

F#7











 

G#-7









do,





























C#7











mf





mf



 

Say

    me  

it's

 





 







C#7





G#-7



 















that

you













































































 



 



 







  





  







         









         



  







         





  







         

D-11







G7









D-11









E7









F#-7











D-11







G7







D-11







E7







F#-7







   



 



  



 













Pno.

 

   

do



mf



 

Dr.

-

 





E-11 Light fills behind vox

A. Gtr.

A. Bass

quan

 

mf



 

 

  

Tell me

 

T. Sax.

B. Tbn.





more.



T. Sax.

Tpt.





A. Sax.

B. Sax.

 



   





 



   

(2)







 

   





 





(4)





  



ad -





   



  



   



B7







F#-7









B7









B7







F#-7







B7







  



 







   

(6)



  



  





     

(8)





 ore,

12

99 Voice

A. Sax.



A. Sax.

  



 



 







T. Sax.

T. Sax.



B. Sax.



Tpt.





Tpt.

Tpt.

 

Tpt.





Tbn.

B. Tbn.







 

   

 

C#-11

 

 Tbn.  Tbn.















































 









  

And

then

darl

-















 







  



 









 









  

   

 

















E7(add13)





B-11

 















E7(add13)

Pno.





  











 





  



(2)



     mp

mp

 

3rd tme only



mp

 



 

3rd tme only



mp

 

3rd tme only



mp

 

3rd tme only



mp

 

3rd tme only



    

 



mp

 



 



 



 



 











  

2nd + 3rd time only













(4)





  



  

dar

-

  

ling









 







me









 





















 



































 





 











 



All times

 All times



 All times





 All times



mp



mp



mp



 mp















E7sus































E7sus















  





  













 

   





 



(2)

  



tell







   

my

 



A^9

Oh

 

2nd + 3rd time only

  





 

A^9



 



  





3rd tme only

mp



 

2nd + 3rd time only



B-11



 







    

2nd + 3rd time only

 















All times



  



 

All times









when

  

 

Dr.



  



  

 

me





  

tell









  



A. Gtr.

A. Bass

ing

play 3 times

  



    



  

 



(4)

           

13

107



Voice

A. Sax.



A. Sax.

T. Sax.

B. Sax.

Tpt.

 



 

  



 



   

  

  

 Tbn.  Tbn.

Tbn.

B. Tbn.



A. Bass

Dr.

 

 

 

  

 



 

mp

 



mp

 



mp

 



mp

 



 



 



 



 



 

rit.





 



 

p

p

p

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