Peter Vogl - Lets Jam More Blues & Rock

Peter Vogl - Guitar Michael Steele - Bass Gerry Hanson - Drums Lee Davis - Keys

Produced by Peter Vogl Mixing by Shawn Grove and Peter Vogl Mastered by Rodney Mills Masterhouse

Let’s Jam! CD More Blues & Rock was produced by Peter Vogl using top studio musicians. This CD is a sequel to Let’s Jam Blues and Rock. The players were extraordinary for this project, and what a difference they made! We hope everyone who listens and practices to this CD enjoys it as much as we enjoyed making it. There are many other Let’s Jam CDs and Watch & Learn products to enjoy as well.

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Walk' n in A 2

Walk’n in A

A7 A7 A7 ### A7 " ! !!!! !!!! !!!! !!!! A7 A7 A7 A7#5 ### A7 " !!!! !!!! !!!! !!!! D7 A7 A7 ### D7 " !!!! !!!! !!!! !!!! D7 A7 E7#9 ### E7 " !!!! !!!! !!!! !!!!

This is a 16 bar blues in A. Try the A major and minor pentatonic scales. The A blues scales sounds great too. If you’re not familiar with these scales, try The Guitarist’s Scale Book by Watch & Learn.

Not Too Excited in Cm 3

# ! # " # !!!! !!!! !!!! !!!! Cm

Cm

Cm

Cm

# " # # !!!! !!!! !!!! !!!! Fm

Fm

Cm

Cm

# # " # !!!! !!!! !!!! !!!! AbM7

G7

Cm

Cm G7#9

This is a standard minor blues. Use the C minor pentatonic scale, Excited in Cm the C blues scale, and theNot C natural minor or harmonic minor scale.

Old Style in D

D D D ## ! D " !!!! !!!! !!!! !!!!

4

G D D ## G " !!!! !!!! !!!! !!!! G D D A ## A " !!!! !!!! !!!! !!!!

This old 12 bar form will make you want to swing. Use the D minor and D major pentatonic scales. The more advanced players should D sound great over this play over the chords. Old Chuck Old BerryStyle style in licks tune.

5

"

#!

Simple Blues in G G

G

G

G

!!!! !!!! !!!! !!!!

#

C

C

G

G

#

A

C

G

G

" !!!! !!!! !!!! !!!! " !!!! !!!! !!!! !!!! Grow a beard, wear dark sunglasses and play simple G minor pentaG have to switch scales tonic material until you getSimple to the ABlues chord.in You’ll over the A and play A major or minor pentatonic. Using arpeggios or chord tones over the A and C chords is even better. Over the C, you can play C major or minor pentatonic, or switch back to G.

Blues Ballad in Eb 6

$$ ! " " " " " " " " $ # "!! !! !! !! EbM7

G+

Fm7

Fm7

$ # $ $ ! "! " ! "! " ! "! " ! "! " Bb

Bb

EbM7

Bb7#5

Try E flat major over this chord progression.

E Bluesy Rock

#### ! E C#m E C#m " !!!! !!!! !!!! !!!!

7

B E E #### A " !!!! !!!! !!!! !!!! Blues Ballad in E flat

Play E Major, E major pentatonic, E minor pentatonic, or the E blues scale over E Bluesy Rock.

Gm Blues 8

#! # " !!!! !!!! !!!! !!!! Gm7

Gm7

Gm7

Gm7

Cm7 Cm7 Gm7 Gm7 # " # !!!! !!!! !!!! !!!!

# # " !!!! !!!! !!!! !!!! Bb13

A13 Ab13 Gm7

Gm7

This minor blues has a bit of a dorian feel. Try the G dorian mode, the G minor pentatonic scale, or Blues the G blues scale. The 9th and 10th Gm measures are tritone substitutes for a 6-2-5 chord progression. You can play simple blues phrases or play over the chords. If you’re not familiar with the chords in this progression try The Guitarist’s Chord Book by Watch & Learn.

Bad Blues in Bb

## Bbm7 Bbm7 Bbm7 Bbm7 " ! !!!! !!!! !!!! !!!!

9

##Bbm7 Bbm7 Bbm7 Bbm7 " !!!! !!!! !!!! !!!! Eb7 Bbm7 Bbm7 ## F7 " !!!! !!!! !!!! !!!!

Another minor blues with a cool groove. The first 8 bars stays on Bad Blues the 1 chord. Try B flat minor pentatonic orin theBb B flat blues scale. B flat dorian may work for you as well. Another great choice would be the B flat melodic minor scale. For more information on these scales try The Guitarist’s Scale Book by Watch & Learn.

Am Strut 10

Am

Am

Am

Am

" ! !!!! !!!! !!!! !!!! Dm

Dm

E7

F7

Am

Am

Am

Am

" !!!! !!!! !!!! !!!! E7

" !!!! !!!! !!!! !!!! Am Strut is still another minor blues. Notice the 9th and 10th bars are different than the otherAm minor blues progressions. Try the A minor Strut pentatonic scale, the A blues scale, or the A natural minor scale. When you get to the 9th and 10th bars, try playing arpeggios over the chords or switching to A harmonic minor.

Big Blues in G

G7 G7 G7 # ! G7 " !!!! !!!! !!!! !!!! C7 G7 G7 # C7 " !!!! !!!! !!!! !!!!

11

C7 G7 D7 # D7 " !!!! !!!! !!!! !!!!

A funky blues in the key of G. Pretty straight forward stuff here. Play Big Blues in GFor more advanced players, the G minor or G major pentatonic scales. treat the 1 chord as a 5 to the 4 chord and play some altered licks. When you get to the turnaround, play more altered material.

Dm Turns 12

Dm Turns Dm

Dm

Dm

Dm

Gm

Gm

" # ! !!!!!!!!!!!!!!!!!!!!!!!! Dm

Dm

A7

A7

Dm

Dm

" # !!!!!!!!!!!!!!!!!!!!!!!!"" BbM7

BbM7

Dm

Dm

Gm7

Gm7

E7

A7

" # !!!! !!!! !!!! !!!! " # !!!! !!!! !!!! !!!! Over the first section, try D natural minor or D minor pentatonic. When you get to the last 2 bars, you should play over the chords with arpeggios or scales.

Hyper Blues in E

#### E7#9 E7#9 E7#9 E7#9 " ! !!!! !!!! !!!! !!!!

13

A7 E7#9 E7#9 #### A7 " !!!! !!!! !!!! !!!! B7 E7#9 E7#9 #### B7 " !!!! !!!! !!!! !!!!

Hyper Blues in E is a fast 12 bar blues. Try the E minor pentatonic Hyper in Eplayers, try switching scale, the E blues scale, and for moreBlues advanced scales over the chords.

House Blues in B 14

House Blues in B

#! # " !!!! !!!! !!!! !!!! F#7

E7

B7 E7

B7 F#7

# " # !!!! !!!! !!!! !!!! B7

E7

B7

B7

# # " !!!! !!!! !!!! !!!! E7

E7

B7

B7

# # " !!!! !!!! !!!! !!!! F#7

E7

B7 E7

B7 F#7

House Blues in B is a slow blues that comes in the back door. Once you get past the first 4 measures, the real form starts. Try B minor and major pentatonic scales. Try the B blues scale as well.

Blues Ballad in F 15

3x

! !"" ! !"" ! !"" ! ! !! # $ !" " " FM7

Am7

Dm7

D7b5

Gm7

Gm7

C7

C7#5

# $ " !" ! " !" ! " !" ! " !" ! Use an F major or F major pentatonic approach.

D Rock Groove

G A ## ! D A/C# Bm " """" """" """" """" !!

16 4x

Blues Ballad in F

A G A ## G " """" """" """" """" Try the D major and minor pentatonic scales or the D major scale.