Peter Pan Score

PETER PAN

1

Act One - No. 1 SOMETHING IN THE AIR (Full Company)

Music: GEORGE STILES Lyrics: ANTHONY DREWE

CUE: A single heart-stopping moment as the audience are plunged into sudden darkness...

Company

    



Allegro mysterioso q = c.140



   

Piano



6



Pno





   



 



 

 





 

  





perhaps the pic only "touches" each of these notes, while someone else sustains the melody

p

Strings (arco)



 

a "smear" + mark-tree

p

   

   

  



6

  

     

 

                 

 6



 



  

                     

  

mp                  

                                              mf                                   

14

Pno



                               

                



p

pp

ffp

         



                

10

Pno



© 1995 - 2009 The Music Trunk Publishing Company

No. 1. Something In The Air

   Co.    18

Pno



 



23



Nervously q = 140

     

some thing in the air to - night

    

27







  

 



  

   

p sotto voce There‘s

   

 

  

Some - thing in the breeze



     



Whist ling round the chim - ney stacks

   

    



 

 





   

30



Peter Pan



         



     

Some - thing in the air to night

  p

                  

 



  

 

 

         



   

    



Rust - ling through the trees

                                        

   Co.  

Pno



                                     sempre  leggiero                            

   Co.  

Pno

 



MRS. DARLING (off) "John!...Michael!...Wendy!" LONDONERS MEN ONLY?

                                           p                             

   Co.  

Pno

poco rall.

2

Does - n't feel like spring

  



  

                                            

No. 1. Something In The Air

   Co.   34

Pno



    

 

   

    

The night - in - gales are sil



Pno



      

Co.

   



 

mp

NEWSBOY: "Paper! Evening paper!"







 

 

 

they should - n't



sing

 



 

 

 

   

 

 

 

 

MEN & WOMEN

 

There‘s



mp

 



     

 







                  

 







    

Some thing leaves us shiv - er - ing

 

   

Some - thing in each gust

              

                  



poco rit.

 

42



if

                 

some thing in the air to - night

  Co.   

Pno



As

A Tempo q = 140

   

Pno

ent

 

                

  

39



    

37

told



 

                  

  Co.   

-

3

       





                            Peter Pan

  Co.    45

Pno



No. 1. Something In The Air

   



Some thing we don‘t trust

     

                          

 

That‘s

                 

marcato





   

                                                              quick - en - ing our tread

Some - thing makes us wor -

52



thingmakes us hur - ry

to our

                  

  Co.    55

Pno

       

   



  

          Co.  

Pno

     



 

49





There‘s some - thing in the air to - night

       Co.  

Pno

   mf

4



Peter Pan

mp



Safe - ly

         



child - ren



   

 

 

      

 

 







                      STORYTELLER: "All children, except one, grow up."

poco rit.

bed



home

      







 



in

at

  

      



  

ry, Some -





 

 

  

p







         

 

No. 1. Something In The Air



"One day, when Wendy was two years old and she was playing in the garden, she plucked another flower and ran with it to her mother."

   

Meno mosso q = c.120

  



       

 

58

Pno

5

pp





    

  





  



     

 

     

 

   



simile

  





  

  



  



       

 

     

   

      

 

"Mrs Darling put her hand to her heart and cried out: Oh, Wendy, why can’t you stay like this forever? That was all that passed between them on that subject"

64

Pno

  Co.   70



 

Pno

"but, from that moment on, Wendy knew that she must grow up. You always know after you are two." PETER PAN: (Who we cannot see, but whose voice echoes round the auditorium): "Two is the beginning of the end."

 

  

        

  Co.    



74

  

 

poco più mosso q = 140

     

some thing in the air to night







                              

Pno

   

 

 



 



 mp

       



STORYTELLER



There's

 





  



                      

Some-thing in the dark





                                         

 

 

  Peter Pan



No. 1. Something In The Air

  Co.           78

p



                               

Pno



  Co.     82

     

   

                  

              

             

      



Some - thing feels fam - il - i - ar

   



          



  Co.     85

 



mp



   A

         

   

Peter Pan

mem - or - y is stirr ing

                   

  

  

              



         

       

    

Some - thing we once knew

                            

Pno

in the park

     

     





Voic - es

                           

Pno



 

Shad - ows in an all - ey - way

6



     

      



      

But is stay - ing out of view

 

 



 

  

  









No. 1. Something In The Air NEWSBOY: "Evening paper! Read all about it! Baby vanishes from its perambulator! Little baby disappears!" STORYTELLER: "London Town was strangely ill at ease that night. For Mr Darling though, hurrying home from work,

  

       



    

  

 

 

 

 

90

Pno



p

   

 

p

           



  

   

100

 

 



 





 f

   



  



f



  



 

 

         

 

  

 

 

     

                    

   



  

       

   

 



    

 

 

                           

 

102

Pno

Con moto q = 160

MR DARLING: "Stop - that - HAT!"

  

Pno



his concerns were of a rather less sinister nature..."

96

Pno

7

 

   

 

 

 

 

   

 

                                       

 

 

 

  Peter Pan



No. 1. Something In The Air

  Co.    104



     

           

 mf        

Pno

  



 

110

Mr. D

Co.

  



Peter Pan

 



  

  

    











 

       

mp

  

    

has got a bite



          

        

   



I







 



     

 

Some thing in the breeze

      



some thing in the air to - night

Wind

 

don't







 

re - mem - ber

see - ing



stars





Whist ling round the chim - ney stacks

    

Pno

 



Tempo primo q = 140

  





        

There‘s

Chil - ly for the time of year



mp

subp



 

107

Co.

     

 

    

    

Mr. D

    

STORYTELLER



  

Pno

8

MR DARLING: "Thank you."

 

  

  

  

   

 

3

 

  

   







No. 1. Something In The Air

  

112

Mr. D

Pno





 

Rust - ling through the trees

        

 

Co.

   

Pno



       

Mr. D

Pno

    



        

 



to - night

    

  



 

  

The

    







Does - n‘t feel like spring

  

       

          

            

 

night - in - gales are

Co.

     

air

Does - n't feel like spring

 

    

     

Some - thing in the

    

       

118



COMPANY



    

  

Some - thing in the

 

air to - night





- ing quite so bright



    

115

Mr. D

Burn

        

      



  Co.    

9

sil

 

-



 



            ent

WOMEN mf

 

MEN - higher The night - in - gales are sil - ent

      MEN - lower

mf The night - in -gales are

 sil

-



ent





mp

      

As if told they should - n‘t sing mp

         

As if told they should - n‘t sing mp

  

 

As if told they should - n‘t sing

   

  

  

 

 

  Peter Pan

No. 1. Something In The Air

 

122

Mr. D

Co.

    



 

 

Pno



    





    

Some - thing in each gust

    

Ah

    

Peter Pan

    





  

  

Ah

       

   

  

 

 





Some -thing leaves us shiv - er - ing





     

Some thing leaves us shiv - er - ing

    

 

 

 



   



              

 



      

There‘s some - thing in the air to - night



         

   

 

  

  

  

 



   

 



There‘s some - thing in the air to - night

  

 

               

  

 

      

   

Some - thing we don‘t trust

  

 

f



    

 

             

   

Some -thing we don‘t trust







                  

        

some - thing in the air to - night

  

    

           

Pno

 

 

Some -thing in each gust



T There‘s B

    

130

Co.

    f





some -thing in the air to - night

A There‘s

 



 

    S

Ah

  

Ah

f

             

mf



            126

Co.



      

Pno



10

     

 

   

    

That‘s

       

No. 1. Something In The Air

           134

 

quick - en - ing our tread

Co.

  

   







 

mp

 mf MEN

 

   

Quick - en - ing our

   

Quick - en - ing our

                               

         

Quick - en - ing our tread



 

 tread

          

    

 

 

 

  

 

 

 

137

Co.

mp

Quick - en - ing our tread

   

Pno

11

tread

    

Pno



    

mp



Quick - en - ing our tread

p

  

 

Quick - en -ing our tread

                                    

p

 







niente Peter Pan

No. 1. Something In The Air

    

 



  

 







141

Co.

    

Pno



pp

   

Quick - en - ing our

 



 

Peter Pan

 

tread STORYTELLER: "Meanwhile, in the Darling family house,

              

144

Pno

12

          





  

    



 

    

in a backwater in Bloomsbury, there were all the outward manifestations of domestic normality, if only from the children..."

  



 

 

  SEGUE AS ONE No 1a NURSERY MARCH

No. 1a NURSERY MARCH/FACE AT THE WINDOW

13

(Instrumental)



Q: SEGUE AS ONE FROM #1

    

Piano



mf

      



FIFE/DRUM

      

Pno

Pno

      



  



    

    

         

    

                                           

     



   

   

                 

      8                                                                          





MICHAEL: "Left, right! Left, right!"

4

Pno

                                 

A Bright March q = 180

JOHN: "It's not so easy for Nana, she has two lefts and two rights."

                

   

       12                                     sfz                                           MICHAEL: "Come on Wendy, bathroom inspection."

© 1995 - 2009 The Music Trunk Publishing Company

  

 

No. 1a. Nursery March/Face at the Window



[Mrs Darling enters, 'tut-tuts' and plumps a couple of pillows.

Mysterious q = c.90

     

16

Pno

  



Cuckoo

   

Cuckoo



          



  "Don't go! Please!"

          

24

Pno



Peter Pan

Cuckoo

   

   

Cuckoo



As she does so...]

Cuckoo mp

  

STORYTELLER: "Mrs. Darling was sure that she had seen a boy's face hovering outside the window!"

20

Pno

   

 

 

 

 

 

14

                   

mp

Cuckoo

  

MRS. DARLING: "Who are you? Wait, child."

          

mp

     

  MRS. DARLING: "Children? Michael? John? Wendy? Now where have you got to?"

Più mosso

                 mf [PETER DISAPPEARS]  

 

 

  

No. 2 JUST BEYOND THE STARS

15

(Mrs Darling)

Piano





Sweetlyq. = c.76

      



p







   

  MRS. DARLING Mrs D       9

Pno



p

Just

     

the

stars,

loco

13



 

No

  

   

    

  

 



Be - yond

    one

knows



for



 



that

great

 

   

  Mrs D   

Pno

be - yond



  

  

          black

vel - vet

 



   

cer - tain

   

what





 

 

  





      

      

  



 

    

5

Pno

Music - George Stiles Lyrics - Anthony Drewe

  



cur

   

  

-





   tain

     









you'll

find

     

  

       

 © 1995 - 2009 The Music Trunk Publishing Company

 

No. 2. Just Beyond the Stars

17   Mrs D   



Just

 

Pno



Jour

    Mrs D   mp



 

   

eyes

-

    nies

you

   

the

stars

are

    



 





  

count - less

mys -

  

 



30

 

place

   



  

can

trav



el

  

    

    

     t'ries

to

un - rav -

   



  



     

 



 





your

mind

   

     





   

tight



 dreams

  

    

 

el

    

         

and pre - tend



Close

your

  

      

    nev - er

    

    



    

where prayers are ans -wered And your



in







Close them

 

  

   

-

   

    



and im - ag - ine

       p



   

mp

  p  Mrs D  

Peter Pan

 

simile

        





poco accel.

  

25

 



    

Pno

yond

        

21

Pno

be -

   

  Mrs D   

Pno

  

16

end

                 

   



There's a

  

              

No. 2. Just Beyond the Stars

35   Mrs D   

Pno







 

No your

              

dreams

  

Pno



       

  

        mp

   

  

Pno



       

mf

48



  

  

  Mrs D   

Pno

  

Days

     

the

     are

nev - er

  

     

  

stars

 



your

flights

  

dreams

  

 

nev - er

 





bor

 

-

  

   

of

fan -



   



 



ing

when you're

  



        

    



  

 



  

    

44

be - yond

Your

     

  



 



 more confidentlyq. =c.82 Mrs D         mf





simile



end

Just





poco più mosso

     



  



  Mrs D    40

  

17

will

be

    

 there

    



   

soar -

  



ing

     

     

  

 

     

     cy



    

   

Peter Pan

No. 2. Just Beyond the Stars

52   Mrs D   

Pno



  

Just

be - yond

       



Hear

     

60



 

Pno

   

eyes



Peter Pan

      

mf

the

 

end - ings

    



laugh -

   



   

  

    





the

  





 

 

   

     



py

ev - er

   

af

-

ter

     





air

  

     

   

    

f

  

Close

your

    

   

   



  

    

  



mf





                             tight



where prayers are ans -wered And your

      

fill



and im - ag - ine Close them

 

   

hap -

     ter

     



    

  

   

place



child - ren's

 

     

65    Mrs D  

Pno

the



f

stars



      

    Mrs D  

  

the

   

  



  

  

56   Mrs D   

Pno

 

  

18

and pre - tend

There's a



 dreams

    nev - er

end

                     

   

  

    

No. 2. Just Beyond the Stars

70   Mrs D   

Pno





No



your

          

74    Mrs D  

Pno





    





nev - er



mf

mf

  

al - rea - dy been there





 

May - be

                

 Mrs D    



end

  

77







we're











Pno



find

in the

          





 



fut - ure

it's

   

 

 

Your

    









May - be

 





  









we've



 



          



all







May - be we'll



   



some - where we





not meant to know



 

mp



   





81

  



 

    



mp



      

più mosso q. = c.88

   





    

 Con moto  Mrs D       

Pno

dreams

  



dreams



  

19

have to



 



go

 



 mp

 

But

it's

    

Peter Pan

No. 2. Just Beyond the Stars

 Mrs D    85

Pno



nice

to think

   mp    

 

89



what

    

    mf

  



 

 

 



   

be - yond

the

 

97



Peter Pan

No

        

-

-

   

stars

knows

dy



the

stars

can

       

for

  

 

 

  

 

    

is

for?

f

   

       

fears

    

Per - haps

 

 

 

   

when

    

you

  



that's





   

  



will

 



      



you

     

  

fly



  

de - sert

      

 



 





       

worr - ies

     

 

you

 

    



and

   

hurt

mf

 

sure

 

   all

 



rit.



 

    

bo





       

   

 



      

be - yond

      

  Mrs D   

Pno

no - one

   

Just



 

93 Broader q. = c.80   Mrs D      

Pno



that

  

 Mrs D   

Pno

 

  

20

      



   

 

     



101   Mrs D   

Pno



Just

  

be -yond

      

105



the

stars

     

        



way



 

  

in



    ff

    

  

  

   

nev - er dare

   

to

wan -

    

      



sky

der

  

     your

Close

 

               

  

  





and pre - tend

       

 



    

   



          

 



 

ff



  

    



     



 

21

      

         

     



mp

the



     

       







    

                  

Pno

 

 

yon - der

eyes

114   Mrs D  

shad - ows

 

109

Pno



off

 

    Mrs D    

where



      

  

Some - where

   

 

      

 

     

  Mrs D   

Pno

No. 2. Just Beyond the Stars

      





mp

 



     



May your



Peter Pan

No. 2. Just Beyond the Stars

120   Mrs D   



 

Pno

dreams

   

  

       



   

    

  



end

128   Mrs D  

Peter Pan



   

    



p

  

 

   

 

  

   

 dreams

 



nev - er

    

  

    

rall. al fine

   

    

Pno

    

 







  

poco rall.







p

Your

           

a tempo

  





124   Mrs D   

Pno

22

  

    

    

        

    

   

loco

pp



  



No. 2a TINK'S ARRIVAL



23

CUE: Mrs Darling goes out leaving the door ajar.

    

Piano

   







The night-lights blink and then go out

              



p







                    



  

              

        

                   



     

       

  







 



     

       

 



 



 



              

 

           

JACK IN A BOX

 

        

                           

           

    

  

15

Pno



...and then, having found it's way through a crack, inside the nursery - it it PETER PAN'S helpmeet fairy, TINKERBELL.

               mf                       

 

'no bigger than a gentlewoman's fist' darting about exitedly, outside the window first...

                   

12

Pno

                



10

Pno



p

6

Pno

We see another light,

Allegro q. = 180

      

   



© 1995 - 2009 The Music Trunk Publishing Company

      

   



No. 2a. Tink's Arrival

             

18

Pno

 





              mf              

21

Pno



24

   

Pno

      

        



 

  



 

       

24

  

             

    



BOOKS

                                  

BRICKS

                                            



         

          

      



                                                  mp mf                          

Peter Pan

  



  

   



 

SOCKS

  shake

 

      

                      p           

30

Pno

  

mf                      

                    

                                             

27

Pno

    

          

 

  

          



 

 

 

  



No. 2a. Tink's Arrival

                      

32

Pno

                 mp            



            mf        

25

     

                               f                   INTO KENNEL

                                                                                                           mf  f ff                                                                            SEGUE AS ONE

35

Pno

No 2b PAN'S ARRIVAL

Peter Pan

No. 2b PETER'S ARRIVAL

26

(Instrumental



Q: SEGUE AS ONE FROM #2a

Mysterious q = 120

   

Piano

 p

   



 





 

 



8



Pno



ff Wildly magical

      

       







 









 

       

          







   

 



      

 

 

         

                   

PETER: "Tinker Bell? Tink, are you there?"

poco rit.                                        

10

Pno



  

                      

[PETER soars into the nursey...]

     





 

              





4

Pno

[In the darkness WE wait...]

© 1995 - 2009 The Music Trunk Publishing Company

 

 

No. 2c DID YOU SEE WHERE THEY PUT IT?

27

(Instrumental)

Music: GEORGE STILES



PETER: "Tinkerbell? Tink, are you there?"

Allegro vivace q. = 180

                  

Piano

p

                   





                

5

Pno

                



             

 

 

p

             

PETER: "Did you see where they put it?"

 

 

THE CHILDREN STIR IN THEIR BEDS

 

                mp                  

 



poco rit.                                 mf                            

8

Pno

CUE: PETER: "Do come out of there!"

© 1995 - 2009 The Music Trunk Publishing Company

             p

 

No. 3 TINK & WENDY

28

(Instrumental)

Music: GEORGE STILES

CUE: PETER: "If you don't believe in faries, Wendy, fairies die." (TINK protests furiously)



WENDY: "What's that noise?"

Piano

              



Allegro vivace q. = 180

          

WENDY: "Ouch!

                     mf angry

 

pulled

my

A tempo q. = 170

hair."

                  

5

Pno

      



   

8

Pno

  



  

sfz



             

 PETER: "That's a fairy

-

she's called Tinkerbell."

                     



         

p leggiero



                                

                         sfz                                         TINK flies off

11

Pno

some-thing -

                 mp          

                    just

" Somebody -

© 1995 - 2009 The Music Trunk Publishing Company

PETER: "She's jealous of you."

 

No. 3a SOUND ASLEEP

29

(Instrumental) CUE: WENDY: "Michael! Come on! You're going to do it too." We hear the sound of NANA's bark as she approaches.



Andante q = 80

      

light trem. strings

Piano

  



LIZA enters with NANA - they look around LIZA: "There! What did I say? Not so much as a whisper JOHN: "Quick, turn all sound asleep, bless their little hearts, and in the land of dreams… the light down! Hide!"

mfp

    



  

     

  

        



9



Pno





      

      

 



  

 

 

 



    

OPTIONAL SECTION FROM HERE The children come back out of their hiding places - they have been prepared fro wonderful things....

 

 

     

   

  

Con moto q = 160

pp



13

Pno

  

But NANA barks again. LIZA: "…Stop that - or I shall go straightway round and fetch the master and the missis from their dinner-party - and then there would be trouble! Come along!"

5

Pno

  

 

  

 

p

                           simile 

JOHN: "Is it true? Can you really fly?"

  



PETER PAN: "It's easy."



JOHN: "I say!"



 

MICHAEL: "What luck!"

       fp

mp

                                 

SEGUE AS ONE No. 4 NEVER LAND

© 1995 - 2009 The Music Trunk Publishing Company

No. 4 NEVER LAND

30

(Peter, Wendy, John and Michael) Music - GEORGE STILES Lyrics - ANTHONY DREWE

CUE: JOHN: "I say!" MICHAEL: "What Luck!"

Con Gusto q = 130

  Peter    





mp



sound



Pno.



  

 



 



 

 

 

  

 

 

 

10

There is

 

 



of

   Peter                   

 

 

two

just

one rule

 mp warming

fai - ry - dust

      and you'll be

    

  

when fly - ing

 

            

smell

 

  

shake or

a

 

   

     

bound

A sight

    

A

    

            

   

of some thing won - der - ful

mp

        



think



mf

6

Pno.

You must

          

  Peter    

     

  



Piano



PETER

 

which is

 

not

 

a

 

sky

ward



     

too hard to un - der -



                      

© 1995 - 2009 The Music Trunk Publishing Company

No. 4. Never Land

  Peter    

Pno.

What - e - ver you







mf

             

18



With Excitement q = 120

  

   Peter      22

Pno.



Ne ver land

    

   

25

mf



Peter Pan

     

   

 





       

 





  



mf

 

                



    

   

                  that

you can

and

you



   

Take her hand there is no

        

Just be - lieve

Ne - ver

Ne - ver land that's the se - cret of fly - ing

no - thing e - quals the thrill



  

          

      

try - ing

   

do

                                       

  Peter      

Pno.



                               



 

land

mp



       

  

  Peter    

Pno.

    



stand

   

poco rit.

3





14

31

harm in

         

 will

 

 

 

 





No. 4. Never Land

   Peter     

  

   

    

28

Pno.



   



  

hair

and to

     

   

       

  

3      

  

3

   

          3

   



f

     3

35

3

Ne - ver

     

 

    

    

3



   



 



let the clouds brush your

stay on the wing just re - mem ber one thing

  Peter    



      



  

  

Ne - ver land

    

  

31







Ne - ver land feel the wind through your fin - gers

   Peter   

Pno.



32

 



The three children tentatively rise from the bedroom floor.



land

                                     

Pno.

6

  

  Peter      37



   

Pno.

f

   





THE THREE: "Look at me, look at me, look at me!"





6 6

6 6

6 6

                 

JOHN: "I say, why shouldn't we go outside?" PETER: "There are pirates."

                                   



           



submp

  



    

 

 Peter Pan

No. 4. Never Land

  Peter     



JOHN: "Pirates! We must go at once!"

41



       

Pno.

44



 

Wendy

Pno.

   



 







mf

mf



                       f              

Ne ver land

    

Wendy









   



Ne - ver land



JOHN + MICHAEL

Ne - ver land

       



 

Ne ver land

  

Ne ver land



                   mf               

      

we can soar thru' the sky



 



 JOHN

  

    

Who can stand

run - ning jump - ing or

                                              

Peter Pan

   



mf Ne - ver land why just sit a - round talk - ing?

48

Pno.



[JOHN SWOOPS DOWN FOR HIS HAT]

PETER: "Follow me!"



   Peter    

John Michael

PETER: "And Indian braves - mermaids too." WENDY: "Mermaids! How spectacular!"

                        mf                                         

  Peter  

John Michael

33

 

        

  



No. 4. Never Land

  John    Michael  51

Pno.



 

walk - ing

    

When it's



        

   Peter     54



Ne ver land

Wendy



    

   

       

so

much

more fun

if

you



un - til morn - ing





     

Pno.







Ne ver land

 

  

    



  

right

      



 

Pno.

  

  

  

 



 

   

Ne ver land

se - cond star to the

  



  







  

 



No - one

 

No - one JOHN

      

       

57

John Michael

   

Ne ver land

   Peter   Wendy

fly?

Ne ver land

Ne ver land

John Michael



                  

     

keep straight on

34



MICHAEL

       

  

No - one

   

  



3



 

 

cares where you roam when the



3







 



  

cares where you roam when the





3



cares where you roam when the

   

ped.



3



   

 

   

  

  





3

skies are



3



skies are





3

skies are

 

 

3





  

your



home



your





home



your







home

   



No. 4. Never Land

  Peter   



  



   



60

Wendy

John Michael

Pno.



  



  

land

Ne - ver

land

 

          

Ne - ver



           

63



 

 



                    ff                   

67







                

Peter Pan

      







 



ff Ne

-

ver

















 



 



                              



     



          



                   

    







land

  Wendy  

Pno.



land

  

   Peter  

Pno.



Ne - ver

    

35





  

WENDY

 

mf All of

         

       







    

   Wendy   

No. 4. Never Land

          

71

Lon

John Michael

Pno.



-

don looks

 

so







MICHAEL





tall

 

  Wendy   77







would





that

  

 

WENDY





 

think

  

 



 

 

 

so

small?

    

   

seem



      

 

  

     

   

Ken - sing - ton

   

 







so



  

There's Lord Nel -

   

is not

            

      



        



          

JOHN



And who

       

Pno.

 

  

74

John Michael



mf Big Ben

            mf sweepingly





min - ia - ture



  John Michael  

Pno.

36



could e - ver

    



son

 

on

a

  

 

       Peter Pan

No. 4. Never Land

  Wendy     80







match - stick

and those

   

Pno.

   ALL      All   83



3

f

    

Pno.

If on - ly they 3     

f

     

A Tempo q = 120

mp Ne - ver land

    

Wendy

      



Peter Pan

peo

 

        

 knew

 



3

  

  



   

They'd want to fly



  

 

 



3

 

   









      ker - bell



  

tea - ses

  



 





too

and

   

 

      





     

  



    



low her

Ne - ver land



      



 

poco rall.

  



 

 

Ne - ver land Try to fol

subito mp

  



ple in the Strand

mp Ne - ver land

      

Pno.

ny



mp Ne - ver land, See how Tin

John Michael

-

     

      



    Peter   87

ti

 

      

 



 

37

Ne - ver land



       

 

      





No. 4. Never Land

  Peter    90

 

Wendy

John Michael

 



light

 

     



feel

3





I've

been

    

  





    





f

f

Ne - ver land,



 



fly



      

-

3







ing

all

night

 Not







till

is - land

on my



        



     we're

      



 

 

  



 



 

 

 

 

 

Ne - ver land,

JOHN

f

 

  

95



MICHAEL



 

 

 

  PETER   Peter 

Pno.

on the bree - zes



    

   

John Michael



Tho' I

93

Wendy

     

  



   John Michael 





It's so grand, float - ing off

  

Pno.





      

Pno.

38

 



Ne - ver land

    

MICHAEL

f

     

 



     

 

 

    

 



  

      

Peter Pan

No. 4. Never Land

     

97      Peter  

Ne - ver land,

Not much fur - ther to

    

Wendy



Ne - ver land,

    John   Michael 

Pno.



    

                  

3

soon be

   





       3



Peter Pan

           

   

 

 3



No - one

careswhere you



   

No - one



   

3

   3



careswhere you

 

ff

 



  





  

         

3

 

3

     poco accel.



land

 land



   

 

  

  



   

roam











roam

 

  

  When the



roam

 



 

        

careswhere you

JOHN





 

No - one WENDY MICHAEL



 

  

Ne - ver



   

3

  

Ne - ver



PETER

    



  

now

        3

  

There's the Bear, there's the Plough, we should

   







103

Pno.



there

   Peter 

John Michael







 

     

Wendy

go

Ne - ver land

100

Pno.



 

      Peter  All

39

   

 

When the

 

 

  

3

  

 

  

  When the

      106

Peter

No. 4. Never Land

3



skies are

your

3     

Wendy

skies are

John Michael

Pno.



    



skies are

109      Peter 

Wendy

Pno.

    

 

Peter



















 

  

ver

land

nev

-

-

er

land



     

  f

 

 

       



      





   



WENDY









  

mf



3

    



 

3

 

 





 

 



Ne - ver land

 

 

 



  

Ne - ver land

  

   



             

     

  

   

       

 

   f





Ne - ver





Ne - ver



Ne - ver land 3

 

JOHN: "There it is!"

Ne - ver land







 3





3



3



Nev - er,

  



 

piu mosso

      mf    



Ne - ver,



-

  

  3



Ne - ver land

Pno.

 

  

JOHN & MICHAEL

John Michael

    home

Ne - ver land

Wendy

home

-

   



Ne - ver,

ne

    

112





your

    

 home

your

3

    



40



 

Ne - ver

      3

 

 

 

     

No. 4. Never Land

    Peter 

41



116

land

    

Wendy

John Michael



land

     



 

land

   

Pno.



 



  



ff

     

    



 

118

    

John Michael

    



      

Pno.

Peter Pan

    

     

  

     3 3

  

  

    Peter  Wendy





    

 

 













      3

 

 

                        3

 

No. 5 THE LOST BOYS GANG

42

(The Lost Boys) Music - GEORGE STILES Lyrics - ANTHONY DREWE



CUE: AFTER APPLAUSE FROM #4

Steady groove q = 146

                   mp  HAND DRUMS     

                  

STORYTELLER: "Whenever Peter was away, things were quiet in Never Land. The mermaids took an hour longer at their morning toilets;"

Piano



  Lost     Boys 



mp

LOST BOY 1

No - bo - dy dares



Pno





                    

                               

13





BOYS’ heads appear, one by one, either over clumps of vegetation or around the trunks of palm trees.

9

Pno

 

"But with Peter's imminent return, adventuring was once again underway."

                    

5

Pno

"and, if the pirates and the Lost Boys crossed trails, they merely bit their thumbs at one another. "



"Tiger Lily's braves lay idle in their wigwams, twiddling their toes;"

mp

    





us noth

     

ing ev - er scares us





      



                              

    





 



ev - en the loud - est bang

    

© 1995 - 2009 The Music Trunk Publishing Company

      

 

  Lost   Boys  17

LOST BOY 2



 



    

       

LOST BOY 3



And those who fight the Lost



Pno





    

     





   

   Lost          Boys  26

Pno











       



Peter Pan



           





    



dis - co - ver to their cost

    

    



      



    

 

There's been no

fight

LOST BOYS

    





       

                 

   

          mf                           

LOST BOY 4

mf

We are no stran



Pno



      





that the Lost Boys lost.

31

Lost Boys

Boys



  

         

  



'cos we're the Lost Boys Gang



       Lost  Boys  21

     

if you a void us



43

LOST BOYS

      

If you've an - noyed us best



Pno

No. 5. The Lost Boys Gang





      

gers to

     

the dark - est dan -

gers

   

yet we don't budge

       







   

an inch

     

       



No. 5. The Lost Boys Gang

  Lost     Boys  LOST BOY 5

35





  



Pno

LOST BOY 6



And when we fight in cold

             

   Lost Boys 

ALL

43



There's



Pno







46



   

    

 

been

fight



   

       



  

that



   

  

the Lost





          





Boys

frost













lost

    

   

  









 



f





We're cold-er than the

 

             



 

blood

    

no



                 

  Lost Boys 

Pno



   

             



         Lost    Boys  39

 

and you won't see us flinch

a sting - ing net - tle

       

      

    

We show our met - tle grasp



Pno





44

 

mf

         

No - one makes





      



 us

  Lost Boys 

No. 5. The Lost Boys Gang

49



go

   

Pno

 

         

   Lost Boys 



   

Pno

 

           

  Lost  Boys  57



 

         

       

to school our

 

   

 

  

 

books

    

53

sums

  

 

   

   

 

  

          

 

  

on their

           

 

 

  

    

    

    

cat - a - pult some

 

   

   ar

-

ing

 

  

 

  

for

      





rows

and

      



 

shelves

     

  

    

and stuff we're fend -

 

stay

  

    

  

      

 





our

      

45

 

       

-

 

   

 

 

     

 

 

61





Peter Pan

 

  

    

'rith - met ic

 

Pno

 

  

                    

mf

    

   a bow

won't

save



 

you

from your

                 

 

     

 

  

   



 

 

 

   

   

   

for

 

 

 

 

All we need's a

 

  



Read - ing, writ - ing

                                 mp                               

  Lost  Boys 

 

no use

        

 

Pno

                

Got



submp

selves

    

             

  

 

f



                              





                          f                         foe

so -

No. 5. The Lost Boys Gang

  Lost         Boys   TWINS

65



 submp

69



2 OTHER BOYS

Pno



    



   Lost Boys 

Pno





mp ALL

There's

   

 

     been

no

fight

                        



        







 



              





will soon be doub - le crossed

    

                

            

  



       





3 OTHER BOYS

Boys

   



we set - tle their ac - counts -

sfz

  

For those who cross the Lost

subp

sfz

             

3 BOYS

subp

     



    

as quick as light' ning

       

     

77

      



       





 



some - one's a - bout to pounce

     



    

73

Lost Boys









     

It may sound fright' ning but



 

       

    

  Lost   Boys 

Pno



subp We stick to - ge - ther nev - er know - ing wheth - er



Pno



46

  

that

  

the Lost

 





Boys

lost.





     

         

 

                 

Peter Pan



No. 5. The Lost Boys Gang

           

                                 

80

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

83

 

Pno

ff

        ff        



87

 

Pno

          



 

91

Pno

Peter Pan

 

 

   

 

     

                

   

     

      

   

              

     

       

     

       

     

    

             

    

        mp              

 

   

 

      

47

   ff

                

     

 

        



     

     

            

             



      

     

    

         

         

     



         

   

    

 

                     

 



  



                    

   

    

 

 

 



     

               

 

 

 



 

  

 

  



 

 

   

 

 

 

 

sp

 



                      

  

Lost Boys



ALL

mf Read -

 

Pno

mf

   

  Lost  Boys  97

Pno

No. 5. The Lost Boys Gang

     94



  

ing,

          

f

writ

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    

  



     Lost    Boys  105

met - ic

 



So

      

 



      

us  



  

           

if you a - void us

    

                      







you

from

              

  

     

  

                                    

your

    

            

      

 

   

 

   

   ev - en the loud - est bang           

                 

     

     

         

     

- ing ev - er scares

        



save





  

If you've an - noyed us best

  

won't

                 

 



-



                   

101

 

    

 

        Lost    Boys   ff No - bo dy dares us noth                    ff           Pno            ff                 

Pno

'rith



foe



-



         



          f   



48



  

  sfff

        

     

     

Argh!



'cos we're the Lost Boys Gang

  

        













               

mp

mp

     



No. 5. The Lost Boys Gang

         Lost   Boys 

    

109

       

Pno

And those who fight

                    

      Lost  Boys  113

Pno



  

the Lost

  

  

          

 



There's



  

         

   

  

no

        p

 

   

 

 

   

 

 







   

 [PERCUSSION BREAK]

the Lost Boys







         

        

  

 

       

fight

 

that

        

 

               

fight

                     

           



ff

           

Peter Pan

     

There's been no

                     

120



 

fight

     been



p



               

Pno

                

                   ff





                   

117

       

dis- co - ver to their cost

                            

There's been no

      Lost  Boys 

Pno

Boys

49

       

                       

                                          



                



    Lost  Boys  123

       

Pno

No. 5. The Lost Boys Gang

     

50



   

                                              

Lost!

 

        

 

                

  





     

  

No. 6 GOOD OLD CAPTAIN HOOK

51

(Pirates) CUE: SLIGHTLY: "I'd use the second wish to wish for a mother." NIBS: "I'd wish for a pair of magic moccasins."

Music - GEORGE STILES Lyrics - ANTHONY DREWE

Meanacing h = c.96

Pirates

   



 

Piano



pp



Heave

Pno







 

 

-



 

      ho

 

 

-

     

-



oh



 

 

Yo



 

mp

 

 

 

 

 

  

The LOST BOYS take to their heels...



-

      oh

 

  

Heave

  

 



-

      ho

 

 

 

 

 

  

STORYTELLER: "Lacking a leader's courage, the Lost Boys ran… Enter the ruffian pirate crew…"

Yo

      

-

oh



mf

 

Yo



  

p

     

  

mf offstage

TOOTLES: "Skedaddle, lads! Here they come!"

13

Pirates



galley drums

    







    



Pno





7

Pirates

CURLY: "Magic moccasins?" NIBS: "I'd put them on and be off like the wind before the pirates get here." PIRATES



 

Heave

-

 

 



 

      

 



 

Heave

ho

 

 

-

 

 



 

  -

-

 

f

© 1995 - 2009 The Music Trunk Publishing Company

 





  

 



 



 





 

    

Andante con moto h = 106

19

Pirates

No. 6. Good Old Captain Hook



 

          

Pno

Pirates

f

   

  

  



23   mf  



Who

Pirates

mf

 

Pno

27    



 

 



  

 



  

Who

jol

 



  

   

   

 

 

 



-

    



  





ly





 

Pno

Peter Pan



Who's

 

   

more



    





art - ful

 

 

 







 

 



  

 





     

   

  

 





the

Art

-

ful

 

 

   



   

  



Dod - ger?

   

 



   



than

 



Rog - er?

chest?



 



31

Pirates



 

             





 



put the treas - ure in our

    

 



 

 

put the jol - ly in the

  



 

  





       

      

         

Pno

 

        

f -ho!

52



  





Who's

more

 

 

 

No. 6. Good Old Captain Hook

Pirates

Pno

Pirates

35    









scar - ey

       

than

  





the

 



 



Who

mf

   

   

Cel -

  









  





  

 

    

  











  

 



 

     



     

Pno



vil - est

    mp    

    47

Pirates

Pno



 









in

an - y

one's





  



 

  



 

 



 





  

oth - er? Who's a

                 

    

       

 

book?



 



 

   

cred - it

    

to

his



 

blood? Who's the



        

 

      





man

worse than an - y

     mf     



moth - er? Yes it's

                           



 





Who

is

   

  

   



sfz

goes a - pill - a - ging and swabs the decks with

 



       

43

Pirates





este?



     

         

Pno





Mar - y



39    





 

53









 

   

good old

 

      Peter Pan

No. 6. Good Old Captain Hook

Pirates

Pno

Pirates

52     

 

mp

 



mp

 

  

   



 

Peter Pan

     

 

  

     



 

ter



 



 

 



-





ra



fir - ma?

     



 

 



Who

is the ty -rant of the

   

 



 

  

     

SOLO PIRATE 3

Who

   

      





   

 











chills

blood

and

  

 

  

  

 



 







 

caus - es

 

       

 



 



hearts



to

     

 











seas?

   

  

mur - mur?

 

  



  

  











SOLO PIRATE 2

   



      

 





         

      

 



 



      

is the ter - ror of the

   



  



Who

  

Pno

 

57 SOLO PIRATE 1    

65

Pirates

          f

      

  

Pno







Hook

      

61

Pirates



Cap - tain

  

Pno



54



  

SOLO PIRATE 4





Who's

more



  

 



No. 6. Good Old Captain Hook

    69

Pirates



mp

   



73



Pno

 

Whose

  

  







       



 

Pno

stro - ling

ho - ling

   









4 PIRATES mp



luck - y pris - on - ers go stro



 





       

   

81

Pirates



4 PIRATES



ease?





  

 

  

 

     

 

  

  

down

the

 







plank?



down

the

 

  

 

  

 

 

 

  

mp



 











   



sfz

 





     

luck y pris - on - ers go

whose

  

mf

          

dis -



77

Pirates











  

Pno

dead - ly

  

    

  

Pirates

Than a





  

dead - ly

  

Pno





55

-





ho

-

ho

  

-

ho

-

 



 



 



       

  



        

SOLO PIRATE 5





Who can









cur - dle

milk





with







bare - ly



a

plank?





            mf





look?

                               

 

SOLO PIRATE 6







Who

is

feared

 

    

in

ev' - ry





 



SOLO PIRATE 7









har - bour? Cuts more

   

   f

    

  

  

 

 

 

 

 





 Peter Pan

No. 6. Good Old Captain Hook

Pirates

Pno

85    





throats

        

Pno

 

   





 

 

Cap

  f

 

  



    



accel.

Hook



Peter Pan

-

 

 

tain

    



   

ff



 

 

 

     

 

     



  



 

 



 



Hook ff

 

 

   

Hook ff

tain



Cap - tain

       

       

           

 



goes a - pill a -ging and

 

good old

 

 -

it's

     

 

 



goes a - pill a -ging and

Hook

    

Yes



f



Cap f

     



Pull right back

    

  

Pno

  



Hook

  



bar - ber?





     



an - y

   

93

Pirates

than



  

89

Pirates



ALL

56

Hook





Hook

 



 

 

Hook

Hook



Hook





 

  

 



Hook

  Hook





Hook

                      

  

  

  

No. 6. Good Old Captain Hook

    



  

 

    

 

97

Pirates

Pno

A tempo



Swabs the



 

 

 

 

 

decks with

 

Pno

 

Pno

 

book





    

          moth - er, He        



 





He's

the





He's

the





is

  is

    

 

 



ff

 

     

            

in

an - y







man

in

an - y

 

 

 

 

  

Cap

 



 

is

-

to

his

cre - dit

to

his

   

p dolce



 

tain

 

good

old

Cap

  

   

   

  

       

      

       

       

f

-



   

a

 



 

cre - dit

    

old

good

 

 

     

oth - er, but a subp

     

- ones'



   

        



 

subp

oth - er, but

- ones'



  

  

is







colla voce

A tempo

moth - er, He

man



worse than an - y

 



 

worse than an - y







vil - est

mf





vil - est

 



 

He

       



He

    

106

Pirates

 

book





blood

ff

 



blood

 

101     

Pirates



decks with

Swabs the

   



57

tain

fff

No. 6. Good Old Captain Hook

  p  



    

 



 

        

111

Pirates

Pno

Hook p



Hook

     p    

        

Pirates

Pno

ff

  



Peter Pan





Hook ff

ff

   

Hook mf



  

mf

     



     

Good old

     

  

   

    



 

  



 

Good old

Hook

    

 

mf

Hook

 

     115

 



58

    fff

 









Cap - tain

Cap - tain

 







        















 

Hook!

 Hook!

 

 





   

No. 6a THE HOOK

59

(Instrumental)

CUE: HOOK: "I have waited long to shake his hand with this."

     

[Bowed glass sound]

Piano

HOOK: "Oh, I'll tear him, Smee!"





mf

© 1995 - 2009 The Music Trunk Publishing Company



No. 6b CROCODILE & TIGER LILY

60

(Instrumental/Tiger Lily & Braves) CUE: STARKEY: "You allus was a rare one, Captain."



Clock

Voice

Andante q = c.160

mf

     

    



Tick

tock



    

Piano

7

Clock

Voice

  



  

12

Clock

Voice

Pno





  

tock





   

   

tick

tock

   tick

tick

tock











 



   

tick

 



   

tock

tick







  

Pno

tick



   



   



tock

tick

 







mf



 



  



 



 







  















tock





 

tick



tock







tick





tock









 









 

tick

                                f                 





tock











 

 

The PIRATES take to their heels and the CROCODILE enters, ticking loudly, and exits in pursuit of the PIRATES.





 



 

tock







 



p

Bowed basses Low piano Timps etc.



tick







   

tock





tick

tick







   

tock





HOOK: "The crocodile!"



tock





tick











 

tock



                     

© 1995 - 2009 The Music Trunk Publishing Company

 



 



 



No. 6b. Crocodile & Tiger Lily 16



Clock

Voice

Pno





24



Clock

Pno

  



Peter Pan





 tick



 

 tick









tick



tock







tock



 tick



tick







 tick





tock









tock



tock

        



                                                   sfz                  



tick



tock



  

  



tock



  

Voice

tick

               

Clock

Pno



  

20

Voice



61

             



tick





tock





                                            





 







tock

f

 







tick





tock



                            



 



 





tick

 



 





 



tick

 

 







tock



           



 





             





tock

      



 



              



 



No. 6b. Crocodile & Tiger Lily

28

Voice





Clock



     

Pno

  

Voice

Pno



Pno

Same pulse q. = 160





tock



 



TIGER LILY

Hey

   yay

-









  





 

     

     

mf INDIAN HAND & STICK DRUMS

     

  

                                  



 

 

  

            

                           

35

Voice

tick

 

31



62









                      

                      

ay

  



Hey

ah -

                      

TIGER LILY: "The pirates were here." NIBS: "It doesn’t take an expert tracker to know that ...I saw them with my own eyes." TIGER LILY:"They run away from “Tick-tock; tick-tock”. If the pirates flee from the tick-tock, then the tick-tock shall lead us to the pirates." NIBS: "Um, I suppose so, but I’ll need to check that with Peter." TIGER LILY: "Where is Peter Pan?" NIBS: "In that Other Place." TIGER LILY" "He is always in that Other Place. We need him in Never Land for adventures to happen."NIBS: "He’ll be back soon enough."

     











                                                                        ah

    

Peter Pan

No. 6b. Crocodile & Tiger Lily

  



38

Voice

Toms

Pno



     

Voice

Pno



 

 yay

-

yay



                                                                                     

41

Toms

Hey







63



Peter Pan

   

Ha!













                  p       

soft hand drums





 

         

       





SEGUE AS ONE TO #6c

No. 6c TINK'S INSTRUCTIONS / SHOOTING WENDY



TOOTLES : There's Tinker Bell!

FIRST TWIN : "I see it!" SECOND TWIN : "I see it too!"

Piano



         

Allegro q. = 180

               mf

     

 

4

Pno.

                  



   

6

Pno.

   



   



   

                         f



mp ticklish



                   

                 

Tink out

             



                

mp





                      

Tink back in



    

She's up Nibs's vest...

             

                      

11

  

                         

         

        

Pno.



                                                 

         

8

Pno.

64

   

                                 

© 1995 - 2009 The Music Trunk Publishing Company



          



No.6c. Tink's Instructions/Shooting Wendy

14

Pno.



   

    f          



Allegro q = 130

  

Pno.



   





 



                                                    

 

mp

  

 

   

Andante q = 80

   





  



   

 

       mp







 mf

NIBS: "Good shot, Tootles!"

      

meno mosso q = 100

    

      

f

 

    sfz

 



 

[WENDY spirals down from the sky...]

6  6  6 6                       

Peter Pan

  

 

6

         

26

Pno.

  



Into the ear of Tootles.

we don't ask why." SLIGHTLY: "We carry out his orders without question."

 

22



  



TOOTLES: "She says that Peter CURLY: "I wonder why?" TOOTLES: "If that's what Peter wants, Curly........ wants the Wendy bird shot dead."

18

Pno.

 

                    

16

Pno.

  

65

                

Nibs kicks her out.

 

6

      6



6

6

    

      6





No.6c. Tink's Instructions/Shooting Wendy

28

    

Pno.

      

Pno.



Pno.



Pno.



6

         6

6







SECOND TWIN: "It was a flying lady."

      

30

   



p

       vabasso 

   





6



       



            

     

SHORT DIALOGUE HERE

[TINK laughs]

 

 

            

 

PETER: "Wendy, with an arrow in her heart. She's dead. "

33

6

6

     

NIBS: "It was Tinker Bell's doing, Peter."

 

66

FIRST TWIN: "It wasn't a bird after all."



SLIGHTLY: "She told us to shoot down the Wendy bird."

       

  

                                            p

PETER : You're banished, Tinker Bell! Be gone - for all eternity!

37

      

   





(TINK makes a rude "I don't care noise")

                  f               

            

         

Peter Pan

No. 7 BUILD A HOUSE

67

(Peter & The Lost Boys) Music: GEORGE STILES Lyrics: ANTHONY DREWE

CUE: SLIGHTLY: "Oh well, she'll die then - there's no help for it." PETER: "Yes there is..."

   PETER mp Voices     "...Let's build       a house First we'll build each wall Freely q = 140



    

Piano

around her!"

6



   

11



   



  

pitched roof, That is wat - er - proof on

To keep bay - ing wolves at











 



 

where Wen - dy

        



   



bay





  



   

  

  







We should strength - en



   

Build a house



 

for



  

piu mosso q = 150

will





  

 

  

 



 











With a

 



top.



 

  

16

Pno.

  



  Voice    home



  



 

 Voice     clay Pno.



  









When it's just so tall we'll stop



mp

 

 Voice     high Pno.

  

    



it with

    

Wen - dy







 

Build a



JOHN: "Don't you think she should see a doctor?"





stay.

 

 

   

     

 

 



                

© 1995 - 2009 The Music Trunk Publishing Company

No. 7. Build A House



PETER: "There isn't a doctor - perhaps there's something she could take for it?"

      

    

   

JOHN: "I've got this. It's Collinson's Cure-all."

 

  

 

22

Pno.

68



  





      

JOHN: "It attends to all juvenile ailments. It says so on the label." ALL: "Hurrah!" PETER: "I'll make sure she takes this medicine every night."

  Voice    27

Pno.







     

  Voice     walls of

      







32

Pno.





  

    

 

  

 Voice     out 36





Pno.

Peter Pan

 

  



each









wood Ma - ny win - dows should be



  

  



    

PETER

way, Just as

    

  







  

LOST BOYS

In the

   





long

 

as

 

they don't



   



       



   

  











cut





Look - ing

                          



shut!



 





 

  





 

 

     

 

LOST BOYS





From each

No. 7. Build A House

 Voice      win - dow, 40

Pno.





come what

Pno.

may,

There's a

    house

 for

     

Wen - dy

Build a home

        mp Build a house GROUP II





diff - 'rent



         

view each

    

 

    











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 

and

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

ham

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-

 



mer

    

  



day;

       



stay







Chop



 



and

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



nails



for

 



Wen - dy,

        

 

 

 

Build a

piu mosso q = 160

will

 

 



where Wen - dy

       

GROUP I



 

Build a home

49

   saw



   



    Voice

Pno.

  







                             

44

Voice



69

ADD GROUP I



Lay

 



the

 

    

  

No. 7. Build A House

   Voice 53







Pno.

 

    toys Voice 57

   saw

Pno.

and

pic



are



   floor



Peter Pan

 



   

 





oft - en

flung





and





when

they

were

        



ture





rails



 

 



 

mf



mer

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nails

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

 

-

 

  







And where



for



 





ture

rails

for

   

 

 

 

 

  





  

par - ents

play To re -



Lay

 



and





the

 

 

   



  

Make it

now





 





with - out

Wen - dy

     











loft Where old



Wen - dy



of

Chop









Wen - dy



young





kind mp

       



pic

for





 

 













-

 



and

-

ham









        

61

Pno.





 

    call Voice

PETER

Add the

   floor 



70

  

 

de -

    lay, Voice

No. 7. Build A House

65

  

Pno.





On

a

Moth - ers

Pno.



    



 



 

Build

a

Voice

 

 





Pno.



for



 

house





Build

    

 

    

      f

     

a





a

home

where



 

     

 

Build



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         

 

 

a



sim - ple

a





home

       

 

for Wen - dy

 

will

  

   



Wen - dy

 

Build a house

Build











      



 

   

for Wen - dy

 

Build a house

 

  

 





   

Build a house

 

mf

way;

 

   







It's



 

that

PETER



Wen - dy,

mf

72

done

 

  

    stay.

things

 

 mf



frame...



68









tim - ber

     

    house Voice     aim,

like





  



71

 

for Wen - dy

     



              Peter Pan

No. 7. Build A House

   

   

77

      Build a home

Voice





  

Pno.

   

   

81        Voice          ease our guilt



  

Pno.





TOOTLES SOLO       Weave a rug Voice

84

Pno.



Peter Pan



    mp

 

Wen - dy

   





Wen - dy

 

  

  



      



p

  









  



We'll patch

feath

-

           

     

  



a



make

 

  

  it

snug

er

     

  

ADD

  

With

  

        

To

SLIGHTLY SOLO

    

 



p When it's built,



        

for





to









    

mp

  

 

  

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 



Wen - dy

for

 

   

for

 

Build a home

 

 

 

   

  





 

Build a home

72





 

quilt for

  

Wen - dy



 

  



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   

co

-

   coa

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in

                 

No. 7. Build A House

      a 87

Voice





mug

for



 

 

Pno.



    

 

        dy     Voice    dy         90

Pno.



Con Moto q = 156

Wen - dy

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









rall.

   



 



For

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

     





 

OTHERS







For

Wen -

For

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   

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For

          

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       

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









                                              ff                               



FIRST TWIN: "What else do we need?"

      

95

Pno.



SLIGHTLY'S GROUP



      



73

mf

      

  

  

PETER: "There isn't a door knocker...Tootles, your shoe will do."

                                  

 

  

 

mp



 



      Peter Pan



No. 7. Build A House

              

         

100

Pno.

   

 

105





109

Pno.







for

f



Pap

-

  



er,

ff

    



paste

and

 

 





 

subp

 

        

    

p

           

[THE HAT begins to smoke... EVERYONE cheers]]

        

 







 

paint

the

 

 

                            



Wen - dy,

Cur

-

 



tains

laced

 

 





with

bows

and

 

                                           

   Voice 113

Pno.



LOST BOYS

                     

 Voice     sills

    





  Voice     

Pno.

  

PETER: "And it hasn't got a chimney... John, your Sunday hat will suit."

74

rall.



     frills for Wen      



Peter Pan



    

Tempo I q = 140

      PETER

p Place a

 





  

rock - ing chair near the









dy

      

 

   p



    



pp





fi - re where she'll rest

 



   



     

Mmm



       

No. 7. Build A House

    Voice 118

 











When we



hear





   

Pno.

 



call

It's the time

 

we

all love





  

  

mp

  







in



her

 own







     

     

As she tells





way mp

best





  











Tells

in

 

her



own

piu mosso q = 150

mf

    mf

       

   





Wen - dy,



 



ev - 'ry



way



126



Diff -'rent stor - ies

                                       







    

 





mf          day That's the joy of Voice             Stor - ies ev - 'ry day That's the joy

Pno.



 

 

      

122

Voice

her

   

Mmm

    

Pno.



75

             

   







No

Lost

Boy

is





Boy

is



No

lost

  

 

                               mf         

    Wen 130

Voice

Pno.

    Wen



No. 7. Build A House f

 - dy

She's the sun

 

  

poco rit.

134



  



    

Peter Pan

   

heav

-

en

-





ly

ray



               mf            we





piu mosso q = 150



pray



                   

138

Pno.



mf And

 

    Voice

shine's most

  



- dy

 



-







        

   

  



    Voice

Pno.

  

PETER

76

 





mp

         

we

 

mf





And

   

PETER: "All look your best."



mf

 





    

       

           

 





   







And

we

pray













  





    



mp

   

 



all

pray

  

  



   





 mp



And

we

  





all

 





 



  



No. 7. Build A House

    Voice



   

   

   

  

 

PETER: "First impressions are awfully important."

143

   pray

Pno.







    pray Voice





  







 stay



p







Wen

-



Wen

-

dy





p That

 













   

   

   

 

     

  







dy

  



 



And

we





 









p





 

 

Lento e rall q = 140









    



  



  

       stay 

Pno.



p

  



that

   

151

Voice



rit.

 

Pno.





   

147

77







will

  

will

  





   





  

    

pp

    

 

No. 7a THE LOST BOYS GANG (Reprise)

78

(The Lost Boys, Wendy) Music: GEORGE STILES Lyrics: ANTHONY DREWE

CUE: WENDY: "Now get inside at once, you naughty, naughty children!

 Lost Boys    



 



Steady Groove q = c.146

Piano



6 LOST BOYS

f

   No -bo dy dares

SIMPLE PERCUSSION GROOVE

                    

















[WENDY claps]

9



us noth

   

ing ev er scares us





            





ev- en the loud - est bang



      





(Clap)

       Lost   Boys 

Pno

   

      

WENDY: "You're neglecting to wipe your feet."

 Lost  Boys 

Pno





mf

5



  

If you've an - noyed

    

 



us



    

best

if you a - void

     WENDY: "You've all your toys to put away."



 

      



4 LOST BOYS



     

 

 

     





        

mf

 

us

 

© 1995 - 2009 The Music Trunk Publishing Company

Boys

          

   

  

And those who fight the Lost







      

'cos we're the Lost Boys Gang

        

 

 

   

No. 7a The Lost Boys Gang (Reprise) WENDY: "And don't leave the towel on the bathrrom floor."

13      Lost          Boys 

Pno

 

mf

There's

   Lost Boys 



Peter Pan





no fight

                                                          been

no

    

mp SLIGHTLY

There's

been

no

          

Pno

WENDY: "Bed - this instant!"



fight

 

           mf             

21

 

2 LOST BOYS

   Lost Boys 

Pno

There's been

dis- co -ver totheir cost

           

18

    

3 LOST BOYS

79





fight

 



         

    

          mp

WENDY: "Bed!"

that

  

      

SLIGHTLY: "Good night, Mother."



 



p



Lost!

the Lost Boys



 



 

 



    f

 

 

No.8 THE CLEVERNESS OF ME



WENDY:"As parents we have to show a good example, Peter. Rules are rules"

Piano

                            p     

    4

P.

Pno.



  

mp Both the



 



   

  



  

10

  

  

should



    

way soon af - ter birth

  

 

to me If there

  

 

 

  

You

 

 

  

     

  

  

   

WENDY

 

a night

 

  

It's

  

     

if you'd been



 

to school Not run a -



or day

   

  

  

   

  

 

    

© 1995 - 2009 The Music Trunk Publishing Company

  

   

  

    

might have learned of some - thing called 'the

    

o - bey

  

Well

    

      

   



mp

   

be



          

are ser - vants I give or - ders they



    

      real - ly up



mp



  W.     

Pno.

 



7

Pno.

sun and moon

        

  

        

   

PETER

 W.  P.

PETER: "Not for me they're not. No-one tells me what to do."

q = 195

Happy

80

 

  

or - bit of

    

the earth'

 

   

 



No.8 - The Cleverness Of Me



                  

WENDY: "And if you're so clever, how come you fell out of your pram in the first place?"

13

   

Pno.

   p

   



16

P.

Pno.



      



If

mp

 



      win - ter on



 

 

  

 

the ri - ver And

  



 



   



be - ing such

   

  

a dunce

 

         

 For

  

   

la - goon

 It's

                           



WENDY

 

   



But

    

         

Pe - ter that's not clev - er

You're



au -tumn's com - ing soon

                                    

22

              

the tree tops Then it's spring in the



      W.    

Pno.

sum - mer in

  

19

Pno.

it's

   

 W.  P.

 

PETER: "You don't think it's clever to live in a place as wonderful as this?"

     

   

PETER

81

  

     

what is one

     



     

  

   

       

    

to wear If all



 



   







 



the sea - sons come at once?

 

   

 

No.8 - The Cleverness Of Me

          Just au -tumn leaves and cob-webs



25

P.



     

Pno.

  



    

       No cold will ev 29

P.

Pno.



   

 

 -

er

 



                 

 



  

   

catch me

 

clev er - ness



 

mf

 

  of

for a

 

  

     

  

    

by

half

          

me





scarf



    



  

The

clev er - ness





 

I'm clev- er - er

  

             nev - er met a per - son yet 36

Pno.

I've no need

  

33

P.

     

                

     P.    mf Oh the                Pno.       

82

                       

of





me

I've

                       

             

  

 

Who'd ev - er dis - a - gree



          

  

 

The

clev er - ness

of me

  





 The

                                                                

No.8 - The Cleverness Of Me

      clev - er - ness 39

P.

Pno.



Pno.



of

me



I

 

        

      clev - er - ness



 









 

 

    me



to crow

   

   

PETER: "Cock-a-doodle-doo!"









  



f

    

   

                          



46

P.

Pno.





            

Peter Pan

 

 



the

   

          





   

of

   

 

 







    

Pno.

be - cause I know

  

 

 

    

(WOLVES are heard howling somewhere nearby. PETER PAN draws WENDY away.)

43

P.

  

have

 

           







     

        

41

P.



83

mf

 

Ev

  

  

- 'ry

 



                   

            

day

 

mf

a

 

new

  

ad - ven - ture Ev -'ry

 

   

mo - ment to

    

   

  

   

  

be filled

Why

    

  

 

No.8 - The Cleverness Of Me

 W.  49

P.

Pno.

 



   

 

a bed - time With

  



    

 

       W.    

 

Pno.



     

P.



PETER

     

Pno.



mp sotto voce

     

    Trees

Pno.





- er wolves

 

58

P.

 

       

     When - ev 55

  

We

 

 











 







    

  





     

 

 

 





  





 



    

 

the

Nev - er

 

   

    







          

 

 

them

 

 



  



ap - proach

must



     



The bye - laws don't al - low

Am - ongst

 



      



prowl - ing

 

 

       

  

  

  

 

in Blooms - bu - ry

  

You

They're



 

  





   

wolves are ra - ther fright - ening



  



 

 

   

  

 



The

misterioso

 

  



be killed

don't have them

are

     

    

  

52

sound ing clo - ser now

mp

pi - rates to



  

 

   

    

bo -ther with

    





84

   

 



back - wards

    



 

 

 

 







Then





 

 

 

No.8 - The Cleverness Of Me

    stare 61

P.

Pno.



be - tween

  

your



Pno.



   

Pno.



     

             

        clev-er-ness of me



  



  

The

clev - er - ness

                 f

        

      ev - er dis 71

P.

knees



         mf              

 

- a - gree





 

         

  

 



of me

  

  

f

 

  



  



 



I've

  

       

PETER

PETER: "Boo!"









68

P.





  

Pno.



                                                

65

P.

(PETER and WENDY both assume the prescribed position. The WOLVES quickly disappear. WENDY remains upside down, and PETER creeps up on her, very pleased with himself...)



 

85

nev - er met



        





Oh

the

f

   

  

 

a pers - on yet Who'd

                      

        



  

 

The

clev - er - ness

of me



  



  

 

The

clev - er - ness

of me









 





 I

                                                                           

Peter Pan

            have to crow be-cause I know

No.8 - The Cleverness Of Me

74

P.

Pno.



   

   

77

 

       





me

   





  

 

 W.   



   



80

  

 



 



   

Pno.

  

 







f Of

me!

         

The

 



     



 

   

  



  





f Of

WENDY





Of





Clev - er - ness

  

     

   

of



                  





       

  

who?

P.

   







mf



       

       





PETER: "Cock-a-doodle-doo!"

clev- er - ness



   

Pno.

The

               

 W.  P.



  

86



    





    



 you!





   

    

    



   

     

 Peter Pan

No.8 - The Cleverness Of Me

    83

W.

P.

Pno.

     



         



ff

 

   

 

       

 

          

86

Pno.

 

Pno.



92

P.



   







        



     

 

  

    

 

     

      

     

       

 

 

 

 

   

 

     

   

                          

 

     

( clapping his hand over her mouth to stifle a scream. The PIRATE exits,)





                   Peter Pan 

Pno.



(A PIRATE appears on the higher level. PETER grabs WENDY and pulls her to safety,)

       subito mp          

   



       

 

   

 



    

 

      

       

89

 

87



        

 

      

 

     

  

f

                                                 

  

Oh the

 

No.8 - The Cleverness Of Me

 W.   95

P.

     clev-er- ness





Pno.

f

  



 

f

 

The clev - er ness



     

98

Pno.

     ev - er dis



-

    have



     

 



  



          

  





     





a - gree

The clev - er - ness

  

  

  

You have

to crow

  



 

  

 

 



a per - son yet Wo'd

 

      

 

clev - er - ness

 

 

 

of

me

I

     





     Be - cause you

   

-

  

cause I

    





know



know

   



         

 



Be

 

     



to crow

nev - er met

           

The

     

      

   

 

       

  





I've

    

   

 

101

Pno.

clev - er - ness



clev - er - ness





  

Who could doubt the clev - er - ness

 W.   P.

The

            

The

  

 

  





      

  W.   P.



88



The

  

  

  

    Peter Pan

No.8 - The Cleverness Of Me

  W.  103

P.



     clev - er - ness





P.

Pno.

  



mf



        mf     

108

Pno.









   

Peter Pan

 

  

  

It's

all

part

    

all

of

the

part

of

the

               f

   







 

     

  

 

             

      It's













I

love

the

now

ev - er guess

     



 

you won't

                        

      

 





        nev-er-ness   

 

 



what comes next

 W.  P.

 



clev - er - ness





    And 105



The

  

Pno.



89









 -

or -

                                   

    



clev - er - ness

   clev - er - ness

 

 

    ff

of

    

                

 

 me

 ff

    

     

  

No.8 - The Cleverness Of Me

 W.  112

P.

 





Pno.

 

  

   

90





            

                                  

  

6

    3



   



Peter Pan

No. 8a WALKING BACKWARDS

91

(Instrumental) CUE: HOOK: "...that's such a contemptable plan, Smee, that it appeals to my worst possible nature---"

Indian War Dance q. = 160

Voice

Piano

    



       

      

   

     

      

    

mp

3

Voice



  



q = 150



STARKEY: "Captain!" [HOOK and the PIRATES listen] HOOK: "Tiger Lily and her warriors. We'd best take cover till they're gone. Smee! They are expert trackers. They would seek us out in seconds. Walk backwards, lads they'll think we've gone off in the opposite direction."





    

VAMP       

  

ROUGHLY 14 TIMES

p

      



   

    



     



                                                  

Pno

mp

                                                    

7

Voice

Pno

 



Pno





TIGER LILY



Hey

    f       

q. = c.160





                          f                       

           

 



         

11

Voice

low pizz + bass clar?

                      

BRAVES REPLY



            



 yay

-

ay

            





Hey - yay

             

      f        

© 1995 - 2009 The Music Trunk Publishing Company

            

-

  

  

No. 8a Walking Backwards

  



14

Voice





  



Yey

ah

-

ah

  

Pno



    



19

Voice

Pno

f

  

Pno

   

ah

        

Peter Pan

      

   

      

 



   

   

  



 ah

-

   

   

     





  

  

   

 

   

     

mf

 



 

 

   

 

 

 

   

       

     



  

TIGER LILY and her BRAVES set off again...HOOK, SMEE and STARKEY emerge...

21

Voice

   

Hey

   

   





TIGER LILY & BRAVES

      



VAMP - ROUGHLY 12 TIMES

17

Voice



                                 subito p                                       

Pno

92 TIGER LILY: "Pirates' footprints - and almost obliterating the tracks of onewho was here before them. Someone who treads so lightly that his moccasins scarce bend a blade of grass or stir the dust... Come! We shall catch a Pirate and present his scalp to Peter Pan to welcome him back to Never Land."

 

     



HOOK: "Look lively, Starkey! Roust out the crew." STARKEY: "Aye, Captain. And then?" HOOK: "Persue Tiger Lily and her braves."

      

    

       

  

     

   

    

       

 

    

      

No. 8a Walking Backwards

  

q. = q



23

Voice

Pno



        p       

Pno



       

Pno



Pno

  



       

  

 

   



       



   

  

    

  





   

       

  

   



  



 

   



    

  



   

    

  

       

  





HOOK: "Indeed we are, Smee. I need that girl to bait the trap that will bring steel jaws, like crocodile's teeth - Snap, snap! - on Peter Pan."

         

      

  

 

       

  

         

  

 

       

   



HOOK: "Nothing will deter me from that avowed intent,







SMEE: "So, Captain, are we still going to snaffle the Lost Boy’s brand-new darlingest mamma and keep her for our own?

35

Voice

   



31

Voice



"They think that they're on our trail - but you'll surprise them from behind. Fall on them and take Tiger Lily prisoner."

27

Voice

93

   

  



  

    

  

  

 

       

 VAMP

  

  

 

  

   Peter Pan

No. 8a Walking Backwards

94

but first we have pea-brained Piccaninny Tiger Lily to despatch."

38

Voice

Pno





Voice

Pno





Voice

Pno

 

   

   

 



     

  







  

tick

tock

tick



  

  

Indian War Dance q. = 160HOOK: "The Crocodile!"

      





tock

    

  

     tick



    

  

 



   

tock



                                                      mf                                   

44

Clock

  

3







       

41

Clock

TIGER LILY



    



Peter Pan



tick







tock





                                  







Tiger Lily enters + BRAVES??

f

  

Hey

 



                                                 

No. 8a Walking Backwards 47



Clock

Voice

Pno





    





Voice

Pno

Voice

Pno







                                                                                             

   



            

52

Clock



f "spat" flute

50

Clock

sees Starky

95



   



      







      

-

       

    

ey

-

yay

  

     

    

    e-a

-

  tick  



   

       

 

Sinister q = 150

 



    





Hey







tock





tock



  





tick

e - ay

                 mf                         

     



 



  









Peter Pan

55

Voice

Pno





Clock

tick



Voice

Pno

Voice

f

   





tick







tock



tick



  





 



tick







tock

  





tock





tick





tock





  





 





tick



 



tock





 



tick







tock



   

  



Peter Pan

  

 



tick





  

tock

   f   





 



tick









sfz





tock



 



tick





  

tock







  



tock



 



 



tick

                                         

  

Pno



96

                                                          

63

Clock



tock

   

59

Clock



No. 8a Walking Backwards

               



tick



                                                 





  





tock

              

No. 8a Walking Backwards 67



Clock

Voice

Pno

  



Voice

Pno







tick





tock





tick

tock











tick

tock





                                                                      

70

Clock



97



  



 tick





tock





  

tick





tock





 tick







tock

 



                                                           SEGUE AS ONE    TO #9 "SIREN SONG"

Peter Pan

No. 9 SIREN SONG

98

(Mermaid)

CUE: SEGUE AS ONE FROM #8a

Mermaid

      



    

Piano







           



    

mp MERMAID



   



        

   Mer  maid  10



    



 

     







 

         

 

  

  

     

simile

    Oo





     

p

5

Pno



HARP, PERCUSSION, WATERPHONE

    Mer maid 

Pno

STORYTELLER: "It was the end of a very long day... Overlooking the Mermaid's Lagoon, from the coral grottoes, beneath the lapping waters came fitful music..."

Andante mysterioso q = 100





  

      

     

      



 

Oo



Oo

      

    



 



     

    

      

      

© 1995 - 2009 The Music Trunk Publishing Company

         

 



No. 9 - Siren Song

    Mer maid  13







  



 

Oo

      

Pno

  

         

16



          



 

 

  



      mf      

 



Oo

     



    



     

 

        

     

  

 loco





STORYTELLER: "But the sun had gone, the moon had slowly taken it's place,..."



poco rit.



6    6     6   6 6   6    6                     mf                    6



p

      Oo            

Peter Pan





21









...and a cold shiver across the waters sent the mermaids to their coral caves."

  Mer  maid 

Pno

sub mp

 

19

Pno



     



      

  Mer maid 



mf

STORYTELLER: "Peter, having spirited his band out of the pirates' clutches, had brought them to the lagoon to play."

    Mer maid 

Pno

99

          p

Allegro q = 120



 loco                                    f                    

             

No. 9a MAROONER'S ROCK

100

(Cecco, Cookson)

CUE: PETER: "They were tied up. When the tide comes in, Marooner's Rock (MUSIC) is under water..."

     

Andante q. = c.100

Pirates



    

Piano



       mp "Earthy" pad            Soft Indian hand drums

      



Heave

Pno

 



      



Heave

 

ho

  

Heave





      

ho

                   

             

 

         

              

7

Pirates



Pirates' galley drums + low bass pitch

 

Pno

 PETER: "...Someone's coming - Hide, everyone!"

4

Pirates

 

mp

      

ho

 

  

 

Heave

 

      

© 1995 - 2009 The Music Trunk Publishing Company

ho

 



 



 

Heave



          ho

             



ho

  

            



               Heave

 



         

 

               

 

Heave



      

CECCO, COOKSON

    

 

             

  



No. 9a Marooner's Rock



 

COOKSON: "Speedily, Cecco, get the dark deed done - this sailor's graveyard gives me the goose-bumps."

10

Pno



     

       







 

                  



   

16

Pno

Peter Pan



      











               



13

Pno

101

                  



            



 

 

             





VAMP UNTIL DIALOGUE CUE TO STOP











  











 













 

No. 9b THE FIGHT AT THE LAGOON

102

(Instrumental)



Music: GEORGE STILES

Q: PETER: "Well then I am Peter Pan"

Piano

Q: HOOK: "And I am the Q: PETER: one and only "Let them have it, boys!" Captain Hook, boy"

           



   

f



  

    

   

mf



  

    



     

10

Pno



 

Pno





f

 

        Prestissimo

 f     

   

 

 

 

     

         

 

       

      

   

               

[PETER and the LOST BOYS attack the PIRATES]

         

   

 

 

   

   

          

                    

    

19

Pno

 

   

14

 

           

            

6

Pno

Allegro q = 190

  



        

     

 

 

      

 

     

    ff

PETER: "See to it that Wendy gets to safety. Go to it! Now!"

   

h = 120

                              © 1995 - 2009 The Music Trunk Publishing Company



        

              

            



       

           

   

                

  

  

 

No. 9b The Fight At The Lagoon



103

COOKSON: "Finish him, Captain!" SMEE: "Reduce him down to cutlets, Captain - and bite-size bits o' brisket!"

    

22

Pno

                  mf                       



      

25

Pno

 

      



mp



Q : HOOK: "Don't stand there goggle eyed. Get after them. I want that girl!"

    

smfp

    



34

fp

     

Peter Pan



Dictated chords

  

Pno

 

    

  



  

HOOK: "Cutlets? Bite-size bits o' brisket? I'm a swash-buckling buccaneer, Smee - not a back-street retail butcher."

30

Pno

            

 

 

  



 

              f           

smfp

   



  





 







smfp

                                                   Wendy enters          

mp

 

      

 

 

sfz

 





No. 9c RESCUED BY KITE

104

(Instrumental)

CUE: HOOK: "I might pop back to enjoy your final moments."



Andante q = c.80 PETER: "I'm sorry ,Wendy." WENDY : :You've nothing to blame yourself for, Peter." PETER PAN: "We mustn't give up hope - the Lost Boys might come back and find us." WENDY: "They did so want me to be their mother."

    

Piano

    



6

Pno

  

p Cello/flute duet

   





      



       





     





 



  

      

  

 

 





 

 



 

 



WENDY: "Look, Peter!" [The KITE sails into view...]





 



 



PETER PAN: "It's Curly's kite come here to save us." WENDY: "But how has it done that by itself?"

Con moto q = c.90

                    

13



mp







                   

   

" Be brave, Wendy. Dying will be an awfully big adventure."

  

Pno

 

  

PETER PAN: "More than all the world." WENDY: "The last motherly advice I gave them was that they were not to come back and look for me." PETER PAN: "Ah! They are grand lads - and will do as they've been told."

11

Pno

  

  



© 1995 - 2009 The Music Trunk Publishing Company









PETER PAN: "It hasn't come alone, Wendy"

             





            

 

 

No. 9c Rescued By Kite



          mf             Allegro q. = 190

17

Pno



PETER PAN: "It hasn't come alone, Wendy. Tinker Bell is in full control."

         

                      

                                          



23



Pno

  



  

                    

PETER PAN: "She begs to be forgiven - yes, Tink, we are best friends again."

20

Pno

105





          

             

                                      

  



               





  

 

              

      

 

 

  

 

TINKERBELL undoes the ropes...

Flurrying

                                         

25

Pno

        



28

Pno

  

   

       



 







 

 

 

PETER: "Hold tight!"

                           

      

       

Peter Pan

 

PETER and WENDY sail aloft on the kite...

31

Pno

 

mf

 

  

  





                    

HOOK:

           





 

"Smee! Smee! They're escaping, Smee! They're free!"

  

 





 

 



No. 10 WHEN I KILL PETER PAN

106

(Hook, Peter, Pirates)

Music - GEORGE STILES Lyrics - ANTHONY DREWE

CUE: DEAD SEGUE No.9c

  Hook    A

Andante diabolo q = 108 1





   

Piano

   

  Hook  



   

  

ff



 

 

   

  

  

          



                                 





 

 







SMEE: "Cheer up, Captain. Think of it as like letting a little tiddler off the hook - you'll have all the happy times and joy of catching them again."

4

Pno





         mp      



                       

  HOOK Hook        8

Pno



How can I be hap- py

           p

           



HOOK: "Happy...?"





                                        

       





While Pe - ter Pan is free

                 

                

© 1995 - 2009 The Music Trunk Publishing Company



 

   





Smee?

                  

  Hook   

No.10 When I Kill Peter Pan

107

12

Pno

    



         



      

 



 

How can I be hap - py when that

 

  Hook    15

Pno









Smee?

 



 

       

  Hook   

cro - co - dile

       

 

   

  I



 

Pno



    

21

Pno



Peter Pan

high

hap - py

lit - tle



 

sea?

 A tempo q = 108

  

Well I

will



  





and



     

when I

kill





for - get, Smee?





Would that



  

rit.



Per - haps

   



  

  

 

    

me





man?

  

  

  Hook   

a

   

dolce



                

for - give



     

you



should

18

make

con - tains a part of



dolce



    

    



Per - haps

      





we



should

  

 

re - turn

  



 

to

the

 

    Pe - ter

Pan

                                                                    ff mp                                                        

  Pirates      Hook   25

Pno





    

28





   

         

   





       

 

  

   

     

 



          

  Hook   

  





men?

         

         





not sail - ing forth a - gain

       

Pno



 

      

 

35

Pno



 

  



              

      

          

men?

 

           

dolce





Don't

say

   

dolce



 

  the

cat

    



                 

got

      

 

hen

          

 



  

 

Who thinks I am foo - lish and who thinks I am more chick - en than a

  Hook     

      

doo!

 

32

   

 



 

      

       

Who thinks I am foo - lish

mp

PETER

Cock - a - doo - dle

HOOK

   

108



             

  Hook   

Pno

No.10 When I Kill Peter Pan



your





tongues



men?

    

   

  

No.10 When I Kill Peter Pan

  Hook    



    



38

Pno





Pno

tent then?



love



to

make

a





Peter Pan



   



    Pe - ter

  How I'd

Pan

   





  

 

 

 

  



   





3

hand - bag

love to slit the giz - zard of that

    



  

48

  



 

    

      

  

  

  

                                mp                         

          Hook  

Pno



    

poco accel.

 

    



  

Am I to as -sume we are con -

    

I can kill



    

can

Not un - til



rit.





   

Faster (q = c.126)

      



  

                       ff                        

   Hook  





con fuoco a tempo q = 108

      

46

Pno

 



  





Tell me what you think you know you

41

Hook





109

of

   

 that

  

boy

        

       

croc - co - dile

 

 

How



I'd

 

    

and grind his wretch - ed fai - ry in - to

                  

 

  

 

      

    

No.10 When I Kill Peter Pan

  Hook      



      

 

51

Pno



fai - ry dust

That is

  

    

    

    

     Hook  

some -thing I would thor -ough - ly



 

  



til I have wreaked ven - geance we will

      

Pno

 





57



     

Pno

   







A Tempo q = c.108



     

p

      

  Hook          62

Pno



HOOK

Did

I

hear

a

snig - ger

            p             



  

 

from

          









 Peter Pan laughs

  

some - one

   

a - ny

 

                                             

  



       

Good!

             

rall.

trust that no - one wants it

         

way?

   

        I



       Hook     oth - er

stay



 

       

 

 

Un -

 

poco rall.

     

 

en - joy

   

 

poco rall.

   

   

54



110

in

   

my

       fp      





    





crew?

           Peter Pan

  Hook    65

Pno



ff



            

fp



68









  











sub p

 

 

PETER

 



knew



Who?

      

  Hook   

   

Pno



Peter Pan

                 

 

   



    

It's Pan

     

A tempo e sostenuto



    

He's here

     mp

    

to con -coct a lit - tle plan





 

 

  

 

 

richly



       

 

Now it's

    

rall.

To guar - an - tee he can - not es - cape

  



It's him Smee

          

      



    

     

poco rall.

                     

         

   

72

time

           



Yoo - hoo!

             

111

Some - one thinks they're big - ger Than the Cap - tain and it's time the Cap - tain

You!?

  Pirates    Hook   

Pno

No.10 When I Kill Peter Pan



 



 

me

  

 

            

No.10 When I Kill Peter Pan

112

Blood curdling q = 126

      Pirates      f Ah       Hook   

Pno



Blood will

    

  

   

spill





  

-

Ah



When I

 

  

 

kill

-





         

 



ter

Pan

             



Ah



              



  

 



Ah

           

    



 





ff

 

 

Ah







etc.



-

  

                                                     

f

   Pirates     Hook  





              

84

Pno



  

 

     



Pe

  

ff

Ped.

81



 

               

  Pirates      Hook   

Pno

 

PIRATES

76

    

     

              fff        rall.

 



    Ah, Ah    

Ha

ha



ha

ha

                       

   

 

ha

   

  Peter Pan

ACT TWO No. 10a ENTR'ACT

113

(Instrumental)



  

Maestoso q = c.80

        

Piano

   



5

  

Pno

  



  

 

 

ff

  

                                 

  

        

  

 

 









                                         

Allegro diabolo q = 140

The Hook Organ

  

   

 







                                                          

8

Pno

  





 







   

     



                                                      

11

Pno

      









 







© 1995 - 2009 The Music Trunk Publishing Company

     

        

No. 10a Entr'act



                                

15

Pno



 

       

20

Pno

         



                  



    

                                                         

     

 

        

 

 

    

     

        

[Night - the downcast PIRATES on the beach -lanterns...]

24

Pno

 

  

114

rit.

 





  

 

  

               mp                               Adagio miserablile q = 60

rit.

STORYTELLER: "Across the bay, the pirate barque, The Jolly Roger, bobbed at anchor. On the rock-strewn shore nearby, the pirates polished cutlasses, oiled pistols and cleaned their muskets and honed their daggers to a razor sharpness - preparatory to killing any living thing - "

A tempo (con rubato)

28





                     

STORYTELLER: (cont.) "...bird, beast or best of all, Lost Boy - that happened to chance their way. James Hook, meanwhile, stood apart from all of this activity, staring out across the rippling sea. At last, he let out a melancholy sigh..."

32

 

Pno

   

        p                                         

Pno





    

         



             

         

[HOOK lets out a sigh]

   

   

           Peter Pan

No. 10a Entr'act



115

BILL JUKES: "He's been that way for days now." SKYLIGHTS: "Like a ship becalmed." STORYTELLER:"Hook sighed again, and louder and more melancholy than before." STARKEY: "But with dark clouds gathering on the horizon."

36



Pno

  



      

 

 mp







   





  

 

     

 

   

42

  

  

 

 

 

   

 



  

  

 

 

     

 

rall.

p

       











not so much as a boot-toe for the ship's cat. It ain't right for him, and it ain't right for us lads neither.

A tempo

  

  

 

  

Pno





[HOOK lets out another sigh]

MULLINS: "Somebody should have a word with him. It ain't properly practical, him standing there without an oath for nobody -

      



     

 



40

Pno

  





38

Pno

 

     

 

 

 

   





       

  

 

 

   

   

  

It's like I say, somebody should have a word with him." CECCO: "Mullins is right. Somebody should."

     

 

    

 



   

    

 

 



molto rall.

 



  

  

  



pp

  

Peter Pan

No. 11 ROSE-TINTED EYEPATCH

116

(Smee, Hook, Pirates) Music - GEORGE STILES Lyrics - ANTHONY DREWE

CUE: SMEE: "Look on the bright side, Captain....

   Smee   

A Shanty q. = c.64

Piano

there are evil deeds around the corner, waiting to be perpetrated, just like in the bad old days…"







3 3 3 3                         p       

  Smee        5

Pno



Hook

9

SMEE

mp

a



 

Cap - tain

                         

               

He‘s



sen - si - tive soul who just thrives on com - mit - ting foul crimes



sure

rall.

        

 we

could gen - tly ca - jole him with fond

    

 

And I‘m

re - min - i - scence of

    hap - pi - er times

                                                               

   Smee   13

Pno



                                             mp              

   Smee   

Pno





A tempo q. = c.64

   

  mf  3 3    







            3 3   

 mf

 

              

Look back thru‘ a rose - tint - ed eye - patch

                

© 1995 - 2009 The Music Trunk Publishing Company

  

Think

             

 



No. 11. Look Back Through a Rose-Tinted Eyepatch

    Smee       17

Pno



               





back to our mur - der-ous larks

One swipe of your cut - lass

21



then

         

        

pi - rate could e

            

-

qual your

        

     Smee       28

Pno

Peter Pan



fill - ing

     

their pants

      

 

 

Ev‘ - ry

    

 



Look back thru‘ a rose - tint - ed eye - patch



 



f

fame

  



  

f

 

           

 

ut - tered

  



 

would be

                 

name





    

      

time some - one

No

           

Those wimps from Pen - zance

          

and

                

       

                    

25





be - came food for the sharks

  Smee         

Pno

Your foes all fell gut - less

                                               

    Smee        

Pno

117

your





    

 

No. 11. Look Back Through a Rose-Tinted Eyepatch

    Pirate 1  31

Pirate 2

    

   mf       



 



Pirates

     mf

Pno



La

la

La

la





la

la

la

la



                 La

la

      mf

34

   

eye - patch

 

Pirates



  





 



la



la

la

la

la





    la

la

la

la

la

la

Look





la



  

 









 



‘Twas









La



la

La

la







a

 

glo - ri - ous

 



la



la

la

la

 

 

     



  



  

 













la



 

La

 

la

 

la

la



la

la

la

La

la



  

la

   

past



  

  

pLa

mp

glo - ri - ous



 

rose - tint - ed

                

a

tru - ly





p

a

La



‘Twas



 





tru - ly

  p

             

la

back thru‘

 

  



 

  

la

           la

  





         mp back thru‘ a rose - tint - ed PIRATE 2 Look            mp PIRATE 1

  

[Piano tacet these bars?]

   Pirate 1    eye - patch   Pirate 2    

Pno





  mf     

2nd time only





118



  





 



The

past

  





 

la

la

la



la

  

   la

la

      

la



la





la



  

  The

 

The



The

      Peter Pan

No. 11. Look Back Through a Rose-Tinted Eyepatch

  Pirate 1       



        

  mp  

               

   

37

f



beau - ti - ful bri - ny

   Pirate 2  

119

The corp - ses we hung from the mast

f



Your hook nice and shi - ny

The corp - ses we hung from the mast

               f           beau - ti - ful bri - ny

Your hook nice and shin - y

The corp - ses we hung from the mast f

                        

Pirates

                      

Pno



beau - ti - ful bri - ny

Your hook nice and shin - y

The corp - ses we hung from the mast f

beau - ti - ful bri - ny

Your hook nice and shin - y

The corp - ses we hung from the mast

            mf     

  Smee  41

 

Pirate 1

Pirate 2





                  

           

   p      



Pno

Peter Pan

back thru‘ a rose - tint - ed eye

 

Pirates

   p







           

back thru‘ a rose - tint - ed eye - patch

 

p

La la

la la

      

la la

la

la

La la

 

                mp          La



patch

For - get this young boy who can

        

 

For - get this young boy who can

      

la la la

Ah

Ah       

la la la

-

h



-

-

h

-

                         

la

la la

mp

Look

           

                           

             



Look

Ah

-



fly

 

fly

h

 h

SMEE f





We‘re

      

     

f boy who can fly

                  h

 

 

No. 11. Look Back Through a Rose-Tinted Eyepatch

  Smee    

                sure you would soon - er go sink a nice schoon - er If on - ly you‘d give it a try               



          



45

Pirate 1

Pirate 2

  

Pno



 

f aggressive



 

49

pir

-

ates

               f

   





 

       All   

Pno



And as

pir

a

on - ly you‘d give it

a

on - ly you‘d give it



  

 

    

      It‘s

a

mis - take

if

-

 



 



   

But for



try

 

But for

   

     

          

   

  

        



for

  

 

               

ates



your swash has - n‘t buck - led

            

 

But for

try

a

 

But for

But for

try

poco rit.

52

years

on - ly you‘d give it

               

  



try

f

       

  

a

             If



 

on - ly you‘d give it



             If

If

         



f If





   All   

Pno





 







   Pirates

120

   

We need a break ‘cos we‘re down on our luck as lame duck buc-can-eers

                                                                        

  

          

 

Peter Pan

No. 11. Look Back Through a Rose-Tinted Eyepatch

121

SMEE: "The Dastardly Demise of Dead-eyed Dick"

                           Smee         57

mp Think back to our mur - der - ous larks Our mur - der - ous larks Our mur - der - ous larks...

  All  





     

Pno

mp

 





Pno

       

         

Silent Terror q = 140

      

62

   

f

        



  

  

            

                   

                

Our mur - der - ous larks Our mur - der - ous larks...

         

         

       

 

  

  

       

 

             

     p



     

     

  

  





                                                    ff  ff   mf mf                                          

66

Pno

Pno

Peter Pan



      68             ff mf                       

SMEE: "The Lynching at the Lynch-gate of Larry the Loon"

    gli   ss.    

gli

ss.

 



 



No. 11. Look Back Through a Rose-Tinted Eyepatch

      71

Pirates

A Country Dance q = 150



   

Pno



       



mf

 



       



   

Pno

  

                                                  

79

   



  

Pno

  



88

Pno

 







              

 

                              

                      

                         

              

    

SMEE: "The Terminal Tarantella of the Tuscan Tyrant."

83



Hey!

75

Pno



122

                                  

      Ratchet sfz        

f

       3 

          



3

                     

                

                               

                                  

              mf         

                                           

    

              

 Hey!

Ta-da! q. = 60

Tarantella on a trip q. = 180





              

                      

ff

            

             

Peter Pan



No. 11. Look Back Through a Rose-Tinted Eyepatch

               

               

                                       

92

Pno

 All    96

Pno





               

        



back thru' a rose - tint - ed

 

Pno

rit.

  

eye - patch

mf

 

 

  All        

Pno

Peter Pan



a

can - ker

It's

                  

f









  

  

      

Look

                      



soul

                  



104

kids are

   

     mf

Nos - tal - gia is good for the







ff





           

               

  

 

                        

Con moto q. = 70

100

All

   

            

                           

  

123

 



  

     



     







time we weighed an - chor and



f

 

 

Those

     

     

      

played our trad - i

-

tion - al

            

 



 

No. 11. Look Back Through a Rose-Tinted Eyepatch

124

           All    role                                                      HOOK: "How do you kill a rat, Smee? "

107

Pno



       

  All   111



     

Pno

 

mp

      

              SMEE: "A portion of the cook's stew, Cap'n?"



    mf

     







 



                                      f

                           

SMEE: "Not...not deadly poison, captain?" HOOK: "Aye, Smee. The deadliest. If we cannot dispose of those disgusting brats by devious means

     115

Pirates

Pno



Lento q = 80









                                  pp                                         "then, on my oath, lads. we'll get rid of them by dubious ones!"

   Hook           fp  Pno           119





Just

  

Wickedly q. 54

         HOOK

two drops of

this brings a

        hid - e - ous death

              mp

   

 

 



Let‘s

  

    

  Peter Pan

No. 11. Look Back Through a Rose-Tinted Eyepatch

    122

Pirates



            



as

those



 





chil - dren

   

          back thru‘ a rose - tint - ed          124

Pirates



all

draw



  





    eye - patch    

back thru‘ a rose - tint - ed eye - patch





A Tempo q. = 64

   Hook           back thru‘ a rose-tint - ed                   Pno



         ff

    

  



eye - patch

            

            

Pno

Peter Pan



pir - ates our

du - ty

Look

            mf (Trem  strings?)          

is

nick - ing





their

last





f

 

   

breath

       

   

SOLO PIRATE

    

 



f

As



We used to be hid - e - ous crooks

    

  

Look

f

We used to be hid - e - ous crooks

                       

  

 

ff Look

         We used to be hid - e - ous crooks                

 

ff



  

         

128

Pirates

  

 

ff







 Hook       watch

Pno



rit.



  

125

  

  

         

the boo - ty

             

It

says so

in

all

the best

                   

 

No. 11. Look Back Through a Rose-Tinted Eyepatch

      131

rit.

            Broader q. = 60

                        All the best books Look back thru‘ a rose - tint - ed eye - patch                           books

Pirates

    

126

Look

back thru‘ a

rose - tint - ed

eye - patch

              Hook          Look back thru‘ a rose - tint - ed eye - patch                                             ff Pno                                     All

the best books

Look

back thru‘ a

rose - tint - ed

eye - patch



         134

        mem - ber those ha - cy on

Pirates

        mem - ber those ha - cy on

       Hook    mem - ber those hal - cy - on mem - ber those ha - cy on



    

Pno

        f

         

  days

 

days

days



days

  





















 

Re -

 

Re -

 

Re -

 

Re -



 

     

  

 

For

 

For

 

For

                   HOOK

It

may be im - mo - ral

But who‘s gon - na quar - rel

                            

      

 

    

 

  

For

       

Peter Pan

No. 11. Look Back Through a Rose-Tinted Eyepatch



        

rall.

138

Pirates

 

good hon - est



pir - a - cy

pays

     

good hon - est

pir - a - cy







pir - a - cy





pays

                       

 

Good hon - est

pir - a - cy

Good hon - est

pir - a - cy

                    

Good hon - est

pir - a - cy

Good hon - est

pir - a - cy

   

 

 

           



   



   



   



  



   



   



Con Moto q. = 68

pays

pays

Peter Pan



    

pays

Pno



      

Slower

    141

Hook



                

 

Pirates



pays

    Hook       good hon - est pir - a - cy

Pno



pays

        good hon - est



127

     pays





   HOOK:        "Cheers!"                    ff                                            

     

       

        



No. 11a INDIANS TO PORT AND STARBOARD

128

(Instrumental) Music: GEORGE STILES

Tiger Lily

Piano

    



Pno

 





         



         

7

Pno



           

10

Pno



        mf      

4

Tiger Lily

Indian attack q. = c.156

      

f







yay

Hey

      

      

-

 ay

      

      

   

                                                    Indian Hand & Stick Drums

CECCO: "Tiger Lily and her Braves in sight! Enemy to port...



      

      

      



      

         

                                                         "and starboard!"

STARKEY: "Scarper!"

               ff                                                          

     

      

 

   

         

                              

  

                                

© 1995 - 2009 The Music Trunk Publishing Company



No. 11a - Indians To Port And Starboard

           

    

13

Pno



              

       

16

Pno

     

 



   

     

            

   

      

mf

 

             





Pno





Peter Pan

            

 



  

 

mp



 

        

         

         

       

"...saved her life and she was eager to repay the kindness. But while Peter Pan enjoyed fighting pirates, with the warrior princess battling at his side, it was Wendy's motherly duty to remain behind,..."

  

  



 

         

     

     

      

27

Pno

p

         

23

 

STORYTELLER: "Peter's adventure at Mermaid's Lagoon had turned Tiger Lily into his staunchest ally. He had..."

Tranquillo q = c.86

19

Pno

 

                                     

poco rall.

      

129

      

"...in the underground home, and tell the Lost Boys their bedtime story. It was a fairy-tale which satisfied Wendy's fantasy, rather than their own..." WENDY: "...The crystal slipper is a perfect fit. The happy pair are joined in matrimony that very afternoon:..."

 



 

        



 

  

    

    

 

 

 



 

No. 11a - Indians To Port And Starboard



"...the bride, entirely elegant in a white satin gown, with a broad pink sash, and lover's knots. 'Do you take this handsome prince?' the archbishop asks, his voice resounding through the palace chapel..."

   

33

Pno

  









 

 

  

 

 







   

"...thronged with regal guests. 'I do!' she whispers breathlessly. 'I do! I do, oh yes, yes, yes - I truly do!'"

rall al fine

  

38

Pno

130

   





   

 

 





  pp   SHORT DIALOGUE

Peter Pan

No. 12 JUST BEYOND THE STARS (Reprise)

131

(Wendy) CUE: MICHAEL: "A song about a place where prayers are answered...!" THE BOYS: "Yes, please!"

   Wendy    

Sweetly - a lullaby q. = c.74

Piano



p

Just

         p

    

  

be - yond

 



  

 



the

stars,

Be -yond

that

great

  

Hesitant at first



   Wendy          

Pno



black



vel - vet

cur

 





No - one knows for cer - tain what you'll

  

    

  

5

       

Music: GEORGE STILES Lyrics: ANTHONY DREWE





  

find







Just

  



  

in your

     

mind

Close your

                                       

 

  

 

 

 

mp

11

Pno

  

       



Jour - neys you can trav - el

     

be - yond the stars Are count -less

     Wendy                     mys - teries to un - rav - el

tain

Flowing now q. = 80

mp

           

  

-



  

 

© 1995 - 2009 The Music Trunk Publishing Company



  

  

No. 12 Just Beyond The Stars (Reprise)

17     Wendy  

mf



eyes

 

Pno



     

   

  

    

 

mp

   Wendy     



dreams

   

Pno



  Wendy       

Pno



Peter Pan

       

    

34

al -read - y been there

   





                      

  

   





Your



   

        

dreams nev er

end

           



      

    

There's a

piu mosso

28

 

   







  

    

place where prayers are ans -wered And your

 

Pno

   

mp

and pre - tend

   

   

      

   

tight

  

mf

22

 

and im - ag - ine Close them

   

   Wendy  

  

  

132

dreams nev - er end

  

      

May be it's on- ly a dream

No your

   

mf

  

        









    



    

  

  





 

May be we've

   

 

        



May be we'll

find

in the

                                           



mf









No. 12 Just Beyond The Stars (Reprise)

 Wendy          39



fut -ure that things are not all

44



good

   

      



  

 

At rais - ing boys

   

  

mf

  Wendy  

I on - ly

hope that I'll

  





p

     

Stars in the sky so bright

           p      

55



Drive aw- ay

be

   

a moth- er

    



should

  





 

ev -ery ev -



 il



      

Watch ov- er us to - night

          

you



may



find

  

 

      

  

  

    

mp

       

And in some oth - er sky

                                            

 

  

poco rit.

       

The way

 

 

mp

A tempo q. = 80

  Wendy         

Pno

But for now

     

                             

50

Pno

 

  



mf

   

Pno

that they seem



  

 Wendy    



mp

                               

    

Pno

   

133



          Peter Pan

61   Wendy   

Pno



No. 12 Just Beyond The Stars (Reprise)

Please keep a watch -ful eye

     

  Wendy   66



 

Pno

   

a tempo



76

   

mp





     

see

Peter Pan

I've a feel -ing I've grown up too fast

     

  





p

  

   

mp

If

  



 

 

  

               

           

       

       

I



 mp





them

 

     

Who will moth -er

    

But still I can't

      

            moth- er

   

p colla voce

       

 

All these child -ren have need of my love

       

    Wendy  

Pno

    

mp

        

   

mf

  



    

Just how long can this last?

   Wendy  

Pno

             

      







left be hind

mp

      

71

  

Ov- er those

      

  

   



 

     

134

me?



 





        

     

No. 12 Just Beyond The Stars (Reprise)

83   Wendy  





  



 

Pno



    

     will

moth - er

   p



Lento

87

Wendy



Who

     

Pno

p

pp





   



    

pp

rall.



me?





  

     





me?

 

    

  

      

      

 

      

      

Who will moth- er



135

 

       

Peter Pan

No. 12a SLEEPING CHILDREN

136

(Instumental)

CUE: STORYTELLER: "A thought to spare for sleeping chilren"

   Voice     

Piano



Same pulse q. = 160



       mf

Music: GEORGE STILES Lyrics: ANTHONY DREWE TIGER LILY







    

    

Hey

    

    

INDIAN HAND & STICK DRUMS

    

yay

-

  

                                            

  Voice     4

 



















ay

 Voice    

Pno





    



PETER

Hey

     

     

yay

     

-

 



ay

     

     

  

                                             © 1995 - 2009 The Music Trunk Publishing Company

No 12a, Sleeping Children

  Voice       Voice     7

Pno



    

 



 

     

     

    



PETER : Well fought, Tiger Lily. The Pirates are in full retreat......... ...................TIGER LILY : Then go. Sleep undisturbed. We shall stay here to guard you..











       

     





VAMP

     

 

                                          



10

Pno

 

137

Peter Pan

    

        



 

    

        





 

    

        



 

No. 12b TINK MOCK

138

(Instumental)

Piano



Music: GEORGE STILES Lyrics: ANTHONY DREWE



CUE: "PETER: "Those of a devoted son, Wendy"

    

  

    

mf





 36  

              SEGUE AS ONE No. 13

© 1995 - 2009 The Music Trunk Publishing Company

No. 13 ONE BIG ADVENTURE

139

(Wendy & Peter) Music: GEORGE STILES Lyrics: ANTHONY DREWE

CUE: PETER: "Those of a devoted son, Wendy." WENDY: "I thought as much."

   WENDY Wendy  

Agitato h = 114

mp

  Peter        Piano







Don't you

       mp



    

 Peter     





   

mp

   

Don't you



   Wendy 

  



  



 Peter   



 

 

But

  

you





can't

  



No,

nev - er

 

   



   















   

simile

 

 

 

   











   









  











stay

 a

   



all!



      

 

child





  

 















   

© 1995 - 2009 The Music Trunk Publishing Company





  





for - ev - er

   



want to grow up?

9

Pno.

PETER

Not at

      

 



3





want to grow up?



5



   



   Wendy 

Pno.

3







Why

not?

  

 

  







13    Wendy  

Pno.



        

No. 13 One Big Adventure

   For a start,









17    Wendy  



 

Pno.

     



There



    

21    Wendy  



 

Pno.



 

  Wendy  25

Pno.



Peter Pan

 



  



is

    

  

  I

  



you'll be -come too

tall.

   

   

noth - ing

   

to fear

in



    3

grow - ing

 

   



simile

 

3

     

so much to learn on



  

 

the



think I've

heard

e - nough

I'm

 

  













  

 

  







way.



  

   

  

 







That's

  





  













  









     

 

 

 

  3

  



 



  Peter     





         

And there's

 

    



140

  







go - ing

  





Wen - dy

 

 

 





 



29   3    Wendy 

colla voce

typ i - cal

          Pno.    

Peter



   Wendy  33

No. 13 One Big Adventure

   

run, Turn your

      









    

              





 

        





Not



      

Life is full of pleas -ures,

 

3

Can't you

see it

   

 

        3

a prob -lem on which to pour

 

 





as one big ad - ven - ture?



  3

You're

       

  



 



Andante doloroso h = 90

 





            





stay...



       



 



you to

       

It makes me fe - el sad to hear you car- ry on like this.

pleas - ures that you'll miss.

41

Pno.





   

              

rall.

  Wendy   

       



   

a tempo



Slower - quasi recit

      Wendy  

Pno.

back and have fun; Well I'm not going to beg



No!

37

  



   Peter     not?        Pno.    



        

3

3

141



  







   

scorn

 

 

  

  

An ad -

 

Peter Pan

No. 13 One Big Adventure

46     Wendy  

Pno.





ven -ture,

    

as

 

   

Pan Grows from boy

   

     

   Peter       Pno.    

mf







   

What's so



   Wendy  





Hair goes

Pno.



Peter Pan

 



 



    

   

great ab - out grow - ing

   

 

3

 

 









 

There are



some

 



 

bur - dens

  



 





 

we

  



 



  



  



   

  

  



 

  





sad...

 

must











der?

simile

grey and the eyes be - come

 





ol -

      

  

 

3

 

 

   



you were born



60

 

 

   



 



3





Which be - gan on the day



56



 

   

Agitato h = 114



to a man

 



52    Wendy 

  Peter        Pno. mf          

            

 





142

      

  

  

 





shoul - der...

  

 

 

 





64    Wendy  

Pno.



No. 13 One Big Adventure

But it's not

    







 

 



  

   Wendy 

 

f

 Peter   

Pno.





Pir - ates,

that

in - di - an

Won't the

  Peter   





braves and





   

 

  







bad



3

72







       f              



real - ly all



   Wendy 

Pno.



   

 

68



  

143

 

     

 





fair - ies...





 3  

f Fun comes in

diff - 'rent

         simile             

3

  

nov - el - ty



3

  

wear a

bit









  

thin?







guis - es

       

 3









Ev - 'ry day brings sur - pris - es

                                           

 



 

 

 



 

 

 



 



 



 

Peter Pan

76    Wendy 

  Peter   

Pno.

No. 13 One Big Adventure

 



You'll soon



get

bored



 

 

 

 

    

    

Peter Pan



A



 



 

 

 

 

 

 

Andante doloroso h = 94

mf



Can't you

   

see

mf

   

 

it

as

one

  

   



next can

 

 

 



  



 



ris - es!

 



 







mf



   

 

 

 Not



 

  



big ad - ven - ture?



still



be - gin

   

3

  

the

 

 



So

sun



 

   





 



3

  

 



var - ies...

  



 

    





Not while the

chap - ter must end

   Wendy 

Pno.

noth - ing





poco rit.

84

Peter







3       Wendy  



if



         

80

Pno.





144



 



list - 'ning...

   





88    Wendy 

No. 13 One Big Adventure

Not

  Peter        Pno.      



    Wendy  92

ven -ture,

 



a

      3









as

Pan





 







 



to a man

 



la

   

 

 

         





       

 

hear you...



 

 







 





             



you were born...







  'Cos I

           



 

poco rall.

                     



f I

 

did, I would- n't care

 





  

 

   





la

   



 

And if I

   

so there!



la

        



An ad -



Which be - gan on the day

la la la

 



 

        

     





 

 

  

 

  

up

 

Grows from boy

don't know what you mean,

      Peter     told you I won't grow          Pno.        102





Can't

98 Agitato h = 104       Peter   

Pno.



   





scorn





        



prob -lem on which to pour

        La la la            Pno.           

Peter

3

145





     







Peter Pan

  Wendy   

Broader h = 100

108

Peter

   



No. 13 One Big Adventure



f

Can't you

       

    worth



           

   Wendy   116



Pno.



Peter Pan

     

a

it



 

as one

 

f

   



  







as

Pan







grows from





Please un - der - stand

   

  

   



for all

  



  

  

scorn

 

will nev - er

 

 

boy

to

a



   



  

 





    

man





My place



An ad -

 

back down

    

 



come







  

I'm

 

     

  



fly







    



I

   



 

   

prob-lem on which to pour

to





 



in - tend

 

3





I

      3



big ad - ven - ture?

   

 







    

 



     earth



see

   

Not

ven - ture

Peter





112

Pno.

 



 

f

  Wendy    Peter





  

Pno.



146

  

  



to

 

Which be -



is

  Wendy   

No. 13 One Big Adventure

120

gan

Peter

Pno.

     here



     Land



     mf      

 

    

      f     







you





mf





Don't you

     







were



     

   



        

3

  









mf No,

     

         







 

I

will

stay

as a boy

     

    

        

    

 





        



  

Nev - er

 



want to grow up?

     

       

 





f



     





128



day



in

  Wendy  

Pno.



piu mosso e stringendo

born

Peter



the

    

124

Pno.

on

    

  Wendy    Peter





147







      

      

          









ev -

er?

nev

f

     



er

For

          

          



      



 

 



    

      

       

Peter Pan

   Wendy  

No. 13 One Big Adventure poco rit.

132

Peter

Pno.

    



    

   Wendy   136

can

Peter

ff

ff









makes

What

      can





get



get

one

Pno.

Peter Pan

     





   





Pet - er



No -one





clev- er?

Pet - er

Pan





  

 ff

 





  

 

   

 



















     







 

 

 



 

   



No -one







  

 

clev- er?

Presto h = 140

Pan

  

  

so



  

                  fp                          

  

     





ov - er

140





one

   

 

ff



you're so

    



   Wendy   Peter



you think that

ov - er

   

Pno.

  

       





you think that you're

What makes

    

Slower

  

               ff

148

  



 





   

 

No. 13a BEHIND THE WARDROBE

149

(Instrumental)



CUE: PETER: "I hope you all like your mothers...................Tinker Bell will lead the way."

                

Piano



   



6

Tom tom

Pno

mf

                  

4

Pno

Allegro q. = 140



     

  ff

     

        

                                      

"PETER: "Another skirmish - .........................or, possibly, the final battle......

  

mf

 

  

    

 



  

   

  



  

 

 

 

    

  



 

 

    

 

 

 

 

 

 

"PETER: "Whatever it was - it's over."



   



  

      

        

   

        

ff

    

      

   

                   

© 1995 - 2009 The Music Trunk Publishing Company

Piano



No.13b THE CLEVERNESS OF ME (Reprise)

     

                        mf cello

  

4

P.

Pno.





     

PETER

 

mf Ev - 'ry

                  both - er with a bed

Pno.



           

10

P.

  

Pno.



 

to track

There's

   

 

be killed?

And

  

  

 

   

     

  

to cap - ture

     

  

 mp        slower

I



 



 

© 1995 - 2009 The Music Trunk Publishing Company

Wild

   

    

in Blooms - bu - ry

Why

  

mer - maids still

  

   

be filled

      



  

  

mo - ment to



    

no such fun

      

         



           

     

  

ad - ven - ture Ev -'ry

         

    

 

 

- time With pi - rates to

  

            

a new

    

   

     an - i-mals

day

   

        

     

7

P.

     

Aggresive q = 195

150

  

bet that they'll be back





 



  mp

   



No.13b - The Cleverness Of Me - reprise 13

P.

Pno.

p

      What can be found



p

      win



  

Pno.

  

20

P.

 





But

 



dows

don't stay

o







 











-



pen







And





 

For

 



rall.









         





 

and re - gret?

 

                          

Peter Pan

 

sad - ness



  



                   

 





Lon - don



-







mo - thers

soon

   



  

 for -



HOOK: "Now that the sprats are safely netted, it's time to land the mackerel."



Darkly menacing

get

 

Pno.

in

      

17

P.

 



151

 p

  

     



  

Low bass synth pad

   

  

     

ALMOST DEAD SEGUE

No. 13c LAND THE MACKREL

152

(Instrumental)



Q HOOK: "Now that the sprats are safely netted, it is time to land the prize mackerel."

Piano

THE WOMAN: "Leaving the pirates guarding their captives, Hook and Smee stole down into the underground home...

                           p leggiero

flam effect between two hands

                              



4

Pno

q = c.102

Moderato mysterioso

         

       

     

     

          

             

...where Peter lay exhausted from his day's excitements."

         

     

© 1995 - 2009 The Music Trunk Publishing Company

        



  





  



No. 14 WHEN I KILL PETER PAN GOOD OLD CAPTAIN HOOK (Reprise)

153

(Hook & The Pirates) CUE: HOOK: "And look where their ham-fisted arrogance got them..."

   Hook    

Moderato mysterioso q = 110



(cont..) "Smee - this is Hook's way."



     

Piano

p

      

  

  

5



      

  

  



sfz

 

8



mp

SMEE: "Shh!"







            

sfz

mf





ag -ine what two spoon -fuls could des -troy,

 

        

   

 

     

To rid me of this

  

      

      

Two drops are suf - fic - ient So im -

    

    

   



                     

JOY!

             



     



 

boy,

  Hook       

HOOK

Two drops are suf- fic -ient!

   

Pno



 

  Hook     Pno

mp

 

sub mp

            



Joy!

    mf                                

© 1995 - 2009 The Music Trunk Publishing Company

mp

   

 

Tho' it is- n't good form to

                

No. 14 When I Kill Peter Pan - Good Old Captain Hook (Reprise)

  Hook     12

Pno





gloat,

Smee

15



   



   



Peter Pan

              











throat,

poi - son trick - les down his

For





Smee

   

 

 

 

 

 

 



















slower SMEE: "Shh!"

 



I

will

    

Gleeful h = 110

             mp

     



  

 

pp



kill

Pet

                  

             

SMEE: "Quickly Captain! He stirs!"



 

                      







can

molto

     Hook    Pan 20

per -haps I





          

  Hook     thrill

Pno

think that just this once

poco rit.

17

Pno

I

                     

  Hook      when the

Pno

           



154



ff



Oh

the

  

 -

er



  



  

SMEE: "Look lively, Captain - the dark deed's done."





       

       

  



 

 





  

          



 

24   mf  Hook    Who



    

Pno

mf

    

No. 14 When I Kill Peter Pan - Good Old Captain Hook (Reprise)

       

  



  

       Hook       will be fet -ed for his flair?

  

  

29

Pno

  



       

    

     



 



will be hall - owed in the halls

        



          

 



 





of

Et - on?

      





                

                        the e- pit - o -me of foul and ev- il deeds? In the un - der- world the 41

Pirates

Pno



           

  

 



           

           

child -ren

  



that he can't

  

be

        



 mf

 Who's

               sfz mf             

up - per -most

               

  

  

                   

35         Hook   beat - en? PIRATES               Pirates        of a riv - al is rare f The sur - vi -val

Pno

Who

          

Who shows

                       

                              f               

155

 





crook?

      

             

Peter Pan

Pirates

Pno

47      



No. 14 When I Kill Peter Pan - Good Old Captain Hook (Reprise)

                    

f

We're so proud to say we serve him Ev- en hell does not de - serve him Yes, it's good old

              

       Cap -tain 53

Pirates

Pno



     f



      

mf       Hook   If you      Pirates    cher - ish 59

         Pno          65     Hook      Pirates   

Pno



Peter Pan

    

    

    

       



156

    





   

    



    





 



   

    

                           

    

 



 

per - ish



mp



ty -rant whom we

    

 

Yes it's good old



 

Cap -tain

      

     

f



            

mp

 

Or you're

f

        

   Hook!

       

mf

   

   

push -ing up the



Best to show - er him with prais - es

               f

     

    





f

 





   

      

  

don't you're bound to



 

                           f

          

       

   



He's the

  

  

f

Hook!

      mf

 

 

  

     



   



   

mp

 

No. 14 When I Kill Peter Pan - Good Old Captain Hook (Reprise)

71       Hook   dais - ies      Pirates      Yes it's          

Pno



        

       77

Pirates



  

Pno



     

       



    

  

 



good

old

Cap

  

   

   

157



-



  

dim. poco a poco al fine

  

dim. poco a poco al fine

  

Hook!

tain

        f                                         REPEAT AND FADE AS NEEDED VOICES FIRST TIME ONLY

  

 

       

      

Hook!

 



  



   





Hook!

         p             

      

 

      

ALMOST DEAD SEGUE No. 14a

Peter Pan

No. 14a TINK AND THE POISON

158

(Instrumental)

Piano

Pno

Pno



PAN: "Who goes?"

     39                                              mp mf                        



Agitato q = c.110

 

  8          

 

  

         40

 

       



 

  



           



[TINK drinks the poison]

 



 3    3 3 3    3         © 1995 - 2009 The Music Trunk Publishing Company

   

              

"Poisoned? Who could have poisoned it? You mustn't look to find fault, Tink, with everything that has to do with Wendy."

 

 

"I'll rescue her!"

      

                  

12

Pno

PAN: "But first things first, Tink. I promised I would take her medicine."



 

                         

"Wendy and the Boys all captured?"

    5                                                           



 

PAN: "Tiger Lily and her braves defeated?"

   

  

40



 

piu mosso

41

        f

          

PAN: "Why Tinker Bell you've drunk all of Wendy's medicine - every drop!"

   

 



No. 14a Tink And The Poison



15

PAN: "Tink? Tinker Bell? What is it? Then it was poison - you did that for me? Her light is growing faint...



Pno

42

Andante q = c.80





 

       

       p

        p

                            



    

25

Pno

     



 

30

Pno

 

Peter Pan

pp

pp

43

       

   

      

                    

 

"Do you believe in fairies? Say quick that you believe! If you believe, clap your hands!"



 

                                       Allegro q = c.110

 



   

            



"Her voice has dropped so low that I can scarcely tell what she is saying. Try and speak up, Tink - I can hardly hear you? What's that?"

 

"She says - she says she thinks she could get well again if children believed in fairies!"

 

         

 

îthat she is dead."

  

and if it goes out altogether, that means

                       

20

Pno

159





TINK is saved 44

  

 



 f

  





 



                                           ff



    

            

    

 

No. 14a Tink And The Poison

Pno



                           33                                                            



PAN: "Oh thank you, thank you! And now to rescue Wendy! Ready Tinker Bell?"

     35                    

Pno

160

        

VAMP

                           f              poco rit.

    

  

     

 

  

DEAD SEGUE - #14B "ONE BIG ADVENTURE REPRISE"

Peter Pan

No. 14b ONE BIG ADVENTURE (Reprise)

161

(Peter)

DEAD SEGUE FROM #14A

  Peter     

Piano



Puposefully h = 92



f

                     f                   

6



When you hear my

3 3                             

  Peter      11

Pno

    





     

      

 

 

    

   

 





cock a -doo - dle

cry

  



    

 

   

Your pir - ate band

     



     

   In Nev er

  

    

     

       

© 1995 - 2009 The Music Trunk Publishing Company

 

   



place

  

  

 

    



die"

  

   

 



Hook it's "do or

 

   

     will have no

   

 

This time Cap - tain

With quaver pulse in rhythm section

  Peter     

Pno

 



  

        

     

No. 14b One Big Adventure (Reprise)

  Peter      Land 17

Pno

piu mosso e stringendo h = 126



      mf     



     

21



          

     





      ff     

Peter

Pno

     

    



Peter Pan

          

     

     

     

        

 I







am

youth,

  p





  



Nev - er

          

          







                    



  

      



Nev - er

  

      



                       



          

poco rit.

Slower h = c.80

           

     



25

28



In

                  f               





Land

   Peter     Land

Pno



In

  Peter    

Pno

162

 I

        

       

        





am

free

  

  



- dom,

 I

   

 am

No. 14b One Big Adventure (Reprise)

     truth... 31

Peter



Maestoso h = 94

  

Pno

    

ff

    



    

 



   

 



 

    

 

  

 



 



 



      

      

  

          



 

   



 

    

 

 

   



        3

3

     

   

      

       

  

        

                          

   

STORYTELLER: "One ghostly green light, flickering over Kidd's Creek close by the mouth of the pirate river,

      

mp ghostly

   

 

 

 

Largo q. = 40

47

Pno



                 

42

Pno

PETER flies slowly and majestically upwards with his sword held high, and accompanied by TINKER BELL

          



37

Pno



163



3   3                               

3

            

3

                       

Peter Pan



52

Pno



Peter Pan

164

 

 

"marked where the ship lay low in the water. Most of the crew were sleeping, fitfully, in the foc'sle. Hook prowled the deck, 3 3

                                     

57

Pno

No. 14b One Big Adventure (Reprise)

 

  

    

                                       

  

           

"consumed by nagging thoughts, while Smee, busy at his labours, kept one eye on his captain, and the other on his task... " 3

molto rall.

                                                                   3

3

3

FADE OUT UNDER BEGINNING OF SCENE

No. 15 A PIRATE WITH A CONSCIENCE

165

(Hook & Smee) CUE: HOOK: "That is the burden these broad shoulders were shaped to carry."

Hook

     



Allegretto q = 180 (cont.) "I'm far too considerate by half..."





Piano

mp

   Smee     Hook        con - science 7

Pno



   

   

  Smee     Hook      prin 13

Pno



 



     



 



SMEE



Freely q = 150



mp

  



        

        

HOOK

 

It's

a

       

curse

  

 

pir - ate with a

      

  

        

 

to be a





Noth - ing worse;

I feel so sor - ry for you boss















My

           

  

 

  

  

Faster q = 160





   

 

 



      





  







Tho' that

   

- ci - pals

are





lof - ty

  





                    



Un -der -neath

                                  

    

I'm just

a



soft - y

            

© 1995 - 2009 The Music Trunk Publishing Company



No. 15 Pirate With A Conscience

165

          Smee            is - n't quite the way you come a - cross HOOK: "What?" SMEE: "Nothing..."                              Pno                       18





     Smee                 It's a curse to be a pir - ate with char - is - ma       Hook           I'm a per - son who just                        24

Pno



   



   

   

      Hook     goes ag -ainst the        Pno       30







Peter Pan

  

norm



    

  Hook          if they real - ly            Pno              35





 knew

   

 

me



   

I know child - ren al - ways

 

 



I am sure

                

'boo'

  

 



they'd

   find

me



me

 

And yet

                

                     

      



   

   

rall.

  

   

sen - sit - ive

 



and

     

No. 15 Pirate With A Conscience

  Smee      Hook        warm 39

Pno



A Tempo q = 170



           

  Smee     car  Hook    

SMEE: "No question..."



Pno

                     





  Smee     you  Hook    

Ev



Pno



         

-









a

  

                      

nurse

would

do

so







  

 

     

 

pir - ate



  





who is

                 



  

   

well

to

learn

from

       

        



        



oo

Have

          

to be



          

47

curse

 



- 'ry

 





              

-

     





- ing



    

It's a

43

         



167

         

you

 

 not

   

- iced

    

my

   



pre - cis

      

-



ion

     





When I'm



      Peter Pan

No. 15 Pirate With A Conscience

  Hook      mak 51

Pno



54



 





   

ing

           

  Smee       Hook     blood

Pno

-



an

 

know you





   



59

Peter Pan



-

    



f



ion?



I





  





so



hate

do







  

the

      

of

   





 

Ouch!







                                                









mf





It's







sight



 

 







a



Sor - ry

           

Pno

in - cis

 

I

  Smee     Hook    





     

      





168

mp

        

    

         

         



         

 

 



No. 15 Pirate With A Conscience

  Smee     curse  Hook     63

Pno

    

to



pir



71



good





breed - ing



          

    

to

find

these

     

    - tur - ing

 

  







some

        

 





  





fell - ow

    

com -

may

f

rant

I'm

             

   

and

rave

and



   

       







When

 

     

I



bined

     

 

 



-

        

       



at - trib - utes

    

per

          

     



          f



It's

        

  Hook      tor

with





        mf           

   



- ate



67

Pno

a

    

  Smee     Hook      verse Pno

be



169









bell - ow

But

I'd







        

    

     

      

      Peter Pan

No. 15 Pirate With A Conscience

  Hook      75

Pno



      

  

like

to think my man -ners are re

                  

  Hook         in - stance with

      

Pno







these

        

mf

lost

   

 

        

  Hook         send them off to die





          

     

          

   

 



  

Pno

        

  Hook      not 87



  

Pno

Peter Pan



- ice

 

  

that I

   

        

     

  

        

   

 

 I

        

  

     

 









                             

   

 

  

As

     



                   



boys

 



For

83

        

mf

fined

           

79

    

-



170



You'll

     

smile

 

    

 









And

take

the

                                              

       

       

 

f

     

       

 

No. 15 Pirate With A Conscience

   Smee     Hook         time to say 91



  

Pno

mf





        

   

95



 

   

        

lov - ely

smile

     f

 

  



It warms the

Pno



- ney

to

the

                   

  Smee       103

Pno



   

af

-

ter - life

cock - les







has

such

f

rall.

 

f



                 



 

   

of

my

                  

  



             mf



                 

  



                   





mp

And



     

99

  





     

                   

  Smee      jour



'Good - bye'

        

   Smee       what a

Pno



171



heart

  



To think their

 



 

cheer - ful

start





 





 





 

                  

a

       

mp

     

  

         

           





HOOK: "Cheerful? (a hollow laugh) Suddenly I am sad, Smee."

 

 

  

p



 Peter Pan

No. 15 Pirate With A Conscience

  Smee     108



Andante q = 110

 

Pno

  Smee    





      

 

Pno



   

         

  Smee          curse to be a pir   Hook     Pno



    

    mf         

Peter Pan









  





 

- ate



   

  



     









 I



wrong

 



 

          

mp

 

 

The

      

                



 

im



   

- merse my - self

                    

SMEE

It's a

 mf



  

    



who is thought - ful

  

mf



     



 

             

  

   

                

                      

rit.

      

129



  

  



A tempo q = c.170

      Hook     what is right and Pno



        



  





     

124



HOOK: "Oh fame, fame, thou glittering bauble, why when I have your comfort for my mantle, do I seem to suffer lonliness the most...?"

116

 

SMEE What sort of a sadness is it, Captain? HOOK The kind that compels me to make my dying speech. Lest, when dying, there may not be time for it. Better, perhaps, for Hook to have had less ambition!



     

172

 

     

      

    



Et - on ed - uc - at - ed

        

in

    

 

Are so



                     

mp

No. 15 Pirate With A Conscience

    Smee      But in  Hook           oft - en ov - er - rat - ed                   mf

134

Pno



     

140

Pno



        



  

the



   





mf



  

            

             





gong...

Win the





Win

 





f



HOOK: "Why thank you."

  

It's a

        

  

                f



146









f

your case you de -serve to win the gong...

ff



   Smee     Hook           curse to be a pir

Pno

           

                         

   Smee    gong...   Hook    

173

             f            

 

 

                        





                       



ff

                   





One

 - ate

 

 

 





 

       

 



last



   

verse

and then our





of my stand - ing

 

 

           

         

 

        

       

       

 

 

 

             

   

Peter Pan

No. 15 Pirate With A Conscience

      Smee    dead - ly deeds must   Hook     151

Pno



          

156



   

   

161



 

 

Peter Pan

 

 

            







        



 

is





  

 





 

  

A fin -

         

         

 



     

'Cos it's mur - der for



rel - ish

 

         

 



   

hell - ish

would

           

HOOK: "You'd be oh so wrong..."

                 





  



                      





that



Though you may think I

     e



                  

  Smee      Hook        heart

Pno





-



start

                

  Smee     Hook      al

Pno

 





174

a









pir - ate

     

  

with a







 



              

Yes it's

mur - der for

a

pir - ate with a

Yes it's

mur - der for

a

pir - ate with a

            

                   

                     



 



 







 

 

No. 15 Pirate With A Conscience

  Smee      Hook      165

Pno



 

heart

   



    



ff



 

Yes it's

Heart!





p

       

173

 Hook      mur

    -

-

der



mf

  pir



for a

pir - ate



with a

          

      





ff

Yes it's



 

Yes it's

-

ate

 -

ate

A

pir

   A

ff



pir

      

    -

ate

with

a

    -

  

ate

with

a

      

                 





 

      

      

  

                            

mur - der

          

       

    a

p   mf             





       

pir

for



ff

a

der

for



                     

Presto q = 200

             



 



                        

  Smee     mur

Pno



                  

169

Pno



heart

  Smee     Hook



175

 f 









heart!

 heart!

           

  Peter Pan

No. 16 NEVER LAND (Reprise)

176

(The Lost Boys) CUE: HOOK: "Pan's dead - and you may have my hook on it."

Insistently q = 96

Lost Boys

  (One BOY begins to stamp on the deck - a slow beat) mf       



SOLO BOY

   

Piano



He'll



mp

           

         

       Boys      

          

nev- er die

Pno



Nev- er die



 

Pno



      

   Boys      deav - our





    









   

2nd BOY



3rd BOY



    

can

try



ev - 'ry fiend - ish en -



   

mf

          

     



   



HOOK: "Stop! Stop I say, this instant!"

 

But we know that he'll win in

            

 

You

    

         









   

Pet - er Pan is our friend

  

8

Pet- er Pan lives for - ev - er

Cue in case needed for pitch

5





   





ALL BOYS



the end

       

© 1995 - 2009 The Music Trunk Publishing Company



He'll

   

f

   

  

  

  

No. 16 Never Land (Reprise)

        Boys       12

Pno



nev - er die

   f           

    15

Boys

Pno



19



 

 



ff

  

Nev - er



 

 

 

                            

         

accel. poco a poco al fine

You can do

 

 

 

You'll be walk - ing the

him no ill

 

  



die!

Nev - er

 die,

  

  





 

      

We know Pet - er - Pan

  

Nev - er

 

 

   will

          



  



die!

Nev - er

  

                                                                  

    



die,

    

Pno

   

   

23

Boys

 



Nev - er die

                                                  

  Boys    

Pno

Pet - er Pan will be watch - ing



   

        



  

WENDY: "He's alive you devil! You shall see."

plank

177

Peter Pan

ff



  

Nev - er

HOOK: "Stop!" WENDY: "He'll set the crocodile on you!"

 die...

 



 

                                 

       

  











sfz

 

No. 16a THE DEATHS

178

(Instumental) CUE: STORYTELLER: "Noodler was speedily despatched---" (A scream...)

Dictated SLIGHTLY: "One!"

Piano

     p



Grand casa BD (Whoomp!)

(A scream...)





"Two!"



(A scream...)





"Three!"



(A scream...)





"Four!"



VERY SHORT DIALOGUE

© 1995 - 2009 The Music Trunk Publishing Company

No. 16b THE DOODLE-DOO

179

(Instrumental) Q: HOOK: "...if the Doodle-Doo kills them, what of it? We are none the worse." They manhandle the BOYS into the cabin - then, afraid at what their eyes might see, HOOK and the PIRATES turn their back on the cabin and again cover their faces with their hands. Relieved, by PETER, of their shackles, and armed with such



Andante q = 100

 

Piano

 



5



Pno

 

fp











p







mp

               

       

weapons as they have managed to lay hold of, the BOYS tiptoe up on deck and take up hiding-places. PETER releases WENDY indicating that she too hide. Taking her cloak, he folds it around himself and takes her place at the mast, then: PETER: "Cock-a-doodle-doo!"





       





rall.



mf



  

fp

                                                

© 1995 - 2009 The Music Trunk Publishing Company

No. 17 THE FIGHT (Instrumental, Peter)

CUE: WENDY: "There is one!" MULLINS: "Then who is this one?"

Piano



PETER: "Peter Pan!"

Allegro h = 90

       



5



Pno

f



SKYLIGHTS: "You swore that Pan was dead - you laid your Hook on it."

 

 

mp ghostly

  





 





 

mp strange and distant

                   

   

  

  





HOOK: "Kill him!"

SMEE: "The ship's a floating coffin and seaman's corpses are its' cargo!"

    

  

   

  

                    simile

   

  

 

[The LOST BOYS set to work on the PIRATES]

Steady and tight q = 96





Lost-Boys Ethnic percussion

                mf                                                      



12

Pno



   

9

Pno

   

180

                                           

              

                  

f percussion continues...

© 1995 - 2009 The Music Trunk Publishing Company

          



                  



No. 17 The Fight

Pno

                    



           

                                       

                  



  



p





q = c.96

               mp percussion continues...

 



                              

[Suddenly, the BOYS are circling HOOK...]

                



    f     

30

Pno

  



                                                 sfz mp mp sfz                       poco più mosso

27

Pno

      

                           

24

Pno

                 

   

"You'll do yourself an injury!" MICH: "I've just killed a pirate!" W'DY: "How dreadful!" MICH: "It was grand, Wendy! I enjoyed it!"

21

Pno

                  

WENDY: "Michael! Be careful with that cutlass!

18

Pno

                

           

                

15

181

Peter Pan



        mf   

HOOK: "Back! Back I say, you mewling milksops!"

HOOK: "This is Hook boys, how do you like him?"

             

       

     

       

   

   

HOOK: "So, Pan - it is thee and me at last." PETER: "Put up your swords, PETER PAN: "Aye, Captain Hook - the two of us. As it ever was and always would be." this man is mine." HOOK: "Then die, boy!"

                                                     

  





   





No. 17 The Fight The sword fight continues, musically, across the decks.

 

33

Pno

   



Allegro furioso h = 86





             

f flam-effect between two hands

                                   

                                

    



 

f

                      

36

Pno

182





                         

                                                 

39

Pno

   



 



  

                       

42

Pno

f



   

    

 

 

   

   

           [Suddenly, HOOK is tangled in the rigging...]

   

           

                                        

   



  

   Peter Pan

No. 17 The Fight

   47

Peter

HOOK: "This is no boy! This is some fiend I face. In heaven's name, Pan, who and what art thou? Tell me."







 



54

  

Pno

  





I am

    

Pno



  

ghostly thin

p

 



         youth,

I am

  



pp

   

Allegro diabolo q = 160

free -dom, I am

 

ethereal

  

 

PAN: "And, in truth, Hook, I am everything that you are lacking."

Slowly, simply q = 100



pp

183

 

truth...

HOOK: "To sword!"

 

 

 



 



 



Again they fight.

                                   

ff the Hook Organ is in here somewhere...

  

   

 







                                                  

57

Pno

  







 





   

     



                                             

60

Pno

      







63

Pno

Peter Pan

               



 





 





                         





   

             

   





                        rall.

No. 17 The Fight



HOOK: "I am lost, Pan. You have won. Hook is disarmed

            rall.

68

Pno

    



fp

                  

q = 120   Lento            

  

Tick

  

ff

But even in defeat, Jas Hook decides his own destiny."

    Tick

Tock

 

    Tick

 

Tock

    Tick

 

Tock

    Tick

Tock

  HOOK: "Floreat Etona." [A blood-curdling death-yell]

Hook ascends stairs of ship

74

Pno

      

184

  

              

                                     

        

       ATTACCA No.18

Peter Pan

No. 18 JUST HOME (JUST BEYOND 2nd Reprise)

185

(Orchestra and Storyteller)



CUE - SEGUE AS ONE FROM No 17

Piano

Triumphant h = 80

   

 

    Fanfare f       





             ff    

   

5

Pno

9

Clock

Pno



Pno



tick













tick

tock

          

 





 

            





tick



3

3

     

tick

  

                 



  



tock



tick



  



tock



 



tick



 

 



 

Timps





tock

  

 







  

 

 

     

tock





3 3

                  ff          

13

Clock

 



     3

 

Con moto q = 170

    

 

 

 

 

 







  

  





 tick





tock

  

    

tock

           

    

     





tick



      

tock

           

      

    

    

          

   







 



 

 



 

 

© 1995 - 2009 The Music Trunk Publishing Company

 



   

No. 18 Just Home 17

Clock

Pno



 

Pno

tick



 



 tick









tock

tick



 



 





 



 



    

      

 





tock

fff



 









  

  

  



 



tock

 

Slower q = 140

STORYTELLER





più mosso q = 150

  



tick







   



       



 





3

                                        mf                     

25

3

  

mf May be we‘ve

 



3







3

  

                                               mp leggiero                            al - read - y been

  Story     Teller  29

Pno



tock

  Story   Teller 

Pno



                                 

21

Story Teller



186 rit.



Peter Pan

find

there

May - be we‘re

3

   

in the fut - ure It‘s

                                       

meant to know

not

     3

some-where we

all

  

have to

go

May - be we‘ll



 

But it's

                                    



No. 18 Just Home

   Story   Teller   33

Pno



   

  



     

      





       

no - one



what



   

    

  

mf



  

p

    

   45



 

Pno





Andante q. = 60

   

Mrs Darl

be - yond

         

41

Pno

 









     



 

mp



stars



Per - haps that‘s

for sure

mp

        

     

rit.





  

                  

  

  

is

for

mp

    

 





   

 



 

   



    

"and watched and waited, as she had watched and waited, day after day, ever since her children had gone…"

     

  



 

STORYTELLER: "Meanwhile, back home in Bloomsbury, Mrs Darling stood at the open window



  

the

knows



p

that



to think

37

Story Teller



  

                                                               nice

     Story  Teller 

Pno

 

187

   

     



    

  

  

    

    

   



  

  



MRS DARLING

mp

      

Close your



Peter Pan

  Mrs  Darl  51

Pno



eyes

       and im - ag - ine

57



p Close

 

Peter Pan

 

    

Close them

them





tight



tight

and

   

     







and pre - tend

    





188

   

 

  

      p     

  Mrs  Darl 

Pno

No. 18 Just Home

poco più mosso q. = 66

   



  

pre - tend...



  



     



   



    

    

    

No. 18a MRS. DARLING AT THE PIANO

189

(Instrumental)



CUE: MRS. DARLING: "The nursery window must stay open - Always and forever. Until..." [PLAY AS NEEDED TO FIT TO DIALOGUE]

Andante doloroso q. = 70

 

Piano

 









  

  

     

    

p

                               simile   

MICHAEL: "I think I have been here before?" JOHN: "This is where you live, you ass. Don't you know home?" WENDY: "Look - there's your bed, Michael"

6



Pno







     



  

     



Pno





15



Pno

  

                                

JOHN: "I say - the kennel!" MICHAEL: "There's a man asleep inside it."

11





  

 

     

WENDY: "It's father."

        



   





     

JOHN: "Who's that lady?"



    



Hide."

        

                      © 1995 - 2009 The Music Trunk Publishing Company

  

     

WENDY: "Hush that's mother.

     

      



 

No. 18a Mrs. Darling At The Piano



    

MRS DARLING: "George? George, dear! Time for your evening exercise!"

 

19

Pno

mp

   



   





          

 

   

 



MRS DARLING: "Liza's in the kitchen. She'll let you out into the yard. Or would you rather I came with you?"

       



     

     

 

23

Pno

 

190



    



          

 

     

  



 

  





MR DARLING: "There are some things in life, Mary, that a fellow needs to do alone. Taking his backyard exercise comes high up on that list of priorities."

27



Pno



 

     



     

     



    

     

      

     



  

      rall.



      

      



       

        



  

  



   



    



 





molto rall.

  

  

There is a sound from behind one of the beds. MRS DARLING hears it, but does not dare to turn and look.

35

Peter Pan

     

    







 

MR DARLING exits

31

Pno

  

p



Pno



No. 18b REUNION

191

(Instrumental)



CUE: MRS. DARLING "Who's there?" "I hear those children in this room so often, in my dreams, that I still seem to sense their presence when I'm not asleep." WENDY: "Mother!"

       

Piano

  

Lento q. = 40

  

     p     

pp



  



MRS D: "That is Wendy." JOHN: "Mother!"



 

  

MRS D: "And now Michael. When they call, I stretch out my arms to them, but they never come. They are never there..."

MRS D: "That is John." MICHAEL: "Mother!"

         

             

 





STORYTELLER: "This time, however, they were there. Mrs Darling hugged her children all at once, then each in turn. And each in turn, then all at once, they hugger her back."



            

                                  mf                                

Con moto q. = c.80

    

5

Pno

Pno

 



 

 

 10              



    

"Hide again, dears, and we'll surprise your father."

MR D: "Just look at what the wind has blown in our direction, Mary!"

                           mp                          

 

MR D: "These seven charming boys...These six charming boys came settling down, out of the skies into our very own backyard!...

     

15

Pno

        

mp

    





   

  



 







© 1995 - 2009 The Music Trunk Publishing Company

 



    

No. 18b Reunion

Pno



Pno



MRS DARLING ushers WENDY, JOHN and MICHAEL into view. ...Perhaps they will suffice until..."

     

19

    

 

23



 

 

 

MR. DARLING: "Bless my boots and braces, those are our three! Now we do have a houseful! We couldn't possibly keep all of you."

   

   

    

  

          poco più mosso

 

 

        f

MRS. DARLING: "Oh yes we can, George. And we shall. It will mean no more than a few extra beds in the drawing room."

  

rit.

                        



192

meno mosso q. = 70

              

 

p

       1.

 

 

 

"We shall put screen around them when we have visitors." MR. DARLING: "You are right, my love, as always. Although, I must say, you don't do things by halves."

  2.                                    

30

Pno

    



MRS DARLING: "But first things first, and most important, these children must be fed."

             

36

Pno

Peter Pan

 

 

    

 

     

 

 

 

STORYTELLER: "With Mrs. Darling leading the way, Liza bringing up the rear,...

                               Bright March

q = c.160

mf

   

     



         

No. 18b Reunion



          

193

                  

"...and Mr. Darling skipping somewhere in the middle of the party, they set off towards the dining room. Wendy stayed behind, for a reason she herself "

41

    

Pno

Pno

    



  



   

      

        

  



   

    

      

"was not quite sure of, but one which was to become instantly clear." [PETER arrives once again at the window...] PETER: "Hello, Wendy."

Magical once more q = 100                    mp    45                                     p                             

Peter Pan

No.18c PETER'S EXIT PETER: "One night, you'll hear me crowing"

Piano



mp

194

[PETER disappears through the window...]

      

        

         

              p

© 1995 - 2009 The Music Trunk Publishing Company

No. 19 THERE'S ALWAYS TOMORROW

195

(Peter & Company) Music - GEORGE STILES Lyrics - ANTHONY DREWE

CUE: STORYTELLER "Boy, why are you crying? What's your name?" PETER: "Peter. Peter Pan."

  Peter   

Andante q = c.96





   

Piano



PETER

p

Why

       

   Peter   8



toys?

 can't







          

5

Pno





        

    

  



 

  



we stay as

                  

     

   

 

 

 



   



Our par -ents don't have the ad - ven -tures



       

    

Why must we put a - way

      

  

  

  

lit - tle child ren

   







      

p

    Peter  

Pno





  

    

© 1995 - 2009 The Music Trunk Publishing Company

 

   

   that we

our

   

do

     

as girls and

No. 19 There's Always Tomorrow

   Peter   12

Pno



poco più mosso



 

boys

  

  



 



      



     Peter   18



 

grow up

   

   



But I'm

22



hur - ry

grown - ups



  

 

and wor - ry

 

  

so - lemn

        They say

 

 

   

in an

    

     -

y

hur ry

            mf                     

   

so

 

All the while

I

 

        

mp

 

No I'm

rit.

      





  

         

Really warm

not

 



look

    

 





al - ways

 

     





 



 

    

Peter Pan





     Peter  

Pno





 

I know that grown - ups have to work

    

Pno



      

15

Pno



Those

     Peter  

196

can

not



     

one day I'll have to

       

 

in an

           say

         



-

   

y

   

 

There's



No. 19 There's Always Tomorrow

      25

Peter

Pno



Steady q = c.90

al - ways

     to - mor - row

        p

  Peter          29

Pno



Pno

     



      



'soon'

     



Or in a blue

                     

moon

 

 

   

   

 

poco accel.

    

'some- day' or 'some year'

There's

     





  



wait

 

for

    

that

 

 

  

mo - ment

   

  

 

So

full

 

   

I'll

 

    



 

      

poco più mosso q = 104

of

 

per -

 

 



                             mf

     Peter   36

Pno

 

   

   

33

Peter



  

     

or 'some- time'

    

   

There's pro - bab- ly

                  

  

'may - be'



197



   

hap - ses

     



As each

    

       

  

day

 

mp

e - lap - ses

 

     

  

  

There's



     

poco rit.

 al -



ways



to -

     

p

  Peter Pan

No. 19 There's Always Tomorrow

      40

Peter

Pno



STORYTELLER "Try to remember me sometimes, Peter. I never forgot you. Not once."

Con moto q = c.100

mor - row

     







          mf

                               

Co.



Purposefully q = 110

Why should I

  



    

Pno

e - ver give up

p

      mf

    



 

       

47





  

        

        Who says I have to be

  



  

  

   

mp There's some- thing in the

    



man?

    



  

Some - thing in the

 





     That may be

   

to night



       

 

Pno

 

Peter Pan

 

 

 

  



     

      



  

but it's



  

 

for oth- er child - ren

breeze

 

 

 

 



   





fine

  

                                          



  

air

a

                                          

   Peter  Co.



fly- ing



PETER: "Goodnight. Wendy!"



             Peter   mf 44

198



  

 



     

 



No. 19 There's Always Tomorrow

    50

Peter



not

for

 

               

  Peter  

Pe - ter

Co.



   

  

  



me

Pno

 

   

   Peter  56

Co.



   

f

as

long

mf

 

  

 

  



f

  









Whist - ling round the chim

-

  



ney

stacks

f

   

  



A - way in

Ne - ver - land

  

   







like

gold





  

 

 

Rust - ling through the

   



 you'll

 



 





   





find

me -

 

 



   

trees

 

to









    



                       

         

   



there are stars

      

        





as

 



                   

Pno



And while the sun still shines



 

  

               



                      



Pan

53

guide







Pno

   

199

 









And

I





 







  

Peter Pan

No. 19 There's Always Tomorrow

   Peter 

  

58

won't

be

rit.





grow - ing



There's



 Co.   

 

 



 

 

Pno



             

   

 

  Peter     61



al - ways

Pno

      mp Ah



Peter Pan

     mf

   

  



















 

 

 

 

 

Ah f

Ah

        

    



        









 

 

 

  

 

  



 

There's



mp Ah

Co.



to - mor - row

 

Co.

f

 

 

 



With Conviction q = c.94

     

old

 

Co.

200

     

pro - bab - ly

 









     

      

   

   

   

No. 19 There's Always Tomorrow

   Peter 

   

64

soon

Co.

Co.

Pno

      



There's

Pno

'may - be'



    

or 'some -time'

'Some- day'











 







 

 

   

 

  

 

Ah

Ah

      

            

     



    



67

Co.

  



   Peter  Co.

 

201

    

in a blue

    





  

         

mp

   

   



poco più mosso

I'll wait for

year'



 











p

Oo

  

Oo

     

mp

  

  



   

   

 

 

 







     

 

that mo - ment



p

  

   

    

moon



 

or 'some



          or















  So

Oo

Oo

 

                    Peter Pan

No. 19 There's Always Tomorrow

     Peter 



71

full of

Co.

Pno





   







Oo





 

ways

to- mor

     

 

Peter Pan

 

ri -

ses

there's al







f







f

     

     

  

 

   

row

f

    

  

As

 

 

 

 

poco rit.



     

     

 

  



dawn

 





 

 

 

 

      

Ah

Ah

 

75

Pno

As each new



Oo

     Peter 

Co.





  

  

                                

Co.

f

sur - pris - es

  

Co.

 

202

 

    

Allargando q = 96



each



   new



dawn





ris - es,



 

Ah









Ah

      

       

  

   

 

       

  



  

There's

 

 





  

          

   

No. 19 There's Always Tomorrow

   

poco rit.

79

Peter

al -

Co.

Co.

Pno

 

Co.

  

    

 





ways

    



   

poco rit.

  

ff Ah

   Co.    Ah





ff

  

  

Con moto q = 112



to - mor - ow

 















  



 

ff

   

          

 

   

 

        



poco meno mosso q = 96





Ah

 

 

 



 

    

    



ff

           

Pno



    fp              

83

Peter

PETER: "Come on, Tink. second to the right and straight on until morning!"

203

            

            

 



 

   

                        

                  

fff

Peter Pan

No. 20 BOWS

204

(Instrumental/Company)



Bright March q = 180

  

Piano

f

   



5

Pno



 

  

DARLING FAMILY

    

    



      

 





  



q = q.

      



   



    

            



   

                              

   

      3

TIGER LILY

q. = q                                                 ff                                 LOST BOYS

16

© 1995 - 2009 The Music Trunk Publishing Company



3

      

                             

                                                   INDIAN HAND & STICK DRUMS f                                  

13

Pno

 

                                    



    

Pno



mf FIFE/DRUM

     









9

Pno

 

        

                               

                                  

No. 20 Bows

205



                                                                                  rit. h = 120 PIRATES 24                                            f

                             

20

Pno

Pno



mf

      







 

  

  

  

 

                                                            

29

Pno



35

Pno



 



   



 

        





Peter Pan

 q. = 90

 



          f              

41

Pno

 

 

 

 

 

38

Pno



 





 

        

 



  

     

 

 

 



   

                 

MRS DARLING

 

             

   

     

   

SMEE

 

 

        

 

      

  



      

       

STORY-TELLER

     

 

        f                            

                    

             



No. 20 Bows

   

47

Pno

    

 





   

 

206

WENDY

 

  

    

    

 

     

    

        

  

  

                                       



  

52

Pno

      

  

 

        

q = 150

 

HOOK                             ff                        

               

                                                      

               

   



60

Pno

 

 

57

Pno



rit.

                                                 

      

        



     

ALL 3 DARLING WOMEN!





   



  

  



 

                                  

63

Pno

     









 







 Peter Pan



No. 20 Bows

65

Pno

Pno

    

 

f

   



   

   

 

 

 

 

            

    

     

    68                                                               rit.

     

PETER

 

 



Grandly q = 120

ff

 

    

   

                                 

   Co.   74



       

Pno

  

 

 

   

 

        

          

    

 

 



FULL COMPANY





poco rit.

ff

  



                                     

        

207Peter Pan

     

   

  

 

    

71

Pno

207

    

Nev - er land That's the sec - ret of

    

 

 

   

  

              

 

No. 20 Bows

    78

Co.



   

Pno

  

fly ing

   

     Co.  



    

84



     

 

 

3

  



   

   

 

3

-

-

  

-

-

 skies

 

 

3

 

are





home



3

 

 

3



3

  



Nev - er

   

3

 





       

 

     

  

poco accel.

       

land

No -one

      

3

er

   

go

 

your





- ther to

    

    



  

 

       

 nev

 

  

 

Not much fur

MEN upper WOMEN -lower

 

    



Nev er land

where you roam When the

    

   Co.  

Pno

cares

3

  

    

     

81

Pno





208

     

   

3



3

  

Peter Pan

No. 20 Bows 86    Co.  

Pno







     

                  

89       Co.      

Pno

    



     

3

     

Pno



Peter Pan

     

 

  

 

 

   

 

 

  

land

                     

 

  

 

fff

  

  

 

  

                 

             

fff

3

 



  

  

3   

  



     

      Co.   93

3



Nev - er

   

land

 

     

Nev er land

  

Più mosso

Nev - er

  

209



 3    3

 

 



      

   