People v Aparici

February 4, 2018 | Author: Aldrin Tang | Category: N/A
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Criminal Law 2...

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PEOPLE v. APARICI Facts: On February 3, 1953 Detectives Nibungco and Jose accompanied by photographers Fajardo and Domingo of the Manila Chronicle, went to Azcarraga Theatre, in order to observe what was being exhibited by the accused Virginia Aparici there. She was in a dimly lit stage “dancing with her hips swaying” with nothing on except nylon patches over her breasts and a “too abbreviated pair of nylon panties to interrupt her stark nakedness” and around her waist was a “furry white girdle with a middle piece punctuating attention on the thing she was supposed to hide”. There were more than 100 customers and all of them were men. Most of them have

been

howling

and

shouting

in

tagalog:

“sigue

muna,

sigue

nakakalibog”. Detectives Nibungco and Jose stopped the show and asked the accused to put on her dress and to surrender to them her brassiere and panties. In her defence, she claimed that her performance (hula hula dance) was her portrayal of the life of a widow whose guerrilla husband was killed by the Japanese; depicting the different emotions of the widow such as sadness, anger and happiness. She was prosecuted for violation of Article 201 of the Revised Penal Code which penalizes: “3. Those who in theatres, fairs, cinematographs or any other place open to public view, shall exhibit indecent or immoral plays, scenes, acts and shows.” Issue: WON accused-appelant’s dancing was indecent or immoral in violation of article 201 of the RPC? Ruling: The court ruled that the accused had exhibited indecent and immoral acts. The gauge whether her dancing was immoral or indecent was the reaction of the public. Evidently, the spectators had given their

unequivocal verdict when they were howling and shouting: “Sigue muna, sigue, nakakalibog”. Counsel for defense also advances the argument that the reaction of the low class and uncultured audience is an unreliable gauge in determining the objective indecency and decency of a performance. The court clarified that the test whether a particular act is obscene is its tendency “to deprave or corrupt those whose minds are open to such influences”, be they cultured or not.

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