Pantera - Guitar Anthology Series - Authentic Guitar Tab Edition

PANTERA ANTHOLOGY GUITAR TABLATURE EDITION

13 STEPS TO NOWHERE

5

BECOMING

10

DRAG THE WATERS

15

COWBOYS FROM HELL

26

HERESY

36

THE GREAT SOUTHERN TRENDKILL

46

I'M BROKEN

53

I CAN'T HIDE

62

SHEDDING SKIN

70

MOUTH FOR WAR

80

STRENGTH BEYOND STRENGTH

89

SUICIDE NOTE PT. I

96

SUICIDE NOTE PT. II

100

THIS LOVE

108

THE UNDERGROUND IN AMERICA

117

WALK

128

WAR NERVE

136

WHERE YOU COME FROM

143

5

13 STEPS TO NOWHERE Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN ...All gtrs. tuned down approx. 1~ steps:

@=CI@=E @=FI ~=GI @=B '1:1_

(~)~

f

"Pitch falls somewherebetween 1 & 1~ steps down.

~-.f,

'",

• ...Twogtrs.art; for one. B~5

E5

I> '?1_

~

B~5

E5

" Whores!

Whores!

" (~)~

~

I> '1:1_

_-.f,

(~)~

3

3

:

I> '1:1_

_-.f,

N.C.

E5

"

• 3

"

~

.......(q)...

3

*#* ... ...

~

.~.

3

3

slight P.M.' .... --------... --------.... ----_.'--.- ..... --~

13Steps to Nowhere ~ 5 - 1 0223B © 1996WARNER-TAMERLANE PUBLISHINGCORP., METAL MAGIC MUSIC, RESS MUSIC

DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC. INC. All Rights Administered by WARNER-TAMERLANE PUBLISHINGCORP. All Rights Reserved

3

3

6 Verses 1 & 2: E5

•

8.5

A

•

E5

fl-

fl-

fl-

fl-

1. Your win - dows board 2. SeeadduionalIyrics

- ed

8.5

A

A

up.

your

fI-

fl-

fl-

pri - vate

ex - posed.

lives

...--...--.. --... --...--...---_.---_ ..__ ..._--- ..---..---.---..---..--- ..---.----_ ..-._ .. --_.---_ .._-_.----------.------_.-----.----.---- ..--.. --- .. ---...-._.-- ..........

RIlfA

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7

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~~

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-

un

time

ly

reign

11,

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N.C.

doom!

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The wolf

poked

with

a - waits

the stick,

with can

-

cer- ous breath!

I

I

~~

,.

Out .

sid

N.C.

" f'"

•

Leads

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to

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-

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ers

~

11,

,.

still

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sup

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pose,

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there's

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ho

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ly

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(q'1I) A.H.

13Stepsto Nowhere- 5 - 3 02238

8

N,C.(B'S)

b The truth

should not

sur - prise,

your homes

on

were built

lies!

_

Slower: Tempo II (J, = 48) N,C,

b",'~

"~

Interlude:

-.,

~:',

Yeah!

Lies!

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Gtr.Z u

~t ~f

,

,

I

,

*Gtr. :1

r

r r

r

r

b~'

Gtr.1

b

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-of'

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,.,

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13 Steps to Nowhere- 5 - 4 0223B

J"''',

b~'

~~,

,.,

.rr

I.

• ~2

~

9 Tempol( J =84)

Outro: B~5

E5

N.C.(E5)

Pp.·, ~

"

•

We'll 15ma .. ----, GIr.1

..J

~

3

3

3

3

3

3

:

•

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,

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B~5

E5

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kill,

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fI.

Thir-teen!

Thir- teen

,......,

r-r s r-v

r-r s-rv

c-3-,

•

-j

Verse 2:

13 Steps to Nowhere - 5 - 5

fI.

Thir-teen!

A backwards swastika, The black skin riddled in lead. A nazi gangster Jew, It beats a dog that's dead. It's in to use the slang, Outbreak of gun roulette. The cross slants to the side, Will prove the damnedest yet. (To Chorus:) 0223B

'fi.

,.......,

I>-j

•

A steps!

,......,

•

-j

~

,

10

BECOMING Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO

All gtrs. tune down 1 step:

@=D Q)=F (2)=G @=A

®=C (j)=D Moderately

J = 120

Intro: D5IA

" ~

.

"Otr 1

.: f

..

.:.

.:=~

~

o

~

wlRhy. Fig. lA (Gtr. 2) Play 4 times No Chord(ES) Rhy Fig 1

-

':

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•.

~

l

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l

P.M.

~~

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U

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Double-time

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eyes.

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ing _ _

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Becoming ~ 5 - 3 02238

Fill 1 Glr.2

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= ~ P.M.

= ~ -------1

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.

:j'.....-

13 w/Filll (Gtr. 2) (US)

DS/A

(AS)

Double-time

God

P.M.-

-

size.

"'1

w/Rhy. Fig. lA (Gtr. 2, 4 times) N.c.(ES)

G5

FIS

Err!

P.M

._---_ .. -------_ .... --------_._---,

.

N,C,(ES)

FIS G5

N,c.(ES)

P.M

P.M.......

FIS

GS

FIS

N.c.(ES)

q ---- •• - •• ------- •• -- •• ---- •• --"-1

Becoming - 5 - 4 02238

..

P.M. -.. -------... ------ ... -

..

~

q

---------_ .. --------_ ... ---_ .. -_.... ---- _.-_... -------_..

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G5

14

J

2. Double-time

To Coda •

D5IA

II

•

--

-

•

•

Yeah!

:

~

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:

'.

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• :

~

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•

Interlude:

Play 4 times N.c.(ES) (Bass gtr imitates Rhy Fig 1)

• •

FjS G5

D5IA

•

Coda

:

:;

w/Gtr. synth sound effects

D.S.

:;

~

Play 4 times N.c.(ES)

:

Fj5 G5

l\S

:;

(2nd ending) at Coda.

~

~

ES

II

•

r

I

(2nd time) God

-

I

size._

II

•

=l =

7i

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•

•

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:

--------- --------.

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----_ ...... _-----

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FjS

G5

ES

H~

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~

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: :

:

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Fj5

G5

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._-_._----_ ....__ ._---_ ....--------- -.------------ ... ------- ....... --.-------.... ---------··i

Additional Lyrics I found my life was slipping through my hands.

Perhaps through death my life won't be so bad. I can see you, can fuck you, inside of you. Staring through your eyes. Belittle your friends to serve me, to suck me, to realize my saving grasp. I of suicide. I the unlord.

Becoming- 5 - 5

~

P.M.............•••.....................

Verse2:

02238

:

: :

~=iq=i ~ H~ ,

------------- ••• --------- ••••• --------- •• ---------- ••• ---------- •••• ---1

15

DRAG THE WATERS Words and Music by VINCENT ABBOTI, DARRELL ABBOTI, PHILIP ANSELMO and REX BROWN

All gtrs. tuned down 1~ steps:

@'cl ..

F5 E5

It

more.L

r

nev • er

Like

Drag the wa - ters some more.

•

GIr.2 v

v

~~~~.

F5 E5

be - fore.

112.

N.C.

N.C.

_

r-------·-------------------~

f:(+),'1- f:

,'I-

'!:

,'I-

f:

F5

E5

~~ *~* _____

v

~e~ 3

f

grad. bend w/flanging & echo effects, & wah as filter effects 1,_____________ hold ... _______ . _____ 1

•

•

,

Drag the Waters

0223B

~

Glr.l

q~

q' ,

~

11 - 4

F5 E5

~- -

11.

Interlude: F5 E5

F5 E5

N.C.

-

t

F5 E5

N.C.

times

P.M. -----·----·--i

P.M... _----------1

1

..lRhy. Flllo1 (Gtr. 1 ) 4

F5 E5

Whoa!

../

v~"*"*

r

E~51B~

D5/A

How!

u

•

-v_

~

C5/G

~ t:e~~ ~

I

,... 19 F5

E5

Guitar Solo:

F5

E5

N.C. G tr, 2

w/flange echo & wahusedasfilter

P.M. ·.·-----·---···.·····i

wlde/ay

------------------------i

--------

1

i

Drag the warers. II - 5 02238

20

(F5)

(E5)

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• w/delay -----------_.------------. -_._.-- i

hold bend

)--

O:r

T

..T

-,

112 ~

1

,1

"'Tap string whileholdingbend.

Drag the warers . 11 - 6 0223B

21 (F5)

(E5)

.

P.M

8va -.---

-------.---

---------

. .--------------

----------

---------

----------

---------

.., -------------

--------------- .. -------------

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-------------

(F5)

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------- .. ----

--------------

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------.

(E5)

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~

~

wldelay --.--------------

----------.-

--------.--

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\1;

..J

.

---------- ••••• ----------.-- •••------------ •••.• ---------- ••••-------1

J

J

wldelay

1

.J

J21;

.------.--.- ••••••• ----.------- ••••• ----.----.- •••• -----.----- ••••• ------.--- •••••• ------.---------- •••• ---.------------ •••••• -t

Drag theWaters - 11 - 7 02238

...

P.M.·································

~

22 Chorus: wlRhy. Fig. 1 (Gtr. 1) 4 times

F5 E5

u

•

Yeah!

F5 E5

NC

Hal

F5 E5

Drag the

F5 E5

NC

wa - ters some more.L,

fI-

.r-

fI-

Like

nev - er

be - fore

8va ------------ .. -.-------------.,

Glr.2..J

I

:t

u

•

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1

I

..J

I

F5 E5

"

--.

F5 E5

F5 E5

N.C.

F5 E5

N.C.

-

~

Drag the wa ~ ters some more.;

-

.

r······· ....··........ ··..~

"

.....

• !~ • !~

' - - - 3 -----'

I

' - - - 3-----' I

~

j..................................

Double-time feel

F5 E5

F5 E5

F5 E5

N.C.

F5 E5

u

"

Drag the

wa - ters some

more.c,

Gtr.2 ~ ............................................................

)

u

-r---e-

-e-

•#e-

.....

e---..

2"

;............................................................--/

u

"'iT

Gtr.1

~~

,

Drag the Waters - 11 - 8 02238

.---J

i

~~

P.M.---i

,

~~ i

P.M.---'···--i

)

-

»:» I

~~

, i

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P.M.-·------··'!

P.M.....· ....

23 F5

N.C.

E5

F5

E5

N.C.

• Like

nev - er

be - fore.

_

Drag the wa - ters some more.;

•

2

J

~

u

~

,

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= i

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-----,

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F5

E5

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P.M.··········i

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Drag theWaters - II - 9 02238

,

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i

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P.M.-············------i

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;

-~ grad. bend

1/2

,

24

• See what it

is_

in - side that fuck - in'

.

.

lie.

Huh!

Huh!

.-.0. .

• •

2

./

_.

~-

~~ ~~

~

~' ~

~

~'

~~ ~

HI

~' ~

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~

2

Dutro Chorus: Half-time feel wlRhy. Fl&-1 tco.t, 2 times

•

...

v •

•

Huh!

.:» ~~ ~

~' ~

..

F5 E5

the

wa

ters

F5 E5

:

J

'I

F5 E5

N.C.

-

I~

r ~ .

more.Lc,

some

Like F5 E5

F5 E5

nev

05

~~

A5

be . tore.;

er

B'5 AS B'5

B5

~

Drag the wa - ters some more.;

Gtr.1

E5

J

1

N.C.

-

•

F5

*--./71

1

_. Drag

•

~.

-

F5 E5

~

'

~

P.M.---·····"!

N.C.

E5

'Ah!_

Huh!

•

r

F5

f>-'

,

.../

1 ~, 1

1

i PM.·----"

«Gtr, 2 ad hbs.trem. bar dives,pickscrapes andfeedback untilend.

Dragthe Waters - 11 - 10 0223B

~3------'

J

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Ah!

~~

,

~

.

1/~

, 11 ,

~

r-r-r- 3 ------,

I> '71 ~

71

r-.J

25 wOOy. Fig-I (Gtr. 1) 4 times F5 E5 F5 E5

r=r

N.C.

F5 E5

Drag

Yeah!

N.C.

F5 E5

Like F5 E5

"~ -

nev - er

the

wa - ters F5 E5

some

more.cc;

N.C.

be - fore._

Drag

the

N.C.

F5

E5

F5 E5

,

"

Huh/_

v·

Huh/_ Gtr. 2

Bvo..,

(~

"

•

t

../

Gtr.!

"

q~ ~

Verse 2: Sweet is the slice and the lips You're gonna have that woman. She is your favorite lay. Promised, you swore,thatno one had been there And she was gonna keep it that way. Let it move in, you got thin And got high and your money went And so did your friends. But she's by your side and her smile Cannot hide the premonition of the beckoning end, The end. (To Chorus:)

Drag theWaters - 11 - II

0223B

F5 E5

wa - ters some

mcre.;

26

COWBOYS FROM HELL Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO x

Moderate rock

J = 116

Em oxx

,AICIx

C , 0'

1m II WI 321

22

3111

m tl

, D5xx

B~5

.

134

A5

'" 6fr

5fr

.

134

;l5fr. 134

Intro: GIr.1

N.C.

RilfA

>

end Riff A

>

w/dist.,flanger

_8

wOOD' A (Gtr. 1) 2 times

Gtr.2 " II

PM........................•..•...••.................................••...•..............................•.•••.•••

w/Filll (Gtr. 3)

end Rlft'B

u II

•

._-----_._-------------_

-.. _---_._--------------------------------_

----------------------------------_

_------------------~

FUll u II

•

GIr.3

w/dist.

f

Cowboys From Hell- 10 - 1 0223B Cl1990 COTA MUSIC, INC. and POWER METAL MUSIC, INC.

All Rights Administered by WARNER-TAMERLANE PUBUSHING CORP. All Rights Reserved

27 Gtn.2&3

• P.M.. --••.•.. ----- •••-------- ..•••. ----- ••. ,

P.M.,.--···-------·····-------.··-------···-------···.------....----,

P.M.•.•••..• ----•..••. ----.•••..• ------ •••.. ------ •.••• -----_.•• ,

P.M. --.•-.. ------•. --------- ••.. -------.---------- ••.. ------- .•. ,

• P.M..•••.••------•••.••. ------•••..•• ----•. -1

P.M.. --•••.••-------.•••-------•...• -----•..••. ------.•••. ------..•• ,

• ~

•

Gtr.2

~~7~

3

~7~

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P.M. ------- ..• ---.-- ---•.••.. ---- ---•. -.-- ---...• _- -------.••• - i

Gtrs.2 & 3

3

~~7~

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P.M.•••• _------..•. ---------.•••. ----- ---•••. _--_.-••.••. ------,

v

3

v

Oh,

come on!

3

3

• P.M. --., ••-------- •••• ------." •••• -----.-- •••• ----.-- ••••. -----,

Cowboys FromHe11- 10 - 2

0223B

P.M. -.----.-- ••.•••.•• -----.- ••..•••.•• -.------ ••.•••.•• ----1

28 J

J

P.M. ----.------.------ .. ------ .. -----.-.------- ... ----- ... ---~

P.M.

P.M.

----.-------.---------------.-----~

J

J

P.M. . ---.---.------ ... ---- .. -----_.'.---- ... ------.-.--------i

·

P.M. ---..------..-----.----------------{

J

I I I ~+~, ,

r

P.M.

-

_ . r--'1

, 1.Un- der the lights., where we stand

· •

J

P.M.

Verses 1 & 2:

~

•

J

2. Pil-lage the vil-lage,

trash

tall_ the scene.c

h.~

L

no - bod- Y touch-es us at bet- ter not take it out on

but

all. me

~

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J

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7

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•

Heresy- 10 - 7 0223B

II

gradual dive wlbar

Fls

W

43

ots

CS

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:

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1

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n: u

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I

3

3

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GS

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3

3

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FS

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n .AJ

.

3

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1112

G5 ES

GS ES

G5

L I

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3

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3

r

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3

BS

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---

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45 wlRhy. Fig_ 1 (Gtr. 1) 5 times

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46

THE GREAT SOUTHERN TRENDKILL

Words and Music by VINCENT ABBO'IT, DARRELL ABBOT PHILIP ANSELMO and REX BROWN

*AU gtrs. tuneddown approx. lY.1: steps:

@l=C'@=E (2}=F' (6)=GI @=B .. q.. ~! i ~

---._-----------_.--.---------._------ -------- .... ---- -----------i

tc«

1) 4 times

FS

G

~

F'S

G

'I I'm

2. Seeadditional lyrics

FS

G

my

speak - ing

Fis

G

FIS

'I

'I 1

rob a dead.. man's Double-time: Tempo I (J = 224 ) wlRhy. Fig.!

#~,

.

Verses1 & 2: wlRiff A

q'

grave.c

flaunt

then

it

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did

you

ere - ate.L;

tc». 1)

ES

If

I

hit

bot - tom

and

ev -

'ry - thing's gone

in

the

great

Mis - sis . sip - pi,

please

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G

b

G

Fis

FS

r ~ 'I ~3~~,§t~~~~ drown me

and

run.

Double·time: Tempo I wOOy. Fig-I to« 1)

It's

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Those with the heart and the brain to Half·time: Tempo II (J

Gtr.!

get past this can

FS

your

the weak - est

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spot

a

pa - thet . ic

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e - ven ask - ing.

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G

Fuck

you're nur - tur - ing

a - gain.L,

(J = 224 )

mag- a

zine.c,

Fls

G

and

fuck

Fls

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long

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48

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FS

-- -----------.

3

Piercec,

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F'S

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I'- I'-

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if

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I'm Broken - 9 - 5 02238

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I'm Broken - 9 ~ 6 0223B

59 Chorus: N.c.(ES)

·

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fl-

I'm

brok

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In - her- it my_

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I'mBroken - 9-7 02238

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N.C.(E5)

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Dutro:

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I'm

Vh!

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v

P.M.----- ---- ... ----.----.---- ".----------- ... ----- --------------- .. ---------~

P.M. ------. ".---.-------------

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Repeat and fade

Additional Lyrics

Verse 2: One day we all die, A cliched fact of life. Force-fed, to make us heed, Inbred to sponge our bleed. Every warning, a leaking rubber, A poison apple for mingled blood. Too young for one's delucion, The lifestyle cost. Venereal mother embrace the loss. That's how.

Bridge 2: Look at you now, Chorus 2: You're broken. Inherit YOUT life.

(To Interlude)

I'm Broken - 9 - 9 02238

-

r

62

I

I CAN'T HIDE Words and Music by VINCENT PAUL ABBOTT, DARRELLLANCE ABBOTT, PHILIP HANSEN ANSELMO and REX ROBERT BROWN All gtrs. tune@ down to D.

Moderately fast metal in 2 Intra: Percussion

J = 126

J J J J

N.C.

•

. . . . . .

•

. . . . . . .

::.

*Bass gtr. arr. (or gtr,

Verses: D5

•

writ - ten a still takes

1. I've 2.1t Gtr.1 (Elec. w/dist.)

"''''Gtl. 1 (Elec. w/dist.)

>

= -

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., *"'Composite arrangement. Dbld. by Otr. 2.

F5

G5

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•

bout ass

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in of

my holes

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wars, kinds,

ner all

>

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....

....

....

....

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ICan'tHide-8.t 0223B

e 1997 WARNER-TAMERlANE PUBLISHING CORP.,

COTAMUSIC,INC. and VDPR MUSIC All Rights Administeredby WARNER-TAMERLANE PUBLISHING CORP. All RightsReserved

~

~

~ >

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63 05

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I that

but of

could

give I

fact

shit still

a am

a - bout right

now.

clear,

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me know

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strength I do;

all now

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all one

of of

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me's

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them,

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war just

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you.

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my just

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man guts

that are

stands blaz

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and I'm

must ground _

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are you.

like_

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F5

I

have with

~

a

life, strength.

_

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64 Chorus:

Ab5

G5

G5

FI5

G5

Ab5

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et

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can't

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w/trem. bar

1>1 - - - - - - -

blows

a - way!

-

------------70

SHEDDING SKIN Slowly

Words and Music by VINCENT PAUL ABBOTT. DARRELL LANCE ABBOTT. REX ROBERT BROWN and PHILIP HANSEN ANSELMO

J = 72

Intra: Play 4 times No Chord Gtrs.l & 2

-------. ---.-- -' ----_.---_.----_. -------_.---- --.' -------' -_.--_.------_. -_. -. ------------- _.-- -----------_.-' -----_.---

. ----------' --- ---- _.----. ---

~

~

w/Rhy. Fig. 1 (Otr. 3, 3 times)

Verses 1 & 2: Em7

Em7addA

Em7(maj7)+5

• Spoken: { 1.1

want

don't

you

2. See additional lyrics

Jl

•

..

.

Otr.!

.

'----

Gtr. 2 .....

.

.

......

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while

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what's

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Em7addA

shoot

myself

than

.

.

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... ...

. .

... '

can't

8'" -------,

~

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.

. .

I

(end Rhy. Fig. 1)

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Em7addA

afford

I

J~[

mfLetring--- ---------- .. --; Let ring- ------------.----, Let ring------- ".------.- ---, Let ring

Jl

skin.

. .. .

-

Jl

Em7(maj7)+5

shedding

. . . . . . . . . . .. . ..

Gtr.3

~

I'm

..

.

Rhy. Fig. 1

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me

at

•

.

.

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.

look

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.

.

.

to

Em7

...

.

. .

© 1994 COTA MUSIC. INC. and POWER METAL MUSIC. INC. All Rights Administered by W ARNER- TAMERLANE PUBLISHING CORP. All Rights Reserved

have

you

watch

me.

71 Em7

r,

o

Em7(maj7)+5

Eo 7

N.C.

Em7addA

I feel you'd steal my skin to try and wear me.

was

Gtr.l

be - trayed.,

one

more

day

Gtrs. 1 & 2

Gtr.2

f

grad. bends 1/2112

p-==

of

my short

life._

1/2

Just

suf - fi

care.; my

be - ing.

was

had

no shame.

1/2

me,_

but you were- n't

you.~_

1/2

1/2

me.. like a scab.c,

1/2

Shedding Skin- 10· 2 02238

a - way._

1/2

1/2

1/2

You were stick - ing to

You were car- ried

1/2

So I peeled you

a - way._

bled

for

days.

72

fl- fl-.

jj

~

stepped

Then

•

~ ~~~~~~

~

fl-

ASaddD A>SaddD

B'/D

fl-

out of my . self._

-

L

~ ~ ~_:J '·'-J·"T'

·'v- ··V

I

~4

4

'--"

r'\_

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0,----"

'~ t~.~_~" ~ .. ~ .. ~ ~ t~_~!1'it... 'it ... ~ 'it

----------;

P.M. -------------------i

fear.

the

I>~"~"~"'~'it ~'it ... 'it" ~ 'it

r

""-'

I

you need

off,

P.M.---------------------'!

Half-time feel

3

you

get

a~d

I

er

The fear,

I>~"''it

I

the fear,

... ~ 'it qc#'it ... ~~

9~~·

P.M... -.-- . -- - -----_. -----

P.M. -------------------,

~

AS

GS Fis

FS

,------ 3 -----;

~

•

r

""-' the fear,

, ,

I

1t'5_

the fear,

•

•

q'it

1>.... ~ ....

I>~ ~. ~~q'"

....

1>'"

q~

... ~ ...

'it

~

~

,

~~q 9~

Verse 3: N.C.(ES)

•

~.

• •

nev - er love.

• •

•

" P.M.-----_·.. -------,

Shedding Skin - 10 - 5 0223B

•

(ES)

B'SIF

~.

Blood - y touch. ~

~ ~ i =

..

"I>• ./

~

B'SIF

•

•

Bro-ken wrist.

Need-Ie rust.

=

1'\

~~

~ ~

r-.

~ ~ ~ ~

P.M. -----------------;

"I>.

"'" )

~~

~ ~ !

75 B~S/F

(ES)

Chok - ing throat.

Swal- lowed teeth.

Head

P.M. ·-----------------i

(Fls)

CS/G

my_

skin---

(ES)

B~5/F

me.

You've got

CS/G

_

to

Bbs/F

(ES)

to

love

P.M..---

mel

_

peel_ you

off

of

-------i

Guitar Solo I:

3

P.M. ---- •..• ---------.------------------------------.---- •••. ----- •.......•.• ,

N.C.

Yeah.

N.C.(ES)

Shedding Skin - 10 - 6 0223B

peace.

P.M. ------··_-------i

P.M. ---------------i

P.M. ·-----------i

No

tuck.

PM.-----------------,

(Fls)

I'm shed ~ ding

B~S/F

(ES)

3

76 8'"---- ------- ------------------ ----- ------ ------ --- --------II

b:

#-

,(FIS)

q"-

II.

3

,..bjl.#-b~

3

.

8'" ---------

WC~

W..l,'"

I'

- .#-,

,

•

3

7

3

3

-

-

-

5

-

1

semi - harm.

~

grad. bend

;:::~

:: ~b ~ bjl.[q~

;:::~ ~::

;:::~

y

I' c

jI.

-

1/2

~

(ES)

;:::~

V._--------- ---------,

#~ #(' #~

».

rr:-;

.. -------.----.------------------------- .. --.".--.. --------------------.---- ----------1 ~.

PM. ---------------- .. -------1

(ES)

" •

~ ~

q'J 'J

PM. ___________ ,

Shedding Skin - 10 - 9

0223B

(ES)

B'S/F

(ES)

B'S/F

B'S/F

Gtrs. 1 & 2

'P~

;; ;

~

~ ~ q'J PM.

'J

··---------i

7~

~

;

~ ~' ~ ~ q'J

'J

PM. ___________ -1

p~

~ ~ ~ ~'

79 Outro: BbS/F

(ES)

P.M. --

(ES)

(ES)

---------1

----,

Bbs/F

P.M. - --- -._._---1

(ES)

P.M.-----------------------

Bbs/F

BbS/F

(ES)

------,

P.M.----··----------------------_·_------i

Bbs/F

P.M. ------ ------,

(ES)

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Verse2.I don't think you belong in here, I feel I'm sick. Don't ask because you know damn well where I've been. I've kept a simple woman through the thick and thin. But I've found the guts to severe from my Siamese twin. I throw you away. Every day. A dead part of life. Strangling back. Seething black. In between my longing for fortune. Blood on my face that came from your face. The mix of kissing and bleeding. I put you away. I shut you away. I pissed you away. I threw you away.

80

MOUTH FOR WAR Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOn: REX ROBERT BROWN and PHILIP HANSEN ANSELMC

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ES

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ES

GS BS N.C. GS N.C.

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war. _ _

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GS BS N.C. GS

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pl5

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in

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to

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Strength BeyondStrength - 7 - 1

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© 1994 COTA MUSIC, INC. and POWER METAL MUSIC, INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

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02238

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7-2

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91 Interlude I:

Half-tnne reel Play 3 times

Play 3 times

Ver.se 3:

AS G#5

G5

G~5

G'5

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pled

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Strength Beyond Strength - 7 - 3 0223B

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119 w/Rb~ Fig. 3 (Gtr.

it

If

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us

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Verses 1 & 2: B~m

3

l.Glass breaks»2. See additional lyric!

lights._

the dim - ming

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heat

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end Rhy. Fig. 4

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121

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by

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-

self,

r

p f,:;:)qf ~f

stay

-

a

way_

~

,~

r

>

c-

>

N.C.

•

'q< .

1>< .

u·

pfb:;:)qW

p:;:)qW

not.

Both gtrs.

e'

sim.

A5

A'5

.. .. ..

>

1/2

pfb:;:)qf ~E

'----'

'-"'

'---'

1/2

1/2

1/2

•

r

'<

from

me.

'Npfb:;:)qE ~F '----' 1/2

r

131 C5

A

F5

A'5

•

E5

E'5

)r

-

les

learned

son

in

know

life,

from

the

dawn

of

time.

Both gin.

eu-

ee-

e~

~

~

~

~

"Next four bars.vocal doubled two octaves lower.

Chorus: N.C.

N.C.

(Shout:) Re

speet!

Rhy. Fig. 2

'1

'1 112

N.C.

F5

N.C.

D'5

F5

F#5

r;

00, what did

Walk!

you

say?_ end Rhy.Fig. 2

112

,

wtRhy. Fig. 2 (Gtrs. 1 & 2)

N.C.

B'5

1--

.Re

Walk-8-4 0223B

To Coda ..-

N.C.

,.

A'5

N.C.

t I'spect!

D'5

,- t Walk!

N.C.

E'5

I,-

'I

F5

F#5

F5 E'5

~,. Are you talk - ing

to me?

132 N.C.

FS

-

•

E~S

FS

Fis

~

,

" *

Are you talk - ing

N.C.

...J

me?_

to

...........

.~

•= = •= ~~

~

•

= #~~ = ~ q~ =

•

r--~

•

r---

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-

'1

•

~'(.~)~~ ~;

~

1/2

---....

l(\~)~~~ ~

112

~

>'--"

1/2

r-,

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1/2

-

('~) ~~>~~.i

•

>

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~. (.~)~l~i ~

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•

-

r'~)~~~~ ~

~'(~~)~~~~ ~

'I ~

~

1/2

---

r~)~1~ ~

1/2 r-,

1/2

1/2

"

Bass and drums fade in

--...

•

--...

~

l

~. (~~)~.~~ ~

~.(~~)~.~~ ~ 1/2

-..

(~~)~i~~ ~

/.'I>~/

)

I

1112

1/2

1/2

I

Chorus: wlRhy. Fig.2 (Gtrs.L & 2) 4 times

N.C.

B'5

f~

(Shout:) Re Walk-B·? 0223B

N.C.

i'

A'5

N.C.

f

I -'

speet!

0,5

i'

f Walk!

135

~

N.C.

E'5

~.

~

F5

F#5

E'5 N.C.

F5

~_.

D

00, what did

you

say?_

D'5

N.C.

E'5

N.C.

B'5

t''',

~.

A'5

1-'

t'

~.

Re

spect!

wlRhy. Fill1 (Glr.l)

N.C.

~

-'

r

~.

F5

,

I ~.

F#5

F5

~('

Walk!

Are you talk - in'

N.C.

E'5

F5

E'5

H'

F5

E'5

~

'I

me?

10

F#5

Are you talk - in'

10

me?_

Outro:

N.C.

E'5 D5

E5

E5

.-

•

D5

E'5

I

=

=;

:0

:0

•

q '~I>'

~

,.. . . !

• :0= ~ ~q P.M. -----------.,

:0

P.M.·- _______ . __ ,

E5

= ;;

c

• P.M.,·------ ..

= ;; --i

N.C.

E'5

,~pi

,

~

'--"'

E5

E'5

D5

,~I>~

'

.

~ :0= •

~ ~q ::::~I>~ '--'

P.M,--·_·------i

E5

D5

•

= = ~q :0 :0 ~

•

E'5

D5

~ :0

= :0= = :0

:0

N.C.

~

=;

~

P.M.,--·------··-j

,~p~ " ~

E5

...

"I>i ~ ~p ~~

P.M.-··-------·_,

E'5

~ ~q ::::~I>~

~

•

= = :0 ;;

n

D5

~

E'5

~

:0

D5

, ;~

q ,~p~ ~

P.M.-·_---------i

E'5 D5

q "I>~

"'---"'

E5

E'5 D5

E5

P.M.-----.. ------,

D5

E5

~ :0= :0=

----

P.M.,···-----··-.j

E'5

D5

boy.L,

= = q ::::~I>~ :0 ;; :0=

~

~

'--'

E5

E'5

,

I

home. _ _

on

Walk

E5

.,.--

E5

~ ~

;;

E'5 D5

~ ~\..:::~I>_~

~

P.M.------'·--i

P.M.-----·------i

Play 7 times and fade

N.C.

E5

E'5

q '~ 1>" ;; :0= = = " '---"

:0

P.M.

Walk-S-S 0223B

------------1

E5

D5

•• = :0

E'5 D5

= ~ ~q :::~I>~

:0

P.M.··---------i

'----'

••

N.C.

;; =

E5

= ;; •=

P.M.. -.--

--------1

,~pi

'

E5

E'5 D5

, •~

'--"'

E'5 D5

; = :0= = :0 ~q. ::::~p~ ~

:0

P.M. ------------1

'--'

1 136

WAR NERVE

Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN

-All gus. tuneddown approx. lYisteps:

@=cl ®=E @=FI (6)=GI @=B (j)=CI Moderately: Tempo I (J. = 100) Intro:

•

N.C.

ES

/' -;/ 1>...

:i .

"''''Gtn.l&2

.

• r

. :0

1

,.

j

_1

1>1

•

j

j.

i

.. ·_________1

/':;' 1>1 '--"'. ..

1/2

:0

i

:0

i

1/2

I

*Pitchfallssomewherebetween 1 & lYisteps down. ··1\\'0 gtrs. an. forone. Rhy.F1.. 1

•

•

i·

;j

_1

"-

1>..

:0

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j.

1

1 ._______..

=1>.. '---'~... »:"

:;;

1

1~

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FS

• •

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1 ._____...__.. /

1>1

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:0

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i· ~

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~

!.

1>..

:0

i

_~. ~~

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.

~

1/2

Tempo n (J = 100)

•

•

CS

GIB

AS

6-

d

~

FS

~~

,,, ,,,, ES

~

~

P.M.--------········-------·····-------·········-----···.....

War Nerve -7 ~ 1 0223B © 1996 WARNER- TAMERLANE PUBLISH1NG CORP .. METAL MAGIC MUSIC. RESS MUSIC.

DIAMOND DARRELL MUSIC. ABADABA MUSIC and COTA MUSIC, INC. All Rights Administered hy WARNER-TAMERLANE PUBLISHING CORP.

All Rights Reserved

,

i~j 1/4

137 ES

Bbs

os

ES

j'S

"

.

"'~"'~~ ,

P.M.- --------- -----------

. -s

.

• \>.

----- ...

1/2

ES

-,

1/4

BS

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,

P.M.•..------------------------- ..•. ~

-;

,.~,

P.M. --- ... _----_.---_._--_ ..

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E5

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J

"'~ "'~~ FS

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,'"

-_ .. __ .. _--

---- ...

;

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:

,

P.M.--

•• ---- •. ----1

WarNerve-7-2

1/2

_;T"

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P.M..--··--·-----···· .. ····-----------,

ES

~. 1/4

1/4

"

;~

n~~~~~~ '~--'.

,m snss

,

FS

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Gtr.2 (right)

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:Hln:

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1/2

1/2

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1

1/2

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1/4

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,,

1/4

1/4

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P.M.---------------i

~~ 1/4

l

138

"

•

F5

E5

1. Tru

-

Iy, 2. Ex

-

-

tru

pect;

Iy, ex

-

-

tru

pect,

Iy,

tru

-

ex

E5

peet,

-

ly. ex

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::

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P,M.·-----·······------·······-------······----------·-I

0

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ly, ex

-

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1/4

0

•

-

tru - Iy, tru - ly. tru - ly. pect, ex - peet, ex - peet, ex Rhy. Fl&- Z ...... ---------_ ....--------_ ....-._-------_ ....... -------_ ....... -----_ ..-,

tru pea,

-

~

j ~

.

/

~

;

P.M.----------·····------------··------------···--------l

1/4

1/2

1/4

J /

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/,'

~'

P.M. ·_·_·-----------1

1/4

1/2

Verses 1 & 2: wlRby. Fig.2 (GtTS. 1 & 2) 8 times

'I 1. Fuck the wortd 2. See additional lyrics

all

for

s:

it's

ev

worth,

-

'ry

inch_

of

plan - et

y Fuck my - self, don't leave me

r=r

un

out, don't

t t t [ just

bas

lards,

file

get in - volved.s: don't cor - neT me.

Earth.L:

r±==t

f

-

ul

In

side

§ ceT,

~

f

t

t

out

face

first.

Meet

the

lies.;

and

see.c, what you are.

Chorus: N.C.(E5)

(ES)

(8'5)

or-

/(,

-

It's

• o

I'-

'l'-

fore- ing you

I'-

f'-

down-

Glrs.l&2

~.

. 1p

WarNerve-7 ~ 3

02238

I'-

,-..

'-" ~"".........,"'"

~E7

. -

. . UtJ·

-~1_

1,/2

-

139

(B~5)

(B~5)

(E5)

and

it's grind - ing

a

gainst_

-

you.

Let

the

war nerve

break, _

1/2

Tempo I (J. = 100) Interlude 1:

To Coda"

N.C.(ES)

(E5) »,!

+1'\

-

..I""

.Jj ':I

~

:j:. :~.

• • :j:1>.... ~ ~ ~,

~

~

=

'-'~

:>

hold .......................... <

r-,V

-

Gtr.1

A.H.

Where YouCome From - 13 • 1 0223B II:! 1997WARNER·TAMERLANE PUBI1SHINGCORP., COTAMUSIC, INC. and VDPR MUSIC An Rights Administeredby WARNER~TAMP'Dl A .. ,r> .....-. -

trem. bar ,.----.--.. --~

\)\)

I I I I I I I I I I I

144

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-.

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tr

,,'

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~.

= .. "'I

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A'S

.

FS N.C.

• '---'n

And it lives and

but I

breethes.c.L,

-e--

V

•

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hold -.-.------------------------ •. ~

-

•

:~.

..

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•

•• h • ~

can't give a fuck.

~ ~I>~

~ .. :"". i~:

~.

...

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>

w/trem.bar ---------------1

-

~

V

ES

~Chorus:

-

N.C.

I

'-

•

c->

I've got a big

".

~~ ~~ >

Where You Come From - 13 - 4

0223B

..

~~

..

~ ~~ "'-.,

~

J

>'"--'

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•

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1 -J -J

mouth, Bkgd.vel: I've got

-

a

147

r==

fJ

.~

«

-n-

,

--=---:.n

'J-

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I

-

lot

and there's a

big

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• to

learn

mouth.

'-.

~'-'.

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t~ ~\"

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.

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tJ

A.H. I

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to

learn,

nJ-

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--1

I

'J.

-

from a bot- tie of

Lot

'-'

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."

whis

-

key._

oh.

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tr ~---

.

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~\....,~

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---

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,

------J.

It's From a bot - tIe of

«

11.

~'--'

.

-.....-.

Where You ComeFrom - 13 - 5 0223B

.,,-*

:s-~

-

whis

-

key,_ _

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*

where you come

itJ ~

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frorn.c,

148 E5 ~

Yeah._

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= -

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i

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A.H.-------· .. ---~

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,

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-

112. N.C.

I

-

~

e It's

2.A

where you

from.c,

come

-

:

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~ ~ ~.

'.-

•

-

• 1!

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• it's

~ ~.

t~ ~~

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it's where you

I>'l'* ~y ~

t~

come from._

->

~

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1!

• it's where you come from.c,

~ I>~,* U~ >

A.H.

Where YouComeFrom - 13 . 6

'*

...

>

02238

1>...

>

'.

where you come (rom,_

~ I>~,* ~J ~

;

149

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•

.J

1-J.......,,)) '1 ~

J .1

I

-

I

e

-

where you come from.Lc, where you come

Bkgd.Oh,_ _

where you come from.Lc. where

from.c..

where you

come from.c,

you...

vel:

•

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Vi

~:

~

~

'-.." A.H.

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g

~ ~ I>'l~ ~J

i

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Bkgd. vel. ad lib.

•

.~

•-

where you come from.L,

where you

come from.Lc,

Whoa,

whis-key!

• • 1!

~ I>T,-,~

U

!

~ c-

~ I>'l~

U

ti ...-;:

~

I

I

grad.steady gliss. -----•.-------------------------- ------ ----------1

Guitar Solo:

N.C. Gtl'.3 '.::.:.1

----'+,,1 _.

(db/d.)

.••

...

'.u

n.

h' -

l!J

- = - - - - - - -__--2

-- ..........

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(w/d/SI.) ~

# grad. descendand ascend.-•.----.. -----------------------------.. -----.-. --------•.. --

Depressbar before striking string w/trem. bar ,-1/

V",..---......

•

t--

+----

"Right-hand finger-taps.

'-----1

V+------------

Where You Come From - 13 - 7 0223B

+..-

150

+,-----.,

+

+r-r-;

*Tap notes withedge of pick.

_------------------------------------------------------- ..-- ------.-

---------------------------------------------------------

grad. 2"

_--------------------------------_

.

release-----------------~

1\1\1\1

I'-

1

)

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.-

u

,o,#r,c-. I'- ,o.,C"I'-'"i. I'- ",~~,c-. I'-,.. ,~' ~-

->,

-------_._--_ ..---------------------------------------,

.:« ~:..~:R~

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1

1\-

1\-

Half-time feel >

1'-,

1

E

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s:

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w/vcl. ad lib.

,,"to' -

Where You ComeFrom - 13 - 8 0223B

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jj

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mf

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grad. gliss.------·-----·-~

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1

fell

in

front of

my friends,

I dropped out in front of the world.

-

Sva

Gtn.l & Z

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Where You Come From - 13 ~ 9 02238

~

A.H .. ----------- .. ---------.------------------------._.--- . - - - - . - - - - ~

~

~ ~

~

~

-

,

random pick slides down neck

~

lIS at Coda

,

ain't! _ _

152 Faster

• -J

N.C.

Coda

J = 152

,

N.C.

•

..

It~

where.

Gtrs.l & 2

partial P.M

_-- -----.-- -------------

-._---------- ------------'._._

F5

•

•

•

•

•

Black wings will weath - er ~3_

•

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q. #•

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partial P.M.. _- ---- ------------------------------.. -------- --l

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For

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#~

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partial P.M.

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.---------------------.-----.--•.-•.----------------------------------------------------1

r---3--~

there's

no

sec

,

3

,

3

A"~

~.

~.

partial P.M. ······----··----··-----------------------------i

hold open string·-------------- •.. ------------l

B'5

•

_- --.-- --------I

."

- ond

,

•

1>. ~

hold open string ••. -.--_... ------------------------------------.-1

G5 , - - - - 3------,

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fol - low - ing

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partial P.M.. _- -----------------------------... ---. -.-- -.. - --~

Where You Come From- 13 • 10 0223B

partial P.M. ---------------------------------- .. ---.... "

paths

of

your

'---3---,

~

~

!

153 B'5

•. •

C5

r - - 3 -------,

.---- 3 - - - ,

•

life.

stepped off

I

the

~3-----,

r - - 3 ------,

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F5

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sky.

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Watch your eyes,

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poco accel.

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where you come from.

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05

1

.

Watch your

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e

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Where You ComeFrom- 13 - 11 0223B

~~ #~

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#"J

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no.

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It's

to the

moun - tain

~

b~

F5

.

eyes, no.

~ ::::::::,~ "---'

154

B'5

•

C5

- -

Where you come from.

•

'i' #'i' ..

Dutro:

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(To Chorus:) Where You ComeFrom ~ 13 - 13

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