Panic at the Disco-Fever You Can't Sweat Out
Short Description
Guitar score...
Description
from Panic! At the Disco - A Fever You Can’t Sweat Out
The Only Difference Between Martyrdom and Suicide Is Press Coverage Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson F#m
D5
E
Dmaj7
Bm6
C#
31
1
21
111
2 14
4312
A7sus Ê
Drop D tuning: (low to high) D-A-D-G-B-E
Verse Moderately fast q = 170
F#m
F#m11
1. Sit
Rhy. Fig. 1
Gtr. 1 (acous.)
mf
D,7
tight.
I’m
gon
X X X X X X
2 2 2 4 4 4
0 0 2 4 4 4
0 0 2 4 4 4
X X X X
-
Bm('4)
na
need
you
to
keep
2 2 2 0 0
X X X X X
0 3 4 4 2
time,
come
on,
3 4 4 2
0 3 4 4 2
X X X X
let ring throughout
2 2 2 4 4 4
2 2 2 4 4 4
E7/G#
just
snap,
D,7
snap,
snap
7 9 7 6
7 9 7 6
X X X X
7 9 7 6
X X X X
7 9 7 6
X X X X
7 9 7 6
X X X X
Bm('4)
mak - ing
some
pro
-
2 2 2 0 0
2 2 2 0 0
X X X X X
0 3 4 4 2
F#m
your
fin
-
gers
for
me.
2 2 2 0 0
X X X X X
2 2 2 0 0
E7/G#
2 2 2 0 0
gress, come
on,
3 4 4 2
0 3 4 4 2
X X X X
just
tap
F#m11
D,7
Good,
good,
now we’re
2 2 2 0 0
2 2 2 4 4 4
2 2 2 4 4 4
2 2 2 4 4 4
2 2 2 4 4 4
X X X X X X
2 2 2 4 4 4
0 0 2 4 4 4
0 0 2 4 4 4
2 2 2 0 0
0 0 0 0 0
tap,
tap
7 9 7 6
7 9 7 6
X X X X
7 9 7 6
X X X X
7 9 7 6
End Rhy. Fig. 1
D,7
your
X X X X
7 9 7 6
X X X X
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
X X X X
toes
2 2 2 0 0
X X X X X
2 2 2 0 0 0
to
the
beat.
2 2 2 0 0
2 2 0 0
0 0 0 0 0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1 tacet
F#m
D5
E
D5
Rhy. Fig. 2 Gtr. 3 (elec.)
End Rhy. Fig. 2
mp
w/ clean tone P.M.
2. And
Riff A *Gtr. 2 (elec.)
I
be - lieve
this
X X X
2 2 4
5 2 4
5 2 4
X X X
may
call
for
a
prop
-
er
in - tro - duc - tion. And, well,
let ring
2 2 2 0
2 2 2 0
X X X X
X X X
w/ dist.
2 2 4
mf 2 2 4
0
2 3
2 3 4
2 3 4
0 3 4 6
0 0 0
0 3 4 6
X X X X
0 3 4 6
X X X X
0 3 4 6
0 3 4 6
0 3 4 6
3 2 0
0
0
3 2 0
3 2 0
3 2 0
*Two gtrs. arr. for one. Gtr. 3: w/ Rhy. Fig. 2
F#m
F#m7
D,7
don’t
you
2 2 4
X X X
2 2 4
5 2 4
5 2 4
see?
2 2 4
D6
D5
I’m
the nar
-
ra - tor and
2 2 2 0
X X X X
0
2 3 4
2 3 4
2 3 4
0 0 0
0 3 4 6
0 3 4 6
X X X X
0 3 4 6
X X X X
0 3 4 6
0 3 4 6
this
2 2 2 0
X X X
E7
0 3 4 6
is
just the
pro
-
logue. End Riff A
X X X
3 2 0 0 0
0 0
3 2 0
3 2 0
3 2 0
3 2 0
Interlude ** F#5
D5
E5
F#5
D5
E5
6 4 4 4 **Chord symbols reflect overall harmony.
Chorus
2nd time, Gtr. 5 tacet 3rd time, Gtr. 7 tacet
E
Swear to shake it
Rhy. Fig. 3 ***Gtrs. 2 & 4
up
if
mf
0 0 1 2 2 2
0 0 1 2 2 2
0 0 1 2 2 2
2 2 2 4 4
1 2 2 2
***Gtr. 4 (elec.) w/ dist. Composite arrangement Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
you
2
Sorgdal
F#m
1 2 2 2
swear to
lis
-
ten. Oh, we’re
2 2 2 4 4
2 2 2 4 4
2 2 2 4 4
2 2 2 4 4
2 2 2 4 4
let ring
4 4 4
still
so
D,7
D
A5
young,
des
2 2 4 5 0
2 2 4 5 0
3 2 4 5 0
3 2 4 5 0
2 2 0
E5
-
p’rate for
5 5 2 2 0
at - ten - tion.
5 4 2 2 2
I
End Rhy. Fig. 3
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
D5
E5
aim
to
be
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 4 2 2 2
your
Gtrs. 2 & 4: w/ Rhy. Fig. 3
E
Swear to shake it
up
F#m
if
D5
E5
aim
to
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 4 2 2 2
eyes
tro - phy boys,
tro - phy
F#5
E5 F#5
wives.
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
6 4 4 4
6 4 4 4
6 4 4 4
6 4 4 4
6 4 4 4
6 4 4 4
swear to
lis
-
ten. Oh, we’re
your
eyes
End Rhy. Fill 1
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
5 4 2 2 2
4 2 2 2
6 4 4 4
still
so
D,7
6 4 4 4
4 2 2 2
D
A5
young,
des
To Coda 1
F#5
Rhy. Fill 1
E5
be
Gtrs. 2 & 4
E5 F#5
you
To Coda 2
F#5
tro - phy boys,
tro - phy
4 2 2 2
6 4 4 4
6 4 4 4
E5
-
at - ten - tion.
I
p’rate for
F#5
wives.
3. Ap - plause,
2 2 2 4 4
2 2 2 4 4
P.M.
2 2 2 4 4
2 2 2 4 4
2 2 2 4 4
2 2 2 4 4
4 4 4
4 4 4
4 4 4
4 4 4
4 4 4
4 4 4
4 4 4
4 4 4
Verse Gtr. 1: w/ Rhy. Fig. 1 Gtrs. 2 & 4 tacet
F#m
F#m11
ap - plause!
D,7
No,
F#m11
Bm('4)
wait,
D,7
wait.
E7/G#
D,7
Dear
stu - di - o
au - di - ence, I’ve
Bm('4)
an
D,7
Gtr. 1
seems the
Gtr. 4
art - ists these days are
not
who you think,
so we’ll
pick
an - nounce - ment to
E7/G#
back
F#m
make:
it
up
an - oth - er
page.
on
that
on
P.M.
0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 1 & 4 tacet Gtr. 2: w/ Riff A
F#m
F#m7
D,7
4. And
I
D6
be - lieve
Riff B Gtr. 5 (elec.)
mf
E7
this
D5
may
call
for
a
prop
-
er
in - tro - duc - tion. And, well,
10 11
12 13
12 13
End Riff B
w/ slight dist. & tremolo
10 11
10 11
10 11
10 11
9 9
10 11
9 9
10 11
9 9
X X
12 13
12 13
12 13
10 11
12 13
10 11
12 13
10 11
X X
Gtr. 5: w/ Riff B
F#m
F#m7
D,7
don’t
you
D6
E7
see?
D5
I’m
the nar - ra - tor and
Gtr. 2
C#
is
just
a
pro
-
logue.
F#5
(cont. in notation)
this
Coda 1
D.S. al Coda 1
Bm6
wives.
Gtr. 5
P.M.
(cont. in slashes)
10 11
10 11
10 11
10 11
10 11
10 11
10 11
10 11
Gtr. 6 (elec.)
12 13
12 13
12 13
12 13
12 13
12 13
Interlude A7susÊ Gtrs. 2&4
12 13
4 4 4
0
+ 1/2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 4 4
4 4 4
0
0
0
4 4 4
let ring
+ 1/2
+1/2
*
*Holding the body of the guitar with the right hand, pull back the back of the neck with the left hand to raise the pitch of the strings (next 5 meas.).
4
4 4 4
4 4 4
4 4 4
mp w/ dist.
4 4 4
0
0
0
Gtrs. 2 & 4 tacet
F#5
D5
E5
F#5
D5
E5
15ma
loco
fdbk. let ring
0
0
0
0
0
Pitch: C#
1.
Breakdown
2.
Gtr. 6 tacet 2nd time, Gtr. 7: w/ Riff C
F#5
B5
E5
F#5
B5
E5
B5
E5
Riff C
End Riff C
*Gtr. 7
mf
7
5
5
7
7
9
7
5
7
5
7
7
9
7
5
7
5
7
7
9
7
7
5
5
7
7
9
7
7
5
7
5
7
7
9
*Synth. arr. for gtr.
Bridge Gtr. 7 tacet
F#m
D5
Swear to
shake
it
up,
E
F#m
you swear
to
lis
Gtr. 2
-
ten.
Swear to
shake
it
up,
2 4
2 4
2 0
2 0
4 6
2 4
2 4
2 4
P.M.
2 4
AsusÊ
2 4
2 4
2 4
2 4
2 4
E you swear
to
lis
-
2 0
2 0
2 0
4 6
4 6
4 6
F#m
ten.
Swear to
shake
it
2 4
D5
up,
2 4
2 4
2 4
2 4
2 4
E
you swear
to
lis
-
ten.
4 6
2 4
2 4
2 4
2 0
4 6
P.M.
7 9
7 9
7 9
7 9
4 6
4 6
4 6
4 6
2 4
2 4
2 4
2 4
2 4
2 0
2 0
2 0
2 0
4 6
4 6
4 6
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda 2
F#m7
Swear
*Gtr. 7
mf
to
shake
it
up,
F#sus2
(Whispered:) swear
to
shake
it
up.
mp
w/ fingers
5
5
5
5
5
5
5
5
5
5
4
4
4
4
4
4
4
4
4
4
6 4
*Synth. bass arr. for gtr.
Coda 2 Gtrs. 2 & 4: w/ Rhy. Fill 1
E5
µ
your
eyes.
Outro
F#m
Da,
da,
µ
da,
Gtrs. 2 & 4
da,
da,
da,
doh, doh, da,
F#m
ah,
da,
µ
da,
D5
da,
da,
da,
ah,
ah,
ah,
ah,
P.M.
2 2 4 4 4
2 2 4 4 4
4 4 4
F#m
la,
da,
2 2 4 4 4
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
F#m
da,
da,
4 4 4
da,
0 0 0
da,
doh, doh, da,
la,
0 0 0
0 0 0
D
la,
da,
Sorgdal
µ
4 4 4
da,
da,
2 2 4 4 4
4 4 4
da,
ah.
3 2 4 0 0
0 0 0
from Panic! At the Disco - A Fever You Can’t Sweat Out
London Beckoned Songs About Money Written by Machines Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson Em
Em type2 Em('b6) 7fr
7fr
13 2
Drop D tuning: (low to high) D-A-D-G-B-E
7fr
13
14
Verse
Moderately fast q = 170
F,7sus2
A5
1. Stop
stall - ing,
Riff A *Gtr. 3
make
a
name
for
your - self.
Boy,
you
bet -
mf w/ tremolo
12
15
15
12
15
*Kybd. arr. for gtr. **Gtrs. 1 & 2 (dist.)
mf
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
Rhy. Fig. 1
2 2 0
2 2 0
2 2
2 2
2 2
2 2
2 2 0
2 2
2 2
2 2
2 2
2 2
2 2
P.M.
2 2 0
2 2 0
2 2 0
**Composite arrangement
-
ter
put
the
pen
to
pa
per,
charm
your
12
14
-
13
way
out.
F
If
you
talk End Riff A
15
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
1 2 3
1 2 3
1 2 3
1 2 3
P.M.
2 2
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Riff A (3 times)
Dm7
you bet - ter walk, you bet - ter Gtrs. 1 & 2
back your shit up
with
more
than good hooks
F,7sus2
while you’re all
un - der the
1 2 0
1 2 0
1 2 0
1 2 0
1 2 0
1 2 0
A5
1 1 1 2 2 2 0 0 0
1 2 0
1 2 0
1 2 0
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
Start
talk - ing. “A
1 2 0
1 2 0
1 2 0
1 2 0
1 2 0
1 2 0
sen - sa - tion - al - ist,”
Dm7
talk you bet - ter walk, you bet - ter
End Rhy. Fig. 1
1 2 0
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)
gun.
P.M.
1 2 0
oh, he’s
keep your mouth shut
Rhy. Fig. 2 Gtrs. 1 & 2
1 2 0
1 2 0
1 2 0
1 2 0
slight
with
1 2 0
-
ly
clev - er
to
more
than good hooks
1 2 0
1 2 0
1 2 0
0 0
F
3
just
a
cer - tain
ex - tent.
If
you
while you’re all
un - der the
gun.
End Rhy. Fig. 2
P.M. P.M. P.M.
P.M. P.M. P.M.
P.M.
P.M.
(Gtr. 2, cont. in slashes)
2 0
2 0
1 2 0
2 0
2 0
1 2 0
2 0
2 0
Pre-Chorus Em
Rhy. Fill 1 Gtr. 2
2 0
1 2 0
2 0
2 0
2 0
1 2 0
2 0
2 0
2 0
1 2 0
2 0
Em type2 End Rhy. Fill 1
2 0
2 0
1 2 0
2 0
Em('b6)
Pan - ic,
meet
the
press.
2 0
2 0
2 0
1 2 0
2 0
2 0
1 1 2 0
2 0
1 1 2 0
(cont. in notation)
It’s
Gtr. 1
*w/ delay let ring
3 4 2 2 2
3 4
*Set for quarter-note regeneration w/ 2 repeats.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
F,7(no3rd)
time
for
to
us
take
Rhy. Fill 2 *Gtrs. 1 & 2
a
chance,
it’s
time
for
to
us
take
a
chance.
End Rhy. Fill 2
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
(Gtr. 2, cont. in slashes)
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
*Gtr. 1: delay off
Em type2 Gtr. 2
Em('b6)
Pan - ic,
meet
the
(cont. in notation)
press. It’s
Gtr. 1
3 4 2 2 2
3 4 2 2 2
3 4 2 2 2
F,7(no3rd)
3 4 2 2 2
3 4 2 2 2
3 4 2 2 2
3 4 2 2 2
for
to
3 4 2 2 2
let ring
3 4 2 2 2
3 4 2 2 2
3 4
0 0 0
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
0 0 5 2 2
F5
for
us.
Well, we’re just
time
us
take
a
chance,
it’s
time
Fill 1
Gtr. 4 (dist.)
mf
End Fill 1
let ring
w/ wah-wah as filter
13
Gtrs. 1 & 2
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
13
13
1/2
13
13
13
12
12
P.M.
3
a
3
3
3
3
3
5
5
0 5
1/2
15
13
5
5
3
3 3 3
3 3 3
3 3 3
3 3 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Chorus 3rd time, Gtr. 4 tacet
Am
wet
dream
Gtr. 4 tacet
for
the web
-
zine.
C,7
Make us
it,
make us
hip,
make us
scene.
Or,
pp 0 5
0 5
0 5
0 5
0 5
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
F5
Rhy. Fig. 3
0 1 2 2 0
F5
shrug us
off your shoul - ders, don’t ap - prove a
sin - gle word that we
E7
wrote.
Well, we’re just
a
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
7 6
Make
us
it,
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Am
3rd time, Gtrs. 1 & 2: w/ Rhy. Fill 4
F,7(no3rd)
End Rhy. Fig. 3
Gtrs. 1 & 2
6 5 3 3 3
F,7(no3rd)
wet
dream
for
the
web
-
zine.
C,7
make
us
hip,
make
us
scene.
P.M.
7 6
7 6
7 6
Or,
To Coda 1
F5
shrug
us
off
your
shoul - ders,
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
sin - gle
don’t
ap
- prove
a
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
0 0 7 6 7 6
Rhy. Fill 4 Gtrs. 1 & 2
4
F,7(no3rd)
word
that
we
wrote.
0 0 7 6 7 6
0 0 7 6 7 6
0 0 7 6 7 6
F5
To Coda 2
F,7(no3rd)
Gtrs. 1 & 2
Gtrs. 1 & 2 tacet
D5
A5
Am
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
Gtr. 6 (dist.)
P.M.
0 0 0
0 0 0
0 0 0
0 0 0
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
17 X 15
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
Gtr. 5 (dist.)
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
mf
15
mf 14 X 12
Verse Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
A5
2. I’m
burn - ing and I’m
Gtrs. 5 & 6 tacet
black - ing
my
lungs.
Boy, you
know
it
good with fire
back on
feels
F
your
tongue.
If you
*w/ delay
14 X 12 *Set for quarter-note regeneration w/ 5 repeats.
14 X 12
14 12
Dm7
talk you bet - ter walk, you bet - ter Gtr. 2
back your shit up
with
more
than good hooks
while you’re all
F,7sus2
un - der the
gun.
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 1 (1st 4 meas.) Gtr. 3: w/ Riff A (2 times)
A5
Start
talk - ing.
cer - tain
ex
-
“A
sen
-
sa - tion - al
- ist,”
oh,
he’s
-
ly
slight
3
clev - er
to
just
a
Gtrs. 1 & 2: w/ Rhy. Fig. 2
F
tent.
Dm7
Oo,
oh,
keep
qui -
et!
Let
us
sing
like
the
doves,
Gtr. 2: w/ Rhy. Fill 1
if
it’s
done
with
or
Gtrs. 1 & 2
P.M. P.M. P.M. 2 0
1 2 0
2 0
2 0
2 0
1 2 0
2 0
pur - pose
2 0
Em7
lack
then
de
-
cide
Em9
there - of.
P.M.
1 1 2 0
1 1 2 0
2 0
1 2 0
2 0
2 0
2 0
2 0
3 4 2 2 2
2 3 4 2 2 2
2 3 4 2 2 2
2 3 4 2 2 2
2 3 4 2 2 2
Gtr. 1
Pre-Chorus __ 3 = Gtr. 1 tacet
Am
Just for the
Rhy. Fig. 4 *Gtr. 7
mf
E+/G#
rec
-
the weath - er
ord,
0 13 13
0 13 13
G
to - day
is slight - ly
12 12 12
12 12 12
sar - cas
-
A.
F#m7b5
tic with
10 11 10
10 11 10
a good chance of:
End Rhy. Fig. 4
3
w/ fingers let ring throughout
0 13 14
0 13 14
0 13 14 12
0 13 14 12
0 13 13
11
11
0 13 13 11
10
10
12 12 12
12 12 12
10
9
9
10 11 10
9
9
10 11
*Piano arr. for gtr. Riff B **Gtr. 8
End Riff B
3
mf
7
5
5 7
5
5 6
5
5
6
5
5
6
5
5
5
5
5
5 5
5
5
4
5
5
4
5
5
5 4
4
5
6
**Clarinet arr. for gtr.
Gtr. 7: w/ Rhy. Fig. 4 Gtr. 8: w/ Riff B
Am
In
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E+/G#
-
dif - f’rence or
B.
G
Dis
-
in - t’rest
in
F#m7b5
what
the
crit - ics
say.
3
It’s
__ = __ Gtrs. 1 & 2: w/ Rhy. Fill 2
Gtrs. 7 & 8 tacet
Gtr. 4: w/ Fill 1
F,7(no3rd)
time
Coda 1
D.S. al Coda 1
for us
to take
a
chance,
it’s
time
for
us.
Well, we’re just
Gtr. 8
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
Gtr. 7 divisi
7 12
a
Gtrs. 1 & 2
F,7(no3rd)
Rhy. Fill 3 Gtrs. 1 & 2
End Rhy. Fill 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
Breakdown Gtrs. 1 & 2 tacet
Play 4 times
µ
Am
(Drums & sound effects)
E+/G#
La,
la,
la,
la,
la,
la,
la,
la,
Voc. Fig. 1
G
la,
la,
la,
la,
la,
F#m7b5
oo,
whoa,
F#m7b5
oo,
End Voc. Fig. 1
whoa.
Pre-Chorus Bkgd. Voc.: w/ Voc. Fig. 1
Am
E+/G#
Just
for
the
rec
-
the weath - er
ord,
G
to - day
is
slight - ly
sar - cas
-
tic
with good chance
of:
D.S. al Coda 2
Am
E+/G#
A.
In
-
dif - f’rence, or
B.
Dis
Coda 2
Outro __ 3 =
Gtrs. 1 & 2: w/ Rhy. Fill 3
-
in - t’rest
in
what
the
crit - ics
Just
F#m7b5
-
10 11 10
10 11 10
9
10 11 10
the
In
0 13 14
9 10 11
E+/G#
-
0 13 14
dif - f’rence or
0 13 14 12
3
say.
Well, we’re just
rec
-
the weath - er
ord,
E+/G#
A. 3
9
for
Am
tic with a good chance of:
Gtr. 7
a
Am
F#m7b5
Gtr. 7: w/ Rhy. Fig. 4 (1st 3 meas.)
F,7(no3rd)
G
0 13 14 12
Dis
0 13 13
11
to - day
is
G
B.
G
0 13 13
in - ter - est
0 13 13 11
in
0 13 13 11
10
12 12 12
3
what the
12 12 12
sar - cas -
F#m7b5
-
slight - ly
crit - ics
10
12 12 12
10
say.
12 12 12
9
10 11 10
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Panic! At the Disco - A Fever You Can’t Sweat Out
Nails for Breakfast, Tacks for Snacks Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson D5
D5 open
F5
Bb5
5fr
G5 8fr
134
111
111
Gm7 5fr
Dm7 10fr
111
F'9 5fr
13121
13121
5fr 3214
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 144 ** Dm
Riff A
*Gtr. 1
Dm('Ê)
Dm
Dm('Ê)
Dm
Dm('Ê)
mf
***w/ delay
10
10
13
12
10
10
13
12
10
10
13
12
10
*Kybd. arr. for gtr. ***Set for quarter-note regeneration w/ 2 repeats. Rhy. Fig. 1 Gtr. 2 (slight dist.)
10 10 10
10 10 10
10 10 10
10 10 10
mf
101010
10 10 10
X X X
X X X
10 10 10
0 8 10
0 8 10
10 10 10
0 8 10
0 8 10
0 8 10
X X X
X X X
10 10 10
0 8 10
0 8 10
**Chord symbols reflect overall harmony.
1.
2.
Dm
10
Dm('Ê)
13
10 10 10
10 10 10
Dm
End Riff A
17
10 10 10
0 8 10
0 8 10
End Rhy. Fig. 1
0 8 10
13
12
Dm('Ê)
12
12
12
12
12
†
10
10 10 10
10 10 10
†Using a guitar with Les Paul style electronics, set lead volume to 10 and thythm volume to 0. Strike the string while the pickup selector switch is in the lead position then flip the switch in the rhythm indicated to simulate the re-attack.
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0 8 10
0 8 10
0 8 10
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtrs. 1 & 2 tacet
D5
1. Watch 2. That’s
mf
0
0
your mouth, when you
Riff B *Gtr. 3
A5
oh,
oh, oh, be - cause your speech st - st - stut - ter some - thing pro - found
0
E5
0
7
7
7
7
is to
2
F5
slurred the
e - nough sup - port
2
that you just might swal - low your tongue. on the line. And with
2
2
3
3
3
3
*Synth. bass arr. for gtr.
D5
I’m
A5
E5
sure you want, the way you’ve been talk - ing,
0
0
0
0
7
7
7
oo, want to give up ev - ’ry word
F5
the ghost with just gets you a step
7
2
2
C5
a
lit - tle more poise than that. clos - er to hell.
2
2
3
3
End Riff B
3
3
1st time, Gtr. 3: w/ Riff B 2nd time, Gtr. 3: w/ Riff B (1st 7 meas.)
D5
A5
Or That’s
was
it
Or the
way
was you’ve been
The hos - pice
Gtr. 2 Riff C
it
God talk - ing,
is
5
3
who chokes ev ’ry
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
a
3
**Delay set for half-note regeneration w/ 4 repeats.
2
sit - u - a - tions? to the sup - port
Run - ning late? Oh, no, he called in. on the line. And with
in
these word
To Coda 1
re - lax
-
sit - u - a - tions? gets you a step
Run - ning late? Oh, no,
let ring
7
cut
a - bove all
5 7
the
let ring
6 5
he called in.
week - end get - a - way where you’re a
C5
F,7
ing
F5
F
**w/ clean tone & delay let ring
3 3 3 5
F5
E5
Pre-Chorus Gm
A5
God who chokes in these st - st - stut - ter some - thing pro - found
when you
D5
E5
8
5 8
rest.
Gm
Sick
and
sad
-
tients on
first
name
5
3
3
sis with
the
top
phy - si
-
(cont. in slashes)
5
6
6
Gtr. 2: w/ Rhy. Fig. 1 (2 times) 2nd time, Gtr. 1 tacet
D5
End Riff C Gtr. 4
Rhy. Fig. 2
6
5
w/ dist.
D5 open F5
Rhy. Fill 1 Gtr. 4 (clean)
End Rhy. Fill 1
mf
Riff D
mf
6 6 8 8 6
10 10 10
G5
to
10 10 10
To
off
-
set the
D5
pills
let ring
0 8 10 8
0 8 10 8
0 8 10
you
know
you
should
0 10
7
7
10
10
To Coda 2
Gm9
10 10 10
the
8 8 8 9 9 9 10 10 10
shakes.
10 10 10
D5 open F5
it
10 10 10
set
8 8 8 9 9 9 10 10 10
a
day
at
a
8
10 10 10
8 8 8 9 9 9 10 10 10
10 10 10
D.S. al Coda 1
Interlude Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 1
Dm
Bb6#11
10 10 10
-
take
10
off
8
End Riff D
5
Gtr. 4: w/ Rhy. Fig. 2 (last 2 meas.) Gtr. 5: w/ Riff D (last 2 meas.)
8 8 8 9 9 9 10 10 10
End Rhy. Fig. 2
pills
Gtr. 5 (dist.)
(cont. in slashes)
Pre - scribed
Bb5
cians.
Chorus
5fr
all
6
C
-
5
Gtr. 2
ba
let ring
3 3 3
pa
F,7
Dm('Ê)
Dm
Dm('Ê)
time.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1
Chorus
Gtr. 4: w/ Rhy. Fill 1
Gtr. 2: w/ Rhy. Fig. 1 (4 times) Gtr. 4: w/ Rhy. Fig. 2 (2 3/4 times) Gtr. 3 tacet Gtr. 5: w/ Riff D (2 3/4 times)
Ebsus2
Dm7
clos - er
to
F
to
off
hell. Pre - scribed
Gtr. 3
pills
-
set
the
shakes.
1
Bb6#11
To
off
-
set
the
Dm7
pills
you
Gm9
Bb6#11
Gm9
know
you
Dm7
time.
should
you
know
you
pills
to
should
Gtr. 5
Fill 1
6
8
7
8
Rhy. Fill 2
1 1 1
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
take
off
Bb6#11
it
a
day
at
a
-
a
at
7
To off
Gm9
-
time.
End Rhy. Fill 2
1 1 1
1 1 1
1 1 1
set the pills
8
a
Bb6#11
set the shakes.
day
End Fill 1
Gtr. 4
F
it
F
Gtr. 4: w/ Rhy. Fig. 2 Gtr. 5: w/ Riff D
Dm7
take
Pre - scribed
Eb,7
F
Bridge
Gm7 Gtr. 2
I
12
11
12
(cont. in notation) a - lone in
10
And
10
10
fix
-
least
Gm7
es
8 5 7 8
8 5 7 8
Dm7
12
13
12
but
at
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
X X X X X
X X X X X
am
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
X X X X
X X X X
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
F'9
this
10
10
End Riff E
in
head.
this
I
she...
and
Dm7
house
13
10
bed,
Gtr. 2 tacet
F'9
10
nev - er
8 5 7 8
she
Gtr. 4
10
this
Gm7
12
11
12
Gtr. 1: w/ Riff E (2 1/4 times)
Gtr. 2
F'9
Gtr. 4
am
Riff E Gtr. 1
Gtr. 2 tacet
Dm7
bed,
oo.
a
-
lone
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
Rhy. Fill 3
Gm7
She
EndRhy. Fill3
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
8 5 7 8
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
10 11 10 12 10
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S.S. al Coda 2 Gtr. 4: w/ Rhy. Fill 3
nev - er
Gtr. 4: w/ Rhy. Fill 1
Dm7
fix
this.
-
es
Ebsus2
But
Gtr. 1
12
11
10
10
10
13
at
least
she...
12
11
Coda 2
Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 4: w/ Rhy. Fig. 2 (1st 3 meas.) Gtr. 5: w/ Riff D (1st 3 meas.)
Dm7
Pre - scribed
to
Bb6#11
off
-
set
the
shakes.
To
Gtr. 4: w/ Rhy. Fig. 2 Gtr. 5: w/ Riff D
Eb,7
pills
Gtr. 4: w/ Rhy. Fill 2 Gtr. 5: w/ Fill 1
F
you
Dm7
know
you
should
take
off
-
set
the
pills
Bb6#11
F
it
a
day
at
a
time.
Outro
Gtr. 2: w/ Riff C
Gm9
Gm
The
F,7
you’re
a
cut
a - bove
all
the
hos - pice
Gm
is
a
rest.
Sick
and
re - lax
sad
pa
F
-
ing
-
week - end
tients
on
first
F,7
-
sis
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
with
all
the
top
phy - si
-
cians.
get - a - way where
name
ba -
from Panic! At the Disco - A Fever You Can’t Sweat Out
Camisado Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson G5
A5
Bm
5fr 111
Drop D tuning: (low to high) D-A-D-G-B-E
111
Bm7
The
I.
V.
end,
w/ fingers let ring
7 10 9
342 1
123 4
let ring
let ring
7 10
7 10
9 10
9 10
9 10
9
9
9
9
9
D5 D,7(no3rd) D6(no3rd)
D,7(no3rd)
7
111
Riff A
114
B7sus2
mf
Gmaj7(no3rd) Em7
3
__
B7(no3rd)
E5
9fr
=
Intro Moderately fast q = 156
*Gtr. 1
D5
7fr
10
9 10
7
9
your
hos
-
pi
9 10 7
10 10 7
9 10 7
9 10 7
9 10 7
-
tal
bed.
7 10 7
7 10
7
7 10
*Fender Rhoades elec. piano arr. for gtr.
G,7(no3rd)
G5 G,7(no3rd) G6(no3rd)
This was
no
ac
-
ci - dent,
Em('4)
this was
a
A'9
ther - a - peu - tic chain
of
e - vents.
let ring
7 7 5
5
Verse __ __ =
7 7 5
7 7 5
8 7 5
7 7 5
5 7 5
5 7
5
5 8
5 7 5
5 8
7
3
End Riff A
5 8
7
7
12
11
12 14 14
12 14 14
12 14 14
Gtr. 1 tacet
A7susÊ Bm7
1. This
is
the
scent
of
dead
0 0 0 0
3 2 4 2
3 2 4 2
**Gtrs. 2 & 3 (dist.)
mf
B7sus2
skin
3 2 4 2
3 2 4 2
3 2 4 2
2 2 4 2
D5
on
a
li
- no
2 2 4 2
3 2 0 0
3 2 0 0
3 2 0 0 0
-
le - um
floor.
D,7(no3rd)
This
is
the
scent
of
2 2 0 0 0
2 2 0 0 0
Rhy. Fig. 1
2 2 4 2
quar - an -
2 2 0 0 0
2 2 0 0 0
2 2 0 0 0
**Composite arrangement
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
tine wings
in
a
3 2 0 0 0
hos
3 2 0 0 0
sure
as
hell
ain’t
Dsus2
-
It’s
not
so
pleas - ant
and
7 7 5 5 5
7 7 5 5 5
7 7 5 5 5
0 3 2 0
0 3 2 0
0 3 2 0
G5
G,7(no3rd)
it’s
not
so
7 7 5 5 5
7 7 5 5 5
8 7 5 5 5
Em7
pi - tal.
0 3 0 2 2 2
0 3 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
nor - mal
7 7 5 5 5
A'9
0 0 0 2 2 2
G,7(no3rd)
but
we
End Rhy. Fig. 1
0 0 0 2 2 2
0
deal,
we
A5
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
7 7 5 5 5
7 7 5 5 5
0 0 0
0 0 0 2 2 2
The
an - es - thet - ic
3 2 4 2
3 2 4 2
0
It
Bm7
deal.
con - ven - tion - al.
7 7 5 5 5
nev - er
3 2 4 2
3 2 4 2
3 2 4 2
Gtrs. 2 & 3: w/ Rhy. Fig. 1
B7sus2
D5
set
in
and
I’m
not
so
won - der - ing
where
pleas - ant
and
it’s
not
so
D5
deal.
Just
let ring
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 6 7 0
0 0 6 7 0
0 0 6 7 0
0 0
D5
ap - ath - y
and
ur - gen
Em7
G,7(no3rd)
con - ven - tion - al.
Interlude D5
0
the
we
0 0 6 7 0
Gtrs. 2 & 3
0 0 6 7 0
G5
deal,
D,7(no3rd)
3 2 0
sit back, just
sit back,
just
-
Dsus2
cy
is
that
I
thought
It
sure
as
hell
ain’t
sit back and
re - lax.
I
phoned
in. It’s
A'9
G,7(no3rd)
Just
nor - mal
but
we
sit back, just
sit back,
just
sit
back
and
Em9
re - lapse
a
-
4 5
0 3 4 5
0 3 4 5
0 3 4 5
gain.
Gtr. 2
let ring
3 2 0
Gtr. 3
let ring
mp
2 3 4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
P.M.
2 3 4 2
3 2 0
P.M.
2
2
2
2
2
2
2
2
2
0 3 4 5
(cont. in slashes)
7 4
4
2
7 4
7 4
0 0
Chorus
3rd time, Gtr. 6 tacet
G5
A5
Rhy. Fig. 2A
Can
take the kid
Gtr. 3
Riff B Gtr. 4 (dist.)
Bm
from the
fight,
mf let ring
take the fight from the
7
6
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
X X X X
6 7 7 7
To Coda 2
Can
take the
kid
back,
re - lax,
sit back, re - lapse a - gain. (Bop, bop, ba, doh.) End Riff B
let ring
7
6
6
6 7 7 7
6 7 7 7
6 7 7 7
6 7 7 7
X X X X
7 5 5 5
4
0
6
6
1/2
6
6
A5
from
the
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
End Rhy. Fig. 2
7 5 5 5
7 5 5 5
To Coda 1
1st & 2nd times, Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A Gtr. 4: w/ Riff B 3rd time, Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (1st meas.)
Sit
0
G5
kid.
1/2
4
Rhy. Fig. 2
3 4
Gtr. 2
End Rhy. Fig. 2A
fight,
Bm
take
the
fight from
the
kid.
Just
sit
back,
just
sit
back.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Interlude
D5 Gtrs. 2&3
You’re a
reg - u - lar dec - o - rat - ed
*Gtr. 5
e - mer - gen - cy.
You’re a
reg - u - lar dec - o - rat - ed
e - mer - gen
-
cy.
7 7 7
7 7 7
7 7 7
8 7 7
mf 7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 6 7
7 6 7
7 6 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
8 7 7
8 7 7
8 7 7
*Synth. arr. for gtr.
7 7 7
7 7 7
7 7 7
Verse Bm
2. This is
F#7/A#
the scent of
Rhy. Fig. 3
7 7 7
A6
7 7 7
Gtrs. 2 & 3 tacet
End Rhy. Fig. 3
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
0 7 6 7
7 7 7
dead skin
on
a
li - no - le - um
0 7 6 7
0 7 6 7
0 7 6 7
0 7 6 7
0 7 6 7
G,7
floor.
This is
0 7 6 7
0 7 6 7
0 7 6 7
0 7 6 8
0 7 6 8
the scent of quar - an - tine wings in
0 7 6 8
a
hos - pi - tal. It’s
Rhy. Fig. 4
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9 10
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9 10
A6
It
sure
7 7 9 10
7 7 9 10
7 7 9 10
7 7 9 10
7 7 9 10
End Rhy. Fig. 4
7 7 9 10
7 7 9 10
7 7 9 10
7 7 9 10
7 7 9 10
Gtr. 5: w/ Rhy. Fig. 3
D
not
so
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
pleas - ant
and
it’s
not
so
con - ven - tion - al.
as
hell ain’t nor - mal
but
we
F#7/A#
deal,
we
deal.
Gtr. 5: w/ Rhy. Fig. 4
Bm
The an - es - thet - ic
nev - er
Gtr. 5: w/ Rhy. Fig. 3
D
not
so
set
in
and I’m won - der - ing
pleas - ant and it’s
not so con - ven - tion - al.
Coda 1
G,7(no3rd)
sit
back,
3 X 4 5 5
3 X 4 5 5
3 X 4 5 5
It
back,
re - lax,
E7sus2
re
-
3 2 0 0 4
3 2 0 0 4
3 2 0 0 4
0 2 0 0 4
3 2 0 0 4
4 4
G5
Gtr. 3
You can take the
3 4
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
X X X X
Gtr. 2
4
4
4
6 7 7 7
that
I thought I phoned
kid
out
of
the
7
6
in. It’s
4 4
deal,
back,
D5
we
7
(Sound effects)
deal.
D5
sit
back,
bop,
bop,
ba, doh. End Rhy. Fig. 5
2 3 4 2 2 2
2 3 4 2 2 2
3 2 0 0 0
3 2 0 0 0
2 3 4 2 2 2
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
(Gtr. 3, cont. in slashes)
2 3 4 2 2 2
3 2 0 0 0
3 2 0 0 0
End Fill 1
4 4
0
0
2
0
D5
1/2
4
is
F#7/A#
Bm
Gtr. 4
ur - gen - cy
sit
2 3 4 2 2 2
4 4
A5
Fill 1
Gtr. 4
and
we
lapse,
3 X 4 5 5
ap - ath - y
sure as hell ain’t nor - mal but
sit
3 X 4 5 5
the
where
D.S. al Coda 1
D/F#
Rhy. Fig. 5 Gtrs. 2 & 3
A6
G,7
0
2
fight.
6
6
6
6
6
6
6
7
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
5 5 5
0
0
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7
7
7
0
6 7 7 7
6 7 7 7
6 7 7 7
6 7 7 7
X X X X
7 5 5 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtr. 4 tacet
B5
µ
You’re a
reg - u - lar
Gtrs. 2 & 3
dec - o - rat - ed
e - mer - gen - cy. The
bruis - es
and con - tu - sions will
re - mind me what you did when you wake.
steady gliss.
9 9 9
9 9 9
B5
5 5 5
You’ve earned your place a - top the
Gtrs. 2 & 3 tacet
µ
I.
9 9 9
C.
U.’s
hall of fame.
Cam -’ra’s got you caus - ing
a
com - mo - tion on
the gur - ney
a - gain.
steady gliss.
9 9 9
Half-time feel Em7
G,13(no3rd)
You’re a
reg - u - lar dec - o - rat - ed
mf
e - mer - gen - cy. The
Gtr. 6 (clean)
F#m11
0 3 0 2 2 2
0 3 0 2 2 2
0 3 0 2 2 2
0 3 0 2 2 2
0 3 0 2 2 2
0 3 0 2 2 2
0 3 0 2 2
bruis - es
and con - tu - sions will
re - mind me what you did when you
0 4 5 5
0 3 0 4 5 5
wake.
0 0 2 4
0 0 2 4
let ring throughout
0 3 0 2 2 2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0 3 0 5 5
5 5
4
4
0 0 2 4 0
Em7
You’ve earned your place a - top the
I.
C. U.’s
hall
of
D,7
fame.
Em
Cam -’ra caught you caus - ing
0 3 0 2 2 2
0 3 0 2 2 2
0 3 0
0 3 0
0 3 0
0 3 0
2 2 2
a
0 3
2 2 2 0 0 0
2 2 2 0 0 0
0 0 0 0
0 3 4 2 2 2
com - mo - tion on
the gur - ney
a
0 2 2 2
0 2 2 2
0 0
-
D.S. al Coda 2 End half-time feel
G,13(no3rd)
F#m11
µ
gain.
Coda 2
fight,
Gtr. 2
6 7 7 7
E5
Gtr. 3
6 7 7 7
take
the
6 7 7 7
fight from
6 7 7 7
6 7 7 7
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
0 0 2 4 0 4
mp
0 3 0 4 5 5
A5
6 7 7 7
the
kid.
6 7 7 7
Sit back, sit
Just
sit
back,
0 0 2 4 0 4
D5 G,7(no3rd)
just
mf
sit
back.
let ring
7
5
Gtrs. 2 & 3: w/ Rhy. Fig. 5 Gtr. 4: w/ Fill 1
G,7(no3rd)
0
0 7
7
0
0
7
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (1st 2 meas.) Gtr. 4: w/ Riff B (1st 2 meas.)
D/F#
back, re - lax,
E7sus2
re - lapse,
sit back, sit
D5
back, bop, bop, ba, doh.
G5
A
You can take the
kid
out of
the fight.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Em7 Gtr. 2
E5
P.M.
Gtr. 3
P.M.
(cont. in slashes)
3 0 2 2 2
2 2 2
Gtr. 4
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
5 4
5 4
5 4
5 4
1/2
6
Outro __ 3 =
4
6
G5
6
Gtr. 1: w/ Riff A Gtrs. 2&3
6
6
6
6
6
6
6
(cont. in notation)
The
I.
V.
end,
Gtr. 4
your
hos
-
pi
-
tal
4
Gtr. 4 tacet
G,7(no3rd)
G5 G,7(no3rd) G6(no3rd)
This was
no
ac
-
ci - dent,
Em('4)
this
was
a
ther - a - peu - tic chain
of
e - vents.
Gtrs. 2 & 3
5 5 5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A'9 3
bed.
from Panic! At the Disco - A Fever You Can’t Sweat Out
Time to Dance Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson Am
Fmaj7sus2
G7sus2
7fr
Drop D tuning: (low to high) D-A-D-G-B-E
111342
Intro Moderately fast q = 170 ** Dm7
Riff A
*Gtr. 1
A5
111341
111321
7fr 1114
Am
F5
5fr
1114
Bb,7sus2
mf
w/ fingers
7
10
7
*Kybd. arr. for gtr.
Gtr. 2 (dist.)
Rhy. Fig. 1
7
8
8
10
7
12
11
7
10
7
8
8
8 8
8
10 8
8
10 8
11
10
8
8
8 10 9 7 7 7
8 10 9 7 7 7
8 10 9 7 7 7
8 10 9 7 7 7
8 10 9 7 7 7
8 10 9 7 7 7
8 10 9 7 7 7
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
1 1 3 3 1
10
(cont. in slashes)
13 14 12 12 12
13 14 12 12 12
13 14 12 12 12
13 14 12 12 12
13 14 12 12 12
13 14 12 12 12
8 10 9 7 7 7
Rhy. Fig. 1A
132 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
mf
10
10
Gtr. 3 (dist.)
8
mf
1314 1212
10
7
0 0
0 1 2 2 0
3 X 1
8 10 10 8 8 8
8 10 10 8 8 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
0 0
**Chord symbols reflect overall harmony.
1.
Am
F,7sus2
2.
G7sus2
Gtr. 2
End Rhy. Fig. 1
1. Well, Gtr. 1
10 7
7
0 1 2 2 0
0 1 2 2 0
8 7
Gtr. 3
0 1 2 2 0
8
10 7
7
10 8
11 10
8
10
10
8
10 10
8
8 10
10
10
10
10
10
8
10
10
End Riff A
10
10
Fill 1
8
End Fill 1
8 10
10
10
10
10
End Rhy. Fig. 1A
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 3 3
0 1 2 3 3
0 1 2 3 3
0 1 2 3 3
0 1 2 3 3
0 1 2 3 3
0 1 2 3 3
0 1 2 3 3
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 1 3 0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 1, 2 & 3 tacet
Bb5
she’s
not
bleed - ing
Gtr. 4 (dist.)
the
ball
on
mp
G5
-
steady gliss.
8 8 8
8 8 8
Bb5
-
tion,
that’s
just
ri
room
-
dic
string noise
steady gliss.
8 8 8
X X X
just
for
the
floor
5 5 5
5 5 5
8 8 8
-
at
-
ten -
steady gliss.
G5
’cause
u
-
lous.
Lay
on. Well,
5 5 5
3 3 3
5 5 5
5 5 5
5 5 5
5 5 5
3 3 3
3 3 3
3 3 3
Gtr. 4 tacet
Bb,7sus2
she
sure
is
gon - na
Rhy. Fig. 2 *Gtrs. 2 & 3
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
*Composite arrangement
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 10 10 8 8 8
8 10 10 8 8 8
G7sus2
get
it.
Here’s the set - ting,
fash - ion mag - a - zines line the
walls,
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
Bb,7sus2
now
the
G7sus2
walls
line
the bul - let
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
holes.
8 10 10 8 8 8
F,7sus2
End Rhy. Fig. 2
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
5 6 7 5 5 5
5 6 7 5 5 5
3 5 5 3 3 3
3 5 5 3 3 3
Interlude Dm7
Rhy. Fig. 3
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
P.M.
6 5 7 5
Bb,7
Gtr. 2
* P.M.
13 14 12 12
13 14 12 12
13 14 12 12
13 14 12 12
13 14 12 12
13 14 12 12
1/4
13 14 12 12
13 14
13 14
13 14
1/2 13 14
13 14
13 14
13 14
13 14
13 14
*Gradually lift P.M.
Gtr. 3
**P.M.
10 8 8 8
10 8 8 8
10 8 8 8
10 8 8 8
10 8 8 8
10 8 8 8
1/4
10 10 8 8 8
10 10 8 8 8
10 10 8 8 8
10 10 8 8 8
10 10 8
10 10
End Rhy. Fig. 3
1/2 10 10
10 10
10 10
10 10
10 10
**Gradually lift P.M.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtr. 1: w/ Riff A (1 7/8 times) Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (2 times)
Have
some
Dm7
sure.
Where
is
your
pos
com - po
-
pull - ing
the
trig - ger,
Am
Have
some
Dm7
Am
com - po
pull - ing
the
Am
-
pull - ing
the
F,9
sure.
Where
is
your
pos
pull - ing
the
F,9
trig - ger,
ture?
Oh,
no,
G7susÊ
-
2. Give
me
en - vy,
ture?
Oh,
no,
give
me
mal - ice,
give
me
no.
You’re
T o Coda
me
en - vy,
wrong.
your
You’re
at -
ten
Gm
-
give
me
tion. Give
*Gtr. 5
no.
all
Gtr. 1: w/ Fill 1
G7susÊ
wrong.
Bb,7sus2
trig - ger
all
Verse Bb
trig - ger
Am
-
Bb,7sus2
13
15
mp 13
13
13
13
13
13
13
13
15
15
13
*Kybd. arr. for gtr.
mal - ice,
17
13
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
ba - by,
17
give
me
a
13
Bb
break. When
15
13
say
shot
I
13
13
-
gun,
you
13
13
say
wed
13
13
-
ding.
13
Shot -
13
Gm
-
gun
wed
shot
-
wed
15
15
17
17
-
ding,
gun
-
Bb
ding.
*
15
13
13
13
13 15 15
13
13 15 15
13 15 15
13 15 15
13 15 15
13 15 15
13 15 15
*Vol. swell Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 times) Gtr. 5 tacet
Bb,7sus2
She
did - n’t
choose
G7sus2
this
role
but she’ll play
Bb,7sus2
it
and
G7sus2
you
make
it
sin
so
-
cere,
F,7sus2
cry,
you
(Give
me
a
break.)
*Voc. Fig. 1
cry. *Refers to upstemmed voc. only.
Bb,7sus2
End Voc. Fig. 1
Well, they be - lieve
it
from the
Bb,7sus2
Boys will
be
tears and the
teeth
right
boys,
hid - ing
in
es
-
tro
down
G7sus2
-
to
the
G7sus2
gen
blood
at
and
wear
-
Au - ber
-
F,7sus2
ing
her
feet.
gine
Interlude
D.S. al Coda
Gtr. 2: w/ Rhy. Fig. 3
Bkgd. Voc.: w/ Voc. Fig. 1
Dm7
Am7
Bb,7(no3rd)
dreams.
Gtr. 3
P.M.
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
7
5 5 7 7
5 5 7 7
5 5 7 7
5 5 7 7
5 5 7 7
5 5 7 7
5 5 7 7
5 5 7 7
7 8 8
7 8 8
7 8 8
7 8 8
7 8 8
7 8 8
7 8 8
7 8 8
1/4
7 8 8
7 8
1/2
7 8
7 8
7 8
7 8
7 8
7 8
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Bridge Gtr. 3: w/ Rhy. Fig. 3 (last 2 meas.)
A5
Bb,7(no3rd)
Rhy. Fill 1 Gtr. 3
End Rhy. Fill 1
P.M.
Come
on,
this
is
scream
-
ing
pho - to
op,
Rhy. Fig. 4
Gtr. 2
P.M. 0 2 0
0 2 0
Dm7
0 2 0
0 2 0
0 2 0
0 2 0
1 0 2 0
0 2 0
1 0 2 0
1 0 2 0
1 0 2 0
1 0 2 0
1 0 2 0
1 0 2 0
1 2 3
0 0
1 2 3
1 2 3
1 2 3
1 2 3
F,7(no3rd)
0 2 0
1 2 3
1 2 3
1 2 3
1 2 3
1 2 3
1 2 3
End Rhy. Fig. 4
1/4
1 2 3
1 2 3
1/2 1 2 3
1 2 3
1 2 3
op.
Gtrs. 2 & 3
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
Gtr. 2: w/ Rhy. Fig. 4 Gtr. 3: w/ Rhy. Fill 1
Come
on,
Dm7
this
is
come
ing,
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
5 5 3 3 3
Bb,7(no3rd)
on,
scream - ing
pho - to
this
is
scream
-
ing,
this
is
scream -
3
op.
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
5 6 5 7 5
Gtrs. 2 & 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig. 3 (last 2 meas.)
Am7
Outro Bb,7sus2
Boys will
8 10 10 8 8 8
8 10 10 8 8 8
8 10 10 8 8 8
be
be
8 10 10 8 8 8
-
by.
Boys will
10 10 8 8 8
ba
boys,
ba
-
Boys will
5 6 7 5 5 5
5 6 7 5 5 5
5 6 7 5 5 5
G7sus2
by.
5 6 7 5 5 5
Bbsus2
en - vy, give me
mal - ice, give me
your
at - ten
5 6 7 5 5 5
be
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
Dm7
I
say
1 3 3 1
1 3 3 1
shot
-
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
gun,
you
5 5 3
boys.
3 5 5 3 3 3
3 5 5 3 3 3
tion. en - vy, give me
1 3 3 1
F,7sus2
3 5 5 3 3 3
Rhy. Fig. 5
1 3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
mal - ice, ba - by, give me
5 5 3
5 5 3
5 5 3
5 5 3
say
wed
-
ding.
a
When break.
boys.
5 6 7 5 5 5
Give me
1 3 3 1
C5
-
Boys will
be
8 10 10 8 8 8
Give me
G7sus2
boys,
Bb,7sus2
5 5 3
5 5 3
5 5 3
5 5 3
Shot
-
End Rhy. Fig. 5
(Gtr. 2, cont. in slashes)
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
6 5 7 5
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
-
gun
10 10 8
10 10 8
10 10 8
Rhy. Fill 2 Gtr. 2
Gtr. 3
-
ding,
10 10 8
10 10 8
10 10 8
wed
shot
-
gun
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
wed
-
End Rhy. Fill 2
ding.
Gtrs. 2 & 3: w/ Rhy. Fig. 5
Bbsus2
Boys
will
be
C5
boys
Dm7
hid - ing
in
es
-
tro
-
gen
Boys
will
be
boys
hid
and
-
boys
will
be
boys.
ing
in
es
-
tro
-
gen
Gtr. 2: w/ Rhy. Fill 2
F5
and
-
ing
wear
Au - ber
-
Dm7
gine
dreams.
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
Gtr. 3
Gtrs. 2&3
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
µ
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
5 6 5 7 5 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Panic! At the Disco - A Fever You Can’t Sweat Out
Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson F5
Cm
Bb5
Abmaj7(no3rd)
10fr 111
114
8fr
G/B
6fr
111
11134
Eb5 9fr
6fr
124
134
Drop D tuning: (low to high) D-A-D-G-B-E
Verse Moderately q = 126 * Cm µ
1. Is
it
still
me
that makes
Riff A1
Gtr. 2 (clean)
you
sweat?
Am
I
who you
think
a - bout
bed?
in
When
the
lights
mp P.M.
8
Gtr. 1 (clean)
Riff A
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
mf P.M.
10
8
10
8
10
8
10
8
10
8
10
8
10
10
8
10
*Chord symbols reflect implied harmony.
Ab6
are
dim
and
your
hands
are
shak
-
ing
as
you’re
slid
-
ing
off
your
dress? Then
End Riff A1
P.M.
5
6
5
6
5
6
5
6
5
6
5
6
6
5
6
6
5
5
5
6
End Riff A
P.M.
6
5
6
5
6
5
6
5
6
5
6
5
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
6
5
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Riffs A & A1 (3 times)
Cm
think
of
what
you
*Gtr. 3
did
and
how
Ab6
I
hope
to
God
he was worth
it. When the
lights
are
dim
and your heart
is
rac -
Fill 1
** pp
3
*Kybd. arr. for gtr.
**Vol. swells
ing
as
your
Cm
fin - gers touch your skin. I’ve got more
a
wit,
bet - ter
kiss,
hot - ter
touch,
a
bet - ter
fuck...
End Fill 1
than an - y
boy
mf 3
Ab6
you’ll
ev - er
meet.
Sweet - ie,
you
had
I
was
it,
look
past
A
love
me.
Girl,
Cm
the sweat.
bet - ter
4
de - serv - ing
Ab6
bod - y
heat
5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
in
the
No,
no,
no,
of...
Ex - chang - ing
pas - sen - ger
seat.
Pre-Chorus Gtr. 3 tacet
Ab,7
F5
w/ dist.
Rhy. Fill 1A Gtr. 2
you know
it
will
just
me.
al - ways
be...
Let’s get these teen hearts
*Gtrs. 1 & 2
End Rhy. Fill 1A
beat -
Rhy. Fill 1
Gtr. 1
mf
(Gtr. 2, cont. in slashes)
ing.
Fast - er,
fast
-
er!
So
tes -
End Rhy. Fill 1
8 6 8
7 6 8
7 6 8
7 6 8
w/ dist.
3 4 5 6
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
7 6 8
7 6 8
7 6 8
7 6 8
7 6 8
*Composite arrangement
Chorus Cm
Bb5
Ab,7(no3rd)
Rhy. Fig. 1
End Rhy. Fig. 1
tos - ter - one
boys
and
har
-
13 10
13 10
12 10
12 10
12 10
10 10
15 13
15 13
15 13
13 13
13 13
13 13
To Coda 2
Gtr. 2: w/ Rhy. Fig. 1
Cm
Bb5
tos - ter - one boys
and
13 13 10 10
13 12 10 10
12 12 10 10 10 10
Will you dance to this
13 10
le - quin girls:
beat
and
hold
a
8 8 6
8 10
12 11
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 10
8 10
har
hold
15 15 13 13
15 13 13 13
Will you dance to this beat
13 13 12 13 13 11
So
and
Gtr. 2
7 10
7 10
7 8
(cont. in notation)
2. So I End Rhy. Fill 2
8 8 6
7 8 6
8 8 6
8 8 6
7 8
a lov - er close?
Rhy. Fill 2
8 8 6
tes -
Ab,7(no3rd)
7 10
To Coda 1
Ab,7(no3rd)
le - quin girls:
close?
-
lov - er
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
7 8 6
7 8 6
7 8 6
7 8 6
8 8 6
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse C6sus2
guess
we’re
back
to
us.
10 10
10 10
Gtr. 1
let ring
10 10
10 10
10 10
10 10
8
Oh,
cam - ’ra
-
man
Cm9
swing the
X X
X X
X X
X X
10 8 8
10 8
10 8
10 8
10 8
fo -
cus!
8 8
8 8
8 8
In
case
I
10 8
10 8
10
Gtr. 2
*P.S.
X X X
X X XX XX XX XX XX X X X X X X X X X
*Scrape and shake pick back and forth to create noise.
Ab
µ
lost
my
train
of
thought,
where
was
it
that
we
last
Whispered: left
off?
Let’s
pick
up,
pick
up.
Oh,
P.M.
4 5 6
6
5
P.M.
4
5
P.M.
4 5
4 5
6 7
P.S.
X X X
X X X X X X X X X X X X X X X X X X X X X
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff A (1 3/4 times) Gtr. 3: w/ Fill 1
Cm
now Riff B
Gtr. 1
I
do
re
-
call,
we
were
just
get - ting
to
the
part
where
the
dist. off P.M.
8
10
8 10
10
8
8
10
8
8
10
10
8
10
8
10
Ab
shock
sets
in
and
the
Gtr. 1
stom - ach
ac
-
id
finds
a
new
way
to
make
you
get
sick. I End Riff B
P.M.
6
3
4
5
6
5
6
6
5
Gtr. 3
5
6
6
4 6
6
5
* pp
mf
4 7
*Vol. swells
Gtr. 1: w/ Riff B
Cm
hope you
Gtr. 3
did - n’t ex - pect
to
pp 3
get
Ab
all of
the
at - ten
-
tion.
Let’s
not
get
self - ish. Did you real - ly think I’d
let
mf 3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda 1 Gtr. 3 tacet
F5 Gtr. 2
w/ dist.
you
kill
this
cho
-
rus?
Let’s get these teen hearts
Gtr. 3
beat
-
ing.
Fast
-
er,
fast
-
er!
So
tes -
3
Gtr. 2
P.M.
Gtr. 1
8 6 8
7 6 8
w/ dist.
(cont. in slashes)
6
5
5
6
6
6
5
5
6
6
Coda 1
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
Bridge
Cm
a
lov - er
Gtr. 2
8 8 6
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 8 6
8 8 6
close. Dance
G/B
7 8 6
7 8 6
7 8 6
13 10
7 8 6
7 8 6
to
this
beat,
13 10
13 10
13 10
13 10
12 10
12 10
12 10
12 10
12 10
12 10
Ab,7(no3rd)
dance
to
this
8 8 6
8 8 6
8 8 6
8 8 6
F5
beat,
dance
8 8 6
7 8 6
7 8 6
7 8 6
7 8 6
7 8 6
6
to
this
beat.
8 6 8
7 6 8
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
8 6 8
7 6 8
7 6 8
7 6 8
7 6 8
7 6 8
7 6 8
7 6 8
Interlude Gtrs. 1 & 2 tacet
Cm('9)
Bb
Ab,7
Voc. Fig. 1
Let’s get these teen hearts
beat - ing.
Fast - er,
*Gtr. 4
Cm('9)
End Voc. Fig. 1
Riff C
fast - er.
Bb
Ab,7
Let’s get these teen hearts
beat - ing.
Fast - er.
3. I’ve got more
End Riff C
mf let ring throughout
10 10
6
8
8
8
6
7
6
3
4
5
10 10
8
6
8
6
7
8
6
5
3
4
*Piano arr. for gtr.
Verse **Gtr. 1: w/ Riff B (1st 3 meas.) **Gtr. 2: w/ Riff A (1st 3 meas.) Gtr. 4 tacet
Cm
Ab
wit
and
a
bet - ter
kiss,
hot - ter
touch...
a
bet - ter
fuck
than an - y
boy
you’ll ev - er
meet.
Sweet - ie,
you
**w/ clean tone
Gm
Fm
had
Fill 2
5
I
was
it,
look
past
the
sweat.
Cm
of
ex - chang -
me.
Girl,
Gtrs. 1 & 2
Gtr. 1: w/ Riff B (1st 3 meas.) Gtr. 2: w/ Riff A (1st 3 meas.)
A
bet - ter
love
de - serv - ing
End Fill 2
3
3
3
3
1
1
1
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Fill 2
ing
bod
Ab
-
y
heat
Eb5
Gtr. 1
you
Gtr. 2
w/ dist.
know
in
the
it
will
w/ dist.
8 8 6 6 6
8 8 6 6 6
8 8 6 6 6
pas
8 8 6 6 6
8 8 6 6 6
-
sen
-
-
ger
seat.
al
Gm
Fm
ways
just
No,
no,
no,
be...
me.
D.S. al Coda 2 Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A
Fm7
get
these
teen
hearts
Let’s
beat
Fm6
-
ing.
Fast
-
er,
fast
-
er!
So
tes
-
Coda 2 Gtr. 1: w/ Rhy. Fill 2
to
this
Ab,7(no3rd)
dance
beat
and
hold
a
lov - er
close. So
Cm
tos Rhy. Fill 3
-
ter - one
13 10
13 10
12 10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
boys
8
Sorgdal
Gtr. 1
tes
-
G/B
Rhy. Fill 3A Gtr. 2
and
har
-
le
-
quin
End Rhy. Fill 3A
girls:
10 10
10 10
13 10
12 10
12 10
12 10
12 10
12 10
12 10
End Rhy. Fill 3
12 10
Gtr. 1: w/ Rhy. Fill 2 Gtr. 2: w/ Rhy. Fig. 1 (last 2 meas.)
Ab,7(no3rd)
Dance
to
this
So
tes
beat. -
Gtrs. 1 & 2: w/ Rhy. Fills 3 & 3A
Cm
tos
-
ter
Ab,7(no3rd) Gtr. 2
-
one
G/B
boys
Dance
to
and
har
this
-
le
-
quin
girls:
F5
hold
a
lov
beat. And
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
Gtr. 1
-
er
8
10
7 10
8 10
8 10
8 10
8 10
5 6
5 6
5 6
Outro
Ab,7(no3rd)
Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 4: w/ Riff C
close.
Let’s get these teen hearts beat - ing
Gtrs. 1 & 2 tacet
(sound effects)
21 sec.
21 sec.
fast - er.
8 8 6
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Panic! At the Disco - A Fever You Can’t Sweat Out
But It’s Better if You Do Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson Am
D7/A F'9#11/A
G5 5fr
231
2314
14 2
111
Drop D tuning: (low to high) D-A-D-G-B-E
Verse Moderately fast q = 170
µ
**Am
1. Now, I’m
of
con - sent - ing
age,
Riff A *Gtr. 1
mf 12 13 14
*Piano arr. for gtr.
to be for - get - ting
12 13 14
12 13 14
0
0
12 13 14
12 13 14
where
down - town, where
Gtr. 2 (elec.)
a
bur
-
queen
lesque
in
0
12 13 14
0
10 12 12
a
cab
-
a
-
ret
some -
End Riff A
10 12 12
10 12 12
0
0
0
8 10 10
8 10 10
0
8 10 10
0
**Chord symbols reflect overall harmony.
Gtr. 1: w/ Riff A (3 times)
Am
you
0
F
Em7
Em7
may
e - ven
ask
F
my
name.
As
she
mf
w/ slight dist. P.M.
5 2 0
Am
sheds
her
skin
on
Em7
stage
I’m
seat - ed
and
Rhy. Fig. 1
sweat - ing
to
a
F
dance song on
the club’s
P.
A.
End Rhy. Fig. 1
P.M.
5 2 0
5 2 0
5 2
5 2
5 2
5 2
5 2
5 2
5 2
5 2
5 2
5 2
5 4
5 4
5 4
5 4
5 4
5 4
5 4
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
5 4
4 3
4 3
4 3
4 3
4 3
4 3
4 3
4 3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 1
Am
The
strip
joint
vet - er - an
D5
peach
E
*Gtrs. 2 & 3
3 2 0 0 0
sits
µ
and
two
Em7
a - way,
smirk - ing
Fsus2
lime
3 2 0 0 0
1 2 2 2
dai
be - tween dig - ni - fied
F,9#11
F
1 0 3 3 3
0 0 0 3 3 3
-
sips
of
his
dig - ni - fied
qui - ri.
*Gtr. 3 (elec.) w/ dist., played mf. Composite arrangement
=
Chorus __ 3 Am
Gsus4/B C
And
is
- n’t
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
1 0 0 2
0 1 0 2 3
act - ly
where you’d
this
ex - act
- ly
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
X X X X
5 5 5 3 3 3
F,9(no3rd)
like
me.
You
know,
Em
pray - ing
for
love
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
X X X X X X
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
3 5 5 3 3 3
X X X X X
0 0 0 2 2 2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
where
Rhy. Fig. 2
2
Sorgdal
F,7
you’d
like
me?
I’m
Dm
ex -
5 5 5 3 3 3
5 5 5 3 3 3
5 5 5 3 3 3
X X X X X
1 3 2 0 0 0
Dm
in
a
lap
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
X X X X X
1 3 2 0 0 0
dance
and
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
End Rhy. Fig. 2
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
pay - ing
in
na
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
Am
-
i
-
ve - ty.
Oh,
1 3 2 0 0 0
1 3 2 0 0 0
X X X X X
Gsus4/B C
is - n’t
this
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
1 0 0 2
0 1 0 2 3
0 1 2 2 0
To Coda 2 1st & 3rd times, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 4 meas.) 2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2
F,7
ex - act - ly
Gtrs. 2 & 3
where
a
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
Interlude __ __ =
like
E/G#
lap
me? I’m
ex - act - ly where you’d like
9 7 6
me. You
Em
know,
pray - ing
Gtrs. 2 & 3 tacet
Am
and
pay - ing
in
na
- i
love
- ve - ty.
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
9 7 6
Em7
F
Oh.
for
To Coda 1
dance
F,9(no3rd)
Gtr. 1: w/ Riff A
you’d
in
Dm
2. But
7 7 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Am
Em7
I’m
a
-
fraid
that
I,
F
well,
I
may
have
faked
Gtr. 1: w/ Riff A (2 1/2 times)
Am
Em7
I
would - n’t
caught
dead,
be
d - dead,
d
- dead
d - dead,
it.
And
F
in
this
place. Well,
Gtr. 2: w/ Rhy. Fig. 1
Am
I’m
a
-
Am
I
fraid
would - n’t
Gtr. 2
5 2 0
5 2
5 2
that
I,
5 2
5 2
5 2
5 2
pay - ing
in
na
Gtrs. 2 & 3
-
i
-
ve
well,
I
may
have
5 2
faked
it
and
D.S. al Coda 1
in
this
place.
5 5 5
Asus2
ty.
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
X X X X X
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 2
-
Am
4
Sorgdal
F
dead
caught
5 2
right,
G5 µ
5 2
well, that’s
Coda 1 Dm
be
P.M.
5 2 0
Em7
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 2 2 0
Interlude __ __ =
Gtrs. 2 & 3 tacet
Am
*Gtr. 4
Riff B
0 1
0 1
D7/F#
2
0 1 4
0 1
mf 2
F,7
4
1 2
1 2
F6
0 1 2
3
End Riff B
3 2
*Organ arr. for gtr.
Gtrs. 2 & 3
0 1 2 2 0
Gtr. 4 tacet
Am
**Gtrs. 5 (elec.) & 6 (acous.)
012 20
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
mf
D7/A
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
**Gtr. 5: w/ clean tone
1.
2.
F'9#11/A
F'9#11/A
Verse Am
3. Well,
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
that
I,
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
D7/A
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
well,
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
3 0 5 3 0
I’m
a
-
fraid
Rhy. Fig. 3
3 0 5 3 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
F'9#11/A
I
may have
3 0 5 3 0
faked
it.
And End Rhy. Fig. 3
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtrs. 5 & 6: w/ Rhy. Fig. 3
Am
D7/A
I
would - n’t
be
caught
dead,
Am
F'9#11/A
d - dead,
d - dead,
d
- dead
D7/A
in
this
place. Well,
F'9#11/A
Gtr. 6
I’m
a
fraid
that
Gtr. 5
0 1 2 2 0
-
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
I,
well, that’s
right,
well,
0 1 2 2 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
5 3 5 4 0
I may have faked
it
3 0 5 3 0
0 1 2 2 0
3 0 5 3 0
3 0 5 3 0
3 0 5 3 0
and
D.S. al Coda 2 Gtrs. 5 & 6 tacet
Am
G5
µ
I
would - n’t
be
caught
dead
in
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
3 3 4 5
0 1 2 2 0
Coda 2
Em
Dm
in
a
lap
dance
this
place.
and
pay - ing
in
na - i - ve - ty.
Pray -
Gtrs. 2 & 3
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
0 0 0 2 2 2
X X X X X
1 3 2 0 0 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
-
ing for
1 3 2 0 0 0
love
and
pay -
1 3 2 0 0 0
Outro __ __ =
1 3 2 0 0 0
1 3 2 0 0 0
Pray
-
ing for
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
ing
1 3 2 0 0 0
in
1 3 2 0 0 0
1 3 2 0 0 0
love
and
pay
-
ing
in
na - i - ve - ty,
oh.
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
1 3 2 0 0 0
Am
na - i - ve - ty.
Gtr. 4: w/ Riff B (8 times)
*Gtr. 7
D7/F#
F,7
F6
mf
7
*Chimes arr. for gtr. Gtrs. 2 & 3
0 1 2 2 0
Gtrs. 2 & 3 tacet
Am
D7/F#
F,7
12
10
F6
9
Am
10
12
13
0 1 2 2 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D7/F#
13
Am
*Gtrs. 7 & 8
9
12
10
F,7
F6
13
10
10
12
13
Am
10
12
D7/F#
10 9
D7/F#
F,7
12
10
F,7
10
12
13
5 3
5 3
F6
F6
*Gtr. 8 xylophone arr. for gtr. played mf. Composite arrangement Riff C **Gtr. 9
0 1
0 1
mf
0 1
0 1
4
5 5
5 5
End Riff C
w/ fingers
0
2
0
2
4
5
3
**Strings arr. for gtr.
12
10
Gtr. 9: w/ Riff C (3 times)
Am
9
Am
10
13
12
10
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13
10
13
Am
12
13
13
10
12
10
D7/F#
10
D7/F#
D7/F#
10
F,7
13
12
F,7
13
12
13
F6
12
F6
Segue to “I Write Sins Not Tragedies” F,7 F6
12
10
from Panic! At the Disco - A Fever You Can’t Sweat Out
I Write Sins Not Tragedies Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson D5
G5 5fr
13
Drop D tuning: (low to high) D-A-D-G-B-E
111
Intro Moderately fast q = 170 Gtr. 1 tacet
***Am('9)
*Gtr. 1
mf
w/ fingers
13
*Chimes arr. for gtr.
**Gtr. 2
Riff A
mf
w/ fingers
0 1
2
0
2
0 1
1 4 0
2
0 1
1 4
2
2
0
2
0 1
1 4
2
0
1 4
2
**Strings arr. for gtr. ***Chord symbols reflect basic harmony.
D7/F#
F,7
F6
Gtr. 2
4
5
5 3
5
0 3 4
4
5
5 3
5
0 3 4
3
4
5 5
4 3
3 5
End Riff A
3
4
6 5
4 3
3 5
Verse Gtr. 2: w/ Riff A (1 7/8 times)
Am('9)
1. Oh, Riff B Gtr. 1
well,
i - mag
-
ine;
as
I’m
pac
-
ing the
pews
in
a
church
cor - ri - dor
and
I
let ring throughout
14 12
12
13
12
14
14
14
14 12
12
13
12
14
14
14
14 12
13
12
12
14
14
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
14
14 12
13
12
12
14
14
14
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
help
but
D7/F#
can’t
to
10
11
13
10
hear,
11
no,
10
11
9
13
“What
a
beau - ti
-
-
11
hear
11
ful
wed - ding,
what
a
an
words:
10
8
10
of
10
-
ti - ful
wed
-
groom’s
bride
is
End Riff B
10
8
10
10
10
8
8
ding!” says
10
beau
8
F,7
ex - chang - ing
8
10
9
F6
a
brides - maid
F6
to
a “And
wait -
µ
a
whore.”
D7/F#
10
to
9
Gtr. 1: w/ Riff B (1st 4 meas.)
Am('9)
can’t help but
11
9
I
F,7
er. yes,
Gtr. 1
but
what
a
what
shame,
a shame the poor
Gtr. 2
Gtr. 1 divisi
10
11
13
10
11
11
9
11
9
10
13
10
11
11
9
10
9
8
10
10
10
8
10
3 8
8
Chorus
Gtrs. 1 & 2 tacet 2nd time, Gtrs. 3 & 4: w/ Rhy. Fig. 2 (3 3/4 times)
Am
Asus2
I’d
chime
in
Am Asus2
with
a
F,7(no3rd)
“Have - n’t you peo - ple
ev - er
D5
heard
of
Rhy. Fig. 1 *Gtrs. 3 & 4 (elec.)
mf
0 1 2 2 0
0 0 2 2 0
*Composite arrangement
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 1 2 2 0
clos - ing the
god - damn
door?” End Rhy. Fig. 1
0 0 2 2 0
0 0 0 0
5 5 3 3 3
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
w/ dist.
0 1 2 2 0
G5
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 5 5
5 5 5
5 5 5
Am
Am Asus2
No,
it’s much
Asus2
0 1 2 2 0
0 1 2 2 0
0 0 2 2 0
0 0 2 2 0
Am
0 1 2 2 0
I’d
D5
bet - ter
kinds
to
face
these
G5
of things
with a sense of
poise and
ra - tion - al - i - ty.
0 0 0 0
5 5 3 3 3
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
0
in,
“Have - n’t you peo - ple
ev - er
D5
3 2 0 0 0
5 5 5
5 5 5
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
5 5 3 0 0
5 5 3 0 0
5 5 3 0 0
5 5 3 0 0
5 5 3 0 0
3 2 0 0 0
3 2 0 0 0
0 0 0
clos - ing the
god
No,
5 5 5
- damn
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
door?” End Rhy. Fig. 2
8 7 5 5 5
8 7 5 5 5
8 7 5 5 5
To Coda 1
1st time, Gtrs. 3 & 4: w/ Rhy. Fig. 2
Am
5 5 5
of
5 5 5
G5
heard
End Rhy. Fig. 1
Rhy. Fig. 2
F,7(no3rd)
chime
F,7(no3rd)
F,7(no3rd)
it’s much
D5
bet - ter
kinds
to
face
these
of
things
G5
with
a
sense
of...
Verse Gtr. 2: w/ Riff A (2 times)
Am('9)
2. Well, in
D7/F#
fact,
Well, this Gtr. 1
well, I’ll
12
13
12
13
12
14
12
look
at
calls
14
for
a
12
13
12
13
12
14
this
F,7
12
way,
I
mean
tech - ni - c’lly our mar - riage is
F6
toast,
14
it
so
12
13
pour
14
15
13
12
14
12
the
cham
- pagne!
14
12
saved!
13
15
13
12
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff B
Am('9)
Oh,
D7/F#
well, in
fact,
well, I’ll
Well, this Gtr. 5 (acous.)
calls
for
a
look
toast,
so
at
it
this
F,7
pour
way,
I
the
mean
F6
cham - pagne,
tech - ni - c’lly out mar - riage is
pour
saved!
the
cham
-
pagne!
mp 4
3
1
0
1
4
1
4
4
3
1
0
1
4
1
4
Interlude Gtr. 5 tacet
F,7#11
Gtr. 5
F6
G/B
0 1 4 3
Gtr. 2
10 7 8
7 0 8
12 9
9
D.S. al Coda 1
F
Gtr. 2
10 7 8
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 6 5 7
Dm
7 3 5
Coda 1
Bridge
D5
a
sense
Gtr. 6 (elec.)
F,7#11
of
poise
and
D5
7 X 5
7 X 5
mp w/ clean tone & heavy reverb
Rhy. Fill 1 Gtrs. 3 & 4
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
End Rhy. Fill 1
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
G/B
-
tion - al
-
4 X 2
4 X 2
3 3 0 0 2
3 2 0 0 0
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
5 X 3
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
* G%(no3rd)
i - ty.
4 X 2
F,7#11
ra
4 X 2
10 X 8
10 X 8
10 X 8
14 X 12
14 X 12
10 X 8
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
10 X 8
10 X 8
14 X 12
14 X 12
14 X 12
14 X 12
0 2 3
X X X
0 3 2
*Bass plays G.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dsus2
F,7#11
A
7 X 5
7 X 5
7 X 5
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 3 2 0 0 0
10 X 8
12 X 9
12 X 9
12 X 9
12 X 9
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
3 3 0 0 2
F,7#11
9 X 7
9 X 7
9 X 7
3 5 4 5 3
3 5 4 5 3
3 5 4 5 3
3 5 4 5 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C,7
9 X 7
gain.
To Coda 2
-
7 X 5
G/B
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
9 X 7
9 X 7
9 X 7
9 X 7
3 5 4 5 3
3 5 4 5 3
3 5 4 5 3
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
3 5 4 5 3
3 5 4 5 3
3 5 4 5 3
3 5 4 5 3
3 5 4 5 3
3 5 4 5 3
10 X 8
10 X 8
10 X 8
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
Chorus Gtr. 6 tacet
Am
Asus2
Am Asus2
F,7(no3rd)
D5 Gtr. 4
I’d
chime
in,
“Have - n’t you peo - ple
ev - er
of
clos - ing the
(Gtr. 4, cont. in notation)
heard
G5
god - damn
door?”
9 X 7
1 2 2 0
1 2 2 0
0 2 2 0
Am
Asus2
0 2 2 0
5 5 3 3 3
0 0 0
0 0 2 2 0
3 2 0 0 0
3 2 0 0 0
5 5 3 3 3
5 5 3 3 3
0
it’s much
bet - ter
kinds
0 1 2 2 0
5 5 3 3 3
Gtrs. 3 & 4
0 1 2 2 0
5 5 3 3 3
F,7(no3rd)
No,
Am Asus2
1 2 2 0
(Gtr. 4, cont. in slashes)
0 1 2 2 0
0 0 2 2 0
0 0 0 0
to
face
these
Gtr. 3
3 2 0 0 0
D5
3 2 0 0 0
of things
with a sense of
3 2 0 0 0
poise and
ra - tion - al - i - ty.
5 5 3 3 3
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 5 3 3 3
5 5 3 3 3
0
3 2 0 0 0
5 5 5
5 5 3 3 3
5 5 5
µ
5 5 3 3 3
5 5 5
Gtrs. 3 & 4: w/ Rhy. Fig. 1
Am
I’d
Asus2
chime
Am Asus2 F,7(no3rd)
in,
“Have - n’t
you
peo - ple
ev - er
D5
heard
G5
of
clos - ing
the
god
-
damn
door?”
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S.S. al Coda 2
Am
Asus2
Am Asus2
No,
F,7(no3rd)
it’s much
D5
bet - ter
kinds
to
face
these
of things
with
a
sense
of
0 1 2 2 0
0 1 2 2 0
0 0 2 2 0
0 0 2 2 0
0 0 0 0
5 5 3 3 3
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
Gtrs. 3 & 4
0 1 2 2 0
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
0
3 2 0 0 0
3 2 0 0 0
Coda 2
F,7#11
Dsus2
G%(no3rd)
10 X 8
10 X 8
10 X 8
10 X 8
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
10 X 8
10 X 8
10 X 8
10 X 8
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
14 X 12
14 X 12
14 X 12
14 X 12
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
X X X X
Sorgdal
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
F,7#11
0 3 2
0 3 2
10 X 8
10 X 8
10 X 8
10 X 8
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 3 2 0 0 0
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
0 0 2 3 3 3
from Panic! At the Disco - A Fever You Can’t Sweat Out
I Constantly Thank God for Esteban Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson Gm Gm[maj7]/F# Gm7/F
Ebmaj7
GmV
B(b5) 5fr
3111
2111
Ebmaj7(no3rd) Cm9
1111
1333
C7sus4
Gm/D
114
11134
2134
1314
1234
D7
3fr
F5
111
D5
VI
111
D7/F# Ebmaj9(no3rd)
6fr
123
Eb5
5fr 111
Ebmaj7 4fr
34111
G5 14fr
4fr
1324
1213
111341
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately fast q = 168 *G5
D5
F5
(Drums & bass)
Eb5
F#º7
*Chord symbols reflect overall harmony.
G5
D5
Gm Gtr. 3 (elec.)
F5
mf
Gm(,7)/F#
Rhy. Fill 1
Eb5
Gm7/F
F#º7
Eb,7 End Rhy. Fill 1
w/ clean tone
Gtrs. 1 & 2 (acous.)
mf let ring throughout
5
3
6
4
3 5
4
Gtr. 3: w/ Rhy. Fill 1
Gm
3
6
3
3 4
4
4
3
3
3 3
1
Gm7/F
3 5
4
3
3
Gm(,7)/F#
5
4
3
4
3
3
3
3
µ Eb,7
3 4
3
3
4
3 3
3 3
*Gtrs. 1, 2 4&5
0
2
3
2
µ D5
3 3 1
3 3 1
3 3 1
3 2 0
3 2 0
3 2 0
*Gtrs. 4 & 5 (elec.) w/ dist., played mf.
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse __ 3 =
Gtrs. 2, 4 & 5 tacet
Gm
1. Give
Gm(,7)/F#
us
this
Riff A
Gtr. 1
5
6
3
4
day
our
dai - ly
3 4
4
3
3
of
faux
3 4
3
3
1
sins.
Forged
at
with
the
pul - pit
Cm
1
af
-
flic
1 1
forked
tongues
sell
-
For -
ing
4
5
5
Cm
tion.
3
2
0
D5
-
Eb,7
give our
dose
D5
µ
5
Gm
Eb,7
faux
ser
-
mons.
’Cause
5
6
3
4
3 3 5
1
Gtr. 1: w/ Riff A (1st 6 meas.)
Gm
D5
be
3
3
1
1 1
3
2
0
Gm(,7)/F#
A I
End Riff A
Eb,7
new
wave
gos
-
and
you’ll
pel
sharp
am.
Cm
thy
wit
-
ness.
So,
Eb,9 µ
Eb,9 µ
Gm
gen
- tle - men,
µ
if
you’re
gon
- na
Eb,9
for
Gm Gtr. 2
God
sakes,
Rhy. Fill 2
1 3 3 1
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1 3 3 1
3
preach with
con - vic
-
1 3 3 1
1 3 3 1
1 3 3 1
tion!
End Rhy. Fill 2
3
1 3 3 1
preach,
(cont. innotation)
Rhy. Fill 3
Gtr. 1
4
5
5
1 3 3 1
1 3 3 1
End Rhy. Fill 3
Strike
up
the
band!
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3
1 3 3 1
1 3 3 1
1 3 3 1
Chorus __ __ = Gm
Whoa,
the con - duc - tor
Rhy. Fig. 1 *Gtrs. 1 & 2
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
Gm7/F
is beck - on - ing.
Come
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3 4 3 5
3 4 3 5
3 3 3 3
con - gre - ga - tion, let’s
sing it
3 3 3 3
3 3 3 3
3 3 3 3
Eb,9
3 3 3 3
like you
mean it.
No.
5 3 3 3
5 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
1 3 3 1
*Composite arrangement
Don’t you
1 3 3 1
get
it, don’t you
get
it?
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
1 3 3 1
Now
1 3 3 1
D
don’t
you...
1 3 3 1
1 3 3 1
1 3 3 1
Whoa,
sing
it
the
con
like
you
mean
it.
duc - tor
is
End Rhy. Fig. 1
-
Eb,9
Don’t
No.
you
get
T o Coda
don’t
move. you
Gtrs. 1 & 2
2 3 2 0
2 3 2 0
move.
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
-
ing.
Come
it,
don’t
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
con - gre
- ga - tion,
you
get
it?
Now,
let’s
don’t
D
you...
Gtrs. 1 & 2 tacet
stay
band!
Just
the
up
Strike
G5
Gm7/F
beck - on
2 3 2 0
move.
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Gm
µ
Gm
where
I
can
see
you.
Gtrs. 4 & 5
Douse
8 5 5
F
Gm
the
lights!
(cont. in slashes)
7 3 3
8 5 5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
= __
3
Gtrs. 4 & 5 tacet
GmV Gtrs. 4&5
D
Gm
We
sure
are
in
*Gtr. 6
mf
for a
show
3
to - night.
w/ fingers
10 11 12
10 11 12
10 11 12
10 11 12
10 11 12
10 11 12
10 11 12
10 11 12
10 10 11
10
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
10 10 11
0
9
10
*Piano arr. for gtr.
D
2. In
10 11 12
10 11 12
10 11 12
10 11 12
10 11 12
10 10 11
10 10 11
10 10 11
10 10 11
13
13
12
12
10 11 12
10 11 12
10 11 12
10 10 11
10
10 10 11
10 10 11
10 10 11
10 10 11 12
9
10 10 11 12
10 10 11 10
10 10 11 10
Verse Gtr. 1: w/ Riff A (1 1/2 times) Gtr. 6 tacet
Gm
this
lit - tle
Gm(,7)/F#
num - ber we’re
Gm
graced
by
two
gun - sling
-
dis - plays
µ
Eb,7
of
char - ac
D5
-
er
ex
-
traor - di
-
ter.
naire,
walk - ing
con
-
tra - dic
-
We’ve got
the
Cm
D5
Eb,7
Cm
tion.
And (Ah.)
Gm
I,
for
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
one,
Gm(,7)/F#
can
see
no
blood
Eb,7
from
the
hearts
and
the
wrists
D5
3 you
al
-
Cm
3
leg - ed - ly
slit.
And
Gtr. 1: w/ Riff A (1st 2 meas.)
Gm
I,
for
one,
Gtr. 1: w/ Rhy. Fill 2
Gm(,7)/F#
won’t
stand
for
this.
Eb,9 µ
If
the
scene
were
a
demned.
1 3 3 1
2 3 2 0
3 3 3 5
Cm
Strike
Gtr. 1
par - ish
you’d
Gtrs. 1 & 2 tacet
Gm
Eb,9
up
the
band!
all
be
con
stay
where I
can
Gtr. 3
see
you.
Douse
the
w/ amp tremolo let ring
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
-
Coda
D.S. al Coda Gtr. 2: w/ Rhy. Fill 3
Eb,9 µ
3 3 3 5
5
3
5
4
3
Gtr. 3 tacet
Gm
Gm(,7)/F#
*Gtrs. 5&7
lights. Gtr. 4
3 3 5
3 3 5
3 3 5
3 3 5
3 3 5
3 3 5
3 3 5
3 3 4
3 3 4
3 3 4
3 3 4
Gtr. 3 divisi
amp tremolo off P.M.
3 3 5
3 3 4
3 3 4
mf
We
are
sure
in
for
a
B(b5)
show
to - night.
Rhy. Fig. 2
3 0 4
End Rhy. Fig. 2
Gtr. 4
0 0 0
0 0 0
0 0 0
0 0 0
*Gtr. 7: Kybd. arr. for gtr. Composite arrangement
Gtr. 7 tacet
G5 Gtr. 5
F5
Eb5 Eb,7(no3rd)
Just
11 12 12 10
11 12 12 10
10 10 10 8
10 10 10 8
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
8 8 8 6
Cm9
stay
where I
can
C7sus4
see
you.
(cont. in notation)
Douse
the
8 8 8 6
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
3 4 5 5 3
(cont. in slashes)
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gm/D Gtr. 4
D5
D5
lights.
We
Gtr. 5
let ring
3
5
Gtr. 7 tacet
Gm
3
3 3 4
F
where I
Gtrs. 4 & 5
can
see
you.
Douse
the
lights!
Gtr. 4
(Gtr. 5, cont. in slashes)
11 12 12 10
11 12 12 10
10 10 10 8
10 10 10 8
8 7 8 6
8 7 8 6
8 7 8 6
8 7 8 6
8 7 8 6
8 7 8 6
8 7 8 6
D5
sure
are
Dº
in
for
a
4 6 7 6
D5
Dº
show
to - night.
End Rhy. Fill 4
4 6 7 6
4 6 7 6
P.S.
P.S.
Rhy. Fill 4 Gtr. 7
Dº
4 6 7 6
Eb,7 VI Gtr. 5
Stay
Dº
Gtrs. 4 & 5: w/ Rhy. Fig. 2
D7
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
(cont. in slashes)
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
Interlude Gtrs. 4 & 5 tacet
G5 Gtrs. 4&5
*Gtr. 8
Gm(,7)/F#
Gm7/F
La,
da,
da,
da,
da,
da,
da,
D
da,
da,
da,
da,
da,
da,
da,
mf w/ tremolo let ring throughout
17 *Kybd. arr. for gtr.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15
15
15 16
15
15
17 15
15
15
15 12
14
15
14
Gm
Gm(,7)/F#
D
la,
da,
da,
da,
da,
da,
da.
15
15
15
17
16
Strike
17
15
15
Gm/D
Gtrs. 4&5
the
15
14
12
up
14
15
(Gtr. 4, cont. in notation)
Chorus Gtr. 8 tacet
G5
D5 D7/F#
Gtr. 5 Rhy. Fig. 3A
band!
Gtr. 4
Whoa,
the con - duc - tor
Rhy. Fig. 3
is beck - on - ing.
Come
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
3 3 3 5 5
con - gre - ga - tion, let’s
3 3 5 4 5
0
3 3 5 4 5
3 3 5 4 5
3 3 5 4 5
sing
3 3 5 4 5
3 3 5 4 5
it
like you mean it.
3 3 5 4 5
3 3 5 4 5
3 3 5 4 5
Gtr. 7: w/ Rhy. Fill 4
Eb,9(no3rd)
Don’t you
get
it,
1 3 3 1 1 1
1 3 3 1 1 1
1 3 3 1 1 1
1 3 3 1 1 1
Now,
don’t
Gm
band!
Whoa,
get
it?
1 3 3 1 1 1
1 3 3 1 1 1
1 3 3 1 1 1
1 3 3 1 1 1
1 3 3 1 1 1
1 3 3 1 1 1
1 3 3 1 1 1
0 0 0
the
don’t you
Gtrs. 4 & 5: w/ Rhy. Figs. 3 & 3A
con - duc - tor
is
beck - on - ing.
you...
D5
0 0 0
Come
move.
Strike
0 0 0
D7'4/F#
con - gre - ga - tion, let’s
0 0 0
3 3 5 4 5
3 3 5 4 5
0 0 0
End Rhy. Fig. 3A
up
the End Rhy. Fig. 3
0 0 0
sing
it
No.
like
you mean
it.
No.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Eb,9
Don’t
you
get
it,
don’t
you
get
it?
Now,
D5
Don’t
Dº
you
Gtr. 9 (elec.)
D5
Outro G5
Dº
*Gtrs. 4&5
don’t
you...
mf
11 12 12
10
11
12
12
10
11
D5
Dº
D7/F#
11
12
1/4
w/ dist.
Dº
move.
move.
D5
Gtr. 7: w/ Rhy. Fill 4
10
10
12
11
12
8
10 11
*Composite arrangement
10
8
11
Don’t
10
8
11
Gtr. 9
move.
Gtr. 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
G5
F5
G5
10 12
12
12
11
Strike
up
the
band!
12
12
12
12
10
12
12
10 11 12 12 10
10 11 12 12 10
10 11 12 12 10
10 11 12 12 10
10 10 10 10
10 11 12 12 10
10 11 12 12 10
D5
8
10
10
8
10
1
10 12
11
you
Eb,7(no3rd)
from Panic! At the Disco - A Fever You Can’t Sweat Out
There’s a Good Reason These Tables Are Numbered Honey, You Just Haven’t Thought of It Yet Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson
C
B
B/A
B/G 4fr
1333
1333
D7
Intro __ 3 Fast q = 234 = Half-time feel
µ
B7'11
B7
132
C VIII
1314
B XIV
8fr
Am
14fr
3421
3421
341
231
leave
all
o - ver - coats, canes
Verse
** Em
1. Please
13421
B VII
1314
Cmaj7 7fr
7fr
34 1
(Drums)
4 333
4fr
1314
Drop D tuning: (low to high) D-A-D-G-B-E
333
G6 5fr
Em 4fr
Riff A *Gtr. 1
15
15
and
top
hats
mf
12
12
12
12
12
12
15
12
12
15
12
12
*Piano arr. for gtr. **Chord symbols reflect overall harmony.
with
the
15
12
door
12
-
man.
From
that
End Riff A
15
12
12
12
mo
15
-
ment
12
12
you’ll
be
15
12
out
of
12
15
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
place
12
and
12
15
un
-
12
der
-
12
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A (last meas.)
dressed.
Gtr. 1: w/ Riff A (6 times)
A5
Ab5
G6
wreck - ing
this
I’m
Fill 1 *Gtr. 2
3
eve - ning
al
-
read - y
and
lov - ing
ev
-
’ry
End Fill 1
mf
6
5
w/ fingers
7
*Piano arr. for gtr.
min - ute
it.
of
Ru - in - ing
this
ban
-
quet
for
the
mild
-
ly
in - spir - ing
D5
D#5
5
6
and... Fill 2
(cont. in slashes)
Gtr. 2 tacet
E
Em
D7
7fr
Gtr. 2
End Fill 2
Please
leave
all
o - ver - coats,
canes
and
Gtr. 3 (clean)
mf
top
hats
8 9 9 7
with
the
door
-
man.
7 5 7 5
End half-time feel
G6
From
that
mo
0 0 4 0 5 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
ment
you’ll
be
out
of
C,7
place
and
un
-
der
0 0 4 5 3
-
dressed.
I’m
Am 3
wreck - ing
this
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
Ru - in - ing
this
5 4 5 3
5 4 5 3
0 5 4 5 3
ban
-
C,7
and
al - read - y
B7
eve - ning
3
quet
for
the
0 5 4 5 3
0 5 4 5 3
0 5 4 5 3
0 5 4 5 3
0 1 2 2 0
X X X X
lov - ing
ev
-
’ry
4 2 4 2
4 2 4 2
4 2 4 2
4 2 4 2
D7
ly
in
0 5 4 5 3
5 7 5 7 5
mild
-
7 5 7 5
min - ute
of
4 2 4 2
4 2 4 2
4 2 4 2
4 2 4 2
D#7
it.
4 2 4 2
4 2 4 2
5 4 5 3
spir
- ing
5 7 5 7 5
5 7 5 7 5
5 7 5 7 5
8 6 8 6
8 6 8 6
8 6 8 6
8 6 8 6
-
and...
When you’re
Pre-Chorus Gtr. 1 tacet
Em7
µ
black
slacks
with ac - cen - tu - at - ing, off
Gtr. 3
-
white
7 5 5 7 0
B
-
’ry
-
0 0 4 5 3
thing
goes
ac
0 4 X 4 2
-
7 5 5 7 0
5 5 5 7
let ring
-
Am
whoa,
B/A
cord
5 5 5 7
Am('9)
stripes,
let ring
C
ev
-
12 8 7 9 7
*Gtr. 4
pin
Am
Gtr. 1 Gtr. 3 divisi in
Am('9)
ing
B/G
Em
to
plan.
(cont. in notation)
(cont. in slashes)
0 0 0 2 2 2
*Fender Rhoades arr. for gtr.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus C,7
B7
Gtr. 3
I’m the new
can
-
cer,
7
8
9
bet
-
ter.
10
10
8
9
8
say
so
un - der your breath
to your read - ing
7
9
10
Have - n’t
you
8 9 10
8 9 10 10
C,7
10
10
lips,
7
9
10
B7
heard
7
9
8 9 10 10
8 9 10 10
8 9 10 10
7 8 9 9
7 8 9 9
7 8 9 9
7 8 9 9
G6
9
10
Nev
-
er
looked
bet
10
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
7
7 10
9
-
ter
and
did
Em
7
8
he
10
9
7
7 10
9
10
11
get
10
7
9
9
all
8
9
con
7
8
D7/F#
I’m
the
new
can
0 0 0 2
8
-
fi - dent?”
-
cer?
7 5 4
7 5 4
0 0 0 2
can’t
stand
9
7
8
9
8
9
7 5 4
7 5 4
(cont. in notation)
6 3
14 12 11 8
A
7
open
it.
C
3fr
8
open
8
9
A
you
7 10
7
9
7
B7
Gtr. 3
Sorgdal
9
10
be - cause you
stand
that
it
“When
can’t
B7
End Rhy. Fig. 1
7
9
10
Gtr. 3: w/ Rhy. Fig. 1
7
10
9
B7'11
9
G6
You
D7
nev - er looked
Gtr. 4
10
Em
Rhy. Fig. 1
(cont. in slashes)
13 12 10
11 9
T o Coda
B VII
4 2 4 2
4 2 4 2
Gtr. 4
Gtr. 3
4 2 4 2
0 0 4 5 3
0 0 4 5 3
C VIII
(Laughed:) Ha,
C VIII
B VII
ha,
ha.
0 0 4 5 3
4 2 4 2
0 0 4 5 3
B VII
*
0 0 0
0 0 0
0 0 0
0 0 4 5 3
*Played behind the beat.
Verse Gtr. 1: w/ Riff A (3 3/4 times) Gtr. 4 tacet
Em
2. Next
is
a
trip
to
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
Am
I
bet
you
just
can’t
the,
the
la
- dies
room
in
vein
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
and
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
Gtr. 2: w/ Fill 1
keep
up
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
these
fash - ion
with (Keep
up!)
-
is
-
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
tas.
And
5 5 5 7 0
5 5 5 7 0
5 5 5 7 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G6
to - night, to - night
you
are,
0 0 4 0 5 5
you
Am
are
a
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
whis - per
-
ing
cam
-
paign.
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
Gtr. 2: w/ Fill 2
F#7'11
B7
them
your
name
is
“Cheap.”
0 0 3 4 4
0 0 3 4 4
0 0 3 4 4
I
bet
0 0 3 4 4
to
0 0 3 4 4
0 0 3 4 4
0 0 3 4 4
Fm
Talk
to
the
mir
-
0 8 9 9 7
0 8 9 9 7
G6
-
ing
your
0 0 4 0 5 5
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
tell
-
self
you
look
like
shit.
0 0 3 4 4
0 0 3 4 4
0 0 3 4 4
0 8 9 9
0 8 9 9
0 8 9 9
0 8 9 9
D7
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
choke
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 8 9 9
0 8 9 9
0 8 9 9
back
tears
and
keep
0 8 9 9 7
0 8 9 9 7
0 8 9 9 7
5 7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
“I’m
a
Gtr. 1 Gtr. 3
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 0 5 5
divisi
0 0 4 5 3
*
12
7 5 7 5
di
*Gtr. 1 to the right of slash in tab.
6
that
Oh,
them
ror.
0 8 9 9 7
to
bet
I
Gtr. 1: w/ Riff A (1 1/2 times)
Sorgdal
Gtr. 1
B XIV
7 5 7 5
-
va.”
7 5 7 5
7 5 7 5
Gtr. 1: w/ Riff A (2 times)
Am
Oh,
and
the
smokes
in
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
Gtr. 3
C,7
ta
-
ble,
they
just
0 0 4 5 3
0 0 4 5 3
0 0 4 5 3
0 0 4 5 3
0 0 4 5 3
that
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
4 2 4 2
4 2 4 2
4 2 4 2
4 2 4 2
4 2 4 2
4 2 4 2
4 2 4 2
D7
the
D#7
4 2 4 2
4 2 4 2
4 2 4 2
to
be
0 0 4 5 3
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
8 6 8 6
8 6 8 6
8 6 8 6
0 0 4 5 3
0 0 4 5 3
0 0 4 5 3
0 0 4 5 3
(cont. in slashes)
D.S. al Coda
C,7
-
tro
let ring *T
7
on
pen
ni
5 5 7
-
hap
box
with
cig - a - rette
so
laced Gtr. 1
B
Am Gtr. 3
B7
-
glyc
8 9 10 X 10
8 9 10 X 10
T
7 8 9
8 9 10 X 10
9
-
Gtr. 1 tacet
B
er - in.
T
7 8 9 X 9
0
*T = Thumb on 6th string
Coda
Interlude
Gtr. 4 tacet
*Gtr. 5
Em
mf 8 9
10 11
12 12
D7
*Horns arr. for gtr.
Gtr. 3
0 8 9 9 7
8 9
Rhy. Fig. 2
0 8 9 9 7
10 11
12 12
0 8 9 9 7
8 9
12 12
10 11
0 8 9 9 7
7 5 7 5
8 9
7 5 7 5
12 12
7 8
10 11
7 5 7 5
G6
8 10
10 12
7 5 7 5
0 0 4 0 5 5
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 8
8 10
10 12
0 0 4 0 5 5
0 0 4 0 5 5
5 5
7 7
C,7
8 9
0 0 4 0 5 5
0 0 4 0 5 5
0 0 4 5 3
5 5
7 7
8 9
0 0 4 5 3
0 0 4 5 3
1 2
3 4
Fill 3
5 5
4 4 2
4 4
4 X 4 2
5 5
7 7
mf
0 0 4 5 3
0 1 2 2 0
4 X 4 2
4 X 4 2
1 2
3 4
5 5
8 9
5 5
7 7
12 13 5
8 7
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
14 15 7
B7
0 1 2 2 0
0 1 2 2 0
1 2
5 5
4 4
0 1 2 2 0
4 X 4 2
2. End Fill 3
*Gtr. 6
*Horns arr. for gtr.
5 5
Fill 4A
Gtr. 5 divisi
1 2
1.
Em
Am
End Fill 4A
Fill 4
15 17 9
8 9
10 11
0 0 9 9 7
0 0 9 9 7
12 12
End Fill 4
15 17 9
15 17
0 8 009 000 9 9 97 97 7
End Rhy. Fig. 2
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
Chorus Gtrs. 5 & 6 tacet
Em
D7
Have
-
n’t
you
heard
Rhy. Fig. 3
Gtr. 3
that
-
0 1 2 2 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
C,7
I’m
B7
Sorgdal
7 5 7 5
Am
nev
0 8 9 9 7
G6
er
looked
bet
-
ter
and
the
new
can
-
0 0 4 0 5 5
0 4 5 3
you
can’t
4 2 4 2
0 0 0 2 2 2
cer?
Em
stand
End Rhy. Fig. 3
it.
I’ve
Gtr. 3: w/ Rhy. Fig. 3
D7
Have
-
Am
nev
-
n’t
you
heard
that
er
looked
bet
-
ter
and
C,7
the
new
can
-
cer?
C,7
you
can’t
4 2 4 2
stand
it.
0 1 2 2 0
D7
Gtr. 3
I’m
B7
Gtr. 5
G6
I’ve
Em
And
I
know,
8 9
10 11
12 12
0 0 4 5 3
0 0 4 5 3
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
0 8 9 9 7
Gtr. 3: w/ Rhy. Fig. 2
and
Gtr. 5
D7
I
know
Riff B
8 9
10 11
G6
it
just
does
8 9
12 12
n’t feel
like
a
night out
12 12
-
10 11
8 9
12 12
7 8
10 11
C,7
8 10
with no
one siz - ing you
10 12
7 8
8 10
5 5
up.
I’ve nev - er
10 12
Am
7 7
8 9
1 2
3 4
5 5
Gtr. 6: w/ Fill 3
been
so
sur - rep
B7
-
ti
3 4
5 5
1 2
1 2
Em
5 5
4 4
-
tious, so
of course I’ll
1 2
5 5
4 4
be
7 7
dis - tract - ed when I spike
5 5
8 9
the
punch.
End Riff B
5 5
7 7
8 9
5
7
9
And
I
know,
8 9
10 11
12 12
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5: w/ Riff B
D7
G6
does
-
0 8 9 9 7
7 5 7 5
and
I
know
Gtr. 3
0 8 9 9 7
0 8 9 9 7
it
0 8 9 9 7
just
n’t feel
like
7 5 7 5
C,7
a night out
7 5 7 5
7 5 7 5
0 0 4 0 5 5
with no one
0 0 4 0 5 5
siz - ing you
up.
0 0 4 0 5 5
0 0 4 0 5 5
been
so
sur - rep
0 1 2 2 0
0 1 2 2 0
- ti
0 1 2 2 0
been
know
it
4 X 4 2
just
does
so
sur - rep
-
ti
0 0 0 9 7
0 0 0 9 7
4 X 4 2
0 0 0 9 7
-
n’t
feel
like
a
night out
the
tious, so
of course I’ll
be
with no
one
And
0 0 0 9 7
0 0 0 9 7
Gtr. 3 divisi
0 0 0 9 7
0 0 0 9 7
siz - ing you
spike
Em
the
0 0 0 9 7
µ
punch.
*
0 1 2 2 0
4 2 4 2
0
0 0 0 2 2 2
14 15 0 0 0
0 15 0 17 0 2 2 2
15 17
*Gtr. 6 to the right of slash in tab.
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 8 9 9 7
I’ve nev - er
0 0 4 5 3
D5
up.
0 0 4 0 5 5
know,
0 0 0 9 7
I
I
when
punch.
C,7
dis - tract - ed Gtr. 6
Em
spike
B7
-
9 7
I
Gtrs. 5 & 6: w/ Fills 4 & 4A
dis - tract - ed when
0 1 2 2 0
G6
7 5 7 5
be
D7
7 5
4 X 4 2
of course I’ll
I’ve nev - er
Am
tious, so
0 8 9 9 7
-
4 X 4 2
I
0 1 2 2 0
and
Em
0 0 4 5 3
Gtr. 6: w/ Fill 3 (1st meas.)
B7
Am
from Panic! At the Disco - A Fever You Can’t Sweat Out
Build God, Then We’ll Talk Words and Music by Brendon Urie, Ryan Ross, Spencer Smith and Brent Wilson F#7'11
A5
G#5
E/G#
7fr 2341
6fr
13
Em
11
F#
G
2341
A
D/F# type2
G6 4fr
1214
Drop D tuning: (low to high) D-A-D-G-B-E
Verse __ 3 Moderately q = 129 =
111
1. It’s Riff A
1114
Dsus2
1214
13421
5fr 1114
D/F# type3 C#/E# type2 4fr
342
G5 type2
6fr
13
14
3fr 1214
these
sub
-
stan - dard
A5
la,
la,
la,
la,
mo - tels
on
the
la,
3
*Gtr. 1
E/G# type2
7fr
1114
F#7/A#
11
4fr
134
** Bm
4fr
A5 type2 9fr
Bm
F#5
12
B5
8fr 1214
C#5
4fr
C#/E# 4fr
12
F#/A#
2341
E5
11
6fr
2341
D/F# 5fr
12
4fr 234
G5 6fr
E7/G#
3
mf
11
9
9
8
9
7
7
6
*Accordion arr. for gtr. **Chord symbols reflect implied harmony.
G,7
Bm/F#
F#7'11 Rhy. Fill 1 Gtrs. 2 & 3 (dist.)
3
of Fourth
7 5
mf
cor - ner
End Rhy. Fill 1
4
and
Free
7
3
-
mont
6
3
3
4
2
Street.
Ap
End Riff A
-
peal
-
(Gtr. 3, cont. in notation)
ing
on
-
ly
’cause they’re
2
© 2005 EMI APRIL MUSIC INC. and SWEET CHIN MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
9
11
8
9
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
G#5 E/G# G5
F#7'11
Rhy. Fill 2
Gtr. 2
End Rhy. Fill 2
**
just
that
Gtr. 1
un - ap - peal - ing.
9
7
*
An - y
7 5
up - on
en
6
3
-
4
2
2
3
Fill 1
Gtr. 3
**
mf
7
7
6
5
ter - ing.
3
7
4
cross them - selves
prac - ticed Cath - o - lic would
9
7
End Fill 1
0 0 3 4 4 4
5
**Played as straight eighth-notes. *Sung as straight eighth-notes.
Gtr. 1: w/ Riff A (1st 3 meas.) Gtrs. 2 & 3 tacet
Bm
The
rooms
have
F#7/A#
a
3 hint
of
A5
as - bes - tos
and
may
E7/G#
be
just
-
G,7
a
Bm/F#
dash
of
for -
__ = __ Gtr. 2: w/ Rhy. Fill 2 (1st meas.) Gtr. 3: w/ Fill 1 (1st meas.)
Gtrs. 2 & 3: w/ Rhy. Fill 1
C#/E#
mal
-
Gtr. 1
3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
de
6
-
F#
F#7'11
Bm
and
the
hyde
3
4
3
2
Riff B
F#7/A#
3
hab - it
of
de
- com
A5
- pos
-
ing
right
G#5
be
E
- fore
2 9
11
8
9
7
9
7
9
G5
your
Gtrs. 1, 2 & 3 tacet
Gtr. 2
D/F#
-
y
la,
la,
la,
la,
ver
Gtr. 1
7
a
-
long
with
2
3
4
5
5
5
4
4
4
3
3
3
4 4 4
peo - ple
in
-
End Riff B
2
Gtr. 3
the
3
6
3
µ
7
4
F#5
eyes,
5
C#/E#
4 4 4
4 4 4
7
Chorus
Bm('11)
D,7(no3rd)
side.
What
Rhy. Fig. 2
*Gtrs. 2 & 3
a
Em
won - der - ful
car
3 4 4
X X X X
X X X X
2 2 0 0 0
0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 0 0 0 0 X X 5 5
2 2 0 0 0
dist. off
0 3 4 4 2
G6
-
Bm('11)
Em
D5
i - ca - ture of
in - ti - ma - cy
in End Rhy. Fig. 2
0 0 0 2 2 2
0 3 4 4 2
0 3 4 4 2
X X X X
X X X X
0 0 0 2 2 2
µ F#7'11
0 8 9 9 7
0 8 9 9 7
X X X X
0 0 0
7 7 5
7 7 5
X X X
0 0 3 4 4 4
5 4
*Composite arrangement
To Coda 1
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Bm('11)
D,7(no3rd)
side.
What
a
G6
won - der - ful
Em
car
-
Bm('11)
Em
i - ca - ture
of
D5
µ F#7'11
in
- ti - ma - cy.
2. To -
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse G
Bm
a
law - yer and
*Gtr. 4
Bm
a
F#
night ten - ants range from
G
vir - gin.
14 15
14 15
14 15
She’s Ac - cess - o - riz - ing with
15 16 17
15 16
a
ro - sa - ry
tucked in - side
her lin - ge - rie.
mf
let ring throughout
15 16
17
15 16
15 16
15 16
15 16
16
14 15
14 15
15 16
15 16
15 16
15 16
14 15
16
14 15
14 14 15
*Synth. bells arr. for gtr. Gtr. 4 tacet
Em
F#
G
Gtr. 2
w/ dist.
get - ting
Gtr. 3
A
Em
Rhy. Fig. 3
Mon - day.
The
G
a
job
at
the
firm
8 7 9 7
8 7 9 7
10 9 11 9
10 9 11 9
10 9 11 9
10 11 12 10
10 11 12 10
10 11 12 10
12 14 12
12 14 12
12 14 12
8 7 9 7
Rhy. Fig. 3A
come
F#
Miss - es
F#/A#
End Rhy. Fig. 3
will
stay
with
the
cheat - ing
8 7 9 7
8 7 9 7
10 9 11 9
10 9 11 9
10 9 11 9
10 11 12 10
10 11 12 10
10 11 12 10
at - tor - ney. Moon End Rhy. Fig. 3A
w/ dist.
8 7 9 7
B5
F#/A#
Rhy. Fig. 4
light - ing
A5 type2
a - side,
she
E/G# type2
G5 type2
real - ly
needs
his mon - ey.
Oh,
15 16 13
D/F# type2
won - der
-
ful
car - i - ca
-
ture
of
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
12 X 9
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
Gtr. 5 (dist.)
Riff C
mp
Rhy. Fig. 4A
7 7 9
7 7 9
7 7 9
7 7 8
7 7 8
7 7 7
7 7 7
7 7 7
5 4 6
5 4 6
5 4 6
5 4 5
5 4 5
5 4 5
3 2 4
3 2 4
3 2 4
Gtr. 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 7 8
E5
C#5
in
-
ti - ma
-
F#
End Rhy. Fig. 4
cy,
yeah,
(cont. in notation)
yeah. (Yeah.)
7 X 4
7 X 4
7 X 4
9 X 6
9 X 6
5 4 2
5 4 2
5 4 2
7 6 4
Verse __ 3 =
F#7/A#
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
9 X 6
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
7 6 4
Gtr. 2: w/ Rhy. Fill 2 (1st 2 meas.) Gtr. 3: w/ Fill 1 (1st 2 meas.)
3. And Gtrs. 2 & 3
__ = __
Gtr. 1: w/ Riff B Gtr. 5 tacet
End Rhy. Fig. 4A
Bm
End Riff C
A5
not
G#5
to
men - tion
the
E
G5
con - sta - ble
and
Bm/F#
his
C#/E#
prop - o
-
F#
si - tion
for
that
2 3 4 4 2
Gtr. 1: w/ Riff A (2 times)
Bm
“vir -
Gtrs. 2 & 3: w/ Rhy. Fill 1
F#7/A#
gin.”
Yes,
A5
the
E7/G#
one
the law - yer
met with
on
G,7
Bm/F#
“strict - ly
bus - i - ness,”
C#/E#
F#
F#7'11
as
he
said
to
the Miss -
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm
F#7/A#
Well,
on
A5
3
E7/G#
G,7
Bm/F#
she
was
fix - ing
her
es... -
ly
hours
be - fore.
Well,
af - ter
he
had
left
face
= __
Gtr. 1: w/ Riff B (1st 2 meas.)
C#/E#
F#
Bm
a
com
in
-
Gtr. 2: w/ Rhy. Fill 2 Gtr. 3: w/ Fill 1
F#7/A#
pact.
3
A5
G#5
There
was
a
E
G5
µ
ter - ri - ble
there was
crash,
a
__ = __ Gtr. 1: w/ Riff A (1st 2 meas.)
F#7'11
ter
-
ri -
Bm
ble (Whispered:) crash
F#7/A#
be - tween
her
A5
and
the
badge.
She
spilled
her
E7/G#
purse
and
her
bag
0 3 4 4 4
X X X X
X X X X
Gtr. 1: w/ Riff B (last 2 meas.)
G
F#7'11
and
Gtrs. 2 & 3
0 4 5 5 5
C#/E#
held
a
0 4 5 5 5
X X X X
X X X X
0 3 4 4 4
F#'11
“purse”
of
a
dif
0 0 3 4 4 4
X X X X
X X X X
3 4 3
3 4 3
X X X
X X X
3 4 4 4
-
fer
-
ent
D.S. al Coda 1
G
F#7'11
kind.
A
0 4 5 5 5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
0 4 5 5 5
4 5 5 5
4 5 5 5
4 5 5 5
4 5 5 5
0 4 5 5 5
0 4 5 5 5
0 4 5 5 5
long
with
0 0 3 4 4 4
0 0 3 4 4 4
0 0 3 4 4 4
µ
the
peo
-
ple
in
-
Coda 1
D5
µ F#7'11
in
-
F#(b6)
ti - ma - cy.
Gtr. 4
2
There
are
no
2
2
3
3
2
2
3
2
2
2
3
2
3
2
Bridge
Gtr. 4 tacet 2nd time, Gtr. 6 tacet
G6
Gtr. 2
rain
Bm
-
drops
on
ros - es
and
7 7 9
7 7 7
7 7 9
Gtr. 3
7 7 9
7 7 7
7 7 9
7 7 9
7 7 9
girls
G6
Bm
in white dress - es.
It’s
sleep - ing with
roach - es
and
tak - ing
best
7 X 7 5
7 7 9
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9
7 7 9
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A
Em7
F#m7
guess - es. Shade of
the
G,7
sheets
and
be
-
A7(no3rd)
Em7
F#m7
G,7
fore
all
the
stains
and
a
few
more
of
your
least
F#/A#
fa - v’rite things.
To Coda 2 1st time, Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (2 times) 1st time, Gtr. 5: w/ Riff C (2 times) 2nd time, Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A 2nd time, Gtr. 5: w/ Riff C
Bm
Rain
F#/A#
-
A5
drops
on
ros - es
and
E/G#
girls
in
white
G6
D/F#
dress - es.
It’s
sleep - ing
with
E5
C#5
roach - es
and
tak - ing
best
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm
guess - es. Shade of
F#/A#
the
A5
sheets
and
be
-
E/G#
G6
E5
fore
all
the
stains
and
a
few
more
of
your
least
C#5
Dsus2
things.
fa - v’rite
G6 Gtr. 2
D/F#
In
7 6 4
7 6 4
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7 5
Gtr. 3
-
Chorus Gtr. 2 tacet
Bm
Em
side.
Gtr. 3
Riff D
D,7(no3rd)
What
a
won - der - ful
dist. off w/ amp tremolo let ring
3 4
0 4
4
5
Gtr. 3: w/ Riff D
Bm
Em
side.
G,7
4
4
car
2 0
Bm
-
0
D,7(no3rd)
Em
What
a
won - der - ful
0
0
2
Dsus2
3
4
4
car
-
4
9
9
9
Bm
9
Em
i - ca - ture
-
ti - ma - cy
in End Riff D
7
7
7
5
7
4
Dsus2
in
2
3
-
ti - ma - cy.
4
4
4 4
6
4
4
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
4
4
4
4
4
4
4
4
4
4
(cont. in slashes)
let ring
4
3
F#5
F#
of
8
in
0
F#
i - ca - ture of
2
Em
Gtr. 3
5
Em
6
Interlude
D/F# type3
Gtr. 3
*Gtr. 6
mf
Gtr. 3 tacet
G
5
4
5
5
4
4
5
4
4
2
2
2
2
4
5
Bm
4
4
4
4
5
2
*Cello arr. for gtr.
E5
F#5
G5
4
2
2
4
4
4
Coda 2
B5
Gtr. 2
4
F#/A#
the sheets and
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
Gtr. 7 (dist.)
4 X 2
4 X 2
4 X 2
6 X 4
6 X 4
6 X 4
2
4
2
all
4
2
E/G# type2
G5 type2
the stains
12 X 9
12 X 9
12 X 9
12 X 9
E5
be - fore
Gtr. 5
14 X 11
5
A5 type2
guess - es. Shade of
4
A5
12 X 9
12 X 9
G5
5
5
5
D/F# type2
C#/E# type2
and
a
few more of
D.S.S. al Coda 2
F#5
your
10 X 7
least
fa - v’rite things.
12 X 9
12 X 9
9 X 6
7 7 9
7 7 8
7 7 8
7 7 8
11 X 8
7 X 5
11 X 9
9 X 7
11 X 9
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
13 X 11
7 7 7
7 7 7
7 7 7
5 4 6
5 4 6
5 4 6
5 4 5
5 4 5
5 4 5
3 2 4
3 2 4
3 2 4
3 4 3
3 4 3
3 4 3
7 6 4
7 7 9
Gtr. 3
7 7 9
4
12 X 9
10 X 7
5
10 X 7
10 X 7
F#
10 X 7
7
C#5
10 X 7
A5
5 6 4
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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