JohannPachelbel(1653-1706), outstandingSouthGermancomposer-organist of the pre-Bachera, composedthis canonfor threeviolins with keyboardaccompaniment. As was the generalpracticeof the period the accompanimentwasnotatedonly with a bassline (bossocontinuo). This continually recurring eight-notebasspart (basso ostinato) also indicatedthe harmonic texture which the performer filled in in a freely improvisedmanner. In this piano versionall the thematicmaterialsare from the original, the accompaniment patterns(broken chords, etc.) are by the transcriber.Dynamic and phrasing marks are also editorial additions.All this is well within the boundariesof stylistic baroqueperformancepracticeswhich allowedthe performerconsiderablelatitudes. One final suggestionfor the player of today. Contrapuntalforms and texturesare not incompatible with expressiveinterpretation. Romantic sentimentalityis, of course,out of the question,but deepfeeling, evenpassionare not.
DenesAgay
CAI\TON
(over a BassoOstinato) for Piano Solo
tDuratid: c- 3tl
JOHANNPACHELBEL ( l 6 s 3 -l 7 0 6 ) Arrangedby DenesAgay
Andantino ()=72\
3
a
p rrpr.+_q4
z
- | t.-- íe
74-
z)fi
-á- f, - 41--á
- á - . á
D
Q
t r
t r-r
7 á l-l
-
-r/1
-
-á
r a)
T I
q
- -ri
r --'------i-tl. |
\-l
t
-
\_/ -t-Fl
|+nfT].l
t-t
./
----I
\
/Trl\'
\ l,
' l-Ll
.J
\_aL I
| | Fl'-l.l
l
3 -.F-
*Numbers in boxes indicates the canonic theme entrances. O l98l by Theodore PresserCo., Bryn Mawr, Pa.
1t0-40632
|
À pl
T r
t
All Rights Reserved Printed in U.S.A.
UruuthorEed copying, arranging, adapting or recording is an infringement 'ngers are liable under the ldw.
Thank you for interesting in our services. We are a non-profit group that run this website to share documents. We need your help to maintenance this website.