OTTMAN (1967) Music for Sight Singing Second Edition

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:1:

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Contents

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e

1

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THE BEAT AND ITS DIVISION

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1 Melody Step-wise (/) Triad

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Movement

Plus lntervals in the Tonic

3

Rhythm

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Simple Time (Meter )-tbe Two Parts

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a. majar

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keys; treble ele(; notes; intervals octave in tonic triad

!; undotted

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and

b. c.

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dotted bass

Beat and its Division into time signatures ¡, of the thi~d. fourth,

'l'

. 1 1

ele(

d. interval

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e. the holf note and eighth notes as beat units

f.

fifth,

notes

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~ and

11

o( the sixth

minar keys

J

'l

e 2

( ( (

Movement

Plus lntervals in the Tonic

18

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1#:

1 1

1

Melody Step-wise Triad

¡

í;

(

(

( Rhythm (

a. intervols

Compound Time-the Three Parts

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a. mejor keys

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b.

Beat and its Division into

in the IV triad

7

minar keys

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of the third in the IV triad

b. other intervols

,,

Melody

3

lntervals in the IV Triad

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Melody /nterva/s in the V Triad

25

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8

Simple Time a. intervols

ol the third in the V triad

Melody

b. intervols o( fourths ond fifths ·in the V triad c. intervols of rhe sixth in the V triad d. intervals

1. lntervals in Triads Other Than l, IV, and V 2. Other lnterval Problems

in the V1 chord

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J.:

intervols

b. chromotic tones not implying modulo/ion

lntervals in the V and V7 Chords

38

Rhythm

9

Compound Time

Melody No New Material

5

\

45

Melody

Jntervals in the IV Triad

viii

Syncopation

10

Melody

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78

Rhythm

6

( 'Rhythm Simple ( (

'il

Simple and Compound Time a. diotonic

( The C Clefs: the Alto and Tenor Clefs

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~,

\¡

64

Rhythm

4

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(

:1

Compound Time

Rhythm

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!'

1

( Melody

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t

Rhythm

( (

60

53

Modu/ation to C/osely Relatad Keys

Rhythm Time

Simple and Compound Time

87

''

1

1

( ( modulo/ion

a.

b. modulotion

.Rhythm

to the key of the dominont to o/her e/ose/y Te/oled

Simple

keys

and Compound Time

a. diatonic

(

intervals

b. chromatic

e

tones

not implying modula/ion

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14

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11

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e

Melody ,

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r (

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¡ l

Melody lntervals

105

in the 1, V, V7, and IV Chords

Time -the

. Beat

and

lts Subdivision

(

a. intervo/s

in /he / ond V lriods

b. intervols

in /he V1 chord

c.

in !he IV triad

interva/s

into

1

( (

lntervals

in the

1, V, V7,

(

b. intervals in the IV triad

Melody to Close/y

Related

Keys

142

Simple

and Compound Time

117

and IV Chords

111

B~and

lts Subdivision

into

MORE DIFFICULT MELODIC AND RHYTHMIC PROBLEMS

in the l. V. and V1 chords

16

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13 Melody Other

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15

Rhythm

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of the beat

Melodv

Six Parts a. intervals

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within thé subdivision

12

Compound Time-the

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b. syncopation

with

!Rhythm 1

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(

a. syncopation in !he divided beal on/y, combined rhythmic problems in the subdivided beat

Madulation

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1

1

Rhythm Four Parts

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i ,

Syncapation

11

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e

134

.Rhythm

Simple

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Material

THE BEAT AND ITS SUBDIVIS1

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No New

/nterval

Problems

123

Review of Parts 1 and U..._, Melodies More Difficult but Within the Melodic and Rhythmic Limitations of Parts 1 and II

159

1

j xi

X

! 1.-----:-.J ;--".

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17

('1odal

Melodies

1

173.

(

(

18

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(Triplet Division of Undotted.Nore Values ( )uplet ( ( (

Melod

185

Division of Dotted.Note Values

step-wise movement plus intervals in the tonic (I) triad

19

r';hanging

y

Rhythm Time Signatures

simple time (meter) -'- the beat . and its division into two parts

202

( ~ess Common Time Signatures ( (

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20

( "urther Subdivision of the Beat

The melodies of this chapter contoin a wide variety of intervals. The problem of singing these intervals is mode easy because they are ali reodily recognizoble ports of the tonic triad. In E~ mejor, for example, these intervols are :

217

(..._'heDivided Conductor's Beat (

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1

@&\ i

21

( .emote Modulation

*

* Mo:,major,

227

e ( (

Before

22

.omplex Rhythmic Probl~ms ('ombined with Difficult Melodic Lines ( ( "cknowledgments

l

239

263

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e

0

M 3rd

(

,·~

~

1

5

o

0 le

0

m 3'rd

P Sth

5

1

3

11

1

lo

p 4th

11

m 6th

plan of preporation

5

le

3

a

10

M 6th

11

p 8Va

is recommended

:

Locote

the tonic triad

en the stoff .

Sean the melody for examples Sing the tonic triad. on the following

@&\ x

j

;J

r

IJ

1

r

in the tonic triad.

melody :

-

Ir

of intervals

I~ - • ~

¡J

j

1

1

r·

J IJ

11 3

lt

11

Determine the key. Spell the tonic triad.

Try this procedure

~~~¡, 1~ xii

1 a

5

the following

e (

3

ITI'-"minor, P=perfect.

singing,

1. 2. 3. 4. 5.

3