Origami Collection 2016 Copyright 2016 by OrigamiUSA, a volunteer-based, notfor-profit educational arts organization committed to the elucidation and dissemination of paperfolding as an art and a craft. All rights reserved, including the right to reproduce this book or portions thereof in any form without prior written consent. OrigamiUSA 15 West 77th Street New York, NY 10024-5192 (212) 769-5635 origamiusa.org
Cover Illustration by Nathan Zeichner Cover based on Rabbit, courtesy of Tomoko Fuse and Carrot, courtesy of Jun Maekawa, diagrams available in the 18th Origami Tanteidan Convention collection book Origami Basics section by Marc Kirschenbaum Publication Team Isabella Gandler Marcio Noguchi Omer Shalev Nathan Zeichner
Managing Editors Marc Kirschenbaum JC Nolan Daniel Scher
Submissions to the Origami Collection and other OrigamiUSA publications can be sent to
[email protected]. A submission form and copyright guidelines can be found at origamiusa.org/submissions.
i
Table of Contents
About the Collection Picture Index The 2016 Origami Collection Origami Basics
v vi 1 228
iii
About the Origami Collection The Origami Collection was born in 1980 from ideals fostered by the founding members of OrigamiUSA. Michael Shall (1949-1995) launched this yearly anthology to share origami models from around the world. His mentor, Lillian Oppenheimer (1898-1992), provided the springboard for this effort, as many of the models were drawn from her collection and connections she cultivated. Alice Gray (1914-1994) also provided inspiration by streamlining the communication of origami ideas. All of the novice-level works in this collection are dedicated to Alice and her love of simple, elegant pieces. Throughout the years as our presentation has grown more polished, the goal of showcasing great origami has not diminished. The editors of the Origami Collection spend many hours curating, testing and editing origami designs to produce a book that will appeal to origami aficionados of all levels and interests. Variety is a key criterion; you will find works here by established origami artists as well as many hidden gems from up-and-coming stars. Most of the pieces are making their debut in these pages. We hope you are as excited about discovering these diagrams as we are in presenting them.
v
Picture Index Picture Index Artigas, Jesús Good Grief Page 1
d’Anger, Max Dragon Page 24
Berty, Viviane
vi
Condori, Julio Eduardo Winged Wolf Page 18
Berty, Viviane Mimi the Mouse Page 5
Puppy Page 11
Dementiev, Ivan Space Telescope Page 32
Bettens, Christiane
Diard, Lydia
Eight-Pointed Star Page 13
Fleur de Noyer Page 38
Chen, Sy
Flores, Edwin Claudio
Cupid’s Arrow Page 15
Armadillo Page 44
Artigas, Jesús
Condori, Julio Eduardo
Good Grief Page 1
Winged Wolf Page 18
Berty, Viviane
d’Anger, Max
Mimi the Mouse Page 5
Dragon Page 24
Berty, Viviane
Dementiev, Ivan
Puppy Page 11
Space Telescope Page 32
Bettens, Christiane
Diard, Lydia
Eight-Pointed Star Page 13
Fleur de Noyer Page 38
Chen, Sy
Flores, Edwin Claudio
Cupid’s Arrow Page 15
Armadillo Page 44
Picture Index
Fung, Michelle
Gueros, Mathieu
TIM the Beaver (Face) Page 48
Fox Page 76
Gajardo, Nicolas
Hudson, Andrew
Mushroom Monster Page 52
Polychrome Tato Page 84
Galindo, Richard
Inayoshi, Hidehisa
Camel Page 55
Chopstick Envelope (Straberry) Page 87
Gardin, Yannick
Jaramillo, Jorge
Seahorse Page 62
Wheel Bowl Page 88
Gu, Lee Jae
Kato, Shuki
Basset Hound Page 65
Anime Forest Spirits Page 90
Picture Index
vii
viii
Kirschenbaum, Marc
Lukasheva, Ekaterina
Elephant Page 103
Lathyrus Page 127
Kobayashi, Hiroaki
Marchetti, Peter
Little Whale Page 105
Axolotl Page 130
Liu, Tong
Martinez, Leonardo Pulido
Phonograph Page 111
Scorpion Page 135
Liu, Tong
Meij, Bas
White Rhino Page 116
Slug Page 139
Liu, Tong
Morollón, Ángel
Yellow Henchmen Page 121
Swallow Page 142
Picture Index
Nguyen, Lisa
Pham, Hoang Tuan
Winged Heart Page 147
Rabbit Page 170
Nguyen, Lisa
Queiroz, Paulo
Yale-Type Cylinder Lock Key Page 149
Orchid Page 174
Nikulshin, Pavel
Quyet, Hoàng Tien
Uintatherium Page 151
Dove Page 179
Nino, Jaime
Randolph, James
Hen Page 162
Bird with Stand Page 181
Okabe, Nobuko
Robinson, Nick
8-Pointed Starburst Flower Page 165
Cecil the Lion Page 183
Picture Index
ix
x
Ševerová, Dáša
Stern, Joel
Star Anise Page 185
Flapping Pheasant Bookmark Page 203
Sigalovsky, Mark
Tahir, Hadi
Nocturnal Car Page 189
Peace Sign Page 205
Snyder, Rob
Tai, Hsi-Min
Angel Page 194
Dolphin Page 206
Snyder, Rob
Tan, Benjamin
Secret Heart Owl Page 195
Butterfly and Heart Page 208
Stamm, Tom
Tu, Tuan Nguyen
Sea Serpent Dragon Page 197
Rabbit Page 210
Picture Index
Yagi, Yara Dachshund Page 211
Yagi, Yara Hen and Chicks Page 218
Yamaguchi, Makoto Penguin Box Page 221
Zodl, Evan Sarah’s Star Page 225
Picture Index
xi
Good Grief!
Jesús Artigas
Low Intermediate
©2014 - Spain
5
2
B A
1
3
4
B A
Good Grief!/Jesús Artigas
1
6
A
8 B
5 A B
9 7
10
11
2
Good Grief!/Jesús Artigas
12
17
10-17
18
16 15
13 14
Good Grief!/Jesús Artigas
3
20B
21B
20A
22B
19
23B
23A 21A
22A
[email protected] [email protected] g g g g 4
Good Grief!/Jesús Artigas
Mimi the Mouse
Viviane Berty
Low Intermediate
©2013 - France
Mimi la Souris © Viviane Berty 2013 Pour un premier essai, prendre un carré de 21 cm X 21 cm. For a first try, use a 21 cm X 21 cm square.
1 2
Couleur des yeux dessus Color of the eyes up.
3
4
Mimi the Mouse/Viviane Berty
5
5
6
7
8
Marquer fortemement les plis sur toutes les couches Crease firmly through all the layers. 9 10
6
Mimi the Mouse/Viviane Berty
11
12
13 Pli écrasé pour les yeux Squash-fold to form the eyes.
14
15
16
Mimi the Mouse/Viviane Berty
7
17
18
19
20 Dégager les couches du dessous pour préparer le changement de couleur du nez. Pull out the underneath layers to prepare a color change for the nose
21 22
8
Mimi the Mouse/Viviane Berty
23
25
24
26
Mimi the Mouse/Viviane Berty
9
27 28
Plier en vallée pour affiner la queue et pincer à la base du dos en soulevant les petits volets pour former le derrière. Form the backside by pinching at the bottom and inflating the inner pockets.
10
Mimi the Mouse/Viviane Berty
Puppy
Viviane Berty
Low Intermediate
©2015 - France
Petit chien /Puppy ©V Viviane Berty 2015 Papier kami bicolore 15 cm X 15 cm
Bicolor kami paper 15 cm X 15 cm
3
2
1
4
6
5
Base du renard de Quyet Hoang.
Quyet Hoang’s Fox base. 7
8
9 11
10 Ouvrir le modèle par dessous pour plier les bissectrices.
Open the model underneath to fold the bissector angles.
Puppy/Viviane Berty
11
Pli inversé intérieur pour former la queue.
12
12 bis
Inside reverse fold to form the tail.
Vue intermédiaire. Bien comprimer les couches à l’endroit indiqué avant de refermer le modèle.
Intermediate view. Press the layers where indicated before closing the model.
Modèle terminé. Pliage simple.
Modèle terminé. Pliage humide.
Complete model. Dry folding.
Complete model. Wet folding.
Variations 7 bis 12 bis
Pour changer l’attitude du chien, modifier l’angle du pli vallée à l’étape 7.
To modify the dog’s posture, change the valley fold angle on step 7.
12
Ajuster les couches de papier décalées.
Adjust the shifted layers.
Puppy/Viviane Berty
Eight-Pointed Star
Christiane Bettens
Intermediate
©2016 - France 3
2
1
4
5
6
7
octagonal twist
Eight-Pointed Star/Christiane Bettens
13
9
8
7-9
(unfold ap from step 7 before repeating)
10
11
45°
back side completed
12
rotate the twist 45° counter-clockwise, creating valley-folds on the layer behind
13
octagonal twist
Done ! Mélisande* 2016 www.origami-art.org
14
Eight-Pointed Star/Christiane Bettens
Cupid’s Arrow
Sy Chen
Intermediate
©2015 - Maryland
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