One Hundred Ways by James Ingram

September 26, 2017 | Author: Michele Oisal | Category: N/A
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Short Description

100 ways...

Description

One Hundred Ways 3 James Ingram

 Electric Piano

Acoustic Bass

  4          4      4  4   4 4



8

Violin

Drumset

4

El. Pno.

Bass

Drs.



 



  



 

        



    44     

                  8

Vln.

    44



            







                 

           

            

 

                                      

7

El. Pno.

Bass

                      8

Vln.

Drs.





  



 

 

Bass

                   8

Vln.

Drs.

2



  









                 

              p    p                           

    





10

El. Pno.

 

  

         

         





         

                   



p



 

                 

                        

13

El. Pno.

Bass

   

Vln.

Drs.

    



Bass

              8

Vln.

Drs.

 

    



  



                             

16

El. Pno.





8

 

  







               

              

                        

      



          3

                

   

19

El. Pno.

Bass

 

         8

Vln.

Drs.

Bass

             8

Vln.

Drs.

4



 

         



 

    

   



  

       

  

         

   

       



  

  



3

                             



22

El. Pno.

         

       

   





                    

1.

2.

  

  

          

                                       

El. Pno.

Bass

  8

Vln.

Drs.



  

      

Bass

             8

Vln.

Drs.

   

  

   



           







 



                            





                             



29

El. Pno.





                    

26

 

  

 

 

           

                

             







             5

                            

32

El. Pno.

Bass

  8

Vln.

Drs.



   





      

  



  

    

   



   

          

            



 

         









  

  

                     

37

El. Pno.

Bass

                                            8

Vln.

Drs.

6

f                 mf       



                  

   



























   































56

El. Pno.

Bass

    8

Vln.

Drs.

   





  

  

  

  

  

  

  

  

  

  

  

   



7

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