Olympiada - Samuel R. Hazo
Short Description
wind band score + parts...
Description
SAMUEL R. HAlO
IA
§ PARTITURA .
BOOSEY{jHAWKES
de Merodelei 598-2300 Turnhout Tel-Fax: 32 (0)14/42.80.35 www.partitura.be
Program Note OLYMPIADA was premiered on October 12, 1997 by the Duquesne U~iversity Wind Symphony, conducted by Dr. ~o.bert Cameron, at Carnegie Music Hall in Pittsburgh, Pennsylvania. I was thirty years old when I wrote it m 1996, and it was my first composition for a symphonic ensemble: At that time, I was an eleme~tary school special education teacher. Following the premiere performance, composer Nancy Galbraith, who was present at the concert for the performance of her "With Brightness Round About It," told me I should keep writing. Due to those encouraging words alone, I composed my second piece titled "Their Blossoms Down." To this day, Professor Galbraith, whom I have only met that one time, has no knowledge of her impact. I rescored OL YMPIADA in 2002, for publication by Boosey & Hawkes, after receiving a request from Dr. Patricia Grutzmacher of Kent State University, who had heard the premiere recording and wished to perform it at the 2003 MENC North Central Division. OLYMPIADA was written to capture the human conditions of intense glory and pain that only the Olympic Games can inspire, while musically tying themes with a historic Greek feel to modem chord changes and melodies. It opens with an Olympic style brass fanfare to set the tone, and quickly breaks into a variety of themes and settings representing athletic struggle before recapitulating the fanfare at the end. In its simplest analysis, the piece can be translated as a tone poem of a race. The piece begins with a
driving ostinato in the woodwinds. The melodies, rhythms and textures then take the listener through the pace of such a competition. Adrenaline surges and excitement at the outset make way for the low brass theme representing vigorous effort. Layered on top of the low brass theme is the melodic line that immediately preceded it, only this time sounding much more strained. Then, the primal drums take over, conveying a racing pulse surrounded by asymmetric rhythms. The introductory theme is then repeated in a minor key with Greek woodwind passages played over top, representing the timelessness of physical competition. Following the threshold of pain expressed through rising staccato 16th note passages, the tension is released with uplifting chords and textures symbolizing the end of a struggle and a sense of victory. The recapitulated fanfare is then played by the entire ensemble signifying the sense of global unity, brought about for athleticism, which is the fundamental doctrine of the Olympic Games. - Samuel R. Hazo
Biography (b. 1966) Samuel R. Hazo, recipient of the National Band Association's 2001 Biennial Composition Award, has written for the professional, university and public school levels in addition to composing original scores for television, radio and the stage. His original symphonic compositions include performances with actors Brooke Shields, James Earl Jones, David Conrad and Richard Kiley. JIe has also written symphonic arrangements for three-time Grammy Award winning singer/songwriter Lucinda Williams. Mr. Hazo's compositions have been performed and recorded worldwide, including the Klavier Wind Project's recordings with Eugene Corporon at UNT (2003). His works have been premiered at the Music Educators' National Conference (State & National), Mid-West Band and Orchestra Clinic, National Band Association/Texas Bandmaster's Convention, and also aired in full-length programs on National Public Radio. Premiering performance ensembles include a variety of professional ensembles, university ensembles, all-state bands and honors bands. Mr. Hazo has served as a music teacher at every educational grade level, kindergarten through college, including tenure as a high school and university band director. He received his bachelor's and master's degrees from Duquesne University where he served on the Board of Governors and was awarded as Duquesne's Outstanding Graduate in Music Education. Mr. Hazo serves as a clinician and is currently on the music faculty in the Upper St. Clair School District. He resides in Pittsburgh, Pennsylvania with his wife and two children.
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Instrumentation Piccolo Flute 1-2 Bb Clarinet 1-2-3 Bb Bass Clarinet Bassoon 1-2 Eb Alto Saxophone 1-2 Bb Tenor Saxophone Eb Baritone Saxophone Horn in F 1-2-3-4 Bb Trumpet 1-2-3 Trombone 1-2-3 (or Bass) Euphonium Tuba & Basses Timpani Snare Drum, & 3 Varied Tom-toms 2 Deep Tom-toms Bass Drum Crash Cymbals & Suspended Cymbal Tam-Tam Chimes & Glockenspiel
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M-051-66058-2
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M-051-66058-2
Engraved & Printed in U.S.A.
IMPORTANT NOTICE: The unauthorized copying of the whole or any part of this publication is illegal.
Bass Drum
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M-051-66058-2
3
OLYMPIADA Tam-Tam
Music by SAMUEL R. HAZO
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© Copyright 2003 by Boosey & Hawkes, Inc. Copyright for all countries. All rights reserved.
M-051-66058-2
Engraved & Printed in U.S.A.
IMPORTANT NOTICE: The unauthorized copying of the whole or any part of this publication is illegal.
2
OLYMPIADA
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M-051-66058-2
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