Okami

Cursed Shinshu Field Okami Piano Arrange

Masami Ueda / Mika Matsuura Transcription : Delldongo

With the serenity of departure

                          freely       

  



 

3

p



                           





13



3







    

 





   

20



  

     

  



   



   

 



         

 

   

  





  Thema



Copyright © 29 - X - 07





 

 

p

    



 

      

       

     



27

   

 

 

rit.

       

Andante cantabile



6

 

  

 

     

    

  



2 35

 

  





   

    



          

43





          

51





    

   

58







   

65







   





                

                                           3 p                                   

 

   

 

 



   

    

 



 

 

 

 

 







 

 

Presto

  mf







               3                 

                                     

71









  

  



 







 

3

                      

77









  



  



        

 

 

mf









                     



  

  

83



89

 



 



  





  



   

 



   

 





3

                     

         

100





3

   

94



 



3



 



 

  



      f

  



 









mp

         





















                                       

106



 





              





p









                 

sempre legato

4 112





 

 



 

 

 



  

                                    

118







123



 



    







      







                       



                     mf                                  



                            

Tempo primo

        

129



      

   

          

135



   

 

     

142



     

  

 

rit.

      

  

      

 

 

 

 

 

         

 

p

     

 

 

  

 

rit.

       

 

  

   

Kaguya's Journey Okami Piano Arrange

Rei Kondoh / Mika Matsuura Transcription : Delldongo

Slowly

                                   Cantabile

  

p legato



                         



  

5

            

10

   

14



 



  

    

18

 

  

   





  

    

     

      

 

Copyright © 31 - X - 07



 

 





    

 

           



  



 

      

   



 

     



   



 



2

 

22



  



   26      3



3



   3 rit.                   3 3  sempre legato 3



3



      3       3

3

3

      3



3

3



3

3

        3    3        3 3 3

  30     3

3

3

mp

 



         

34

 





  

   

  



   

39

 

  



 



     

 

   









  

  

          





       

  







 



        

           

        

43

           

 



           

rit.

 



 

 



    

                         



    

49

3

p

 

                                        

52

   

 



  

       

 



       

55



 





  

 

Presto Jazz feeling

                

58

 

mp



  



  

    

   

      

4

  

62

   

 

                   



  





  

     



                         

66

mf

     

    

70

   

  



     

    

    

   

               

 

  

         

rit.

 



     

          

 

 

 

   

 

  



       

        

    

         



  

79

 

      

     

74

p



  

    



  







        f

 

 





       

   

84

            



        







     

      



        

 

                        p   

Tempo primo

       

   

                      

         93            

98

  

  







 



          

89

    

     

        rall.

103

5

   



     

     

    





     





    

    







   

    

6

 

107





 



 

 

 

 



 

  

                                                          

          f

          

116

mp







111

 

       





    



         

 

 

       

125







121

 

  

 

 



  



  

        

  

  















p

               

rit.





              

  

     

pp

    

    

      

Shachimaru's Theme Okami Piano Arrange

Rei Kondoh / Mika Matsuura Transcription : Delldongo

Lento

            



pp

          



       



     





   

7

      

           

     

   

  



       





    







       

13

      

   



 

 

 

  

 

      



      

Religioso - Più mosso

 

  

 

    

  

 

Copyright © 3 - XI - 07



        

   

  

20



     

 





p

   

  

 

 

 

  



2

   

   

    

 

27

  

 

34

 



    

    

      

45

    

    

 

 

  

 

  

 



 



 



       

   

 







 

 

    

 



 

  

 

 

  

 

  

   

 



  

 

  

      

 

 

                    

   

50



   

 

    

40

   

 

  

        

        

 

   

 

   

55



       

60

 











       



 

Allegretto

mp

   



        



   



             

   

  





64

       

  

         

      

    











   



   

72



 



              



68









  

  



  

      





 

                                            

3

4

    

77

 

 

  





 

 

 

                                             

82

 

  

  

                                             

87

    

         

      

91

   

   

    

   



 



            





 

      



   



            

      

   



 

    

   

 



         



      

                  

95





5

     

100

 

      

     

  

           

 







   

               

104

   









                  

         

  

 

107



 

 

 

 

 

 

 



                               

110

f

   

     

114

  

mf

       

     

                 

    





                               

6

     

118

 

 

 

    

 

  

                        

    

122

 

 

 

 

 









                                       

126





 

    

  

 





                                       

130



 









                                      

134

           

  









p dolce

 

 

   



                           

7

 

138

 



   

142



 

        

146

 



  



     



         

 

 

          

    



  

      154



   

 



  



    

150





 

 

               





     mf



 

        

   

       

                   

      

 

 

     

8

     

158

  

                   

              

163

     

 

      



       

  

  

   

167

      

       

          

 

   

  





 

 

     

        



 

 

            

       

rit.

   

170

mf

    

              

                    cresc.

ff

  

 

Inside the Water Dragon Okami Piano Arrange

Rei Kondoh / Mika Matsuura

Transcription : Delldongo

Andante Thema

   





p legato





   

 









 









 









      

6

  

    

 

      

12

    

 

         

18



   

 

  

    

24

      



  

 



 



  





 

 

 



 





        

  

 

 

 





  



Copyright © 20 - IX - 08



    



  



        

   

     

    







   



 



  



 

  

  

  





 

 







 

 

 





 

 









 



2 a tempo

   

30



    

   

35

 

rit...

 





 

  





     

 



     

 

 

      



 46       

 

     

              p

  

  

 

  

 

 

               

    

  



40

  



 





  

 

 

   mp

    

 

 



   

   

  

 





    

                            

 

     

51

   





 

   

   



 

   

 

p

 

  



 

 

     

  



     



3

                                                              

56

   

62





     

 



rit...





       



67



   









a tempo



   

  p espress.

  





        

  



  

 

      

78

     

   

     

     



  

     

 



 





            

                           72



    

     

          

p subito

  

 

 





   

    

 



  mf

              

4

     

      

84

     

 

     

 

                                                 

         

90

 

 

 

 

 

  

mp

     f                                                                  rit ...

      

96

    





 

  

    







 

 





 

    

a tempo

  













  



rit ...

     

102

     

 

 

 

  





  







  









    







  

      

a tempo

107

  p

  

  



 

 

 



 

 

 





 

 



 

    

    

5

      

112

    

          

118





 

 



    





   



     

 

  

 

 



  

 

  

    

 

 

                               mp



        

123

    



 128          

 

  

  

  





 

  









 



 





   

   





 



    



                    p                                    

     

 



   





 134      

 





 

  





 

 

rit...







    









   

 

   

Wep'keer Okami Piano Arrange Masami Ueda / Mika Matsuura

Largo

        

 



 





    

               3

3

3

p dolce







 





  



  



3

3

 

3

3

6

 3

3





3

  

   

 

 

3

3



  

                   

   



     

rubato

  









   



 



6

  

14

 



mp freely

    

8

Transcription : Delldongo

 

very freely





    

In tempo

           

       

19



p

   





 

       

  

23













        





         



    

Copyright © 24 - IX - 08

      

   

 







    

 











2

     

28









 

  



       







        









  

 

  



36





32



    

   

  





42



 





marcato                       

   







mp ff

 















     

 



 

  





cresc.





                  

                

    







     

 



               

40

  

     



jazzy

mf

 

 

                                               

 

      

 

           

      

  

 

3

45





  

           

          

48



     

 

 

           

 

          

     

 

 

      

     



 

          





        



 

  

52



   

  

 



 

  

 

  

               

p legato

          

 

  

 

poco rit.

50



               

       

  



 

   

 

 

 

                                                 

55





  

    

 

 

 

 

 

   

                                               

4

58





 

 

 

  

  

                 

60

            



  



  

mp

  



misterioso

63



 



p





   

  

66





  

     

 

 

mf

    

 







 

 

   

 

         

   

        

 

 



               

             

                  

68



          

   

             

ff

f

  

                                          



calendo

 

pp

 

The Tribe of Heavenly God's Theme Okami Piano Arrange

Rei Kondoh / Mika Matsuura

Transcription : Delldongo

Intro rubato

                







 

             



pp celestial mood with free tempo



     

   

7

 

  

3

3

3

 

18

p legato

  









 











 

23

      

   

 

   



  





Copyright © 26 - IX - 08



        



              

 









    











               

  

  

                      

                        

3

Thema : andante cantabile

13

  

3



 

  



2

     

28



  





          











   

 

 

cresc.

  

accel.

      33         3                       3 3 3 3 mf                           Moderato

3                                     cresc.                          38                          

36

3

3

3

3

3

3

3

3

f

            

40

Vivace

mf



 

 

 

3

 

3

   



3

3

 

 

3

3

 

3

 



 







 

                     

3

       

44

     

48

   

 



 



3

f

       

             

mp

         

       











              

52





 





  

  









 



    

                   

 



 

57

 

               

                                                                 

61

                                  

 

 

  

  

  

p subito

  

              

4

      

66

 



  

70

  



 

 

 

  

p

          

75

Tempo primo











            p legato



rit.

 

   

  

  



 

   





 

               

 





 

 

   

                          

   



80

    



  



















85

 

    

      



        



 

88

      

   

 

        

rit...

 





          



The Emperor of Eternal Darkness Okami Piano Arrange

Rei Kondoh / Mika Matsuura Transcription : Delldongo

  

Grave - Lento

ff

  

      

  

Presto con moto

  

  

  

  

  

  

  

  

    

     

    

p sempre legato

        

                          

6

       

 

 

 

 

 

12

     



    







                               

18







 

 

 

 

                                

 

                 

Copyright © 05 - X - 08

2 Dark

      

23

 

f marcato





 

 

      







 

 





  







 

 

 

 

 





 

 



31

 

f

 

        

39



  

 

    

 

    

 



 

 

 

   

   

 

  

 

 

       

 

 

48

 

    

 

   

 

 

       

 

56

    

64

 



     

 



     

 

 

 

  



      

              

 

   

     

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 

 

 

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     

 

       

 

 

 

mf

 



   





darkly

pp

             

 

     

           

3

 

71



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     

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 

83

   



     

90



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

 

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 

      

   



  

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 

               

  

 

102

 

     

   

   

     

                

      

 



                           

96

   

   

 

  

     

 

 



 

                 

                

77

   

      

   



 

   

      

    mf

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4

    

108

                                                    

      114                    

                     

    

 





  

    

rit...

pp

                              

                

121

                           

128

   



 

 

f



 

 

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

 

 

                          

       

134

  

 

    

     

 





 

Prestissimo

f

rit...

 

   

Lento

ff

                            

    

  

 

 





 

 

 

 

 

 

5

                                  

 

140

 

146

              

       



    



153







 

  





      



   

     



 

166

                    

   

        

 

p

 

   









    

     

    

  

  

 

     

      

159





  

   

 

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     

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   

 

  

mp

    



 

            

     

     

pp

rit.

  

  

  

  

     

        

 

     

6

 

173

 

 







 

                                    





    





     

       

      stretto

     

      ff sec

     

     

     

 

 

 

 

      Prestissimo

Lento 189



legato

185

 



mp dolce legato

179

 



 

 

 

 

f

   

   

     

   

 

 

  

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     



The Sun Rises Okami Piano Arrange

Rei Kondoh / Mika Matsuura

Transcription : Delldongo

Not too slow

                            

pp

   





     

   

8

 

   

p

 

             

     

   



 









 

                                    

14

    





  

   

                                      

 

20



26







     







 

   





   



p dolce

    

 



   

   









      

 

   



     

 



 

             Copyright © 11 - X - 08

2

grazioso

33

          

          

39

        

46





     

 

 

  

   

         

      

                      

       

       





  

 

  pp

 

   





    



  



                                53



         

  

  

    

 

 

 

 

                                        

61



  

 

  

f marcato



         

 

   

 

 

 

 

   

                                                   

   67      

       

3

 

 

                                                             

72



 

   

 

 



 

           



 

                                                                 Jazzy

                                                     

78

 

mf



 

   

                                              

82

   



      

              

 

        3                                      mp f           

87

                       

4



91

97





  

 

 





               

mp

  

  

   



p

       

   





 



  

   





 





   







 



  

  

        grazioso

104

  

                          

110

   

            



 

 

    



 

      

non legato

 p



 

         



                            

122









 



  

                           

116



     

        

 

 

    

 

  

 

  

    

  

        

                 

       



rit...

                  f                  

127

136



  

Tempo primo



    

        

   

 

      

 

         

 

 

        rubato

5

p

   

 

 

 

   

 

                                                     f

        

142

       

 



 

 

 

                                                              

147



 

     

 

   

 

 

       

                                                         

  

152

 

 

 

 

          rit...

                             

 

 

ff

  

    

The Journey Continues Okami Piano Arrange Rei Kondoh / Mika Matsuura Transcription : Delldongo

Andante

   



 3   



     

p dolce

            3







      

7





  

 

 

Thema

   

     

          



  



  





 





  

19



    

  

   

24













      

    



     

 



 





  

  







 

   

    



Copyright © 12 - X - 08









   

  

cantabile

   

13





 

 

   

 

         









  

        



        

2

 



29





3

   

33





      

  

       



       



43





  

47





 



 













          3

  





   

 



     





 

 

   

  

3

 



  

    

  mf

   

  



3

  

  

rit.

          

 



3

   



  

    

3

          

  

3

  

    

3





  

 

3

 



         

  

  

 



      

50



 



3

           

  

        

          

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

38

 

  

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    

 

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  

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  

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3 55

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 mp

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    

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

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



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                                f                    

60

   

64



 

    

  

   



       

75



 

    



   



 3     

   



  

 

 





 

  

    

 

 





 



pp

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  



 

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       

 

   

 







mp

           







   

rit...

    

più lento

79







        

     



69

 

 





      

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

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  

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     

 

  

     

3  

 

Reset Okami Piano Arrange JUN / Mika Matsuura Transcription : Delldongo

Larghetto





  



  

    pp





           



  



 

          

11



   

  

        p

cantabile

6

  





                3              3         

                                               

15



     

20



   

3                      3                

Copyright © 18 - X - 08

2

                              

25

animato



  



 



 

cresc.

  

 

 

                                  mp                     

29



                      

33



    

37







   





         

    

  41     



 





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 

 

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     

          

45



 



 



cresc.



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 

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

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

       

                            

   

            

mp

   













    

cresc.





49





                       

  



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  

   

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mf

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

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 





















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    



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 

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     

  



53

3







 

                                 cresc.                    

57



3

        

60



   

 

3               

p

   

 

             

64



 

 



            

 

     

 

   



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 

4 68





   

 

      

  



 

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 

                              

71





mf













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

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75





79





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 

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rit...

      

84







    p

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   

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



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

     

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

 



     

         

    

  

 

        

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 

pp

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

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  

    

A tempo

         

  

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